Hannah Arendt Center for Politics and Humanities
10Apr/140

Henry Ford on Thinking

Arendtthoughts

“Thinking is the hardest work there is, which is probably the reason why so few engage in it.”

-Henry Ford

ford

8Apr/140

The Library of the Mind

ArendtLibrary

lib

7Apr/140

Amor Mundi 4/6/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Oligarchs, Inc.

supremeOver at SCOTUSblog, Burt Neuborne writes that “American democracy is now a wholly owned subsidiary of Oligarchs, Inc.” The good news, Neuborne reminds, is that “this too shall pass.” After a fluid and trenchant review of the case and the recent decision declaring limits on aggregate giving to political campaigns to be unconstitutional, Neuborne writes: “Perhaps most importantly, McCutcheon illustrates two competing visions of the First Amendment in action. Chief Justice Roberts’s opinion turning American democracy over to the tender mercies of the very rich insists that whether aggregate contribution limits are good or bad for American democracy is not the Supreme Court’s problem. He tears seven words out of the forty-five words that constitute Madison’s First Amendment – “Congress shall make no law abridging . . . speech”; ignores the crucial limiting phrase “the freedom of,” and reads the artificially isolated text fragment as an iron deregulatory command that disables government from regulating campaign financing, even when deregulation results in an appalling vision of government of the oligarchs, by the oligarchs, and for the oligarchs that would make Madison (and Lincoln) weep. Justice Breyer’s dissent, seeking to retain some limit on the power of the very rich to exercise undue influence over American democracy, views the First Amendment, not as a simplistic deregulatory command, but as an aspirational ideal seeking to advance the Founders’ effort to establish a government of the people, by the people, and for the people for the first time in human history. For Justice Breyer, therefore, the question of what kind of democracy the Supreme Court’s decision will produce is at the center of the First Amendment analysis. For Chief Justice Roberts, it is completely beside the point. I wonder which approach Madison would have chosen. As a nation, we’ve weathered bad constitutional law before. Once upon a time, the Supreme Court protected slavery. Once upon a time the Supreme Court blocked minimum-wage and maximum-hour legislation.  Once upon a time, the Supreme Court endorsed racial segregation, denied equality to women, and jailed people for their thoughts and associations. This, too, shall pass. The real tragedy would be for people to give up on taking our democracy back from the oligarchs. Fixing the loopholes in disclosure laws, and public financing of elections are now more important than ever. Moreover, the legal walls of the airless room are paper-thin. Money isn’t speech at obscenely high levels. Protecting political equality is a compelling interest justifying limits on uncontrolled spending by the very rich. And preventing corruption means far more than stopping quid pro quo bribery. It means the preservation of a democracy where the governed can expect their representatives to decide issues independently, free from economic serfdom to their paymasters. The road to 2016 starts here. The stakes are the preservation of democracy itself.” It is important to remember that the issue is not really partisan, but that both parties are corrupted by the influx of huge amounts of money. Democracy is in danger not because one party will by the election, but because the oligarchs on both sides are crowding out grassroots participation. This is an essay you should read in full. For a plain English review of the decision, read this from SCOTUSblog. And for a Brief History of Campaign Finance, check out this from the Arendt Center Archives.

Saving Democracy

democZephyr Teachout, the most original and important thinker about the constitutional response to political corruption, has an op-ed in the Washington Post: “We should take this McCutcheon moment to build a better democracy. The plans are there. Rep. John Sarbanes (D-Md.) has proposed something that would do more than fix flaws. H.R. 20, which he introduced in February, is designed around a belief that federal political campaigns should be directly funded by millions of passionate, but not wealthy, supporters. A proposal in New York would do a similar thing at the state level.” Teachout spoke at the Arendt Center two years ago after the Citizens United case. Afterwards, Roger Berkowitz wrote: “It is important to see that Teachout is really pointing out a shift between two alternate political theories. First, she argues that for the founders and for the United States up until the mid-20th century, the foundational value that legitimates our democracy is the confidence that our political system is free from corruption. Laws that restrict lobbying or penalize bribery are uncontroversial and constitutional, because they recognize core—if not the core—constitutional values. Second, Teachout sees that increasingly free speech has replaced anti-corruption as the foundational constitutional value in the United States. Beginning in the 20th century and culminating in the Court's decision in Citizens United, the Court gradually accepted the argument that the only way to guarantee a legitimate democracy is to give unlimited protection to the marketplace of idea. Put simply, truth is nothing else but the product of free debate and any limits on debate, especially political debate, will delegitimize our politics.” Read the entirety of his commentary here. Watch a recording of Teachout’s speech here.

The Forensic Gaze

forA new exhibition opened two weeks ago at the Haus der Kulturen der Welt in Berlin that examines the changing ways in which states police and govern their subjects through forensics, and how certain aesthetic-political practices have also been used to challenge or expose states. Curated by Anselm Franke and Eyal Weizman, Forensis “raises fundamental questions about the conditions under which spatial and material evidence is recorded and presented, and tests the potential of new types of evidence to expand our juridical imagination, open up forums for political dispute and practice, and articulate new claims for justice.” Harry Burke and Lucy Chien review the exhibition on Rhizome: “The exhibition argues that forensics is a political practice primarily at the point of interpretation. Yet if the exhibition is its own kind of forensic practice, then it is the point of the viewer's engagement where the exhibition becomes significant. The underlying argument in Forensis is that the object of forensics should be as much the looker and the act of looking as the looked-upon.” You may want to read more and then we suggest Mengele’s Skull: The Advent of a Forensic Aesthetics.

Empathy's Mess

empathy

In an interview, Leslie Jamison, author of the very recently published The Empathy Exams, offers up a counterintuitive defense of empathy: “I’m interested in everything that might be flawed or messy about empathy — how imagining other lives can constitute a kind of tyranny, or artificially absolve our sense of guilt or responsibility; how feeling empathy can make us feel we’ve done something good when we actually haven’t. Zizek talks about how 'feeling good' has become a kind of commodity we purchase for ourselves when we buy socially responsible products; there’s some version of this inoculation logic — or danger — that’s possible with empathy as well: we start to like the feeling of feeling bad for others; it can make us feel good about ourselves. So there’s a lot of danger attached to empathy: it might be self-serving or self-absorbed; it might lead our moral reasoning astray, or supplant moral reasoning entirely. But do I want to defend it, despite acknowledging this mess? More like: I want to defend it by acknowledging this mess. Saying: Yes. Of course. But yet. Anyway.”

What the Language Does

barsIn a review of Romanian writer Herta Muller's recently translated collection Christina and Her Double, Costica Bradatan points to what changing language can do, what it can't do, and how those who attempt to manipulate it may also underestimate its power: “Behind all these efforts was the belief that language can change the real world. If religious terms are removed from language, people will stop having religious feelings; if the vocabulary of death is properly engineered, people will stop being afraid of dying. We may smile today, but in the long run such polices did produce a change, if not the intended one. The change was not in people’s attitudes toward death or the afterworld, but in their ability to make sense of what was going on. Since language plays such an important part in the construction of the self, when the state subjects you to constant acts of linguistic aggression, whether you realize it or not, your sense of who you are and of your place in the world are seriously affected. Your language is not just something you use, but an essential part of what you are. For this reason any political disruption of the way language is normally used can in the long run cripple you mentally, socially, and existentially. When you are unable to think clearly you cannot act coherently. Such an outcome is precisely what a totalitarian system wants: a population perpetually caught in a state of civic paralysis.”

Humanities and Human Life

humanCharles Samuleson, author of "The Deepest Human Life: An Introduction to Philosophy for Everyone," has this paean to the humanities in the Wall Street Journal: “I once had a student, a factory worker, who read all of Schopenhauer just to find a few lines that I quoted in class. An ex-con wrote a searing essay for me about the injustice of mandatory minimum sentencing, arguing that it fails miserably to live up to either the retributive or utilitarian standards that he had studied in Introduction to Ethics. I watched a preschool music teacher light up at Plato's "Republic," a recovering alcoholic become obsessed by Stoicism, and a wayward vet fall in love with logic (he's now finishing law school at Berkeley). A Sudanese refugee asked me, trembling, if we could study arguments concerning religious freedom. Never more has John Locke —or, for that matter, the liberal arts—seemed so vital to me.”

Caritas and Felicitas

charityArthur C. Brooks makes the case that charitable giving makes us happier and even more successful: “In 2003, while working on a book about charitable giving, I stumbled across a strange pattern in my data. Paradoxically, I was finding that donors ended up with more income after making their gifts. This was more than correlation; I found solid evidence that giving stimulated prosperity…. Why? Charitable giving improves what psychologists call “self-efficacy,” one’s belief that one is capable of handling a situation and bringing about a desired outcome. When people give their time or money to a cause they believe in, they become problem solvers. Problem solvers are happier than bystanders and victims of circumstance.” Do yourself a favor, then, and become a member of the Arendt Center.

Featured Events

heidThe Black Notebooks (1931-1941):

What Heidegger's Denktagebuch reveals about his thinking during the Nazi regime.

April 8, 2014

Goethe Institut, NYC

Learn more here.

 

"My Name is Ruth."

An Evening with Bard Big Read and Marilynne Robinson's Housekeeping

Excerpts will be read by Neil Gaiman, Nicole Quinn, & Mary Caponegro

April 23, 2014

Richard B. Fisher Center, Bard College

Learn more here.

 

From the Hannah Arendt Center Blog

This week on the blog, our Quote of the Week comes from Martin Wager, who views Arendt's idea of world alienation through the lens of modern day travel. Josh Kopin looks at Stanford Literary Lab's idea of using computers and data as a tool for literary criticism. In the Weekend Read, Roger Berkowitz ponders the slippery slope of using the First Amendment as the basis for campaign finance reform. 

3Apr/140

Anthony Trollope on Thinking

Arendtthoughts

'Never think that you're not good enough. A man should never think that. People will take you very much at your own reckoning.'

-Anthony Trollope

trollope

2Apr/141

Reading With Your Computer

FromtheArendtCenter

Franco Moretti is a literature professor, and founder of the Stanford Literary Lab, who believes in something called "computational criticism," that is, the ability of computers to aid in the understanding of literature. Joshua Rothman's recent profile of Moretti has provoked a lot of response, most of it defending traditional literary criticism from the digital barbarians at the gates. Moretti's defenders argue, however, that his critics have failed to understand a crucial difference between his work and what they're worried it might supplant: "The basic idea in Moretti’s work is that, if you really want to understand literature, you can’t just read a few books or poems over and over (“Hamlet,” “Anna Karenina,” “The Waste Land”). Instead, you have to work with hundreds or even thousands of texts at a time. By turning those books into data, and analyzing that data, you can discover facts about literature in general—facts that are true not just about a small number of canonized works but about what the critic Margaret Cohen has called the 'Great Unread.'"

lit

The truth Moretti is after, however, has nothing to do with literature, with the bone curdling insights of tragedy or the personal insights of the novel's hero. What Moretti seeks is a better understanding of all the other texts, of the  entirety of texts and the overarching literariness of a period or of history as a whole. One could say that rather than supplant the traditional literary critic, Moretti's work will aid the literary historian, if only to give a potentially comprehensive idea of any given zeitgeist. That is true, so far as it goes. But as the already decreasing numbers of literature students are now in part siphoned off into alternative studies of literature that ignore and even disdain the surprising and irreducible quality of momentary shock of insight, the declining impact of the literary sensibility will only be accelerated. This is hardly to condemn Moretti and his data-oriented approach to literature as a reservoir of information into mass society; we ought, nevertheless, to find in the popularity of such trends the provocation to remind ourselves why literature is meant to be read by humans instead of machines.

RB  h/t Josh Kopin

1Apr/140

Strandbibliotheek

ArendtLibrary

Beach Library in Belgium

strand

31Mar/140

Amor Mundi 3/30/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Jonathan Schell

schellJonathan Schell has died. I first read "The Fate of the Earth" as a college freshman in Introduction to Political Theory and it was and is one of those books that forever impacts the young mind. Jim Sleeper, writing in the Yale Daily News, gets to the heart of Schell’s power: “From his work as a correspondent for The New Yorker in the Vietnam War through his rigorous manifesto for nuclear disarmament in "The Fate of the Earth", his magisterial re-thinking of state power and people’s power in “The Unconquerable World: Power, Nonviolence, and the Will of the People,” and his wry, rigorous assessments of politics for The Nation, Jonathan showed how varied peoples’ democratic aspirations might lead them to address shared global challenges.” The Obituary in the New York Times adds: “With “The Fate of the Earth” Mr. Schell was widely credited with helping rally ordinary citizens around the world to the cause of nuclear disarmament. The book, based on his extensive interviews with members of the scientific community, outlines the likely aftermath of a nuclear war and deconstructs the United States’ long-held rationale for nuclear buildup as a deterrent. “Usually, people wait for things to occur before trying to describe them,” Mr. Schell wrote in the book’s opening section. “But since we cannot afford under any circumstances to let a holocaust occur, we are forced in this one case to become the historians of the future — to chronicle and commit to memory an event that we have never experienced and must never experience.””

Standing on Someone Else's Soil

suareIn an interview, Simon Schama, author of the forthcoming book and public television miniseries "The Story of the Jews," uses early Jewish settlement in America as a way into why he thinks that Jews have often been cast as outsiders: "You know, Jews come to Newport, they come to New Amsterdam, where they run into Dutch anti-Semites immediately. One of them, at least — Peter Stuyvesant, the governor. But they also come to Newport in the middle of the 17th century. And Newport is significant in Rhode Island because Providence colony is founded by Roger Williams. And Roger Williams is a kind of fierce Christian of the kind of radical — in 17th-century terms — left. But his view is that there is no church that is not corrupt and imperfect. Therefore, no good Christian is ever entitled to form a government [or] entitled to bar anybody else’s worship. That includes American Indians, and it certainly includes the Jews. And there’s an incredible spark of fire of toleration that begins in New England. And Roger Williams is himself a refugee from persecution, from Puritan Massachusetts. But the crucial big point to make is that Jews have had a hard time when nations and nation-states have founded themselves on myths about soil, blood and tribe."

Don't Get Older: or Don't Show It

techNoam Scheiber describes the “wakeful nightmare for the lower-middle-aged” that has taken over the world of technology. The desire for the new, new thing has led to disdain for age; “famed V.C. Vinod Khosla told a conference that “people over forty-five basically die in terms of new ideas.” The value of experience and the wisdom of age or even of middle are scorned when everyone walks around with encyclopedias and instruction manuals in our pockets. The result: “Silicon Valley has become one of the most ageist places in America. Tech luminaries who otherwise pride themselves on their dedication to meritocracy don’t think twice about deriding the not-actually-old. “Young people are just smarter,” Facebook CEO Mark Zuckerberg told an audience at Stanford back in 2007. As I write, the website of ServiceNow, a large Santa Clara–based I.T. services company, features the following advisory in large letters atop its “careers” page: “We Want People Who Have Their Best Work Ahead of Them, Not Behind Them.””

You and I Will Die Unbelievers, Tied to the Tracks of the Train

artKenan Malik wonders how non-believers can appreciate sacred art. Perhaps, he says, the godless can understand it as "an exploration of what it means to be human; what it is to be human not in the here and now, not in our immediacy, nor merely in our physicality, but in a more transcendental sense. It is a sense that is often difficult to capture in a purely propositional form, but one that we seek to grasp through art or music or poetry. Transcendence does not, however, necessarily have to be understood in a religious fashion, solely in relation to some concept of the divine. It is rather a recognition that our humanness is invested not simply in our existence as individuals or as physical beings but also in our collective existence as social beings and in our ability, as social beings, to rise above our individual physical selves and to see ourselves as part of a larger project, to project onto the world, and onto human life, a meaning or purpose that exists only because we as human beings create it."

The Singularity is the News

algoThe Niemen Journalism lab has the straight scoop about the algorithm, written by Ken Scwhenke, that wrote the first story about last week's West Coast earthquake. Although computer programs like Schwenke's may be able to take over journalism's function as a source of initial news (that is, a notice that something is happening,) it seems unlikely that they will be able to take over one of its more sophisticated functions, which is to help people situate themselves in the world rather than merely know what's going on in it.

Laughing at the Past

comicIn an interview, Kate Beaton, the cartoonist responsible for the history and literature web comic Hark A Vagrant!, talks about how her comics, perhaps best described as academic parody, can be useful for teachers and students: "Oh yes, all the time! That’s the best! It’s so flattering—but I get it, the comics are a good icebreaker. If you are laughing at something, you already like it, and want to know more. If they’re laughing, they’re learning, who doesn’t want to be in on the joke? You can’t take my comics at face value, but you can ask, ‘What’s going on here? What’s this all about?’ Then your teacher gets down to brass tacks."

From the Hannah Arendt Center Blog

This week on the blog, our Quote of the Week comes from Arendt Center Research Associate, Thomas Wild, who looks at the close friendship between Hannah Arendt and Alfred Kazin who bonded over literature, writers, and the power of the written word.

31Mar/141

World Alienation and Global Tourism

Arendtquote

"Before we knew how to circle the earth, how to circumscribe the sphere of human habitation in days and hours, we had brought the globe into our living rooms to be touched by our hands and swirled before our eyes."

-Hannah Arendt, The Human Condition

In 1492, the same year that Christopher Columbus sailed west towards India, the German merchant and mathematician Martin Behaim constructed the first globe of modern times, the Nuremberg Terrestrial Globe, measuring some 21 inches in diameter. The temporal coincidence of Columbus and Behaim’s endeavors speaks to an important phenomenon of the modern age that Hannah Arendt analyzed in the final chapter of her 1958 study The Human Condition. Arendt argues that the unprecedented enlargement of the world through the discoveries of early modern seafarers presupposed a more fundamental shrinkage of the world through the measuring activities of modern science. When Columbus and his fellow travelers embarked on their adventures, man had already elevated himself to a theoretical vista point from which he could look at the world as “a globe to be touched by our hands and swirled before our eyes.”

Man’s success in assuming a perspective beyond his being embedded in the world around him, an unearthly perspective that Arendt calls world alienation, is one of the fundamental preconditions of objectivity in modern science. But world alienation also describes modern man’s estrangement from his immediate earthly surroundings. With the globe in our living rooms, we have the world at our fingertips, but we no longer inhabit a place inside it. The modern age has enlarged the world’s physical territory while shrinking its experiential potentiality into a measurable dataset. Swirling the globe before his eyes, the mathematical theories of Martin Behaim embody both the knowledge and the melancholia of modern man.

globe

Martin Behaim with his globe, 19th century painting from an unknown artist.

One of the principal ways in which western societies have responded to the condition of world alienation over the past 150 years is tourism. Alienated from our immediate surroundings, we imagine immersing ourselves as tourists into foreign lands. While the beginnings of modern mass tourism can be dated back to the second half of the nineteenth century, tourism received important new impulses during the economic growth of the 1950s. In 1957, the year preceding the publication of Arendt’s The Human Condition, Arthur Frommer’s travel guide Europe on 5 Dollars a Day appeared and introduced to the world a new movement of low budget, long distance travel. Although Arendt never mentions tourism explicitly in her book, there are important lessons to be learned from her analysis of world alienation when dealing with Frommer’s promise of cheap travel and authentic experience overseas—a promise of which we have seen countless iterations in the heap of travel literature ever since.

The problem with Frommer’s promise does not lie simply in the fact that the millions of vacationers who are touring with Frommer immediately turn the recommended off-the-beaten-tracks paths into the new highways of travel. Rather, the existence of Frommer’s alternative travel guide presupposes a world that is, in all its common and uncommon aspects, translatable in the form of a guidebook. Before anybody sets out to travel to and discover Europe for him - or herself, Europe—or Thailand or Namibia, for that matter—have already shrunk to the format of a well-indexed pocket book, easy to navigate, but impossible to inhabit.

Arendt makes us sensitive to the necessary frustration of tourism’s promise to be immersed in the world through travel: the very embarking into the world as a tourist presupposes a technological and cultural infrastructure that has already necessarily distanced us from the world. No new journey into the world can escape the shadow of Martin Behaim, as he melancholically touches the globe with his hands, swirls it before his eyes, and reminds us of the fact that the world ceased to be ours at the moment we made it our object.

-Martin Wagner, Ph.D. candidate at Yale University

27Mar/140

Oscar Wilde on Thinking

Arendtthoughts

'When people agree with me I always feel that I must be wrong.'

-Oscar Wilde

wilde

25Mar/140

William Burroughs

ArendtLibrary

burroughs

24Mar/140

Amor Mundi 3/23/14

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

What Silver Knows

foxData journalist Nate Silver reopened his FiveThirtyEight blog this past week, after leaving the New York Times last year. Although the website launched with a full slate of articles, the opening salvo is a manifesto he calls "What The Fox Knows," referencing the maxim from the poet Archilochus’, “The fox knows many things, but the hedgehog knows one big thing.” For Silver, this means, “We take a pluralistic approach and we hope to contribute to your understanding of the news in a variety of ways.” What separates FiveThirtyEight is its focus on big data, the long trail of information left by everything we do in a digital world. From big data, Silver believes he can predict outcomes more accurately than traditional journalism, and that he will also be better able to explain and predict human behavior. “Indeed, as more human behaviors are being measured, the line between the quantitative and the qualitative has blurred. I admire Brian Burke, who led the U.S. men’s hockey team on an Olympic run in 2010 and who has been an outspoken advocate for gay-rights causes in sports. But Burke said something on the hockey analytics panel at the MIT Sloan Sports Analytics Conference last month that I took issue with. He expressed concern that statistics couldn’t measure a hockey player’s perseverance. For instance, he asked, would one of his forwards retain control of the puck when Zdeno Chara, the Boston Bruins’ intimidating 6’9″ defenseman, was bearing down on him? The thing is, this is something you could measure. You could watch video of all Bruins games and record how often different forwards kept control of the puck. Soon, the NHL may install motion-tracking cameras in its arenas, as other sports leagues have done, creating a record of each player’s x- and y-coordinates throughout the game and making this data collection process much easier.” As the availability of data increases beyond comprehension, humans will necessarily turn the effort of analysis over to machines running algorithms. Predictions and simulations will abound and human actions—whether voting for a president or holding on to a hockey puck—will increasingly appear to be predictable behavior. The fact that actions are never fully predictable is already fading from view; we have become accustomed to knowing how things will end before they begin. At the very least, Nate Silver and his team at FiveThirtyEight will try to “critique incautious uses of statistics when they arise elsewhere in news coverage.”

All in All, Another Tweet in the Wall

tejuAuthor Teju Cole recently composed and released an essay called “A Piece of The Wall” exclusively on Twitter. In an interview, along with details about the technical aspects of putting together what's more like a piece of radio journalism than a piece of print journalism, Cole notes that there may be a connection between readership and change: "I’m not getting my hopes up, but the point of writing about these things, and hoping they reach a big audience, has nothing to do with “innovation” or with “writing.” It’s about the hope that more and more people will have their conscience moved about the plight of other human beings. In the case of drones, for example, I think that all the writing and sorrow about it has led to a scaling back of operations: It continues, it’s still awful, but the rate has been scaled back, and this has been in specific response to public criticism. I continue to believe the emperor has a soul."

A Religious Age?

bergerPeter Berger has a thoughtful critique of Charles Taylor’s A Secular Age, one that accepts Taylor’s philosophical premise but denies its sociological reality. “I think that Taylor’s magnum opus makes a very significant contribution, though I disagree with its central proposition: We don’t live in a “secular age”; rather in most of the world we live in a turbulently religious age (with the exception of a few places, like university philosophy departments in Canada and football clubs in Britain). (Has Taylor been recently in Nepal? Or for that matter in central Texas?) Taylor is a very sophisticated philosopher, not an empirically oriented sociologist of religion. It so happens that we now have a sizable body of empirical data from much of the world (including America and Europe) on what ordinary religious people actually believe and how they relate their faith to various secular definitions of reality). Let me just mention the rich work of Robert Wuthnow, Nancy Ammerman and Tanya Luhrmann in the US, and Grace Davie, Linda Woodhead and Daniele Hervieu-Leger in Europe. There is a phrase that sociology students learn in the first year of graduate study—frequency distribution:  It is important for me to understand just what X is; it is even more important for me to know how much X there is at a given time in a given place. The phrase is to be recommended to all inclined to make a priori  statements about anything. In this case, I think that Taylor has made a very useful contribution in his careful description of what he calls “the immanent frame” (he also calls it “exclusive humanism”)—a sense of reality that excludes all references to transcendence or anything beyond mundane human experience. Taylor also traced the historical development of this definition of reality.” Maybe the disagreement is more subtle: Religion continues in the secular age, but it is more personal. Quite simply, churches were once the tallest and most central buildings, representing the center of public and civic life. That is no longer the case in Europe; nor in Nepal.

Looking Under the Skin

scarlettAnthony Lane in The New Yorker asks the question, “Why should we watch Scarlett Johansson with any more attention than we pay to other actors?” His answer concerns Johansson’s role and performance in her new movie “Under the Skin.” Lane is near obsessed with Johansson’s ability to reveal nothing and everything with a look—what he calls the “Johansson look, already potent and unnerving. She was starting to poke under the skin.” He continues describing Johansson in a photo shoot: ““Give me nothing,” Dukovic said, and Johansson wiped the expression from her face, saying, “I’ll just pretend to be a model.” Pause. “I rarely have anything inside me.” Then came the laugh: dry and dirty, as if this were a drama class and her task was to play a Martini. Invited to simulate a Renaissance picture, she immediately slipped into a sixteenth-century persona, pretending to hold a pose for a painter and kvetching about it: “How long do I have to sit here for? My sciatica is killing me.” You could not wish for a more plausible insight into the mind-set of the Mona Lisa. A small table and a stool were provided, and Johansson sat down with her arms folded in front of her. “I want to look Presidential,” she declared. “I want this to be my Mt. Rushmore portrait.” Once more, Dukovic told her what to show: “Absolutely nothing.” Not long after, he and his team began to pack up. The whole shoot had taken seventeen minutes. She had given him absolutely everything. We should not be surprised by this. After all, film stars are those unlikely beings who seem more alive, not less, when images are made of them; who unfurl and reach toward the light, instead of seizing up, when confronted by a camera; and who, by some miracle or trick, become enriched versions of themselves, even as they ramify into other selves on cue. Clarence Sinclair Bull, the great stills photographer at M-G-M, said of Greta Garbo that “she seems to feel the emotion for each pose as part of her personality.” From the late nineteen-twenties, he held a near-monopoly on pictures of Garbo, so uncanny was their rapport. “All I did was to light the face and wait. And watch,” he said. Why should we watch Johansson with any more attention than we pay to other actors?”

Fantasizing About Being Lost

malaysiaGeoffrey Gray suggests a reason why we've become obsessed with the missing plane: "Wherever the Malaysia Airlines plane is, it found a hiding place. And the longer it takes investigators to discover where it is and what went wrong, the longer we have to indulge in the fantasy that we too might be able to elude the computers tracking our clicks, text messages, and even our movements. Hidden from the rest of the world, if only for an imagined moment, we feel what the passengers of Flight 370 most likely don't: safe."

 

This Week on the Hannah Arendt Center Blog

This week on the blog, learn more about the Program Associate position now available at the Arendt Center. In the Quote of the Week, Ian Zuckerman looks at the role some of Arendt's core themes play in Kubrik's famed nuclear satire, "Dr Strangelove." And, HannahArendt.net issues a call for papers for their upcoming 'Justice and Law' edition being released in August of this year.

24Mar/140

The Essay Form

Arendtquote

“Like all collections of essays, this book of exercises [is] a sequence of movements which, like in a musical suite, are written in the same or related keys.”

– Hannah Arendt, Preface to Between Past and Future, 1961

Hannah Arendt called Between Past and Future her most important book. The essay collection deals with fundamental political-philosophical terms such as freedom, authority, power and reason. Its subtitle—“Exercises in Political Thought”—points towards the genre of the book, essay, which of course comes from the French essayer, meaning something like to try, to experiment and, in this sense, to exercise. It was from Michel de Montaigne’s Essais—the wonderfully experimental, experience-based reflections on topics both philosophical and mundane, first published in 1580—that the genre got its name. Arendt read Montaigne both in the original French and in English translation, and the two respective versions of Essais in her library prove that she read them carefully, and with a pencil at the ready. Friedrich Nietzsche and Walter Benjamin developed and expanded the possibilities of this genre in their own unique ways, and both thinkers count among Arendt’s key interlocutors. It is however less well known that Arendt’s work in the genre of “essay” also have another starting point: in American literature, from the writings of Emerson and Melville, both of whom she grew to know through the writings of the literary critic Alfred Kazin.

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Arendt and Kazin became close friends in the late 1940’s. Their conversation in letters began with Kafka and continued through literature, friendship, and genuine interest in each other's work. Kazin helped Arendt find a publisher for her first American book, “The Origins of Totalitarianism,” and also played a central role in editing that groundbreaking study. At the same time Arendt was reading Kazin’s essay collection “On Native Grounds,”—she read it “every day at breakfast,” in fact, as she wrote to him. For Arendt, who had arrived in the USA only a few years earlier, Kazin’s book was an introduction to the literature and history of her new homeland—as well as a paradigm of the “essay” genre. At the highpoint of their friendship, in the summer of 1956, Arendt told Kazin in a letter that she had written him into her will as “literary executor for all things in English.” In the very same letter that links their literary legacies in such a meaningful way, Arendt comes back to “On Native Grounds,” and to the “essay:” Harcourt Brace, who published both authors, had suggested to Arendt “that I prepare also a volume of essays,” yet she “shuddered at the thought of it,” since she understood the great challenges posed by the genre that in her eyes Kazin was mastering. It took five more years for Arendt to set aside her “shudder,” and to publish Between Past and Future.

In the meantime, Arendt and Kazin sent other writings to each other, among which two texts in particular continued their conversation about the “essay.” The first is a preface written by Kazin to a new edition of Moby Dick. The novel, Kazin writes, “is not so much a book about Captain Ahab’s quest for the whale as it is an experience of that quest.” To understand writing as an invitation to experience something—an invitation to a process of thinking, to an exercise—echoes the project of Arendt’s Exercises in Political Thought. “This is only to say, what we can say of any true poem,” Kazin continues, “that we cannot reduce its essential substance to a subject, that we should not intellectualize and summarize it, but that we should recognize that its very force and beauty lie in the way it is conceived and written.” “The Introduction is wunderbar,” Arendt wrote Kazin enthusiastically, using the German word both as a sign of intimacy and because the German “wunderbar” more strongly connotes the spirit of “wonder” than the English “wonderful.”

Soon thereafter Alfred Kazin published a large anthology of Ralph Waldo Emerson’s writings. Many of Arendt’s American readers rightfully wonder why Emerson does not appear more frequently in her writing. There seems to be such an intriguing correspondence between both writers’ style of thinking and care for language. But Arendt’s copy of Kazin’s anthology shows just how attentively she read Emerson: the volume is heavily underlined. The markings begin in the introduction and revolve — perhaps not so surprisingly, since Emerson was one of the founding figures of American essay writing—around his writing style. “He is a writer who lives entirely by ideas, but who really lives them,” Kazin writes at the very beginning. “He is not a philosopher, not a maker of systems or a prover of systems or a justifier of them. He starts from a conviction about man’s central importance in the world which he never really elaborates, but which he accepts as necessary and evident and profoundly human – he could almost have said, the only human account of the world in modern, ‘scientific’ times.” It is a description that strikingly resembles the fundamental concept of love for the world —amor mundi—which Arendt was writing in The Human Condition at the very same time. Her books moved and excited him, Kazin later wrote to Arendt, “in a way that no ‘technical philosophy’ ever could. What a visionary you are, as my most beloved poets are!”

As visionary as a poet? Or is this more a view of poetic thinking? Hannah Arendt coined the term “poetic thinking” in her essay on Walter Benjamin. Her catchy formulation is explained in a series of negative characterizations. To fundamentally comprehend Benjamin, according to Arendt, one must understand that he was “very scholarly, but in no way a scholar; that his major subject was text and the interpretation of texts, but that he was no philologist; […] that he was a writer whose greatest ambition was to build a text entirely comprised of quotes from other texts—that is, to override his own role as writer; […] he published countless book reviews and many conventional essays on dead and contemporary writers and poets, but he was no literary critic.” The list is much longer in the original, but it continues in the same vein: Benjamin doesn’t belong to any discipline nor profession; readers need to understand that he “thought poetically.”

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Arendt’s remarks on Benjamin find an astounding echo in Kazin’s efforts to answer his own question about Emerson: “What kind of writer shall we call him?” “He is not, of course, a novelist or a dramatist,” Kazin writes, “in fact, he could hardly read novels or wholly enjoy great plays for their own sake. Although he was a remarkable and inventive poet, no one can claim that poetry is the major side of his work. As we have said, he is not a philosopher – not even a philosopher like Nietzsche, who so much admired him.” What, then, could a suitable description look like? Kazin finds a surprising turn of phrase: “And though one falls back on the term ‘essayist,’ the term hardly explains why the essay form, as Emerson developed it, attains a free form that is profoundly musical and fugal, a series of variations starting from a set theme.”

“The essay form,” are the three words of the quote that Arendt underlined in her copy. They echo the passage from Between Past and Future quoted here at the beginning: “Like all collections of essays, this book of exercises [is] a sequence of movements which, like in a musical suite, are written in the same or related keys.” On the same page of this preface, Arendt expands the resonance and meaning of these “related keys” in a highly intriguing way. Her investigations between past and future seek to discover the “spirit” which has “so sadly evaporated from the very key words of political language,” such as freedom and justice, responsibility and virtue. In order to trace the “wunderbaren” spirits that Arendt roused from the key words of our political language, we need to listen to the keys in which these exercises and essays in political and poetic thinking were composed and written.

-Thomas Wild

-Translated from German by Anne Posten

21Mar/140

The Arendt Center is Hiring!

FromtheArendtCenter

The Hannah Arendt Center at Bard College seeks an enthusiastic Program Associate to help grow the Center at an exciting time in its history. The Program Associate would be responsible for working with the Director of the Arendt Center to administer and grow the Center, with the mission to provoke engaged thinking that elevates public discussion of the nation's most pressing political and ethical challenges.

In the spirit of Hannah Arendt, the Center’s mission is to encourage people to "think what we are doing”, the Program Associate should have administrative ability and strong people skills, as well as a passion for building an engaged community around the Arendt Center. Responsibilities include assisting in planning & organizing the Arendt Center Conferences and Lectures, overseeing the Center’s finances and budget, processing invoices, payments, and check requests, working to communicate, engage, and grow the Arendt Center membership through communication via Constant Contact, administering the search for and processing of Arendt Center Fellows and Visiting Scholars, overseeing the work of the Media Coordinator and interns, and using Facebook and Twitter (where required) Conference organization skills include: travel accommodation, online pre-registration, on-site registration, working with multiple departments at Bard to arrange all onsite logistics, and responsibility that everything runs smoothly during the two-day event.

To apply, please send a cover letter, resume and the names of three references by email only to hr14003@bard.edu . Bard College is an equal opportunity employer and we welcome applications from those who contribute to our diversity.

20Mar/140

Bob Dylan on Thinking

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"Gonna change my way of thinking, make myself a different set of rules. Gonna put my good foot forward and stop being influenced by fools."

-Bob Dylan

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18Mar/140

Bedtime

ArendtLibrary

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