Hannah Arendt Center for Politics and Humanities
7Mar/142

Why the Jews?

ArendtWeekendReading

Anthony Grafton calls David Nirenberg’s Anti-Judaism “one of the saddest stories, and one of the most learned, I have ever read.” Grafton knows that Anti-Judaism “is certainly not the first effort to survey the long grim history of the charges that have been brought against the Jews by their long gray line of self-appointed prosecutors.” What makes this account of the long history of Jewish hatred so compelling is that Nirenberg asks the big question: Why the Jews?

[Nirenberg] wants to know why: why have so many cultures and so many intellectuals had so much to say about the Jews? More particularly, he wants to know why so many of them generated their descriptions and explanations of Jewishness not out of personal knowledge or scholarly research, but out of thin air—and from assumptions, some inherited and others newly minted, that the Jews could be wholly known even to those who knew no Jews.

The question recalls the famous joke told during the Holocaust, especially amongst Jews in concentration camps. Here is one formulation of the joke from Antisemitism, the first book in the trilogy that comprises Hannah Arendt’s magnum opus, The Origins of Totalitarianism:  “An antisemite claimed that the Jews had caused the war; the reply was: Yes, the Jews and the bicyclists. Why the bicyclists? Asks the one? Why the Jews? asks the other.”

origins

The point of the joke is clear: Anti-Judaism is as senseless and irrational as anti-bicyclists would be. “The theory that the Jews are always the scapegoat,” Arendt writes, “implies that the scapegoat might have been anyone else as well”—even bicyclists. The question, then, is why the Jews? Grafton gives a clue to Nirenberg’s subtle answer:

 Nirenberg’s answer—and to summarize it, as to summarize so much of this impassioned book, is to flatten it—is that ideas about the Jews can do, and have done, many different and important jobs. True, they are anything but stable: this is not a paper chase after some original idea of the Jew that crops up everywhere from early Christianity to early Nazism. Visions of the Jews change emphasis and content as the larger societies that entertain them change shape and texture. Ideas have multiple contexts, and Nirenberg shows dazzling skill and a daunting command of the sources as he observes the changes and draws connections between them and his authors’ larger worlds.

Nirenberg’s point is that anti-Judaism has nothing to do with Jews themselves. The negative ideas about Jews are held throughout history by a motley group of Christians, philosophers, tyrants, and martyrs. Shakespeare’s account of Shylock is only one of many examples in which an intellectual employs anti-Jewish stereotypes—the Jew as greedy moneylender—to make a wider social critique, this time of the dangers of capitalism. London is becoming a city of commerce. There are no Jews in London. Yet Shakespeare turns to Jews in order to find a way to criticize the emergent commercial culture.

The use of negative sentiments about Jews to bash capitalism was common, Nirenberg writes, and carries through history from Jerome to Marx. Marx couches his critique of capitalism through the lens of a critique of Jews. Shakespeare does the same with commercial society. Jews stand in for the oppressed in the world, so that oppressing Christians could be seen as making them Jewish. Jews at the same time were seen as powerful bankers and powerful agents of world domination, so that any group of conspirators from Bolsheviks in Russia to media moguls in Hollywood were tarred with the pungent scent of Judaism.

Jews have been characterized by non-Jews for their obstinacy—their refusal, for example, to recognize the known truth that the Messiah had come, which enabled them to become the villains of both early Christian and early Muslim narratives. They have been characterized by non-Jews for their viciousness—their desire to desecrate the sacrament and murder Christian children, which allowed them to be used both by rebels against royal authority, and by kings, in the Middle Ages, as each side could claim, when the wind blew from the right quarter, that Jews were polluting society through their materialism and greed. . . . Nirenberg’s parade of imagined and imaginary Jews—the most hideous procession since that of the flagellants in The Seventh Seal—stretches from the Arabian peninsula to London, and from the seventh century BCE to the twentieth CE. Working always from the original sources in their original languages, he observes the multiple ways in which imaginary Jews served the purposes of real writers and thinkers—everyone from Muhammad, founding a new religion, to Shakespeare, observing a new commercial society. God, here, is partly in the details: in the careful, tenderly observant way in which Nirenberg dissects everything from fierce political rhetoric to resonant Shakespearean drama. In works of the imagination, profound treatises, and acts of political radicalism, as he analyses them, imaginary Jews are wielded to powerful effect. He shows us the philosophes of the Enlightenment, those friends of humanity and enemies of tyrannical “infamy,” as they develop a viciously negative vision of Jewish sterility and error to attack Christianity at its origins or to characterize the authorities whom they defied.

The only reservation Grafton voices concerns the univocality of Nirenberg’s account. As exceptional as the account of anti-Jewish opinion is, Nirenberg largely ignores other perspectives and examples where real and imaginary Jews were accepted, embraced, and even praised.

As a social historian of conflict and an intellectual historian of the uncanny imagination, Nirenberg is unbeatable. But Jews and non-Jews lived other histories together as well. As Josephus recalled, when the thousands of diaspora Jews settled in the cities of the Roman world, across Asia Minor and Italy as well as Egypt, many of their pagan neighbors found their ways attractive. Pagans admired the Jews’ pursuit of a coherent code for living and their worship of a single, unseen god. Some became “god-fearers,” who accepted the Jewish god but did not hold full membership in the Jewish community. Some converted. Jews, meanwhile, pursued their own visions of high culture—whether these involved learning to write Greek tragedies about the Jewish past or rebuilding one’s foreskin to make possible appearances at the gymnasium.

Grafton largely stops there and minimizes his “very small complaints….Anti-Judaism is that rare thing, a great book, as much in its ability to provoke disagreement as in its power to shape future writing on the vast territory that its author has so brilliantly mapped.” But Grafton’s small complaints deserve a wider hearing, especially as concerns the leading question he and Nirenberg pose, “Why the Jews?”

The overarching argument of Anti-Judaism is one of eternal antisemitism: Anti-Judaism had nothing to do with the Jews themselves. It is an attitude that sees the Jews to be to blame and is concerned with imaginary Jews as opposed to real Jews. Anti-Judaism is powerful and impactful, but it has no rational connection to reality. Here is how Michael Walzer aptly sums up Nirenberg’s argument:

His argument is that a certain view of Judaism lies deep in the structure of Western civilization and has helped its intellectuals and polemicists explain Christian heresies, political tyrannies, medieval plagues, capitalist crises, and revolutionary movements. Anti-Judaism is and has long been one of the most powerful theoretical systems “for making sense of the world.” No doubt, Jews sometimes act out the roles that anti-Judaism assigns them—but so do the members of all the other national and religious groups, and in much greater numbers. The theory does not depend on the behavior of “real” Jews.

As Walzer notes in his own review of Anti-Judaism in the most recent issue of the New York Review of Books, Nirenberg includes an epilogue that takes on the most famous opponent of his view of eternal antisemitism, Hannah Arendt. As Arendt understands Nirenberg’s view, “Jew-hatred is a normal and natural reaction to which history gives only more or less opportunity. Outbursts need no special explanation because they are natural consequences of an eternal problem.” Since anti-Judaism is eternal and unending, it has been normalized. If thousand years, then Jew-killing is a normal, and even human, occupation and Jew-hatred is justified beyond the need of argument.”

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The point is that Grafton’s minor complaint—that Nirenberg offers a magisterial account of Jew-hatred and ignores philo-semitism—is not so minor after all. By claiming that anti-Judaism is omnipresent and omnipotent—by focusing only on anti-Judaism and leaving aside those who embrace or praise Jews—Nirenberg risks normalizing antisemitism. Everyone traffics in Jew-hatred, even Jews. Such a move means, however, that we lose the ability to distinguish those who are antisemites from those who are not. Which is why Arendt argues that the eternal antisemitism thesis is one way to “escape the seriousness of antisemitism and the significance of the fact that the Jews were driven into the storm center of events.”

Walzer and Nirenberg condemn Arendt for seriously asking the question “Why the Jews?” She insists that there are reasons for antisemitism, reasons that the Nazis sought to exterminate the Jews and not the bicyclists. There are such reasons, and anti-Judaism is not simply mysterious and irrational accident. She does not think those are good reasons. She of course never says that the Jews are to blame or that the Jews were responsible for the holocaust as Nirenberg and Walzer wrongly argue. But she does insist we confront the fact that Jews have proven such convenient targets for anti-Judaism, that we seek to understand why it is that over and over it is the Jews who are targeted. There is not one simple answer to that question, Why the Jews? But Arendt asks it seriously and courageously and seeks to come up with a series of potential answers, none of which have to do with her claiming that the Jews are to blame.

If you have The Origins of Totalitarianism on your shelf, take it out and read Chapter One on “Antisemitism as an Outrage to Common Sense.” Then read Grafton and Walzer on Nirenberg’s Anti-Judaism. It will be a sad but thrilling weekend.

-RB

22Jan/140

The Unproductive Labor of Politics: Arendt’s reading of Adam Smith

Arendtiana

Richard Halpern, “Eclipse of Action: Hamlet and the Political Economy of Playing,” Shakespeare Quarterly, Volume 59, Number 4, Winter 2008, pp. 450-482

As he formulates an original response to the classic problem of Hamlet’s non-action, Halpern offers one of the few critical analyses of Arendt’s reading of Adam Smith in The Human Condition. He shows how Arendt draws on Smith’s concepts of productive and unproductive labor to articulate her key concepts of work and labor. Moreover, his close reading draws our attention to an intriguing paradox in the temporality of action that may indicate a corrective—albeit a difficult one—to the current demand for instant gratification that often leads to cynicism in the face of great political challenges.

Halpern reminds us that Aristotle separates action from labor; Smith replaces action with production; and Arendt seeks to restore action to a place of prominence in the political realm. Arendt explicitly says that “the distinction between productive and unproductive labor contains, albeit in a prejudicial manner, the more fundamental distinction between work and labor” (HC 87). She does not simply take over Smith’s idea, but wishes to transfer his distinction from his own economic system (the “prejudice” of his own thought) to her own thinking of labor and work.  Halpern’s analysis of Arendt’s move helps us start to think about her surprising appeal to 18th century economic theory. Moreover, it her discussion of Smith (and better known critique of Marx), I see her posing an even broader question: what does it mean to be productive and what are the appropriate spheres of different types of productivity?

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Within the realm of production, Halpern looks at how Smith offers a further distinction in Book 2, Chapter 3 of The Wealth of Nations, under the heading “Of the Accumulation of Capital, or of Productive and Unproductive Labor”:

There is one sort of labor which adds to the value of the subject upon which it is bestowed: there is another which has no such effect. The former, as it produces a value, may be called productive; the latter, unproductive labour. Thus the labour of a manufacturer adds, generally, to the value of the materials which he works upon, that of his own maintenance, and of his master’s profit. The labor of a menial servant, on the contrary, adds to the value of nothing. (Adam Smith, An Inquiry into the Nature and Causes of the Wealth of Nations, ed. Edwin Cannan (Chicago: U of Chicago P, 1976), 351.)

Smith draws a distinction between labor that holds or builds value (say the manufacture of a chair), and labor that evaporates the moment the worker completes it (such as cleaning the house or washing clothes). Classical political economists of the 18th and 19th century engaged in wide ranging debates over what should “count” as value before capitalist countries agreed on the ratio of labour to output or per capita GDP as the standard; socialist countries, following the USSR, adopted an alternative “material product system” that prioritized the amount of goods. In a time of environmental change, this glimpse into the history of economic theory may offer a helpful reminder that society can decide to change the standard of economic success.

According to Halpern, Arendt draws from Smith not to rehabilitate an outmoded aspect of economic theory, but to draw inspiration for her creation of distinct conceptual spaces for labor, work, and action. Specifically, she aligns Smith’s “unproductive labor” with her circular conception of labor and “productive labor” with her linear conception of work. This does not mean that labor is unproductive but it does require a clarification of different types of productivity. I see it as useful to keep the discussion on productivity since these spheres of private life and cultural and industrial economy then offer a contrast to the political sphere where action can happen. Action is neither circular like labor, nor linear like work, but has its own peculiar directionality and temporality. Halpern’s analysis helpfully zeroes in on the perplexing relation between the ephemerality of labor and action and action’s desire for permanence:

The temporal paradox of the political is that while it aims at immortality, action and speech are, in themselves, evanescent: “Left to themselves, they lack not only the tangibility of other things, but are even less durable and more futile than what we produce for consumption” (HC 95). Like Smith’s unproductive labor, action disappears in the moment of its occurrence because it leaves no material trace behind. (Halpern, 457)

Politics demands an extraordinary effort. It asks that one expend energy indefinitely for an uncertain reward. Discussion and debate goes on and on, only occasionally clicking with spectacular agreement or deflationary compromise. Arendt’s analysis can help us perceive the difficulty of contemporary politics that attempts to fit into consumer culture that preserves, and thus remembers, nothing.

Arendt’s attention to the aspects of debate and negotiation that might be seen as unproductive (a dimension that in other parts of the Human Condition she relates to menial work, again often in relation to Smith) offers a corrective to a misguided understanding of politics that leads to frustration and despair.Even if we are not at the extreme level of the menial functioning of a New England town hall meeting debating the budget for potholes or an Occupy Wall Street discussion that requires unanimous consensus for closure, politics works in a different temporality. Rather than the fever pitched accusations of crisis that in the U.S. actually covers up rather than encourage political risk, a more humble sense of public debate as requiring something like the patience of the menial task may be a corrective.

Political action in Arendt’s sense differs from work in being freed from a fixed goal. She links this freedom, which for her is based on self-referentiality, to drama:

Arendt’s discomfort with the economic dimension of theater reveals itself when she criticizes Adam Smith for grouping actors, along with churchmen, lawyers, musicians, and others, as unproductive laborers and hence as lowly cousins of the menial servant (HC 207). Arendt would distinguish all of these activities from labor in that they “do not pursue an end . . . and leave no work behind . . . , but exhaust their full meaning in the performance itself ” (206). Smith’s inclusion of these autotelic activities under the category of labor is for Arendt a sign of the degradation that human activity had already undergone by the early days of the modern era. By contrast, “It was precisely these occupations—healing, flute-playing, play-acting—which furnished ancient thinking with examples for the highest and greatest activities of man” (207–21). What Arendt overlooks is that—already in the ancient world—healing, flute playing, and playacting became remunerated professions and differed in this respect from politics, which was not the work of a professional class of politicians. (Halpern 458)

Arendt agrees that actors on the stage perform fleeting scenes, but wishes to link this to “the highest and greatest activities of man,” ie. those of politics. Halpern argues that in fact, actors in ancient times already worked for wages and were thus not independent like citizens in their roles as politicians. Nonetheless, Arendt shows us that in the modern period we can learn something about acting in politics from acting in the arts. The key point for Halpern is that drama, etc. are “autotelic activities.” They do not even keep up the house like menial work; they have their own end and really evaporate in reaching this end. Political action works along an undecidable edge: even less productive than labor but at any moment potentially the most lasting. Against the odds, politics holds open the space in which something new can begin and thus renew the human world against the circular forces of nature.

One could reasonably argue that in his focus on the connection between labor and action, Halpern fails to adequately emphasize the importance of work. In a world of labor and the victory of animal laborans, there is no work to preserve action and no polis/world to give action memorialization. Indeed, we face the danger of the collapse of the world into the “waste economy” (HC 134) and the seductions to action disappear. However, Halpern does not say that play is action for Arendt but rather, as I understand his argument, that it there is an aspect of action that is like play. Action requires debate that may seem to be going nowhere, or just be undertaken for its own sake up to the moment that it takes a risk. When it dares to venture into the public realm, action clearly very different from play as a hobby.

Labor is both constant and fleeting. On the one hand, the demands of the body never end, nor do the cycles of nature. On the other hand, labor is also fleeting in that its mode of production only temporarily maintains life. Action is also fleeting from the perspective that the risk it takes often evaporates but has the utmost political constancy when one considers those actions that succeed in forming the power of a new beginning.

shakes

In the remainder of the article, Halpern moves from The Human Condition to Hamlet, arguing that Shakespeare replaces action on the classical model of tragedy with the ceaseless activity of Hamlet’s thoughts. This activity runs in circles like unproductive labor in Smith and labor in Arendt rather than the action of Aristotle’s aesthetic and Arendt’s political ideal. From an Arendtian point of view, the modernity of the drama reveals a challenge to politics, the challenge of a time out of joint that action has to face again and again.

-Jeffrey Champlin

8Nov/130

The Threat to the Humanities

ArendtWeekendReading

The Nobel Laureate J.M. Coetzee has published an open letter on the recent threats to universities and to the humanities in particular. The threat, however, is not limited to universities. As Coetzee writes:

All over the world, as governments retreat from their traditional duty to foster the common good and reconceive of themselves as mere managers of national economies, universities have been coming under pressure to turn themselves into training schools equipping young people with the skills required by a modern economy.

What Coetzee names the “traditional duty to foster the common good” may smack a bit of nostalgia. And yet, it is the case that at times in history government has allowed for and enabled the flourishing of a meaningful public sphere where a plurality of people jointly pursue noble collective endeavors. The civil rights movement in the 1960s was one such endeavor, as was the founding of the United States as a land federal constitutional democratic republic instituted to preserve the freedom of self-government. In Europe we can point to the emergence of social democracy as another collective act to bring about a public world. And yet all public actions are opposed by the liberal bourgeois desire realized in representative democracy, the demand that government simply leave us alone to pursue our private lives.

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Universities are not the only spaces for articulating the common good in society. But they do serve an important role in that project. For liberal arts universities, at their best, exist to foster independent and thoughtful persons. What universities have been, since their inception, are institutions that stand apart from society. They are places where slowness and reflection flourish in contradistinction to the speed and busyness of the everyday world of business. In reading Plato, exploring the wonders of DNA, and reciting Shakespeare, young people grapple with the greatest thoughts and works and discoveries that our human civilization has produced. They ask themselves what they think of these works and they come to have their personal opinions. That is what it means to think for oneself, or, as Arendt calls it in her native German, Selbstdenken. For Emerson, a liberal arts humanist education is where we acquire the backbone that girds our self reliance.

Coetzee offers two reasons why he believes that universities will disappear as incubators of such independence. First, he writes that universities are being financially punished to the extent that they imagine themselves as autonomous, independent, and critical of society. In response to the mobilization of universities in the 1960s and 1970s, governments and boards of trustees around the world are fighting back:

The response of the political class to the university's claim to a special status in relation to the polity has been crude but effectual: if the university, which, when the chips are down, is simply one among many players competing for public funds, really believes in the lofty ideals it proclaims, then it must show it is prepared to starve for its beliefs. I know of no case in which a university has taken up the challenge.
The fact is that the record of universities, over the past 30 years, in defending themselves against pressure from the state has not been a proud one. Resistance was weak and ill organised; routed, the professors beat a retreat to their dugouts, from where they have done little besides launching the intermittent satirical barb against the managerial newspeak they are perforce having to acquire.

Coetzee also offers a second reason for the decline of the university as an important cultural-political institution: “there are too few people left who really believe in the humanities and in the university built on humanistic grounds, with philosophical, historical and philological studies as its pillars.” What Coeztee means is not simply that people are abandoning Shakespeare for computer science. It is rather that the professors and students who read Shakespeare and Plato don’t believe in the importance of the very books they read.

We can see this is the kind of overly-specialized writing and research coming out of research universities, where scholars too often (obviously with exceptions, but they are rare) seek to produce highly specialized and erudite studies that seek to say something new or original but have little to do with the books or the thinkers they are writing about.

We also find this same loss of belief in the humanities in the ever-increasing talk about using the humanities to teach basic literacy or critical thinking “skills”, in the parlance of recent jargon that dominates committees discussing educational reform. Here is Coetzee:

Even if we grant that critical literacy is as important as you claim, do students really need to know about Hesiod and Petrarch, about Francis Bacon and Jean-Paul Sartre, about the Boxer Rebellion and the Thirty Years War, to attain a sufficient competence in such literacy? Can you not simply design a pair of one­-semester courses - courses in which all undergraduates, no matter what their career track, will be required to enroll - one course to be entitled "Reading and Writing", in which students will be trained to dissect arguments and write good expository prose; and the other to be entitled "Great Ideas", in which they will be briefed on the main currents of world thought from Ancient Egypt to the present? A pair of courses like that will not require an entire faculty of humanities behind them, merely a school of critical literacy staffed with bright young instructors.

In other words, to argue that what students need are simply skills is to abandon any actual defense of the humanities. While skills can be taught through the humanities, they can likely be taught as well and more cheaply in other ways. Attempts to defend the humanities because they inculcate useful skills does not and cannot defend the humanities themselves. Whether those skills are themselves useful is an open question; the bigger question is whether there are easier ways to acquire those skills then spending years reading and writing about old books.

The only true defense of the humanities Coetzee recognizes is one that defends them on their own grounds: that humanities are good in themselves.

I believe, you will have to make a stand. You will have to say: we need free enquiry because freedom of thought is good in itself. We need institutions where teachers and students can pursue unconstrained the life of the mind because such institutions are, in ways that are difficult to pin down, good for all of us: good for the individual and good for society.

What I take Coetzee to mean is that the humanities—by which I understand the humanist inquiry into literature, philosophy, politics, science, and art—teach people to pursue their truths by standing on the shoulders of giants.

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What the humanist education does is both teach us to love the world as it has been handed down to us and also to make it our own. That is why education is both conservative and revolutionary.

Very much in the spirit of Arendt, Coeztee is calling for just such a conservative and revolutionary idea of the humanities, one that is quite out of tune with the current professional and intellectual trends reigning in academic institutions. His letter is short and worth your attention. It is your weekend read.

-RB

6May/130

Amor Mundi 5/5/13

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Muting the Words for the Book's Sake

bookOn the occasion of the publication of All That Is, James Salter's latest novel, the author is interviewed by Jonathan Lee. Lee notes that Salter seems to have toned down his sentences for the new book which, it turns out, was a deliberate stylistic choice. Salter elaborates:  "I suppose the truth is I became a little self-conscious about people telling me how much they loved my sentences. They'd come up and say, "You know what, I've memorized lines from Light Years." At book signings you'd see them with the corners of pages turned down, particular pages they'd loved and sentences they'd underlined. It's flattering, but it seemed to me that this love of sentences was in some sense getting in the way of the book itself."

The Inevitable, Unstoppable, and Coming Utopia

utopiaDavid Rieff writes in Foreign Policy about the unbelievable optimism of techno-utopianism. Rieff is biting and also thoughtful as he marshals enormous resources to show how uniform and repetitive the claims are about our coming perfection. "To me, though, what is most striking about the claims made by techno-utopians (though most, including Kurzweil and Zuckerman, reject the label) is the way assertions about the inevitability of unstoppable, exponential technological progress are combined with claims that human beings can, for the first time in history, take their fate into their own hands -- or even defy mortality itself. As Morozov remarks tartly, "Silicon Valley is guilty of many sins, but lack of ambition is not one of them.""

Think Like a Machine

machineNicholas Carr worries about the effect our growing use of machines has on how we think about thinking:  "I think we begin to believe that thinking is always just a matter of a kind of rapid problem-solving and exchanging information in a very utilitarian conception of how we should use our mind. And what gets devalued is those kind of more contemplative, more solitary modes of thought that in the past anyway, were considered central to the experience of life, to the life of the mind certainly, and even to our social lives."

Debating Drones

droneOver at Lawfare, Benjamin Wittes writes about his experience debating Jeremy Waldron about drones at the Oxford Union. Wittes summarizes the sides: "Our side interpreted the resolution as a debate over the propriety of using drones in warfare-that is, as asking whether the use of drones is ethical end effective relative to alternative weapons systems given that one has decided to employ military force. This is actually an easy question, in my opinion, since drones clearly enable more discriminating and deliberative targeting than do alternative weapon systems. Our opponents, by contrast, saw the resolution as implicating the wider question of whether the United States should be resorting to force at all in countries like Pakistan and Yemen. In other words, they saw the question not merely as one of choice of weapon but as about whether the particular weapon enables military actions the United States would not otherwise take and of which one should disapprove either on ethical grounds, as counterproductive strategically, or both."

Behind the Book

bookblocClaire Barliant examines the book bloc, a D.I.Y defensive shield utilized during and after the Occupy Wall Street protests. Barliant finds resonances between the blocs and the declining states of both the book in general and of higher education; several of them, which had been on exhibit at Interference Archive in Gowanus, were supposed to appear at the May Day protest of Cooper Union's decision to start charging its students fees in 2014.

Featured Upcoming Event

movie posterThe Official US Opening of the biopic, Hannah Arendt in NYC

May 29, 2013 at Film Forum, 209 W. Houston St., NYC at 7:45 PM
Film followed by discussion with the director; Margarethe von Trotta, the screenwriter; Pam Katz, Barbara Sukowa and Janet McTeer (playing Hannah Arendt and Mary McCarthy.)

 Buy tickets and learn more here.

From the Hannah Arendt Center Blog

The Arendt Center hosted  the Hudson Valley premiere of Margarethe von Trotta's new movieHannah Arendt, which Natan Sznaider reviewed. Lyndsey Stonebridge explored the role of Shakespeare's Richard III in Arendt's thinking on thinking.  And Roger Berkowitz looks at the brewing feud between the faculty and the MOOCs.

3May/132

MOOCs: The Debate Continues

ArendtWeekendReading

After months in which university after university signed on to the bandwagon for Massive Open Online Courses called MOOCs, the battle over the future of education has finally begun. This week Duke University pulled out of EdX, the Harvard/MIT led consortium of Massive Open Online Courses called MOOC’s.

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The reason: Its faculty rebelled. According to The New York Times,

While [Duke provost Peter] Lange saw the consortium as expanding the courses available to Duke students, some faculty members worried that the long-term effect might be for the university to offer fewer courses — and hire fewer professors. Others said there had been inadequate consultation with the faculty.

The Times also reports that faculty at Amherst College, my alma mater and former employer, voted against joining EdX. Again, the faculty saw danger. My former colleagues worried that the introduction of online courses would detrimentally impact the quality and spirit of education and the small liberal arts college. They also, as our friends over at ViaMeadia report, worried that MOOCs would “take student tuition dollars away from so-called middle-tier and lower-tier” schools, pushing their colleagues at these institutions out of their jobs.

And that brings us to ground zero of the battle between the faculty and the MOOCs: San Jose State University. San Jose State has jumped out as a leader in the use of blended online and offline courses. Mohammad H. Qayoumi, the university's president, has defended his embrace of online curricula on both educational and financial grounds. He points to one course, "Circuits & Electronics," offered by EdX. In a pilot program, students in that course did better than students in similar real-world courses taught by San Jose State professors. Where nearly 40% of San Jose students taking their traditional course received a C or lower, only 9% of students taking the EdX course did. For Qayoumi and others, such studies offer compelling grounds for integrating MOOCs into the curriculum. The buzzword is “blended courses,” in which the MOOCs are used in conjunction with faculty tutors. In this “flipped classroom,” the old model in which students listen to lectures in lecture halls and then do assignments at home, is replaced by online lectures supplemented by discussions and exercises done in class with professors. As I have written, such a model can be pedagogically powerful, if done right.

But as attractive as MOOCs may be, they carry with them real dangers. And these dangers emerge front and center in the hard-hitting Open Letter that the philosophy department at San Jose State University has published addressed to Michael Sandel. Sandel is the Harvard Professor famous for his popular and excellent course “Justice,” that has been wowing and provoking Harvard undergraduates for decades. Sandel not only teaches his course, he has branded it. He sells videos of the course; he published a book called Justice based on the course, and, most recently, created an online video version of the course for EdX.  San Jose State recently became one of the first public universities in the country to sign a contract paying for the use of EdX courses. This is what led to the letter from the philosophers.

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The letter begins by laying out the clear issue. The San Jose Philosophy department has professors who can teach courses in justice and ethics of the kind Sandel teaches. From their point of view, “There is no pedagogical problem in our department that JusticeX solves, nor do we have a shortage of faculty capable of teaching our equivalent course.” In short, while some students may prefer a course with a famous Harvard professor, the faculty at San Jose State believe that they are qualified to teach about Justice.

Given their qualifications, the philosophy professors conclude that the real reason for the contract with EdX is not increased educational value, but simply cost. As they write: "We believe that long-term financial considerations motivate the call for massively open online courses (MOOCs) at public universities such as ours.

In short, the faculty sees the writing on the wall. Whatever boilerplate rhetoric about blended courses and educational benefit may be fashionable and necessary, the real issue is simple. Public universities (and many private ones as well) will not keep paying the salaries of professors when those professors are not needed.

While for now professors are kept on to teach courses in a blended classroom, there will soon be need for many fewer professors. As students take Professor Sandel’s class at universities around the country, they will eventually work with teaching assistants—just as students do at Harvard, where Professor Sandel has pitifully little interaction with his hundreds of students in every class. These teaching assistants make little money, significantly less than a tenured or even a non-tenured professor. It is only a matter of time before many university classes are taught virtually by superstar professors assisted by armies of low-paid onsite assistants. State universities will then be able to educate significantly more students at a fraction of the current cost. For many students this will be a great boon—a certified and possibly quality education at a cheap price. For most California voters, this is a good deal. But it is precisely what the faculty at San Jose State fear. As they write:

We believe the purchasing of online and blended courses is not driven by concerns about pedagogy, but by an effort to restructure the U.S. university system in general, and our own California State University system in particular. If the concern were pedagogically motivated, we would expect faculty to be consulted and to monitor quality control. On the other hand, when change is financially driven and involves a compromise of quality it is done quickly, without consulting faculty or curriculum committees, and behind closed doors. This is essentially what happened with SJSU's contract with edX. At a press conference (April 10, 2013 at SJSU) announcing the signing of the contract with edX, California Lieutenant Governor Gavin Newsom acknowledged as much: "The old education financing model, frankly, is no longer sustainable." This is the crux of the problem. It is time to stop masking the real issue of MOOCs and blended courses behind empty rhetoric about a new generation and a new world. The purchasing of MOOCs and blended courses from outside vendors is the first step toward restructuring the CSU.

The San Jose State philosophy professors are undoubtedly correct. We are facing a systematic transformation in higher education in this country and also in secondary education as well. Just as the Internet has revolutionized journalism and just as it is now shaking the foundations of medicine and law, the Internet will not leave education alone. Change seems nigh. Part of this change is being driven by cost. Some of it is also being driven by the failures and perceived failures of our current system. The question for those of us in the world of higher education is whether we can respond intelligently to save the good and change out the bad. It is time that faculties around the country focus on this question and for that we should all be thankful to the philosophy professors at San Jose State.

The Open Letter offers three main points to argue that it is bad pedagogy to replace them with the blended course model of MOOCs and teaching assistants.

First, they argue that good teaching requires professors engaged in research. When professors are engaged in active research programs, they are interested in and motivated by their fields. Students can perceive if a professor is bored with a class and students will always learn more and be driven to study and excel by professors who feel that their work matters. Some may wonder what the use of research is that is read by only a few colleagues around the world, but one answer is that such research is necessary to keep professors fresh and sharp.  We all know the sad fate of professors who have disengaged from research.

Second, the philosophy professors accept the argument of many including myself that large lectures are not the best way to teach. They teach by the Socratic method, interacting with students. Such classes, they write, are much better than having students watch Professor Sandel engage Socratically with faculty at Harvard. Of course, the MOOC model would still allow for Socratic and personal engagement, just by much lower paid purveyors of the craft. The unanswered question is whether low-paid assistants can be trained to teach well. The answer may well be yes.

Third, the philosophy faculty worry about the exact same moral justice course being taught across the country. We can already see the disciplinary barricades being drawn. It may be one thing to teach Math to the whole country from one or two MOOCs, but philosophy needs multiple perspectives. But how many? The philosophy professors suggest that their highly diverse and often lower-middle-class students have different experiences and references than do Professor Sandel’s Harvard students. They can, in the classroom, better connect with these students than Professor Sandel via online lectures.

The points the San Jose State philosophy professors raise are important. In many ways, however, their letter misses the point. Our educational system is now structured on a few questionable premises. First, that everyone who attends college wants a liberal arts education. That is simply not true. Many students simply want a credential to get a job. If these students can be taught well and more cheaply, we should help them. There is a question of whether we need to offer everyone the same kind of highly personalized and expensive education. While such arguments will be lambasted as elitist, it is nevertheless true that not everyone wants or needs to read Kant closely. We should seek to protect the ability of those who do—no matter their economic class—and also allow those who don’t a more efficient path through school.

A second questionable premise is that specialization is necessary to be a good teacher. This also is false. Too much specialization removes one from the world of common sense. As I have argued before, we need professors who are educated more generally. It is important to learn about Shakespeare and Aristotle, but you don’t need to be a specialist in Shakespeare or Aristotle to teach them well and thoughtfully to undergraduates. This is not an argument against the Ph.D.  It is important to study and learn an intellectual tradition if you are going to teach. But it is an argument against the professionalization of the Ph.D. and of graduate education in general. It is also an argument against the dominance of undergraduate curriculum by professionalized scholars.

Third, and perhaps most importantly, is the premise that everyone needs to go to college. If we put a fraction of the resources we currently spend on remedial education for college students back into public high schools in this country, we could begin the process of transforming high school into a serious and meaningful activity. For one thing, we could begin employing Ph.D.s as high school teachers as are many of the emerging early colleges opening around the country.

classroom

I am sympathetic to the philosophy professors at San Jose State. I too teach a course on Justice called “The Foundation of Law: The Quest for Justice.” It is a course quite similar and yet meaningfully different from Michael Sandel’s course on Justice. I believe it is better, no offense meant. And I would be upset if I were told next year that instead of teaching my course I would be in effect a glorified TA for Professor Sandel. I hope it doesn’t come to that, but I know it might.

The only response for those whose jobs are being replaced by computers or the Internet is to go out and figure out how to do it better. That is what happened to journalists who were fired in droves. Many quit voluntarily and began developing new models of journalism, including blogs that have enriched our public discourse and largely rejuvenated public journalism in this country. Blogs, of course, are not perfect, and there is the question of how to make a living writing one. But enterprising bloggers like Andrew Sullivan and Walter Russell Mead are figuring that out. So too are professors like Michael Sandel and Andrew Ng.

We need educators to become experimental these days, to create small schools and intensive curricula within larger institutions that make the most of the personal interaction that is the core of true pedagogy. If that happens, and if teachers offer meaningful education for which students or our taxpayers will pay, then our jobs will be safe. And our students will be better for it. For this reason, we should welcome the technology as a push to make ourselves better teachers.

The Open Letter to Michael Sandel deserves a response. I hope Professor Sandel offers one. Until then, I recommend that this beautiful Spring weekend you read the letter from the San Jose State Philosophy Department. It is your weekend read.

-RB

29Apr/131

Amor Mundi 4/28/13

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Hannah Arendt: The Reviews are Coming In

tinymovieDavid Owen has this to say about Hannah Arendt, the new movie by Margarethe von Trotta: "Arendt sits reading and is haunted by voices from the trial, she spends a lot of time lying down on a divan smoking endless cigarettes, she types in a controlled frenzy. Here it seems to me that the film is linking these features in a way that is insightful and important, namely, that Arendt had to steel herself to write her report at all, that she had to set aside her own feelings and relationships to others in order to be able to try to serve truth, that intellectual conscience (redlichkeit) makes demands that are hard to bear." Read more here.

Natan Sznaider is less impressed. "...you can imagine how much I was looking forward to this movie.  Unfortunately, I came out deeply disappointed.  It's not simply that this portrait of Arendt is frozen in amber, and celebrates the misunderstandings of 50 years ago, when Eichmann in Jerusalem  had just came out.  It's not simply that it ignores the last 15 years of modern scholarship, which re-excavated her Jewishness in order to make sense of the many things in her writings and actions that otherwise don't.  It's that it turns her story inside out." Read more here.

Come see for yourself. The Hannah Arendt Center will be screening Hannah Arendt on Monday, April 29 at 7pm. Get more information here.

The Cost of Safety

rugsConor Friedersdorf asks hard questions in The Atlantic about New York City's Stop and Frisk program and its program of surveillance on Muslims. Friedersdorf lays out a long list of the harms caused by these programs, including: young Muslims feeling it is unsafe to pray in their mosques; the breach of the relationship of trust between Imam and congregations; the sense of persecution and suspicion associated with dressing as a Muslim; the de-politicization of the Muslim community; overall mutual suspicion of Muslims and police, and much more. These costs, he writes, must be balanced against the goal of keeping New Yorkers of all religions and races safe. Friedersdorf is clear that the costs are too high; and he is flabbergasted that most American liberals disagree with him:

"What does it say about American liberalism today that two of the most significant municipal programs abrogating the civil liberties of racial and ethnic minorities thrive in a deep blue city that also happens to be the media capitol of the country ... and the guy presiding over it remains popular?" Whether or not Friedersdorf is right, he does a good job of reminding us of the true cost of our safety.

Filling in the Gaps

booksStarting from the story of poet and essayist Muriel Rukeyser's long unpublished novel Savage Coast, to be issued for the first time next month, Anna Clark considers CUNY's Lost & Found project, which "resurrects" works of twentieth century fiction, poetry, and scholarship. Although Lost & Found isn't focused on women writers like Rukeyser, Clark believes that it and projects like it can be valuable to writing female authors back into the record: "The lack of this painstaking and intentional work risks skewing the narrative of our history and culture, ceding our past to appear more homogenous than it was. It is fair to point to literature's age-old gender gap that left most female writers on the sidelines-Virginia Woolf famously posited Shakespeare's Sister as the female counterpart of the Bard who, owing to her social role, would not have written a word."

 

Beyond the Flipped Classroom

mathSal Khan speaks with The Guardian about his transformative educational website Khan Academy. Khan began developing his now famous educational videos to teach his younger cousins fundamental concepts in math. He eventually quit his finance job to oversee the building of his non-profit empire, with the mission of "changing education for the better by providing a free world-class education for anyone anywhere." Khan's dream is to invert the usual classroom structure where teachers lecture in class and students work independently at home. When teachers can rely on his videos, students can learn the basics of their lessons at home and come into class to work collaboratively and get help from the teacher while they solve problems.

 

 

An African Caeser

caeserTeju Cole recently attended a staging of The Royal Shakespeare Company's Julius Caesar at B.A.M. Cole takes time to consider both the play itself and the African setting of this particular production, which features an "all-black cast": "The assassination of Caesar himself feels like a story from one of the newly independent African countries of the nineteen-sixties. [Director Gregory] Doran highlights the political aspect of the play, and this is to the good, for it is still necessary to insist on Africa as a site of political and ideological contest, and not a static place mired in an unchanging anthropological past. Caesar... is in the company of such manipulative despots as Idi Amin Dada, Mobutu Sese Seko, and Ibrahim Badamasi Babangida."

 

 

Featured Upcoming Event

The Hudson Valley Premiere of the biopic, Hannah Arendt

tinymovieApril 29, 2013 at Olin Hall, Bard College at 7:00 PM

Learn more here.

 

 

 

From the Hannah Arendt Center Blog

This week on the blog Wout Cornelissen considers Arendt's understanding of poetry. Roger Berkowitz thinks through Philip Roth's recent tribute to his favorite good teacher. And Berkowitz also considers the suspension and disciplining of the Albany high school teacher who asked students to think like a Nazi.

29Apr/130

Performing thinking: Arendt’s Richard III

Arendtquote

"It is better for you to suffer than to do wrong because you can remain the friend of the sufferer; who would want to be the friend of and have to live together with a murderer? Not even a murderer.  What kind of dialogue could you lead with him? Precisely the dialogue which Shakespeare let Richard III lead with himself after a great number of crimes had been committed:

What do I fear? Myself? There’s none else by.
Richard loves Richard: that is, I am I.
Is there a murderer here? No. Yes, I am:
Then fly. What from myself?"
-Hannah Arendt, ‘Thinking and Moral Considerations’

‘Thinking and Moral Considerations’ is one of the most perfect examples of Arendt’s late writing. A distillation of her career-long thinking on thinking, the essay performs what it so elegantly urges: it is an essay on thinking that thinks.

For Arendt, the moral considerations that follow from thinking and, more grievously, from not thinking are profound. Adolf Eichmann’s “quite authentic inability to think” demonstrated to Arendt the arrival of new kind of evil in the world when she attended his trial in 1961. The airy emptiness of his speech was not the stupidity of a loathsome toad: his jabbering of cliché falling upon cliché sounded totalitarianism’s evil in a chorus of thoughtlessness. Shallowness as exemplified by Eichmann cannot be fixed or given depth by reason; no doctrine will argue the thoughtless into righteousness. Only through the experience of thinking, Arendt insisted, of being in dialogue with oneself, can conscience again be breathed into life. Thinking may be useless in itself; it may be a solitary activity that can often feel a little bit mad. Yet thinking is the precondition for the return of judgment, of knowing and saying: “this is not right.”  By 1971, Arendt saw no evidence of a resurgence of thinking in the wake of atrocity.

are

Writing an essay on thinking that thinks and thus performing the experience of thinking is itself an act of defiance. Performing is the right verb here: Arendt knows she is staging her argument as a public spectacle. Her hero is Socrates: gadfly, midwife, stingray, provoker, deliverer and galvaniser of thinking in others. Socrates democratises perplexity. And when he has finished chatting with others, he carries on talking at home, with his quizzical, critical companion, that ‘obnoxious fellow’ with whom we are forever in dialogue -- the two with whom we make a thinking one.  Arendt is fully aware that she is making a character out of Socrates. His inveterate dialogism is a model. Just as Dante’s characters conserve as much historical reality as the poet needs to make them representative, so too, she says, with her Socrates. Against the vacant image of Eichmann inanely mouthing his own eulogy in front of the hangman’s noose which opens the essay, we have Socrates: thoughtlessness versus thoughtfulness.

But what of the third character in Arendt’s essay—Shakespeare’s Richard III? The murderer who nobody wants to befriend? The villain who despite his best efforts cannot stop talking to himself?

Richard plays an odd, yet pivotal, role in Arendt’s performance of thinking. On the one hand, he is Socrates’ evil twin. Richard rejects conscience. ‘Every man that means to live well endeavours … to live without it’, he says. This is easy enough to do, says Arendt, because ‘all he has to do is never go home and examine things.’ Except, in Richard’s case, this proves difficult.  He may try to avoid going home, but eventually he runs into himself at midnight; and in solitude, like Socrates, Richard cannot help but have intercourse with himself. Alone he speaks with himself in soliliquoys (from the Latin solus – alone and loqui –to speak; Arendt’s beloved Augustine is believed to have first conceived the compound). And this is what makes this villain—one who many have wanted to claim for the calculating murderousness of the twentieth century—much more like Socrates than Eichmann.

Both Socrates and Richard have the capacity to think. True, Richard thinks himself into villainy—he ‘proves himself a villain’—but this is precisely his pathos in Arendt’s drama. If it is better to suffer than to do harm, it is also better to have suffered at the hands of Richard who at least thought about what he was doing, than suffered as a number in one of Eichmann’s filing cards, the pathetic loner who joins a murderous movement not because he’s frightened of who might await him at home, but because he doesn’t even suspect anyone might be there in the first place. For all the ham-fisted productions that want him to be, Richard is not a Nazi villain in early modern disguise. Better that he could have been, of course, because then we wouldn’t have to contemplate the particular thoughtlessness of contemporary evil.

Richard is no Osama Bin Laden, Colonel Gaddafi or Saddam Hussein either, despite comparable violent last stands (and the corpse lust that attended them).  This is well understood by Mark Rylance’s recent performance of Richard in the Globe Theater production that played in London last year and that is rumoured to open on Broadway soon. Rylance’s performance of Richard is like no other. It is also a performance that makes Arendt’s thinking more relevant than ever.

richard

Mark Rylance in the title role of Richard III at Shakespeare’s Globe,
London, 2012, directed by Tim Caroll. Photographer: Simon Annand.

Rylance understands that since the War on Terror, post 9/11, Iraq, Afghanistan, after Guantanamo, rendition and drone wars, it would be a travesty to play Richard’s villainy as safely and exotically other (by contrast, in 1995 it was entirely possible to set the play in a 1930s Nazi context, and have Ian McKellen play the role for its cruel humour with a knowing nod to Brecht).  Rylance’s Richard is plausible, pathetic even; he is compelling not in his all-too-evident evil but in his clumsy vulnerability. His creepy teeth sucking, and ever-twisting body mark a silent but persistent cogitation; he is a restless, needy, villain. Like a child, Rylance’s Richard grabs at his conscience— he thinks—and then chucks it away as one more ‘obstacle’, just as he spits in his mother’s face at the very moment he most desires she recognise him.  In a neat echo of Arendt’s analysis of how the loneliness of totalitarianism feeds thoughtless evil, the loveless hunchback fights solitude in an effort to avoid the midnight hour; orchestrating collective murder is his defence against being alone with his thoughts. (This was observed by my theater companion who, being ten years old—and a British schoolboy—understands the connection between feeling left out and group violence well). Richard’s tragedy is that circumstances turned him into a serial killer, to this extent he is a conventional villain; his pathos, however, as this production shows, is to be poised between thinking and thoughtlessness, between Socrates and Eichmann.

‘No. Yes, I am/Then fly. What from myself?’ When Rylance speaks this soliloquy he stutters slightly, giggles and looks—as Arendt might have anticipated—a little perplexed. This is not a knowing perplexity; Richard does not master his conscience, nothing is done with the solitary dialogue, but the thinking is there even if Richard himself seems unsettled by its presence. In refusing to play Richard simply as one of the ‘negative heroes in literature’ who, Arendt argues, are often played as such ‘out of envy and resentment’, Rylance brilliantly captures the last moment before evil becomes banal.

To play Richard’s cruelty alongside his vulnerability is not to fail to recognise his villainy, as some have complained; rather, it is to dramatize the experience of thinking in the process of being painfully and violently lost. With pathos, we might think, is the only way to play Richard III today. The Globe’s production is a late, but utterly timely, companion to Arendt’s essay.

-Lyndsey Stonebridge

4Apr/131

Hannah Arendt & the Redemptive Power of Narrative

FromtheArendtCenter

Hannah Arendt and the Redemptive Power of Narrative
Selya Benhabib, Social Research, Vol. 57, No. 1, Philosophy and Politics II (spring 1990), pp. 167-196

Selya Benhabib, Eugene Mayer Professor of Political Science and Philosophy at Yale University, sees Arendt as affirming the modernist move beyond the nation to universal human rights,  while at the same time disparaging the social in a way that many critics see as anti-modern. As Roger Berkowitz explains regarding a later work, Benhabib works out this universal aspiration “with and against Arendt.”  In this 1990 article, Benhabib makes only passing reference to Arendt’s famous critical phrase “the right to have rights.” Briefly put though, she sees Arendt’s concern not as a fundamental challenge but rather as  an implicit spur for a broader guarantee of rights.

seyla

For Arendt the social, which in large part corresponds to economic activity, no longer remains in its proper place of the household, but emerges to obscure the public space of politics. One might then ask, is Arendt a Romantic proponent of a return to Greek origins, in line with Hölderlin, Hegel, and Heidegger?  Benhabib denies this challenge, arguing instead that Arendt’s confrontation with National Socialism led her to develop a new idea

of political theory as "storytelling." In light of this conception, her analysis of the decline of the public space cannot be considered a nostalgic Verfallsgeschichte (a history of decline). Rather, it must be viewed as an "exercise" in thought, the chief task of which is to dig under the rubble of history and to recover those "pearls" of past experience, with their sedimented and hidden layers of meaning, so as to cull from them a story that can orient the mind in the future.

The figures of secret “pearls” and covered sediments align in part but not in whole: historians could be seen as describing the hidden layers of ruins that we rarely consider beneath our feet. The idea of finding “pearls,” which Benhabib draws from Arendt’s longer citation to Shakespeare’s Tempest offers the key idea of a particular point of significance that then rearranges other semantic layers.

Full fathom five thy father lies,
Of his bones are coral made,
Those are pearls that were his eyes.
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange. (The Tempest, act I, scene 2)

Benhabib sees the theorist casting the challenges of history as “rich and strange” stories.  One might push this idea further and see the theorist as descending into the depths to inhabit history from the specific place of the dead man, who longer sees naturally, but retains the markers of perception. We might even say that the drowned man offers the right body to connect ourselves to a broken past. Drawing on Heidegger’s terminology, Benhabib writes:

If Dasein is in time, narrative is the modality through which time is experienced. Even when the thread of tradition is broken, even when the past is no longer authoritative simply because it has been, it lives within us and we cannot avoid placing ourselves in relation to it. The narrative uniting past and present defines who we are at any point. Narrative then, or, in Arendt's word, storytelling, is a fundamental human activity. There is then a continuum between the attempt of the theorist to understand the past and the need of the acting person to interpret the past as part of a coherent and continuing life story.

Notice that Benhabib sees it as a necessity that we place ourselves in relation to tradition. The distinctive mark of Arendt’s storytelling is that it is not purely imaginative in the sense that “anything goes.” Instead, it establishes a creative relation to the past.

steps

In the 2004 Tanner lectures, Benhabib argues for human rights based on intersubjective cosmopolitanism rather than a metaphysical universalism. The work on narrative in this earlier article raises the question of the role that narrative plays in creating such a cosmopolitanism. Indeed, in the continuing demand to tell a “coherent” story, perhaps we can see the emergence of an international narrative that does not rely so much on the stability of intersubjectivity as one continually open to the future in action.

-Jeffrey Champlin

31Jan/133

Say Goodbye to Law Schools: and Credentials More Generally

Law school applications have gone off a cliff. Just look at this statistic from today’s NY Times.

As of this month, there were 30,000 applicants to law schools for the fall, a 20 percent decrease from the same time last year and a 38 percent decline from 2010, according to the Law School Admission Council. Of some 200 law schools nationwide, only 4 have seen increases in applications this year. In 2004 there were 100,000 applicants to law schools; this year there are likely to be 54,000.

This radical drop in law school applications is not because people are suddenly reading Shakespeare. The reason is clear. Lawyers aren’t getting jobs. For law school grads in 2011, only 55% got full-time jobs working as lawyers. That means 45% did not get jobs they were trained to do. No wonder students and their parents aren’t lining up to take out debt to get a legal education.

Just as journalism has been upended by the Internet revolution, so too law is changing. The changes are different. Lawyers are still needed and law firms will exist. But more of the work can be done more cheaply, off-location, and by fewer people. Quite simply, we need fewer lawyers. And those we do need, don’t command the salaries they once did.

Finally, law school was for years the refuge of the uncommitted. For liberal arts grad unsure of what to do next, the answer was law school. But now with tuitions skyrocketing, debt ballooning, and job prospects dimming, law schools are out of favor.

What is more, these changes coming to law schools will be coming to other professional and graduate schools as well. All those Ph.D.s in hyper-specialized disciplines ranging from Italian studies to Political Theory are in for a really tragically rude awakening? There are no jobs. And those jobs are not coming back. For academics to keep bringing young scholars into Ph.D. programs now is really deeply wrong.

This retreat from law school is a good thing. My J.D. was hardly an educational experience worth three years of my time. Law schools are caught between being professional schools training practicing lawyers and the desire to be also to be something more. The result, they largely do neither well. They don’t produce lawyers ready to practice. Nor do they produce deep legal minds. Little would be lost if law school were reduced to 2 years (or even less), which is why legal academics are pushing an experiment to offer two-year J.D.s.

Education does matter and will continue to distinguish people who pursue it and excel at it. Liberal arts majors who combine a love for the renaissance with an interest in dance will succeed, whether they create new works of art or found a business curating Italian wines, these students learn to pursue their dreams. Education will survive because it raises people from their daily lives to the life of the mind. Education, as opposed to factory schools and large lectures, fosters creativity and daring, leading people to invent lives for themselves in pursuit of their passions.

While education will survive, schools and universities that have become credentialing factories will be increasingly challenged. When what matters is measureable performance, credentials will become ever less important. Law schools—at least many of them that do not offer an elite status—are credentialing institutions. So too are many of the colleges and universities around the country, where students sit in large lectures for four years so that they can get a degree that stamps them employable. Such credentials are ever less valuable in an age of cheap Internet driven education. That is why these institutions are under pressure.

-RB

28Jan/130

For the Sake of What is New

"Exactly for the sake of what is new and revolutionary in every child, education must be conservative; it must preserve this newness and introduce it as a new thing into an old world."

-Hannah Arendt, The Crisis in Education

In the central and perhaps most provocative passage of her essay on The Crisis in Education (1958), Arendt thrice repeats the same word: to preserve.  This should not be surprising, in the context of her presentation of the thesis that “education must be conservative.”  Education must be carried out with a “conservative attitude” in order to preserve the possibility for something new to arise.

Arendt thinks little of educators and professors who issue directives to their pupils about what actions they should undertake to change the world.  The responsibility of the educator is more to bring a “love for the world” into the seminar room.  Whether the tutor wishes the world to be different, better, or more just should be inconsequential.  It is his job to represent the factual world as frankly as possible.  One cannot do more and should not do less.  This love for the world forms the basis for “newcomers” to take the chances of their new beginning into their own hands.  Seen in this way the tutor must be “conservative” (in relation to the state of the world), not in order inspire “progressive” action but rather to enable new beginnings that cannot be planned or calculated.  And so says the full quote about education that must be conservative: “Exactly for the sake of what is new and revolutionary in every child, education must be conservative; it must preserve this newness and introduce it as a new thing into an old world.”

A few lines earlier Arendt distinguishes between this innovative “conservative attitude” in education and conservatism in politics.  Political conservatism, “striving only to preserve the status quo,” ultimately leads to destruction: if people do not undertake renewals, reformations, the world is abandoned to decay over time.  Immediately after this second use of “to preserve” Arendt uses the word a third time.  Since the world is shaped by mortals, it is at risk of becoming as mortal as its inhabitants.  “To preserve the world against the mortality of its creators and inhabitants,” Arendt writes, “it must be constantly set right new.”  The “capacity of beginning something anew” appears according to Arendt principally in action, which is the capacity that has “the closest connection with the human condition of natality”—“the new beginning inherent in birth,” Arendt writes at the same time in The Human Condition (1958).

Aren’t these three very different meanings of “to preserve”?  Can this single word really convey all these nuances?  Only when one consults the original German version of Arendt’s essay does the scope of distinctions become clear.  The Crisis in Education is the English version of a lecture Arendt gave in 1958 in Bremen, Germany, translated by Denver Lindley.

The conservative stance in politics, which is “striving only to preserve the status quo” is said in German to seek to “erhalten.”  This is very similar to the English to preserve, to conserve, to maintain.  Yet in the next part, where education is said to be the way “to preserve the world against the mortality of its creators and inhabitants,” this protection of the world against mortality is called in German “im Sein halten,” literally “to hold or to keep in the state of being.”  The point here is not any physical preservation of the world, nor any quasi-metaphysical or Heideggerian elevation of the “world.”  Arendt’s German wording rather suggests that the philosophical is to be found in the world, which she understands as something that emerges from the space in-between people: the in-between of the many and diverse.  Finally, the task of education to be conservative and to “preserve” the revolutionary in every child is called “bewahren” in the German version, i.e., to retain and perpetuate, literally: to keep true—to keep the newness true.

“Erhalten,” “im Sein halten,” “bewahren”—these differentiations of the “conservative attitude” of education that Arendt develops in German on the conceptual level must be conveyed through context in English.  This does not mean that the English is deficient.  Rather, it demands that the reader reflect on the particularity of each appearance of “to preserve.”  Arendt’s German text lends the direction of these reflections important impetus.

Likewise, a decisive conceptual impetus for Arendt’s German lecture comes from the English.  In the middle of the passage on the conservative attitude in education, she quotes an English line from Shakespeare’s Hamlet: “The time is out of joint. O cursed spite that ever I was born to set it right.”  The literary citation is not tasked with illustrating a theoretical reflection.  Arendt thinks and writes with the poetic thought of this verse.  In the German lecture she uses an unusual construction, saying that the world must be (newly) “eingerenkt”—it is the German equivalent of “to set it right,” if one reads “joint” literally as the joint of a body; the usual translation of “out of joint” is “aus den Fugen,” where “Fuge” has more the connotation of “seam,” “interstice,” or “connection.”  In this way Arendt answers the English literally and therefore newly in German.  She gives her text a “figurative posture,” which advocates for a plurality of languages.  This can also be understood as a political gesture against the totalizing assertion of one homogenous language (of truth, of philosophy etc.).

All of this is possibly less revolutionary than the “newness” that each child brings into the world.  And yet a reflection of it is brought “as a new thing into an old world.”  In addition, Hamlet’s line “that ever I was born to set it right” being placed in the charged context of Arendt’s thoughts on natality (the human condition of being born, which equips every newcomer with “the capacity of beginning something anew, that is, of acting”) challenges both perspectives on action: Is Shakespeare’s Hamlet more capable of taking action than we usually think?  Is Arendt’s “newcomer” more bound in his or her actions than we typically assume?  Arendt’s mode of writing preserves an educating esprit for her readers.

—Thomas Wild, with Anne Posten

10Dec/122

Arendt & Auden

“And wonder what you’ve missed”

- W. H. Auden, as quoted in Hannah Arendt’s The Life of the Mind

At the end of the second-to-last chapter of the Thinking section of The Life of the Mind , Hannah Arendt quotes two stanzas from W. H. Auden’s poem As I Walked Out One Evening, the first of which is the following:

O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you've missed.

Arendt thus ends a chapter containing no prior reference to Auden with two significant quotes by him, offering no further comment of her own. This lies in stark contrast to her treatment of the quote from The Tempest, which directly precedes the Auden quote; she relates Shakespeare’s metaphors very clearly to the subject matter of the chapter. Why, then, do Auden and his quotes have free rein?

In her essay “Remembering Wystan H. Auden,” written shortly after Auden’s death, Arendt describes their relationship as “very good friends but not intimate friends.”  The rest of her tribute reveals her profound respect for Auden not just as a friend, but also as a writer and thinker. This respect is further indicated by their letter exchanges and the vast collection of Auden’s books in Arendt’s personal library; and it is reciprocated by Auden, who in 1959 reviewed The Human Condition for the magazine Encounter, describing within it the “jealous possessiveness” he experienced due to the close connection he felt with the book. Years later, Arendt dedicated her lecture Thinking and Moral Considerations to Auden. Shakespeare’s presence is to be noted in both this lecture and Auden’s essay The Fallen City. Some Reflections on Shakespeare’s “Henry IV”, upon which Arendt voiced her opinions in a letter to Auden. Arendt’s placement of the Shakespeare and Auden quotes in close proximity to each other in The Life of the Mind creates an illumination of each text by the other, as we will see later.

In order to unfold the meaning of the quote from As I Walked Out One Evening, however, one should consider the poem in its entirety. As two stanzas excerpted from a 15-stanza whole and presented without context, their meaning appears at first glance to be rather abstract. The poem focuses on humankind’s fight against time, explored mostly through a song sung by “a lover,” which the speaker of the poem overhears. This bears strong relation to one of the main questions explored by Arendt in her chapter: that of the position of the thinking ego in time, and its constant battle against both the past and the future. However, while Arendt concentrates on temporal freedom within the present realm of thought, which exists in an area bound to but not trapped in the midst of this battle, Auden’s focus is on the inevitability of “Time”, which is capitalized as such and portrayed as an ever more malignant force of nature. The description of the “crowds upon the pavement” as “fields of harvest wheat” in the first stanza already hints at death, evoking the Grim Reaper and time as a sickle on its way to sever our lives. The first explicit reference to Time appears in the sixth stanza:

But all the clocks in the city
Began to whirr and chime:
‘O let not Time deceive you,
You cannot conquer Time.

Image by xetobyte

This context sheds light on the two stanzas quoted by Arendt. Even the exclamation “O” increases in its significance; one hears in the background of one’s mind odes from literary practices of centuries past, and ruminates on the continuity of traditions, considering Time’s role in it as both a destructive and constructive force, especially in light of Arendt’s own ruminations regarding the discontinuity of “the Roman trinity that for thousands of years united religion, authority, and tradition.”  Her related notion of a “fragmented past” resonates with the second of the two stanzas by Auden: “And the crack in the tea-cup opens/A lane to the land of the dead.”

The reiteration of the words “plunge” and “stare” in the first quoted stanza leads one to consider the significance of repetition, a technique that Auden employs throughout the poem, in the context of time. Repetition can be perceived as a loop of time, giving it a plurality (for example, describing the word as being used two times) while also somewhat of a stationary character, since physical time has elapsed but mental time has not, instead revolving around itself and meditating on the same idea in a suspended state. Auden’s poem thus offers us another way of approaching Arendt’s consideration of time as experienced by the thinking ego.

The physical imagery employed by Auden reveals water to be an especially powerful metaphor for time. The poem concludes with: “The clocks had ceased their chiming,/And the deep river ran on,” portraying the constancy of time, ever running, even when our own human efforts to measure or control time have stopped or failed. The eighth stanza also contains a subtle evocation of water: “In headaches and in worry/Vaguely life leaks away”; in this context, our personal lifetime is the water that we cannot imperviously contain. This aids our understanding of the image of water in the basin in the first quoted stanza. Containing water in the basin represents our attempts to control and preserve time in a human construct, but, despite all these efforts, we cannot grasp time in our hands, no matter how deeply we “plunge” our hands into the water. Instead we can only “stare, stare” at our reflection, and “wonder what you’ve missed”. These four words are possibly the key to unlocking the relationship between this poem and The Life of the Mind. The physical reflection of oneself in the basin’s water prompts a mental reflection on the passage of time; time is once again suspended as our thinking ego considers our past. But perhaps Time is even more malevolent, in that while we stare at our reflection (the verb “stare” itself having rather stern connotations, in contrast to words such as “look” or “gaze”), physical time is still passing, and we are consequently “miss[ing]” even more of or from our lives as we try to deduce what the past has already robbed from us.

In her interpretation of the Tempest quote preceding the Auden citation, Arendt presents a rather different view of the water-time metaphor. The sea here represents an infinite expanse of time containing “fragments from the past”, the “pearls” and “coral” that do not pass away but are modified by the time they spend in the sea. As two stanzas extracted from an entirety of fifteen, Arendt presents Auden’s words as “pearls” and invites us to play a part in the continuity of this poem and the thinking ego within it, saving it and treasuring its “sea-change” through the generations.

-Frances Lee

 

5Dec/120

The “E” Word

The New York Times tells the story of Benjamin Goering. Goering is 22. Until recently he studied computer science and philosophy at the University of Kansas. He felt “frustrated in crowded lecture halls where the professors did not even know his name.” So Goering dropped out of college and went to San Francisco, where he got a job as a software engineer.

I applaud Goering for making a risky decision. College was not for him. This does not mean he wasn’t smart or couldn’t cut it. He clearly has talent and it was being wasted in courses he was not interested in that were costing him and his family many tens of thousands of dollars every year. In leaving, Goering made the right decision for him. Indeed, many more college students should make the same decision he did. There are huge numbers of talented people who are simply not intellectuals and don’t enjoy or get much out of college. This is not destiny. A great or good teacher might perk them up. But largely it is a waste of their time and money for them to struggle through (or sleep through) classes that bore them. If anything, the forced march through Shakespeare and Plato make these students less engaged, cynical, and self-centered as they turn from common sense to the internal pursuit of self interest in partying and life in private.

The story should raise the big question that everyone tiptoes around in this current debate about college: Who should go to college?

The obvious answer is those who want to and those who care about ideas. Those who see that in thinking and reading and talking about justice, democracy, the scientific method, and perspective, we are talking about what it means to live in a large, democratic, bureaucratic country at a time of transition from an industrial to a information-age economy. College, in other words, is for those people who want to think about their world. It is for people who are willing and eager to turn to the great thinkers who came before them and, also, the innovative scientists and artists who have revealed hidden secrets about the natural and the human worlds. It is, in other words, for intellectuals. And this of course raises the “E” question: the question of elitism.

It is folly to think that everyone is or should be interested in such an endeavor. In no society in history have intellectuals been anything but a small minority of the population. This is not a question of privilege. There is no reason to think that those who love ideas are better or more qualified than those who work the earth, build machines, or engineer websites. It may very well be otherwise.

Hannah Arendt was clear that intellectuals had no privileged position in politics. On the contrary, she worried that the rise of intellectuals in politics was specifically dangerous. Intellectuals, insofar as they could get lost in and captivated by ideas, are prone to lose sight of reality in the pursuit of grand schemes. And intellectuals, captivated by the power of reason, are susceptible to rationalizations that excuse wrongs like torture or suicide bombing as means necessary for greater goods. The increasing dominance of intellectuals in politics, Arendt argued, is one of the great dangers facing modern society. She thus welcomed the grand tradition of the American yeoman farmer and affirmed that there is no need to go to college to be an engaged citizen or a profound thinker. The last of our Presidents who did not attend college was Abraham Lincoln. He did just fine. It is simply ridiculous to argue that college is a necessary credential for statesmanship.

While intellectuals have no special claim to leadership or prominence, they are nevertheless important. Intellectuals—those who think— are those people in society who stand apart from the mainstream pressures of economy and influence and outside the political movements of advocacy and propaganda. In the Arendtian tradition, intellectuals are or can be conscious pariahs, those who look at their societies from the outside and thus gain a perspective from distance that allows them to understand and comprehend the society in ways that people deeply embedded within it cannot. Those who stand apart from society and think are important, first because they preserve and deepen the stories and tales we as a society tell about ourselves. In writing poetry, making art, building monuments, writing books, and giving speeches, intellectuals help lend meaning and gravity to the common sense we have of ourselves as a people.

One problem we have in the current debate is that College has morphed into an institution designed to do many (too many) things. On the one hand, college has historically been the place for the education of and formation of intellectuals. But for many decades if not many centuries, that focus has shifted. Today College is still a place for the life of the mind. But it is also a ticket into the middle or upper-middles classes and it is equally a job-training and job-certification program. Of course, it is also a consumer good that brands young people with a certain mystique and identity. For many localities colleges are, themselves, job creation machines, bringing with them all sorts of new businesses and throwing off patents and graduating students that reinvigorate local communities. The university is now a multiversity, to invoke Clark Kerr’s famous term. When we talk about college today, the debate is complicated by these multiple roles.

It is difficult to raise such issues today because they smack of elitism. Since college-educated people think they are superior to those without a fancy diploma, their egalitarianism then insists that everyone should have the same experience. We are not supposed to entertain the idea that some people may not want to go to college. Instead, we are told that if they had a better education, if they knew better, if they just were taught to understand, they would all want to sit in classrooms and read great books or do exciting experiments.

We are stuck today with what Hannah Arendt called, in a related context, the “democratic mentality of an egalitarian society that tends to deny the obvious inability and conspicuous lack of interest of large parts of the population in political matters as such.” In politics, Arendt argued that what was needed were public spaces from which a self-chose “élite could be selected, or rather, where it could select itself.” Similarly, in education today, colleges should be the spaces where those who want to select themselves as an educated élite might lose themselves in books and experiments and amongst paintings and symphonies. There is simply no reason to assume that most people in society need to or should be interested in such an endeavor.

One reason the question of elitism is so present in debates about college is the disgusting and degenerate state of American public high schools. If high schools provided a serious and meaningful civic education, if they taught not simply reading and writing and arithmetic, but history and art—and taught these well—we would not need to send students to remedial education in college where they could be taught these subjects a second time. While many academics wring their hands about making college available to all, they might do much better if they focused on high schools and grammar schools around the country. If we were to redistribute the billions of dollars we spend on remedial college education to serious reform efforts in high schools, that money would be very well spent.

To raise the question of elitism means neither that college should be open only to the rich and connected (on the contrary, it should be open to all who want it), nor that the educated elite is to be segregated from society and kept apart in an ivory tower. When one reads Shakespeare, studies DNA, or dances with Bill T. Jones, one is not simply learning for learning's sake. Few understood this better than John Finley, Greek Professor at Harvard, who wrote General Education in a Free Society in 1945. Finley had this to say about the purposes of a college education:

The heart of the problem of a general education is the continuance of the liberal and humane tradition. Neither the mere acquisition of information nor the development of special skills and talents can give the broad basis of understanding which is essential if our civilization is to be preserved…. Unless the educational process includes at each level of maturity some continuing contact with those fields in which value judgments are of prime importance, it must fall short of the ideal.

What college should offer—as should all education at every level except for the most specialized graduate schools—is the experience of thinking and coming to engage with the world in which one lives. College is, at its best, an eye opening experience, an opportunity for young people to learn the foundational texts and also be exposed to new cultures, new ideas, and new ways of thinking. The ideas of justice, truth, and beauty one learns are not valuable in themselves; they are meaningful only insofar as they impact and inform our daily lives. To read Plato’s Republic is to ask: what are the value of the ideas of good and the just? It is also to meditate on the role of music and art in society. And at the same time, it is to familiarize oneself with characters like Socrates and Plato who, in the world we share, epitomize the qualities of morality, heroism, and the pursuit of the truth wherever it might lead. This can also be done in high schools. And it should be.

It is simply wrong to think such inquiries are unworldly or overly intellectual. Good teachers teach great texts not simply because the books are old, but because they are meaningful. And young students return to these books generation after generation because they find in them stories, examples, and ideas that inspire them to live their lives better and more fully.

As Leon Botstein, President of Bard College where the Hannah Arendt Center is located, writes in his book Jefferson’s Children,

No matter how rigorous the curriculum, no matter how stringent the requirements, if what goes on in the classroom does not leave its mark in the way young adults voluntarily act in private and in public while they are in college, much less in the years after, then the college is not doing what it is supposed to do.

The basic question being asked today is: Is college worthwhile? It is a good question.  Too many colleges have lost their way. They no longer even understand what they are here to offer. Faculty frequently put research above teaching. Administration is the fastest growing segment of university education, which is evidence if anything is that universities simply do not know what their mission is anymore. It is no wonder, then, that many of our brightest young people will begin to shy away from the thoughtless expectation that one must attend college.

All around us, people are opting out of college. The mania for online education is at least in part fueled by the hunger for knowledge from students and others who do not want or need to attend college. The Times highlights Uncollege and other organizations that advocate “hacking” your education. Recall that Lincoln was better schooled in the classics of poetry and politics than most every college educated President who followed him. At a time when many colleges are so confused and trying to do so many things, they often do none well. It may be the case today that we need to evolve new networks and new organizations where intellectualism can flourish. And it may be small liberal arts colleges that are more flexible and more able to make that transition than large, bureaucratic research institutions.

The real question this debate needs to raise, but avoids, is: Who should get a college education? The answer, “not everyone,” is one few want to hear. And yet it might be the beginning of a real conversation about what a college education is for and why we are today so often failing to provide it to our students.

-RB

 

6Feb/120

Education in a Transitory World

"Basically we are always educating for a world that is or is becoming out of joint, for this is the basic human situation, in which the world is created by mortal hands to serve mortals for a limited time as home."

-Hannah Arendt,  Between Past and Future

Facing the command of the ghost, Hamlet laments his task of revealing that his uncle murdered his father to rule Denmark: "The time is out of joint. O cursed spite, that ever I was born to set it right." As the heir to the throne, Hamlet's personal situation is inherently political and Shakespeare's tragedy stages the premature death of the father as genealogical break that raises the question of succession. Arendt generalizes Hamlet's words in a manner that might appear paradoxical at first: how can the world always be becoming out of joint? Is there never a moment of rest or cohesion from which the disjunction starts?

Her conception of finitude is key here: humans make a world (comprised of structures and practices of living together) that lasts only for a set period. In this sense "home" for Arendt does not offer the permanent refuge that philosophers and poets often long for. The crisis in education that she writes of in the late 1950s is in part one of a particular time and place. She does critique specific pedagogical trends such as an emphasis on play-like activities in the classroom over "the gradually acquired habit of work." In a broader sense, however, the crisis of education actually responds to the crisis in authority that she sees occurring over a long historical arc. While she recognizes the declining power of the parent, teacher, and expert, however, Arendt does not merely advocate a harsh return to old models. Instead she advocates a "minimum of conservation" that allows the most basic operation of reinterpreting the past based on new conditions. The word "education" derives from the Latin root ēdūcĕre, meaning "to lead forth" but for Arendt such a journey could have little confidence in its destination.

Political and economic shifts in the post Cold-War era have put pressure on education such that today it is increasingly charged with directly preparing students for integration into a system of world trade. Students have in recent months raised demands against student debt in higher education which is the result of a system of individual financing that appears less reasonable to those now facing uncertain careers.

 At the same time, higher education budgets continue to be cut in general (especially at public institutions) and the Humanities continue to come under specific attack, usually under the rubric of lack of immediate relevance. Rising debt without prospect of repayment and budget cuts both suggest something worse than a crisis in education: a threat to education itself in its role in transmitting ideas of the past in order to enable the new generation to reconfigure a common world.

13Jan/120

“Downton Abbey”, a “Crisis in Culture”?

Everyone, so I am told, is watching and talking about "Downton Abbey." It is a TV show, for those living under a bigger rock than I am. So the other day I asked the person charged with keeping me alive to the real world why the show was so compelling.

The answer arrived in my email later that morning in the form of an article: "The Philistine's Guide to Downton Abbey: Why Everyone in the Universe Should Watch Downton Abbey."

Cast of "Downton Abbey"

A philistine, let us recall, originally named a biblical enemy, a part of a host so large and superior in numbers that it would overrun Judeo-Christian civilization. In its modern usage, a philistine is part of mass society, those who judge all things in relation to their material or utilitarian values.

So what does a philistine want from "Downton Abbey"? First and foremost, it seems, he wants to be educated. Here I quote from the article on Gawker:

The first season of the show dealt with the sinking of the Titanic, Marxism, and the burgeoning women's rights movement thanks to the Earl's progressive youngest daughter, Sybil. This season is all about the Great War, as the Brits call it. It's teaching history! There are also all those damn costumes and beautiful interiors and characters with complex motivations being penned in by a restrictive society. It's all the best parts of Middlemarch without having to lug around a thousand page novel all the damn time.

For those who aren't afraid to lug around Middlemarch as well, the New York Times offered a front-page story Wednesday with book recommendations for those following the series. According to the paper of record, Julian Fellowes, the show's creator, "has been deliberate about dropping open-ended references into the scripts" that are designed to send viewers to their libraries (or at least their IPads). The show clearly plays into the long-standing cultural demand for entertainment that doubles as education. It seems we are desperate to sugarcoat our need for distraction with the promise that we are actually making productive use of our downtime.

The New York Times article comes complete with recommendations for books of history and poetry, and even other works of historical fiction, each designed to occupy the hours between the episodes of the show. But one essay recommendation was conspicuously absent from the list.

The current mania for "Downton Abbey" calls to mind Hannah Arendt's essay "The Crisis in Culture," Arendt's most powerful explorations of the role of art and the artist in contemporary life. The essay is actually in two parts. Part One addresses the relation between culture and society. Part Two concerns the connection between culture and politics. So this week's weekend read is Part One of "The Crisis in Culture." Next week I'll discuss Part Two. I hope you enjoy it in-between episodes.

In raising the question of the crisis of culture, Arendt is not assuming the mantle of culture warrior. She explicitly refuses to condemn low-brow culture—we all need entertainment. Nor is critical of the masses. The problem she is concerned with has its origins not in mass society but in good society. She is not criticizing those who enjoy their sitcoms. No, her critical eye is focused on the elite PBS viewers of "Downton Abbey."

Arendt's essay begins with a distinction between culture and society. Simply put, artists, intellectuals, and defenders of culture accuse society of "philistinism." The philistine concerns himself only with utility while the cultural artist aims at truth and beauty.

The problem emerges when the philistines come to find that culture is useful. Then the "educated philistine" emerges, someone who seeks to advance his own social standing by monopolizing culture. The educated philistine embraces culture. He collects art, sits on the boards of universities and symphonies, and displays his "contempt for the vulgarity of sheer moneymaking."  The educated philistine despises entertainment and amusement, because no "value" can be derived from it. It is the educated philistine, not the artist, who is the snobbish culture warrior committed to demeaning pure entertainment.

As Arendt tells it, culture comes increasingly to be valuable as a currency that guarantees and advances social standing. But as culture becomes valuable, it loses its distinction from the other values of society. Cultural objects lose their distinction—that they can arrest our attention and move us. Arendt offers the example of Gothic cathedrals, which were built for the glory of God. Of course the cathedrals were useful too, but their immense and extraordinary beauty cannot be explained by their usefulness. Their beauty, she writes, "transcends needs and functions."

The beauty of cathedrals lasts through the ages. The cathedrals become part of our world, as do mosques and temples, paintings and sculptures, and all the public buildings and political structures that give form and meaning to our otherwise transient mortal lives. Yes, human beings can live without a culture; many have. But when they do, they live simply to live. For Arendt, that is not a distinctly human life in a human world.

We only live in a human world when "the totality of fabricated things is so organized that it can resist the consuming life process of the people dwelling in it, and thus outlast them."  Lasting works of art make our world a human world, they give the world its distinction and its humanity. It is this worldliness that makes the world human. And this worldliness and humanity are born from the work of artists (visual, poetic, and political) who create the lasting institutions and things that give the world meaning as our world. Because culture concerns the lasting and immortal architecture of our human world, it is concerned with art—things made for no other purpose than to be beautiful and true.

The challenge posed by the mania around a show like Downton Abbey is that it is part and parcel of a cultural moment when art abandons its transcendent and protected realm and appeals to the needs of overly busy "educated philistines" who want their entertainment also to be useful. Arendt's examples are rewritten versions of classics like Shakespeare that are made as entertaining as My Fair Lady. There is nothing wrong with My Fair Lady. But the demand to make Hamlet entertaining—or to make entertainment educational—means, Arendt writes, that "culture is being destroyed in order to yield entertainment." Hamlet as a great work that can stop us and make us think and re-think our lives and our world can survive neglect; but it cannot survive being repackaged into entertainment. And this raises the true specter haunting Arendt's essay: that all the cultural goods that make up our world will be repackaged as entertainment, thus loosening the immortal bonds that tie us together as members of a common world.  This means, for Arendt, the threatened loss of culture and with it of the specifically human world. As she writes:

The point is that a consumer's society cannot possibly know how to take care of a world and the things which belong exclusively to the space of worldly appearances, because its central attitude toward all object, the attitude of consumption, spells ruin to everything it touches.

I hope you enjoy "Downton Abbey." But I also suggest you take the time to read "The Crisis of Culture."

-RB