Hannah Arendt Center for Politics and the Humanities at Bard College
6Dec/15Off
Amor Mundi

Amor Mundi 12/6/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upThe Rojava Commune

rojavaWes Enzinna has an extraordinary essay in the NY Times Magazine on the utopian, anarchist, military experiment of Rojava, a small, quasi-autonomous territory in Syria that a part of the Kurdish PKK is trying to turn into a secular and liberal homeland. Enzinna traveled there to teach a class in free speech. He describes some of the surprising aspects of life in Rojava: "In accordance with a philosophy laid out by a leftist revolutionary named Abdullah Ocalan, Rojavan women had been championed as leaders, defense of the environment enshrined in law and radical direct democracy enacted in the streets." The territory is governed by the PKK, which includes "an all-female force called the Y.P.J., or Female Protection Units. These forces have become key American allies in the region." Turkey considers the PKK terrorists. But many others have a different view. "...[T]o sympathetic Western visitors, Rojava was something else entirely: a place where the seeds of the Arab Spring promised to blossom into utopia. 'What you are doing,' said Raymond Joliffe, a member of Britain's House of Lords, during a trip in May 2015, 'is a unique experiment that deserves to succeed.' A Dutch professor named Jan Best de Vries arrived in December 2014 and donated $10,000 to help buy books for Kurdish university students. David Graeber, a founder of Occupy Wall Street, visited that same month and wrote before his trip that 'the autonomous region of Rojava, as it exists today, is one of few bright spots--albeit a very bright one--to emerge from the tragedy of the Syrian revolution.' In May, I saw an announcement on Facebook for the Mesopotamian Social Sciences Academy, a new, coed university in Rojava's de facto capital, Qamishli. This in itself was revolutionary. For years, Bashar al-Assad and his father, Hafez, forbade many Syrian Kurds to study. In ISIS territory just 15 miles away, Kurdish girls were routinely tortured for being Westernized heretics--sometimes tied by their ponytails to car bumpers and dragged to their deaths. In Rojava, they were being educated. When I sent a message to the academy's Facebook page, requesting more information, I received a reply from Yasin Duman, a Kurdish graduate student living in Turkey. He had taught several courses there, he said, and when he found out I was a writer and professor in New York, we discussed a journalism class. Duman explained that Rojava's youth had little experience with the idea of free speech. Perhaps I could teach them: 'A free people has to have freedom of speech,' he said. It would be a cultural exchange. I would teach writing, and my students would show me what life was like in Rojava. We decided that I would spend a week in July giving a crash course in journalism basics: how to report, how to interview and how to document the war raging around them." The people in Rojava have a near-fanatical loyalty to Abdullah Ocalan, the charismatic founder of the PKK who sits in jail in Turkey. Enzinna notes that Ocalan "looms as a Wizard-of-Oz-like presence in Rojava." He also points out that amidst a horrific war, the PKK-based government in Rojava has committed war crimes and fallen short of the ideals it was charged to uphold. But overall, Enzinna offers an incredible glimpse into a unique and hopeful social experiment in the midst of the hell that now is Syria.

Learning How to Love

deeyah khanRosamund Urwin writes about Deeyah Khan, creator of the new film Jihad: A British Story. For Khan, recruiting young Brits into ISIS is a matter of teaching them about love. "Khan feels frustrated about the media debate after the Paris attacks. 'One guy will say, "it's all about Islam". The other will say, "it has nothing to do with Islam". I want to throw something at the TV! What are we doing about it? We don't have time for douchebags in suits to be pointing fingers at each other. Of course Islam has something to do with it--people are doing it in the name of Islam--but it's also about human vulnerabilities--needs that get filled somehow.' IS, she notes, spends hundreds of hours recruiting each fighter. It builds an intimate connection on Skype: finding out who this person is, their dreams. 'IS takes the yearning, the sadness, the anger, preys on that and draws people into becoming cannon fodder.' Perhaps because we're sitting in a Canary Wharf restaurant, Plateau, surrounded by Savile Row suits, I suggest IS may be the ultimate headhunters. Khan nods. 'They are. It's also like grooming. They find out what all your needs are, they build that loyalty and love.' Love, she acknowledges, seems a strange word to use when we're talking about a hateful ideology. 'It doesn't start with hate. It starts out as a human need that is not being met, and with love and loyalty between the recruiter and the follower.' Those radicalised by former über-recruiter Abu Muntasir describe him as the father they wished they had had."

Good Cop, Bad Cop

steve lockSteve Locke writes about how he was stopped and questioned because he fit the description of someone who had committed a crime. After he was let go, he went back to his office on his way to teach his class: "My colleague was in our shared office and she was able to calm me down. I had about 45 minutes until my class began and I had to teach. I forgot the lesson I had planned. I forgot the schedule. I couldn't think about how to do my job. I thought about the fact my word counted for nothing, they didn't believe that I wasn't a criminal. They had to find out. My word was not enough for them. My ID was not enough for them. My handmade one-of-a-kind knit hat was an object of suspicion. My Ralph Lauren quilted blazer was only a 'puffy coat.' That white woman could just walk up to a cop and talk about me like I was an object for regard. I wanted to go back and spit in their faces. The cops were probably deeply satisfied with how they handled the interaction, how they didn't escalate the situation, how they were respectful and polite." The cops probably were deeply satisfied with their performance. The vastly different reactions different people will have to this account are themselves many reasons it should be read.

Owning a Vermeer

art criticIn an interview, Teju Cole makes a case for the critic in the age of a bloated art market: "[W]hen someone pays $160 million for a Rembrandt or a de Kooning... I don't even know what's going on there. Is it only acquisitiveness? I don't know what kind of feeling they have for the art... Maybe the question should be: someone who privately owns a Vermeer, there's some in museums, they're very nice. Some of it can be in private ownership, it's okay, it's part of the circulation. What it's our job to do [as critics] is to help create and sustain value for overlooked work... So to do the kind of writing around that work, the celebration of that work, to give an account of how that work functions in the world: to say, here's this photographer from Mali, here's this sculptor from Nigeria, here's this Honduran filmmaker, we're doing this festival of Brazilian film. You know! Those things. I'm talking about this not as a fiction writer but as a critical writer. Some of our work is to look at the overlooked, to draw attention to those worthy things. The question is not always about what people are paying $50 million for, but the stuff that is only fifty thousand, only ten thousand, and getting that stuff into the museum space and have it be what it needs to be, to write books about it, to get it in the syllabus."

amor_mundi_sign-upGiving to Charity

mark zuckerbergIn the wake of Facebook founder Mark Zuckerberg's announcement that he will donate 99% of his stock in his company to charity over the course of his lifetime, John Cassidy considers the present and future of philanthrocapitalism: "It's not just the size of the donations that the wealthy are making that demands attention, though. Charitable giving on this scale makes modern capitalism, with all of its inequalities and injustices, seem somewhat more defensible. Having created hugely successful companies that have generated almost unimaginable wealth, Zuckerberg, Gates, and Buffett are sending a powerful message to Wall Street hedge-fund managers, Russian oligarchs, European industrialists, Arab oil sheiks, and anybody else who has accumulated a vast fortune: 'From those to whom much is given, much is expected.'... People like Zuckerberg and Gates, by virtue of their philanthropic efforts, can have a much bigger say in determining policy outcomes than ordinary citizens can. (As Matthew Yglesias pointed out on Vox, one of the advantages of registering the Chan Zuckerberg Initiative as an L.L.C. is that it can spend money on political ads.) The more money billionaires give to their charitable foundations, which in most cases remain under their personal control, the more influence they will accumulate. And relatively speaking, anyway, the less influence everybody else will have. Some Americans--not all of them disciples of Ayn Rand--might say that this is a good thing. I have already cited some of the Gates Foundation's good works. Isn't Michael Bloomberg, with his efforts to reform gun laws, promoting the public interest? Isn't George Soros, through his donations to civil-rights organizations, lining up on the side of the angels? In these two instances, my own answers would be yes and yes; but the broader point stands. The divide between philanthropy and politics is already fuzzy. As the 'philanthrocapitalism' movement gets bigger, this line will be increasingly hard to discern."

Physical Media in a New World

shar-e-nawJ. Malcolm Garcia profiles a bookseller in Afghanistan: "She walks without hurry, somewhat stiffly, sore, a diminutive woman unnoticed, burdened, using her chin to clamp down on a column of books she holds against her chest. Thin paperbacks most of them, a few hardcover. All written by her husband. The books appear worn as she does. Her tired eyes, lined face. Her forehead wrinkled into streams. Maybe from long, nightly exposure to the humid, grainy air, the white smoke rising from kabob grills wafting around and powdering her with ash. Maybe from seventeen years of selling her homebound husband's books. She does not know, does not really consider her fatigue any more than she reflects on how she sees and breathes. Block by block she maneuvers through the teeming sidewalks of Kabul's Shar-E-Naw shopping district until she enters Ice-Milk Restaurant, stops at tables. 'Would you like to buy a book?' she says. The twentysomething customers talk to one another staring at their iPhones and ignore her. Outside, more young people gather, dressed in tight blue jeans and dazzling, multicolored shirts reminiscent of the disco era. They talk loudly, with an air of We are special, laughing, hurrying past storefronts promoting Mastercard Premium, Marco Polo Garments, Alfalah Visa, United Bank, Body Building Fitness Gym, New Fashions Kabul Shop. Their shadows converge and fade into the glow of so many green and blue and red blinking lights dangling from awnings, unfolded above advertisements for pizza and club sandwiches and chicken fingers, and those same shadows cross a boy standing in the middle of the sidewalk and leaning on crutches, his left leg gone, his right hand out for money, and the young people swerve around him as if he were standing in the center of a traffic roundabout, and amid this confusion the book lady leaves Ice-Milk Restaurant without having sold one book and stops at another restaurant, Fast Food Pizza and Burger. The West's influence can be seen throughout Shar-E-Naw in the kaleidoscopic displays of consumerism and high prices that for a moment render the decades of ongoing war here as obsolete as the donkey-drawn carts plodding next to black Hummers stalled in traffic. But the sight of a maimed begging child, injured, she presumes, by a mine, reminds her that beneath the sequined mannequins and suggested affluence and rush to catch up with the Twenty-First Century, Shar-E-Naw is still Afghanistan."

Amazing and Boring

putinRebecca Solnit reports from Paris's conference on climate change: "It was amazing to be in that room with Xi Jinping, Vladimir Putin, Angela Merkel, and Barack Obama--quite possibly the four most powerful people on earth--along with U.N. Secretary General Ban Ki-moon, Framework Convention Executive Secretary Christiana Figueres, and dozens of other world leaders. It was amazing and often also boring. The statements were largely positive, predictable, vague, and repetitious. Of course, world leaders have to be graded on a curve. Putin's statement at least recognized the reality of climate change and suggested that we should do something about it, which is an improvement over his record of denying and dismissing the problem. Obama spoke of his summer trip to Alaska, whose melting permafrost and burning tundra are 'a preview of one possible future'--though it's the present, not the future, for Alaska. Still, Obama did acknowledge one of the central facts of the day: 'We know the truth that many nations have contributed little to climate change but will be the first to feel its threats.' Given this fact, it's no surprise that things got real when some of the less famous world leaders took their turns. Egyptian president Abdel Fattah el-Sisi noted that Africa is both the continent that emits least per capita and the one that faces the gravest consequences. Ismaïl Omar Guelleh, the president of Djibouti, itemized the ways his region would be destroyed, and is being destroyed now. 'It is clear that if nothing is done,' he said, 'the peoples of East Africa will find it impossible to survive.'"

Independence and Liberation

happyChris Lebron in the The Stone writes about what a certain kind of unhappiness means, one that comes when one realizes that independence does not yield liberation. "My first serious life lesson in those promising and formative adult years was that independence and liberation are not the same thing. Indeed, they work at different levels. Independence is local. The powers that be take a step back from managing your life. Liberation is still far away. You believe you will step into the space opened up to steer your own life, and you do step in, but find that you are shackled from the inside. But you did not place those restraints there. Rather, you inherited them. Maybe from your father's sad face. More likely from the very ways of the world that placed that sadness in him--those beatings in the street, unfair treatment by employers, and his precarious stewardship over the local young women and men whose own young lives could still be saved from the inheritance their own parents most likely had ready for them. You may later look in a mirror and wonder where the lightness of being in your own face went. Then, one day, your son begins asking you: 'Daddy, are you happy?' And you resolve to cut him out of the bum will handed down over the generations. You think, this is an heirloom he can do without.... I spend most of my days on the campus of Yale University, one of the world's most elite, respected and powerful, where I try to contribute knowledge to a world in need of viewpoints like mine, but surely not only mine. This, and all other college campuses, are supposed to allow for, among other things, the flourishing of hope. College students are meant to be spending their time formulating the meaning of their newfound independence and discovering how to convert that independence into liberation. For many, it goes as planned. But a great many black and brown students nationally find themselves instead subject to a corrupt and perverse set of manners. They find that some person, some institution, some history, malignant ignorance or benignly neglectful force intends for them to mind their shackles. They are reminded that their independence is comparatively worth far less than that of their white counterparts, never mind their liberation. These students sense that they do not want their own kids asking: 'Are you happy?' Critics have dismissed the nation's student protesters as mere coddled young people in a rage over some nonsense having to do with costumes or fraternity parties or whatever else the headlines say is the matter. I can tell you that none of these really is at the root. Rather, these and similar events are the catalyst for a revelation--that the rage and sadness these students inherited have been there for years, waiting to make themselves known. The inheritance of disaffection can only really come into its own with the maturity of social consciousness."

amor_mundi_sign-upFeatured Events

images of surveillanceImages of Surveillance: The Politics, Economics, and Aesthetics of Surveillance Societies

Roger Berkowitz, director of the Hannah Arendt Center for Politics and Humanities, will be a participant at the interdisciplinary symposium: Images of Surveillance: The Politics, Economics, and Aesthetics of Surveillance Societies. The symposium is presented by the Goethe-Institut in New York, NY December 4-6, 2015.

The symposium will combine lectures, panel discussion, artist talks, and presentations to explore the topic in its various political, economic, and aethetic dimensions and open new ways to think about surveillance in the 21st century. At the heart of Images of Surveillance is the recognition that surveillance as object of study is far too complex to be grasped from any single point of view and thus requires us to combine multiple perspectives into a fuller picture of what surveillance might be. Such an approach rejects both disciplinary boundaries and post-modern indeterminacy in favor of a concerted effort to create overlaps and conceptual chains across a wide variety of practices and discourses.

To learn more about the symposium, schedule, and participants visit goethe.de/ny/sensitivedata.

Friday, December 4 through Sunday, December 6, 2015

Goethe Institut, 30 Irving Place, New York, NY 10003


virtual reading groupHAC Virtual Reading Group - Session #16

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, January 8, 2015

Bluejeans.com, 11:00 am - 12:00 pm


How Do We Talk About Difficult Questions?: Race, Sex and Religion on CampusSAVE THE DATE - 2016 FALL CONFERENCE

On OCTOBER 20-21, 2016 we will host our ninth annual fall conference: "How Do We Talk About Difficult Questions?: Race, Sex and Religion on Campus". We'll see you there!

Thursday and Friday, October 20 and 21, 2016

Olin Hall, Bard College, 10:00 am - 6:00 pm


From the Arendt Center Blog

This week on the Blog, Jennie Han explores the concept of "home" with respect to our discussions of the ongoing student protests on American college campuses in the Quote of the Week. Madame Swetchine draws a metaphor between thinking and nature in this week's Thoughts on Thinking. Finally, in a special feature, Jerome Kohn remembers Hannah Arendt on the 40th anniversary of her death.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
18May/15Off
Amor Mundi

Amor Mundi 5/17/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upBeing Toward Death

death maskDeath today has been medicalized and marginalized. But this has not always been the case. To illustrate, Deborah Lutz has explored the way the Victorians approached death and has found a much different and worthy approach to the dying body. "What I came to realize was that the Victorians cared about the mortal body; its very mortality mattered profoundly to them. Today we try to deny the body's movement toward death, its inevitable decay. The Victorians, instead of fearing the process of dying and the corpse, felt reverence. These were stages in the life of a beloved body and should be treasured. Indeed, the image of the corpse was worthy of fixing with the art of the death mask, painting or photography. A snippet of hair was often turned into jewelry. What was beautiful--and tragic, but more lovely for all that--was the body's ephemerality, its being always on the way to disappearing. The Victorians recognized that death's presence was woven into the texture of life, giving that life one of its essential meanings. Religion, of course, played a role in this attitude. Evangelical revivals early in the 19th century reinvigorated the tradition of the good death, in which God called believers to him. Even the sinful might be saved in the end, and this salvation could be seen in the face of the dying and heard in their words. Dying was something to be watched--a triumph even.... What we have lost is not only a savoring of ephemerality, but also an appreciation of the way that time marks the body. We try too hard to keep the terminally ill alive because we can't admit to finality. This has begun to change with the rise of the hospice movement and the work of a handful of artists, like Ishiuchi Miyako and Sophie Calle, who are interested in documenting the dying of loved ones. Even so, the philosopher Walter Benjamin's lament in the 1930s about death still rings true. By avoiding the sight of the dying, he felt, one misses the moment when the meaning of a life is completed and illuminated in its ending. The denial of death then leads to the demise of the art of storytelling. He called his contemporaries 'dry dwellers of eternity' because they 'live in rooms that have never been touched by death.'"

The Wrong Stuff

death chamberJeffrey E. Stern reports on a recent botched execution in Oklahoma and on the source of the problem, namely, the difficulty of finding the right drugs: "What many people don't realize, however, is that choosing the specific drugs and doses involves as much guesswork as expertise. In many cases, the person responsible for selecting the drugs has no medical training. Sometimes that person is a lawyer--a state attorney general or an attorney for the prison. These officials base their confidence that a certain drug will work largely on the fact that it has seemed to work in the past. So naturally, they prefer not to experiment with new drugs. In recent years, however, they have been forced to do so... The problems began at a pharmaceutical plant in Rocky Mount, North Carolina. The Food and Drug Administration discovered that some of the drugs made there were contaminated and in April 2010 sent the manufacturer, Hospira, a warning letter. Hospira stopped producing, among other drugs, a barbiturate called sodium thiopental. No other company was approved by the FDA to make sodium thiopental, which was the anesthetic of choice for almost all of the states that carried out executions." Stern doesn't editorialize. But the horrific facts of the case themselves seem to ask whether or not this punishment fits any crime.

Thingification

thingsRussell Jacoby is critical of the academic fashion for studies of objects, books on golf balls, paper clips, and doorknobs. This kind of microscopic approach can be done well--Jacoby offers the excellent example of the Sigfried Giedion's 1948 Mechanization Takes Command. But in the current iteration of object studies, Jacoby discerns an empty, consumerist, apolitical desire expression of exhaustion. "The tendencies here reflect new academic fashions that seem to move in two opposite directions--fields get larger and subject matter smaller. We have new fields of global studies or material culture--allied to object theory--which seem to cover everything; but they frequently serve as licenses to study very small things. The connections, in any case, between larger fields and microstudies are hardly addressed. A recent issue of the Journal of Material Culture, for instance, has an article on energy shortages in an African city ('Infrastructure turned suprastructure: Unpredictable materialities and visions of a Nigerian nation') and the incompatible standards of electrical plugs in Western Europe ('Plugging in: Power sockets, standards and the valencies of national habitus'). There is nothing wrong with this--except that after all the theoretical panting we are left gawking at unrelated items in the display case of history. For all the references to Lukacs, object study bespeaks reification, turning social relations into things. Perhaps an awkward French translation for reification, 'chosification'--'thingification' in English--captures something of Lukacs' concept. Historical material subject to potential change gets transmuted into things subject to passive viewing."

Design Within Reach

homelessAndrea DenHoed applauds an undergraduate design class project which is aimed at alleviating the problem of homelessness in New York City: "Perhaps it's fanciful to be discussing beautiful design in the face of horror stories about the city's neglected, dilapidated shelters. Or perhaps the project of reconceptualizing what it means to house the homeless goes hand in hand with the project of finding sustainable approaches to homelessness. (In an area where the best practices seem wholly inadequate to the problem at hand, and where departures from orthodoxy--such as a Utah experiment that simply gave homeless people houses--can be notably fruitful, the idea of radical reconceptualization is particularly attractive.) But the ability to conceive of and implement beautiful design with scarce resources is a great test of skill and talent, and it's worth wondering whether top-tier designers would even be interested in these tight-budget contracts. ('My passion still goes to high-end residential spaces,' which allow for extensive customization, one student said.) But from the working designer's point of view, designing for a low-income demographic might offer another kind of freedom. Walz said that he's observed a growing discontent among interior designers with some of the changes that economic trends have wrought on their profession. 'Everybody has sort of had it with the sense of entitlement in certain parts of the population,' he said. 'But nobody wants to talk about it--you don't want to bite the hand that feeds you.'"

amor_mundi_sign-upArendt's Moral Groundwork

hannah arendtCorey Robin has a long essay on Hannah Arendt and the Eichmann controversy in the latest Nation. Robin's article has the virtue of length and breadth, allowing him to explore Arendt's critics and their errors but also to search for meaning in the recurring conflict. He asks, "What is it about this most Jewish of texts that makes it such a perennial source of rancor among Jews, and what does their rancor tell us about Jewish life in the shadow of the Holocaust and the creation of the state of Israel? What does the wrongness of Eichmann's readers reveal about the rightness of its arguments?" Robin takes on Arendt's critics on many levels, and in the end argues that Arendt's account of the Eichmann trial, was, as Arendt once wrote, "the groundwork for creating new political morals." Robin writes: "If evil comes in small steps, overcoming it, nearing goodness, also inheres in small steps. As Susan Neiman explains: 'Arendt was convinced that evil could be overcome only if we acknowledge that it overwhelms us in ways that are minute. Great temptations are easier to recognize and thus to resist, for resistance comes in heroic terms. Contemporary dangers begin with trivial and insidious steps.' Return the coat of collateral at night; take the eggs, not the bird; give a hunted Jew a truck. Jerusalem, then--not the Athens of the Greeks or the Königsberg of Kant--may be not only the site but also the spirit of Arendt's text. The intransigence of her ethic of everyday life, her insistence that every action matters, that we attend to the minutes of our practice--not the purity of our souls but the justness of our conduct and how it will affect things; if not now, when all is hopeless, then in the future, when all will be remembered--that kind of mindfulness is reminiscent, too, of the Hebraic ethos described by Arnold in Culture and Anarchy: 'this energy driving at practice' that 'would not let the Hebrew rest till, as is well known, he had at last got out of the law a network of prescriptions to enwrap his whole life, to govern every moment of it, every impulse, every action.' On December 21, 1962, two months before the first of her articles would appear in The New Yorker, Arendt gave her friend, the literary critic Alfred Kazin, a copy of the manuscript. The next day, he finished it. Overwhelmed by 'the stink of so much evil,' he went out for a walk. He 'walked and walked,' he writes in his journal, 'shivering to get the wintry pure air into my lungs.' Then he was hit by a realization: 'Hannah in her imperious yecke [a Yiddish term for German Jews] way is one of the just.' 'This is the lightning in her to which I always respond. She has the fundamental sense of value. She still believes in the right. Oddly enough, she still believes in the Ten Commandments.'"

In Search of a Human Humanities Conference

humanities conferenceChristy Wampole poses a simple question many of us ask regularly: Why are academic conferences so boring? "We are weary of academic conferences. We are humanists who recognize very little humanity in the conference format and content. We have sat patiently and politely through talks read line by line in a monotone voice by a speaker who doesn't look up once, wondering why we couldn't have read the paper ourselves in advance with a much greater level of absorption. We have tried to ignore the lack of a thesis or even one interesting sentence in a 20-minute talk. Our jaws have hung in disbelief as a speaker tries to squeeze a 30-minute talk into a 20-minute slot by reading too fast to be understood. We have been one of two attendees at a panel.... Academic conferences are a habit from the past, embraced by the administrativersity as a way to showcase knowledge and to increase productivity in the form of published conference proceedings. We have been complicit. Until now. We believe it is time to ask ourselves: What is the purpose of the conference?" It is an excellent question, and one that should spur experimentation. Hannah Arendt Center Conferences are one attempt to re-imagine the tired academic conference by bringing academics together with students, the engaged public, artists, business people, and public intellectuals to explore present concerns in politics through the humanities. If you haven't attended one of our events, join us at our next conference: Private Life: Why Does it Matter?

Drugs, Babies, and Poverty in America

muskogeeReflecting on poverty and the unrest in Baltimore, Thomas B. Edsall offers a comparison with Muskogee, Oklahoma. "Today Muskogee, Okla., a city of 38,863, has nine drug treatment centers and a court specifically devoted to drug offenders. A search for 'methamphetamine arrest' on the website of the Muskogee Phoenix, the local newspaper, produces 316 hits. In 2013 just under two-thirds of the births in the city of Muskogee, 62.6 percent, were to unwed mothers, including 48.3 percent of the births to white mothers. The teenage birthrate in Oklahoma was 47.3 per 1,000; in Muskogee, it's 59.2, almost twice the national rate, which is 29.7. The Baltimore poverty rate is 23.8 percent, 8.4 points above the national rate, but below Muskogee's 27.7 percent. The median household income in Baltimore is $41,385, $11,661 below the $53,046 national level, but $7,712 above Muskogee's $33,664.... Why am I talking about Muskogee? Two reasons. The first is that the Baltimore riots have become a vehicle for conservatives to point to the city as an emblem of the failure of liberalism and the Democratic Party. The current state of affairs in Muskogee suggests that the left does not deserve exclusive credit for social disorder. The second reason is that worsening conditions in working-class white Republican communities indicate that the conservative moral agenda has not decisively won the battle for the hearts of America's youth.... If conservatives place responsibility on liberal Democrats, feminism and the abandonment of traditional family values for Baltimore's decay, what role did the 249 churches in and around Muskogee play in that city's troubles? The fact is that the poor and working classes of both races were not well equipped to adjust to changes in behavior driven by the sexual revolution and the second demographic transition--a collection of forces that are inexorably changing the family, marriage patterns and child rearing worldwide." On the left there is a conviction that racism lies behind the problems in Baltimore. On the right, they blame feminism, gay rights, and the loss of religious order. Edsall focuses on the similarities between the breakdown of society in both Baltimore and Muskogee, arguing that they reflect a more widespread demographic and moral collapse.

Critical Miss

computerJon Peterson remembers a moment just before the internet when fiction seemed like it might be intruding on truth, networks and hacking struck fear in the heart of the government, and the Secret Service thought it was protecting the public good by confiscating the manual to a tabletop role-playing game: "In hindsight, it's difficult to explain how esoteric computers appeared to the mainstream in the 1980s. The Internet existed--but even in 1990, few had any inkling of the prominence it would soon attain. It was just one of several communications networks, largely confined to university environments and overshadowed by closed monolithic information services like CompuServe. The web as such didn't exist either, and even functions like email and newsgroups depended on a patchwork of interconnected systems with limited standardization. The promise of an open, global network for commerce, entertainment, and personal communications remained in the realm of science fiction... But in 1990, the territory where these stories played out remained imaginary: the Internet lingered on the cusp of becoming habitable. Only a marginal community of hobbyists spent any significant fraction of their lives online, in various bulletin boards, newsgroups, and chat services where they communicated with like-minded explorers of the electronic frontier. Perhaps the closest you could get at that time to an experience of Gibson's future was in the role-playing games that tried to capture the flavor of that world, known by the genre label 'cyberpunk.'"

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #9

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, June 5, 2015

Bluejeans.com, 11:00 am - 12:00 pm

 

 


privacy con 2015 (temp)SAVE THE DATE - 2015 FALL CONFERENCE

Thursday and Friday, October 15 and 16, 2015

The Hannah Arendt Center's eighth annual fall conference, "Privacy: Why Does It Matter?," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!


From the Arendt Center Blog

This week on the Blog, Hans Teerds reflects on how we understand architecture as a political concern and, by extension, understand Karl Jaspers' spatial approach to thinking in the Quote of the Week. We share a link to a broadcast by Deutschlandfunk Radio that provides some coverage of "Can We Have Some Privacy?," a conference we sponsored earlier this month. Anne Morrow Lindbergh, wife of Charles Lindbergh, reflects on writing, thinking, and life in this week's Thoughts on Thinking. Bethany Zulick, a HAC student fellow, recounts artist Jeanne van Heeswijk's lecture for our spring 2015 "Courage to Be" dinner/speaker series. Finally, we appreciate two annotations Arendt made to her copy of "Black Reconstruction in America" in this week's Library feature.

bill t. jones On Tuesday, May 5th, we had the pleasure of talking with American choreographer and dancer Bill T. Jones and with members of the Bill T. Jones/Arnie Zane Dance Company following a rehearsal for their upcoming world premiere performance, "Analogy/Dora: Tramontane." We will be uploading a recording of our Q&A session with Jones and company to our Vimeo account in the next few weeks. Please stay tuned!

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
15Feb/13Off
Weekend Reading

Dworkin’s Law & Justice

Ronald Dworkin died yesterday, Thursday. He was 81.

For much of my early career as someone engaged in the question of justice, Ronald Dworkin was one of my imaginary antagonists. Reading Dworkin was eternally frustrating. I was consumed with the inevitable temptation to take on Dworkin’s unwavering apologies for legal power. Dworkin was the great defender of the morality of the state, an idea that I had a hard time accepting. He was an advocate for legitimacy of legal rule, which often seemed ungrounded and illegitimate. Above all, his magnum opus, Law's Empire, is a celebration of the imperial grandeur of law, when law often seemed to my youthful and often angry eye to be rather the embodiment of power, interest, and money.

For Dworkin, ‘we’—lawyers, judges, and philosophers of Law’s Empire—are engaged in the utopian project of purifying law. And law, in turn, purifies us. In being “subjects of law’s empire, liegemen to its methods and ideals,” we bridle our action and reasoning with the constraints of legal thinking. What law requires, above all, is that our actions be made consistent with the foundational moral principles embodied in and by the community. Interpreted correctly—that is, observing the integrity of the moral world—law leads to decisions that enrich a “narrative story” of who we are. It is a story that, for Dworkin, makes our practices and institutions “the best they can be.”

Law in Dworkin’s writing embodies a “flourishing legal system” and carries with itself the possibility of securing the utopian and political ideals of fairness, justice, and procedural due process.  Lawyers, judges, and especially legal philosophers, are the people responsible for dreaming utopian dreams—dreams “already latent in the present law”—and working to bring about those dreams through law and the legal system.  Law, therefore, cannot simply be conventional and self-referential; it must hold within it the promise for progressive societal change. Left, utopian politics, Dworkin states, is law.  Or, in other words, law is the center of all political and ethical progress in modern civilized states.

It is not hard to point out inconsistencies and tensions in Dworkin’s philo-legalism. Dworkin’s many critics reveled in pointing to law’s promises of equality broken and its ideal of justice contradicted. The law does not always act for good. But that means that those who would defend law’s empire have a choice. They can defend the law pragmatically and politically—arguing that law is simply a tool in the larger political struggle for justice. Or they can seek to weave the entirety of the law—good and bad—into an overarching moral universe—imagining law as an ideal that can and should in its nature propel us fitfully toward a more just world. Dworkin took the latter approach. The more I saw the impossibility of his project, the greater became my respect for the nobility and grandeur of his effort.

Much of Dworkin’s academic work is full of abstract theory. Perhaps his most enduring contribution, however, is a single metaphor. Law, Dworkin writes, is like a chain novel. And judges, he argues, are “authors as well as critics” who participate in the collaborative writing of the novel that is the law. The chain novel—in which “a group of novelists writes seriatim”—unfolds chapter by chapter, each written by a different author.  Each author is required both to fit her interpretation to what has come before—i.e. to make an interpretive judgment about the text under the assumption that it was written by a single author—and to judge which of the possible interpretations makes the work in progress the best it can be.  The judgment involves a substantive aesthetic choice; Dworkin insists that this choice is not arbitrary. It is constrained by the structure, plot, and style of the text and authors that have come before.

Dworkin’s claim is that in interpreting and authoring the chain novel, each successive author is not limited to the dichotomous choice between finding the meaning in the text and inventing the meaning of the text. Instead, “each novelist aims to make a single novel.” To do so is not simple and will involve a multifaceted engagement with the text and the principles of what has come before. The author must “find layers and currents of meaning rather than a single, exhaustive theme.” And yet, he “cannot adopt any interpretation, however complex.” Each new interpretation and creation must make the entirety of the chain novel fit together in the best way possible.

Similarly, each judge who decides a case must judge with what Dworkin calls integrity. This means that every judge must find in what has come before the “principle” that “is instinct in law.” When a judge does this, “he reports not a simple-minded claim about the motives of past statesmen, a claim a wise cynic can easily refute, but an interpretive proposal: that the principle both fits and justifies some complex part of legal practice, that it provides an attractive way to see, in the structure of that practice, the consistency of principle integrity requires.” Interpretive practice requires an author to distinguish between continuing the novel and beginning it anew.  Only judgments that continue the law’s story are judgments with integrity.

Dworkin’s analogy of law to a chain novel can be read, sympathetically, as saying: look, we have this community with these values and within it neutral judgments based on laws are impossible.  If we want law, we better figure out a way to make those judgments possible or we are back to justifying law as the rule of those with power.  Law as integrity is such a way.  You external skeptics can go around saying our community is contingent and constructed but sooner or later you are going to have to choose between nihilsim and ethical engagement.

What Dworkin yearned for was a theory of interpretation that could assimilate the entirety of the past into a common and clear narrative of the present. His model judge, Hercules, was the judge whose power of interpretation was so fecund as to master the mass of judgments, facts, and decisions into a single, best, and just narrative.

That such a herculean task is not possible—and that defending such a stance could serve as a smoke screen for the interests and power behind the law—was something Dworkin refused to concede.

In the last decade Dworkin turned from abstract legal philosophy to popular writing, which often appeared in the New York Review of Books. His writing about current issues and cases was clear, moral, and passionate—if also quite predictable. Somehow, Dworkin always found that judging with integrity required decisions in accord with a fundamentally mainstream-left-of-center point of view.

Whatever his limits, Dworkin stood for the undying idea that law—whatever its shortcomings—should aspire to do justice. For this reason alone, if nothing else, we should celebrate him.

The best obituaries so far are found in The Guardian and The New York Times. But better yet, open up your old volume of Law’s Empire. And if you don’t have it handy, here is a version you can navigate on the web.

-RB

 

Roger Berkowitz
Roger Berkowitz is Associate Professor of Political Studies and Human Rights at Bard College, and Academic Director of the Hannah Arendt Center for Politics and the Humanities. He is also the author of "Gift of Science: Leibniz and the Modern Legal Tradition", as well as co-editor of "Thinking in Dark Times: Hannah Arendt on Ethics and Politics".