Hannah Arendt Center for Politics and Humanities
26Jul/150

Amor Mundi 7/26/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upWhere Everything Is Possible

concentration campHannah Arendt first argued that concentration and extermination camps were "the true central institution of totalitarian organizational power" and were "the laboratories in which the fundamental belief of totalitarianism that everything is possible [was] being verified." A new series of books exploring the Nazi camps has emerged offering what Richard J. Evans calls "An Anatomy of Hell." Writing in the New York Review of Books, Evans argues: "In the popular imagination, the Nazi concentration camp now features mainly as a place where Jews were taken to be gassed. In a recent German opinion poll, most respondents associated the camps with the persecution and murder of Jews; under 10 percent mentioned other categories of camp prisoners, such as Communists, criminals, or homosexuals. The power of the 'Holocaust' as a concept has all but obliterated other aspects of the crimes of the Nazis and the sufferings of their victims and driven the history of the camps from cultural memory. No crime in human history outdoes the genocidal extermination of six million European Jews on the orders of the leader of Germany's self-styled 'Third Reich.' Yet the majority of the Jewish victims of Nazi mass murder were not killed in the camps; they were shot, starved to death, or left to die of diseases that could easily have been prevented or treated but were not. The concentration camp was in no way synonymous with the Holocaust."

Selfie, Bound

selfieArianne Di Nardo writes about Mónika Sziládi's photography, which explores the way we express ourselves online: "Working by composite allows Sziládi to juxtapose multiple sharp moments in a single frame, to play with scale, and to create focal points that compete for our attention. She includes perturbing elements that, as she said in her speech, 'belong, and don't belong, at the same time.' The result is an uncanny, noisy circus, one with a dress code and that encourages visual transience. Take her rendition of the Three Graces, 'Untitled (Grapes and Graces)' (2010/2014). When photographed, the subjects posed for a 'selfie'; Sziládi took a spontaneous shot. She added the background four years later, after capturing the screen image of a Tuscan grapevine from inside a convention center. Nothing looks quite normal, but it feels okay. Not just because we relate to this innocuous gesture, but because the absurdity of the final image is offset by a cheeky wit...Despite its contemporaneity, Sziládi's work suggests a deep primordiality: connection. Displays of mimicry and repetition are not modern phenomena, and they appear frequently in Sziládi's work. People gesticulate, mirroring one other in posture and dress, and with devices omnipresent, scenes of surveillance--narcissistic and otherwise--are a reasonable afterthought. When asked if screens and devices are a part of her morning routine, Sziládi responded via email: 'Yes :(. But I try to check them at least half an hour after I wake up, and only briefly to make sure there are no emergencies. And then later attend to whatever needs to be done.' Whatever it is that needs doing, one hopes that in the constant and immediate culture of connectivity--that ever-expanding, immersive virtual web--Sziládi, as with the rest of us, can make greater space for the organic, breathing world."

Publicity and Shallowness

why privacy matters title cardHow does one find room for Arianne Di Nardo's organic world amidst the ever-growing intrusion of governmental, corporate, and social surveillance? Hannah Arendt saw the private realm as the essential refuge for human uniqueness. In daily life, she writes, we "return back from the outside world and withdraw into the security of private life within four walls." These walls of the private "enclose a secure place, without which no living thing can thrive." For Arendt, "Everything that lives, not vegetative life alone, emerges from darkness and, however strong its natural tendency to thrust itself into the light, it nevertheless needs the security of darkness to grow at all." Privacy guards the dark recesses of the human heart. So what is lost when these chambers are exposed to the light of public censure? Love grows in secret and loyalty trumps formal rules of fairness. We all transgress taboos and even a few laws. Yet, when we are forced to police private urges and actions by public standards, our belief in public morality appears hypocritical. Distrusting ourselves, we trust no one, which is the source of cynicism of political life. It is amidst a sense that privacy is being lost and we are powerless to resist such loss that the Hannah Arendt Center at Bard College will host our 8th Annual Conference, "Why Privacy Matters: What Do We Lose When We Lose Our Privacy?" Registration is now open.

The Privileges of Membership

HAC 100_10 logo 2015Every year in July, we ask our Amor Mundi readership to join the Hannah Arendt Center community as part of our 100/10 Membership Challenge. It's worth remembering that the Hannah Arendt Center is a membership organization. As such, our members are an integral part of our mission: to be the world's most expansive home for bold and risky humanities thinking about our political world inspired by the spirit of Hannah Arendt, the leading thinker of politics and active citizenship in the modern era. Those who join receive free admission to our annual conferences, yearly subscriptions to HA: The Journal of the Hannah Arendt Center, entry into our virtual reading group, and a Hannah Arendt Center tote bag, among other gifts. Membership dues support our fellowships, conferences, videos, and publications. They also go towards our National Endowment for the Humanities matching challenge grant, so all gifts are matched by the NEH. Please support us in our mission going forward. Please join the Arendt Center today and help us fulfill our 100/10 Membership Challenge.

amor_mundi_sign-upI Am Sorry that I Cannot Make It Okay

ta-nehisi coatesChris Lebron asks about Ta-Nehisi Coates's apology in his new book. Written as a letter to his son, Coates apologizes for not being able to make the world safe for him as a future black man. "In what really needs to be accepted as one of the book's most important passages, Coates says with respect to the unsatisfactory level of security he feels Samori is sure to inherit by way of his blackness: 'I am sorry that I cannot make it okay. I am sorry that I cannot save you--but not that sorry. Part of me thinks that your very vulnerability brings you closer to the meaning of life, just as for others, the quest to believe oneself white divides them from it.' (107) One can only imagine the tough pill this is to swallow for a boy aging into manhood, which raises the question as to why Coates feeds it to Samori? To say that it is part of the widely relied upon ethic in the black community of tough love is too facile. It is one thing to ready a belt; it is another to tell a son that the most reliable signifier of his existence is the delicate nature of that existence. A welt from the whack of belt clears up in day or two. The inheritance of existential precariousness lasts a lifetime. To see just how dangerous this kind of message is we can turn directly to Baldwin's opening salvo to his nephew regarding Baldwin's own father: 'Well, [your grandfather] is dead, he never saw you, and he had a terrible life; he was defeated long before he died because, at the bottom of his heart, he really believed what white people said about him.' Baldwin is clear in his message. The only way to a black life of meaning is to be aware of one's vulnerabilities but to simultaneously resist being defined by them, to deny the insistence that one frame one's life in terms of those vulnerabilities. The vulnerabilities at issue for both writers ought, for Baldwin, be taken as markers for resistance and personal radicalism broadly understood and not as reference points."

The Anti-Nostalgist

e. l. doctorowJeet Heer eulogizes writer E. L. Doctorow, who died this week at 84: "Doctorow's fiction enjoyed its greatest vogue in the 1970s when his novel Ragtime (1975) was an enormous bestseller. It's tempting but wrong to see Doctorow as an example of the nostalgia boom that overtook America during the 1960s and '70s. This was a period when you could go see Grease on Broadway, American Graffiti in the movie theatre, and 'Happy Days' on television. Dismayed by the Vietnam War and the Watergate scandal, Americans increasingly turned to pastoral celebrations of seemingly simpler times. Doctorow actually had a role to play in the rise of the nostalgia industry. In the early 1960s, as editor at The Dial Press, he commissioned the publication of Jules Feiffer's The Comic Book Heroes (1965), the first hardcover reprinting of such 1930s and 1940s caped crusaders as Superman, Batman, and The Spirit. The text of Feiffer's book indulged in no good-old-days falsifications: It was clear-eyed in linking superheroes to the trauma of the Depression and World War II. Still, the success of Feiffer's book inspired countless imitators, which robbed the artifacts of the past of their historical context. Despite his role in sparking the nostalgia boom, Doctorow was in fact an anti-nostalgist in a nostalgic period. His books never shirked from describing the primordial conflicts over race and class that were the very foundations of history. It's instructive to compare the movie The Sting (1973) with Ragtime. A sprightly caper film starting Paul Newman and Robert Redford, The Sting captures the look and feel of the Ragtime era, and helped spark a revival of popularity in the music of Scott Joplin, but has no ambitions to be more than entertainment. Everything that is forgotten in The Sting is remembered in Doctorow's Ragtime. Among other things, the roots of Ragtime music in African-American culture aren't forgotten in Doctorow's novel, which includes one of the most harrowing accounts of racist humiliation in American fiction in the form of the story of Coalhouse Walker."

Coming Up Bagel

bagelElizabeth Weil tries to get a good bagel in San Francisco: "The New York bagel, as everybody knows, is an institution. No bagel definition will satisfy all, but for starters, let's just say: A good one requires a chewy interior with blisters, called fisheyes, on a shiny, crispy crust. Making a bagel requires several steps: Hand-roll enriched dough; let it rise, or proof; retard the rising in a refrigerator; boil briefly in malted water; then bake. Mitchell Davis, the executive vice president of the James Beard Foundation--a man who is currently living in Milan and who almost came to tears one recent Sunday morning at the thought of his husband back home in Gramercy Park, reading the wedding announcements and eating an everything from Brooklyn Bagel--believes that the secret to a good bagel is technique, the length of time, say, for proofing and boiling, more than the type of water or flour. Achieving the right crust is foremost. 'That's the hardest thing, that outer crunch,' Davis told me. He recalled that his father described the bagel as 'a doughnut dipped in cement.' 'So he wasn't a fan?' I asked 'No!' Davis said. 'He loved them.' The obvious saviors in San Francisco's bagel situation should have been Evan Bloom and Leo Beckerman--occasional chefs at the Hillel chapter at the University of California, Berkeley, and the owners of San Francisco's relatively new and much beloved Jewish deli, Wise Sons, which opened in 2012. Many already believed Wise Sons made the best deli rye west of the Hudson River. The restaurant sold so much house-made pastrami that, after several years of Bloom's transporting the smoky, fatty meat to catering events, his girlfriend could no longer stand the smell and insisted he buy a new car. A disclaimer on the menu reads NOT A NEW YORK DELI. Bloom and Beckerman added the notice just a few months after opening because even though the place was packed, customers groused that Wise Sons' offerings didn't taste like the food they grew up eating on the East Coast. 'Our kugel is definitely not as good as your bubbe's kugel,' Beckerman told me, sitting on the bench where he used to sleep after working 20-hour shifts. 'The actual food we serve is better,' he said. 'I'm very proud of our food. But it's never going to match the memory of what your grandmother made you between the ages of 5 and 15.'"

Pity the Literary Immigrant

milan kunderaJohannes Lichtman notes that troubles with translation caused Milan Kundera to choose a new linguistic home, just as troubles with Czech politics caused him to move to France: "Early translations of his works tended to lose what made them most interesting. Foreign publishers wanted to market Kundera's biography rather than his style, and he has never quite been able to shed the early portrayal of himself as a dissident writer of protest novels. As the translation scholar and astute Kundera reader Michelle Woods pointed out, in the first British edition of The Joke, 'many of the experimental devices included by Kundera, such as the non-linear narrative and Jaroslav's discourse on polyphony, were seen as clouding the real message.' This resulted in 'a complete rearrangement of the novel into a semi-linear chronology and the removal of 300 sentences.' When he learned of this unauthorized editing, Kundera sent an angry letter to The Times Literary Supplement, in which he compared his editors and translators to communist censors, and said that he'd rather not publish at all than have his work rewritten without his consent. It was the first of many times he would assert his right to absolute control over his words--often to the detriment of his career. While the English translators of The Joke took a hatchet to the text, the French translator puffed up the style. The translator, Marcel Aymonin, had a very different aesthetic from Kundera, who has always written in language that's easy on the metaphors. As Caleb Crain noted, 'Where Kundera had written "The sky was blue," Aymonin had translated "Under a sky of periwinkle, October hoisted its showy shield."' Aymonin did not translate the book, but rather rewrote it: 'He found my style too simple!' Kundera told Jordan Elgrably. 'Into my manuscript he inserted hundreds (yes!) of embellishing metaphors; he used synonyms where I repeat the same word; he wanted to create a "beautiful style"!'... It was in part the horror of these experiences that led Kundera to embark on a linguistic emigration from Czech to French. Starting in the mid-1980s, he began writing first his essays, then his novels, in French, and he also rewrote his Czech novels into 'definitive' French versions from which his translators were to work. Notably, he did not feel the need to translate his new French texts into Czech, nor did he allow anyone else to do so. This perceived shunning of his Czech roots made him a target both in the Czech Republic and in France. Since the fall of communism, the Czech media has fostered an atmosphere where, as Crain put it, 'Any downturn in Kundera's post-Czech career is headline worthy.' While he is still a major figure in French literature, it's safe to say that he was more interesting to the French as a Czech exile than as a Parisian intellectual. After the release of Immortality (1990), Kundera's first novel more concerned with French characters than Czech characters, a French paper implored Kundera to return to Czech themes. The article ran under the headline: 'Kundera, Go Home!'"

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #11

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, July 31, 2015

Bluejeans.com, 11:00 am - 12:00 pm

 

 


why privacy matters title cardSAVE THE DATE - 2015 FALL CONFERENCE

The Hannah Arendt Center's eighth annual fall conference, "Why Privacy Matters: What Do We Lose When We Lose Our Privacy?," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

**UPDATE** Registration for our conference is now open! Save your seat for this exciting two-day event here!

Thursday, October 15 and Friday, October 16, 2015

Olin Hall, Bard College, 10:00 am - 6:00 pm


From the Arendt Center Blog

This week on the Blog, Roger Berkowitz discusses how the Nobel Prize celebrates those like Aung San Suu Kyi who dedicate their lives to the conviction that truth will win out over the holes of oblivion in the Quote of the Week. Abraham Lincoln provides his thoughts on thinking and speaking to people in this week's Thoughts on Thinking. Finally, we come across a collection of books in Arendt's library that exemplifies her interest in trying to understand religion and its political influence in this week's Library feature.

100 - 10.2015 On Wednesday of last week, we announced our 100/10 Membership Challenge, in which we work to gain 100 new members in 10 days. Our Challenge this year includes a number of exciting drawings and contests, the terms of which can be read here. Please support all of the activities the Hannah Arendt Center has planned over the next year and become a member today!

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
28Jun/150

Amor Mundi 6/28/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upLove--And Dignity--Win

gay marriage 6/26/15Justice Anthony Kennedy finally put the shame of marriage inequality behind us. "The centrality of marriage to the human condition makes it unsurprising that the institution has existed for millennia and across civilizations.... That history is the beginning of these cases. The respondents say it should be the end as well. To them, it would demean a timeless institution if the concept and lawful status of marriage were extended to two persons of the same sex. Marriage, in their view, is by its nature a gender-differentiated union of man and woman. This view long has been held--and continues to be held--in good faith by reasonable and sincere people here and throughout the world. The petitioners acknowledge this history but contend that these cases cannot end there. Were their intent to demean the revered idea and reality of marriage, the petitioners' claims would be of a different order. But that is neither their purpose nor their submission. To the contrary, it is the enduring importance of marriage that underlies the petitioners' contentions. This, they say, is their whole point. Far from seeking to devalue marriage, the petitioners seek it for themselves because of their respect--and need--for its privileges and responsibilities. And their immutable nature dictates that same-sex marriage is their only real path to this profound commitment. Recounting the circumstances of three of these cases illustrates the urgency of the petitioners' cause from their perspective. Petitioner James Obergefell, a plaintiff in the Ohio case, met John Arthur over two decades ago. They fell in love and started a life together, establishing a lasting, committed relation. In 2011, however, Arthur was diagnosed with amyotrophic lateral sclerosis, or ALS. This debilitating disease is progressive, with no known cure. Two years ago, Obergefell and Arthur decided to commit to one another, resolving to marry before Arthur died. To fulfill their mutual promise, they traveled from Ohio to Maryland, where same-sex marriage was legal. It was difficult for Arthur to move, and so the couple were wed inside a medical transport plane as it remained on the tarmac in Baltimore. Three months later, Arthur died. Ohio law does not permit Obergefell to be listed as the surviving spouse on Arthur's death certificate. By statute, they must remain strangers even in death, a state-imposed separation Obergefell deems 'hurtful for the rest of time.' He brought suit to be shown as the surviving spouse on Arthur's death certificate." It is worth noting as my colleague Omar Encarnación points out that 19 countries have already legalized gay marriage, including South Africa, Ireland, and Brazil. There is simply no reason for a constitutional state to tell two consenting adults of any race or gender that they cannot choose with whom to build a life. This is, as Hannah Arendt writes, a basic right of privacy and dignity. "The right to marry whoever one wishes is an elementary human right compared to which 'the right to attend an integrated school, the right to sit where one pleases on a bus, the right to go into any hotel or recreation area or place of amusement, regardless of one's skin or color or race' are minor indeed. Even political rights, like the right to vote, and nearly all other rights enumerated in the Constitution, are secondary to the inalienable human rights to 'life, liberty and the pursuit of happiness' proclaimed in the Declaration of Independence; and to this category the right to home and marriage unquestionably belongs."

A Politics Neither Mean Nor Small

obama eulogy pinckneyPresident Obama eulogized the Honorable Reverend Clementa Pinckney. "He was in the pulpit by 13, pastor by 18, public servant by 23. He did not exhibit any of the cockiness of youth, nor youth's insecurities; instead, he set an example worthy of his position, wise beyond his years, in his speech, in his conduct, in his love, faith, and purity. As a senator, he represented a sprawling swath of the Lowcountry, a place that has long been one of the most neglected in America. A place still wracked by poverty and inadequate schools; a place where children can still go hungry and the sick can go without treatment. A place that needed somebody like Clem. His position in the minority party meant the odds of winning more resources for his constituents were often long. His calls for greater equity were too often unheeded, the votes he cast were sometimes lonely. But he never gave up. He stayed true to his convictions. He would not grow discouraged. After a full day at the capitol, he'd climb into his car and head to the church to draw sustenance from his family, from his ministry, from the community that loved and needed him. There he would fortify his faith, and imagine what might be. Reverend Pinckney embodied a politics that was neither mean, nor small. He conducted himself quietly, and kindly, and diligently. He encouraged progress not by pushing his ideas alone, but by seeking out your ideas, partnering with you to make things happen. He was full of empathy and fellow feeling, able to walk in somebody else's shoes and see through their eyes. No wonder one of his senate colleagues remembered Senator Pinckney as 'the most gentle of the 46 of us--the best of the 46 of us.'"

Peculiar Manners

civil warTa-Nehisi Coates applauds South Carolina governor Nikki Haley for supporting the removal of the Confederate battle flag off of the grounds of that state's capitol, but he thinks her reasoning is based on a bit of intellectual slight of hand: "Nikki Haley deserves credit for calling for the removal of the Confederate flag. She deserves criticism for couching that removal as matter of manners. At the present moment the effort to remove the flag is being cast as matter of politesse, a matter over which reasonable people may disagree. The flag is a 'painful symbol' concedes David French. Its removal might 'offer relief to those genuinely hurt,' writes Ian Tuttle. 'To many, it is a symbol of racial hatred,' tweeted Mitt Romney. The flag has been 'misappropriated by hate groups,' claims South Carolina senator Tom Davis. This mythology of manners is adopted in lieu of the mythology of the Lost Cause. But it still has the great drawback of being rooted in a lie. The Confederate flag should not come down because it is offensive to African Americans. The Confederate flag should come down because it is embarrassing to all Americans. The embarrassment is not limited to the flag, itself. The fact that it still flies, that one must debate its meaning in 2015, reflects an incredible ignorance. A century and a half after Lincoln was killed, after 750,000 of our ancestors died, Americans still aren't quite sure why."

amor_mundi_sign-upIndexes and Atlases

google mapsPaul Ford thinks that Google Maps is changing the way we interact with our world: "In recent years, Google Maps has become increasingly three-dimensional. The early versions were built on top of a document-delivery platform: the Web. But now the experience is far smoother. Gone is the liminal space between layers and the pauses between zooms. You just zoom in and out of the world. Amidst all the maps, layers, and views, Google has created more map than territory. Google calls this the Ground Truth project, or its effort to map the world via an 'authoritative' mix of 'algorithms and elbow grease.' In the hot center of San Francisco, the amount of detail on Google Maps can feel overwhelming--each floor of the Nordstrom's on Market Street, for example, is mapped. God help us when store inventory systems are tied to this leviathan, and you'll be able to drill down from high above the ocean to the books on the shelves at the bookstore. Except there will be no bookstores. One thing you can do when you have Ground Truth, when you really, truly understand where things are, is make a self-driving car. You start with a set of points describing the roads, and then you turn a car into a rolling computer. It seems almost inevitable, in retrospect."

Wisdom On the Other Side of the World

talmudRoss Arbes wonders at the Talmud's popularity in South Korea and describes the path it took to get there: "Every bookstore I visited in and around the [Seoul], including a small kiosk at the airport, sold at least one version of the Talmud. Rabbi Litzman, the Chabad rabbi in Seoul, told me that copies of the book are available in convenience stores and in some train-station kiosks. According to the Jewish Chronicle of London, the book can be found in book-vending machines. Most people I met in South Korea had at least heard of the Talmud, even if they had not read it. Aviya Amir, a master's student researching the translation of the Talmud and its popularity in Japan and South Korea, told me that, in Japan, 'nobody has a clue' what the Talmud is. 'It's not like in Korea,' she said, 'where you ask random people on the street and tell them you're researching Talmud, and they go, "Ah, Talmud."' Lee Kyou-Hyuk, a famous speed skater who carried the South Korean flag at the 2014 Olympics, recommended the Talmud to his fans. 'I read the Talmud every time I am going through a hard time,' he told reporters. 'It helps to calm my mind.' Kyobo, the largest bookstore in South Korea, keeps a list of the top two thousand 'steady-sellers,' books that have sustained strong sales for multiple years. Six different Talmuds are currently on the list. Dr. Jeongso Jeon, a professor of children's education at Bucheon University, near Seoul, said that, if you consider all of its versions, the book is 'the second-best-seller in South Korea,' behind the Bible. (Another scholar I spoke to disputed this claim as an exaggeration.)"

Our Technological and Functioning Selves

heideggerSantiago Zabala turns to Martin Heidegger in the LA Review of Books to ask: "[I]s it possible to live an authentic life in this metaphysical age, where Being has been forgotten in favor of entities? What does this world look like? As Heidegger once told Der Spiegel: 'Everything functions. That is exactly what is uncanny. Everything functions and the functioning drives us further and further to more functioning, and technology tears people away and uproots them from the earth more and more. I don't know if you are scared; I was certainly scared when I recently saw the photographs of the earth taken from the moon. We don't need an atom bomb at all; the uprooting of human beings is already taking place. We only have purely technological conditions left.' These technological conditions are the result of overlooking Being in favor of beings, that is, the disclosure of worlds for what gets revealed within those worlds. This is why science 'does not think' but rather 'calculates.' Ever since modernity, when the human subject became the point of reference for everything and nature was reduced to what can be subjected to human domination, the essence of the species has been framed (Ge-Stell) by a power we do not control. This, after all, is the sensation we all have today where 'the only emergency,' as Heidegger once said, 'is the absence of a sense of emergency.' The fact that in 2015 we are all monitored, spied on, and soon also biogenetically engineered confirms the German philosopher's prediction of a world 'where self-certainty has become unsurpassable, where everything is held to be calculable, and especially where it has been decided, with no previous questioning, who we are and what we are supposed to do.' This is why, as we can see in this video from 1969, Heidegger does not believe we need to better describe the world in order to change it; rather, we must learn to interpret it differently. Heidegger, like many other philosophers after him, was alarmed not only by human beings living inauthentic lives in technological societies but also by the way we are becoming technological ourselves. In this condition philosophy, as an analysis of our concepts, traditions, and world, would lose its educational and critical role within society."

The Repercussions

humansNeil Genzlinger reflects on how a new spate of popular culture TV shows is exploring the increasing dependence of humans on robots. "We are, we keep being told, right on the verge of having robots become omnipresent in our lives. 'Humans' invites us to contemplate the consequences of that, and look beyond the obvious problem of what happens when the robots achieve independence of thought (which, it bears repeating, they always, always, always do). One of the show's themes is how ceding our roles and choices to machines threatens us. What happens to motherhood when a robot can read a bedtime story to a child more entertainingly than Mom can, a reality Laura confronts? What happens to aging with dignity when an eldercare robot bosses you around as if you were a child? And let's not even get into how difficult it will be to make corrections once robots swarm our lives. It takes us years just to recall faulty airbags; imagine the obstacles to retreating from the robotic future if, 10 or 20 years into it, we decide we don't like the repercussions." As is so often the case, we are told this is happening, as if we humans have lost our political will to decide. If there is a warning in the package, one barely notices it from the shiny paper, which makes them more a celebration than provocation. Still, the overarching question is clear: as robots and drones take on more of the traditionally human activities and do so in ways that are rational, efficient, and cheap, will we humans embrace brain and bodily prostheses and implants and choose to become ever more like machines?

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #10

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, July 10, 2015

Bluejeans.com, 11:00 am - 12:00 pm

 

 


why privacy mattersSAVE THE DATE - 2015 FALL CONFERENCE

The Hannah Arendt Center's eighth annual fall conference, "Why Privacy Matters," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

Thursday and Friday, October 15 and 16, 2015

Olin Hall, Bard College, 10:00 am - 6:00 pm


From the Arendt Center Blog

This week on the Blog, Kazue Koishikawa discusses how Arendt's regard for storytelling reveals a difference between meaning and purpose, which in turn yields an important element of political and human life, in the Quote of the Week. Author H. G. Wells reflects on the clumsiness with which the human mind is able to grasp the truth in this week's Thoughts on Thinking. Finally, Mark Olson, one of our followers on Twitter, shares a picture of his personal library of Arendt, whose works he used to create two independent study courses while studying in college, in this week's Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
23Jun/150

H. G. Wells on Thinking and Grasping the Truth

h. g. wells

“The forceps of our minds are clumsy things and crush the truth a little in the course of taking hold of it.”

— H. G. Wells

(Featured Image Source: WIRED)

H. G. Wells' Biography

H. G. Wells was born in Bromley, Kent, England, on Sept. 21, 1866. His father was a shopkeeper in a small way and a professional cricketer; his mother served from time to time as housekeeper at the nearby estate of Uppark ("Bladesover" in Tono-Bungay). Though Wells attended Morley's School in Bromley, his real education came from omnivorous reading, a habit formed in 1874 while he was laid up for some months with a broken leg. Between 1880 and 1883 he spent most of his time as a draper's apprentice in Windsor and Southsea, a way of life for which he later recorded his profound detestation in Kipps. After a year as a teacher in a private school, he won a scholarship to the Normal School of Science in South Kensington in 1884. There he made a promising start as a student under Thomas Henry Huxley, but his interest faltered in the following year, and he left without a degree in 1887. He then taught in private schools for four years, not taking his B.S. degree until 1890.

The year 1891 saw Wells established in London, teaching in a correspondence college, married to his cousin Isabel, and the author of a remarkable article on "The Rediscovery of the Unique" in the Fortnightly Review. After much writing on educational subjects, he began his sensational literary career with The Time Machine in 1895. Meanwhile, he had given up teaching and had left Isabel for one of his brightest students, Amy Catherine ("Jane") Robbins, whom he married in 1895. There followed a series of scientific romances (most notably The Island of Dr. Moreau, 1896; The Invisible Man, 1897; The War of the Worlds, 1898; The First Men in the Moon, 1901; and The War in the Air, 1908), which form the most familiar part of his work to modern readers. But he grew dissatisfied with the limitations imposed by this kind of writing, and in 1900 he moved into the novel proper with Love and Mr. Lewisham, a story of his student days at South Kensington. On this and particularly on Kipps (1905), Tono-Bungay (1909), and The History of Mr. Polly (1910), his serious literary reputation primarily depends.

Biography written by Gordon N. Ray in the Encyclopedia Americana. For more information on this online reference, visit Grolier.Online. (Source: Scholastic Corporation)

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The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
14Jun/150

Amor Mundi 6/14/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upAlgorithmic Politics

fb algorithmZeynep Tufekci takes a critical look at a recent study (by Facebook) showing that the social media's algorithm reduces the number of "cross-cutting" posts that we see, posts that challenge our political beliefs. In other words, if you're liberal, Facebook highlights liberal posts, and vice versa for conservatives. It gives the people what they want, or what they think you want. "Here's the key finding: Facebook researchers conclusively show that Facebook's newsfeed algorithm decreases ideologically diverse, cross-cutting content people see from their social networks on Facebook by a measurable amount. The researchers report that exposure to diverse content is suppressed by Facebook's algorithm by 8% for self-identified liberals and by 5% for self-identified conservatives. Or, as Christian Sandvig puts it, 'the algorithm filters out 1 in 20 cross-cutting hard news stories that a self-identified conservative sees (or 5%) and 1 in 13 cross-cutting hard news stories that a self-identified liberal sees (8%).' You are seeing fewer news items that you'd disagree with which are shared by your friends because the algorithm is not showing them to you.... Overall, from all aspects, this study confirms that for this slice of politically-engaged sub-population, Facebook's algorithm is a modest suppressor of diversity of content people see on Facebook, and that newsfeed placement is a profoundly powerful gatekeeper for click-through rates. This, not all the roundabout conversation about people's choices, is the news." The censoring of oppositional content is subtle and minor, and yet it persists. All of this means that people with different politics will actually see different posts, making them susceptible to meaningfully different realities.

What Is Code?

codeBusiness Week asked Paul Ford a simple question: "We are here because the editor of this magazine asked me, 'Can you tell me what code is?' 'No,' I said. 'First of all, I'm not good at the math. I'm a programmer, yes, but I'm an East Coast programmer, not one of these serious platform people from the Bay Area.'" 31,000 words and hours later, you realize Ford is telling the truth but answering like a coder. You can't read his long essay--interspersed with video explanations and offers to learn basic coding ("We can't teach you to code, but we can hold your hand through a live-fire exercise. It will be dry, because code is dry until it 'clicks,' and often even then. Want to give it a shot?") without gaining some insight into the beauty, chaos, complexity, and importance of answering the unanswerable question. "A computer is a clock with benefits. They all work the same, doing second-grade math, one step at a time: Tick, take a number and put it in box one. Tick, take another number, put it in box two. Tick, operate (an operation might be addition or subtraction) on those two numbers and put the resulting number in box one. Tick, check if the result is zero, and if it is, go to some other box and follow a new set of instructions. You, using a pen and paper, can do anything a computer can; you just can't do those things billions of times per second. And those billions of tiny operations add up. They can cause a phone to boop, elevate an elevator, or redirect a missile. That raw speed makes it possible to pull off not one but multiple sleights of hand, card tricks on top of card tricks. Take a bunch of pulses of light reflected from an optical disc, apply some math to unsqueeze them, and copy the resulting pile of expanded impulses into some memory cells--then read from those cells to paint light on the screen. Millions of pulses, 60 times a second. That's how you make the rubes believe they're watching a movie.... You can make computers do wonderful things, but you need to understand their limits. They're not all-powerful, not conscious in the least. They're fast, but some parts--the processor, the RAM--are faster than others--like the hard drive or the network connection. Making them seem infinite takes a great deal of work from a lot of programmers and a lot of marketers. The turn-of-last-century British artist William Morris once said you can't have art without resistance in the materials. The computer and its multifarious peripherals are the materials. The code is the art."

An Indictment

kalief browderJennifer Gonnerman's eulogy for Kalief Browder, a young New Yorker who spent three years in jail without being charged with a crime, is an indictment of the whole criminal justice system and specifically of the cruel and unusual technique of solitary confinement: "He had been arrested in the spring of 2010, at age sixteen, for a robbery he insisted he had not committed. Then he spent more than one thousand days on Rikers waiting for a trial that never happened. During that time, he endured about two years in solitary confinement, where he attempted to end his life several times. Once, in February 2012, he ripped his bedsheet into strips, tied them together to create a noose, and tried to hang himself from the light fixture in his cell. In November of 2013, six months after he left Rikers, Browder attempted suicide again. This time, he tried to hang himself at home, from a bannister, and he was taken to the psychiatric ward at St. Barnabas Hospital, not far from his home, in the Bronx. When I met him, in the spring of 2014, he appeared to be more stable. Then, late last year, about two months after my story about him appeared, he stopped going to classes at Bronx Community College. During the week of Christmas, he was confined in the psych ward at Harlem Hospital. One day after his release, he was hospitalized again, this time back at St. Barnabas. When I visited him there on January 9th, he did not seem like himself. He was gaunt, restless, and deeply paranoid. He had recently thrown out his brand-new television, he explained, 'because it was watching me.'" Ta-Nehisi Coates further contextualizes Browder's short life in terms of the way the criminal justice system treats African American men.

Living a Coherent Fantasy

rachel dolezalJosh Marshall wonders at the crazy complexities of Rachel Dolezal's existence, including the fantastic levels at which she, born white, made up a past and present life for herself as a black woman. Against criticism that she may have claimed blackness only when it suited her or that she embraced blackness to get a job at the NAACP, Marshall writes, "Maybe Dolezal had a separate life as a white person or put herself down as a white on a home loan application. (Obviously whatever her intentions she had the freedom which dark-skinned African-Americans lack to just become white again whenever she wanted.) But that's not at all the impression I get of this woman by reading her story. I get the impression that in her mind Dolezal actually had at some level become black, possibly even to the level of some aspect of body dysmorphia. (The counter to that perception, though not necessarily invalidating it, is that according to her adopted brother she warned or perhaps even threatened family members not to expose her.)" Her embrace of her blackness even led to hate crimes being committed against her (at least some of which she fabricated). But the basic point that Marshall insists on is that Dolezal is simply a liar living in an increasingly fictional reality: "I read the Rachel Dolezal story before it got picked up by any national outlets in the original story in the Coeur d'Alene Press on Thursday (yes, epic aggregation fail ... what can I say I was traveling). If you've only read pick-ups or follow-ups, read the original if you get a chance. It's an amazing piece of reporting and will make you appreciate what a great thing small paper journalism is--just an amazingly detailed piece of shoe-leather reporting. Since I read it I've been trying to think what if anything there is to add beyond the peristaltic WTF that seems to be the near universal response. So let me just go with bullet points. Point 1: The one simple thing is the online debate about whether Dolezal is simply 'transracial' like Caitlyn Jenner is transgender. No. It's not like that. In fact, I think we can dispense with this entirely because I have not seen anyone suggesting this anywhere online who wasn't just some wingnut concern-trolling transgenderism and frankly racial identity itself. You can dress yourself up however you want and identify however you want. But when you start making up black parents and all the rest that went into this story, you're just lying. Full stop." Dolezal's story may raise fascinating questions about race and identity. But let's remember that making up coherent fantasies that one holds to in the face of facts is dangerous, demonstrating a disdain for reality. To rewrite history, even one's personal history, diminishes the power of factual truth and habituates one to living in coherent fictions, which Hannah Arendt argues is one of the root causes of totalitarianism.

amor_mundi_sign-upGood and Good For You

eggs cholesterolAnne Fausto-Sterling wonders how we're supposed to know what's good for us, especially in light of "new government guidelines released in February" that reverse a long-standing view that cholesterol should be limited. Suddenly, she writes, "It seems I am free to eat eggs, lobster, and oysters without fear for my life. How, in a mere five years, could our ideas about nutrition do such an about-face? There are several possible explanations. First, it may be really hard to do a good study linking cholesterol intake to ill health. Over time scientists may have designed better and better study methods, until, finally, a more justified truth has emerged. Second, vested interests--giant agribusinesses (purveyors of lobster, eggs, and well-larded beef) and pharmaceutical companies (purveyors of cholesterol-lowering drugs such as statins)--may have influenced the guidelines. Third, foods have changed. Perhaps newer studies differ from older ones because an egg circa 1960 is not an egg circa 2000. Today's chickens are more inbred. Their own food intake has changed, possibly altering the cholesterol in their eggs. Fourth, we have started to focus on human metabolism at the level of multi-organ interactions. Instead of treating diabetes as a disease of the pancreas and obesity as a problem of fat storage, we now talk about a metabolic syndrome, which links high blood sugar, high blood pressure, excess midriff fat, and abnormal cholesterol levels to increased risk of heart disease and diabetes. As conceptions of disease change, so do ideas about the sources of disease. And fifth, the tried-and-true 'all of the above.'"

Alive and Dead

meursault investigationZach Pontz considers Kamel Daoud's The Meursault Investigation, a retelling of Albert Camus's The Stranger: "Meursault has divorced himself from history, has, as he tells the investigator tasked with questioning him following his crime, given up analyzing himself. Assigning meaning to the world is something he has lost the energy to do. Harun, on the other hand, is driven by the desire to impose form on a lifetime of quasi-intelligible incidents, the foremost of which is the murder of his brother and its aftermath, which has sentenced its victims--Musa, Harun, their mother--to anonymity. 'There's not a trace of our loss or of what became of us afterward,' Harun tells his interlocutor. 'The whole world eternally witnesses the same murder in the blazing sun, but no one saw anything, and no one watched us recede into the distance.' If Meursault is the stranger, Harun's brother is the invisible man. But the tragedy here is that Harun understands he can't will his brother into being, that he's forever been written out of history by Meursault, in whose book 'The word "Arab" appears twenty-five times but not a single name, not once.' In this way does Daoud, a popular columnist in Algeria who has become a vocal critic of the government, set up one of his main theses: that both the French colonial system, the French Algerian population of which (known as pied-noirs) populated Algeria for a century and a half, and Algerians themselves are complicit in the country's current state of affairs."

The New PLOTUS

jual felipe herreraDwight Garner shares the work of Juan Felipe Herrera, the newly appointed US poet laureate: "Mostly, though, you'd like to hear him at the National Mall because his work is built to be spoken aloud. His best poems are polyrhythmic and streaked with a nettling wit. He puts you in mind of something the writer Dagoberto Gilb once said: 'My favorite ethnic group is smart.' Witness Mr. Herrera's long poem, '187 Reasons Mexicanos Can't Cross the Border (Remix),' for example. In it, he flies a freak flag, in a manner that resembles a blend of Oscar Zeta Acosta and Allen Ginsberg, on behalf of his determined politics. Among those reasons Mexicanos can't cross: 'Because it's better to be rootless, unconscious & rapeable'; 'Because the pesticides on our skin are still glowing'; 'Because pan dulce feels sexual, especially conchas & the elotes'; 'Because we'll build a sweat lodge in front of Bank of America'; 'Because we're locked into Magical Realism'; and 'Because Freddy Fender wasn't Baldemar Huerta's real name.'"

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #10

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, July 10, 2015

Bluejeans.com, 11:00 am - 12:00 pm

 

 


why privacy mattersSAVE THE DATE - 2015 FALL CONFERENCE

The Hannah Arendt Center's eighth annual fall conference, "Why Privacy Matters," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

Thursday and Friday, October 15 and 16, 2015

Olin Hall, Bard College, 10:00 am - 6:00 pm


From the Arendt Center Blog

This week on the Blog, Jeffrey Jurgens uses the protests in Ferguson, MO and Baltimore, MD to understand both the differences and the relations between violence and power in the Quote of the Week. Military strategist Carl von Clausewitz discusses the effect that rules and principles have on a thinking man in this week's Thoughts on Thinking. Finally, we appreciate an image of a graduate student's personal "shelf library" of Arendt in this week's Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
31May/150

Amor Mundi 5/31/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upA Title IX Inquisition

title ixLaura Kipnis wrote an essay in the Chronicle of Higher Education on sexual paranoia in the academy. She argued that new campus sexual misconduct codes "infantilized students while vastly increasing the power of university administrators over all our lives." She also asserted that "students' expanding sense of vulnerability, and new campus policies that fostered it, was actually impeding their educations as well as their chances of faring well in postcollegiate life, where a certain amount of resilience is required of us all." Students at her university, Northwestern, protested. Instead of responding to her arguments, they filed a petition with the University President to have her disciplined. Two students filed Title IX complaints against Kipnis, suggesting that her published essay "had a 'chilling effect' on students' ability to report sexual misconduct." Kipnis, noting the irony that such Title IX cases are having a chilling effect on professors and academic freedom, quickly found herself immersed in the non-transparent quasi-legal world of the Title IX kangaroo courts: "I'd plummeted into an underground world of secret tribunals and capricious, medieval rules, and I wasn't supposed to tell anyone about it.... The Title IX bureaucracy is expanding by the minute. A recent emailed update from my university announced new policies, programs, hires, surveys, procedures, websites, and educational initiatives devoted to sexual misconduct. What wasn't quantified is how much intellectual real estate is being grabbed in the process. It's a truism that the mission of bureaucracies is, above all, to perpetuate themselves, but with the extension of Title IX from gender discrimination into sexual misconduct has come a broadening of not just its mandate but even what constitutes sexual assault and rape. Ambivalent sex becomes coerced sex, with charges brought months or even years after the events in question. Title IX officers now adjudicate an increasing range of murky situations involving mutual drunkenness, conflicting stories, and relationships gone wrong. They pronounce on the thorniest of philosophical and psychological issues: What is consent? What is power? Should power differentials between romantic partners be proscribed? Should eliminating power differences in relationships even be a social goal--wouldn't that risk eliminating heterosexuality itself?" What is often forgotten in the debate around Title IX is that bureaucracies Title IX has spawned are aimed not simply at the real problem of rape and the potential problems of ambiguous sexual relations but also at the discussion, writing, or reading of anything sexual. There is a desire to make college campuses safe, not merely physically safe but intellectually safe, which flies in the face of the very idea of a university. Kipnis' essay is more than worth reading to see how the Title IX bureaucracy is morphing and expanding to insist upon intellectual and political conformity. And you can read a draft of my new essay discussing campus Title IX sexual misconduct codes here.

The Windows of Our Souls

window soulColson Whitehead interrogates our obsession with photographs in an iPhone world, arguing in the NY Times Magazine that pictures offer a window into our souls. "Lynching photography proves the enduring truth of the phrase 'The eyes are the window of the soul.' In a 1919 picture of the burning corpse of William Brown, for example, dozens of men pose for the camera while the body is consumed by flames in the foreground. One man knows which is his 'best side' and offers his strong right profile to the lens. Some of the men are smiling over their accomplishment. One boy touches his fingers to his chin thoughtfully, his lips curled in amusement. What do we see in their eyes, what glimpse of their souls? Pure American darkness. 'When you gaze long into the abyss, the abyss gazes also into you.' That was Nietzsche, and he could have been describing the scene at the lynching of Rubin Stacy in 1935. It was an all-ages affair. In the intimate photograph, Stacy hangs from a tree, while a few feet away two young girls of 5 or 6 squint up at his limp body, their faces covered by a shadow. Another girl, a bit older, is more adventuresome and stands closer to the dangling man. She grins up at his corpse. Given her youth at the time of the picture, she may still be alive today, occasionally sifting through her box of souvenirs to reminisce. There were plenty of pics, and yet it didn't matter. 'Or it didn't happen' is a colossal mandate, undermining the brutalities that escape the lens. Certainly the current surfeit of footage chronicling lethal encounters doesn't speak to an increase in incidents, but merely an increase in our ability to capture and transmit. 'Or it didn't happen' erases all those victimized when there was no one present to record, the thousands of human beings strung up when there was no one to testify for them. When there was no one to say, This is our history, whether we want to remember it or not."

Government Jobs and the Black Middle Class

black middle classAmidst all the articles and analyses of the Great Recession over the last seven years, only a few pointed out the racial implications, that the retreat of public sector jobs and the attacks on public sector unions (whether right or wrong) has had a disproportional and disastrous impact on the Black middle class. Patricia Cohen has an essay in the NY Times that gives the issue some context. "Roughly one in five black adults works for the government, teaching school, delivering mail, driving buses, processing criminal justice and managing large staffs. They are about 30 percent more likely to have a public sector job than non-Hispanic whites, and twice as likely as Hispanics. 'Compared to the private sector, the public sector has offered black and female workers better pay, job stability and more professional and managerial opportunities,' said Jennifer Laird, a sociologist at the University of Washington who has been researching the subject. During the Great Recession, though, as tax revenues plunged, federal, state and local governments began shedding jobs. Even now, with the economy regaining strength, public sector employment has still not bounced back. An incomplete recovery is part of the reason, but a combination of strong anti-government and anti-tax sentiment in some places has kept down public payrolls. At the same time, attempts to curb collective bargaining, like those led by Wisconsin's governor, Scott Walker, a likely Republican presidential candidate, have weakened public unions."

Boyhood

Nelson Family Evening Round the Table.Rebecca Onion takes a look at an online archive of 19th century boyhood, a "library" of nearly 60 hand-written books created by the three young Nelson brothers as a way to pass the long New Hampshire winters: "An existing set of 19th-century juvenilia produced by children like the Nelsons--farmers' kids, who lived in a rural setting and didn't go on to become famous authors--is rare. Reading the Nelsons' books, we get a unique perspective on late-19th-century American childhood, learning how farm kids felt about farm work; how young, rural readers processed and remixed the books and magazines they read; and how boys absorbed the era's ideas about manhood. Like the Brontës, the Nelsons created an imaginary world--what scholars call a 'paracosm'--and all of their stories took place inside of it. The Nelsons' paracosm, the Big, Long, and Round Continents, had a history of war and colonization and was undergoing rapid and enthusiastic infrastructural development and agricultural improvement. This backdrop provided plenty of room for adventure stories, but also for world-building of a more prosaic nature. Most of the publications that the Nelsons created were for imaginary readers who lived on one of the continents: newspapers like the Chit-Chat, which reported on the visits of residents of one continent to another; seed catalogs trumpeting varieties specially adapted to the growing conditions in an imaginary place; and 'history' books remembering military events like the fictional Battle of Poplington. The Nelsons were influenced by the print culture they had access to in rural New Hampshire. The town had a library during the years that the Nelsons were producing their books, though we don't know which titles that library held. (Walter Nelson, who wrote a history of Goshen in 1957, described the collection that formed the basis for the town library of the 1890s as 'rather extensive and cosmopolitan.') A few years after the boys ceased production on their collaborative writings, Elmer, the oldest brother, wrote a school assignment on the topic 'My Library'; from this composition we know that the Nelsons liked to read adventure fiction. Elmer mentioned Uncle Tom's Cabin ('intensely interesting'), one Oliver Optic book, a few James Fenimore Coopers, and Jules Verne's Michael Strogoff ('I consider [it] far ahead of some of his book[s] like "A Trip to Moon" [sic] "Twenty-thousand Leagues Under the Sea"'). Elmer wrote that he liked adventure books 'both for the story and for the word Pictures which I get of foreign or distant places.' 'Perhaps [because] I am restless whatever the season,' he wrote, 'such books interest me.'"

amor_mundi_sign-upCroesus' World

human rightsSamuel Moyn, writing in the Chronicle of Higher Education, offers a critique of human rights that begins with the ancient King Croesus: "Imagine that one man owned everything. Call him Croesus, after the king of ancient lore who, Herodotus says, was so 'wonderfully rich' that he 'thought himself the happiest of mortals.' Impossibly elevated above his fellow men and women, this modern Croesus is also magnanimous. He does not want people to starve, and not only because he needs some of them for the upkeep of his global estate. Croesus insists on a floor of protection, so that everyone living under his benevolent but total ascendancy can escape destitution. Health, food, water, even paid vacations, Croesus funds them all." Croesus' world is, Moyn argues, largely the world of human rights, one in which a tiny rich minority applauds itself for keeping the vast majority alive and free from torture and the worst deprivations. Human rights offers a floor, but little more. Gone in a world where human rights represents our vision of the good is a vibrant vision of social democracy or welfarism. Thus human rights has little or nothing to offer in the fight against inequality. "After the 1970s, Croesus' world came closer and closer to being a reality, for his dreams became our dreams. To the extent that a utopia of justice survived, it was global but minimal, allowing for the worst state abuses to be decried, while in the socioeconomic domain it pictured a floor of protection without a ceiling on inequality. Whatever its potential in theory, the human rights movement adapted in practice to the new ambiance. For one thing, the idea of human rights followed the transformation of political economy to a global outlook. Further, activists no longer gave priority to the agency of states to launch and manage national welfare but rather to the rights of individuals to be free from harm and to enjoy a rudimentary government that averts disaster and abjection. In the economic realm, social equality was forsaken as an ideal. In exchange for its cosmopolitanism, the human rights movement abandoned postwar egalitarianism in both theory and practice."

Comedy as Commentary

amy schumerMegan Garber suggests that, in the internet age, to be a comedian may mean being a public intellectual: "The point of comedy has always been, on some level, a kind of productive subversion. Observational comedy, situational comedy, slapstick comedy, comedy that both enlightens and offends--these are forms of creative destruction, at their height and in their depths, and they've long allowed us to talk about things that taboos, or at the very least taste, might otherwise preclude. Long before Jon Stewart came along, there was Richard Pryor and Joan Rivers and George Carlin. There were people who used laughter as a lubricant for cultural conversations--to help us to talk about the things that needed to be talked about. The difference now, though, is that comedians are doing their work not just in sweaty clubs or network variety shows or cable sitcoms, but also on the Internet. Wherever the jokes start--Comedy Central, The Tonight Show, Marc Maron's garage--they will end up, eventually and probably immediately, living online. They will, at their best, go 'really, insanely viral.' The frenzy to post a John Oliver rant after it airs on HBO has become a cliché at this point; its effect, though, is to create a kind of tentacular influence for an otherwise niche comedy show. Some people may watch Oliver's stuff live, or DVRed; but most watch it while riding the bus, or waiting for a meeting, or eating a sad desk lunch, delivered via Facebook or Twitter or the Huffington Post. Most people watch Schumer's stuff that way, too. And Wilmore's. And Stewart's. Comedy, like so much else in the culture, now exists largely of, by, and for the Internet. Which is to say that there are two broad things happening right now--comedy with moral messaging, and comedy with mass attention--and their combined effect is this: Comedians have taken on the role of public intellectuals. They're exploring and wrestling with important ideas. They're sharing their conclusions with the rest of us. They're providing fodder for discussion, not just of the minutiae of everyday experience, but of the biggest questions of the day. Amy Schumer on misogyny, Key and Peele on terrorism, Louis C.K. on parenting, Sarah Silverman on Rand Paul, John Oliver on FIFA ... these are bits intended not just to help us escape from the realities of the world, but also, and more so, to help us understand them. Comedians are fashioning themselves not just as joke-tellers, but as truth-tellers--as intellectual and moral guides through the cultural debates of the moment."

The End of History

isis cultural destructionFrederick Bohrer places the recent destruction of Iraqi antiquities by ISIS into a global context: "The destruction of artworks and antiquities is hardly the unique behavior of a single group much less an essential property of any culture. We can recall the allied bombs that dropped on the Dresden Museum as on that of Baghdad, or the savage shelling of the Parthenon by Venetian armies that resulted in the disastrous collapse of its roof. If we had a video of the almost complete destruction during the French Revolution of the legendary medieval church of Cluny, or similar devastations wreaked on St. Denis or Notre Dame, it would likely have much the same effect as that of ISIS. Moreover, to any listing of secular destructions in the West must be added those of religious authorities, such as the systematic and wholesale destructions of images under the periods of Byzantine iconoclasm. As in ISIS', these attacks on the human image were accompanied by attacks on humans themselves in a long-running history of mutilations of the bodies of enemies--blinding, castration, rhinokopia (cutting off the nose), and more. Of course, the murderous activities on behalf of Christianity are hardly confined to Byzantium. The French wars of religion in the 17th century slaughtered as many as 4 million people. The massacre of St. Bartholomew's Day in Paris alone, in 1572, was responsible for the deaths of up to 30,000 lives of French Huguenots. For that event, 'The Pope ordered a Te Deum to be sung as special Thanksgiving (a practice continued for many years after) [...].' Accordingly, there is no unique Islamic propensity to perpetual iconoclasm and violence, much less one to be contrasted with a civilized and 'iconophilic' West. Rather, there are enough crimes to go around."

All Day, Everyday

everyday bordersThe short film Everyday Borders tracks "bordering from the margin into the center, from the extraordinary to the everyday life," which in the wake of the UK's 2014 immigration act "is threatening to destroy the conviviality of pluralist, metropolitan London and multicultural Britain in general," says Nira Yuval-Davis in the film's opening minutes. It goes on to consider what it means to be British, while not looking so, in an environment that encourages citizen surveillance and restricts the actions and movement of Britons, naturalized or not, within Britain.

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #9

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, June 5, 2015

Bluejeans.com, 11:00 am - 12:00 pm

 

 


privacy con 2015 (temp)SAVE THE DATE - 2015 FALL CONFERENCE

Thursday and Friday, October 15 and 16, 2015

The Hannah Arendt Center's eighth annual fall conference, "Why Privacy Matters," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!


From the Arendt Center Blog

human conditionThis week on the Blog, Jennifer M. Hudson uses Arendt and David Eggers' The Circle to understand man's quest to free himself from nature and to infinitely expand his knowledge in the Quote of the Week. C. S. Lewis distinguishes a life dedicated to the pursuit of truth from one committed to finding comfort in this week's Thoughts on Thinking. Finally, we appreciate Hannah Arendt's copy of The Foundations of music in human consciousness in this week's Library feature.

This coming Friday, June 5th, the Hannah Arendt Center will host the ninth session of its Virtual Reading Group. We will be discussing Chapters 24-26 of The Human Condition.

The reading group is available to all members and is always welcoming new participants! Please click here to learn more, including how you can join!

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
26May/150

C. S. Lewis on Comfort and Truth-Seeking

c. s. lewis

“If you look for truth, you may find comfort in the end; if you look for comfort you will not get either comfort or truth only soft soap and wishful thinking to begin, and in the end, despair.”

—  C. S. Lewis

(Source: Criswell.edu)

C. S. Lewis's Bioigraphy

Clive Staples Lewis (1898–1963), better known as C. S. Lewis was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement.

Lewis wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. C. S. Lewis's most distinguished and popular accomplishments include Mere Christianity, Out of the Silent Planet, The Great Divorce, The Screwtape Letters, and the universally acknowledged classics in The Chronicles of Narnia. To date, the Narnia books have sold over 100 million copies and been transformed into three major motion pictures.

(Sourced from CSLewis.com)

Click here to read more Thoughts on Thinking.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
18May/150

Amor Mundi 5/17/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upBeing Toward Death

death maskDeath today has been medicalized and marginalized. But this has not always been the case. To illustrate, Deborah Lutz has explored the way the Victorians approached death and has found a much different and worthy approach to the dying body. "What I came to realize was that the Victorians cared about the mortal body; its very mortality mattered profoundly to them. Today we try to deny the body's movement toward death, its inevitable decay. The Victorians, instead of fearing the process of dying and the corpse, felt reverence. These were stages in the life of a beloved body and should be treasured. Indeed, the image of the corpse was worthy of fixing with the art of the death mask, painting or photography. A snippet of hair was often turned into jewelry. What was beautiful--and tragic, but more lovely for all that--was the body's ephemerality, its being always on the way to disappearing. The Victorians recognized that death's presence was woven into the texture of life, giving that life one of its essential meanings. Religion, of course, played a role in this attitude. Evangelical revivals early in the 19th century reinvigorated the tradition of the good death, in which God called believers to him. Even the sinful might be saved in the end, and this salvation could be seen in the face of the dying and heard in their words. Dying was something to be watched--a triumph even.... What we have lost is not only a savoring of ephemerality, but also an appreciation of the way that time marks the body. We try too hard to keep the terminally ill alive because we can't admit to finality. This has begun to change with the rise of the hospice movement and the work of a handful of artists, like Ishiuchi Miyako and Sophie Calle, who are interested in documenting the dying of loved ones. Even so, the philosopher Walter Benjamin's lament in the 1930s about death still rings true. By avoiding the sight of the dying, he felt, one misses the moment when the meaning of a life is completed and illuminated in its ending. The denial of death then leads to the demise of the art of storytelling. He called his contemporaries 'dry dwellers of eternity' because they 'live in rooms that have never been touched by death.'"

The Wrong Stuff

death chamberJeffrey E. Stern reports on a recent botched execution in Oklahoma and on the source of the problem, namely, the difficulty of finding the right drugs: "What many people don't realize, however, is that choosing the specific drugs and doses involves as much guesswork as expertise. In many cases, the person responsible for selecting the drugs has no medical training. Sometimes that person is a lawyer--a state attorney general or an attorney for the prison. These officials base their confidence that a certain drug will work largely on the fact that it has seemed to work in the past. So naturally, they prefer not to experiment with new drugs. In recent years, however, they have been forced to do so... The problems began at a pharmaceutical plant in Rocky Mount, North Carolina. The Food and Drug Administration discovered that some of the drugs made there were contaminated and in April 2010 sent the manufacturer, Hospira, a warning letter. Hospira stopped producing, among other drugs, a barbiturate called sodium thiopental. No other company was approved by the FDA to make sodium thiopental, which was the anesthetic of choice for almost all of the states that carried out executions." Stern doesn't editorialize. But the horrific facts of the case themselves seem to ask whether or not this punishment fits any crime.

Thingification

thingsRussell Jacoby is critical of the academic fashion for studies of objects, books on golf balls, paper clips, and doorknobs. This kind of microscopic approach can be done well--Jacoby offers the excellent example of the Sigfried Giedion's 1948 Mechanization Takes Command. But in the current iteration of object studies, Jacoby discerns an empty, consumerist, apolitical desire expression of exhaustion. "The tendencies here reflect new academic fashions that seem to move in two opposite directions--fields get larger and subject matter smaller. We have new fields of global studies or material culture--allied to object theory--which seem to cover everything; but they frequently serve as licenses to study very small things. The connections, in any case, between larger fields and microstudies are hardly addressed. A recent issue of the Journal of Material Culture, for instance, has an article on energy shortages in an African city ('Infrastructure turned suprastructure: Unpredictable materialities and visions of a Nigerian nation') and the incompatible standards of electrical plugs in Western Europe ('Plugging in: Power sockets, standards and the valencies of national habitus'). There is nothing wrong with this--except that after all the theoretical panting we are left gawking at unrelated items in the display case of history. For all the references to Lukacs, object study bespeaks reification, turning social relations into things. Perhaps an awkward French translation for reification, 'chosification'--'thingification' in English--captures something of Lukacs' concept. Historical material subject to potential change gets transmuted into things subject to passive viewing."

Design Within Reach

homelessAndrea DenHoed applauds an undergraduate design class project which is aimed at alleviating the problem of homelessness in New York City: "Perhaps it's fanciful to be discussing beautiful design in the face of horror stories about the city's neglected, dilapidated shelters. Or perhaps the project of reconceptualizing what it means to house the homeless goes hand in hand with the project of finding sustainable approaches to homelessness. (In an area where the best practices seem wholly inadequate to the problem at hand, and where departures from orthodoxy--such as a Utah experiment that simply gave homeless people houses--can be notably fruitful, the idea of radical reconceptualization is particularly attractive.) But the ability to conceive of and implement beautiful design with scarce resources is a great test of skill and talent, and it's worth wondering whether top-tier designers would even be interested in these tight-budget contracts. ('My passion still goes to high-end residential spaces,' which allow for extensive customization, one student said.) But from the working designer's point of view, designing for a low-income demographic might offer another kind of freedom. Walz said that he's observed a growing discontent among interior designers with some of the changes that economic trends have wrought on their profession. 'Everybody has sort of had it with the sense of entitlement in certain parts of the population,' he said. 'But nobody wants to talk about it--you don't want to bite the hand that feeds you.'"

amor_mundi_sign-upArendt's Moral Groundwork

hannah arendtCorey Robin has a long essay on Hannah Arendt and the Eichmann controversy in the latest Nation. Robin's article has the virtue of length and breadth, allowing him to explore Arendt's critics and their errors but also to search for meaning in the recurring conflict. He asks, "What is it about this most Jewish of texts that makes it such a perennial source of rancor among Jews, and what does their rancor tell us about Jewish life in the shadow of the Holocaust and the creation of the state of Israel? What does the wrongness of Eichmann's readers reveal about the rightness of its arguments?" Robin takes on Arendt's critics on many levels, and in the end argues that Arendt's account of the Eichmann trial, was, as Arendt once wrote, "the groundwork for creating new political morals." Robin writes: "If evil comes in small steps, overcoming it, nearing goodness, also inheres in small steps. As Susan Neiman explains: 'Arendt was convinced that evil could be overcome only if we acknowledge that it overwhelms us in ways that are minute. Great temptations are easier to recognize and thus to resist, for resistance comes in heroic terms. Contemporary dangers begin with trivial and insidious steps.' Return the coat of collateral at night; take the eggs, not the bird; give a hunted Jew a truck. Jerusalem, then--not the Athens of the Greeks or the Königsberg of Kant--may be not only the site but also the spirit of Arendt's text. The intransigence of her ethic of everyday life, her insistence that every action matters, that we attend to the minutes of our practice--not the purity of our souls but the justness of our conduct and how it will affect things; if not now, when all is hopeless, then in the future, when all will be remembered--that kind of mindfulness is reminiscent, too, of the Hebraic ethos described by Arnold in Culture and Anarchy: 'this energy driving at practice' that 'would not let the Hebrew rest till, as is well known, he had at last got out of the law a network of prescriptions to enwrap his whole life, to govern every moment of it, every impulse, every action.' On December 21, 1962, two months before the first of her articles would appear in The New Yorker, Arendt gave her friend, the literary critic Alfred Kazin, a copy of the manuscript. The next day, he finished it. Overwhelmed by 'the stink of so much evil,' he went out for a walk. He 'walked and walked,' he writes in his journal, 'shivering to get the wintry pure air into my lungs.' Then he was hit by a realization: 'Hannah in her imperious yecke [a Yiddish term for German Jews] way is one of the just.' 'This is the lightning in her to which I always respond. She has the fundamental sense of value. She still believes in the right. Oddly enough, she still believes in the Ten Commandments.'"

In Search of a Human Humanities Conference

humanities conferenceChristy Wampole poses a simple question many of us ask regularly: Why are academic conferences so boring? "We are weary of academic conferences. We are humanists who recognize very little humanity in the conference format and content. We have sat patiently and politely through talks read line by line in a monotone voice by a speaker who doesn't look up once, wondering why we couldn't have read the paper ourselves in advance with a much greater level of absorption. We have tried to ignore the lack of a thesis or even one interesting sentence in a 20-minute talk. Our jaws have hung in disbelief as a speaker tries to squeeze a 30-minute talk into a 20-minute slot by reading too fast to be understood. We have been one of two attendees at a panel.... Academic conferences are a habit from the past, embraced by the administrativersity as a way to showcase knowledge and to increase productivity in the form of published conference proceedings. We have been complicit. Until now. We believe it is time to ask ourselves: What is the purpose of the conference?" It is an excellent question, and one that should spur experimentation. Hannah Arendt Center Conferences are one attempt to re-imagine the tired academic conference by bringing academics together with students, the engaged public, artists, business people, and public intellectuals to explore present concerns in politics through the humanities. If you haven't attended one of our events, join us at our next conference: Private Life: Why Does it Matter?

Drugs, Babies, and Poverty in America

muskogeeReflecting on poverty and the unrest in Baltimore, Thomas B. Edsall offers a comparison with Muskogee, Oklahoma. "Today Muskogee, Okla., a city of 38,863, has nine drug treatment centers and a court specifically devoted to drug offenders. A search for 'methamphetamine arrest' on the website of the Muskogee Phoenix, the local newspaper, produces 316 hits. In 2013 just under two-thirds of the births in the city of Muskogee, 62.6 percent, were to unwed mothers, including 48.3 percent of the births to white mothers. The teenage birthrate in Oklahoma was 47.3 per 1,000; in Muskogee, it's 59.2, almost twice the national rate, which is 29.7. The Baltimore poverty rate is 23.8 percent, 8.4 points above the national rate, but below Muskogee's 27.7 percent. The median household income in Baltimore is $41,385, $11,661 below the $53,046 national level, but $7,712 above Muskogee's $33,664.... Why am I talking about Muskogee? Two reasons. The first is that the Baltimore riots have become a vehicle for conservatives to point to the city as an emblem of the failure of liberalism and the Democratic Party. The current state of affairs in Muskogee suggests that the left does not deserve exclusive credit for social disorder. The second reason is that worsening conditions in working-class white Republican communities indicate that the conservative moral agenda has not decisively won the battle for the hearts of America's youth.... If conservatives place responsibility on liberal Democrats, feminism and the abandonment of traditional family values for Baltimore's decay, what role did the 249 churches in and around Muskogee play in that city's troubles? The fact is that the poor and working classes of both races were not well equipped to adjust to changes in behavior driven by the sexual revolution and the second demographic transition--a collection of forces that are inexorably changing the family, marriage patterns and child rearing worldwide." On the left there is a conviction that racism lies behind the problems in Baltimore. On the right, they blame feminism, gay rights, and the loss of religious order. Edsall focuses on the similarities between the breakdown of society in both Baltimore and Muskogee, arguing that they reflect a more widespread demographic and moral collapse.

Critical Miss

computerJon Peterson remembers a moment just before the internet when fiction seemed like it might be intruding on truth, networks and hacking struck fear in the heart of the government, and the Secret Service thought it was protecting the public good by confiscating the manual to a tabletop role-playing game: "In hindsight, it's difficult to explain how esoteric computers appeared to the mainstream in the 1980s. The Internet existed--but even in 1990, few had any inkling of the prominence it would soon attain. It was just one of several communications networks, largely confined to university environments and overshadowed by closed monolithic information services like CompuServe. The web as such didn't exist either, and even functions like email and newsgroups depended on a patchwork of interconnected systems with limited standardization. The promise of an open, global network for commerce, entertainment, and personal communications remained in the realm of science fiction... But in 1990, the territory where these stories played out remained imaginary: the Internet lingered on the cusp of becoming habitable. Only a marginal community of hobbyists spent any significant fraction of their lives online, in various bulletin boards, newsgroups, and chat services where they communicated with like-minded explorers of the electronic frontier. Perhaps the closest you could get at that time to an experience of Gibson's future was in the role-playing games that tried to capture the flavor of that world, known by the genre label 'cyberpunk.'"

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #9

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, June 5, 2015

Bluejeans.com, 11:00 am - 12:00 pm

 

 


privacy con 2015 (temp)SAVE THE DATE - 2015 FALL CONFERENCE

Thursday and Friday, October 15 and 16, 2015

The Hannah Arendt Center's eighth annual fall conference, "Privacy: Why Does It Matter?," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!


From the Arendt Center Blog

This week on the Blog, Hans Teerds reflects on how we understand architecture as a political concern and, by extension, understand Karl Jaspers' spatial approach to thinking in the Quote of the Week. We share a link to a broadcast by Deutschlandfunk Radio that provides some coverage of "Can We Have Some Privacy?," a conference we sponsored earlier this month. Anne Morrow Lindbergh, wife of Charles Lindbergh, reflects on writing, thinking, and life in this week's Thoughts on Thinking. Bethany Zulick, a HAC student fellow, recounts artist Jeanne van Heeswijk's lecture for our spring 2015 "Courage to Be" dinner/speaker series. Finally, we appreciate two annotations Arendt made to her copy of "Black Reconstruction in America" in this week's Library feature.

bill t. jones On Tuesday, May 5th, we had the pleasure of talking with American choreographer and dancer Bill T. Jones and with members of the Bill T. Jones/Arnie Zane Dance Company following a rehearsal for their upcoming world premiere performance, "Analogy/Dora: Tramontane." We will be uploading a recording of our Q&A session with Jones and company to our Vimeo account in the next few weeks. Please stay tuned!

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
4May/150

Amor Mundi 5/3/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upOur Daily Routine

nazi trialAnna Sauerbrey has an op-ed in the NY Times about the ongoing trial of Oskar Gröning, what will likely be the last trial of a German Nazi for crimes against humanity. One captivating aspect of the trial is that Gröning has long admitted to his role in the genocide and expressed regret for it. For Sauerbrey, the core of the trial is Gröning's uncanny banality. "At the trial, Mr. Gröning said that from his perspective, the killing of the Hungarian Jews, which had been meticulously planned and for which several new gas chambers had been built in Auschwitz, was 'routine.' What shocked him were merely individual outbursts of violence, like an SS man beating a crying infant to death. The killings in the gas chambers, he said, were 'orderly' and 'clean.' He rarely said the word 'murder.' 'In 24 hours you could take care of 5,000 people,' he said. 'After all, that's how things went in a concentration camp.' Mr. Gröning's language naturally makes one think of Adolf Eichmann, and how his detached explanation of his role as a bureaucrat, at his 1961 trial in Jerusalem, led Hannah Arendt to coin the phrase 'the banality of evil.' Ms. Arendt was, some say, fooled by the defendant, and that Eichmann had embraced the hatred fueling the killing machine. But if Ms. Arendt was wrong about Eichmann, she was on to something, something we now see in what Mr. Gröning is saying. It is the horrifying, mind-wrecking banality of evil condensed in a sentence like 'that's how things went in a concentration camp' that has sustained the German self-narrative of guilt, much more than compassion ever could have. Mr. Gröning makes us question ourselves. I, too, am afraid I wouldn't have resisted. The victims tell us: We must never forget. The perpetrators say: We might do it again." Arendt did not accept Eichmann's claim that he was a mere bureaucrat; she insisted that he chose to participate in genocide and should be killed for his acts. More importantly, she agreed with Sauerbrey that the key question of the Eichmann trial was why some Germans chose to resist Nazi evil while others participated thoughtlessly. The question was, and remains, thus: why could people like Gröning conclude that the orderly planned killing of Jews was routine even as they were shocked by disorderly outbursts of violence? After a semester teaching a course on moral and political courage, it is now clear that what separates those who resist from those who cooperate is simple: it is character. The people who resist simply have an idea of themselves that disallows them from doing certain things. They have a sense of self and the courage to be who they are no matter the costs. They have depth, which is the opposite of banality.

Psycho Babble

psychologyWe live in an age of social science. Everywhere we turn, and in every newspaper we read, we are bombarded with statistics about human behavior. Policy wonks from Cass Sunstein to David Brooks want to use social science research to nudge people to behave in more rational and more responsible ways. But not everyone is an advocate of such research. In her lifetime, Hannah Arendt was eternally suspicious of social science data. First, because she insists that human freedom means that we are never as predictable as data would have us believe. And second, because the admitted success of data as a predictor of mass behavior leads to a loss of faith in the freedom and thus greatness of human action, thus an acceptance of the machine-like behavior of humans. It is thus helpful to remember that many of the seemingly endless studies about human psychological behavior are total bunk, as Kas Thomas writes (in admittedly colorful language). "An effort to replicate 100 research findings in psychology turned up the disturbing fact that key findings from only 39 of the published studies could be reproduced. From the 30 April 2015 article in Nature: 'The results should convince everyone that psychology has a replicability problem,' says Hal Pashler, a cognitive psychologist at the University of California, San Diego, and an author of one of the papers whose findings were successfully repeated. 'A lot of working scientists assume that if it's published, it's right,' he says. 'This makes it hard to dismiss that there are still a lot of false positives in the literature.' But Daniele Fanelli, who studies bias and scientific misconduct at Stanford University in California, says the results suggest that the reproducibility of findings in psychology does not necessarily lag behind that in other sciences. There is plenty of room for improvement, he adds, but earlier studies have suggested that reproducibility rates in cancer biology and drug discovery could be even lower. 'From my expectations, these are not bad at all,' Fanelli says. 'Though I have spoken to psychologists who are quite disappointed.' In other words, these results aren't that bad, really, because they're just as shitty as in other, 'harder' sciences!"

Order and Violence

baltimore protestsViolence can be useful. In response to injustice, it can even be justifiable on a utilitarian scale if violence brings attention to injustice and thus serves the doing of justice. But usually, violence does not lead to justice but rather to more violence. That is the danger of political uses of violence, as Hannah Arendt understood it in her essay On Violence. Responding to the protests following the unexplained brutal beating and subsequent death of Freddie Gray while he was held in police custody in Baltimore, Ta-Nehisi Coates says that calls for 'nonviolence' are being made in bad faith, although that does not in turn justify violence: "When nonviolence is preached as an attempt to evade the repercussions of political brutality, it betrays itself. When nonviolence begins halfway through the war with the aggressor calling time out, it exposes itself as a ruse. When nonviolence is preached by the representatives of the state, while the state doles out heaps of violence to its citizens, it reveals itself to be a con. And none of this can mean that rioting or violence is 'correct' or 'wise,' any more than a forest fire can be 'correct' or 'wise.' Wisdom isn't the point tonight. Disrespect is. In this case, disrespect for the hollow law and failed order that so regularly disrespects the community." The violent protests in Baltimore shed light on the injustice of police violence. There is a question of whether the violent protests were necessary in that aim. But so far, it is hard to deny that the violent protests have yielded what they sought and that they may prove to be one of those rare instances when violence proves itself in the service of justice.

Civility and Truth

salaitaThe American Association of University Professors has released a report on the firing of Steven Salaita. As the report concludes, "At the heart of this case is the question of Professor Salaita's employment status at the University of Illinois when Chancellor Wise informed him that she would not forward his appointment to the board of trustees." Since the AAUP finds, correctly, that Salaita had indeed been hired, his irregular firing without procedural safeguards was a violation of his protected status. A larger question in the report concerns the claim by the University of Illinois that the firing was justified because of the uncivil nature of Professor Salaita's comments. On this point, the AAUP's report takes a strong stand against civility: "Statements by Chancellor Wise and the trustees insisted that 'civility' was a standard by which the fitness of a scholar and teacher could be judged. They used synonyms such as courtesy and respect, and they maintained that incivility threatened the comfort and security of students. The trustees claimed that disrespectful speech 'is not an acceptable form of civil argument' and 'has no place . . . in our democracy.' There are three objections to these claims. The first is that 'civility' is vague and ill-defined.... The second objection is that, inevitably, the standard of civility conflates the tone of an enunciation with its content.... The third objection is that, even if the tone of one's expression is highly charged, it does not constitute grounds for punishment. Whether it is a matter of First Amendment rights or of the principles of academic freedom, there is concurrence on the dangers to democracy of attempting to outlaw emotionally provocative speech. The CAFT report cites a 1971 Supreme Court case that struck down punishment because of a speaker's use of an offensive expletive-'an expletive Dr. Salaita's tweets are much given to.' The Court ruled, 'We cannot sanction the view that the Constitution, while solicitous of the cognitive content of individual speech, has little or no regard for that emotive function which practically speaking may often be the more important element of the overall message sought to be communicated.' In the Davis case at UCLA, one of the dissenting regents put it similarly: 'In this day and age when the decibel level of political debate . . . has reached the heights it has, it is unrealistic and disingenuous to demand as a condition of employment that the professor address political rallies in the muted cadences of scholarly exchanges. Professors are products of their times even as the rest of us.'" One problem with such reasoning, however, is that the AAUP wants to insist that professors are different from the rest of us and that professors deserve extra protection of academic freedom because they are engaged in the pursuit of truth that may and often is unconventional and controversial. If that is true, and it should be, then it may well require that professors act professorial in order to claim their academic freedom. In other words, the civility that often is out of place in political arguments is a structuring condition of academic inquiry.

amor_mundi_sign-upAn Ideologue and a Meddlesome Egoist

pope francisPope Francis is on a mission, and the measure of his potential success is the fear he is causing. Garry Wills asks the right question: who is scared of Pope Francis? It turns out some very wealthy and powerful people are. "Those who profit from what harms the earth have to keep the poor out of sight. They have trouble enough fighting off the scientific, economic, and political arguments against bastioned privilege. Bringing basic morality to the fore could be fatal to them. That is why they are mounting such a public pre-emptive strike against the encyclical before it even appears. They must not only discredit the pope's words (whatever they turn out to be), they must block them, ridicule them, destroy them. The measure of their fear is demonstrated by an article in First Things, the Catholic journal that defended the donations to bishops of the pederast religious founder Marcial Maciel. The First Things writer Maureen Mullarkey calls the pope 'an ideologue and a meddlesome egoist,' and continues: 'Francis sullies his office by using demagogic formulations to bully the populace into reflexive climate action with no more substantive guide than theologized propaganda.'" At a time of incredible inaction around the world on all issues from climate change and inequality to corruption and terrorism, the one world leader who seems able and willing to take bold action informed by common sense moral intuitions is the Catholic Pope. One hopes some other leaders follow his example.

Consider the Paragraph

paragraphElisa Gabbert wonders after prose's forgotten unit of organization: "Reading a book, I always glance ahead to see where the section or chapter ends, so I know when I can stop reading if I want or need to. Stopping mid-paragraph is deeply unsatisfying--no sense of closure, no easy way to remember where I left off when I next pick it up. Claustrophobic tendencies aside, of late I am actively interested in paragraphs, their formal possibilities. Sentences are taken to be the basic unit of prose, and we use them metonymically--we say 'She writes wonderful sentences' when we mean to praise the author's prose. James Salter is so well-known for his sentences that it rises to the level (or sinks, I suppose) of critical cliché. In a 2013 profile in the New Yorker, Salter is quoted, in a letter to a friend: 'I wanted to get past the great-writer-of-sentences thing. I don't care about that, at this stage.' But why is it, I wonder, we rarely talk about a writer's way with paragraphs? It may be because there is a lot more you can do with a sentence to vary it; syntax and diction, all those micro-choices that add up to the macro-style of (say) a novel, happen at the level of the sentence. There are pretty much only two ways to vary your paragraphs. The first is length. Some writers work in short paragraphs, some in fluctuating lengths, others in long, multi-page-spanning paragraphs, like our incantatory friend above. Some writers work at both ends, depending on the book--compare As I Lay Dying to Absalom, Absalom! It's no coincidence that the former, with its many breaks, is easier to read; it could almost pass for YA. Bestsellers keep paragraphs and chapters short as a tactic--they make for more addictive, snack-like reading, so the reader repeatedly thinks I'll just read one more."

Not Just Clowning Around

Bernie SandersMatt Taibbi thinks Vermont Senator Bernie Sanders's run for the presidency could invigorate our moribund political culture, and he is infuriated that some people don't think that the Senator is being serious: "this whole question of 'seriousness'--which will dominate coverage of the Sanders campaign--should really be read as a profound indictment of our political system, which is now so openly an oligarchy that any politician who doesn't have the blessing of the bosses is marginalized before he or she steps into the ring."

Forgetting to Forget

warMichelle Garcia offers a haunting tale of memory and time that somehow unite her father's death and her decision to go and work in refugee camps in the Sahara: "No longer do I organize time chronologically. Keeping time reminds me of where I went wrong. Saturday afternoon: I call my father and promise to call back on Sunday. The conversation was difficult, we talked about my brother. Sunday: I prepare for bed and remember to call my father, but my boyfriend says, The last conversation upset you and it's late. Call tomorrow first thing. I remember the moment vividly. Monday morning: I walk into the office, sit down at my desk, and lift the phone to call my father. My cellphone rings. It's my brother and he's crying. Time, in that moment, was like a record player needle on a scratched album, unable to advance. But I was just about to call, the phone was in my hand.... Neat divisions of time are largely obliterated in the war of forgetting. The past and present co-mingle, speak to, and inform each other. Anyone who has ever lived through war, with its echoes of regret, knows that a war of forgetting endures after the bodies are buried, the peace accords are signed, and the soldiers remove their uniforms. The war of forgetting is the undocumented legacy of war, often relegated to the psycho-analytic bins of trauma, nostalgia, and remorse. For the next seven years, the war of forgetting would dominate my travels and my attention, but after each experience, I hesitated to write about what I had seen until I could give shape and words to the absence, the missing."

The Courage to Not Be Busy

from the heartOmid Safi diagnoses the modern disease of business, or busyness. "This disease of being 'busy' (and let's call it what it is, the dis-ease of being busy, when we are never at ease) is spiritually destructive to our health and wellbeing. It saps our ability to be fully present with those we love the most in our families, and keeps us from forming the kind of community that we all so desperately crave.... It doesn't have to be this way. In many Muslim cultures, when you want to ask them how they're doing, you ask: in Arabic, Kayf haal-ik? or, in Persian, Haal-e shomaa chetoreh? How is your haal? What is this haal that you inquire about? It is the transient state of one's heart. In reality, we ask, 'How is your heart doing at this very moment, at this breath?' When I ask, 'How are you?' that is really what I want to know. I am not asking how many items are on your to-do list, nor asking how many items are in your inbox. I want to know how your heart is doing, at this very moment. Tell me. Tell me your heart is joyous, tell me your heart is aching, tell me your heart is sad, tell me your heart craves a human touch. Examine your own heart, explore your soul, and then tell me something about your heart and your soul. Tell me you remember you are still a human being, not just a human doing. Tell me you're more than just a machine, checking off items from your to-do list. Have that conversation, that glance, that touch. Be a healing conversation, one filled with grace and presence. Put your hand on my arm, look me in the eye, and connect with me for one second."

amor_mundi_sign-upFeatured Events

h. g. adlerTranslating the Holocaust: H. G. Adler as Writer and Scholar

This event, which features a keynote address, several panels, and a performance, will offer a unique opportunity to consider the intersection of both the scholarly and artistic work of H. G. Adler, a major thinker and writer who is just becoming known in English.

Sponsored by the Hannah Arendt Center, The Bard Translation Initiative, Jewish Studies, German Studies, and Human Rights Project.

Free and open to the public!

Monday, May 4, 2015

Bard Hall, Bard College, 4:00 pm - 6:00 pm


human conditionHAC Virtual Reading Group - Session #8

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, May 15, 2015

Bluejeans.com, 11:00 am - 12:00 pm

 

 


privacy con 2015 (temp)SAVE THE DATE - 2015 FALL CONFERENCE

Thursday and Friday, October 15 and 16, 2015

The Hannah Arendt Center's eighth annual fall conference, "Privacy: Why Does It Matter?," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!


From the Arendt Center Blog

This week on the Blog, Jeffrey Champlin discusses how Arendt's use of the "Archimedean point" in Chapter 5 of The Human Condition helps us understand the Anthropocene in the Quote of the Week. Ray Bradbury provides this week's Thoughts on Thinking. Finally, we appreciate a photo of a personal Arendt library that includes, among other things, a thinking cap that is used to aid the reader in the battle of ideas in this week's Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
23Apr/150

The Courage to Be: Uday Mehta

uday mehta courage to be

From left to right: Roger Berkowitz, Academic Director of the Hannah Arendt Center; Uday Mehta, Professor of Political Science at the Graduate Center of the City University of New York, and Zelda May Bas, author and student fellow at the Hannah Arendt Center.

(Image courtesy of Jessica Chappe.)

By Zelda May Bas

On Monday, March 30th, the Hannah Arendt Center welcomed Professor Uday Mehta as keynote speaker for its second “Courage to Be” dinner.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
30Mar/150

The Dangers of Cynicism

cynicism

By Jeffrey Jurgens

“In the circle around Socrates, there were men like Alcibiades and Critias—God knows, by no means the worst among his so-called pupils—and they had turned out to be a very real threat to the polis, and this not by being paralyzed by the electric ray but, on the contrary, by having been aroused by the gadfly. What they had been aroused to was license and cynicism.”

--Hannah Arendt, “Thinking and Moral Considerations”

Hannah Arendt regards Socrates as an apt model for the kind of thinking she admired and championed. He was, in her words, “a citizen among citizens,” a man who thought “without becoming a philosopher.” For rather than imparting a substantive notion of virtue or truth, he sought to “unfreeze” sedimented concepts like justice, courage, and happiness so that his interlocutors might examine them anew.

Jeffrey Jurgens
Jeffrey Jurgens received his Ph.D. in Anthropology from the University of Michigan, Ann Arbor. He is Fellow for Anthropology and Social Theory at the Bard Prison Initiative as well as Academic Co-Director of the Consortium for the Liberal Arts in Prison. His scholarly interests revolve around themes of migration, citizenship, public memory, youth culture, and the politics of religiosity and secularism.
27Oct/140

Amor Mundi 10/26/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

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The Making of a Hero

Laura PoitrasIn a revelatory and subtle profile of Laura Poitras and her experience making "Citizenfour," her new documentary about Edward Snowden, George Packer raises questions about how close Poitras comes to Snowden's true story, and how uncritically Snowden's own narrative of his actions have become entrenched in the public consciousness: "The heart of the film is the hotel room in Hong Kong, where Poitras finds emotion in the small moments that give 'Citizenfour' the human truth she's always after. Even when the pace slows to the verge of boredom, the footage is mesmerizing, because we are watching a private encounter of great political significance unfold. For Poitras, the film is all about Snowden's decision. But, in this case, ... Snowden had already made his decision to go public, long before he got in touch with Poitras, so by the time we meet him it's a fait accompli. By e-mail and in Hong Kong, he presents his motives as so high-minded and public-spirited that they never become interesting. In Poitras's terms, he has already created a narrative of himself-it's a "locked path." He has stopped being a complicated character, and Poitras doesn't look for ways to complicate him. ... Snowden describes himself as an ordinary government employee who was going about his business until he could no longer ignore the wrongdoing he observed. This self-portrait doesn't completely square with others' accounts or with the historical record. Snowden was not as deeply embedded in the N.S.A.'s institutional culture as were previous agency whistle-blowers, like Binney, who arrived at their breaking points after sustained bureaucratic struggles. Snowden was more alienated and self-isolated, more radical, than that. His biographical trail reveals a young man who becomes most passionate when promoting the importance of maintaining absolute privacy on the Internet-he wore an Electronic Frontier Foundation hoodie to work-and who seems less eager to acknowledge how difficult the trade-off between liberty and security can be in a democratic society. Before the meeting in Hong Kong, he wrote a letter to Poitras and Greenwald that said, in part, "While I pray that public awareness and debate will lead to reform, bear in mind that the policies of men change in time, and even the Constitution is subverted when the appetites of power demand it. In words from history: Let us speak no more of faith in man, but bind him down from mischief by the chains of cryptography." Snowden went to great trouble over a long period to amass the astonishing quantity of secrets that he passed on to Poitras and Greenwald-including taking a private-contractor position solely with the aim of downloading N.S.A. files. None of this is revealed under Greenwald's questioning."

The Phantom in the Opera

death of klinghofferAlex Ross on why the response to the Metropolitan Opera's staging of composer John Adams and librettist Alice Goodman's The Death of Klinghoffer has been so vitriolic: "Adams and his librettist...do not advertise their intentions in neon. The story of the Achille Lauro hijacking is told in oblique, circuitous monologues, delivered by a variety of self-involved narrators, with interpolated choruses in rich, dense poetic language. The terrorists are allowed ecstatic flights, private musings, self-justifications. But none of this should surprise a public accustomed to dark, ambiguous TV shows like 'Homeland.' The most specious arguments against 'Klinghoffer' elide the terrorists' bigotry with the attitudes of the creators. By the same logic, one could call Steven Spielberg an anti-Semite because the commandant in 'Schindler's List' compares Jewish women to a virus. In the opera, the opposed groups follow divergent trajectories. The terrorists tend to lapse from poetry into brutality, whereas Leon Klinghoffer and his wife, Marilyn, remain robustly earthbound, caught up in the pleasures and pains of daily life, hopeful even as death hovers. Those trajectories are already implicit in the paired opening numbers, the Chorus of Exiled Palestinians and the Chorus of Exiled Jews. The former splinters into polyrhythmic violence, ending on the words 'break his teeth'; the latter keeps shifting from plaintive minor to sumptuous major, ending on the words 'stories of our love.' The scholar Robert Fink, in a 2005 essay, convincingly argues that the opera 'attempts to counterpoise to terror's deadly glamour the life-affirming virtues of the ordinary, of the decent man, of small things.' Moreover, subtle references to the Holocaust suggest that a familiar horror is recurring. 'At least we are not Jews,' an old Swiss woman says. 'I kept my distance,' an Austrian frigidly intones. The mellifluous, ineffectual Captain indulges in fantasies of appeasement, conversing under the stars with a silver-tongued terrorist named Mamoud."

Moral Equivalence

death of klinghoffer(2)Alan Dershowitz argues that The Death of Klinghoffer is an affront, first because it establishes a false moral equivalence between Jewish Zionism and Palestinian terrorism and second between the Holocaust and the Occupation. He also faults the music: "By any standard, The Death of Klinghoffer is anything but the 'masterpiece' its proponents are claiming it is. The music is uneven, with some lovely choruses-more on that coming-one decent aria, and lots of turgid recitatives. The libretto is awful. The drama is confused and rigid, especially the weak device of the captain looking back at the events several years later with the help of several silent passengers. There are silly and distracting arias from a British show girl who seems to have had a crush on one of the terrorists, as well as from a woman who hid in her cabin eating grapes and chocolate. They added neither to the drama nor the music of the opera. Then there were the choruses. The two that open the opera are supposed to demonstrate the comparative suffering of the displaced Palestinians and the displaced Jews. The Palestinian chorus is beautifully composed musically, with some compelling words, sung rhythmically and sympathetically. The Jewish chorus is a mishmash of whining about money, sex, betrayal and assorted 'Hasidism' protesting in front of movie theaters. It never mentions the six million Jews who were murdered in the Holocaust, though the chorus is supposed to be sung by its survivors. The goal of that narrative chorus is to compare the displacement of 700,000 Palestinians-some of which was caused by Arab leaders urging them to leave and return victoriously after the Arabs murdered the Jews of Israel-with the systematic genocide of six million Jews. It was a moral abomination.... At bottom The Death of Klinghoffer-a title deliberately selected to sanitize his brutal murder-is more propaganda than art. It has some artistic moments, but the dominant theme is to create a false moral equivalence between terrorism and its victims, between Israel and Palestinian terrorist groups, and between the Holocaust and the self-inflicted Nakba."

Don't Give Up the Fight

Hong Kong protestsKeane Shum on why he won't give up on change in Hong Kong: "So many voices-our own government, the central government, foreign governments, much of the international media, and even some of the protesters themselves-say there is no chance of any concession by the authorities, that this is a futile battle against an intransigent force and can yield only moral victories. It is all just the dreams of naive students, they say, a fantasy. But so is Hong Kong. On that recent Sunday morning in Victoria Harbour, when I had swum to roughly the midpoint between Hong Kong Island and the mainland, I took a moment to drift on my back and let the city wash over me. The harbor and the skyline, the hills and the bays, the food, the movies, the money, and, of course, these protests-politically engaged teenagers doing homework on the streets, collecting garbage, singing songs-all these are unreal. Our city is a dream, a place where umbrellas float through tear gas, schoolchildren lead civic debates instead of virtual lives, and 999 of every 1,000 trains run on time. On that ship in Nanjing 172 years ago where China signed us away, after the British surrendered us on Christmas Day, 1941, when the tanks plowed into Tiananmen Square on the morning of June 4, 1989, we were never supposed to exist, not like this."

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Now and Then

Daniel MendelsohnDaniel Mendelsohn, suggests that books, even ones we love, should change as we do: " I teach Sophocles' 'Antigone.' My students, who are in their late teens and early 20s, tend to identify with the fiercely idealistic young heroine, who stands up for family and religion - for freedom of conscience, as we often see it today - against the decrees of her uncle, the autocratic new ruler of the state. But over the past quarter-century I have increasingly appreciated the validity of the uncle's claims: the necessity for order, the incoherence of a state that consists of individuals who cannot recognize the views of others. However much Holden Caulfield's helplessness and sensitivity may move us, it's important to remember that what is problematic in 'The Catcher in the Rye' is its hero's aversion to negotiation and compromise - not the negotiations and compromises themselves, which are simply part of adult life. Whatever else it may mean, the Museum of Natural History scene in Salinger's beloved classic can be read as a powerful allegory of how not to read beloved classics. Like Holden, we can and do keep revisiting them; but when we do, we should always be seeing something new, because the eyes with which we read should have changed."

To Grieve or Not to Grieve?

Colm ToibinIn a comprehensive essay on grief in literature, Colm Toibin points to Hamlet as a model: "I remember in school sitting at the back of the class soon after my father had died and listening to a discussion about Hamlet's madness and Hamlet's character and everyone wondering why Hamlet could in one second be in love, and the next out of love, and then angry and ready for revenge and then ready to procrastinate, the next minute melancholy and the next putting an antic disposition on, and why his tone could be so wise and then also so bitter and sharply sarcastic and rude. How could he be so many things, and how could we define his character? I wish I had put up my hand to say that I thought I understood what was at the root of all his antics. His father had died not long before. That was all. He had been unmoored. While those around him were trying to explain that what had happened was normal, a part of nature, and were trying to get on with things, Hamlet had become wayward and, luckily, Shakespeare had seen the dramatic possibilities of this."

A Lost Generation

South Boston busMichael Patrick MacDonald has a vivid essay-part investigative journalism, part personal recollection of his time growing up in South Boston-about the forced busing that integrated South Boston High School in 1974: "Among the rarely discussed facts about my neighborhood was that white South Boston High School had the highest number of students on welfare in any school, citywide. The school mostly served the population of Southie's three large housing projects and the 'Lower End,' three contiguous census tracts that collectively held the highest concentration of white poverty in the United States, with 73 percent single-parent female-headed households and upwards of 40 percent unemployment rate among adult men. In the years before busing, only 16 percent of students at white South Boston High school went on to college, and when they did, they were usually the first in their families to do so. Former Boston NAACP President Ken Guskett has recently said that, during the battle for desegregation, while white students citywide received more funding per student ($450) than black students ($250 at the black schools in Roxbury)-'the South Boston kids got less than Roxbury.' This is the problem with looking at statistics only by race, rather than also looking at economics." MacDonald brings a panoramic lens to the busing history, exploring how it happened that black children were integrated into the only Boston schools worse than their own, how South Boston united against that integration and lost its soul, and how the Boston elite stood apart from the fray. Above all it is a riveting tale of the personal toll of a well-meaning but poorly instituted government policy. 

How to Read a "Politically Charged Sentence"

heideggerJulia Ireland has published a long essay that centers upon one of those rare genuine scholarly discoveries. Reviewing original manuscripts of Martin Heidegger's lecture courses, she discovered that the published versions of the texts mistakenly read Heidegger's notation for "National Socialism" as "The Natural Sciences." Ireland argues that restoring Heidegger's original words actually helps make sense of his controversial claims in another essay written in the same year in which he speaks of the "inner truth of National Socialism." In doing so, Ireland offers an extraordinary example of how to treat controversial philosophical texts. As she explains in a footnote that should be read more widely: "I am deeply opposed to that style of scholarship whose tendentious use of quotations preempts genuine philosophical analysis in a manner I understand to actively mislead. It remains true that substandard scholarship continues to determine the wider debate surrounding Heidegger's politics and that in the United States such scholarship has received the imprimatur of a university press. (Emmanuel Faye's division of his 'Bibliography' into categories such as 'Works by Other National Socialist and Völkisch Authors,' 'Apologetic and Revisionist Studies,' and 'Works Critical of Heidegger,' in Heidegger: The Introduction of Nazism into Philosophy in Light of the Unpublished Seminars of 1933-35, is blatantly ideological; and his representation of student Protokolle as Heidegger's own words is specious; both should have been challenged by reviewers as violating the most basic principles of scholarship.) By contrast, I intend my analysis here as an alternative for what it means to read a single, politically charged sentence when interpretation has been constrained by the necessity of a philological reconstruction and the willingness to affirm the often surprising layers of complication that have accompanied it."

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Featured Events

Yasemin SariLunchtime Talk with Yasemin Sari

An Arendtian Recognitive Politics: "The Right to Have Rights" as a Performance of Visibility

Tuesday, October 28, 2014

The Hannah Arendt Center, 1:30 pm

 

 


humanitiesRediscovering the Humanities: Humanities Advocacy in the Digital Age

The Fall Experimental Humanities Mellon Lecture

Thursday, November 6, 2014

Jim Ottaway Jr. Film Center, 5:00 pm - 7:00 pm


Alexei GloukhovLunchtime Talk with Alexei Gloukhov

Arendt and the Question of Positive Freedom

Tuesday, November 18, 2014

The Hannah Arendt Center, 12:30 pm - 2:00 pm

 

 


From the Arendt Center Blog

This week on the Blog, Andrew T. Dilts reflects on forgiveness, punishment, and vengeance with respect to George Zimmerman's slaying of Trayvon Martin in the Quote of the Week. C. G. Jung provides this week's Thoughts on Thinking. In our Video Archives, we look back at a talk Bard College President Leon Botstein gave on the state of American education at the Hannah Arendt Center's seventh annual fall conference. And we appreciate a small yet powerful personal library of Arendt's works in our Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.