Hannah Arendt Center for Politics and Humanities

Amor Mundi 11/22/15


Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upHome Away From Home

yale protestsJeannie Suk notices that the student protests that erupted last week at Yale, Mizzou, and elsewhere mobilize the rhetoric of home and the family: "Particularly in the way things have unfolded at Yale, students' social-justice activism has been expressed, in part, as the need for care from authority figures. When they experience the hurt that motivates them to political action, they're deeply disappointed with parental surrogates for not responding adequately or quickly enough to support and nurture them. The world in which it's not bizarre for a young person to rebuke someone for failing to 'create a place of comfort and home,' or to yell, 'Be quiet ... You're disgusting!,' and storm away, is the world of family, where a child in pain desperately desires empathy and understanding from a parent. The online scorn heaped on the student who was filmed behaving this way represents an unproductive refusal to compassionately translate her behavior across the generational divide. In a piece called 'Hurt at Home,' another Yale student wrote, 'I feel my home is being threatened,' and contrasted her comforting relationship with her father to the care she felt students emphatically did not receive from the master of Silliman College. Yale tells its students that the residential college is their 'home away from home,' but this generation might be the first to insist so literally on that idea.... The president of Claremont McKenna College--which has recently seen racial-bias protests, hunger strikes, and a high administrator's resignation--wrote in an e-mail to the community that one role of higher education is to 'provide a very special home for our students as a bridge from their families to the truly adult and independent world.' This formulation is particularly poignant at a time when material independence will be elusive for many college students, who are coming of age during a recession, with onerous debt, and may actually go home to their parents for much of their twenties in order to make ends meet. In the midst of the developing story on campus activism, the horror of mass violence in Paris wrought by ISIS brought us back to our experience of the September 11th attacks, an event seared into the child psyches of current college students, and sufficient to have robbed them of the basic sense of safety that my generation enjoyed. The students' preoccupation with safe spaces and the comfort of home seems a plausible manifestation of the profound lack of security--from violence to financial insolvency--that their generation faces. No wonder that their calls for social justice return to the talisman of safety and care of parental figures." 

This isn't the first time that metaphors of home have been marshaled as pleas for safety in a suddenly dangerous world. They appeared during the Cold War, when the suburbs turned into a refuge for white families attempting to protect themselves in a homogenized home from the dual threats of Communism and the atomic bomb. The family and social formations encouraged by those metaphors led to an infamously flat and seemingly conformist culture, which led to the countercultural spasms of the 1960s and in turn to the conservative revolution of the 1970s and 1980s, which also mobilized home and family as symbols of a time when the world seemed a little safer, that is, somewhat ironically, than the 1950s. In both cases, the symbolism of the home was used to protect the private lives of white people. 

In her essay "What Is Freedom," Arendt writes that "the public realm stands in the starkest possible contrast to our private domain, where, in the protection of family and home, everything serves or must serve the security of the life process." Similarly, Richard Rodriguez in his book Hunger of Memory distinguishes the intimacy and safety of the home life of a young Latino immigrant from the publicity and challenges of life at school. As Rodriguez argued at his talk during the 2013 Arendt Center conference "Failing Fast," becoming a citizen means learning to switch between the two worlds of home and public life; it means acquiring a public self. One important role of higher education is to give students the experience of living away from home, in public, where they can experiment with and learn to assume their public personas. That college, which constitutes a time for taking chances, also means that it is a moment of failure and danger. This has always been the case, but it is also true that students today negotiate a more complicated world of class, race, religion, and gender than students of any prior generation. So many college students now find themselves without safe homes and private places to which they can retreat at moments of crisis. More students at colleges and universities are from diverse and insular communities than ever before. Thrust from their often-sheltered lives, students now must negotiate public interactions with people whose opinions they have never before encountered and that they frequently find threatening. And in college dorms teeming with sometimes obnoxious students eager to try out new ideas, tensions can rise. 

No one can live in public all the time, and all of us need moments alone where we can, in private, collect ourselves and steel ourselves for the courage public life demands. At a time when the security of a private space is fleeting for so many young people, colleges and universities have added layers of student deans and counselors to help students through emotional, racial, and sexual crises. Students now call upon and depend on the very administrators for help whom they criticize and protest against. In such a situation, the danger lies less with students and more with administrators who, in the name of consumerism and motivated by an aversion to risk, are creating policies and procedures that shut down the vibrancy of the student experience. Some students may demand trigger warnings, disciplinary procedures, and censorship. That is part of the experience of being young and experimenting with new and powerful if also dangerous ideas. We shouldn't blame students for speaking and trying out new ideas. The fault, if there is one, is with administrators who accede to these demands. --RB (with assistance from JK)

Save the date for the Hannah Arendt Center's 2016 conference: "How Do We Talk About Difficult Questions?: Race, Sex, and Religion on Campus." October 20-21, 2016.

The Challenge of Unmediated Media

jonathan hollowayIn the New Yorker, Jelani Cobb interviews Yale Dean Jonathan Holloway. Cobb: "There have been people who look at this situation and say, 'These students, who are at one of the most élite institutions in the United States and are reacting in this way, they are coddled and thin-skinned and they should just maybe toughen up. That's the biggest thing they need to do." Holloway: "I understand that. This is not just a black problem or a brown problem or a women's problem or whatever. We are seeing a generation of students, and I don't know why, who do seem less resilient than in the past. I think part of it is that things aren't mediated like they have been in the past. You don't have the luxury of sitting down and pondering what somebody just said, because you're too busy putting it into a Tweet and saying, 'This is an outrage.' There's no mediation of ideas. It's all off the top of my head and it's pain, in this case. I think that, because people are not getting enough sleep, and these things just keep on, Tweets keep coming in, that they are not equipped properly to process it all. I think that's a major part of it. The other part is that students have been struggling at Yale for a long time, and at similar institutions. The administrations were not set up even to care about them. It's not just that maybe students are less resilient, it's that the administrations actually are doing more work to identify people who are struggling. In a different era, if you had a drinking problem, there's a nod and a wink, and that's just the way Buster behaved. Now we understand women's side, that this thing is a real problem, and, hey, wait a second, this guy drinks and he sexually assaults somebody. We've got to deal with that. You build up an apparatus to deal with people in crisis, and it actually helps us understand that--you know what?--more people are in crisis than we actually thought. I think these things go hand in hand, and I don't think anybody's really figured it out. We can claim we figured it out, but I think no one's got the patent on that one yet. I think I've said it, but I've actually been buoyed in the last couple days, because I've seen the Yale that I believe is normal--a really smart school confronting a problem and trying in a creative way to solve it together. That sounds like an advertisement but I actually believe that it operates that way. People are being increasingly willing to presume good faith on someone else's behalf instead of just being negative. It's as simple as that. Time will tell where this all shakes out, but I am cautiously optimistic that we are moving to a different place here. Hell, I've been wrong three or four times already this week, so who knows?"

Snowden Against Sousveillance

snowden sousveillanceAmong the many accounts of Edward Snowden's recent talk at the Hannah Arendt Center's conference "Why Privacy Matters," Ruth Starkman's essay in the LA Review of Books stands out for raising the wide range of issues discussed, including some of the more controversial. For example, Starkman focuses on Snowden's somewhat unpopular (at least at Bard) rejection of sousveillance as a response to surveillance. Sousveillance means to observe from below as opposed to the observation from above, that is, surveillance. "Indeed, Snowden flung the doors wide open on public discussions of privacy and the internet. His legacy was clear at the Bard College 'Why Privacy Matters' conference, which featured prominent speakers whose careers have one way or another been shaped by Snowden, including Ben Wizner. Senior editor from The Intercept Peter Maass interviewed Snowden. Fritz Schwarz of the historic Church Commission took student questions about information before and after 9/11. Kate Crawford asked questions about the sort of ethical education computer science students should receive. Jeremy Waldron argued for 'an accountable, open' surveillance, which allows people to talk back to and cooperate with government agencies. Astrophysicist and sci-fi author David Brin took the radical position that students and the general public at large should fight surveillance with their own cameras, as people have in the Black Lives Matter movement. Brin describes this kind of grassroots, defensive surveillance as 'sousveillance.' Sousveillance appeals to students of all stripes. In fact, when the Bard College Debate Union invited the West Point Debate Society to debate the question of surveillance, both sides argued that surveillance could become an instrument of the public as well as the government, and could protect 'black and brown bodies, the LBGTQ community and other vulnerable populations.' West Point debaters on both sides of the debate reminded the audience that this debate was purely educational and did not reflect the opinions of the United States or its military. Snowden disagrees with sousveillance: 'We don't need a surveillance arms race; we need to protect individual privacy.' Bard students defended grassroots public surveillance as a tactic against the elite (an elite to which institutions like Bard, Stanford, Harvard, and Princeton also belong). Snowden didn't budge much here."

Unintended Consequences

borderAlfredo Corchado in The New Yorker cites Hannah Arendt Center Fellow Natalia Mendoza as a means to explore the unexpected consequences of beefed up security at the U.S.-Mexican border. "Like many other policies from Washington, this one had unintended consequences. The anthropologist Natalia Mendoza, a fellow at Bard College, observes that, because of greater border securitization, 'the cost of smuggling has increased to a point that smugglers can no longer be independent.' That is, as small, autonomous, local 'mom and pop' smuggling became more expensive and difficult, bigger, more structured, and violent organizations took over. Common-use crossing points, for instance, were now 'privatized' by criminal networks able to keep their operations going, absorb the rising costs, and still make a profit. Hence, groups of smugglers who used to work on their own or as subcontractors for different bosses were either pushed out of business or forced to join a larger cartel. Even if unanticipated, this process of criminal professionalization was a perfectly rational result of border security acquiring 'industrial' proportions: with the post-9/11 clampdown, the business of drug smuggling consolidated. The old and close-knit communities along the border never prevented drug trafficking or illegal crossing. Yet they used to function as a sort of social-control mechanism that kept drug-related violence relatively under check. People knew one another; they kept an eye on things. Suddenly, though, fear and hardened policies broke those bonds. Border communities started resembling ghost towns. The result was a surge of violence in Mexico, as cartels fought to establish dominance over important drug-shipping routes. According to estimates, the drug trade makes up between half a per cent and four per cent of Mexico's $1.2 trillion annual G.D.P.--totaling between about six billion dollars and forty billion dollars--and employs at least half a million people. Contraband U.S. guns that are trafficked into Mexico facilitate the drug traffickers' work. Around two hundred and fifty thousand firearms are purchased each year to be trafficked, and U.S. and Mexican authorities are seizing only about fifteen per cent of them, according to a study by the University of San Diego and Igarapé Institute."


japanese internmentSeeking a way through the questions, the grandstanding about whether or not the United States should accept Syrian refugees following last week's attack in Paris, Matt Ford suggests that we look back to the internment of Japanese residents and citizens during WWII, as well as the Supreme Court case, Korematsu v. United States, that upheld that policy: "The Supreme Court has never overturned Korematsu, largely because federal and state governments have not attempted the mass internment of an entire ethnic group since then. But the decision belongs to what legal scholars describe as the anti-canon of American constitutional law--a small group of Supreme Court rulings universally assailed as wrong, immoral, and unconstitutional. Dred Scott v. Sandford, Plessy v. Ferguson, Buck v. Bell, and Korematsu form the anti-canon's core; legal scholars sometimes include other decisions as well. Korematsu's place in that grim pantheon is well-earned. Courts apply strict scrutiny, the highest level of review, when weighing laws or policies that discriminate on the basis of race, national origin, or alienage. Korematsu was the standard's first application; it was also the last time it failed to protect the group in question. 'There is only one situation in which the Court expressly upheld racial classifications burdening minorities: the rulings affirming the constitutionality of the evacuations of Japanese-Americans during World War II,' wrote Erwin Chemerinsky, a UC Irvine law professor and prominent scholar of constitutional law. 'No evidence of a specific threat was required to evacuate and intern a person. Race alone was used to determine who would be uprooted and incarcerated and who would remain free.'... Expelling all Japanese Americans from the Pacific Coast would have seemed unthinkable in 1940. Then came the fear and paranoia that pervaded cities like Los Angeles and San Francisco after Pearl Harbor. Frenzied reports of Japanese submarines off Oregon and saboteurs in California fueled a climate in which extreme constitutional violations towards an unpopular few seemed reasonable to a fearful many. Korematsu is a reminder that, in times of crisis, there will always be an unpopular minority to fear and opportunistic demagogues to demonize them. But central to the Bill of Rights' purpose is the protection of the few from the cruelty of the many, no matter who that few or many may be."

A Lesson in Courage

syrian refugeesPhil Klay, a decorated Marine and winner of the National Book Award, engaged the debate over refugees in a series of twelve tweets. Here are a few: "3. The Marine hymn claims that Marines are the 'first to fight for right and freedom and to keep our honor clean.'--Phil Klay (@PhilKlay) November 19, 2015. 4. You're not supposed to risk your life just for the physical safety of American citizens--Phil Klay (@PhilKlay) November 19, 2015. 5. You're supposed to risk your life for American ideals as well.... 11. Millions of pilgrims are hurtling through the darkness, but it's Germany that has recently been the beacon standing strong and true. Phil Klay (@PhilKlay) November 19, 2015."

The Risk It May Be Boring

homerIn the NY Times Magazine, Arendt Center Senior Fellow Wyatt Mason recommends Christopher Logue's half-completed and finally posthumously published translations of Homer's Iliad. "'I find it boring,' Logue said to a friend, Doris Lessing, about Homer's epic, echoing a feeling that I--and perhaps you, too--have had upon trying to read any of the translations we've endured in school: I'm looking at you, Richmond Lattimore! 'Professor Lattimore adheres to the literal at times as stubbornly as a mule eating briars,' wrote the Thoreauvianly literate American critic Guy Davenport in his great 'The Geography of the Imagination.' Lattimore's literality--English words arranged in Greek syntax--produces a language that is barely English, let alone representative of Homer's poetry. 'One can say in this language,' Davenport explains, quoting Lattimore, 'such things as "slept in that place in an exhaustion of sleep" (for Homer's "aching with fatigue and weary for lack of sleep") and "the shining clothes are lying away uncared for" (for "your laundry is tossed in a heap waiting to be washed").' Carne-Ross, who was commissioning his new 'Iliad' to evade translatorese, wouldn't accept Logue's demurral. He, too, found many translations of Homer--Lattimore's especially--boring and had the Greek to back it up. He also had a plan for how Logue could manage the impossible task of translating a language he did not know. 'I will make you a crib,' Carne-Ross told Logue. A crib: a word-for-word translation of the Greek for Logue to work from. Carne-Ross also read the Greek aloud to Logue, to give him a sense of how it felt. Logue quickly discovered that there was nothing boring about Homer, only the risk of translating Homer into something boring."


dying comicJared Gardner suggests that comics may be a form particularly suited for describing illness: "As the authors behind the Graphic Medicine Manifesto argue, the comics form that emerged simultaneously with the new imaging technologies at the end of the 19th century was in the 20th the constant subject of experiments in the relationship between two semantic systems--word and image--as they collaborated and competed to convey meaning. The highly charged relationship wherein neither text nor image conveys the truth but together succeed in saying something more true than either could individually has been termed 'the vital blend' by Robert C. Harvey. This blend extends further to the relationship between creator and reader, who must, as Scott McCloud and others have argued, collaborate at every turn to make meaning by filling in the gaps of what this highly elliptical and fragmentary form necessarily leaves unwritten and undrawn. Arguably more than any other narrative form, comics have always wrestled with the challenges of making meaning out of competing systems and storytellers, yielding something different--and, when it is done right, better--than either could tell alone. And here is where comics can come to the rescue of medicine, as they did for this patient and for so many others over the last generation, modeling generative collaborations between image and text, data and narrative, creator and reader, and doctor and patient in the face of experiences seemingly impossible to relate. Graphic autobiography was born with an illness narrative--Justin Green's Binky Brown Meets the Holy Virgin Mary (1972), about debilitating OCD--but it was not until the 1990s that illness memoirs began truly to proliferate in comics, with such seminal texts as Al Davison's The Spiral Cage (spina bifida) and Harvey Pekar and Joyce Brabner's Our Cancer Year (testicular cancer and chemotherapy). In the 21st century, narratives about mental and physical illness have emerged as the dominant form of nonfiction comics."

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #15

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, December 4, 2015

Bluejeans.com, 11:00 am - 12:30 pm



images of surveillanceImages of Surveillance: The Politics, Economics, and Aesthetics of Surveillance Societies

Roger Berkowitz, director of the Hannah Arendt Center for Politics and Humanities, will be a participant at the interdisciplinary symposium: Images of Surveillance: The Politics, Economics, and Aesthetics of Surveillance Societies. The symposium is presented by the Goethe-Institut in New York, NY December 4-6, 2015.

The symposium will combine lectures, panel discussion, artist talks, and presentations to explore the topic in its various political, economic, and aethetic dimensions and open new ways to think about surveillance in the 21st century. At the heart of Images of Surveillance is the recognition that surveillance as object of study is far too complex to be grasped from any single point of view and thus requires us to combine multiple perspectives into a fuller picture of what surveillance might be. Such an approach rejects both disciplinary boundaries and post-modern indeterminacy in favor of a concerted effort to create overlaps and conceptual chains across a wide variety of practices and discourses.

To learn more about the symposium, schedule, and participants visit goethe.de/ny/sensitivedata.

Friday, December 4 through Sunday, December 6, 2015

Goethe Institut, 30 Irving Place, New York, NY 10003

How Do We Talk About Difficult Questions?: Race, Sex and Religion on CampusSAVE THE DATE - 2016 FALL CONFERENCE

On OCTOBER 20-21, 2016 we will host our ninth annual fall conference: "How Do We Talk About Difficult Questions?: Race, Sex and Religion on Campus". We'll see you there!

Thursday and Friday, October 20 and 21, 2016

Olin Hall, Bard College, 10:00 am - 6:00 pm

From the Arendt Center Blog

This week on the Blog, Stefanie Rosenmüller discusses how Arendt scarcely addressed distributive justice but how her reasoning could nonetheless augment that of Martha Nussbaum, who criticized the liberal model of John Rawls, in the Quote of the Week. Albert Camus discusses the responsibility of thinking people in a world of victims and executioners in this week's Thoughts on Thinking. Finally, we appreciate the annotations Hannah Arendt made to E. P. Thompson's "The Making of the English Working Class" in this week's Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

Amor Mundi 5/3/15


Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upOur Daily Routine

nazi trialAnna Sauerbrey has an op-ed in the NY Times about the ongoing trial of Oskar Gröning, what will likely be the last trial of a German Nazi for crimes against humanity. One captivating aspect of the trial is that Gröning has long admitted to his role in the genocide and expressed regret for it. For Sauerbrey, the core of the trial is Gröning's uncanny banality. "At the trial, Mr. Gröning said that from his perspective, the killing of the Hungarian Jews, which had been meticulously planned and for which several new gas chambers had been built in Auschwitz, was 'routine.' What shocked him were merely individual outbursts of violence, like an SS man beating a crying infant to death. The killings in the gas chambers, he said, were 'orderly' and 'clean.' He rarely said the word 'murder.' 'In 24 hours you could take care of 5,000 people,' he said. 'After all, that's how things went in a concentration camp.' Mr. Gröning's language naturally makes one think of Adolf Eichmann, and how his detached explanation of his role as a bureaucrat, at his 1961 trial in Jerusalem, led Hannah Arendt to coin the phrase 'the banality of evil.' Ms. Arendt was, some say, fooled by the defendant, and that Eichmann had embraced the hatred fueling the killing machine. But if Ms. Arendt was wrong about Eichmann, she was on to something, something we now see in what Mr. Gröning is saying. It is the horrifying, mind-wrecking banality of evil condensed in a sentence like 'that's how things went in a concentration camp' that has sustained the German self-narrative of guilt, much more than compassion ever could have. Mr. Gröning makes us question ourselves. I, too, am afraid I wouldn't have resisted. The victims tell us: We must never forget. The perpetrators say: We might do it again." Arendt did not accept Eichmann's claim that he was a mere bureaucrat; she insisted that he chose to participate in genocide and should be killed for his acts. More importantly, she agreed with Sauerbrey that the key question of the Eichmann trial was why some Germans chose to resist Nazi evil while others participated thoughtlessly. The question was, and remains, thus: why could people like Gröning conclude that the orderly planned killing of Jews was routine even as they were shocked by disorderly outbursts of violence? After a semester teaching a course on moral and political courage, it is now clear that what separates those who resist from those who cooperate is simple: it is character. The people who resist simply have an idea of themselves that disallows them from doing certain things. They have a sense of self and the courage to be who they are no matter the costs. They have depth, which is the opposite of banality.

Psycho Babble

psychologyWe live in an age of social science. Everywhere we turn, and in every newspaper we read, we are bombarded with statistics about human behavior. Policy wonks from Cass Sunstein to David Brooks want to use social science research to nudge people to behave in more rational and more responsible ways. But not everyone is an advocate of such research. In her lifetime, Hannah Arendt was eternally suspicious of social science data. First, because she insists that human freedom means that we are never as predictable as data would have us believe. And second, because the admitted success of data as a predictor of mass behavior leads to a loss of faith in the freedom and thus greatness of human action, thus an acceptance of the machine-like behavior of humans. It is thus helpful to remember that many of the seemingly endless studies about human psychological behavior are total bunk, as Kas Thomas writes (in admittedly colorful language). "An effort to replicate 100 research findings in psychology turned up the disturbing fact that key findings from only 39 of the published studies could be reproduced. From the 30 April 2015 article in Nature: 'The results should convince everyone that psychology has a replicability problem,' says Hal Pashler, a cognitive psychologist at the University of California, San Diego, and an author of one of the papers whose findings were successfully repeated. 'A lot of working scientists assume that if it's published, it's right,' he says. 'This makes it hard to dismiss that there are still a lot of false positives in the literature.' But Daniele Fanelli, who studies bias and scientific misconduct at Stanford University in California, says the results suggest that the reproducibility of findings in psychology does not necessarily lag behind that in other sciences. There is plenty of room for improvement, he adds, but earlier studies have suggested that reproducibility rates in cancer biology and drug discovery could be even lower. 'From my expectations, these are not bad at all,' Fanelli says. 'Though I have spoken to psychologists who are quite disappointed.' In other words, these results aren't that bad, really, because they're just as shitty as in other, 'harder' sciences!"

Order and Violence

baltimore protestsViolence can be useful. In response to injustice, it can even be justifiable on a utilitarian scale if violence brings attention to injustice and thus serves the doing of justice. But usually, violence does not lead to justice but rather to more violence. That is the danger of political uses of violence, as Hannah Arendt understood it in her essay On Violence. Responding to the protests following the unexplained brutal beating and subsequent death of Freddie Gray while he was held in police custody in Baltimore, Ta-Nehisi Coates says that calls for 'nonviolence' are being made in bad faith, although that does not in turn justify violence: "When nonviolence is preached as an attempt to evade the repercussions of political brutality, it betrays itself. When nonviolence begins halfway through the war with the aggressor calling time out, it exposes itself as a ruse. When nonviolence is preached by the representatives of the state, while the state doles out heaps of violence to its citizens, it reveals itself to be a con. And none of this can mean that rioting or violence is 'correct' or 'wise,' any more than a forest fire can be 'correct' or 'wise.' Wisdom isn't the point tonight. Disrespect is. In this case, disrespect for the hollow law and failed order that so regularly disrespects the community." The violent protests in Baltimore shed light on the injustice of police violence. There is a question of whether the violent protests were necessary in that aim. But so far, it is hard to deny that the violent protests have yielded what they sought and that they may prove to be one of those rare instances when violence proves itself in the service of justice.

Civility and Truth

salaitaThe American Association of University Professors has released a report on the firing of Steven Salaita. As the report concludes, "At the heart of this case is the question of Professor Salaita's employment status at the University of Illinois when Chancellor Wise informed him that she would not forward his appointment to the board of trustees." Since the AAUP finds, correctly, that Salaita had indeed been hired, his irregular firing without procedural safeguards was a violation of his protected status. A larger question in the report concerns the claim by the University of Illinois that the firing was justified because of the uncivil nature of Professor Salaita's comments. On this point, the AAUP's report takes a strong stand against civility: "Statements by Chancellor Wise and the trustees insisted that 'civility' was a standard by which the fitness of a scholar and teacher could be judged. They used synonyms such as courtesy and respect, and they maintained that incivility threatened the comfort and security of students. The trustees claimed that disrespectful speech 'is not an acceptable form of civil argument' and 'has no place . . . in our democracy.' There are three objections to these claims. The first is that 'civility' is vague and ill-defined.... The second objection is that, inevitably, the standard of civility conflates the tone of an enunciation with its content.... The third objection is that, even if the tone of one's expression is highly charged, it does not constitute grounds for punishment. Whether it is a matter of First Amendment rights or of the principles of academic freedom, there is concurrence on the dangers to democracy of attempting to outlaw emotionally provocative speech. The CAFT report cites a 1971 Supreme Court case that struck down punishment because of a speaker's use of an offensive expletive-'an expletive Dr. Salaita's tweets are much given to.' The Court ruled, 'We cannot sanction the view that the Constitution, while solicitous of the cognitive content of individual speech, has little or no regard for that emotive function which practically speaking may often be the more important element of the overall message sought to be communicated.' In the Davis case at UCLA, one of the dissenting regents put it similarly: 'In this day and age when the decibel level of political debate . . . has reached the heights it has, it is unrealistic and disingenuous to demand as a condition of employment that the professor address political rallies in the muted cadences of scholarly exchanges. Professors are products of their times even as the rest of us.'" One problem with such reasoning, however, is that the AAUP wants to insist that professors are different from the rest of us and that professors deserve extra protection of academic freedom because they are engaged in the pursuit of truth that may and often is unconventional and controversial. If that is true, and it should be, then it may well require that professors act professorial in order to claim their academic freedom. In other words, the civility that often is out of place in political arguments is a structuring condition of academic inquiry.

amor_mundi_sign-upAn Ideologue and a Meddlesome Egoist

pope francisPope Francis is on a mission, and the measure of his potential success is the fear he is causing. Garry Wills asks the right question: who is scared of Pope Francis? It turns out some very wealthy and powerful people are. "Those who profit from what harms the earth have to keep the poor out of sight. They have trouble enough fighting off the scientific, economic, and political arguments against bastioned privilege. Bringing basic morality to the fore could be fatal to them. That is why they are mounting such a public pre-emptive strike against the encyclical before it even appears. They must not only discredit the pope's words (whatever they turn out to be), they must block them, ridicule them, destroy them. The measure of their fear is demonstrated by an article in First Things, the Catholic journal that defended the donations to bishops of the pederast religious founder Marcial Maciel. The First Things writer Maureen Mullarkey calls the pope 'an ideologue and a meddlesome egoist,' and continues: 'Francis sullies his office by using demagogic formulations to bully the populace into reflexive climate action with no more substantive guide than theologized propaganda.'" At a time of incredible inaction around the world on all issues from climate change and inequality to corruption and terrorism, the one world leader who seems able and willing to take bold action informed by common sense moral intuitions is the Catholic Pope. One hopes some other leaders follow his example.

Consider the Paragraph

paragraphElisa Gabbert wonders after prose's forgotten unit of organization: "Reading a book, I always glance ahead to see where the section or chapter ends, so I know when I can stop reading if I want or need to. Stopping mid-paragraph is deeply unsatisfying--no sense of closure, no easy way to remember where I left off when I next pick it up. Claustrophobic tendencies aside, of late I am actively interested in paragraphs, their formal possibilities. Sentences are taken to be the basic unit of prose, and we use them metonymically--we say 'She writes wonderful sentences' when we mean to praise the author's prose. James Salter is so well-known for his sentences that it rises to the level (or sinks, I suppose) of critical cliché. In a 2013 profile in the New Yorker, Salter is quoted, in a letter to a friend: 'I wanted to get past the great-writer-of-sentences thing. I don't care about that, at this stage.' But why is it, I wonder, we rarely talk about a writer's way with paragraphs? It may be because there is a lot more you can do with a sentence to vary it; syntax and diction, all those micro-choices that add up to the macro-style of (say) a novel, happen at the level of the sentence. There are pretty much only two ways to vary your paragraphs. The first is length. Some writers work in short paragraphs, some in fluctuating lengths, others in long, multi-page-spanning paragraphs, like our incantatory friend above. Some writers work at both ends, depending on the book--compare As I Lay Dying to Absalom, Absalom! It's no coincidence that the former, with its many breaks, is easier to read; it could almost pass for YA. Bestsellers keep paragraphs and chapters short as a tactic--they make for more addictive, snack-like reading, so the reader repeatedly thinks I'll just read one more."

Not Just Clowning Around

Bernie SandersMatt Taibbi thinks Vermont Senator Bernie Sanders's run for the presidency could invigorate our moribund political culture, and he is infuriated that some people don't think that the Senator is being serious: "this whole question of 'seriousness'--which will dominate coverage of the Sanders campaign--should really be read as a profound indictment of our political system, which is now so openly an oligarchy that any politician who doesn't have the blessing of the bosses is marginalized before he or she steps into the ring."

Forgetting to Forget

warMichelle Garcia offers a haunting tale of memory and time that somehow unite her father's death and her decision to go and work in refugee camps in the Sahara: "No longer do I organize time chronologically. Keeping time reminds me of where I went wrong. Saturday afternoon: I call my father and promise to call back on Sunday. The conversation was difficult, we talked about my brother. Sunday: I prepare for bed and remember to call my father, but my boyfriend says, The last conversation upset you and it's late. Call tomorrow first thing. I remember the moment vividly. Monday morning: I walk into the office, sit down at my desk, and lift the phone to call my father. My cellphone rings. It's my brother and he's crying. Time, in that moment, was like a record player needle on a scratched album, unable to advance. But I was just about to call, the phone was in my hand.... Neat divisions of time are largely obliterated in the war of forgetting. The past and present co-mingle, speak to, and inform each other. Anyone who has ever lived through war, with its echoes of regret, knows that a war of forgetting endures after the bodies are buried, the peace accords are signed, and the soldiers remove their uniforms. The war of forgetting is the undocumented legacy of war, often relegated to the psycho-analytic bins of trauma, nostalgia, and remorse. For the next seven years, the war of forgetting would dominate my travels and my attention, but after each experience, I hesitated to write about what I had seen until I could give shape and words to the absence, the missing."

The Courage to Not Be Busy

from the heartOmid Safi diagnoses the modern disease of business, or busyness. "This disease of being 'busy' (and let's call it what it is, the dis-ease of being busy, when we are never at ease) is spiritually destructive to our health and wellbeing. It saps our ability to be fully present with those we love the most in our families, and keeps us from forming the kind of community that we all so desperately crave.... It doesn't have to be this way. In many Muslim cultures, when you want to ask them how they're doing, you ask: in Arabic, Kayf haal-ik? or, in Persian, Haal-e shomaa chetoreh? How is your haal? What is this haal that you inquire about? It is the transient state of one's heart. In reality, we ask, 'How is your heart doing at this very moment, at this breath?' When I ask, 'How are you?' that is really what I want to know. I am not asking how many items are on your to-do list, nor asking how many items are in your inbox. I want to know how your heart is doing, at this very moment. Tell me. Tell me your heart is joyous, tell me your heart is aching, tell me your heart is sad, tell me your heart craves a human touch. Examine your own heart, explore your soul, and then tell me something about your heart and your soul. Tell me you remember you are still a human being, not just a human doing. Tell me you're more than just a machine, checking off items from your to-do list. Have that conversation, that glance, that touch. Be a healing conversation, one filled with grace and presence. Put your hand on my arm, look me in the eye, and connect with me for one second."

amor_mundi_sign-upFeatured Events

h. g. adlerTranslating the Holocaust: H. G. Adler as Writer and Scholar

This event, which features a keynote address, several panels, and a performance, will offer a unique opportunity to consider the intersection of both the scholarly and artistic work of H. G. Adler, a major thinker and writer who is just becoming known in English.

Sponsored by the Hannah Arendt Center, The Bard Translation Initiative, Jewish Studies, German Studies, and Human Rights Project.

Free and open to the public!

Monday, May 4, 2015

Bard Hall, Bard College, 4:00 pm - 6:00 pm

human conditionHAC Virtual Reading Group - Session #8

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, May 15, 2015

Bluejeans.com, 11:00 am - 12:00 pm



privacy con 2015 (temp)SAVE THE DATE - 2015 FALL CONFERENCE

Thursday and Friday, October 15 and 16, 2015

The Hannah Arendt Center's eighth annual fall conference, "Privacy: Why Does It Matter?," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

From the Arendt Center Blog

This week on the Blog, Jeffrey Champlin discusses how Arendt's use of the "Archimedean point" in Chapter 5 of The Human Condition helps us understand the Anthropocene in the Quote of the Week. Ray Bradbury provides this week's Thoughts on Thinking. Finally, we appreciate a photo of a personal Arendt library that includes, among other things, a thinking cap that is used to aid the reader in the battle of ideas in this week's Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

Hannah Arendt and The Narratable Self

abstract self portrait

By Laurie Naranch

“In acting and speaking, men show who they are, reveal actively their unique personal identities and thus make their appearance in the human world, while their physical identities appear without any activity of their own in the unique shape of the body and the sound of the voice. This disclosure of ‘who’ in contradistinction to ‘what’ somebody is . . . is implicit in everything somebody says and does."

-- Hannah Arendt, The Human Condition

To be reduced to a “what” for Arendt is to deny the uniqueness of each individual. That individuality is disclosed through acting and speaking together. For Arendt politics is about collective action rooted in and created through shared space. Acting and speaking together in the appearance of a public world provides the possibility for disclosing “who” one is. That is, while Arendt mentions that “what” somebody is may relate to “qualities, gifts, talents, and shortcomings,” we also know that “what” somebody is – just a Jew, woman, disabled, or disgusting – is a way of denying the uniqueness of a person with a proper name. Narration of the “who” is essential to both ethical and political life.

Laurie Naranch
Laurie Naranch is Associate Professor of Political Science and director of the Women’s Studies Minor at Siena College, NY. She has published in the areas of democratic theory, gender theory, and popular culture. Her current research is on debt and citizenship along with the work of the Greek-French thinker Cornelius Castoriadis and democracy.

Eric Hoffer on Thinking

eric hoffer

"The beginning of thought is in disagreement - not only with others but also with ourselves."

-- Eric Hoffer, The Passionate State of Mind: And Other Aphorisms (1955)

(Featured Image: Eric Hoffer; Source: ClockTower)

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

Thinking and Transcendence


“[W]henever I transcend the limits of my own life span and begin to reflect on this past, judging it, and this future, forming projects of the will, thinking ceases to be a politically marginal activity. And such reflections will inevitably arise in political emergencies.”

---Hannah Arendt, The Life of the Mind (Thinking)

There have been several new studies on and discussions about Adolf Eichmann lately. In them, Arendt’s name is frequently mentioned for fairly obvious reasons. Her remarks on Eichmann’s “thoughtlessness,” including her “banality of evil” and its relevance in assessing modern day atrocities, have forewarned against the consequences of totalitarianism for more than a half-century now. But some scholars, including Bettina Stangneth in her new book Eichmann Before Jerusalem, are challenging Arendt’s ideas. This gives us an opportunity to look back on Arendt’s theories and reevaluate their logic ourselves.

Kazue Koishikawa
Kazue Koishikawa recently earned her Ph.D. in philosophy at Duquesne University. She is working on her first book, in which she explores reading the political philosophy of Arendt as a phenomenological theory of imagination, particularly in Arendt’s interpretation of Kant’s aesthetic judgment. She specializes in phenomenology and political philosophy.

Amor Mundi 7/13/14

Amor Mundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

The Unknown Within Ourselves

inner_selfOn the New Yorker blog, Joshua Rothman explores Virginia Woolf's idea of privacy. Unlike the "citizen's sense of privacy," which is concerned with the divide between public and private life and the need to keep some things unseen by other people, Woolf's novels allude to another, deeper kind of privacy that "preserves the melodies otherwise drowned out by words, stories, information." Concrete and experiential rather than political, Woolf's notion of privacy recognizes an inner core of self, a soul, that must be kept safe from one's own compulsion to examine and analyze. Writes Rothman: "Woolf often conceives of life this way: as a gift that you've been given, which you must hold onto and treasure but never open. Opening it would dispel the atmosphere, ruin the radiance-and the radiance of life is what makes it worth living. It's hard to say just what holding onto life without looking at it might mean; that's one of the puzzles of her books. But it has something to do with preserving life's mystery; with leaving certain things undescribed, unspecified, and unknown; with savoring certain emotions, such as curiosity, surprise, desire, and anticipation. It depends on an intensified sense of life's preciousness and fragility, and on a Heisenberg-like notion that, when it comes to our most abstract and spiritual intuitions, looking too closely changes what we feel. It has to do, in other words, with a kind of inner privacy, by means of which you shield yourself not just from others' prying eyes, but from your own. Call it an artist's sense of privacy." Read more on the Arendt Center blog.

The Frogs

emily_dickinsonAlexandra Socarides takes some time to (re)think Emily Dickinson's poem "I'm Nobody! Who are you?," which is usually read as a praise of the nobodies and against being somebody. Socarides finds an ode to something entirely different: "This fall I was asked to volunteer at my sons' elementary school, where the fourth graders were writing poetry and needed a little guidance. Despite having once gotten an MFA in Poetry and having taught poetry writing in the years after that, I have almost no memory of how to guide people in the ways of making poems. So, instead, I mostly sat with the students and watched them as they attempted, in their very best moments, to write something beautiful and strange. It was then, watching these kids shift in their prepubescent bodies, hungry and tired and mostly bored, that I found myself saying, over and over again in my head, just as the strangers in my basement had said to me: 'I'm Nobody! Who are you?' This was before I learned about Dickinson and frogs, before I pulled up the manuscripts, tracked down the letters, and returned to Walden to stand, metaphorically speaking, neck-deep in the pond with Thoreau. At this moment the poem simply functioned as an articulation of the alienation that I felt each and every one of those fourth graders knew intimately. To find a friend, and to locate some shared aspect of identity in that friendship, would be to find refuge from all the frogs croaking out on the playground."

Being and Time

boyhoodIn an interview, filmmaker Richard Linklater describes what it was like to make his upcoming Boyhood, for which he worked with a group of actors a few days out of the year for twelve years. The film tracks the growth of a young boy over the same span. Like the boy, Linklater says, he's the same person now as when he started making the film, but there are important ways that he's changed too: "I feel like the exact same person, but I've got twelve more years under the belt. I've got two more kids I didn't have then, I got a bunch more films. I got a bunch more life. This thing was such a life project, it's been a real wonderful demarcation thing, all along the way. Every year you had to ask yourself these questions, you had to really study the world and see it in a new way. I think we should all take on these life projects that just make you - whatever the final result is - pay attention. That's what I like about the arts, that they make you see the world in a way you might not be attuned to. Every film is so much work the subject matter better be something you find infinitely fascinating. If you can just explain it and be done with it, you shouldn't be making it. Every film I've done I'm really feeling my way through that subject - what don't I know, what do I want to discover? And usually in the process of making the film I feel I do get to know what I was after. This, with a twelve year commitment, had to be about something inexhaustible. And that was about growing up, parenting, the culture around it, the world changing. I knew that well would never come close to going dry. And it didn't. It didn't. You had to stay so in touch with these people as they changed, and not just the kids but also the adults. You do that as a parent, you do that as a friend, but it was interesting to see that refracted through this one work of art, that you're trying to take Eller and Lorelei and Ethan and Patricia and you're taking what's going on in their lives and I'm trying to take what went on in my life at that age and my own role as a parent - it was an all-encompassing refraction of the world. It was an incredible collaboration not just amongst us but also between our own parents and the unknown future. But that's the life metaphor here - we're all collaborating constantly with a future we think we're trying to control, but we only can to a certain degree."

Art and Public Space

art_publicRiffing on big public installations by artists Jeff Koons and Kara Walker, Jillian Steinhauer wonders what public art even is: "If you take it to mean a work of art widely available and accessible to the public, then yes, a big sculpture in the middle of Rockefeller Center works fine; if, however, you think about public art as a work that engages with the public, draws them into a conversation - well, then the primary difference between the Walker and the Koons becomes clear. In her book Public Art: Theory, Practice and Populism, art historian Cher Krause Knight cites critic Patricia Phillips and her conception of how art 'becomes fully public': 'it is public because of the kinds of questions it chooses to ask or address, and not because of its accessibility or volume of viewers,' Phillips says. Knight then offers her own addendum: 'To this I would add that art's publicness rests in the quality and impact of its exchanges with audiences.' This extends to the way Koons and Walker approach their subjects: Koons began with a personal object (as many of us do), added a neat formal twist ... and then stopped. Walker's art has long sprung from her identity as a black woman, but she focuses on a place where private narratives overlap with public histories. A Subtlety is no exception. Koons's failure to take this leap speaks to his white male privilege, or his lack of imagination as an artist, or both."

Education as an Introduction to Wonder

daniel_godinezJoseph Miller tells the story of Daniel Godinez, a young man from California who found a program designed to groom first generation college students dreary and boring, until he was given the opportunity to do something otherworldly.  Since having started to work with a high tech telescope, Godinez has received "county and state science-fair awards; a research mentorship at the University of California, Santa Barbara; a paid teaching assistantship as astronomy tutor at Santa Barbara City College; and a planetarium operator gig at the Santa Barbara Museum of Natural History, which eventually led to a staff position as astronomy programs assistant there." He's also earned a Distinguished Scientist Scholarship to Bard College, where the Arendt Center is located. Godinez's story shows the power of education that allows students to find their own home in the world, of education that excites and interests young people in what is out there in the world, and beyond.

Featured Events


October 9-10The Hannah Arendt Center's annual fall conference, The Unmaking of Americans: Are There Still American Values Worth Fighting For?, will be held this year on October 9-10!

Registration is now OPEN! You can register here!

Learn more about the conference here.




This Week on the Hannah Aendt Center Blog

This week on the Blog, Martin Wagner uses Arendt to help us appreciate the value of tradition in the digital age in his Quote of the Week. Spanish philosopher and essayist José Ortega y Gasset provides this week's Thought on Thinking. We remember our 2011 Lunchtime Talk with Robert Pogue Harrison on "passionate thinking" in our Video Archives. And Roger Berkowitz reminds us of the importance of privacy in the Weekend Read.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

Arendt on Thinking with Kant and Kafka


“The inner I: That I of reflection is the self, a reflection of the appearing human, so mortal, finite, growing old, capable of change, etc. On the other hand, the I of apperception, the thinking I, which does not change and is timeless. (Kafka Parable)”

—Hannah Arendt, Denktagebuch, February 1966

In an age overcome with the reach of globalization and the virtual expanse of the Internet, Arendt’s notes in her Denktagebuch on a seemingly obscure technical question on activity of thought in Kant gain new relevance by differentiating modes of thinking with depth and over time. Her reference to Kafka and the form of the entry pushes her profound temporal ideas in the direction of narrative fiction.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

The Progeny of Teachers


San Jose State University is experimenting with a program where students pay a reduced fee for online courses run by the private firm Udacity. Teachers and their unions are in retreat across the nation. And groups like Uncollege insist that schools and universities are unnecessary. At a time when teachers are everywhere on the defensive, it is great to read this opening salvo from Leon Wieseltier:

When I look back at my education, I am struck not by how much I learned but by how much I was taught. I am the progeny of teachers; I swoon over teachers. Even what I learned on my own I owed to them, because they guided me in my sense of what is significant.

I share Wieseltier’s reverence for educators. Eric Rothschild and Werner Feig lit fires in my brain while I was in high school. Austin Sarat taught me to teach myself in college. Laurent Mayali introduced me to the wonders of history. Marianne Constable pushed me to be a rigorous reader. Drucilla Cornell fired my idealism for justice. And Philippe Nonet showed me how much I still had to know and inspired me to read and think ruthlessly in graduate school. Like Wieseltier, I can trace my life’s path through the lens of my teachers. 

The occasion for such a welcome love letter to teachers is Wieseltier’s rapacious rejection of homeschooling and unschooling, two movements that he argues denigrate teachers. As sympathetic as I am to his paean to pedagogues, Wieseltier’s rejection of all alternatives to conventional education today is overly defensive.

For all their many ills, homeschooling and unschooling are two movements that seek to personalize and intensify the often conventional and factory-like educational experience of our nation’s high schools and colleges. According to Wieseltier, these alternatives are possessed of the “demented idea that children can be competently taught by people whose only qualifications for teaching them are love and a desire to keep them from the world.” These movements believe that young people can “reject college and become “self-directed learners.”” For Wieseltier, the claim that people can teach themselves is both an “insult to the great profession of pedagogy” and a romantic over-estimation of “untutored ‘self’.” 

The romance of the untutored self is strong, but hardly dangerous. While today educators like Will Richardson and entrepreneurs like Dale Stephens celebrate the abundance of the internet and argue that anyone can teach themselves with simply an internet connection, that dream has a history. Consider this endorsement of autodidactic learning from Ray Bradbury from long before the internet:

Yes, I am. I’m completely library educated. I’ve never been to college. I went down to the library when I was in grade school in Waukegan, and in high school in Los Angeles, and spent long days every summer in the library. I used to steal magazines from a store on Genesee Street, in Waukegan, and read them and then steal them back on the racks again. That way I took the print off with my eyeballs and stayed honest. I didn’t want to be a permanent thief, and I was very careful to wash my hands before I read them. But with the library, it’s like catnip, I suppose: you begin to run in circles because there’s so much to look at and read. And it’s far more fun than going to school, simply because you make up your own list and you don’t have to listen to anyone. When I would see some of the books my kids were forced to bring home and read by some of their teachers, and were graded on—well, what if you don’t like those books?

In this interview in the Paris Review, Bradbury not only celebrates the freedom of the untutored self, but also dismisses college along much the same lines as Dale Stephens of Uncollege does. Here is Bradbury again:

You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do—and they don’t. They have prejudices. They may like Henry James, but what if you don’t want to write like Henry James? They may like John Irving, for instance, who’s the bore of all time. A lot of the people whose work they’ve taught in the schools for the last thirty years, I can’t understand why people read them and why they are taught. The library, on the other hand, has no biases. The information is all there for you to interpret. You don’t have someone telling you what to think. You discover it for yourself. 

What the library and the internet offer is unfiltered information. For the autodidact, that is all that is needed. Education is a self-driven exploration of the database of the world.

Of course such arguments are elitist. Not everyone is a Ray Bradbury or a Wilhelm Gottfried Leibniz, who taught himself Latin in a few days. Hannah Arendt refused to go to her high school Greek class because it was offered at 8 am—too early an hour for her mind to wake up, she claimed. She learned Greek on her own. For such people self-learning is an option. But even Arendt needed teachers, which is why she went to Freiburg to study with Martin Heidegger. She had heard, she later wrote, that thinking was happening there. And she wanted to learn to think.

What is it that teachers teach when they are teaching? To answer “thinking” or “critical reasoning” or “self-reflection” is simply to open more questions. And yet these are the crucial questions we need to ask. At a period in time when education is increasingly confused with information delivery, we need to articulate and promote the dignity of teaching.

What is most provocative in Wieseltier’s essay is his civic argument for a liberal arts education.  Education, he writes, is the salvation of both the person and the citizen. Indeed it is the bulwark of a democratic politics:

Surely the primary objectives of education are the formation of the self and the formation of the citizen. A political order based on the expression of opinion imposes an intellectual obligation upon the individual, who cannot acquit himself of his democratic duty without an ability to reason, a familiarity with argument, a historical memory. An ignorant citizen is a traitor to an open society. The demagoguery of the media, which is covertly structural when it is not overtly ideological, demands a countervailing force of knowledgeable reflection.

That education is the answer to our political ills is an argument heard widely. During the recent presidential election, the candidates frequently appealed to education as the panacea for everything from our flagging economy to our sclerotic political system. Wieseltier trades in a similar argument: A good liberal arts education will yield critical thinkers who will thus be able to parse the obfuscation inherent in the media and vote for responsible and excellent candidates.

I am skeptical of arguments that imagine education as a panacea for politics. Behind such arguments is usually the unspoken assumption: “If X were educated and knew what they were talking about, they would see the truth and agree with me.” There is a confidence here in a kind of rational speech situation (of the kind imagined by Jürgen Habermas) that holds that when the conditions are propitious, everyone will come to agree on a rational solution. But that is not the way human nature or politics works. Politics involves plurality and the amazing thing about human beings is that educated or not, we embrace an extraordinary variety of strongly held, intelligent, and conscientious opinions. I am a firm believer in education. But I hold out little hope that education will make people see eye to eye, end our political paralysis, or usher in a more rational polity.

What then is the value of education? And why is that we so deeply need great teachers? Hannah Arendt saw education as “the point at which we decide whether we love the world enough to assume responsibility for it." The educator must love the world and believe in it if he or she is to introduce young people to that world as something noble and worthy of respect. In this sense education is conservative, insofar as it conserves the world as it has been given. But education is also revolutionary, insofar as the teacher must realize that it is part of that world as it is that young people will change the world. Teachers simply teach what is, Arendt argued; they leave to the students the chance to transform it.

To teach the world as it is, one must love the world—what Arendt comes to call amor mundi. A teacher must not despise the world or see it as oppressive, evil, and deceitful. Yes, the teacher can recognize the limitations of the world and see its faults. But he or she must nevertheless love the world with its faults and thus lead the student into the world as something inspired and beautiful. To teach Plato, you must love Plato. To teach geology, you must love rocks. While critical thinking is an important skill, what teachers teach is rather enthusiasm and love of learning. The great teachers are the lovers of learning. What they teach, above all, is the experience of discovery. And they do so by learning themselves.

Education is to be distinguished from knowledge transmission. It must also be distinguished from credentialing. And finally, education is not the same as indoctrinating students with values or beliefs. Education is about opening students to the fact of what is. Teaching them about the world as it is.  It is then up to the student, the young, to judge whether the world that they have inherited is loveable and worthy of retention, or whether it must be changed. The teacher is not responsible for changing the world; rather the teacher nurtures new citizens who are capable of judging the world on their own.

Arendt thus affirms Ralph Waldo Emerson's view that “He only who is able to stand alone is qualified for society.” Emerson’s imperative, to take up the divine idea allotted to each one of us, resonates with Arendt’s Socratic imperative, to be true to oneself. Education, Arendt insists, must risk allowing people their unique and personal viewpoints, eschewing political education and seeking, simply, to nurture independent minds. Education prepares the youth for politics by bringing them into a common world as independent and unique individuals. From this perspective, the progeny of teachers is the educated citizen, someone one who is both self-reliant in an Emersonian sense and also part of a common world.


The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.