**This article was originally published on April 9, 2012. You can access the original article here.**
"It is true that storytelling reveals meaning without committing the error of defining it, that it brings about consent and reconciliation with things as they really are, and that we may even trust it to contain eventually by implication that last word which we expect from the Day of Judgment”.
--Hannah Arendt, “Isak Dinesen: 1885 – 1963” in Men in Dark Times
Tuesday, March 15th, 2011: Lunchtime Talk
Featured Speaker: Robert Pogue Harrison, Professor of Literature at Stanford University
Robert Pogue Harrison’s Lunchtime Talk at the Arendt Center focuses on a particular aspect of Arendt’s concept of thinking, which is thinking’s relation to phenomena not traditionally associated with it, such as friendship, and the role of thinking “in these domains where it has different registers, motivations, and outcomes” than what one might assume.
“Kierkegaard, Marx, and Nietzsche are for us like guideposts to a past which has lost its significance.”
--Hannah Arendt, “Tradition and the Modern Age”
The general outlines of the Google Books project are simple in principle and stunning in size. Collaborating with major libraries around the globe, Google has undertaken to scan all known existing books and to make them accessible to the electronically connected public. Started a decade ago in 2004, Google has already digitized roughly a quarter of the estimated 130 million books available worldwide. The completion of the collection is scheduled for 2020.
“The inner I: That I of reflection is the self, a reflection of the appearing human, so mortal, finite, growing old, capable of change, etc. On the other hand, the I of apperception, the thinking I, which does not change and is timeless. (Kafka Parable)”
—Hannah Arendt, Denktagebuch, February 1966
In an age overcome with the reach of globalization and the virtual expanse of the Internet, Arendt’s notes in her Denktagebuch on a seemingly obscure technical question on activity of thought in Kant gain new relevance by differentiating modes of thinking with depth and over time. Her reference to Kafka and the form of the entry pushes her profound temporal ideas in the direction of narrative fiction.
"You are today where your thoughts have brought you; you will be tomorrow where your thoughts take you."
"Thinking in its non-cognitive, non-specialized sense as a natural need of human life, the actualization of the difference given in consciousness, is not a prerogative of the few but an everpresent faculty of everybody; by the same token, inability to think is not the “prerogative” of those many who lack brain power but the everpresent possibility for everybody—scientists, scholars, and other specialists in mental enterprises not excluded—to shun that intercourse with oneself whose possibility and importance Socrates first discovered."
--Hannah Arendt, “Thinking and Moral Considerations: A Lecture” (1971)
Published eight years after Eichmann in Jerusalem, “Thinking and Moral Considerations” is Arendt’s elaboration of her argument in that book that Adolf Eichmann’s criminal role in the Holocaust did not originate from any “base motives” or even from any motives at all, but from his “thoughtlessness” or “inability to think.” If, she asks, Eichmann’s crimes, which he committed over the course of years, resulted from the fact that he never paused to think, what exactly does it mean to think, and what is the relation between thinking and morality?
In the above quote, which appears on the penultimate page of the lecture, Arendt defines thinking—or the kind of thinking that she argues is necessary for morality—as “the actualization of the difference given in consciousness,” as “that intercourse with oneself whose possibility and importance Socrates first discovered.” She describes this “non-cognitive, non-specialized” kind of thinking both as “a natural need of human life” and as “an everpresent faculty of everybody.” By contrast, she defines “inability to think” as the everpresent possibility for everybody to shun thinking.
We might wonder at this point why Arendt does not simply speak of an “ability not to think,” an ability to (actively) shun thinking, rather than an “inability to think.” Is this because she wants to maintain a hierarchy between something that is natural and human (thinking) and something that is unnatural and inhuman (not thinking)? What would be the justification for such a hierarchy? Or does she want to suggest that Eichmann has become unable to think (through barbarous “nurture”), losing touch with his (nevertheless everpresent) faculty of thinking, which everybody has from birth (“nature”) or from the moment they learn to speak? Thinking and language are intrinsically connected from the first page of Arendt’s lecture, where the primary evidence of Eichmann’s inability to think is that he speaks in clichés. (Also, the lecture is dedicated to a poet, W.H. Auden.) Finally, how does Arendt’s description of thinking as a “natural need of human life” relate to her suggestion that Socrates did not merely discover the importance but the very possibility of thinking?
Arendt casts Socrates as “a model, (…) an example that, unlike the ‘professional’ thinkers, could be representative for our ‘everybody,’ (…) a man who counted himself neither among the many nor among the few (…).” She takes Socrates not as “a personified abstraction with some allegorical meaning ascribed to it,” but as an “ideal type” who “was chosen out of the crowd of living beings, in the past or the present, because he possessed a representative significance in reality which only needed some purification in order to reveal its full meaning.” What, then, is this representative significance?
Arendt bases her conception of thinking and its relation to morality primarily on two famous propositions that Socrates puts forward in the Gorgias: “It is better to be wronged than to do wrong,” and “It would be better for me that my lyre or a chorus I directed should be out of tune and loud with discord, and that multitudes of men should disagree with me rather than that I, being one, should be out of harmony with myself and contradict me” (Arendt’s emphases). According to Arendt, these propositions are not primarily “cogitations about morality” but “insights of experience,” of the experience of the process of thinking. Arendt claims that Socrates means by the first proposition that it is better for him to be wronged than to do wrong if he is thinking, because in thinking you are carrying on a dialogue with yourself, which presupposes some friendship between the partners in the thinking dialogue. You would not want to be friends and enter into a dialogue with someone who does wrong, and since Socrates presupposes that the unexamined life is not worth living, doing wrong leads to a life that is not worth living because examining it in thinking is no longer possible.
Arendt argues that conscience is a “by-product” of consciousness, of the actualization of the difference of me and myself in thinking, because: “What makes a man fear his conscience is the anticipation of the presence of a witness who awaits him only if and when he goes home” (Arendt’s emphasis). However, this formulation suggests that there is no reason to fear your conscience if you never go “home,” that is, if you never engage in the activity of thinking, which, according to Arendt, was precisely Eichmann’s problem. What, then, determines whether someone uses her faculty of thinking or realizes the everpresent possibility of not thinking?
Arendt’s lecture does not contain a strong answer to this question. But although the relation between phenomenological description and normative argument in this lecture remains somewhat unclear, the lecture seems to contain a defense of thinking and a “demand” that everybody think, that everybody aspire to some extent to the ideal-type represented by Socrates, because only thinking can provide an antidote to the “banality of evil.” Arendt acknowledges that thinking can lead to license, cynicism, and nihilism through the relativizing of existing values, because “all critical examinations must go through a stage of at least hypothetically negating accepted opinions and ‘values’ by finding out their implications and tacit assumptions.” However, Arendt’s anti-elitist suggestion is that the problem of nihilism is never that too many people think or that people think too much, but rather that people do not think enough.
Yet Arendt does not tell us what would promote thinking. She does not propose, for instance, to generalize the teaching of thinking through educational institutions, the way that Adorno proposed to create “mobile educational groups” of volunteers to teach “critical (…) self-reflection” to everybody, in his 1966 radio talk, “Education After Auschwitz.” A Habermasian model where people become critical through participation in democratic politics is unavailable for Arendt given her strong opposition of thinking to politics, which belongs to the realm of action. What Arendt does tell us is what is conducive to actualizing the everpresent possibility of not thinking: “(…) general rules which can be taught and learned until they grow into habits that can be replaced by other habits and rules,” the way that Eichmann, as Arendt argues in Eichmann in Jerusalem, simply substituted the duty to do the Führer’s will for Kant’s categorical imperative.
"There is nothing good or bad, but thinking makes it so."
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
Looking for scandal, the press is focusing on the apparent conflict between Chief Justice John Roberts and Justice Sonia Sotomayor. But the case of Schuette v. Coalition to Defend Affirmative Action is more important than the scandal. It raises fundamental questions about the democracy, race and the constitution. Sonia Sotomayor, in her dissent, writes: "And race matters for reasons that really are only skin deep, that cannot be discussed any other way, and that cannot be wished away. Race matters to a young man's view of society when he spends his teenage years watching others tense up as he passes, no matter the neighborhood where he grew up. Race matters to a young woman's sense of self when she states her hometown, and then is pressed, 'No, where are you really from?', regardless of how many generations her family has been in the country. Race matters to a young person addressed by a stranger in a foreign language, which he does not understand because only English was spoken at home. Race matters because of the slights, the snickers, the silent judgments that reinforce that most crippling of thoughts: 'I do not belong here.'" John Roberts, in his concurring opinion, responds: "The dissent states that "[t]he way to stop discrimination on the basis of race is to speak openly and candidly on the subject of race." And it urges that "[r]ace matters because of the slights, the snickers, the silent judgments that reinforce that most crippling of thoughts: 'I do not belong here.'" But it is not "out of touch with reality" to conclude that racial preferences may themselves have the debilitating effect of reinforcing precisely that doubt, and-if so-that the preferences do more harm than good. To disagree with the dissent's views on the costs and benefits of racial preferences is not to "wish away, rather than confront" racial inequality. People can disagree in good faith on this issue, but it similarly does more harm than good to question the openness and candor of those on either side of the debate. Both opinions are worth reading. And read more about them in The Weekend Read.
Pope Francis I has declared two prior popes Saints. One is well known, Pope John Paul II. But Pope John XXIII is perhaps forgotten by many. As NPR reports, "John XXIII, also known as 'Good Pope John,' was nearly 77 at his coronation and, because of his advanced age, was widely regarded as a 'stopgap' pope who wasn't going to make waves. Instead, he called the Vatican II Council, which promulgated one of the most far-reaching and controversial reforms in the Roman Catholic Church's history." John XXIII also published a little book Journal of a Soul, which Hannah Arendt reviewed for the New York Review of Books. For the Jewish thinker, Good Pope John is a Christian Pope, one of the few. Arendt tells of a "Roman chambermaid" in a hotel who asked her, in all innocence: "Madam," she said, "this Pope was a real Christian. How could that be? And how could it happen that a true Christian would sit on St. Peter's chair? Didn't he first have to be appointed Bishop, and Archbishop, and Cardinal, until he finally was elected to be Pope? Had nobody been aware of who he was?" Arendt had a simple answer for the maid. "No." She writes that Pope John was largely unknown upon his selection and arrived as an outsider. He was, in the words of her title, a true Christian living in the spirit of Jesus Christ. In a sense, this was so surprising in the midst of the 20th century that no one had imagined it to be possible, and the Good Pope John was selected without anyone knowing who he was. On the day of Pope John XXIII's Sainthood, it is worth revisiting Arendt's full review.
Taking Hannah Arendt's quote, "There are no dangerous thoughts; thinking itself is dangerous," as its starting point, the Canadian Public Radio show Ideas with Paul Kennedy explores Hannah Arendt's Eichmann in Jerusalem. The program features Roger Berkowitz, Adam Gopnik, Adam Kirsch, and Rivka Galchen. The conversation was heated at times, but overall offers a good account of Arendt's book, her thoughts on thinking, and the reason her thought matters. Take some time to listen to program.
Patricia Lockwood, at the Poetry Foundation blog, seems to be tired of being asked if poetry is work: "IS it work, though? The question persists. Is a single muscle exerted during the process? Do you sweat at all, besides the weird thing that sometimes happens under your right arm because you haven't lifted it up for 8 hours? Do you get to retire after you work at it faithfully for 50 years? The answers are no, no, and no. Can anyone fire a poet? Only Death can fire a poet." She is, of course, making a joke. For Arendt, though, poetry, and art more generally, is in fact work. Indeed, making art may be the last vestige of work in a world where the primary activity of life has become the repetitive, never ending, activity of consumption, in which nothing is left behind and all labor seeks only to further the process of consumption. Poetry, and painting, and art are outliers in the modern world to the extent they leave something behind and resist the process of consumption.
"So far, the year 2014 has been a tumultuous one, as geopolitical rivalries have stormed back to center stage. Whether it is Russian forces seizing Crimea, China making aggressive claims in its coastal waters, Japan responding with an increasingly assertive strategy of its own, or Iran trying to use its alliances with Syria and Hezbollah to dominate the Middle East, old-fashioned power plays are back in international relations." Walter Russell Mead believes that geopolitics, never really gone, is back for good: "Westerners should never have expected old-fashioned geopolitics to go away. They did so only because they fundamentally misread what the collapse of the Soviet Union meant: the ideological triumph of liberal capitalist democracy over communism, not the obsolescence of hard power. China, Iran, and Russia never bought into the geopolitical settlement that followed the Cold War, and they are making increasingly forceful attempts to overturn it. That process will not be peaceful, and whether or not the revisionists succeed, their efforts have already shaken the balance of power and changed the dynamics of international politics.
On the occasion of the publication of a biography of the author, Hermione Lee describes what John Updike was up to: "As he said of himself... he is the artist of middleness, ordinariness, in-betweenness, who famously wanted 'to give the mundane its beautiful due.' For over half a century-even though his own life moved far away from 'middleness';-he transformed everyday America into lavishly eloquent and observant language. This-even more than his virtuoso writing about sex, his close readings of adultery and husbandly guilt, his tracking of American social politics, his philosophizing on time and the universe-is his great signature tune. No wonder that some of the narrators in his stories are archaeologists, or that he's so interested in vanished cities, ancient civilizations, and extinct species."
On the 450th birthday of William Shakespeare, Bob Duggan remembers that what are understood as his great contributions now were not his most well known plays during his life: "During Shakespeare's own lifetime he was known best as the "honey-tongued" poet of such works as Venus and Adonis and The Rape of Lucrece, in which he used classical and ancient characters to his own artistic purposes as well as practical purposes of making money during the plague-forced theater closures of 1593-1594. Readers literally read published copies of these works to pieces, making surviving copies extremely rare today. People went to see the plays, of course, but the emphasis of the theaters was on making money as much as making art."
Eric Hoover, in an essay about the ways that colleges and universities may begin to evaluate students, describes one measure designed to quantify the information in a recommendation: "Motivated by such findings, the Educational Training Service developed an online rating tool called the Personal Potential Index. Designed to quantify what's conveyed in a recommendation, it asks past instructors to rate students on a five-point scale in six categories: communication skills, ethics and integrity, knowledge and creativity, planning and organization, resilience, and teamwork. To gauge resilience, for instance, respondents are asked to what extent a student 'accepts feedback without getting defensive; works well under stress; can overcome challenges and setbacks; works extremely hard'. Recommenders can type in comments to elaborate on their ratings, if they choose." Adding comments, of course, is not the same thing as real qualitative assessment; perhaps, instead of attempting to replace the tests, institutions of higher education should abandon that requirement altogether, and instead evaluate students as students, rather than as data.
This week on the blog we revisit Tracy Strong’s Quote of the Week on “Thinking Without Bannisters.” And in the Weekend Read, Roger Berkowitz looks at the relation of race, democracy, and the constitution in Schuette decision.
"If people think that one can only write about these things in a solemn tone of voice...Look, there are people who take it amiss—and I can understand that in a sense—that, for instance, I can still laugh. But I was really of the opinion that Eichmann was a buffoon..."
Holocaust Remembrance Day, or Yom Hashoah, fell on the 27th day of the month of Nisan or in April this year. It begins at sundown and continues into the next day. A memorial to the six million Jewish people who were slaughtered by the Nazis between 1933 and 1945, it is a time to call these events to mind and consider their continued resonance and relevance in our own dark times. How shall we, in the words of Hannah Arendt, bear the burden of such a past? With what attitude should such events be commemorated?
Fifty years ago, on October 28, 1964, a televised conversation between the German-Jewish political theorist, Hannah Arendt, and the well-known German journalist, Günter Gaus, was broadcast in West Germany. Arendt’s Eichmann in Jerusalem: A Report on the Banality of Evil, her controversial analysis of the Jerusalem trial of Adolf Eichmann, had just been published in German in the Federal Republic and Gaus used the occasion to generate a “portrait of Hannah Arendt.” The interview ranged across a wide field of topics, including the difference between philosophy and politics, the situation in Germany before and after the war, the state of Israel, and even Arendt’s personal experiences as a detainee in Germany and France during the Second World War.
Already a cause célèbre in the United States the book had brought Arendt lavish praise and no small amount of damnation. What Gaus especially wanted to know was what Arendt thought about criticism levied against her by Jews angered by her portrait of Eichmann and her comments about Jewish leaders and other Jewish victims of the Holocaust. “Above all,” said Gaus, “people were offended by the question you raised of the extent to which Jews are to blame for their passive acceptance of the German mass murders, or to what extent the collaboration of certain Jewish councils almost constitutes a kind of guilt of their own.”
Gaus acknowledged that Arendt had already addressed these critics, by saying that such comments were, in some cases, based on a misunderstanding and, in others, part of a political campaign against her, but he had already crossed a contested border. Without hesitation, she corrected Gaus:
First of all, I must, in all friendliness, state that you yourself have become a victim of this campaign. Nowhere in my book did I reproach the Jewish people with nonresistance. Someone else did that in the Eichmann trial, namely Mr. Hausner of the Israeli public prosecutor’s office. I called such questions directed to the witnesses in Jerusalem both foolish and cruel.
True, Gaus admitted. He had read the book and agreed that Arendt had not made that point exactly. But, he continued, some criticism had been levied against her because of “the tone in which many passages are written.”
“Well,” Arendt replied, “that is another matter...That the tone of voice is predominantly ironic is completely true.”
What did she mean by ironic? “If people think that one can only write about these things in a solemn tone of voice.... Look, there are people who take it amiss—and I can understand that in a sense—that, for instance, I can still laugh. But I was really of the opinion that Eichmann was a buffoon...” To convey the shock she experienced when, contrary to her own expectations, Eichmann “in the flesh” appeared to be more a clown than a monster, Arendt countered with a reverse shock, adopting a sardonic, unsentimental voice to unmask what she later termed “the banality of evil.” It could be read as her way to diminish the self-aggrandizement of the architects of the Final Solution to middling size. The trouble was she used this voice rather undiplomatically to describe not only Eichmann’s actions but also the complicity of others, including some members of the Jewish community she judged harshly for cooperating with Nazis. “When people reproach me with accusing the Jewish people, that is a malignant lie and propaganda and nothing else. The tone of voice is, however, an objection against me personally. And I cannot do anything about that.”
“You are prepared to bear that?” asked Gaus. “Yes, willingly,” Arendt claimed. What she had not anticipated was how unprepared many who read her were to take on this new shock of the “banality of evil” on top of the horrifying accounts of Jewish suffering conveyed at the trial.
In fact, “bearing the burden of the past,” thinking about the past in its morally perplexing and disconcerting entirety, was the focus of Arendt’s writing, from her earliest essays to her last. And in no case did this burden bearing affect her more personally than when she published Eichmann in Jerusalem. When she returned from a European trip taken for a needed rest soon after the book’s release, she found stacks of letters waiting for her. Some correspondents praised the bravery of her truth-telling, but the lion’s share found her book detestable. A few included death threats.
Was her refusal to concede that her “tone” had anything to do with the hostility the book generated merely a matter of sheer stubbornness? Or was the ironic tone itself emblematic of Arendt’s ideas about the danger implicit in thinking and the burden of responsibility that lay at the heart of judgment?
In the introduction to The Life of the Mind, Arendt offered this account of the generation of her controversial and still frequently misunderstood concept of “the banality of evil”:
In my report of [the Eichmann trial] I spoke of ‘the banality of evil.’ Behind that phrase I was dimly aware of the fact that it went counter to our tradition of thought—literary, theological, or philosophic—about the phenomenon of evil...However, what I was confronted with was utterly different and still undeniably factual. I was struck by the manifest shallowness in the doer that made it impossible to trace the uncontestable evil of his deeds to any deeper level of roots or motives. The deeds were monstrous, but the doer—at least the very effective one now on trial—was quite ordinary, commonplace, and neither demonic nor monstrous...Might the problem of good and evil, our faculty of telling right from wrong, be connected with our faculty of thought?...Could the activity of thinking as such, the habit of examining whatever happens to come to pass or to attract attention, regardless of results and specific content, could this activity be among the conditions that make men abstain from evil-doing or even actually ‘condition’ them against it?
But, Arendt insisted, thinking’s ability to condition people against evil-doing did not mean “that thinking would ever be able to produce the good deed as its result, as though ‘virtue could be taught and learned’—only habits and customs can be taught, and we know only too well the alarming speed with which they are unlearned and forgotten when new circumstances demand a change in manners and patterns of behavior.” What cold comfort, then, this thinking business seemed to be, offering no guarantee that evil will be avoided and good prevail.
Arendt had removed the guarantee of absolute innocence and automatic guilt from the question of moral responsibility. What did she put in its place? The capacity to exercise an “independent human faculty, unsupported by law and public opinion, that judges in full spontaneity every deed and intent anew whenever the occasion arises.” And who evidenced this capacity? They were not distinguished by any superior intelligence or sophistication in moral matters but “dared to judge for themselves.” Deciding that conformity would leave them unable to “live with themselves,” sometimes they even chose to die rather than become complicit. “The dividing line between those who think and therefore have to judge for themselves, and those who do not, strikes across all social and cultural or educational differences.”
Nonetheless, Arendt’s tone made it seem as if she knew she would have acted more valiantly than those who cooperated with the Nazis. Outraged by her moral judgment of Jewish leaders many asked: Who is she to judge those who were forced to make difficult decisions and, in the interests of saving the many sacrificed the few? Arendt answered this question in a 1964 essay entitled “Personal Responsibility Under Dictatorship,” “Since this question of judging without being present is usually coupled by the accusation of arrogance, who has ever maintained that by judging a wrong I presuppose that I myself would be incapable of committing it?”
—Kathleen B. Jones
This Quote of the Week is adapted from an essay originally appearing in Humanities Magazine, March/April 2014.
"The end of the old is not necessarily the beginning of the new."
Hannah Arendt, The Life of the Mind
This is a simple enough statement, and yet it masks a profound truth, one that we often overlook out of the very human tendency to seek consistency and connection, to make order out of the chaos of reality, and to ignore the anomalous nature of that which lies in between whatever phenomena we are attending to.
Perhaps the clearest example of this has been what proved to be the unfounded optimism that greeted the overthrow of autocratic regimes through American intervention in Afghanistan and Iraq, and the native-born movements known collectively as the Arab Spring. It is one thing to disrupt the status quo, to overthrow an unpopular and undemocratic regime. But that end does not necessarily lead to the establishment of a new, beneficent and participatory political structure. We see this time and time again, now in Putin's Russia, a century ago with the Russian Revolution, and over two centuries ago with the French Revolution.
Of course, it has long been understood that oftentimes, to begin something new, we first have to put an end to something old. The popular saying that you can't make an omelet without breaking a few eggs reflects this understanding, although it is certainly not the case that breaking eggs will inevitably and automatically lead to the creation of an omelet. Breaking eggs is a necessary but not sufficient cause of omelets, and while this is not an example of the classic chicken and egg problem, I think we can imagine that the chicken might have something to say on the matter of breaking eggs. Certainly, the chicken would have a different view on what is signified or ought to be signified by the end of the old, meaning the end of the egg shell, insofar as you can't make a chicken without it first breaking out of the egg that it took form within.
So, whether you take the chicken's point of view, or adopt the perspective of the omelet, looking backwards, reverse engineering the current situation, it is only natural to view the beginning of the new as an effect brought into being by the end of the old, to assume or make an inference based on sequencing in time, to posit a causal relationship and commit the logical fallacy of post hoc ergo propter hoc, if for no other reason that by force of narrative logic that compels us to create a coherent storyline. In this respect, Arendt points to the foundation tales of ancient Israel and Rome:
We have the Biblical story of the exodus of Israeli tribes from Egypt, which preceded the Mosaic legislation constituting the Hebrew people, and Virgil's story of the wanderings of Aeneas, which led to the foundation of Rome—"dum conderet urbem," as Virgil defines the content of his great poem even in its first lines. Both legends begin with an act of liberation, the flight from oppression and slavery in Egypt and the flight from burning Troy (that is, from annihilation); and in both instances this act is told from the perspective of a new freedom, the conquest of a new "promised land" that offers more than Egypt's fleshpots and the foundation of a new City that is prepared for by a war destined to undo the Trojan war, so that the order of events as laid down by Homer could be reversed.
Fast forward to the American Revolution, and we find that the founders of the republic, mindful of the uniqueness of their undertaking, searched for archetypes in the ancient world. And what they found in the narratives of Exodus and the Aeneid was that the act of liberation, and the establishment of a new freedom are two events, not one, and in effect subject to Alfred Korzybski's non-Aristotelian Principle of Non-Identity. The success of the formation of the American republic can be attributed to the awareness on their part of the chasm that exists between the closing of one era and the opening of a new age, of their separation in time and space:
No doubt if we read these legends as tales, there is a world of difference between the aimless desperate wanderings of the Israeli tribes in the desert after the Exodus and the marvelously colorful tales of the adventures of Aeneas and his fellow Trojans; but to the men of action of later generations who ransacked the archives of antiquity for paradigms to guide their own intentions, this was not decisive. What was decisive was that there was a hiatus between disaster and salvation, between liberation from the old order and the new freedom, embodied in a novus ordo saeclorum, a "new world order of the ages" with whose rise the world had structurally changed.
I find Arendt's use of the term hiatus interesting, given that in contemporary American culture it has largely been appropriated by the television industry to refer to a series that has been taken off the air for a period of time, but not cancelled. The typical phrase is on hiatus, meaning on a break or on vacation. But Arendt reminds us that such connotations only scratch the surface of the word's broader meanings. The Latin word hiatus refers to an opening or rupture, a physical break or missing part or link in a concrete material object. As such, it becomes a spatial metaphor when applied to an interruption or break in time, a usage introduced in the 17th century. Interestingly, this coincides with the period in English history known as the Interregnum, which began in 1649 with the execution of King Charles I, led to Oliver Cromwell's installation as Lord Protector, and ended after Cromwell's death with the Restoration of the monarchy under Charles II, son of Charles I. While in some ways anticipating the American Revolution, the English Civil War followed an older pattern, one that Mircea Eliade referred to as the myth of eternal return, a circular movement rather than the linear progression of history and cause-effect relations.
The idea of moving forward, of progress, requires a future-orientation that only comes into being in the modern age, by which I mean the era that followed the printing revolution associated with Johannes Gutenberg (I discuss this in my book, On the Binding Biases of Time and Other Essays on General Semantics and Media Ecology). But that same print culture also gave rise to modern science, and with it the monopoly granted to efficient causality, cause-effect relations, to the exclusion in particular of final and formal cause (see Marshall and Eric McLuhan's Media and Formal Cause). This is the basis of the Newtonian universe in which every action has an equal and opposite reaction, and every effect can be linked back in a causal chain to another event that preceded it and brought it into being. The view of time as continuous and connected can be traced back to the introduction of the mechanical clock in the 13th century, but was solidified through the printing of calendars and time lines, and the same effect was created in spatial terms by the reproduction of maps, and the use of spatial grids, e.g., the Mercator projection.
And while the invention of history, as a written narrative concerning the linear progression over time can be traced back to the ancient Israelites, and the story of the exodus, the story incorporates the idea of a hiatus in overlapping structures:
A1. Joseph is the golden boy, the son favored by his father Jacob, earning him the enmity of his brothers
A2. he is sold into slavery by them, winds up in Egypt as a slave and then is falsely accused and imprisoned
A3. by virtue of his ability to interpret dreams he gains his freedom and rises to the position of Pharaoh's prime minister
B1. Joseph welcomes his brothers and father, and the House of Israel goes down to Egypt to sojourn due to famine in the land of Canaan
B2. their descendants are enslaved, oppressed, and persecuted
B3. Moses is chosen to confront Pharaoh, liberate the Israelites, and lead them on their journey through the desert
C1. the Israelites are freed from bondage and escape from Egypt
C2. the revelation at Sinai fully establishes their covenant with God
C3. after many trials, they return to the Promised Land
It can be clearly seen in these narrative structures that the role of the hiatus, in ritual terms, is that of the rite of passage, the initiation period that marks, in symbolic fashion, the change in status, the transformation from one social role or state of being to another (e.g., child to adult, outsider to member of the group). This is not to discount the role that actual trials, tests, and other hardships may play in the transition, as they serve to establish or reinforce, psychologically and sometimes physically, the value and reality of the transformation.
In mythic terms, this structure has become known as the hero's journey or hero's adventure, made famous by Joseph Campbell in The Hero with a Thousand Faces, and also known as the monomyth, because he claimed that the same basic structure is universal to all cultures. The basis structure he identified consists of three main elements: separation (e.g., the hero leaves home), initiation (e.g., the hero enters another realm, experiences tests and trials, leading to the bestowing of gifts, abilities, and/or a new status), and return (the hero returns to utilize what he has gained from the initiation and save the day, restoring the status quo or establishing a new status quo).
Understanding the mythic, non-rational element of initiation is the key to recognizing the role of the hiatus, and in the modern era this meant using rationality to realize the limits of rationality. With this in mind, let me return to the quote I began this essay with, but now provide the larger context of the entire paragraph:
The legendary hiatus between a no-more and a not-yet clearly indicated that freedom would not be the automatic result of liberation, that the end of the old is not necessarily the beginning of the new, that the notion of an all-powerful time continuum is an illusion. Tales of a transitory period—from bondage to freedom, from disaster to salvation—were all the more appealing because the legends chiefly concerned the deeds of great leaders, persons of world-historic significance who appeared on the stage of history precisely during such gaps of historical time. All those who pressed by exterior circumstances or motivated by radical utopian thought-trains, were not satisfied to change the world by the gradual reform of an old order (and this rejection of the gradual was precisely what transformed the men of action of the eighteenth century, the first century of a fully secularized intellectual elite, into the men of the revolutions) were almost logically forced to accept the possibility of a hiatus in the continuous flow of temporal sequence.
Note that concept of gaps in historical time, which brings to mind Eliade's distinction between the sacred and the profane. Historical time is a form of profane time, and sacred time represents a gap or break in that linear progression, one that takes us outside of history, connecting us instead in an eternal return to the time associated with a moment of creation or foundation. The revelation in Sinai is an example of such a time, and accordingly Deuteronomy states that all of the members of the House of Israel were present at that event, not just those alive at that time, but those not present, the generations of the future. This statement is included in the liturgy of the Passover Seder, which is a ritual reenactment of the exodus and revelation, which in turn becomes part of the reenactment of the Passion in Christianity, one of the primary examples of Campbell's monomyth.
Arendt's hiatus, then represents a rupture between two different states or stages, an interruption, a disruption linked to an eruption. In the parlance of chaos and complexity theory, it is a bifurcation point. Arendt's contemporary, Peter Drucker, a philosopher who pioneered the scholarly study of business and management, characterized the contemporary zeitgeist in the title of his 1969 book: The Age of Discontinuity. It is an age in which Newtonian physics was replaced by Einstein's relativity and Heisenberg's uncertainty, the phrase quantum leap becoming a metaphor drawn from subatomic physics for all forms of discontinuity. It is an age in which the fixed point of view that yielded perspective in art and the essay and novel in literature yielded to Cubism and subsequent forms of modern art, and stream of consciousness in writing.
Beginning in the 19th century, photography gave us the frozen, discontinuous moment, and the technique of montage in the motion picture gave us a series of shots and scenes whose connections have to be filled in by the audience. Telegraphy gave us the instantaneous transmission of messages that took them out of their natural context, the subject of the famous comment by Henry David Thoreau that connecting Maine and Texas to one another will not guarantee that they have anything sensible to share with each other. The wire services gave us the nonlinear, inverted pyramid style of newspaper reporting, which also was associated with the nonlinear look of the newspaper front page, a form that Marshall McLuhan referred to as a mosaic. Neil Postman criticized television's role in decontextualizing public discourse in Amusing Ourselves to Death, where he used the phrase, "in the context of no context," and I discuss this as well in my recently published follow-up to his work, Amazing Ourselves to Death.
The concept of the hiatus comes naturally to the premodern mind, schooled by myth and ritual within the context of oral culture. That same concept is repressed, in turn, by the modern mind, shaped by the linearity and rationality of literacy and typography. As the modern mind yields to a new, postmodern alternative, one that emerges out of the electronic media environment, we see the return of the repressed in the idea of the jump cut writ large.
There is psychological satisfaction in the deterministic view of history as the inevitable result of cause-effect relations in the Newtonian sense, as this provides a sense of closure and coherence consistent with the typographic mindset. And there is similar satisfaction in the view of history as entirely consisting of human decisions that are the product of free will, of human agency unfettered by outside constraints, which is also consistent with the individualism that emerges out of the literate mindset and print culture, and with a social rather that physical version of efficient causality. What we are only beginning to come to terms with is the understanding of formal causality, as discussed by Marshall and Eric McLuhan in Media and Formal Cause. What formal causality suggests is that history has a tendency to follow certain patterns, patterns that connect one state or stage to another, patterns that repeat again and again over time. This is the notion that history repeats itself, meaning that historical events tend to fall into certain patterns (repetition being the precondition for the existence of patterns), and that the goal, as McLuhan articulated in Understanding Media, is pattern recognition. This helps to clarify the famous remark by George Santayana, "those who cannot remember the past are condemned to repeat it." In other words, those who are blind to patterns will find it difficult to break out of them.
Campbell engages in pattern recognition in his identification of the heroic monomyth, as Arendt does in her discussion of the historical hiatus. Recognizing the patterns are the first step in escaping them, and may even allow for the possibility of taking control and influencing them. This also means understanding that the tendency for phenomena to fall into patterns is a powerful one. It is a force akin to entropy, and perhaps a result of that very statistical tendency that is expressed by the Second Law of Thermodynamics, as Terrence Deacon argues in Incomplete Nature. It follows that there are only certain points in history, certain moments, certain bifurcation points, when it is possible to make a difference, or to make a difference that makes a difference, to use Gregory Bateson's formulation, and change the course of history. The moment of transition, of initiation, the hiatus, represents such a moment.
McLuhan's concept of medium goes far beyond the ordinary sense of the word, as he relates it to the idea of gaps and intervals, the ground that surrounds the figure, and explains that his philosophy of media is not about transportation (of information), but transformation. The medium is the hiatus.
The particular pattern that has come to the fore in our time is that of the network, whether it's the decentralized computer network and the internet as the network of networks, or the highly centralized and hierarchical broadcast network, or the interpersonal network associated with Stanley Milgram's research (popularly known as six degrees of separation), or the neural networks that define brain structure and function, or social networking sites such as Facebook and Twitter, etc. And it is not the nodes, which may be considered the content of the network, that defines the network, but the links that connect them, which function as the network medium, and which, in the systems view favored by Bateson, provide the structure for the network system, the interaction or relationship between the nodes. What matters is not the nodes, it's the modes.
Hiatus and link may seem like polar opposites, the break and the bridge, but they are two sides of the same coin, the medium that goes between, simultaneously separating and connecting. The boundary divides the system from its environment, allowing the system to maintain its identity as separate and distinct from the environment, keeping it from being absorbed by the environment. But the membrane also serves as a filter, engaged in the process of abstracting, to use Korzybski's favored term, letting through or bringing material, energy, and information from the environment into the system so that the system can maintain itself and survive. The boundary keeps the system in touch with its situation, keeps it contextualized within its environment.
The systems view emphasizes space over time, as does ecology, but the concept of the hiatus as a temporal interruption suggests an association with evolution as well. Darwin's view of evolution as continuous was consistent with Newtonian physics. The more recent modification of evolutionary theory put forth by Stephen Jay Gould, known as punctuated equilibrium, suggests that evolution occurs in fits and starts, in relatively rare and isolated periods of major change, surrounded by long periods of relative stability and stasis. Not surprisingly, this particular conception of discontinuity was introduced during the television era, in the early 1970s, just a few years after the publication of Peter Drucker's The Age of Discontinuity.
When you consider the extraordinary changes that we are experiencing in our time, technologically and ecologically, the latter underlined by the recent news concerning the United Nations' latest report on global warming, what we need is an understanding of the concept of change, a way to study the patterns of change, patterns that exist and persist across different levels, the micro and the macro, the physical, chemical, biological, psychological, and social, what Bateson referred to as metapatterns, the subject of further elaboration by biologist Tyler Volk in his book on the subject. Paul Watzlawick argued for the need to study change in and of itself in a little book co-authored by John H. Weakland and Richard Fisch, entitled Change: Principles of Problem Formation and Problem Resolution, which considers the problem from the point of view of psychotherapy. Arendt gives us a philosophical entrée into the problem by introducing the pattern of the hiatus, the moment of discontinuity that leads to change, and possibly a moment in which we, as human agents, can have an influence on the direction of that change.
To have such an influence, we do need to have that break, to find a space and more importantly a time to pause and reflect, to evaluate and formulate. Arendt famously emphasizes the importance of thinking in and of itself, the importance not of the content of thought alone, but of the act of thinking, the medium of thinking, which requires an opening, a time out, a respite from the onslaught of 24/7/365. This underscores the value of sacred time, and it follows that it is no accident that during that period of initiation in the story of the exodus, there is the revelation at Sinai and the gift of divine law, the Torah or Law, and chief among them the Ten Commandments, which includes the fourth of the commandments, and the one presented in greatest detail, to observe the Sabbath day. This premodern ritual requires us to make the hiatus a regular part of our lives, to break the continuity of profane time on a weekly basis. From that foundation, other commandments establish the idea of the sabbatical year, and the sabbatical of sabbaticals, or jubilee year. Whether it's a Sabbath mandated by religious observance, or a new movement to engage in a Technology Sabbath, the hiatus functions as the response to the homogenization of time that was associated with efficient causality and literate linearity, and that continues to intensify in conjunction with the technological imperative of efficiency über alles.
To return one last time to the quote that I began with, the end of the old is not necessarily the beginning of the new because there may not be a new beginning at all, there may not be anything new to take the place of the old. The end of the old may be just that, the end, period, the end of it all. The presence of a hiatus to follow the end of the old serves as a promise that something new will begin to take its place after the hiatus is over. And the presence of a hiatus in our lives, individually and collectively, may also serve as a promise that we will not inevitably rush towards an end of the old that will also be an end of it all, that we will be able to find the opening to begin something new, that we will be able to make the transition to something better, that both survival and progress are possible, through an understanding of the processes of continuity and change.
“Thinking is the hardest work there is, which is probably the reason why so few engage in it.”