In the Age of Big Data, Should We Live in Awe of Machines?
In 1949, The New York Times asked Norbert Wiener, author of Cybernetics, to write an essay for the paper that expressed his ideas in simple form. For editorial and other reasons, Wiener’s essay never appeared and was lost. Recently, a draft of the never-published essay was found in the MIT archives. Written now 64 years ago, the essay remains deeply topical. The Times recently printed excerpts. Here is the first paragraph:
By this time the public is well aware that a new age of machines is upon us based on the computing machine, and not on the power machine. The tendency of these new machines is to replace human judgment on all levels but a fairly high one, rather than to replace human energy and power by machine energy and power. It is already clear that this new replacement will have a profound influence upon our lives, but it is not clear to the man of the street what this influence will be.
Wiener draws a core distinction between machines and computing machines, a distinction that is founded upon the ability of machines to mimic and replace not only human labor, but also human judgment. In the 1950s, when Wiener wrote, most Americans worried about automation replacing factory workers. What Wiener saw was a different danger: that intelligent machines could be created that would “replace human judgment on all levels but a fairly high one.”
Today, of course, Wiener’s prophecy is finally coming true. The IBM supercomputer Watson is being trained to make diagnoses with such accuracy, speed, and efficiency that it will largely replace the need for doctors to be trained in diagnostics.
Google is developing a self-driving car that will obviate the need for humans to judge how fast and near to others they will drive, just as GPS systems already render moot the human sense of direction. MOOCs are automating the process of education and grading so that fewer human decisions need to be made at every level. Facebook is automating the acquisition of friends, lawyers are employing computers to read and analyze documents, and on Wall Street computer trading is automating the buying and selling of stocks. Surveillance drones, of course, are being given increasing autonomy to sift through data and decide which persons to follow or investigate. Finally, in the scandal of the day, the National Security Agency is using computer algorithms to mine data about our phone calls looking for abnormalities and suspicious patterns that would suggest potential dangers. In all these cases, the turn to machines to supplement or even replace human judgment has a simple reason: Even if machines cannot think, they can be programmed to do traditionally human tasks in ways that are faster, more reliable, and less expensive than can be done by human beings. In ways big and small, human judgment is being replaced by computers and machines.
It is important to recognize that Wiener is not arguing that we will create artificial human beings. The claim is not that humans are simply fancy machines or that machines can become human. Rather, the point is that machines can be made to mimic human judgment with such precision and subtlety so that their judgments, while not human, are considered either equal to human judgment or even better. The result, Wiener writes, is that “Machines much more closely analogous to the human organism are well understood, and are now on the verge of being built. They will control entire industrial processes and will even make possible the factory substantially without employees.”
Wiener saw this new machine age as dangerous on at least two grounds. First, economically, the rise of machines carries the potential to upend basic structures of civilization. He writes:
These new machines have a great capacity for upsetting the present basis of industry, and of reducing the economic value of the routine factory employee to a point at which he is not worth hiring at any price. If we combine our machine-potentials of a factory with the valuation of human beings on which our present factory system is based, we are in for an industrial revolution of unmitigated cruelty.
The dangers Wiener sees from our increased reliance on computing machines are not limited to economic dislocation. The real threat that computing machines pose is that as we cede more and more power to machines in our daily lives, we will, he writes, gradually forfeit our freedom and independence:
[I]f we move in the direction of making machines which learn and whose behavior is modified by experience, we must face the fact that every degree of independence we give the machine is a degree of possible defiance of our wishes. The genie in the bottle will not willingly go back in the bottle, nor have we any reason to expect them to be well disposed to us.
In short, it is only a humanity which is capable of awe, which will also be capable of controlling the new potentials which we are opening for ourselves. We can be humble and live a good life with the aid of the machines, or we can be arrogant and die.
For Wiener, our eventual servitude to machines is both an acceptable result and a fait accompli, one we must learn to accept. If we insist on arrogantly maintaining our independence and freedom, we will die. I gather the point is not that machines will rise up and kill their creators, but rather that we ourselves will program our machines to eliminate, imprison, immobilize, or re-program those humans who refuse to comply with paternalistic and well-meaning directives of the machines systems we create in order to provide ourselves with security and plenty.
Wiener counsels that instead of self-important resistance, we must learn to be in awe of our machines. Our machines will improve our lives. They will ensure better medical care, safer streets, more efficient production, better education, more reliable childcare and more human warfare. Machines offer the promise of a cybernetic civilization in which an entire human and natural world is regulated and driven towards a common good with super-human intelligence and calculative power. In the face of such utopian possibility, we must accept our new status as the lucky beneficiaries of the regulatory systems we have created and humble ourselves as beings meant to live well rather than to live free.
Recent revelations about the U.S. government’s using powerful computers to mine and analyze enormous amounts of data collected via subpoenas from U.S. telecom companies is simply one example of the kind of tradeoff Wiener suggests we will and we should make. If I understand the conclusions of Glenn Greenwald’s typically excellent investigative reporting, the NSA uses computer algorithms to scan the totality of phone calls and internet traffic in and out of the United States. The NSA needs all of this data—all of our private data—in order to understand the normal patterns of telephony and web traffic and thus to notice, as well, those exceptional patterns of calling, chatting, and surfing. The civil libertarian challenges of such a program are clear: the construction of a database of normal behavior allows the government to attend to those whose activities are outside the norm. Those outliers can be terrorists or pedophiles; they may be Branch Davidians or members of Occupy Wall Street; they may be Heideggerians or Arendtians. Whomever they are, once those who exist and act in patterns outside the norm are identified, it is up to the government whether to act on that information and what to do with it. We are put in the position of having to trust our government to use that information wisely, with pitifully little oversight. Yet the temptation will always be there for the government to make use of private information once they have it.
In the face of the rise of machines and the present NSA action, we have, Wiener writes, a choice. We can arrogantly thump our chests and insist that our privacy be protected from snooping machines and governmental bureaucracies, or we can sit back and stare in awe of the power of these machines to keep us safe from terrorists and criminals at such a slight cost to our happiness and quality of life. We already allow the healthcare bureaucracy to know the most intimate details of our lives and the banking system to penetrate into the most minute details of our finances and the advertising system to know the most embarrassing details of our surfing and purchasing histories; why, Wiener pushes us to ask, should we shy away from allowing the security apparatus from making use of our communication?
If there is a convincing answer to this hypothetical question and if we are to decide to resist the humbling loss of human freedom and human dignity that Wiener welcomes, we need to articulate the dangers Wiener recognizes and then rationalizes in a much more provocative and profound way. Towards that end, there are few books more worth reading than Hannah Arendt’s The Human Condition. Wiener is not mentioned in Hannah Arendt’s 1958 book; and yet, her concern and her theme, if not her response, are very much in line with the threat that cybernetic scientific and computational thinking pose for the future of human beings.
In her prologue to The Human Condition, Arendt writes that two threatening events define the modern age. The first was the launch of Sputnik. The threat of Sputnik had nothing to do with the cold war or the Russian lead in the race for space. Rather, Sputnik signifies for Arendt the fact that we humans are finally capable of realizing the age-old dream of altering the basic conditions of human life, above all that we are earth-bound creatures subject to fate. What Sputnik meant is that we were then in the 1950s, for the first time, in a position to humanly control and transform our human condition and that we are doing so, thoughtlessly, without politically and thoughtfully considering what that would mean. I have written much about this elsewhere and given a TEDx talk about it here.
The second “equally decisive” and “no less threatening event” is “the advent of automation.” In the 1950s, automation of factories threatened to “liberate mankind from its oldest and most natural burden, the burden of laboring and the bondage to necessity.” Laboring, Arendt writes, has for thousands of years been one essential part of what it means to be a human being. Along with work and action, labor comprises those activities engaged in by all humans. To be human has meant to labor and support oneself; to be human has for thousands of years meant that we produce things—houses, tables, stories, and artworks—that provide a common humanly built world in which we live together; and to be human has meant to have the ability to act and speak in such a way as to surprise others so that your action will be seen and talked about and reacted to with a force that will alter the course and direction of the human world. Together these activities comprise the dignity of man, our freedom to build, influence, and change our given world—within limits.
But all three of these activities of what Arendt calls the vita activa, are now threatened, if not with extinction, then at least with increasing rarity and public irrelevance. As automation replaces human laborers, the human condition of laboring for our necessary preservation is diminished, and we come to rely more and more on the altruism of a state enriched by the productivity of machine labor. Laboring, part of what it has meant to be human for thousands of years, threatens to become ever less necessary and to occupy an ever smaller demand on our existence. As the things we make, the houses we live in, and the art we produce become ever more consumable, fleeting, and temporary, the common world in which we live comes to seem ever more fluid; we move houses and abandon friends with the greater ease than previous ages would dispose of a pair of pants. Our collective focus turns toward our present material needs rather than towards the building of common spiritual and ethical worlds. Finally, as human action is seen as the statistically predictable and understandable outcome of human behavior rather than the surprising and free action of human beings, our human dignity is sacrificed to our rational control and steering of life to secure safety and plenty. The threat to labor, work, and action that Arendt engages emerges from the rise of science—what she calls earth and world alienation—and the insistence that all things, including human beings, are comprehensible and predictable by scientific laws.
Arendt’s response to these collective threats to the human condition is that we must “think what we are doing.” She writes at the end of her prologue:
What I propose in the following is a reconsideration of the human condition from the vantage point of our newest experiences and our most recent fears. This, obviously, is a matter of thought, and thoughtlessness—the heedless recklessness or hopeless confusion or complacent repetition of “truths” which have become trivial and empty—seems to me among the outstanding characteristics of our time. What I propose, therefore, is very simple: it is nothing more than to think what we are doing.
Years before Arendt traveled to Jerusalem and witnessed what she saw as the thoughtlessness of Adolf Eichmann, she saw the impending thoughtlessness of our age as the great danger of our time. Only by thinking what we are doing—and in thinking also resisting the behaviorism and materialism of our calculating time—can we humans hope to resist the impulse to be in awe of our machines and, instead, retain our reverence for human being that is foundation of our humanity. Thinking—that dark, irrational, and deeply human activity—is the one meaningful response Arendt finds to both the thoughtlessness of scientific behaviorism and the thoughtlessness of the bureaucratic administration of mass murder.
There will be great examples of chest thumping about the loss of privacy and the violation of constitutional liberties over the next few days. This is as it should be. There will also be sober warnings about the need to secure ourselves from terrorists and enemies. This is also necessary. What is needed beyond both these predictable postures, however, is serious thinking about the tradeoffs between our need for reliable and affordable security along with honest discussion of what we today mean by human freedom. To begin such a discussion, it is well worth revisiting Norbert Wiener’s essay. It is your weekend read.
If you are interested in pursuing Arendt’s own response to crisis of humanism, you can find a series of essays and public lectures on that theme here.
-RB
Yes and No: The Split the Difference Approach to the Banality of Evil
“Hannah Arendt” the movie by acclaimed Director Margarethe von Trotta, opened in the United States this week at Film Forum in New York. It will begin its national release on June 6th. Around the world the movie has garnered rave reviews and played to excited audiences. Reviews in the U.S. are appearing, including a rave by A.O. Scott in the New York Times.
In reading the many reviews and comments on the film, one trend stands out. This trend is epitomized by Fred Kaplan’s essay in the New York Times last weekend. Kaplan plays umpire and seeks to adjudicate whether Arendt was right or wrong in her controversial judgment of Adolf Eichmann. And like so many others in recent years, Kaplan tries to have it both ways. He writes that Arendt was in general right about the fact that “ordinary people become brutal killers,” but she was wrong about Eichmann. In short, Kaplan claims that Arendt’s thesis about the banality of evil is right, but Eichmann himself was not banal, he was a monster.
This Yes and No reading of Arendt’s judgment is now a commonplace. One sees it pop up in reviews of the new film in Europe and here in the U.S. Take, for example, Elke Schmitter, reviewing the film in the German Weekly Der Spiegel. Schmitter likes the film, and writes that von Trotta has “made an extremely vivid cinematic essay, thrilling in its every minute, deeply moving in its seriousness and suitably unsettling.” Yet Schmitter’s review prefigures Kaplan’s in its Janus faced analysis. She points to the interview with Eichmann by Willem Sassen as evidence that Arendt was deceived by Eichmann:
The [Sassen] tapes clearly show that Eichmann was an ardent anti-Semite, incapable of the direct use of force, and yet determined to exterminate the Jewish people. His performance in Jerusalem was a successful deception.
For both Kaplan and Schmitter, the larger truth of Arendt’s thesis that evil emerges from thoughtlessness must not obscure the apparent fact that Eichmann put on an act at trial and deceived Arendt. This view of Eichmann the actor who pulled the wool over Arendt’s eyes has become now the dominant reading of Arendt’s analysis. My colleague and fellow political thinker David Owen agrees with this basic Yes/No thesis. Writing on the Hannah Arendt Center Blog, Owen argues:
And it must be noted that while Arendt’s thesis concerning the banality of evil is a fundamental insight for moral philosophy, she is almost certainly wrong about Eichmann. As David Cesarani and, more recently, Bettina Stangneth have compellingly argued, Arendt was — like almost everyone else — taken in by Eichmann’s strategy of self-presentation in the trial as a nobody, a mere functionary, a bureaucratic machine. Yet the evidence of Eichmann’s commitment to Nazism and, contra Arendt, his commitment to anti-Semitism that has emerged in more recent years, especially well-documented by Stangneth’s study Eichmann vor Jerusalem, suggests that Jonas was right — Eichmann was a monster who hated Jews.
The Yes and No analysis of Arendt’s argument relies largely on what are now known as the Sassen tapes, based on an interview with Eichmann done by Willem Sassen, a fellow member of the SS who also fled to Buenos Ares. Partial transcripts of the tapes were published in Life Magazine before the Eichmann trial and were read by Arendt, but the tapes and the entire transcript only became available much later. Scholars like David Cesarani, Bettina Stangneth, and Deborah Lipstadt argue that the tapes show Arendt was—through no fault of her own, they usually emphasize to display their magnanimity—wrong in her judgment of Eichmann. It is simply a matter of the emergence of new facts.
This “factual claim” has gotten a free pass. What exactly do the Sassen tapes show? Above all, the tapes show that Adolf Eichmann was an anti-Semite. Here is one quotation that is nearly always referred to and that Kaplan brings forth. Eichmann says: “I worked relentlessly to kindle the fire. I was not just a recipient of orders. Had I been that, I would have been an imbecile. I was an idealist.”
Kaplan actually leaves out an extra sentence between the last two quoted sentences, in which Eichmann adds: “Instead, I was part of the thought process. I was an idealist." Leaving out that line is hardly innocent as it establishes the context of Eichmann’s remarks, his claim to general participation in the Nazi thought process.
Critics point to the tapes to show that Eichmann was an anti-Semite. This is nothing new. Everyone knew Eichmann was an anti-Semite. And of course Arendt knew it. There are a few who argue that she denies this and some who go so far to argue that she thought Eichmann was a Zionist, but these are crazed and irresponsible Jeremiads. Arendt scoffed at Eichmann’s self-professed Zionism. She said that he said he was a Zionist and that he claimed he had no animus towards Jews. She did not credit these claims.
The revelation in the tapes is not that Eichmann was anti-Semitic. The claim is that if she had heard the tapes or seen the transcript, she would have been compelled to admit the ferocity of Eichmann’s anti-Semitism and thus the fact that his anti-Semitism contributed to his actions to a far greater extent than she believed.
Now this is an important point. Recall that the essence of Arendt’s rarely understood argument about the banality of evil is that evil motivations—that which really drives modern bureaucratic evil—is superficial, not deep. There is, of course, evil that is rooted deeply in hatred, as for example when I out of rage at a colleague who insults me I intentionally stick a dagger into his breast or when a suicide bomber blows himself and civilians up in a café from out of hatred and infinite hope that his actions will change the world. But such crimes, as horrible as they are, are not the true face of evil in the modern world. That face is recognizable in the mass administrative exterminations of innocent people for no justifiable reason other than their race or religion or creed. There are of course reasons for such evil acts, but those reasons have more to do with the internal logic of movements than personal animus. Such evil, she argues, may be initiated by psychopaths, but it is carried out by thoughtless nobodies. Eichmann, as a mid-level bureaucrat in charge of Bureau IV-B-4, the Gestapo division in charge of Jewish Affairs, was such a mid-level bureaucrat.
Now, if Arendt’s critics are correct, we must not only question her analysis of Eichmann, but her more general claims as well. Two scholars who recognize this are S. Alexander Haslam and Stephen D. Reicher. These two psychologists have written an intriguing paper taking on both Arendt and Stanley Milgram. As is well known, Milgram was led by the Eichmann trial to conduct experiments where residents of New Haven were asked to assist researchers in teaching students by administering what they thought were painful—and potentially lethal—electric shocks to students who gave wrong answers. The assistants largely did as they were instructed. Milgram concluded that most people will obey authority even when commands violate their deepest convictions; obedience, he argued, does not entail support. For many, Milgram’s experiment is confirmation of Arendt’s banality of evil thesis.
Arendt did not share this view; she insisted that obedience involves responsibility. She was shocked that her critics assumed that thoughtful people would act as Eichmann had. She worried experiments like Milgram’s would normalize moral weakness. Indeed, she saw the angry reaction to her book—her critics’ insistence on seeing Eichmann as a monster—as proof that they feared that they too lacked the moral independence and the ability to think that would allow them to resist authority.
The importance of Haslam and Reicher’s essay is to take the criticism that Eichmann was actually motivated by anti-Semitism to its logical conclusion. Haslam and Reicher say that Arendt’s portrayal was partial, and like Deborah Lipstadt, they fault Arendt for not staying to the end of the trial. But Arendt poured over the transcripts, and did view much of the trial. It is not at all clear what more viewing of Eichmann would have done to change her mind of his clownishness, an opinion shared by many who did watch the whole trial. But let’s assume that someone who watched the whole trial and heard the tapes came to a different conclusion. Namely, (Haslam and Reicher’s summation of the historical research):
Eichmann was a man who identified strongly with anti-semitism and Nazi ideology; a man who did not simply follow orders but who pioneered creative new policies; a man who was well aware of what he was doing and was proud of his ‘achievements’…. In short, the true horror of Eichmann and his like is not that their actions were blind. On the contrary, it is that they saw clearly what they did, and believed it to be the right thing to do.
Haslam and Reicher argue that if one looks closely at Milgram’s and other related studies, one sees that people do not blindly and mindlessly obey. Some do and others do not. So from these obedience studies, they write,
It is not valid to conclude that people mindlessly and helplessly succumb to brutality. Rather both studies (and also historical evidence) suggest that brutality occurs when people identify strongly with groups that have a brutal ideology. This leads them to advance that ideology knowingly, creatively and even proudly…. People do great wrong, not because they are unaware of what they are doing but because they consider it to be right.
For Haslam and Reicher, the question is not: why are people thoughtless cogs in bureaucratic machines, but rather, why do people identify with hateful ideologies that allow them to participate in mass excursions of evil? Their point is that if indeed Eichmann committed his crimes because of his virulent anti-Semitism, that suggests that the bureaucrats who participate in great schemes of administrative evil are not simply unthinking nobodies and that Arendt’s overarching thesis about the banality of evil is wrong as well.
Haslam and Reicher have done a great service with their essay insofar as they at least pierce the halo that surrounds Milgram’s conclusions. What they show, and here they agree with Arendt against Milgram, is that human beings are not simply slaves to their situations. Character and thoughtfulness (or thoughtlessness) matter. Human action is not simply behavior. Or, as Arendt writes, in political and moral matters, obedience and support are the same.
At the same time, however, Haslam and Reicher are altogether too sure of their ability to know why Adolf Eichmann acted. Like David Cesarani, Deborah Lipstadt, Bettina Stangneth, and others, they believe that somehow listening to the Eichmann tapes gives them more insight into Eichmann’s true character than Hannah Arendt’s viewing of him on the witness stand for three weeks. There is, it seems, an uncritical acceptance of the idea that Eichmann’s boasts about his importance and his refusal to express regrets in his conversations amongst former Nazis is better evidence of his character than his testimony in Jerusalem.
But why privilege the interviews over the trial? In both the trial and the interviews, Eichmann refused to express regret for what he did. In both, he admitted wanting to carry out his job to the fullest of his abilities. In both he denied murdering or killing anyone. The real difference is that at trial in Jerusalem Eichmann claimed to have wanted to help the Jews and in Argentina he claimed to share the Nazi anti-Semitism and hatred of the Jews. Of course, no one in Jerusalem believed his claims of philo-Semitism, least of all Arendt. What she saw and what she argued is that his anti-Semitism alone was not of the type that would lead someone to do what he had done.
To evaluate the factual claim made by Kaplan and his fellow critics, we must also consider the context of the Sassen interviews themselves. Amongst the community of former Nazis in Buenos Aires, Eichmann was different. Many of these Nazis repudiated the final solution, claiming it was Allied propaganda. Eichmann, who had been mentioned frequently in Nuremburg, could confirm or reject that claim. It was thus that Sassen, who was working as a journalist, sought Eichmann out through Eberhard Fritsch, another Nazi who published a German-language journal in Buenos Ares and argued for a new ascent of National Socialism. Fritsch, Sassen, and Eichmann met for a series of conversations that Sassen taped and used for articles he wrote that appeared in Life Magazine.
Eichmann himself had much to gain from these interviews. The Adolf Eichmann who agreed to be interviewed by Sassen was living as a poor man struggling to support his family. It was a far cry from his position of power and relative wealth in Germany during the War. And if there is one quality of Eichmann that Arendt and her critics can agree upon it is his vanity. Eichmann was, as Arendt noted, quite boastful. He desperately desired to be important and meaningful. Bettina Stangneth saw the same quality in Eichmann: “Eichmann hated being anonymous. He missed power. He wanted to matter again. On some level I think he even enjoyed his trial.” It is far from clear that Eichmann bared his true soul to Willem Sassen.
How to know whether the Eichmann speaking to former Nazis and seeking friends and importance is the truer Eichmann than the Eichmann brought before posterity at the trial in Jerusalem? One can, of course, argue that neither is the true Eichmann, that he would say whatever he thought would endear him to the crowd he was in, but that would simply go to support and confirm Arendt’s thesis that Eichmann was a nobody, a joiner. If Eichmann thought that lying about his anti-Semitism would convince anybody, and if he thought that saying he was just obeying orders would help him whereas it hadn’t his predecessors at Nuremburg, he was as thoughtless as Arendt said he was. In any case, there is nothing in the Sassen transcripts that shows Arendt’s factual analysis of the trial to be wrong.
Arendt thought that it was a fact that Eichmann was thoughtless. Listening to his clichés and his boasts and hearing how he worshipped bureaucratic hierarchy, she determined that he had insulated himself from thinking. Her critics, in response, say he was creative and intelligent in carrying out his tasks. He was. He was not stupid, Arendt writes. He was thoughtless. This doesn’t mean he wasn’t anti-Semitic. What she means by thoughtlessness, contrary to much commentary, is not simple.
Arendt’s argument about thoughtlessness is complex and subtle. First, Arendt says that what drove Eichmann to join the SS was not virulent hatred of Jews, but the need of a job and the desire to find meaning in his life. On this point, she and her critics largely agree. As a Nazi officer, Eichmann became a virulent anti-Semite. He adopted the rhetoric and language of those around him, even as he took pride in his ability to work with Jewish leaders. Even such an anti-Semite, however, insisted he did not kill Jews himself. That was important to him. He knew such killing was wrong. While he may indeed have wanted Germany to be free of Jews, and while he may have spoken in favor the killing itself, he knew that gassing Jews was wrong. He was not the kind of psychopath that breathes blood and relishes pulling the trigger. Eichmann describes how he was initially bothered and unsettled by the decision to gas the Jews, but that, over the course of about four weeks, he came to see the transport of Jews not as wrong, but as his legal obligation, one that he took pride in carrying out. In the space of one month, his moral universe around the question of genocide was upended. This is the famous inversion of Eichmann’s conscience that is at the core of Arendt’s argument.
It is this transition from anti-Semite who knows killing innocents is wrong to bloodless bureaucratic executioner who imagines it his conscientious and moral duty to follow the laws and orders by implementing the Final Solution that, Arendt argues, has its source neither in anti-Semitism nor a lack of goodness, but in moral weakness and thoughtlessness. In this sense, thoughtlessness is a willingness to abandon one’s common sense of right and wrong in order to fit in, be part of a movement, and attain success in the world. What thoughtlessness means is a lack of self-reliance, in an Emersonian vein, or, as Arendt puts it, the inability to think for oneself.
At the source of modern thoughtlessness is what Arendt calls the break in tradition that occurs in the modern era. Throughout history people have done wrongs, even great wrongs. But they eventually came to understand the wrongness of those wrongs as against religious, traditional, and customary rules. The rules persisted as rules, even in their breach. The distinction of the modern era and totalitarianism is that the old rules no longer held good. Eichmann and thousands like him in Germany and Soviet Russia were able to see bureaucratic genocide as lawful and right. They could only do so by abandoning their moral sense to the conventional wisdom of those around them. This is what Arendt means by thoughtlessness. The core of Arendt’s argument is that while anti-Semitism can explain hatred of the Jews and even pogroms and murdering of Jews, it cannot explain the motivation behind generally normal people putting aside their moral revulsion to murder and genocide and acting conscientiously to wipe out a race of human beings.
It is very possible that Arendt is wrong or that her argument is overstated. It may be as Haslam and Reicher argue that such action is motivated out of hatred and ideology. But all who think that should read Arendt’s book and see Margarethe von Trotta’s movie and look at the simplicity and clownishness and pettiness of Adolf Eichmann—and decide for themselves.
The question we who confront her text should ask is not, “is she right or wrong.” Rather, we should seek with her to understand how it is possible for Eichmann and people like him to have done what he did. If Arendt is wrong about Eichmann, than her thesis that thoughtlessness is the motivation for modern evil is questionable as well.
We must be honest: the hypothesis that "she was right in general, but wrong about Eichmann" is contradictory. If she was right and mechanized evil is only possible with bureaucratic thoughtlessness, then how can Eichmann not be bureaucratically thoughtless? Why do we insist on making him a monster? The answer is that we still don't fully accept her argument that Eichmann transformed from a normal anti-Semite with a moral sense into someone for whom morality meant following the law requiring him to destroy Jews. In denying Eichmann’s normality we still need to make him into a monster and thus refuse to confront—and also to resist— the dangerous truth Arendt is seeking to make visible.
As you prepare to see Margarethe von Trotta’s “Hannah Arendt,” do some reading. For one, read my review of the movie in The Paris Review and A.O. Scott’s review in The New York Times. Also read Fred Kaplan’s essay in the New York Times. I suggest as well David Cesarani’s Becoming Eichmann. And then read S. Alexander Haslam and Stephen D. Reicher’s “Questioning the Banality of Evil.” Finally, check out the Arendt Center’s collection of Reviews of the film here. Best of all, of course, re-read Eichmann in Jerusalem itself. There is a lot to get through here, but take your tablet to the beach. You have a lot to get through for your weekend read.
-RB
Performing thinking: Arendt’s Richard III
"It is better for you to suffer than to do wrong because you can remain the friend of the sufferer; who would want to be the friend of and have to live together with a murderer? Not even a murderer. What kind of dialogue could you lead with him? Precisely the dialogue which Shakespeare let Richard III lead with himself after a great number of crimes had been committed:
What do I fear? Myself? There’s none else by.
Richard loves Richard: that is, I am I.
Is there a murderer here? No. Yes, I am:
Then fly. What from myself?"
-Hannah Arendt, ‘Thinking and Moral Considerations’
‘Thinking and Moral Considerations’ is one of the most perfect examples of Arendt’s late writing. A distillation of her career-long thinking on thinking, the essay performs what it so elegantly urges: it is an essay on thinking that thinks.
For Arendt, the moral considerations that follow from thinking and, more grievously, from not thinking are profound. Adolf Eichmann’s “quite authentic inability to think” demonstrated to Arendt the arrival of new kind of evil in the world when she attended his trial in 1961. The airy emptiness of his speech was not the stupidity of a loathsome toad: his jabbering of cliché falling upon cliché sounded totalitarianism’s evil in a chorus of thoughtlessness. Shallowness as exemplified by Eichmann cannot be fixed or given depth by reason; no doctrine will argue the thoughtless into righteousness. Only through the experience of thinking, Arendt insisted, of being in dialogue with oneself, can conscience again be breathed into life. Thinking may be useless in itself; it may be a solitary activity that can often feel a little bit mad. Yet thinking is the precondition for the return of judgment, of knowing and saying: “this is not right.” By 1971, Arendt saw no evidence of a resurgence of thinking in the wake of atrocity.
Writing an essay on thinking that thinks and thus performing the experience of thinking is itself an act of defiance. Performing is the right verb here: Arendt knows she is staging her argument as a public spectacle. Her hero is Socrates: gadfly, midwife, stingray, provoker, deliverer and galvaniser of thinking in others. Socrates democratises perplexity. And when he has finished chatting with others, he carries on talking at home, with his quizzical, critical companion, that ‘obnoxious fellow’ with whom we are forever in dialogue -- the two with whom we make a thinking one. Arendt is fully aware that she is making a character out of Socrates. His inveterate dialogism is a model. Just as Dante’s characters conserve as much historical reality as the poet needs to make them representative, so too, she says, with her Socrates. Against the vacant image of Eichmann inanely mouthing his own eulogy in front of the hangman’s noose which opens the essay, we have Socrates: thoughtlessness versus thoughtfulness.
But what of the third character in Arendt’s essay—Shakespeare’s Richard III? The murderer who nobody wants to befriend? The villain who despite his best efforts cannot stop talking to himself?
Richard plays an odd, yet pivotal, role in Arendt’s performance of thinking. On the one hand, he is Socrates’ evil twin. Richard rejects conscience. ‘Every man that means to live well endeavours … to live without it’, he says. This is easy enough to do, says Arendt, because ‘all he has to do is never go home and examine things.’ Except, in Richard’s case, this proves difficult. He may try to avoid going home, but eventually he runs into himself at midnight; and in solitude, like Socrates, Richard cannot help but have intercourse with himself. Alone he speaks with himself in soliliquoys (from the Latin solus – alone and loqui –to speak; Arendt’s beloved Augustine is believed to have first conceived the compound). And this is what makes this villain—one who many have wanted to claim for the calculating murderousness of the twentieth century—much more like Socrates than Eichmann.
Both Socrates and Richard have the capacity to think. True, Richard thinks himself into villainy—he ‘proves himself a villain’—but this is precisely his pathos in Arendt’s drama. If it is better to suffer than to do harm, it is also better to have suffered at the hands of Richard who at least thought about what he was doing, than suffered as a number in one of Eichmann’s filing cards, the pathetic loner who joins a murderous movement not because he’s frightened of who might await him at home, but because he doesn’t even suspect anyone might be there in the first place. For all the ham-fisted productions that want him to be, Richard is not a Nazi villain in early modern disguise. Better that he could have been, of course, because then we wouldn’t have to contemplate the particular thoughtlessness of contemporary evil.
Richard is no Osama Bin Laden, Colonel Gaddafi or Saddam Hussein either, despite comparable violent last stands (and the corpse lust that attended them). This is well understood by Mark Rylance’s recent performance of Richard in the Globe Theater production that played in London last year and that is rumoured to open on Broadway soon. Rylance’s performance of Richard is like no other. It is also a performance that makes Arendt’s thinking more relevant than ever.

Mark Rylance in the title role of Richard III at Shakespeare’s Globe,
London, 2012, directed by Tim Caroll. Photographer: Simon Annand.
Rylance understands that since the War on Terror, post 9/11, Iraq, Afghanistan, after Guantanamo, rendition and drone wars, it would be a travesty to play Richard’s villainy as safely and exotically other (by contrast, in 1995 it was entirely possible to set the play in a 1930s Nazi context, and have Ian McKellen play the role for its cruel humour with a knowing nod to Brecht). Rylance’s Richard is plausible, pathetic even; he is compelling not in his all-too-evident evil but in his clumsy vulnerability. His creepy teeth sucking, and ever-twisting body mark a silent but persistent cogitation; he is a restless, needy, villain. Like a child, Rylance’s Richard grabs at his conscience— he thinks—and then chucks it away as one more ‘obstacle’, just as he spits in his mother’s face at the very moment he most desires she recognise him. In a neat echo of Arendt’s analysis of how the loneliness of totalitarianism feeds thoughtless evil, the loveless hunchback fights solitude in an effort to avoid the midnight hour; orchestrating collective murder is his defence against being alone with his thoughts. (This was observed by my theater companion who, being ten years old—and a British schoolboy—understands the connection between feeling left out and group violence well). Richard’s tragedy is that circumstances turned him into a serial killer, to this extent he is a conventional villain; his pathos, however, as this production shows, is to be poised between thinking and thoughtlessness, between Socrates and Eichmann.
‘No. Yes, I am/Then fly. What from myself?’ When Rylance speaks this soliloquy he stutters slightly, giggles and looks—as Arendt might have anticipated—a little perplexed. This is not a knowing perplexity; Richard does not master his conscience, nothing is done with the solitary dialogue, but the thinking is there even if Richard himself seems unsettled by its presence. In refusing to play Richard simply as one of the ‘negative heroes in literature’ who, Arendt argues, are often played as such ‘out of envy and resentment’, Rylance brilliantly captures the last moment before evil becomes banal.
To play Richard’s cruelty alongside his vulnerability is not to fail to recognise his villainy, as some have complained; rather, it is to dramatize the experience of thinking in the process of being painfully and violently lost. With pathos, we might think, is the only way to play Richard III today. The Globe’s production is a late, but utterly timely, companion to Arendt’s essay.
-Lyndsey Stonebridge
Hannah Arendt – a film by Margarethe von Trotta.
The new Hannah Arendt bio picture by Margarethe von Trotta has been released in Europe. It will hit theatres in the US in May, although it is making the rounds of festivals now. The good news: “Hannah Arendt” the film is really wonderful. I’ll have more to say about the film at some point soon, but until then we’ll be passing along the most interesting reviews. To get us started, here is a write up by David Owen, who teaches political theory at the University of Southampton. If you see the film and have some thoughts, pass them our way and we’ll post them on the blog.
The opening scene of the film shows the organised abduction of an ordinary-looking older man on a country road before cutting to a woman, obviously European in her movements, listening to classical music in a room whose decor is clearly American. These people are, of course, Adolf Eichmann and Hannah Arendt – and thus the film signals its central focus, namely, Arendt’s relationship to the event of Eichmann’s Trial in Jerusalem and the questions that Arendt’s report and the reactions to it raise concerning the relations of the private and the public, the personal and the political, and, more specifically, the conditions (and wisdom) of a philosopher speaking philosophically about politics in public.
The film’s portrayal of Arendt is unfolded through her relationships, most notably with her husband Heinrich Blücher, her friend Mary McCarthy, her once class-mate and now friend and colleague Hans Jonas, her old political mentor and friend the Zionist Kurt Blumenfeld, the editor of the New Yorker William Shawn, and her former teacher and lover Martin Heidegger. All except the last of these are played out within a linear dramatic narrative that tracks Arendt’s circle from the capture of Eichmann through the trail in Jerusalem to the composition and publication of, and reaction to, Arendt’s New Yorker articles. The relationship to Heidegger is interspersed into the narrative through flashback’s that are Arendt’s memories of her relationship with Heidegger and his disastrous foray into public political speech in the Rectoral Address of May 27th 1933, a public act which he later spoke of privately as ‘die größte Dummheit seines Lebens’ but which he never publically renounced. This figuring of her relationship to Heidegger within the dramatic structure of the film is unfortunate in a number of ways, not least the portrayal of Heidegger as a clownish naïf, but primarily because through the use and positioning of these flashbacks within the film, von Trotta offers an open-ended analogy between Heidegger’s and Arendt’s acts of public speech. Even if von Trotta means only to raise the suggestion, since these flashbacks are Arendt’s, that Arendt reflects on her Report on the Eichmann Trial through the prism of her personal relationship to Heidegger and his own abrogated stress on the necessity of thinking, it gets in the way of the rest of the film which is a beautifully shot and compelling piece of narrative drama with a strong ensemble cast, not least in the sensitive use of documentary footage in the reconstruction of the Eichmann trial.
In different respects, Blücher and McCarthy are presented as Arendt’s supports. Blücher’s wandering eye and philandering (which Arendt is portrayed as accepting as a fact about which it would be hopeless to rail) are offset by his role as loving companion and sounding board for her thoughts. McCarthy is the female confidant, a blousy American whose insecurity in her personal life and work contrasts with and highlights Arendt’s European roots and location in an older tradition.
By contrast, the relationships with Hans Jonas and Kurt Blumenfeld are offered as both deep but also, finally broken, by Arendt’s writing on Eichmann. This is given early expression in, first, an argument between Jonas and Blücher about Eichmann’s abduction to be placed on trial in Israel which foreshadows the more dramatic rupture between Jonas and Arendt – and, second, Arendt’s visit to Blumenfeld’s family in Jerusalem (on her way to cover the Eichmann trial) in awkwardness and already emerging disagreement are covered over by the depth of their friendship. Later, after the report is published, Arendt will dash to Jerusalem to visit a seriously ill Blumenfeld in his sickbed only for him to turn his back to her. The issue von Trotta raises here concerns not so much whether Arendt’s arguments are right or wrong but rather how much one can reasonably ask one’s friends to bear in respect of one’s own commitment to intellectual integrity. For Blumenfeld, Arendt’s remarks on the role of the Jewish leaders in co-operating with the Nazi organization run by Eichmann and hence facilitating the Shoah are a betrayal of the Jewish people. Arendt’s response — that she does not think of herself as having such an obligation — adds only insult to injury. For Jonas, Arendt’s fault is arrogance — and certainly the portrayal of her relationship to William Shawn, an editor overwhelmed by awe at Arendt which she shows no compunction in exploiting, is given as testimony to this side of her character. This issue is raised for us acutely by the climax of the film to which I’ll come shortly but there are two other features that deserve comment first.
The first is the presentation of the charge made against Arendt by her public critics that she is cold, without feeling, and McCarthy’s defense of her as simply having a courage that her critics lack, in the context of a portrayal of Arendt among students and friends as a caring and humorous person who, at one point, privately breaks down in the face of the reaction to her report. The second is the portrayal of the process of composing her writing of Eichmann which combines two elements: the engagement with a vast mass of empirical material, piles of folders of paper (court transcripts, etc.) are arranged around the study and apartment, and the difficulty of writing: Arendt sits reading and is haunted by voices from the trial, she spends a lot of time lying down on a divan smoking endless cigarettes, she types in a controlled frenzy. Here it seems to me that the film is linking these features in a way that is insightful and important, namely, that Arendt had to steel herself to write her report at all, that she had to set aside her own feelings and relationships to others in order to be able to try to serve truth, that intellectual conscience (redlichkeit) makes demands that are hard to bear. In this sense, the film suggests that the critics (who remind me of Martha Nussbaum on tragedy) are right to see her writing as cold and without feeling but quite wrong in their judgment of the significance of this fact and the courage that the writing required of her. At the same time, her response to William Shawn that her writing about the Jewish leaders was purely factual raises for the viewer the question of whether she has lost the ability to discriminate between her judgment and facts in this process. In making this point, the film does not attempt to adjudicate the question of whether Arendt was right or wrong to write the report that she composed, rather it tries, I think compellingly, to make intelligible how she could come to speak in the way that she did (it may also explain why she was entirely unconcerned that Eichmann was hanged).
Let me now turn to the climax. As the drama following the publication of her report unfolds, Arendt is presented as treating from public space and, against McCarthy’s advice, refusing to engage publically with the criticisms directed at her work by critics for whom she has no intellectual respect (echoes of Heidegger’s postwar silence are raised here). When she returns to The New School, at that time almost entirely a Jewish institution, her colleagues shun her and she is asked to resign from teaching her classes which she refuses to do — but she does acknowledge an obligation to the students, who have supported her (and whom the film portrays her as feeling responsible to, for example, in the scene where McCarthy arrives at her class to tell her that Blücher has had a heart attack and is in hospital, and her first shocked reaction is to return to finish her class). When she has offered her explanation to a lecture hall packed with students and the three staff before whom she was hauled for dressing down and discipline, she rebuts – albeit not wholly convincingly — the charge by a staff member that she is blaming the victims for their own victimhood and is given rapturous applause by the students. As they leave, she sees that Hans Jonas is also in the audience. His face, in a bravura piece of acting by Ulrich Noethen, gives us no clue as to what is to come next but seems to express a process of internal struggle. Arendt goes to him, hopeful that her explanation will have healed the rupture of their friendship, but far from it — Jonas rejects her account, she has gone too far, and, in a bitter expression of the end of their friendship, refers to her as “Heidegger’s little darling”.
The question raised by this film is that of ‘thoughtlessness’. Arendt presents Eichmann as a creature who cannot think, for has abdicated the realm of thinking, and at the same time she sees Heidegger as a philosopher whose movement into the public realm is marked by a shift to thoughtlessness (a view that allows her to continue to engage Heidegger’s philosophical work after 1933 in contrast to Jonas). Is Arendt similarly ‘thoughtless’ is her reflections on the Jewish leaders? The film asks us to consider this question but not, I think, quite in Arendt’s sense of thoughtlessness but in the broader sense that underlies it. Her commitment to understanding, to making intelligible, to truthfulness is given clear expression as too are the demands this makes on her — but what about the demands that this makes on her friends, is there not a kind of thoughtlessness here? Is there not a kind of thoughtlessness in her failure to anticipate the entirely predictable response to her moralized interpretation of the role of the Jewish leaders, whose cooperation with the Nazis, she writes, should strike Jews as the darkest episode of a dark chapter of human action?
I don’t think that the film ultimately takes a stance on this issue – rather it raises for us the question of the relationship of Arendt’s sense of thoughtlessness to our ordinary sense of that word. And it must be noted that while Arendt’s thesis concerning the banality of evil is a fundamental insight for moral philosophy, she is almost certainly wrong about Eichmann. As David Cesarani and, more recently, Bettina Stangneth have compellingly argued, Arendt was — like almost everyone else — taken in by Eichmann’s strategy of self-presentation in the trial as a nobody, a mere functionary, a bureaucratic machine. Yet the evidence of Eichmann’s commitment to Nazism and, contra Arendt, his commitment to anti-Semitism that has emerged in more recent years, especially well-documented by Stangneth’s study Eichmann vor Jerusalem, suggests that Jonas was right — Eichmann was a monster who hated Jews. The film is composed in a context in which we, and von Trotta, know this — and I think the film’s refusal to resolve the issues that it raises is precisely an acknowledgement of this context. In this respect, Thomas Assheuer’s review in Die Zeit which suggests that Arendt’s reading of Eichmann was directed against that of the Israeli Prime Minster David Ben Gurion who represented him as a monster of evil for ideological purposes may have some force but not against the film. Rather the film leaves us with questions concerning the relationship between friendship and the service of truth, of emotional life and the conditions of writing truthfully, and of the conditions and costs of public speech.
—David Owen
Not Thinking-Tracy Strong

“[O]ur newest experiences and our most recent fears…[are] a matter of thought and thoughtlessness – the heedless recklessness or hopeless confusion or complacent repetition of ‘truths’ which have become trivial and empty – [This] seems to me among the outstanding characteristics of our time.”
-Hannah Arendt, The Human Condition
Not thinking was, for Arendt, the increasingly dominant quality of the world in which we live. Thoughtlessness is the negative mirror image of what she called for as the only form of thinking appropriate to period of crisis (indeed, in a strict sense, perhaps to any time) – thinking “without a banister.”

Inherent in this conception is that in ages and at times like our own, when one must think without support, many, perhaps most, will not think, or rather will avoid thinking. They will thus be left without that voice of conscience – like Socrates' daimon who appears at moments of judgment and keeps Socrates from justifying, or even engaging in acts that are evil. Importantly, that something is “true,” means nothing by itself unless it is the subject of thinking.
One might consider here the thoughtlessness that reigned in the general reaction in the United States to the attacks of 9/11, 2001. The analogy was immediately drawn to Pearl Harbor. From this analogy it followed that our response should be analogous to that after Pearl Harbor, despite the fact that Al-Qaeda, unlike Japan, was not a nation-state. Furthermore this enemy was linked to an Axis of Evil against which one was to fight a “war on terror.” Osama Bin laden was Hitler or at least Tojo; Saddam Hussein another totalitarian, linked by an Axis of Evil to the other totalitarians. Yet one cannot fight against terror, only against an enemy – Carl Schmitt had warned of forgetting this.
The result of not thinking about what one has done – whether as a policy maker or a member of the population -- has been a war that has now gone on for ten years with neither goal nor end in sight. Thoughtlessness has consequences: people die as a result of thoughtlessness.
(I discovered similar thoughts in Elizabeth Young-Bruehl, Why Arendt Matters on pages 12-13 after writing this passage and modified my words, as hers are much better: I join others in mourning her passing).
-Tracy Strong
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