By Laurie E. Naranch
“Education is the point at which we decide whether we love the world enough to assume responsibility for it and by the same token save it from that ruin which, except for renewal, except for the coming of the new and young, would be inevitable.”
-- Hannah Arendt, “The Crisis in Education” 1954
Education in the United States is generally seen to be in crisis. At the secondary school level, we frequently hear how our scores in math and science lag behind other nations. Here we see that social class is a greater predictive factor of graduation than are other factors given the ways public education is funded through local property taxes and state-level funding. These economic disparities correlate all too often to the locations of racial and ethnic minorities. Teachers in public schools are closely scrutinized as test scores are used to determine their worth; common narratives frame teachers who resist as if they don’t care about good teaching and learning accountability.
By Hans Teerds
“Jaspers’ thought is spatial because it forever remains in reference to the world and the people in it, not because it is bound to any existing space.”
-- Hannah Arendt, ‘Karl Jaspers: A Laudatio’
It is in the midst of her description of the German philosopher and her tutor Karl Jaspers’ ‘faculty for dialogue [and] the splendid precision of his way of listening’ that Arendt identifies his spatial approach. Jaspers, she argues, through his thinking created a space wherein ‘the humanitas of man could appear pure and luminous.’ In speaking and listening, Jaspers was able to change and widen, sharpening and therewith ‘illuminating’ the subject. This approach of course depends upon the ability to take other perspectives into account, i.e. Kant’s ‘enlarged mentality,’ of which Arendt was the ‘political mentality par excellence.’
By Jeffrey Champlin
“Without actually standing where Archimedes wished to stand (dos moi pou sto), still bound to the earth through the human condition, we have found a way to act on the earth and within terrestrial nature as though we dispose of it from outside, from the Archimedean point. And even at the risk of endangering the natural life process we expose the earth to universal, cosmic forces alien to nature's household.”
-- Hannah Arendt, The Human Condition
The final chapter of The Human Condition takes an apparently disheartening turn beyond Arendt's core development of the concepts of labor, work, and action. While Chapter 4 on "Action" offers the hope of people coming together to start something new in a reinvigorated sense of the political, Chapter 5 seems to narrate the inevitable decline of "the modern age's triumphal world alienation." In particular, her use of the way science can now "act on the earth" fundamentally challenges the optimistic sense with which she discussed "action" earlier in the book.
"We all have an enormous responsibility to bring to the attention of others information they do not have, which has the potential of causing them to rethink long-held ideas.”
-- Howard Zinn, American historian, author, and activist, "Changing Minds, One at a Time,” Mar. 2005 (1922-2010)
(Featured Image: Howard Zinn; Source: PEN New England)
“The common element connecting art and politics is that they are both phenomena of the public world. What mediates the conflict between the artist and the man of action is the cultura animi, that is, a mind so trained and cultivated that it can be trusted to tend and take care of the world of appearances whose criterion is beauty.”
“The Crisis in Culture,” in Between Past and Future (1993 ) 218-219
The survival of culture is not assured. In her exploration of culture and crisis, Hannah Arendt distinguishes between objects that are produced for use and those that are produced as art in order to endure. Consumptive life is a part of leisure, a “necessity” of life, whereas art, as Arendt often discusses, partakes in the humanistic task of cultivating a world that doesn’t collapse all distinctions – among people, among realms of experiences, among spaces of collective encounter, and among the ways in which we see violence whether in the hands of fellow human beings or state authorities. This note about violence is not a theme in Arendt’s “The Crisis in Culture.” But it very well could be, and as I’ll assert here, it should be. This is part of our “crisis of culture,” after all, a dilemma for which art may offer some chance of cultivating a humanistic sensibility that is much needed in light of persistent violence within liberal democratic republics today.
“And just as you supported and carried out a policy of not wanting to share the earth with the Jewish people and the people of a number of other nations - as though you and your superiors had any right to determine who should and who should not inhabit the world - we find that no one, that is, no member of the human race, can be expected to want to share the earth with you. This is the reason, and the only reason, you must hang."
-- Hannah Arendt, Eichmann in Jerusalem
The closing paragraphs of the epilogue of Eichmann in Jerusalem reformulate Arendt’s final argument that the judges of the tribunal should have delivered if they had dared to declare the definitive reason for which they sent Eichmann to the gallows. This reason has retribution at its core: Eichmann and his kind did not want to share the world with us, and he claimed the right to decide who should and should not inhabit the earth. In that case, we decided we did not want to share the world with him.
Last Sunday, March 9, Roger Berkowitz and Walter Russell Mead sat down with SCOTUSblog founder and publisher, Tom Goldstein, as part of the Arendt Center’s “Blogging and the New Public Intellectual” series in New York City. The series engages in ongoing discussion with the nation’s leading bloggers in an attempt to analyze this form of political and cultural writing and its impact on modern society.
As a litigator, Goldstein has argued 31 cases before the Supreme Court, and teaches at Harvard Law School. He and Amy Howe founded the SCOTUSblog in 2002, which covers the Supreme Court and all of its cases in detail. Goldstein related the evolution of the now highly respected and heavily trafficked blog:
There is a lot less traditional press coverage creating the opportunity for more blogging. Just to play out the example, five years into the blog’s history, blogging was still regarded as ‘ehhh.’ By year eight or nine, the press corps was very actively citing us and others as experts in the field. At year twelve, we’re regarded as the competition.
With the success and reputation of the blog, however, has come responsibility. Walter Russell Mead noted that the more people listen to you, the less you can say. Goldstein agreed:
If I say something in the blog about the Supreme Court, a lot of people are going to think of it as true. Maybe they shouldn’t. If they knew me better, they probably wouldn’t. But, if I say, “Someone is going to retire.” or “This case was wrongly decided.” the Supreme Court press corps pays enormous attention to the blog…There is a kind of cadre of readership, an echoing effect out from the blog. Something that gets said on the blog becomes conventional wisdom. And that means that I have to be more careful.
Goldstein also reflected on the way that trolls and those who comment on blogs have made him lose some of his faith in humanity. For many years SCOTUSblog struggled to maintain a communal feeling through comments on blog posts, but they finally abandoned the effort in the face of racist, slanderous, and hateful trolls. As Goldstein said, "What people are willing to say when anonymous is extraordinary.”
Watch video of the discussion here.
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
It Matters Who Wins
Simon Critchley at "The Stone" reminisces about Dr. Jacob Bronowski's "Ascent of Man" series and specifically the episode on Knowledge and Creativity. At one point in his essay Critchley inserts a video clip of the end of the episode, a clip that suddenly shifts the scene "to Auschwitz, where many members of Bronowski's family were murdered." We see Dr. Bronowski walking in Auschwitz. He says: "There are two parts to the human dilemma. One is the belief that the end justifies the means. That push button philosophy, that deliberate deafness to suffering has become the monster in the war machine. The other is the betrayal of the human spirit. The assertion of dogma closes the mind and turns a nation, a civilization into a regiment of ghosts. Obedient ghosts. Or Tortured ghosts. It's said that science will dehumanize people and turn them into numbers. That's false, tragically false. Look for yourself. This is the concentration camp and crematorium at Auschwitz. This is where people were turned into numbers. Into this pond were flushed the ashes of some 4 million people. And that was not done by gas. It was done by arrogance. It was done by dogma. It was done by ignorance. When people believe that they have absolute knowledge with no test in reality, this is how men behave. This is what men do when they aspire to the knowledge of Gods. Science is a very human form of knowledge. We are always at the brink of the known. We always feel forward for what is to be hoped. Every judgment in science stands on the edge of error and is personal. Science is a tribute to what we can know although we are fallible. In the end the words were said by Oliver Cromwell, 'I beseech you in the bowels of Christ, think it possible that you may be mistaken.'" It is a must read essay and must see clip. And you can read more about in Roger Berkowitz's Weekend Read.
Inside Camp X-Ray
In the wake of President Obama's yearly promise to close the military prison at Guantanamo Bay, South African writer Gillian Slovo suggests that, just as important as closing the base is acknowledging what happened inside: "There are two qualifications for being in Guantanamo: you have to be male, and you have to be Muslim. And once you've had the bad luck to be shipped there, you're stuck. Ordinary prisons in democratic societies work because of the cooperation of prisoners, most of whom, if they behave well, know they will eventually be freed. Not so in Guantanamo: there are the voiceless who, the American government has decided, do not deserve a trial. That's why, as Lord Steyn said, the American government made every effort to stop us from knowing what was happening there and that is why it is the responsibility of those who do have a voice in our world to let it be heard."
Woody Allen, Nihilist
In the midst of the debate concerning whether the allegations against Woody Allen should affect how his work is received and celebrated, Damon Linker discusses the philosophical nihilism underlying Allen's work and its moral implications. He points to the 1989 film Crimes and Misdemeanors, in which a married man who murders his lover in order to prevent her from disclosing their affair not only gets away with the crime but manages to entirely overcome his guilt and find happiness. In a 2010 interview with Commonweal magazine that Linker quotes, Allen explained the existential meaninglessness that he wanted the film to depict: "[E]veryone goes to his grave in a meaningless way.... [O]ne can commit a crime, do unspeakable things, and get away with it, and some of them are plagued with all sorts of guilt for the rest of their lives and others aren't. There is no justice..." Nihilism threatens to bring about a world in which anything becomes possible and permissible because we no longer see human life as having meaning. And yet, nihilism, as Hannah Arendt saw, can also be central to the practice of thinking and acting that creates meaning. For more on Woody's nihilism, see Roger Berkowitz's Weekend Read.
Ambivalent About Love
In an interview, comics artist expresses her ambivalence about love: "Well, love isn't an end in itself, no emotion is. Emotions are signposts directing you to actions, and the actions have varied consequences beyond the scope of the events that instigated them. I'm more interested in examining the state of being in love, of accommodating that feeling and attempting to legibly express it, than I am with mapping the initial process of a romantic attraction. If the lovers in my stories seem to struggle to connect with one another, it's because that's what being in love mainly entails, this ongoing mutual desperate groping for communion. I don't mean to argue that I think love isn't worthwhile! I think it absolutely is, but whether I think that or not, love and every other strong emotion will still be rampaging through the animal kingdom, kneecapping all attempts at independent decision-making, compelling us to conform our behavior to its purpose, which is mainly procreative. In fact the inevitability of it is reassuring. Pulling these things apart a little is beneficial, and I'd like to see it done more, but questioning a concept doesn't equate to rejecting it outright. I question it precisely because I believe in it so strongly."
Of Fear, Cowardice, and Courage
Linda Besner, striking an Arendtian note, wonders what it means that we have abandoned the idea of cowardice. One worry is that if we no longer speak of cowardice we may no longer be able to praise bravery. Besner suggests that contemporary definitions of bravery-facing down your own fears-are useful for self development, but not so much for living with others: "without a moral category of cowardice, are we really entitled to a category of bravery? The argument that Fear is Courage sounds unsettlingly Orwellian, and paves the way for the simple admission of fear to replace overcoming it. The emotional risks of facing one's feelings matter; but an inward-looking process focused on self-actualization is different from a sense of duty to the wider world. If cowardice consists in failing the collective, bravery may be said to inhere in taking personal risks for the greater good."
On Miracles, Agony, and Optimism
In the same special issues on "Generation" that elicited Carol Becker's reflections discussed last week, Jan Verwoert asks "why would Capital exploit the miraculous, if it was not for the fact that it is a source of infinite generative energy?" He writes, "Miracles happen always and everywhere. Art presents us with evidence of their occurrence daily, in the most mundane fashion: every little instant in which the mind clears, an intuition takes shape, you see what you couldn't see before, and what couldn't be resolved suddenly can be; in the spot where the writing got stuck the night before, words fall into place; the morning after, you meet someone by chance who opens a door and a project that seemed unrealizable yesterday goes through no problem; the fingers find their way across the key--or fretboard and a song is born; the painting that has been staring back at you for weeks or months now, half complete yet incompletable because it's evident that it lacks something but is impossible to see what-well, that canvas suddenly opens up, and within the shortest amount of time things shift into perspective and the work is done. This is a miracle. It cannot be achieved, or caused by any known means (drugs don't work). It occurs."
Matthew Shepard: The Murder and the Myth - A Discussion with Stephen Jiminez
Tuesday, February 11, 2014, 7:00 pm
Olin 102, Bard College
Learn more here.
Blogging and the New Public Intellectual - A Discussion with Tom Goldstein
Sunday, March 9, 2014 , 5:00 pm - 7:00 pm
Bard Graduate Center, NYC
Learn more here.
From the Hannah Arendt Center Blog
This week on the blog, Bill Dixon reflects on the "sandstorm of totalitarianism" that is based upon "loneliness as the normal register of social life, the frenzied lawfulness of ideological certitude, mass poverty and mass homelessness, the routine use of terror as a political instrument, and the ever growing speeds and scales of media, economics, and warfare." And in the Weekend Read, Roger Berkowitz explore truth, creativity, nihilism, and the affaire Allen.