“Having said this, I must deal immediately and at some length with the question of violence.”
“Sometimes ‘violence is the only way of ensuring a hearing for moderation.’”
—Hannah Arendt citing Conor Cruise O’Brien, On Violence
Nelson Mandela gave one of the great speeches of 20th century at his trial before the South African Supreme Court in Pretoria in 1964. Mandela’s speech is best remembered for the ringing conclusion in which he articulates the ideals of free and democratic life as that “ideal for which I am prepared to die.” Six months after Martin Luther King Jr. delivered his “I have a dream speech” from the Mall in Washington, DC, Mandela ended his own speech before being sentenced to life imprisonment with these words:
During my lifetime I have dedicated myself to this struggle of the African people. I have fought against white domination, and I have fought against black domination. I have cherished the ideal of a democratic and free society in which all persons live together in harmony and with equal opportunities. It is an ideal which I hope to live for and to achieve. But if needs be, it is an ideal for which I am prepared to die.
Mandela died yesterday and he will be rightly remembered for both his vision and his courage.
I want to focus on another aspect of his legacy, however, the question of violence. Often forgotten by those who quote only the final paragraph of Mandela’s speech, much of his speech is an exploration of the need for and proper revolutionary use of violence. Indeed, after a brief introduction in which Mandela reminds the Court that he holds a bachelor’s degree, that he is a lawyer, and that he was raised to revere his tribal forebears who fought in defense of their fatherland, he comes to the question of violence. “Having said this,” he says, “I must deal immediately and at some length with the question of violence.”
What follows is one of the most thoughtful and subtle reflections on the strategic and moral complications of violence we have. It is worth citing at length, and even this summary barely does Mandela justice. But here is Mandela’s argument for a limited campaign of violence in response to the violence of the South African state:
I do not, however, deny that I planned sabotage. I did not plan it in a spirit of recklessness, nor because I have any love of violence. I planned it as a result of a calm and sober assessment of the political situation that had arisen after many years of tyranny, exploitation, and oppression of my people by the whites.
I admit immediately that I was one of the persons who helped to form Umkhonto we Sizwe, and that I played a prominent role in its affairs until I was arrested in August 1962….
In order to explain these matters properly, I will have to explain what Umkhonto set out to achieve; what methods it prescribed for the achievement of these objects, and why these methods were chosen. I will also have to explain how I became involved in the activities of these organisations.
I deny that Umkhonto was responsible for a number of acts which clearly fell outside the policy of the organisation, and which have been charged in the indictment against us. I do not know what justification there was for these acts, but to demonstrate that they could not have been authorised by Umkhonto, I want to refer briefly to the roots and policy of the organisation.
I have already mentioned that I was one of the persons who helped to form Umkhonto. I, and the others who started the organisation, did so for two reasons. Firstly, we believed that as a result of Government policy, violence by the African people had become inevitable, and that unless responsible leadership was given to canalise and control the feelings of our people, there would be outbreaks of terrorism which would produce an intensity of bitterness and hostility between the various races of this country which is not produced even by war. Secondly, we felt that without violence there would be no way open to the African people to succeed in their struggle against the principle of white supremacy. All lawful modes of expressing opposition to this principle had been closed by legislation, and we were placed in a position in which we had either to accept a permanent state of inferiority, or to defy the government. We chose to defy the law. We first broke the law in a way which avoided any recourse to violence; when this form was legislated against, and then the government resorted to a show of force to crush opposition to its policies, only then did we decide to answer violence with violence.
But the violence which we chose to adopt was not terrorism…..
I must return to June 1961. What were we, the leaders of our people, to do? Were we to give in to the show of force and the implied threat against future action, or were we to fight it and, if so, how?
We had no doubt that we had to continue the fight. Anything else would have been abject surrender. Our problem was not whether to fight, but was how to continue the fight. We of the ANC had always stood for a non-racial democracy, and we shrank from any action which might drive the races further apart than they already were. But the hard facts were that fifty years of non-violence had brought the African people nothing but more and more repressive legislation, and fewer and fewer rights. It may not be easy for this court to understand, but it is a fact that for a long time the people had been talking of violence - of the day when they would fight the white man and win back their country - and we, the leaders of the ANC, had nevertheless always prevailed upon them to avoid violence and to pursue peaceful methods. When some of us discussed this in May and June of 1961, it could not be denied that our policy to achieve a non-racial state by non-violence had achieved nothing, and that our followers were beginning to lose confidence in this policy and were developing disturbing ideas of terrorism.
It must not be forgotten that by this time violence had, in fact, become a feature of the South African political scene. There had been violence in 1957 when the women of Zeerust were ordered to carry passes; there was violence in 1958 with the enforcement of cattle culling in Sekhukhuniland; there was violence in 1959 when the people of Cato Manor protested against pass raids; there was violence in 1960 when the government attempted to impose Bantu authorities in Pondoland. Thirty-nine Africans died in these disturbances. In 1961 there had been riots in Warmbaths, and all this time the Transkei had been a seething mass of unrest. Each disturbance pointed clearly to the inevitable growth among Africans of the belief that violence was the only way out - it showed that a government which uses force to maintain its rule teaches the oppressed to use force to oppose it. Already small groups had arisen in the urban areas and were spontaneously making plans for violent forms of political struggle. There now arose a danger that these groups would adopt terrorism against Africans, as well as whites, if not properly directed. Particularly disturbing was the type of violence engendered in places such as Zeerust, Sekhukhuniland, and Pondoland amongst Africans. It was increasingly taking the form, not of struggle against the government - though this is what prompted it - but of civil strife amongst themselves, conducted in such a way that it could not hope to achieve anything other than a loss of life and bitterness.
At the beginning of June 1961, after a long and anxious assessment of the South African situation, I, and some colleagues, came to the conclusion that as violence in this country was inevitable, it would be unrealistic and wrong for African leaders to continue preaching peace and non-violence at a time when the government met our peaceful demands with force.
This conclusion was not easily arrived at. It was only when all else had failed, when all channels of peaceful protest had been barred to us, that the decision was made to embark on violent forms of political struggle, and to form Umkhonto we Sizwe. We did so not because we desired such a course, but solely because the government had left us with no other choice. In the Manifesto of Umkhonto published on 16 December 1961, which is exhibit AD, we said:
"The time comes in the life of any nation when there remain only two choices - submit or fight. That time has now come to South Africa. We shall not submit and we have no choice but to hit back by all means in our power in defence of our people, our future, and our freedom."
This was our feeling in June of 1961 when we decided to press for a change in the policy of the National Liberation Movement. I can only say that I felt morally obliged to do what I did….
Four forms of violence were possible. There is sabotage, there is, there is terrorism, and there is open revolution. We chose to adopt the first method and to exhaust it before taking any other decision.
In the light of our political background the choice was a logical one. Sabotage did not involve loss of life, and it offered the best hope for future race relations. Bitterness would be kept to a minimum and, if the policy bore fruit, democratic government could become a reality. This is what we felt at the time, and this is what we said in our manifesto (exhibit AD):
"We of Umkhonto we Sizwe have always sought to achieve liberation without bloodshed and civil clash. We hope, even at this late hour, that our first actions will awaken everyone to a realisation of the disastrous situation to which the nationalist policy is leading. We hope that we will bring the government and its supporters to their senses before it is too late, so that both the government and its policies can be changed before matters reach the desperate state of civil war."
The initial plan was based on a careful analysis of the political and economic situation of our country. We believed that South Africa depended to a large extent on foreign capital and foreign trade. We felt that planned destruction of power plants, and interference with rail and telephone communications, would tend to scare away capital from the country, make it more difficult for goods from the industrial areas to reach the seaports on schedule, and would in the long run be a heavy drain on the economic life of the country, thus compelling the voters of the country to reconsider their position.
Attacks on the economic life-lines of the country were to be linked with sabotage on government buildings and other symbols of apartheid. These attacks would serve as a source of inspiration to our people. In addition, they would provide an outlet for those people who were urging the adoption of violent methods and would enable us to give concrete proof to our followers that we had adopted a stronger line and were fighting back against government violence.
In addition, if mass action were successfully organised, and mass reprisals taken, we felt that sympathy for our cause would be roused in other countries, and that greater pressure would be brought to bear on the South African government.
This then was the plan. Umkhonto was to perform sabotage, and strict instructions were given to its members right from the start, that on no account were they to injure or kill people in planning or carrying out operations.
It is strange today to hear politicians of all stripes praising Mandela for his statesmanship when they, for years, condemned his embrace of violence and arrested those in the U.S. who—following Mandela’s own tactics—chained themselves to fences to oppose the U.S. government’s support of the apartheid regime in South Africa. It is true that Mandela lived numerous lives. As a young man, he was part of a royal tribal household. As a young adult, he was a lawyer. Later he was a non-violent leader. Still later, he turned to limited and rationalized use of violence. For 27 years he paid for his crimes in prison and then emerged a statesman, one committed to reconciliation, freedom, and multicultural democracy. Finally, when he stepped down from the Presidency after one term he helped assure South Africa’s democratic future and became an elder statesman in the truest sense of the word.
To understand the complexities of Mandela’s limited turn to sabotage (as opposed to terrorism in his words), it is helpful to consider Hannah Arendt’s essay On Violence, originally published in the New York Review of Books in 1969. Violence, writes Arendt, is at root instrumental. It is a means to an end. And sometimes, violence can yield positive and even moderate results, Arendt claims, citing Conor Cruise O’Brien: “Sometimes ‘violence is the only way of ensuring a hearing for moderation.’”
As did Mandela, Arendt well understood that violence can be a useful and important means in struggles for justice. She points to numerous of examples where violence has worked to promote justice: “France would not have received the most radical bill since Napoleon to change its antiquated education system if the French students had not rioted; if it had not been for the riots of the spring term, no one at Columbia University would have dreamed of accepting reforms; and it is probably quite true that in West Germany the existence of ‘dissenting minorities is not even noticed unless they engage in provocation.’” Violence can, and often does, make injustice visible to a citizenry that is blind to it. Because violence can “serve to dramatize grievances and bring them to public attention,” violence can serve the cause of reform and also of justice.
We must take Arendt and Mandela’s point seriously. Violence is a means to an end. Violence can work. “No doubt, ‘violence pays.’” Violence can yield results.
But Arendt is not an advocate for violence. Violence can pay, she writes, but “the trouble is that it pays indiscriminately.” And this is where the use of violence becomes dangerous.
The danger in using violence as a means is that when “applied to human affairs,” violence as a means has a tendency to overwhelm whatever good ends towards which it aims. Too often, violence will lead those in power to respond with sham reforms designed to end violence. They will seek the path of least resistance, instituting reforms that are often the wrong reforms. Arendt offers the example of the way that the student university protests of the 60s led to new courses in Swahili and “admitting students without the necessary qualifications” instead of real reform of the entire educational system.
What is more, violence—precisely because it is effective—has a tendency to promote more violence in response. If violence in the name of justice doesn’t achieve its ends quickly, the likely result is not justice, but more violence: “The practice of violence, like all action, changes the world, but the most probable change is to a more violent world.”
To read Mandela’s speech from 1964 is to encounter someone who thought through the promise and danger of violence in precisely the rational way that Arendt call for. The question we should ask is whether the turn to violence by the ANC in South Africa—even the limited, rational, and property-oriented violence Mandela embraced—promoted or retarded the cause for reform? Was it the ANC’s violence that led, 30 years later, to the reform of South Africa? Or was it Mandela’s dignity in prison and his emergence as a force for peace and reconciliation? Let’s celebrate Mandela as a hero this week. But let’s also ask: Was he right about violence?
I haven't read Mo Yan's books, but congratulations to him for the Nobel Prize.
That said, his supporters have a funny way of explaining why he won. In the WSJ, I read this:
Chad Post, director of University of Rochester's Open Letter Books, a press that specializes in literature in translation, said he saw Mo Yan give a reading several years ago. "What struck me is that he seems to have an almost playful approach to writing," said Mr. Post. "For example, he's written a novel called 'Big Breasts and Wide Hips.' This is a good and interesting person to honor. Mo Yan is engaged with the issues of contemporary China but his books are also full of sex and food."
Not exactly the reasons I would choose for selection.
On the other hand, critics are overly focused on Mo Yan's politics, which lean towards the authoritarian Beijing regime. The great Chinese artist and dissident Ai Weiwei is quoted as saying:
For a contemporary writer to avoid the very clear issues of today's struggle is something that's not negotiable. I cannot separate literature from the people's struggle.
What is most remarkable about the press coverage so far of Mo Yan's prize is the focus on politics, sex, and food, with painfully little attention to writing. I hope that changes soon as some of us have a chance to read his books.
Decompression: Before my hands heal I should sit down and find a way to wrap this up. I have been out of the desert (Black Rock City) for over a week now. I am back in the state of ‘normalcy,’ and yet I cannot help to feel that this ‘normal’ world is the exception. Have I been bedazzled, indoctrinated by some paganistic ritual? Did the “party” get me?
“Playa hands,” or feet, is the term used to describe what happens to ones hands, and feet, when they are overexposed to the conditions of the desert. They begin cracking -- “playafied” -- like the desert floor itself. Moisturizer helps, but the secret is to spray them down with vinegar every morning -- something about alkaline, acidity, etc...
I was out there for almost three weeks. Blood had begun to escape through some of the cracks. Yet, amid the sensory overload that is Burning Man -- coupled with the knowledge that whatever happens in the desert is hyper-transient -- your bodily concerns become secondary to the need to engage the world created for you. You celebrate despite the discomfort, or maybe even in part driven on by it. You don’t want to miss anything.
My hands have almost healed, new skin appearing underneath. I miss the damage. I miss what Burning Man proved.
I was moved towards Burning Man by the stories of others. What most attracted me to these stories were the themes of ritual, ceremony, and story telling. What I experienced, as a byproduct of being there, is the stuff I do not want to leave behind -- the concepts of ‘intent of environment’ (architecture and guiding principles), and ‘currency of gratitude.’ To feel complete, my new skin must now make space for these.
For this past week I have been needling my brain to pin down the difference between ritual and ceremony. I find it easy to mix them up. Why is there such confusion? Ultimately, I have come to see ritual as a loosely prescribed set of practices, or intentions, while ceremony is the celebration, or interpretation, of the prescribed by the practitioner. Certainly some anthropologists and theologists will find fault with my definitions. Well, I challenge you to bring me another set and if it reveals itself to be an exercise beyond semantics, I will be happy to sacrifice my hard won approximations. But that’s the catch, isn’t it? Definitions are the products of their society. They move, evolve... disappear. They are ‘approximate,’ in accordance to the pressure exercised upon them by what I call The Social Body -- our communal practices, beliefs and values, toys (inventions), cultural narratives, and the principles we deduce from the tangible matter of our environment.
Maybe what’s most worth exploring in the road towards a definition of ritual and ceremony is the location of the struggle itself: Why do we so struggle in defining them? What does this say about our society, and its practices? In the simplistic thinking somewhat necessary to engage such questions I had hoped to use my time at Burning Man as an aperture into the society at large. I brought my child brain, the one asks to see before judgement -- the one open to signs of proof.
What burning Man provides is a scaffolding of a society, a set of pillars (in its principles and architecture) to be built upon, and filled in by the participants. It is in this movement, from the scaffolding -- from the available structures -- towards the experience, that ‘ritual’ is made into ‘ceremony.’ It is where meaning is formed, and body is found. The concept of the ‘social body’ implies more then mere existence, or survival, more than just the fractals of society; it is a narrative, it is consciousness (a self-aware organism, capable of self correction), it is the accumulation of meaning.
The set of principles for this experimental society (Burning Man) are “Radical Inclusion, Gifting, Decommodification, Radical Self-reliance, Radical Self-expression, Communal Effort, Civic Responsibility, Leaving No Trace, Participation, Immediacy.” To survive, and thrive in the desert, and to feel a part of the experience, one must find their own relationship to these principles, otherwise the experience will be tedious and lonely.
The other part of the scaffolding is the architectural intent. There is the city (its streets), its coordinates measured in the units of time, and thus when you arrive at a place you arrive to a time -- time is appropriated into a location (brings us closer to the definition of ‘being here’ doesn’t it?); there is the Playa floor, a space for various art installations; the camp space, the themes to be supplied by each individual camp, each camp identifying its own purpose; the Man, to be empowered with whatever meaning one finds necessary to bring to it; and the Temple, a spiritual space to be used for remembering loved ones, the execution of weddings, and a creative space for communion. There is also Center Camp, where you will find lectures, performances, coffee (it is in fact the only place where you can “buy” something). A friend of mine described Center Camp as “the heart of Burning Man.” Maybe because this is where the exchange of stories, connectivity, takes place.
The scaffolding of ritual is provided (a labor intensive process on the levels of planning, recruiting, development, and construction). In my conversation with Larry Harvey, one of the founders of Burning Man, he summed up the intention behind this social scaffolding like this, “I am, we are, it is.” He was not pointing to himself, or to the structure of the Man, rather, the gesture was towards the “participant.” No further elaboration is given. Meaning is not handed out here, nor is it imposed. What is implied by this is that the highest level of “participation,” is to give meaning. This is “radical inclusivity.” No ones experience is void. You can come here for a great party, or to say goodbye to a passed parent. You can have your own vision quest after sunrise, way out in deep playa, or you can don the outfit of a renegade and strap yourself up in the Thunder-Dome, just to see how you feel in the costume of primal power. All experiences are affirmed, accepted. The forms are created for you, and you fill in the space. Two experiences may further elaborate on this.
One night I was warned to wear white. “The white procession,” is what I was told. After being out all night, meeting people, seeing art pieces on the playa and dancing, we made our way to the temple for sunrise. After a night of being engulfed in noise and neon lights, we arrived at the wooden, ornate temple. The quiet, a gesture of respect to the space, was hyper-pronounced all around us. People praying, crying, meditating, talking in the open space. There were pictures and poems and notes stapled to every reachable surface of the structure. As the sun began to rise a small ensemble of musicians began to play soft wooden instruments. More and more people showed up, wearing white. Some in intricate feather outfits, some on stilts, some in a simple white shirt and seersucker pants (well, me!) -- the playa was flooded in white. I have been to spiritual spaces from Eastern Europe, to Europe, to the U.S., but the power of that space, its sincerity, was unlike anything I have ever experienced (I have no elegant words for this -- it was really something “I have never experienced”).
I can tell you more of that morning, the conversations, the white anonymous mask I had carried with me, the umbrella we found, the way this umbrella became empowered through a dance, through the power of movement and intention, when an art-car showed up with a music group called the Human Experience, how that empowerment became an opportunity for someone to say goodbye to her mother who had passed two years ago. How the anonymous mask, as more people in white arrived, as people celebrated the space and the new day, was endowed with personality of the dancers behind it. But I will simply say that ‘we filled the space,’ and allow you to unpack this meaning. Did my scientifically educated mind attempt to balk at this scene? I am trained to bring skepticism, but skepticism is only useful in service to a greater goal -- to seek out what is true in the arena of living. Otherwise it becomes a defense against its initial intention. To be disarmed, to be taken-in by a communal experience, to sense the meaning of the practice, is to be a living part of the ‘social body.’
Another morning we had wondered out to deep playa, where the installations are few and far in between. There we stumbled upon a smaller temple (about 20 feet high) made of diamond shaped wooden pods -- a hive. Inside sat a man with a hot stove and four people joining him in a circle. On a low table before him were five glass ramekins filled with tea. As we approached he took two more out of his bag and added them to the already existing ones, making the pattern of a diamond on the table, now reflecting the shape of the pods. We accepted the invitation. On a cold desert morning a hot cup of tea is the power of the sunrise. Soon my partner took out a ceremonial orchid fragrance and offered it up to the others. We sat there in the quiet, warmed up and without hurry, without any knowledge of the time. Tea, orchid fragrances, tarot cards, all become an invitation to converse -- to join, to exchange, to fill-in the space. We sat for two hours and the tea master told us of his camp and how it was their mission to keep tea in this space, and his fiance and work with a non-profit music space on the West coast. There were individual pods about forty yards off to one side of the structure, the side that faced the central playa and the camp spaces. Later I found similar pods scattered throughout the playa, including inside the base of The Man. Call it metaphysics, call it the construction of myth, but after the tea experience, every time I saw one of the pods, I could not help but to feel the transmission of that experience. The space of ritual became empowered through the formation of our ceremony, and the experience felt transmitted through association from portal to portal. Is that not the fabric of culture and meaning? Is that not how we once created a society worth participating in? Practices, intention, invitation, and room for interpretation, is that not the scaffolding of purpose and faith?
If I had to mold that space into a single definition I would call it an ‘intentional space holder.’ The camp, committed to keep a tea going in that structure, held space for participants -- for the arrival of stories (the people that bring them, and the articles that facilitate them). And this is another crucial memento that I carry from Burning Man. How often do we sit down and create a story between us? How versed are we today in exchanging myth? We exchange information at a rapid pace, having now been conditioned to advertise ourselves at every opportunity. We lobby the enterprise of self, and self today is an entity that is simply trying to survive -- survive in a plethora of other voices. We seek “hits,” and, “tweets,” attention to a carefully crafted mask. With painful detail we foster an identify that can “sell” and we update its status in a witty, seemingly effortless, “I have nothing to hide” fashion, so that we become “liked,” so that our circle of “network connections” can explode. We, each, becoming conditioned to present a face on a book, but without dimensions to it. How are we known? Do we now even know what to be known is? How many, or how few, of our actions are intentioned with the creation of meaning? How much in our repertoire of communication comes from a departure from the the practice of being seen, a false conditioning to define ourselves through the limiting shapes of business, career, education, ‘appropriate‘ culture defined beliefs -- assimilation? Assimilation, but to what? Have we each become a corporation of isolated creatures -- human inc.? And have we fallen into the practice of survival (holding ground) rather then the practice of exploration (creating space)? These are lofty questions, I know. And yet, is not our struggle in defining “story telling” and “connectivity” similar to the struggle in defining “ritual” and “community?” Could this struggle of definitions point towards us having taken for granted the initial pillars of community forming? Having moved away from something essential, could we have paralyzed the ‘social body?’
I have no clear answers to these questions. Only the sense that some of what I experienced at Burning Man helps to redirect my personal exploration of these subjects back to an older mode, to a practice that I had already sensed absent, yet one which when I am faced with, I recognize as essential. In part, this rerouting is somehow centered in the principles behind the event.
For those looking for more tangible examples to the power of “participant,” consider this: Burning Man, for a week the third largest city in Nevada, has almost no crime rate. It is a city that literally leaves nothing behind in trash, or MOOP (Matter Out Of Place) as it is called here. Everyone brings their own trash bags and collects MOOP while on the playa. In fact, when a group of Nevada policy makers came to examine Burning Man their collective surprise was centered on the absence of both public trash receptacles, and trash. Participants take pride in their society -- there is ownership of the ‘social body.’
Finally, I move to “intent of environment” and “currency of gratitude.” Once I left Black Rock CIty, and drove back into “our” society, I experienced a sense of vertigo. At each new scene I encountered my mind worked to solve the riddle of intention. At a starbucks, I wanted to ask the barista, what is the theme of your camp? What experience are you charged to awake in me? When I order one of your “luxurious hot chocolate beverages for the sophisticated palate” what am I inviting? What are the articles of facilitation within this camp? At a strip-mall outside of Reno I asked, what is the purpose of this installation? What does this space inspire? What psychic and creative pressure does it exercise on me? I had become sensitive to these questions.
We float from one “must do” to another, from one operational space to the next. Our practice has become ‘to-accomplish,’ ‘to-get-done,’ a checklist of survival before we come back to the safety of homes and return to sleep. We know a thing by what it does, by what it does for us, but not what it does to us or what it ‘impresses’ upon us. We have become too busy in the ritual of ‘getting-by’ to examine this question. No wonder the irony of Frank Gehry having been tapped to design the new Facebook campus speaks so loudly to us (even if we’re not sure of the words): An abstractionist tapped to give tangible form to the institution that most clearly provides us with the venue through which we can best abstract the condition of being. The questions our our being are finally visible in the structures which surround us -- that’s the irony we now interact with. Arthur Koestler, Walter Benjamin, Hannah Arendt, and others, had predicted and observed this movement -- the emergence of space that comments on the loss of self. And now we live within this triangle -- self, our physical structures, our virtual structures -- uncertain which is the commentary, which is the creator, and which is in service of which.
Lastly I want to comment on the major form of currency at Burning Man. As mentioned earlier the exchange of money is extremely rare. Yet, there is exchange. Millions of dollars are spent yearly by individuals and groups, just to create an experience. I talked to a computer engineer who had been coming to Burning Man for five years. “It changed my life,” he said. “How?” “It made me want to give more, without asking for anything in return.” Such a cliche, right? You give without asking for anything in return, and you receive the gift of gratitude. Such a cliche, right..? And yet, this is the most obvious currency at Black Rock City. Each person is provided with an opportunity to form an experience for another. From the grand structures that hold space for everyone, to the theme camps that invite you to join them and pour gifts upon you -- from drinks to ice cream, to food, to conversation, to workshops, to tarot readings, to music, to showers and espresso, costumes, to confessionals, to the Thunder-Dome, to tea ceremonies, to trinkets and bracelets and other handcrafted articles of remembrance, to the extent of the human imagination. Such a cliche? Right? No competition, no “one-upmanship.” ‘You are invited,’ they say. You, are enough.
It is in the examination of such cliches that maybe we can begin a return to that place where we lost meaning. When did we decide that we are too busy, too smart, to be truly humanist? What made us this? The humanist tradition asks us to examine our being on every level -- the concentric circles of community (world, culture, self -- it, we, I). To use the full spectrum of our gifts in examining the state of being. To not hold “contempt prior to investigation” because such a state can lead one to loose the trail, and a skill once in service (skepticism) becomes a master -- a true state of purposelessness. Maybe it’s time to stop and reexamine our society, to allow for our deepest and most personal, and maybe most essential questions and concerns on the state of being, to catch up to the gifts of our inventions.
The creating of space: I cannot get away from this idea. This is what Burning Man does. It creates a space (a space for meeting, for discovery, serendipity, a space for creating) and I, pressurized (or inspired) by this space -- its subtle intentions, architecture and principles -- am left to empower this space with meaning, to fill in the forms. I am endowed with the magic of meaning making. From ritual to ceremony I make matter -- I make this time (this space) matter.
Left to my own devices I perform the rituals of living, but without the movements of meaning. I struggle to empower the mask.
We have passed to the end of the existential age. Someone declared God to be dead. Science, with all its promise and discovery, has too failed in filling in the shapes of existence. Consumerism, the god of the 20th century, has also, ultimately, failed to provide us with the kind of purpose that leads to a greater belonging, or safety. The internet age, having initially promised to connect us, is now making us even more isolated. The onus is placed on us. On the individual. In this age of the spectator (internet, TV, emotional removal from the immediacy of our world) we are left to create a ceremony of our existence, to question our rituals, to define the space of our community, and our coordinates within it -- to become participants. To bring the social body back to a state of being.