Hannah Arendt Center for Politics and Humanities
3Mar/141

Amor Mundi 3/2/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

The End of Hide and Go Seek

gorey

Edward Gorey Charitable Trust

David Cole wonders if we've reached the point of no return on the issue of privacy: “Reviewing seven years of the NSA amassing comprehensive records on every American’s every phone call, the board identified only one case in which the program actually identified an unknown terrorist suspect. And that case involved not an act or even an attempted act of terrorism, but merely a young man who was trying to send money to Al-Shabaab, an organization in Somalia. If that’s all the NSA can show for a program that requires all of us to turn over to the government the records of our every phone call, is it really worth it?” Everyone speaks about the need for a National Security State and the necessary trade-offs involved in living in a dangerous world. What is often forgotten is that most people simply don’t care that much about privacy. Whether snoopers promise security or better-targeted advertisements, we are willing to open up our inner worlds for the price of convenience. If we are to save privacy, the first step is articulating what it is about privacy that makes it worth saving. You can read more on an Arendtian defense of privacy in Roger Berkowitz’s Weekend Read.

The Mindfulness Racket

Illustration by Jessica Fortner

Illustration by Jessica Fortner

In the New Republic, Evgeny Morozov questions the newly trendy rhetoric of “mindfulness” and “digital detox” that has been adopted by a variety of celebrities and public figures, from Deepak Chopra to Google chairman Eric Schmidt to Arianna Huffington. In response to technology critic Alexis Madrigal, who has argued in The Atlantic that the desire to unplug and live free of stress and distractions amounts to little more than “post-modern technoanxiety”—akin to the whole foods movement in its dream of “stripping away all the trappings of modern life”—Morozov contends that there are legitimate reasons for wanting to disconnect, though they might not be what we think. “With social media—much like with gambling machines or fast food—our addiction is manufactured, not natural,” he writes. “In other words, why we disconnect matters: We can continue in today’s mode of treating disconnection as a way to recharge and regain productivity, or we can view it as a way to sabotage the addiction tactics of the acceleration-distraction complex that is Silicon Valley. The former approach is reactionary but the latter can lead to emancipation, especially if such acts of refusal give rise to genuine social movements that will make problems of time and attention part of their political agendas—and not just the subject of hand-wringing by the Davos-based spirituality brigades.”

"Evil is unspectacular and always human"

audenEdward Mendelsohn has a moving and powerful portrait of W.H. Auden in the New York Review of Books, including this discussion of Auden’s account of evil: “He observed to friends how common it was to find a dedicated anti-fascist who conducted his erotic life as if he were invading Poland. Like everyone who thought more or less as he did, Auden didn’t mean that erotic greeds were morally equivalent to mass murder or that there was no difference between himself and Hitler. He was less interested in the obvious distinction between a responsible citizen and an evil dictator than he was in the more difficult question of what the citizen and dictator had in common, how the citizen’s moral and psychological failures helped the dictator to succeed. Those who hold the opposite view, the view that the citizen and dictator have nothing in common, tend to hold many corollary views. One such corollary is that a suitable response to the vast evil of Nazi genocide is wordless, uncomprehending awe—because citizen and dictator are different species with no language they can share. Another corollary view is that Hannah Arendt, in Eichmann in Jerusalem (1963), was offensively wrong about the “banality of evil,” because evil is something monstrous, exotic, and inhuman. The acts and thoughts of a good citizen, in this view, can be banal, not those of a dictator or his agents. Auden stated a view like Arendt’s as early as 1939, in his poem “Herman Melville”:

"Evil is unspectacular and always human,
And shares our bed and eats at our own table.”

Looking Intensely

sunYiyun Li tells why, if you were to run into her on the subway, you might find her staring at you: "Writing fiction is this kind of staring, too. You have to stare at your characters, like you would a stranger on the train, but for much longer than is comfortable for both of you. This way, you get to know characters layer by layer, until any dishonesty is stripped away. I believe all characters try to trick us. They lie to us. It’s just like when you meet someone in the real world—no one’s going to be 100 percent honest. They’re not going to tell you the whole story about themselves; in fact, the stories they do tell will say more about how they want to be perceived than how they actually are. There’s always a certain resistance with being known, and that’s true of characters and real people. People don’t want to tell you their secrets. Or they lie to themselves, or they lie to you."

Through a Veteran's Eyes

ptsdIn an interview, writer Jennifer Percy discusses rethinking how we talk about Post Traumatic Stress Disorder: "I wanted to more fully imagine the homecoming experience of soldiers and their time at war. The language we use to talk about PTSD has historically been determined by political and economic factors. It’s attached to a vocabulary that intentionally limits our ability to imagine atrocity because it’s protective and reductive. It benefits the perpetrators but dehumanizes the other. It’s a process of rationalization. But what happens when that vocabulary is discarded, and we partake in an effort to fully imagine the experience of soldiers and veterans? This is the space I hoped to inhabit. We might refuse to imagine wartime experience because it’s outside the realm of the ordinary; or maybe it feels unnecessary, or is too demanding on our psyches. But when we do imagine it, what we find is often the familiar. It’s ourselves. And that might also be a reason we turn away."

So You Want to Be a Writer

bookEmily Gould, who once sold a book for a big payday, only to find that her book sold just a few thousand copies, writes about what happened after the money ran out and she found she couldn't write anything else: "With the exception of yoga earnings and freelance assignments, I mostly lived on money I borrowed from my boyfriend, Keith. (We’d moved in together in fall 2010, in part because we liked each other and in larger part because I couldn’t afford to pay rent.) We kept track of what I owed him at first, but at some point we stopped writing down the amounts; it was clear the total was greater than I could hope to repay anytime soon. He paid off one credit card so that I wouldn’t have to keep paying the monthly penalty. When I wanted to cancel my health insurance he insisted I keep it, and paid for it. He was patient when my attempts to get a job more remunerative than teaching yoga failed; he didn’t call me out on how much harder I could have tried. Without questioning my choices, he supported me, emotionally, creatively, and financially. I hated that he had to. At times he was stretched thin financially himself and I knew that our precarious money situation weighed heavily on his mind, even though he never complained. 'You’ll sell your book for a million dollars,' he said, over and over again."

From the Hannah Arendt Center Blog

This week on the blog, Michiel Bot discusses Étienne Balibar’s interpretation of Arendt’s work, Jeffrey Champlin considers whether Arendt's celebration of the council system, as discussed in On Revolution, can be applied to feminism, and Roger Berkowitz examines the promise and peril present in today's Ukraine.  And  in the Weekend Read, Berkowitz argues the importance of the private realm for the political world.

Upcoming Events

blogBlogging and the New Public Intellectual - A Discussion with Tom Goldstein

Sunday, March 9, 2014 , 5:00 pm - 7:00 pm
Bard Graduate Center, NYC
Learn more here.

R.S.V.P. to arendt@bard.edu

 

on"Colors Through the Darkness: Three Generations Paint and Write for Justice"
Monday, March 10, 2013, 1:30  pm
Reem-Kayden Center Laszlo Z. Zito '60 Auditorium (RKC 103)
Learn more here.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
13Dec/120

Tuning Out, Heroism, and the Power of Example

I received an email from an old friend this weekend. She has been deeply affected by the death of Ki Suck Han, the New York man who was pushed off a subway platform near Times Square—and abandoned by all his fellow passengers, before being run over by an oncoming train. She wrote:

The subway death was on my mind all day long yesterday, I was devastated about it. I once worked for the MTA Arts for Transit, maybe that's why. Nobody stepped forth (the platform wasn't empty before the guy fell on the tracks), at least moved forward, rather than back. In that photo the man is all alone facing that train, everyone has moved back and away to make space for the accident to unfold unhindered, out of the zone of implication. We're all so afraid of danger, and even afraid of the fear itself.

Forty Seven people were killed after being hit by trains in 2011—I know this from the helpful signs in the subways that remind us to be careful.

We all know about Ki Suck Han because in the 22 seconds between when he was pushed on the tracks and when a train pinned him against the platform, a New York Post photographer snapped dozens of pictures of him. One of those pictures was then published on the front page of the NYC tabloid.

There has been near universal condemnation of the Post, with a few exceptions. The photographer too has been harangued, accused of taking pictures rather than running to save the man. But the platform had not been empty and another waiting rider actually filmed the argument Ki Suck Han had been having with the man who later pushed him to the tracks. All these passengers fled the scene, moved to the other end of the platform. No one went to help Ki Suck Han. In 22 seconds, no one acted the hero.

“What,” my friend asked, “might Hannah Arendt say about the fact that no one helped a person in need?”

I hazard to say or think I know what Hannah Arendt would have thought or said. I respond to all such queries simply: Hannah Arendt was nothing if not surprising and provocative and more brilliant than I am. I have no special insight into what she would have thought.

What I can do is try to think about how her thinking, her provocative and insistent determination to think what we are doing, helps us today to make sense of ethical and political events like this tragic death. Along those lines, here are a few thoughts.

First, we should not draw too many conclusions from one event. While no heroes showed themselves in this circumstance, there are unsung heroes every year who risk their lives to save people around the world, and even in New York Subways. In fact, just last weekend Doreen Winkler saved two people from an oncoming train in New York City. You can read about Winkler’s heroic acts here and here. And if you want to be inspired by truly heroic acts of daring subway rescues, watch this video from Korea.

Second, the unwillingness to play the hero in this situation reminds me of what Arendt names the loss of our sense of a common world. It is the common world—a world that used to be imagined and held together by tradition and authority—that provides a public space in which actions are remembered. Pericles could say with confidence that the Athenian polis would remember the deeds of its heroes, just as the American revolutionaries could hope that their heroic deeds would live on in monuments, song, and poetry.

Monuments in Washington and around the nation testify to the common world that shares in the memory of great acts—acts that strike people as both surprising and worthy of glory and support. It is the power and promise of memory in the common world that both holds out examples of the glory of heroism and also promises to bring the hero immortality, something more lasting than life and security. There is little faith today that someone who is a hero will be remembered longer than someone who cuts people to bits or dances naked on TV. Heroism is one of many avenues to 15 minutes of fame. So there is no strong sense of acting courageously getting you anything.

Third, the loss of the common world is part and parcel of the retreat into loneliness. I was having dinner with another friend recently who told me of his new resolution, to listen to more music on his Iphone on the way to and from work. I recall once reading Oliver Wendell Holmes Jr.’s letters and being in awe of his reports to friends of the books he was reading, his continuing education as he put it. My friend saw his headphone-wearing study of music in the same vein. And yet, there is a difference. Walking with headphones, even more than reading in the subway or playing books on tape in the car, is a way of tuning out of the world around you. People get lost in their own world, ignoring the sights, sounds, and faces that pass them by.

My conversation with my music-studying friend also called to mind a recent email sent by the Bard College Rabbi. Rabbi David Nelson worried that more and more our young people, in the spirit of urban dwellers, “walk around campus much of the time avoiding eye contact, which is another way of saying that they avoid looking one another directly in the face.” For the rabbi, the loss of eye contact and real face-time is dangerous and corrupting. He writes:

Those who have spent time living in densely populated urban areas are accustomed to the polite avoidance of eye contact, in crowded elevators, crowded rush-hour subway trains, and similar crowded venues. This is a way to maintain separateness and privacy in an environment where the density of the population threatens our ability ever to feel alone and unobserved. This is exactly the behavior that we see on campus. But we are not an anonymous, densely populated urban tangle. We are--or we ought to be--an intentional, involved, caring community. And our students' assiduous avoidance of one another's faces is at least a sign of, and perhaps a cause of, the widespread sense that this is a place where it's hard to really connect with others.

The proliferation of headphones began decades ago with the Sony Walkman craze and continues unabated with the Ipod and Iphone. People walk around listening to music or books or podcasts. And many are proud of this development, rationalizing their anti-social behavior by arguing to themselves that they are bettering themselves, learning, or expanding their minds. This may be true. But the retreat from personal contact and the eye contact with our fellow travelers must also weaken our connection to others. It is a cold and distant world, one in which we are less and less entangled with and personally related to those around us.

Our actions are ever more calculating and less instinctive. In such instances, calculation will stop you from acting. You need to feel it. It is no accident that nearly every subway hero who jumps on the tracts to rescue someone says that they didn’t think about it but simply acted.

Above all, the un-heroic action in the subway last week reminds us of the increasing rarity of action. Heroism is never normal. It is, by definition, extra-ordinary and surprising, which is why it is glorified and remembered. It thus thrives on a world that rewards and celebrates heroic acts. Hannah Arendt saw, however, that rare deeds would be ever rarer in the modern age. The primary reason for this is that in large societies, rare deeds lose their rarity and distinction. There are at least two reasons for this decline in great deeds.

First, the law of large numbers means that all action is predictable. We know that most people will not act spontaneously to save a passenger in need; but we also know that a certain percentage of people will. Actions of heroism are not mundane, but they are expected. That is why it was so shocking and surprising that no one acted. When someone does act heroically, like Doreen Winkler, few newspapers reported it. Heroism in the subway promises very little acclaim.

Second, heroism requires a common world in which one’s great deed will be remembered. Without the promise or the expectation that heroic acts will be immortalized, the risk of action is rarely balanced by the reward. In a calculating society, heroism rarely seems to justify the risk.

Thankfully, however, there are exceptions to these dispiriting trends. There are moments of unexpected heroism that do break through the standardization of our social expectations and become examples of heroic action. One recent example of this is Newark Mayor Cory Booker’s racing into a burning house to save his neighbor. At a time when we expect so little from our public figures who refuse to risk even bucking opinion polls, Booker’s public heroism was shocking. The power of his example, and of those who act as he does, keeps the ideal of heroism alive at a time when it is ever more rare and unexpected. Because action interrupts the everyday and the normal, it is, Arendt writes, the “one miracle-working faculty of man.” Action introduces greatness and glory into the world, makes us take notice, and calls us then to gather around the beauty of the glorious act; action, heroic action, is what constantly refreshes and re-orients us toward the common world that we share together.

-RB

 

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.