Hannah Arendt Center for Politics and Humanities
25Jul/140

NEH Summer Arendt Seminar

neh_seminar

Today marks the end of The Political Theory of Hannah Arendt: The Problem of Evil and the Origins of Totalitarianism, a five-week seminar hosted at Bard College this summer.

22Jul/140

Contests, Drawings, and More!

from_HAC

We at the Hannah Arendt Center are very excited about this year’s 100/10 membership challenge, especially all of the drawings we have planned!

The Big Three

First up, we have three drawings that will last the duration of the challenge. Each of these contests has its own rules:

  1. Recruiting Challenge – This year, we have added a text field in our membership form that reads, “Please enter the contact name of the person who requested you to submit your donation.” If you have a friend enter your name here when they are purchasing or renewing their membership, you will be entered into a drawing to win Hannah Arendt’s Library, an exclusive artist book by Heinz Peter Knes, Danh Vo, and Amy Zion. More info can be found about the book here: http://www.bard.edu/hannaharendtcenter/book/
  1. $100 Challenge – Any person who purchases or renews a membership of $100 and above will be entered to win a copy of Hannah Arendt’s Library. (Please see above.)
  1. DVD Challenge – Any person who purchases or renews a membership at the $50 level will be entered to win a DVD copy of Margarethe von Trotta’s Hannah Arendt. The DVD comes with a special edition booklet featuring essays from von Trotta and Roger Berkowitz. There will be three winners in this particular contest.

The winners of the Big Three will all be announced at 10:00 a.m. on Friday, August 1st after their names have been selected in a random drawing.

Please note that different winners will be selected for the Recruiting and $100 challenges.

Social Media Mini-Contests!

We also have three mini-contests scheduled, all of which have the same basic guidelines: please favorite or RT our contest Tweets, or like or comment on our Facebook contest posts, to be entered into a drawing for three limited edition movie posters of Margarethe von Trotta’s 2012 film Hannah Arendt. As an added bonus, each poster is signed by Pam Katz, the film’s screenwriter, and Barbara Sukowa, who played Arendt. Each contest Tweet/Facebook post will begin with the word “#HAC_CONTEST” and will include a picture of the poster.

As we have three posters to give away, there will be three (3) contest Tweets/Facebook posts published in total: one on July 22nd, another on July 25th, and the last one on July 28th. Each contest will run a total of three days. At midnight on the 25th, the 28th, and the 31st, we will close our contest and draw a winner randomly from those who have participated. We will then contact the winner and hopefully announce them on our account later that day. This means that each person has three chances to win, but please note you can win only once. Each entrant may enter on both Facebook and Twitter, but we will announce only one winner for each mini-contest. We will not be having separate mini-contests in which we choose winners on both Facebook and Twitter.

A few rules to consider:

Facebook

  • Anyone found to be using multiple accounts in this contest will be deemed ineligible to win and will be withdrawn from all future contests during this year’s challenge.
  • Participants can only like or comment ONCE for each one of the three mini-contests. We have three mini-contests scheduled, which means each person has three chances to win. However, please note you can only win once, regardless of whether it is on Twitter or Facebook.
  • You will NOT be considered an entrant if you use your personal Timeline or someone else’s Timeline to share a contest post. Entry into each contest is limited to liking or commenting the contest post, which will be found on our Facebook page.
  • Please note that this contest is in no way sponsored, endorsed or administered by, or associated with, Facebook. As such, all entrants to this promotion agree to release Facebook of all responsibility.

Twitter

  • Anyone found to be using multiple accounts in this contest will be deemed ineligible to win and will be withdrawn from all future contests during this year’s challenge.
  • Participants can only RT or favorite ONCE for each one of the three mini-contests. We have three mini-contests scheduled, which means each person has three chances to win. However, please note you can only win once, regardless of whether it is on Twitter or Facebook.
  • Please make sure to include our Twitter handle, @Arendt_Center, in your Tweet should you decide to re-Tweet our contest post.
  • Please note that this contest is in no way sponsored, endorsed or administered by, or associated with, Twitter. As such, all entrants to this promotion agree to release Facebook of all responsibility.

New Membership Thank-You

Last but not least, we have a special gift for all new members who purchase a membership this year: irrespective of the membership level, all new members will receive a free copy of the Hannah Arendt Center’s inaugural edition of the HA Journal. More information on the journal can be found here.

blackandredlogoAny questions, comments, or concerns should be directed to David Bisson, Media Coordinator of the Hannah Arendt Center, at dbisson@bard.edu.

Thank you, and good luck to all of the participants!

Sincerely,

The Hannah Arendt Center

21Jul/140

Amor Mundi 7/20/14

Amor Mundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

subscribe_button
The Holy Hell

1Sari Nusseibeh, recently retired President of Al Quds University in East Jerusalem, thoughtfully writes of the end of his lifelong dream that Israel and Palestine might be able to live together in a peaceful and vibrant future. All that is left, he writes, is the promise of hell. "I can, of course, see and admire beautiful individuals. Israel boasts so many of them - poets, writers, journalists, scholars, artists - and just ordinary people in ordinary jobs, trying to live their harmless lives. But that special luster of an idealistic nation to be admired has vanished. I can no longer see it anywhere. It has become replaced, in my mind - sorry to say - by what appears to have become a scientifically skilled colonialist group of self-serving thugs, bent on self-aggrandizement, capitalizing on world-guilt for past pains and horrors suffered, and now hiding behind a religious fiction to justify all the pain and suffering it does to my own people, our heritage and culture.... I cannot see an Israeli government now offering what a Palestinian government can now accept. I can therefore only foresee a worsening climate - not a one-time disaster (say, an avalanche following the killing of a Jew while performing a prayer in the Noble Sanctuary, on what Israelis call the Temple Mount in Jerusalem) that can once and for all be put behind, by whichever side, but an increasingly ugly living climate in which only those who can acclimatize and be ugly themselves can survive. In simple words, even if called 'holy,' I can foresee this place turning into a hell for all those who live in it. It will not be place for normal human beings who want to pursue normal lives, let alone a place where anyone can hope to fulfill a sublime life." Read Roger Berkowitz's response on the Arendt Center blog.

Changing Vs. Loving the World

1In the New York Review of Books Robert Pogue Harrison notes that changing the world through work has become a Silicon Valley cliché: "When Steve Jobs sought to persuade John Sculley, the chief executive of Pepsi, to join Apple in 1983, he succeeded with an irresistible pitch: 'Do you want to spend the rest of your life selling sugared water, or do you want a chance to change the world?' The day I sat down to write this article, a full-page ad for Blackberry in The New York Times featured a smiling Arianna Huffington with an oversize caption in quotes: 'Don't just take your place at the top of the world. Change the world.' A day earlier, I heard Bill Gates urge the Stanford graduating class to 'change the world' through optimism and empathy. The mantra is so hackneyed by now that it's hard to believe it still gets chanted regularly. Our silicon age, which sees no glory in maintenance, but only in transformation and disruption, makes it extremely difficult for us to imagine how, in past eras, those who would change the world were viewed with suspicion and dread. If you loved the world; if you considered it your mortal home; if you were aware of how much effort and foresight it had cost your forebears to secure its foundations, build its institutions, and shape its culture; if you saw the world as the place of your secular afterlife, then you had good reasons to impute sinister tendencies to those who would tamper with its configuration or render it alien to you. Referring to all that happened during the 'dark times' of the first half of the twentieth century, 'with its political catastrophes, its moral disasters, and its astonishing development of the arts and sciences,' Hannah Arendt summarized the human cost of endless disruption: 'The world becomes inhuman, inhospitable to human needs-which are the needs of mortals-when it is violently wrenched into a movement in which there is no longer any sort of permanence.'" You can also watch Harrison's talk on Thinking and Friendship given at the Arendt Center.

The End of Dangerous Thinking?

dangerous_thinkingIn a piece on the place of theory and dangerous thinking in contemporary intellectual discourse, Henry Giroux describes why such practices appear to be in decline, citing its unintelligibility, an assault on them from particular political interests, as well as the corporatization of the university, among other things. It doesn't help that good critical thinking is hard to do, and that thinking and action aren't the same: "One important function of dangerous thinking is that it foregrounds the responsibility of artists, intellectuals, academics and others who use it. Mapping the full range of how power is used and how it can be made accountable represents a productive pedagogical and political use of theory. Theorizing the political, economic and cultural landscapes is central to any form of political activism and suggests that theory is like oxygen. That is, a valuable resource, which one has to become conscious of in order to realize how necessary it is to have it. Where we should take pause is when academic culture uses critical thought in the service of ideological purity and in doing so transforms pedagogy into forms of poisonous indoctrination for students. Critical thought in this case ossifies from a practice to a form of political dogmatism. The cheerleaders for casino capitalism hate critical theory and thought because they contain the possibility of politicizing everyday life and exposing those savage market-driven ideologies, practices and social relations that hide behind an appeal to commonsense. Both the fetishism of thinking and its dismissal are part of the same coin, the overall refusal to link conception and practice, agency and intervention, all aggravated by neoliberalism's hatred of all things social and public."

subscribe_button
The Liberal Arts as Teacher Education

liberal_artsStephen Mucher makes the case that liberal arts faculty should be more involved in teacher education, suggesting that teachers who are well versed in the humanities, in addition to teaching practice, prepare more curious, more creative students with better critical thinking skills: "Without a professional core of teachers who are versed in the humanities and steeped in the great questions of science, schools are especially vulnerable to forces that reduce teaching to a series of discrete measurable acts. Yet the more teaching is dissected, the less attractive the profession becomes for graduates who might otherwise consider it a viable and meaningful career option. More directly, these reductionist policy trends obscure something that humanists care deeply about -- the enduring beauty of teaching and learning. As one outgoing pedagogy chair lamented in 1900, 'the attempt to mechanize instruction is part of the monstrous error that free minds can be coerced; it has really the same root as religious persecution.' By remaining largely silent for so long, colleges of liberal arts and sciences have contributed to these developments. By pushing big questions about K-12 teaching to the margins and assigning them solely to education specialists, institutions of higher education became complicit in trends that continue to make public education more separate and more unequal."

Poetry and Tradition

Carol_Muske-DukesIn an interview, poet Carol Muske-Dukes takes on the notion of "unoriginal genius," which she thinks is alienating contemporary poetry from the public, and emphasizes instead an older way of thinking about verse. Let's bring back readable poetry we can recite: "Proponents of unoriginal genius would say that they are putting forward a version of interpretation and illumination of a technological age. But the fact is, this mirroring of disjunction represents no real speaking or reading or thinking population.... The struggle here, as it is with overly accessible, catchy poetry, is a struggle to be both popular and enlightening. We live in a time when language matters. Not only because of the constant threat of misunderstanding in translation - in diplomacy, in wartime, in the university and literary life - but, as always, in individual human relations. So the abdication of accessible rhetoric and a turn toward so-called scholarship is an abdication of the human. The academy has opted for pointless experimentation in language compared to my mother's generation - she's ninety-eight - of well schooled, publicly educated students of poetry who know pages and pages of poetry by heart. Should anyone who believes in sense be ostracized from the ongoing conversation of literature?"

The Laboring Animal in the Leisure Suit

googleKate Losse suggests that there's something sinister behind the connection of work and leisure on the campuses of innovative tech companies: "Of course, the remaking of the contemporary tech office into a mixed work-cum-leisure space is not actually meant to promote leisure. Instead, the work/leisure mixing that takes place in the office mirrors what happens across digital, social and professional spaces. Work has seeped into our leisure hours, making the two tough to distinguish. And so, the white-collar work-life blend reaches its logical conclusion with the transformation of modern luxury spaces such as airport lounges into spaces that look much like the offices from which the technocrat has arrived. Perhaps to secure the business of the new moneyed tech class, the design of the new Centurion Lounge for American Express card members draws from the same design palette as today's tech office: reclaimed-wood panels, tree-stump stools, copious couches and a cafeteria serving kale salad on bespoke ceramic plates. In these lounges, the blurring of recreation and work becomes doubly disconcerting for the tech employee. Is one headed out on vacation or still at the office - and is there a difference? If the reward for participation in the highly lucrative tech economy is not increasing leisure but a kind of highly decorated, almost Disneyland vision of perpetual labour, what will be its endgame? As work continues to consume workers' lives, tech offices might compete for increasingly unique and obscure toys and luxury perks to inhibit their employees' awareness that they are always working." Maybe Silicon Valley's idea of changing the world is simply the collapse of the labor vs. leisure distinction.

subscribe_button
Featured Events

conference_14SAVE THE DATE - 2014 FALL CONFERENCE

October 9-10

The Hannah Arendt Center's annual fall conference, The Unmaking of Americans: Are There Still American Values Worth Fighting For?, will be held this year on October 9-10!

Registration is now OPEN! You can register here!

Learn more about the conference here.

 

 

 

From The Hannah Arendt Center Blog

This week on the Blog, Michael Weinman discusses Arendt's use of the term "irony" in her report on the "banality of evil" in his Quote of the Week. American modernist poet Wallace Sevens provides this week's Thought on Thinking. We look back on a free speech lecture Zephyr Teachout delivered at Bard in 2012 in our Video Archives. And Roger Berkowitz discusses the hell that the Middle East is fast becoming in the Weekend Read.

19Jul/140

When The Hell That Is War Loses Its Power

gaza_conflict

“Between Sovereign states there can be no last resort except war; if war no longer serves that purpose, that fact alone proves that we must have a new concept of the state.”

—Hannah Arendt, in an interview with Adelbert Reif, 1970.

14Jul/140

Amor Mundi 7/13/14

Amor Mundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

subscribe_button
The Unknown Within Ourselves

inner_selfOn the New Yorker blog, Joshua Rothman explores Virginia Woolf's idea of privacy. Unlike the "citizen's sense of privacy," which is concerned with the divide between public and private life and the need to keep some things unseen by other people, Woolf's novels allude to another, deeper kind of privacy that "preserves the melodies otherwise drowned out by words, stories, information." Concrete and experiential rather than political, Woolf's notion of privacy recognizes an inner core of self, a soul, that must be kept safe from one's own compulsion to examine and analyze. Writes Rothman: "Woolf often conceives of life this way: as a gift that you've been given, which you must hold onto and treasure but never open. Opening it would dispel the atmosphere, ruin the radiance-and the radiance of life is what makes it worth living. It's hard to say just what holding onto life without looking at it might mean; that's one of the puzzles of her books. But it has something to do with preserving life's mystery; with leaving certain things undescribed, unspecified, and unknown; with savoring certain emotions, such as curiosity, surprise, desire, and anticipation. It depends on an intensified sense of life's preciousness and fragility, and on a Heisenberg-like notion that, when it comes to our most abstract and spiritual intuitions, looking too closely changes what we feel. It has to do, in other words, with a kind of inner privacy, by means of which you shield yourself not just from others' prying eyes, but from your own. Call it an artist's sense of privacy." Read more on the Arendt Center blog.

The Frogs

emily_dickinsonAlexandra Socarides takes some time to (re)think Emily Dickinson's poem "I'm Nobody! Who are you?," which is usually read as a praise of the nobodies and against being somebody. Socarides finds an ode to something entirely different: "This fall I was asked to volunteer at my sons' elementary school, where the fourth graders were writing poetry and needed a little guidance. Despite having once gotten an MFA in Poetry and having taught poetry writing in the years after that, I have almost no memory of how to guide people in the ways of making poems. So, instead, I mostly sat with the students and watched them as they attempted, in their very best moments, to write something beautiful and strange. It was then, watching these kids shift in their prepubescent bodies, hungry and tired and mostly bored, that I found myself saying, over and over again in my head, just as the strangers in my basement had said to me: 'I'm Nobody! Who are you?' This was before I learned about Dickinson and frogs, before I pulled up the manuscripts, tracked down the letters, and returned to Walden to stand, metaphorically speaking, neck-deep in the pond with Thoreau. At this moment the poem simply functioned as an articulation of the alienation that I felt each and every one of those fourth graders knew intimately. To find a friend, and to locate some shared aspect of identity in that friendship, would be to find refuge from all the frogs croaking out on the playground."

subscribe_button
Being and Time

boyhoodIn an interview, filmmaker Richard Linklater describes what it was like to make his upcoming Boyhood, for which he worked with a group of actors a few days out of the year for twelve years. The film tracks the growth of a young boy over the same span. Like the boy, Linklater says, he's the same person now as when he started making the film, but there are important ways that he's changed too: "I feel like the exact same person, but I've got twelve more years under the belt. I've got two more kids I didn't have then, I got a bunch more films. I got a bunch more life. This thing was such a life project, it's been a real wonderful demarcation thing, all along the way. Every year you had to ask yourself these questions, you had to really study the world and see it in a new way. I think we should all take on these life projects that just make you - whatever the final result is - pay attention. That's what I like about the arts, that they make you see the world in a way you might not be attuned to. Every film is so much work the subject matter better be something you find infinitely fascinating. If you can just explain it and be done with it, you shouldn't be making it. Every film I've done I'm really feeling my way through that subject - what don't I know, what do I want to discover? And usually in the process of making the film I feel I do get to know what I was after. This, with a twelve year commitment, had to be about something inexhaustible. And that was about growing up, parenting, the culture around it, the world changing. I knew that well would never come close to going dry. And it didn't. It didn't. You had to stay so in touch with these people as they changed, and not just the kids but also the adults. You do that as a parent, you do that as a friend, but it was interesting to see that refracted through this one work of art, that you're trying to take Eller and Lorelei and Ethan and Patricia and you're taking what's going on in their lives and I'm trying to take what went on in my life at that age and my own role as a parent - it was an all-encompassing refraction of the world. It was an incredible collaboration not just amongst us but also between our own parents and the unknown future. But that's the life metaphor here - we're all collaborating constantly with a future we think we're trying to control, but we only can to a certain degree."

Art and Public Space

art_publicRiffing on big public installations by artists Jeff Koons and Kara Walker, Jillian Steinhauer wonders what public art even is: "If you take it to mean a work of art widely available and accessible to the public, then yes, a big sculpture in the middle of Rockefeller Center works fine; if, however, you think about public art as a work that engages with the public, draws them into a conversation - well, then the primary difference between the Walker and the Koons becomes clear. In her book Public Art: Theory, Practice and Populism, art historian Cher Krause Knight cites critic Patricia Phillips and her conception of how art 'becomes fully public': 'it is public because of the kinds of questions it chooses to ask or address, and not because of its accessibility or volume of viewers,' Phillips says. Knight then offers her own addendum: 'To this I would add that art's publicness rests in the quality and impact of its exchanges with audiences.' This extends to the way Koons and Walker approach their subjects: Koons began with a personal object (as many of us do), added a neat formal twist ... and then stopped. Walker's art has long sprung from her identity as a black woman, but she focuses on a place where private narratives overlap with public histories. A Subtlety is no exception. Koons's failure to take this leap speaks to his white male privilege, or his lack of imagination as an artist, or both."

Education as an Introduction to Wonder

daniel_godinezJoseph Miller tells the story of Daniel Godinez, a young man from California who found a program designed to groom first generation college students dreary and boring, until he was given the opportunity to do something otherworldly.  Since having started to work with a high tech telescope, Godinez has received "county and state science-fair awards; a research mentorship at the University of California, Santa Barbara; a paid teaching assistantship as astronomy tutor at Santa Barbara City College; and a planetarium operator gig at the Santa Barbara Museum of Natural History, which eventually led to a staff position as astronomy programs assistant there." He's also earned a Distinguished Scientist Scholarship to Bard College, where the Arendt Center is located. Godinez's story shows the power of education that allows students to find their own home in the world, of education that excites and interests young people in what is out there in the world, and beyond.

subscribe_button
Featured Events

conference_14SAVE THE DATE - 2014 FALL CONFERENCE

October 9-10The Hannah Arendt Center's annual fall conference, The Unmaking of Americans: Are There Still American Values Worth Fighting For?, will be held this year on October 9-10!

Registration is now OPEN! You can register here!

Learn more about the conference here.

 

 

 


This Week on the Hannah Aendt Center Blog

This week on the Blog, Martin Wagner uses Arendt to help us appreciate the value of tradition in the digital age in his Quote of the Week. Spanish philosopher and essayist José Ortega y Gasset provides this week's Thought on Thinking. We remember our 2011 Lunchtime Talk with Robert Pogue Harrison on "passionate thinking" in our Video Archives. And Roger Berkowitz reminds us of the importance of privacy in the Weekend Read.

7Jul/141

Amor Mundi 7/6/14

Amor Mundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

subscribe_button
A New Puritanism?

PuritanIn a Fourth of July column on openDemocracy, Jim Sleeper invokes the Puritan tradition in America as a symbol of what we have lost: "Puritan beliefs had nourished in the embattled farmers (and, even long before 1775, in some of the Puritans themselves) a conviction that resistance to tyranny is obedience to God" and "The Puritan founders of America's oldest colleges ... expected that those colleges' graduates would serve a theocratic state that would control markets and everything else." Sleeper doesn't wish for a new Puritanism, but he does believe we need to imagine new ideals for America: "I'm not suggesting we can or should return to Puritanism! Anyone expecting to recover that faith and way of life is stumbling up dry streambeds toward wellsprings that have themselves run dry. But we do need wellsprings that could fortify us to take risks even more daunting than those taken by the embattled farmers. We'd somehow have to reconfigure or abandon empty comforts, escapes and protections that both free-market conservatives and readers of Salon are accustomed to buying and selling, sometimes against our own best hopes and convictions."

Reading and Misreading the Declaration

declaration_of_independenceIn her new book, Our Declaration: A Reading of the Declaration of Independence in Defense of Equality, Danielle Allen argues that we have been reading a mistaken transcription of the Declaration of Independence. Allen argues that the grammatical period typically inserted between the sentence on inalienable individual liberties and the sentence on the right to good government is not there in the original Declaration of Independence. In short, when Jefferson invoked those "self-evident" and "inalienable" rights of "all" men, he did not intend only the rights of equality, life, liberty, and the pursuit of happiness, but also the right to good government. Quoted in the New York Times, Allen says, "The period creates the impression that the list of self-evident truths ends with the right to 'life, liberty and the pursuit of happiness.'" And Jennifer Schuessler adds: "But as intended by Thomas Jefferson, she argues, what comes next is just as important: the essential role of governments - 'instituted among men, deriving their just powers from the consent of the governed' - in securing those rights. 'The logic of the sentence moves from the value of individual rights to the importance of government as a tool for protecting those rights,' Ms. Allen said. 'You lose that connection when the period gets added.' Correcting the punctuation, if indeed it is wrong, is unlikely to quell the never-ending debates about the deeper meaning of the Declaration of Independence. But scholars who have reviewed Ms. Allen's research say she has raised a serious question." Read more at the Arendt Center Blog.

Oversharing and Self-Promotion as Fine Art

InstagramRiffing on the way fine artists, photographer Richard Prince in particular, are using the photo-sharing app Instagram, Ben Davis uses John Berger's 1972 book Ways of Seeing. Berger draws connections between fine art and more popular fare as a model for understanding today's propensity for oversharing images of one's life: "Isn't it striking that the most-typical and most-maligned genres of Instagram imagery happen to correspond to the primary genres of Western secular art? All that #foodporn is still-life; all those #selfies, self-portraits. All those vacation vistas are #landscape; art-historically speaking, #beachday pics evoke the hoariest cliché of middle-class leisure iconography. (As for the #nudes, I guess they are going on over on Snapchat.) Why this (largely unintentional) echo? Because there is a sneaky continuity between the motivations behind such casual images and the power dynamics that not-so-secretly governed classic art. Last year, Slate speculated about how Instagram's photo-boasting tends to amplify feelings of isolation, perhaps even more so than the more textual braggadocio of Facebook and Twitter. ('Seeing, Berger writes, 'comes before words.') One expert described how Instagram in particular might accelerate the 'envy spiral' of social media: 'If you see beautiful photos of your friend on Instagram,' she postulated, 'one way to compensate is to self-present with even better photos, and then your friend sees your photos and posts even better photos, and so on. Self-promotion triggers more self-promotion, and the world on social media gets further and further from reality.'"

subscribe_button
In Search of Missed Meaning

Daniel_MendelsohnIn an interview that maps his love of Proust to his work translating the Greco-Egyptian poet C.P. Cavafy, Daniel Mendelsohn describes the joy and importance of rereading In Search of Lost Time: "I don't think it's a question of proximity to the text. Rather, I think that something different can be found in the text each time. To use the Proustian metaphor that you evoked, each reading of Proust is a bit like a visit to the optician-depending on which pair of lenses you're given to try, you're either capable or incapable of distinguishing a pattern or a letter projected onto a screen in the dark. Successive readings of Proust are like those different sets of lenses-with each one, you see something different. For instance, when I was twenty, so much of French culture escaped me. I was inexperienced, I had never left the U.S. The whole Proustian world of Faubourg Saint-Germain and of Combray went straight over my head. I was incapable, for example, of understanding the type of person that Françoise represented in French heritage-the earthy peasant type that comes with the social territory, so to speak. Today, I'm not the same person I was when I was twenty. I have all the experience of a life. I'm also well traveled and I know France well, I have many friends living there, and so I understand French culture much better than I did thirty years ago and can appreciate aspects of Proust's novel I couldn't before. On the other hand, it must be said that I will never again feel the amazement I felt on my first reading of In Search of Lost Time. It's an aesthetic experience that you only have once in your life."

Give Up the Right to Return

Noam ChomskyIn a piece that is sure to be a controversial, Noam Chomsky argues in The Nation that in order for the peace movement to be effective, it must re-evaluate its goals and tactics in accordance with the reality of the Palestinian-Israeli conflict. Chomsky, supportive of a two-state solution, argues that to give peace a chance the left needs to abandon the goal of the Palestinian right of return: "The opening call of the BDS movement, by a group of Palestinian intellectuals in 2005, demanded that Israel fully comply with international law by '(1) Ending its occupation and colonization of all Arab lands occupied in June 1967 and dismantling the Wall; (2) Recognizing the fundamental rights of the Arab-Palestinian citizens of Israel to full equality; and (3) Respecting, protecting, and promoting the rights of Palestinian refugees to return to their homes and properties as stipulated in UN Resolution 194.' This call received considerable attention, and deservedly so. But if we're concerned about the fate of the victims, BD and other tactics have to be carefully thought through and evaluated in terms of their likely consequences. The pursuit of (1) in the above list makes good sense: it has a clear objective and is readily understood by its target audience in the West, which is why the many initiatives guided by (1) have been quite successful-not only in 'punishing' Israel, but also in stimulating other forms of opposition to the occupation and US support for it. However, this is not the case for (3). While there is near-universal international support for (1), there is virtually no meaningful support for (3) beyond the BDS movement itself. Nor is (3) dictated by international law. The text of UN General Assembly Resolution 194 is conditional, and in any event it is a recommendation, without the legal force of the Security Council resolutions that Israel regularly violates. Insistence on (3) is a virtual guarantee of failure."

Enlightened Self-Interest

1Nick Hanauer has a message for his fellow .01% of the wealthiest Americans. "But let's speak frankly to each other. I'm not the smartest guy you've ever met, or the hardest-working. I was a mediocre student. I'm not technical at all-I can't write a word of code. What sets me apart, I think, is a tolerance for risk and an intuition about what will happen in the future. Seeing where things are headed is the essence of entrepreneurship. And what do I see in our future now?I see pitchforks. At the same time that people like you and me are thriving beyond the dreams of any plutocrats in history, the rest of the country-the 99.99 percent-is lagging far behind. The divide between the haves and have-nots is getting worse really, really fast. In 1980, the top 1 percent controlled about 8 percent of U.S. national income. The bottom 50 percent shared about 18 percent. Today the top 1 percent share about 20 percent; the bottom 50 percent, just 12 percent. But the problem isn't that we have inequality. Some inequality is intrinsic to any high-functioning capitalist economy. The problem is that inequality is at historically high levels and getting worse every day. Our country is rapidly becoming less a capitalist society and more a feudal society. Unless our policies change dramatically, the middle class will disappear, and we will be back to late 18th-century France. Before the revolution. And so I have a message for my fellow filthy rich, for all of us who live in our gated bubble worlds: Wake up, people. It won't last."

subscribe_button
This Week on the Hannah Arendt Center Blog

This week on the Blog, Jennie Han explores two modern examples of exceptionalism as claims to power in the Quote of the Week. American artist Florence Scovel Shinn provides this week's Thought on Thinking. We take a look back at our 2009 fall conference in the new Video Archives segment. And Roger Berkowitz reexamines the Declaration of Independence and the role of good government in the Weekend Read.

30Jun/142

Amor Mundi 6/29/14

Amor Mundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

1

Lila

1"It seemed to me to be half-sadness and half-fury, and I wondered what in her life could have put that expression in her eyes." This is how Reverend John Ames, the voice of Marilynne Robinson's Pulitzer Prize-winning novel Gilead, describes his younger wife Lila, whose former life is largely a mystery even to Ames himself. Now, Robinson's much-anticipated fourth novel will tell Lila's story and how, after being rescued as a child by a drifter named Doll, the two craft a life together on the run and on the fringes of society. Though the novel does not come out until October, its description recalls another remarkable female pair in Robinson's work--the young Ruth and her aunt Sylvie from Robinson's first novel Housekeeping, which came out thirty-five years ago--and Housekeeping's theme of Christian homelessness. For now, FSG offers a sneak peek of Lila: "The child was four or five, long-legged, and Doll couldn't keep her covered up, but she chafed at her calves with her big, rough hand and brushed the damp from her cheek and her hair. She whispered, 'Don't know what I think I'm doing. Never figured on it. Well, maybe I did. I don't know. I guess I probly did. This sure ain't the night for it.' She hitched up her apron to cover the child's legs and carried her out past the clearing. The door might have opened, and a woman might have called after them, Where you going with that child? and then, after a minute, closed the door again, as if she had done all decency required. 'Well,' Doll whispered, 'we'll just have to see.'"

Tactics Beat Genius

1Simon Critchley seeks the bleeding obvious philosophical lessons from soccer-the priority of the coach over individual players: "Allow me to state the bleeding obvious: this is a tactical game. It is not about passion and individual genius, notwithstanding the relentless commodification of stars like Messi, Ronaldo, and Neymar. No, soccer is about the use of reason and intelligence in order to construct a collective team formation that will contain and defeat the opposition. It requires discipline and relentless training, particularly in order to maintain the shape of the team and the way it occupies and controls space. This is the job of the coach, who tends to get reduced to some kind of either bizarrely animated comic character or casually disaffected bystander when games are televised. But he is the one who sets the team up to play a certain, clearly determined way, the prime mover although sometimes moved rather than unmoved. Otherwise said, soccer is not about individual players." Soccer may then be the perfect game in our world of quantitative analysis and big data, one in which what matters less are exceptionally talented individuals and what wins in the end is well-managed, data-driven, carefully-crafted strategic analysis. Which would maybe explain why the Oakland A's are presently the best team in baseball.

When the People are the Fourth Estate

A protester uses a mobile phone as he passes next to a burning vehicle during a protest at Taksim Square in IstanbulIn an article for the most recent Nieman Report, Engin Ondin, the founder of the Turkish citizen journalism aggregator 140journos, describes the founding of the project, and its growth following last year's protests in Istanbul. Although he and his partners have increasingly relied on citizen-editors as informants, he finds that oversight remains important, and that he can use Twitter apps to help: "Turkey has about 12 million active Twitter users, roughly a third of the online population. We have more than 300 volunteer content producers all across the country, including a survivor of the Uludere attack. As the number of Turkish citizens feeding information to 140journos grew, we shifted gears. Instead of doing all the reporting ourselves, we focused on collecting, categorizing, validating and Storifying the news content sent to us. To verify news reports, we use free tools like Yandex Panorama (Russia's version of Google StreetView) and TinEye, a search service to help determine if images are new or pulled from websites. To monitor the flow of news tips, 140journos uses TweetDeck. We keep lists of 140journos contributors who tweet news from more than 50 cities, universities and other political hotspots in Turkey. We also keep lists organized by individual events, such as protests against executions in Egypt, and lists organized by factions, such as ultra-nationalists and conservatives." Although he doesn't quite come out and say it, this kind of work is important in any place where freedom of the press is limited, or perhaps merely focused on other things.

1

The Literature of the New Wealth

1Pivoting off of Thomas Picketty's attention to classic literary fiction in Capital in the Twenty First Century, Stephen Marche points out that we have already seen the literary proof of the second gilded age, and that it is by and large Franzenite: "Future economic historians won't have to look very far to find fictional descriptions of our current financial realities. The social realist novel of the moment can be identified by the preeminent, almost exclusive, emphasis it places on social expressions of the changing economic reality. Currently, the large-scale realism of Jonathan Franzen, articulated in his famous article for Harper's in 1996 and achieved most fully in The Corrections and Freedom, stands utterly triumphant. The narrative forms that thrived in the mid-nineties - minimalism, with its descriptions of poor and rural men; magical realism which incorporated non-Western elements into the traditional English novel; the exotic lyricism of John Berger or Michael Ondaatje - have been pushed to the side."

Digital Likenesses

1Reporting from the trial set to determine whether or not the NCAA can continue to exclusively profit from the likenesses of its players, Charlie Pierce frames the debate in the language of personhood, and whether or not a digital representation of a person is the same thing as the person himself: "As near as I can tell, the video games in question were created by taking game films from various NCAA football and basketball games and then transferring them technologically until actual players found themselves with NCAA-licensed avatars that live forever. It was seeing his avatar that prompted Ed O'Bannon to launch his lawsuit in the first place and, having done so, he opened up a number of interesting questions about who he is, both in real life and in virtual reality. Is Ed O'Bannon's avatar really Ed O'Bannon, or is it an Ed O'Bannon made by someone else so that a lot of someone elses could make a whole lot of money? Isn't that a fundamental looting of one's fundamental identity? Doesn't the real Ed O'Bannon have a say in the use of his name, his image, and his likeness? After all, that's him in that game. The avatar runs the court like he did. It shoots the way he did. It passes the ball the way he did. There doesn't seem to be any moral basis for an argument that Ed O'Bannon doesn't have the right to control - let alone profit from - all the Ed O'Bannons that have been created out of the work that the real Ed O'Bannon did as an athlete. How can an actual person find himself an indentured servant in virtual reality?"

From the Hannah Arendt Center Blog

This week on the Blog, Faisal Baluch explores Arendt's distinction between politics and violence as a way to understand her support of a Jewish army in the Quote of the Week. American philosopher Eric Hoffer provides this week's Thought on Thinking. And Roger Berkowitz distinguishes Arendt's banality of evil from Shirley Jackson's "The Lottery" in the Weekend Read.

1

23Jun/140

Amor Mundi 6/22/14

Amor Mundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Black in the Age of Mechanical Reproduction

1Hilton Als, in reviewing a new book co-edited by Harvard professor Henry Louis Gates, Jr. entitled The Image of the Black In Western Art, The Twentieth Century: The Impact of Africa, is struck by a particular painting, Portrait of Tonia Stieltjes by the Dutch artist Jan Sluyters. The book focuses broadly on “image of the black during the age of mechanical reproduction and how it changed, was modernized, denigrated, and, often, fetishized.” Als, however, fixes on the singular humanity of one portrait: “Tonia’s grave face is powdered white, as was the fashion of the time, but then there is her ‘real’ skin and her style, which is something ‘other.’ My imagination reacts to those levels of density and nonverbal expression more readily than to portraits of black people by artists ranging from Goldie White to Brent Malone. I find their work predictable: it elevates blackness to a kind of folkloric purity and strength that doesn’t allow for labyrinthine humanness, or for the fact that most blacks come from some place they don’t know but, like Tonia, make themselves up out of the whole cloth of Europe, or Africa, or whatever temporary home will have them.... It’s Tonia’s isolation in public, the theatricalization of her different self through paint and dress, that encompasses so much of what makes the black in Western art incalculably lonely, unknowable, troubling, and, sometimes, beautiful, just like other people.”

Speaking Truth to Power

1In the New Republic, Christopher Ketcham makes the case that journalist idol Chris Hedges has a plagiarism problem. Ketcham's account, though bordering on the tedious, overly personal, and the monomaniacal, seems to make its case. It has recently been given further support by a long post by Adam Weinstein at Gawker, which both uncovers further instances of plagiarism and argues that Hedges habitually recycles 1000s of words of his own writing and even whole articles in longer articles and books that he claims to be original work. Hedges forcefully denies Ketcham’s charges and has written a response here that also includes responses from Ketcham and The New Republic. Ketcham’s thesis is that Hedges’s plagiarism must be outed to protect the integrity of journalism, an argument he puts in the words of a journalism expert: “Trust is a journalist’s and journalism’s most precious commodity…if there is even a hint of the possibility that misconduct was covered up, it’s even worse. Journalism will take another hit.” That is true. But equally central to this story is the nature of power. Hedges has said, “You have a choice between which two sets of principles you serve. Justice and truth or privilege and power…. The more you make concessions to those whose fealty is to privilege and power, the more you diminish the capacity for justice and truth.” He is so right. Admirably, Hedges has stood up for his principles, angering the right and the left, and always speaking his mind. We need more publicly courageous intellectuals like Hedges. But in his belief in his own importance to the cause for which he fights, Hedges has not only made mistakes (which can be forgiven) but also has refused to own up to his mistakes and instead has sought to drown out his critics with bluster. His response suggests that privilege and power may mean more to Hedges than he lets on.

Osmotic Learning

1In an interview with Granta, cartoonist Adrian Tomine discusses the value of a very informal education: "I've learned a lot of tangible, practical things from studying all kinds of things: comics, illustration, movies, prose, etc. But I think I've learned more from just hanging around creative people and talking to them and learning from their example. I suppose I'm talking about the kind of osmotic learning that comes from getting to know other artists (or writers or musicians or whatever). If you go over to the house of someone whose work you admire, and you look at their bookshelves and ask about things that jump out at you, that right there can be kind of an education. I've even learned a lot from just going to an art store with other cartoonists. Invariably they'll know about some drafting tool I'd never heard of, or have some preference for some brand of ink that they've arrived at after years of trial and error. And on a broader scale, it's really useful to watch how someone - especially someone who's been at it for longer - deals with issues that arise in their art and just in life in general."

The Beautiful Game as an Expression of National Character

1In the midst of the international frenzy of the World Cup, Matthew Futterman describes USA's German-born coach Jürgen Klinsmann as soccer's "Alexis de Tocqueville," endeavoring to create an American style of the game, saying that "he wanted to create a squad that represented what he sees as the defining American characteristic-a visceral hatred of being dictated to." Since, paradoxically, this change came from the top down, it, of course, turned out to be more difficult than easy.

I Come to Praise the CPA, Not to Bury Him

1Jacob Soll yearns for the heroic accountant of the early modern Dutch, for whom keeping one's books in order took on a spiritual meaning: "Double-entry accounting made it possible to calculate profit and capital and for managers, investors, and authorities to verify books. But at the time, it also had a moral implication. Keeping one's books balanced wasn't simply a matter of law, but an imitation of God, who kept moral accounts of humanity and tallied them in the Books of Life and Death. It was a financial technique whose power lay beyond the accountants, and beyond even the wealthy people who employed them. Accounting was closely tied to the notion of human audits and spiritual reckonings. Dutch artists began to paint what could be called a warning genre of accounting paintings. In Jan Provoost's 'Death and Merchant,' a businessman sits behind his sacks of gold doing his books, but he cannot balance them, for there is a missing entry. He reaches out for payment, not from the man who owes him the money, but from the grim reaper, death himself, the only one who can pay the final debts and balance the books. The message is clear: Humans cannot truly balance their books in the end, for they are accountable to the final auditor."

My Neighbor Marcel

1Alexandra Schwartz, riffing off the recent release of a book documenting Marcel Proust's letters to his upstairs neighbor, considers the loneliness and alienation of the city's crowd and remembers that, far from the mere writer of In Search of Lost Time, Proust was a real person who lived under neighbors whose loud banging sometimes annoyed him, too. Here is one such missive sent upstairs by Proust: "Madame, I hope you won't find me too indiscreet. There's been a lot of noise these past few days and as I'm not well, I'm more sensitive to it.... If the hammering must be done in the morning, might it be done in the part of your apartment that is above my kitchen, not my bedroom.... If there's too much noise on Sunday morning I won't be able to get out of bed until the afternoon." Schwartz adds, "We who toss and turn, fantasizing about the exquisitely cutting emails we'll never have the guts to send to the invisible others keeping us awake, are happy to have him on our team."

From the Hannah Arendt Center Blog

This week on the Blog, Christopher C. Robinson discusses intergenerational justice and the ecological crisis in the Quote of the Week. Lord Byron provides this week's Thought on Thinking. And Roger Berkowitz discusses the conscience of Edward Snowden in the Weekend Read.

21Jun/144

The Conscience of Edward Snowden

1

In the New York Review of Books, Sue Halpern argues that we should pay less attention to the character of actors like Edward Snowden and Glenn Greenwald and focus more on the governmental actions they have revealed. Yet much if not most of Halpern’s essay focuses on Snowden and Greenwald themselves, and the paragraph that stands out in Halpern’s essay goes directly to Snowden’s decision to leave the country and evade confronting the U.S. Government in court:

It is here that Edward Snowden’s story begins to sound much like those of Thomas Drake, William Binney, Kirk Wiebe, and Edward Loomis, longtime NSA employees who, a few years earlier than Snowden, attempted to raise concerns with their superiors—only to find themselves rebuffed—about what they perceived to be NSA overreach and illegality when they learned that the agency was indiscriminately monitoring the communications of American citizens without warrants. Binney, Wiebe, and Loomis resigned—and later found themselves the subjects of FBI interrogations. Drake, however, stayed on and brought his suspicions to the office of general counsel for the NSA, where he was told: “Don’t ask any more questions, Mr. Drake.” Frustrated, Drake eventually leaked what he knew to a reporter for The Baltimore Sun. The upshot: a home invasion by the FBI, a federal indictment, and the threat of thirty-five years in prison for being in possession of classified documents that, when he obtained them, had not been classified. After years of harassment by the government and Drake’s financial ruin, the case was dropped the night before trial. It was against this backdrop that Snowden found himself contemplating what to do with what he knew. Stymied by an unresponsive bureaucracy, seeing the fate of earlier NSA whistleblowers, and finding no adequate provisions within the system to challenge the legality of government activity if that activity was considered by the government to touch on national security, he nonetheless set about gathering the evidence to make his case.

For those who would defend Snowden, this narrative is essential. The claim is that the United States now is simply not like the United States of the 1960s and 1970s when Daniel Ellsberg gave himself up after releasing the Pentagon Papers. Ellsberg himself has made this argument while defending Snowden, arguing that Snowden and whistleblowers like him simply cannot and should not trust the U.S. government to treat them legally and humanely.

17Jun/140

Goethe Institute Heidegger Tagebuecher Discussion

On April 8, 2014, HAC Academic Director Roger Berkowitz spoke with Babette Babich, Professor of Philosophy at Fordham University, and Peter Trawny, the Director of the Martin Heidegger Institut, on Heidegger's Black Notebooks.  Among other things, the panelists debated to what extent Heidegger's anti-Semitism and Nazism can be separated out of his philosophical project.

Shown below are some of the photos taken of the event, which was held at the Goethe Institut in New York.  All pictures are credited to Babette Babich.

You can read more about Heidegger's Black Notebooks here.  Also, be sure to watch the panel discussion in its entirety here.

16Jun/140

Amor Mundi 6/15/14

Amor Mundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Unconstitutional Schools

1Dana Goldstein in The Atlantic partly agrees with the California superior-court judge who ruled this week that the state's teacher tenure system is a mess and discriminates against the state's poorest students. But Goldstein argues that simply abolishing tenure is not the answer. The problem is that good teachers simply don't want to teach in decrepit, disorganized, and discontented schools. "The lesson here is that California's tenure policies may be insensible, but they aren't the only, or even the primary, driver of the teacher-quality gap between the state's middle-class and low-income schools. The larger problem is that too few of the best teachers are willing to work long-term in the country's most racially isolated and poorest neighborhoods. There are lots of reasons why, ranging from plain old racism and classism to the higher principal turnover that turns poor schools into chaotic workplaces that mature teachers avoid. The schools with the most poverty are also more likely to focus on standardized test prep, which teachers dislike. Plus, teachers tend to live in middle-class neighborhoods and may not want a long commute. Educational equality is about more than teacher-seniority rules: It is about making the schools that serve poor children more attractive places for the smartest, most ambitious people to spend their careers." Read more in this week's Weekend Read.

Drones and Humanity

1In the Carnegie Journal of Ethics and International Affairs, Roger Berkowitz argues that the increasing reliance on drones is threatening our humanity-but not as usually thought. In "Drones and the Question of 'The Human,'" Berkowitz argues it is a mistake "to use the term 'drone' to refer only to these much publicized military devices. Drones, more precisely understood, are intelligent machines that-possessed of the capacity to perform repetitive tasks with efficiency, reliability, and mechanical rationality-increasingly displace the need for human thinking and doing.... The trend Jünger and Turkle worry about is unmistakable: we are at risk of losing the rich and mature relationships that mark us as human. The rise of social robots, unmanned aerial vehicles, and other one-dimensional machines that act like humans-without the perceived human weaknesses of distraction, emotion, exhaustion, quirkiness, risk, and unreliability-answers a profound human desire to replace human judgment with the more reliable, more efficient, and more rational judgment of machines. For all the superficial paeans to human instinct and intuition, human beings, in practice, repeatedly prefer drone-like reliability to the uncertain spontaneity of human intuition. In other words, we confront a future in which 'human' is a derogatory adjective signifying inefficiency, incompetence, and backwardness."

Take This Job and Shove It

509Karl Marx imagined that in a socialist utopia, everyone would work less and have more time to study or pursue hobbies. But contrary to Marx's prophecy-and also the prediction of John Maynard Keynes, who argued in the 1930s that improving productivity would result in significantly more leisure time for workers-increases in productivity have coincided with longer workdays. In an ever-wealthier society with more disposable income, the idea of leisure time is becoming culturally devalued. In an interview with Thomas Frank, David Graeber observes that this development has happened in part because of the creation of "bullshit jobs," which he describes as "the kind of jobs that even those who work them feel do not really need to exist," and work coming to be seen as a virtue in itself-and all the more virtuous if the job in question offers little intrinsic gratification: "Suddenly it became possible to see that if there's a rule, it's that the more obviously your work benefits others, the less you're paid for it. CEOs and financial consultants that are actually making other people's lives worse were paid millions, useless paper-pushers got handsomely compensated, people fulfilling obviously useful functions like taking care of the sick or teaching children or repairing broken heating systems or picking vegetables were the least rewarded. But another curious thing that happened after the crash is that people came to see these arrangements as basically justified. You started hearing people say, 'well, of course I deserve to be paid more, because I do miserable and alienating work,' by which they meant not that they were forced to go into the sewers or package fish, but exactly the opposite-that they didn't get to do work that had some obvious social benefit. I saw a very interesting blog by someone named Geoff Shullenberger recently that pointed out that in many companies, there's now an assumption that if there's work that anyone might want to do for any reason other than the money, any work that is seen as having intrinsic merit in itself, they assume they shouldn't have to pay for it. He gave the example of translation work. But it extends to the logic of internships and the like so thoroughly exposed by authors like Sarah Kendzior and Astra Taylor. At the same time, these companies are willing to shell out huge amounts of money to paper-pushers coming up with strategic vision statements who they know perfectly well are doing absolutely nothing."

Min Kamp

1Evan Hughes considers Karl Ove Knausgaard's suggestive titling of his six book autobiographical opus My Struggle, rendered in its original Norwegian as Min Kamp. Noting that the title was proposed by a friend, and suggesting that it is in some way a response to Knausgaard's childhood spent near the home of famous Norwegian author and Nazi sympathizer Knut Hamsun, Hughes also considers the way that Knausgaard's distinguishes himself, "sometimes speak[ing] in interviews and public appearances of an irony inherent in the name of the book; where Hitler is all ideology and rigid perfection in Mein Kampf, Knausgaard's struggle as a middle-class dad is quotidian, messy, faintly ridiculous. But his book is not all that ironic or clever. In fact, its directness and sincerity-to the point of frequent, unembarrassed cliché-contributes to the almost shocking immediacy of the voice. My Struggle makes no apologies. Knausgaard does not protect himself from the charge of narcissism by turning to self-deprecation or rationalization or literary tricks. Go ahead and say it's nothing much, he seems to say, but this is my struggle. For me, it counts."

The War Over "Good"

1Evgenia Peretz considers the recent blowup in literary criticism over the quality of Donna Tartt's The Goldfinch deserves its popularity. Noting that these questions are malleable, she provides an example: "The questions are as old as fiction itself. The history of literature is filled with books now considered masterpieces that were thought hackwork in their time. Take Dickens, the greatest novelist of the Victorian period, whose mantle writers from John Irving to Tom Wolfe to Tartt have sought to inherit. Henry James called Dickens the greatest of superficial novelists ... 'We are aware that this definition confines him to an inferior rank in the department of letters which he adorns; but we accept this consequence of our proposition. It were, in our opinion, an offence against humanity to place Mr. Dickens among the greatest novelists.... He has added nothing to our understanding of human character.'"

From the Hannah Arendt Center Blog

This week on the Blog, Jeffrey Champlin discusses the dual nature of thinking as a human activity in the Quote of the Week. Swiss philosopher and poet Henri-Frédéric Amiel provides this week's Thought on Thinking. And Roger Berkowitz discusses the value of tenure as both a luxury and evil in the Weekend Read.

14Jun/141

Who Does Tenure Help?

1

A judge in California has ruled that the state’s method of granting tenure to teachers is unconstitutional under California’s guarantee of equal protection. At the heart of the ruling is a finding that between one and three percent of teachers in California are “grossly ineffective.” That amounts to between 3,000 and 9,000 thousand teachers, most of whom are gathered together in many of the poorest and worst school districts in the state. Evidence shows that one year of instruction by a “grossly ineffective” teacher can significantly retard a child’s progress. Multiple years of such teaching is dangerous and patently unfair. Because these teachers cannot be fired and because they end up teaching the poorest Californians, the judge found that tenure “impose[s] a disproportionate burden on poor and minority students.”

9Jun/1417

Amor Mundi 6/8/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Nihilism and Futurism

1Jonathan Galassi offers an excellent account of the Futurist Movement, the best exemplars of which are currently on view at Italian Futurism, 1909-1944: Reconstructing the Universe, a show at the Guggenheim Museum. Futurism celebrated speed, vigor, and creative destruction, as expressed in the 1909 Manifesto of Futurism written by Filippo Tommaso Marinetti. Here is how Galassi describes Marinetti's founding moment? "'My friends and I had stayed up all night, sitting beneath the lamps of a mosque, whose star-studded, filigreed brass domes resembled our souls,...listening to the tedious mumbled prayers of an ancient canal and the creaking bones of dilapidated palaces.' Their Orientalist idyll is disturbed by 'the sudden roar of ravening motorcars,' and Marinetti and friends leave the mosque in hot pursuit ('all the myths and mystical ideals are behind us. We're about to witness the birth of a Centaur'). 'Like young lions,' they go chasing 'after Death' and end up in a ditch. Marinetti apostrophized: 'O mother of a ditch, brimful with muddy water!... How I relished your strength-giving sludge that reminded me so much of the saintly black breast of my Sudanese nurse.... When I got myself up-soaked, filthy, foul-smelling rag that I was-from beneath my overturned car, I had a wonderful sense of my heart being pierced by the red-hot sword of joy!' Marinetti had found his way out of the cul-de-sac of too much civilization. The Futurist manifesto that follows on his dream, the first of many, glorifies 'aggressive action' and asserts that 'a roaring motorcar...is more beautiful than the Winged Victory of Samothrace' (never mind that Boccioni's sculpture will uncannily resemble it). 'There is no longer any beauty except the struggle,' Marinetti declared. War is 'the sole cleanser of the world.'"

A Double-Edged Presidential Power

1Underlying President Obama's decision this week to secure the release of Sgt. Bowe Bergdahl by releasing five detainees allegedly affiliated with the Taliban from Guantanamo is the question of why Guantanamo remains open in the first place. Several commentators, including Glenn Greenwald on The Intercept, have declared that Obama's releasing of the detainees was in fact illegal, as he failed to provide Congress with the 30-day notice that is required by the 2014 defense authorization statute. As Greenwald argues, the only possible legal argument to justify the release is if the Obama White House maintains, as it has in the past, that such congressional restrictions do not bind them, and that the release of detainees is a decision solely allocated to the commander-in-chief. But if the President does in fact have the power to override these restrictions, what accounts for his ongoing failure to close Guantanamo as he pledged to do, or at least release those detainees who are already cleared? After the events of this week, writes Greenwald, the Obama administration now finds itself in a legal quandary: "The sole excuse now offered by Democratic loyalists for this failure (to close GITMO) has been that Congress prevented him from closing the camp. But here, the Obama White House appears to be arguing that Congress lacks the authority to constrain the President's power to release detainees when he wants...Obama defenders seem to have two choices here: either the president broke the law in releasing these five detainees, or Congress cannot bind the commander-in-chief's power to transfer detainees when he wants, thus leaving Obama free to make those decisions himself. Which is it?"

Big Data in the Office

1In reviewing Social Physics, a new book by Alex Pentland on what big data can teach us about human behavior, Joshua Rothman tells of a Bank of America call center: "Life at the call center was almost fanatically regimented: Pentland writes that call center managers 'often try to minimize the amount of talking among employees because operations are so routine and standardized.' At this call center, even the coffee breaks were scheduled individually, so as to maximize the number of workers on the phone at any given time. The mystery to be solved, in this environment of extreme solitude, was why different teams of operators handled their calls at different speeds. Pentland found that, of the four twenty-person teams he tracked, the ones with the fastest 'average call handling time,' or A.H.T., were also the most social. In fact, the most successful teams spent more time doing exactly what their managers didn't want them to be doing: talking. Pentland suggested the introduction of team-wide coffee breaks, designed to encourage mingling. The increase in speed was so dramatic that Bank of America did the same at all of its call centers, generating a fifteen-million-dollar increase in annual productivity (and, presumably, some newly quantifiable amount of good cheer)." Rothman sees the double edged quality of big data. In revealing the truth that human sociability can be productive, big data explodes myths that make our workplaces ever less human. At the same time, the statistical study of the most intimate details of our lives is both invasive and reductive, lending credibility to the managerial dream to optimize human resources.

Heidegger Caught in the Trap of His Own Ideas

Martin HeideggerJudith Wolfe, writing in Standpoint, has a strong account of the Black Notebooks and Heidegger's philosophical engagement with Nazism and the Jews. Here is her explanation of Heidegger's poetic use of Jewishness: "The conclusions that Heidegger drew from this last point were not as radical as we might hope: he questioned not the stereotype of the calculating Jews but only their uniqueness. He himself speculated that the Jews might have a role to play in the technological crisis of the modern world, though he never specified what. What Heidegger thoroughly rejected, however, was any description of the Jews as a 'race': 'The question of the role of World Jewry', he insisted, 'is not a racial one, but the metaphysical question of a form of humanity' characterized by deracination and instrumental reasoning. It would be absurd to assume that this 'form of humanity' could be eradicated by eliminating a particular group of people. On the contrary: such calculated extermination would only perpetuate the technological logic that Heidegger was calling his compatriots to abandon. That logic could only be overcome, as Heidegger wrote, by 'suffering and danger and knowledge.'" As Wolfe rightly sees, "The real danger of his comments about the Jews is not merely that they are racist but that they seem to hold out an abstract, poetic typology as a replacement for political awareness: by reducing the Jews to a poetic type, he becomes deaf to their practical plight. This sometimes takes grotesque forms: though he would never advocate or condone Hitler's and Himmler's 'final solution', for example, Heidegger seems to find a measure of poetic justice in the Nazis' calculating reduction of the Jews to a 'race' as matching the Jews' own reductive tendency towards racial thinking. He is, as Hannah Arendt later put it to Günter Gaus, 'caught in the trap of his own ideas.'"

Do It Again

1Discussing the meaning of internet "nerd" celebrities John and Hank Green, Clare Malone suggests that habits are one of the things that allows humans to reach beyond themselves: "We haven't spent a whole lot of time talking about the audience that the Brothers Green are sending their video missives out to. But they're the people whose clicks make this world go 'round. This Vlogbrothers movement is a sort of 'revenge of the nerds' type of thing-except the movie based on it would probably be called 'the civil disobedience of the nerds,' because John and Hank are about encouraging people to channel outsiderness into something productive, like living well through small acts of kindness. I can imagine a person getting into the habit of watching these daily and thinking about their meaning (maybe not actively, more by osmosis), almost in the way a monk goes to vespers or a devout Muslim prays five times a day. I'm not even being theological; I'm just thinking about the importance of habit. Prayers involve repetition to get a person into a meditative state. To a certain extent it's Pavlovian, but we need that push into a different headspace to think about things outside necessities of the flesh."

Not Dead Yet

1Neil Richards suggests that privacy isn't dead, just changing, although not for the better: "Fifteen years ago, the Internet was heralded as a great forum for intellectual liberation-a place to think for ourselves and meet like- (and different) minded people unmediated by censors or surveillance. Yet, incrementally, the Internet has been transformed from a place of anarchic freedom to something much closer to an environment of total tracking and total control. All too often, it may seem like the digital future is unfolding before our eyes in some kind of natural and unstoppable evolution. But the final state of Internet architecture is not inevitable, nor is it unchangeable. It is up for grabs. In the end, the choices we make now about surveillance and privacy, about freedom and control in the digital environment will define the society of the very near future. I fear that the 'privacy is dead' rhetoric is masking a sinister shift, from a world in which individuals have privacy but exercise transparency over the powerful institutions in their lives, to a world in which our lives are transparent but the powerful institutions are opaque.  That's a pretty scary future, and one which we've told ourselves for decades that we don't want.  The availability of cheap smartphones and free apps shouldn't change that.  We should choose both control of our digital information and the benefits of our digital tools.  We can make that choice, but the 'privacy is dead' rhetoric is obscuring the existence of the choice."

From the Hannah Arendt Center Blog

This week on the Blog, Manu Samnotra discusses how the language of fate and destiny shaped Arendt's philosophy and political theory in the Quote of the Week. British philosopher Jeremy Bentham provides this week's Thought on Thinking. And Roger Berkowitz discusses nihilism and futurism in the Weekend Read.

2Jun/140

Amor Mundi 6/1/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

The Lonely Masses Abandon the Center

1Mary Beard asks why the anti-EU, anti-immigration, and anti-foreigner Independence Party is doing so well in England. "The UK Independence Party, it seems, has drawn its support from across the political spectrum. It attracts-in addition to the xenophobic-the socially conservative (against same-sex marriage and in favor of 'traditional British values'), and those who are deeply suspicious of the European Union ('Why be run by Brussels?'). Certainly it includes among its supporters and party candidates some people of extreme right-wing inclinations. But most of all, UKIP appeals to those who feel distanced from modern politics and politicians. They hate the sense of a political class, which consists of those who have never worked in anything other than professional politics, who speak only in carefully controlled, on-message sound bites, and never really engage with 'us voters.'" We see in England, as in Europe and the United States more generally, a growing mass of voters who feel forgotten, alone, and abandoned by the general political culture. As Beard notes, establishment politicians continually lose in debates to candidates from the fringe because the mainstream message rings untrue. Unless mainstream politics can provide the lonely masses a home and a narrative that gives sense to their lives, these masses will continue to seek more radical solutions.

The Artist at Work, Once, Twice, Three Times

1In honor of writer Maya Angelou, who passed away this week at the age of 86, The Paris Review has posted an interview she did with the magazine in 1990. In it, Angelou describes the importance of revision as a limitation on her writing, while making sure that we understand that she fits in some living, too: "I write in the morning and then go home about midday and take a shower, because writing, as you know, is very hard work, so you have to do a double ablution. Then I go out and shop-I'm a serious cook-and pretend to be normal. I play sane-Good morning! Fine, thank you. And you? And I go home. I prepare dinner for myself and if I have houseguests, I do the candles and the pretty music and all that. Then after all the dishes are moved away I read what I wrote that morning. And more often than not if I've done nine pages I may be able to save two and a half or three. That's the cruelest time you know, to really admit that it doesn't work. And to blue pencil it. When I finish maybe fifty pages and read them-fifty acceptable pages-it's not too bad. I've had the same editor since 1967. Many times he has said to me over the years or asked me, Why would you use a semicolon instead of a colon? And many times over the years I have said to him things like: I will never speak to you again. Forever. Goodbye. That is it. Thank you very much. And I leave. Then I read the piece and I think of his suggestions. I send him a telegram that says, OK, so you're right. So what? Don't ever mention this to me again. If you do, I will never speak to you again. About two years ago I was visiting him and his wife in the Hamptons. I was at the end of a dining room table with a sit-down dinner of about fourteen people. Way at the end I said to someone, I sent him telegrams over the years. From the other end of the table he said, And I've kept every one! Brute! But the editing, one's own editing, before the editor sees it, is the most important."

In Solidarity with Jacek Kuron

1Next week, on June 4, Poland will celebrate the 25th anniversary of its first free parliamentary elections and the victory of Solidarity, the union movement turned political party. Amidst enconiums for Tadeusz Mazowiecki and Lech Walesa, Slawomir Sierakowski argues, "room must also be made for Jacek Kuron, the main organizer and leader of the democratic opposition of the 1960s and '70s, without which Solidarity would not have come into being....Mr. Kuron came back in time for the enormous strikes of 1976 and the subsequent crackdown on Polish workers. The repression led Mr. Kuron to coin his famous slogan, 'Instead of burning committees, set up your own,' and, together with Polish intellectuals and activists, set up the Workers' Defense Committee, known by its Polish acronym KOR, the first overt opposition organization in the entire Communist bloc. His apartment became the committee's headquarters, where members gathered information on persecutions and communicated it to the foreign media and to Radio Free Europe, which then broadcast it and granted protection to the persecuted.... He urged people to be more active, and he dreamed of an educational revolution that would teach young people both nonconformism and cooperation. For subsequent generations, his legend will be a call to rebellion, the alternative to which is accommodation, obedience and imitation. It is a message that rings true regardless of what kind of government runs the country."

Editable Democracy

1Noting that digital democracy, while promising, has proven difficult in practice, Carl Miller points to Wikipedia as a working model that combines the advantages of the new way of doing things with fresh takes on the old way: "Wikipedia stands out as a twinkling beacon of hope. As a technology, process and ethos, Wikipedia has been able to turn the variety of views and contributions of Wikipedians into meaningful and often constructive deliberation (the 'talk' page behind the entry), finally producing a single, unified result - the Wikipedia entry itself. This is an intricate process, and, impressively, one that has been self-developed, organically and democratically, by the Wikipedians themselves. There is now a dense cobweb of policies for how articles should be written and reviewed, structures for recognizing and rewarding individuals who productively contribute, featuring the best articles, and resolving disputes. As a Wikipedian, you can receive everything from the Ada Lovelace Award for those who have make significant contributions to Wikipedia about women and science to the Liberty Star for outstanding work on Philadelphia-related articles. The Village Pump is a thronging central gathering place where Wikipedians collectively discuss technical issues and policies for Wikipedia, work on new ideas and propose them to be considered."

Before the Hobbit, the Geat

1Joan Acocella, in a consideration of J.R.R Tolkien's translation of Beowulf, which, although completed nearly ninety years ago, is first seeing publication now, points to what Tolkien saw as the artistic merits of a poem that has been perhaps been underappreciated: "Tolkien saw all this as an evasion of the poem's true subject: death, defeat, which come not only to Beowulf but to his kingdom, and every kingdom. Many critics, Tolkien says, consider 'Beowulf' to be something of a mess, artistically-for example, in its mixing of pagan with Christian ideas. But the narrator of 'Beowulf' repeatedly says that, like the minstrels who entertain the knights, he is telling a tale from the old days. 'I have heard,' he says. 'I have learned.' Tolkien claims that the events of the poem, insofar as they are real, occurred in about 500 A.D. But the poet was a man of the new days, when the British Isles were being converted to Christianity. It didn't happen overnight. And so, while he tells how God girded the earth with the seas, and hung the sun in the sky, he again and again reverts to pagan values. None of the people in the poem care anything about modesty, simplicity (they adore treasure, they count it up), or humility (they boast of their valorous deeds). And death is regarded as final. No one, including Beowulf, is said to be going on to a better place."

From the Hannah Arendt Center Blog

This week on the Blog, Paul Morrow uses a well-known fable to explore the notion of pluralistic ignorance in the Quote of the Week. Scottish philosopher Thomas Carlyle provides this week's Thought on Thinking. And Roger Berkowitz discusses Anand Giridharadas' "The True American," a tale of hatred, redemption, and America, in the Weekend Read.

26May/140

Amor Mundi 5/25/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

The Fourth Revolution

1The first chapter of The Fourth Revolution: The Global Race to Reinvent the State by John Mickletwait and Adrian Wooldridge has been reprinted in various forms, most recently in the Wall Street Journal. It begins with fear and awe-of China. The first chapter, parts of which have been reprinted in various forms most recently in the Wall Street Journal, introduces the reader to CELAP, the China Executive Leadership Academy Pudong. "Today, Chinese students and officials hurtle around the world, studying successful models from Chile to Sweden. Some 1,300 years ago, CELAP's staff remind you, imperial China sought out the brightest young people to become civil servants. For centuries, these mandarins ran the world's most advanced government-until the Europeans and then the Americans forged ahead. Better government has long been one of the West's great advantages. Now the Chinese want that title back. Western policy makers should look at this effort the same way that Western businessmen looked at Chinese factories in the 1990s: with a mixture of awe and fear. Just as China deliberately set out to remaster the art of capitalism, it is now trying to remaster the art of government. The only difference is a chilling one: Many Chinese think there is far less to be gained from studying Western government than they did from studying Western capitalism. They visit Silicon Valley and Wall Street, not Washington, D.C." Beginning with the uncontroversial premise that government is broken, The Fourth Revolution argues that two responses are necessary. The first response is technical: "Government can be made slimmer and better." The second response is "ideological: it requires people to ask just what they want government to do." What is needed is a revolution, the surprising and unpredictable emergence of a new common sense that can inspire sacrifice and dedication in the name of a collective vision. Mickletwait and Wooldridge are to be commended for moving beyond the typical jeremiads that all that we need to fix government are technical solutions. The last third of their book is an attempt to articulate a vision of a common idea that can inspire and animate a revolutionary re-imagination of the state. That their proposed idea, which they call "freedom," is actually quite old is an argument against neither the idea nor its messengers. That said, their view of freedom is disappointingly tame and apolitical. Read more in the Weekend Read by Roger Berkowitz on the Arendt Center blog.

A Little More Than An Apple A Day

new yorker_newark schools_revisions_7What happens when a rock star Democratic mayor, a popular no-nonsense Republican Governor, and a billionaire philanthropist decide to make an all-out and high-profile effort to reform the failing schools in a poor post-industrial city? Dale Russakoff, in a long fascinating essay, describes the axis of local and financial interests that drove­-and blocked-school reform in Newark, New Jersey. Despite a $100,000,000 commitment from Facebook CEO Mark Zuckerberg, the results of the program have been mixed. "Almost four years later, Newark has fifty new principals, four new public high schools, a new teachers' contract that ties pay to performance, and an agreement by most charter schools to serve their share of the neediest students. But residents only recently learned that the overhaul would require thousands of students to move to other schools, and a thousand teachers and more than eight hundred support staff to be laid off within three years. In mid-April, seventy-seven members of the clergy signed a letter to Christie requesting a moratorium on the plan, citing 'venomous' public anger and 'the moral imperative' that people have power over their own destiny. Booker, now a U.S. senator, said in a recent interview that he understood families' fear and anger: 'My mom-she would've been fit to be tied with some of what happened.' But he characterized the rancor as 'a sort of nadir,' and predicted that in two or three years Newark could be a national model of urban education. 'That's pretty monumental in terms of the accomplishment that will be.'"

A Political Animal

1In a review essay summing up a recent biography of John Quincy Adams and both a recent biography and a collection of essays from his wife Louisa Catherine Adams, Susan Dunn points to Adams as perhaps the last member of the political generation of the founders, suggesting that he was both brilliant and behind his times: "Adams's program was a transformational one, but he disdained the transactional skills with which he might have achieved his goals. He rejected party-building, party leadership and followership, and piously stood opposed to using the tool of political patronage. He had neither talent nor patience for the essence of democratic leadership: connecting with, educating, and empowering ordinary citizens who were beginning to play a decisive part in American government. He did not grasp, as the historian Gordon Wood memorably wrote, that the voice of the people would become 'America's nineteenth-century popular substitute for the elitist intellectual leadership of the Revolutionary generation.' On the contrary, like the founders who worshiped 'the public' but feared 'the people,' Adams felt only scorn for the idea of dirtying his hands in the increasingly boisterous, personality-driven, sectional, and partisan politics of the 1820s and 1830s." Proving, however, that no one is just one thing, Adams would later prove to be in the advance guard of another issue; after losing the presidency in 1829, he took up abolition, which he fought as a member of the House of Representatives until his death two decades later.

Sometimes The Simplest Solution

1Philip Ball pushes on the idea that the most elegant scientific solution is likely to be the best one, and the following ideal that simplicity is therefore beautiful, and finds it empty: "The idea that simplicity, as distinct from beauty, is a guide to truth - the idea, in other words, that Occam's Razor is a useful tool - seems like something of a shibboleth in itself. As these examples show, it is not reliably correct. Perhaps it is a logical assumption, all else being equal. But it is rare in science that all else is equal. More often, some experiments support one theory and others another, with no yardstick of parsimony to act as referee. We can be sure, however, that simplicity is not the ultimate desideratum of aesthetic merit. Indeed, in music and visual art, there appears to be an optimal level of complexity below which preference declines. A graph of enjoyment versus complexity has the shape of an inverted U: there is a general preference for, say, 'Eleanor Rigby' over both 'Baa Baa Black Sheep' and Pierre Boulez's Structures Ia, just as there is for lush landscapes over monochromes. For most of us, our tastes eschew the extremes."

One Thing After Another

1Ben Lerner has an excellent essay in the London Review of Books on volume three of Karl Ove Knausgaard's My Struggle series. One of the most distinctive qualities of the series is the overwhelming amount of detail Knausgaard offers to describe even the most mundane of events, like the exact appearance and characteristics of a bowl of cornflakes. Indeed, Knausgaard has remarked in an interview, "I thought of this project as a kind of experiment in realistic prose. How far is it possible to go into detail before the novel cracks and becomes unreadable?" Lerner observes that it is this immersive and anti-literary formlessness-as well as the risk it carries-that ultimately gives Knausgaard's experiment its peculiar power. "What's unnerving about Knausgaard is that it's hard to decide if he's just a child who stares at everything, who makes no distinctions, or if he indeed qualifies as a Baudelairean man-child, as a genius who can 'bring order into the sum of experience, involuntarily amassed'. Another way to put it: does My Struggle ultimately have an aesthetic form? Or is it just one thing after another? I think it's because My Struggle is both absorbing and can feel undifferentiated that you'll find it being likened at once to crack cocaine and Marcel Proust. It's why we can read it compulsively while being uncertain if it's good."

Reaching Into the Way, Way Back For a Way Forward

1Paul Carrese and Michael Doran, weary of having to listen to pundits discuss foreign policy and wary of off-the-shelf foreign policy doctrine, look back to Washington's 1796 Farewell Address as a model for present day American decision making. They note four points - the primacy of natural rights and religious ideals, maintaining military readiness and civilian authority, wariness of faction but adherence to Constitutional rules, and a statesmanship balanced between interest and justice - worthy of continued consideration. They conclude, finally, that the foreign policy put forth by Washington is a foreign policy of an informed citizenry: "the Founders' school of foreign policy encourages us to maintain a flexible but principled disposition. Washington hoped his moderate, balanced principles would 'prevent our nation from running the course which has hitherto marked the destiny of nations.' This presupposed civic vigilance by citizens and leaders alike. The Farewell Address thus calls his 'friends and fellow citizens' to take up the hard work of learning about and debating difficult issues, while avoiding passion and partisan rancor to the highest degree humanly possible. In foreign policy, as in all aspects of political life, neither the experts nor the public have a monopoly on insight. Both are capable of error. A successful, long-term American strategy toward any given problem, or any given era of international realities, will command the respect of a large portion of the public and a significant portion of the experts. Such strategies must be a product of co-creation, and must be rooted in our deepest principles and values."

The Not-So-Clear NSA Line Between Terrorism and Crime

1In the Intercept, Ryan Devereaux, Glenn Greenwald, and Laura Poitras write about MYSTIC, a secret NSA program that allows the U.S. Government to record and listen to every single phone call in certain countries. "Rather than simply making 'tentative analytic conclusions derived from metadata,' the memo notes, analysts can follow up on hunches by going back in time and listening to phone calls recorded during the previous month. Such 'retrospective retrieval' means that analysts can figure out what targets were saying even when the calls occurred before the targets were identified. '[W]e buffer certain calls that MAY be of foreign intelligence value for a sufficient period to permit a well-informed decision on whether to retrieve and return specific audio content,' the NSA official reported. The program raises profound questions about the nature and extent of American surveillance abroad. The U.S. intelligence community routinely justifies its massive spying efforts by citing the threats to national security posed by global terrorism and unpredictable rival nations like Russia and Iran. But the NSA documents indicate that SOMALGET has been deployed in the Bahamas to locate 'international narcotics traffickers and special-interest alien smugglers' - traditional law-enforcement concerns, but a far cry from derailing terror plots or intercepting weapons of mass destruction. 'The Bahamas is a stable democracy that shares democratic principles, personal freedoms, and rule of law with the United States,' the State Department concluded in a crime and safety report published last year. 'There is little to no threat facing Americans from domestic (Bahamian) terrorism, war, or civil unrest.' By targeting the Bahamas' entire mobile network, the NSA is intentionally collecting and retaining intelligence on millions of people who have not been accused of any crime or terrorist activity."

From the Hannah Arendt Center Blog

This week on the Blog Wolfgang Heuer writes about Arendt and social science in the "Quote" of the Week. And Roger Berkowitz writes about the Fourth Revolution, a call for a classical liberal revolution in the Weekend Read.