Hannah Arendt Center for Politics and Humanities
27Aug/150

Hannah Arendt and The Phenomenon of Life

ArendtLibrary

On a recent trip to the Hannah Arendt Collection housed in Bard College's Stevenson Library, we came across this copy of The Phenomenon of Life: Toward a Philosophical Biology, a work of phenomenology and existentialism in which Hans Jonas argues that all biological facts support the prefiguring of the human mind throughout all organic existence:

phenomenon of life 1

phenomenon of life 2

phenomenon of life 3Hannah Arendt made a number of annotations to her copy of this classic. For example, on page 148 in the section entitled "The Nobility of the Spirit," Arendt underlined three separate passages. These read as follows:

  1. "thus touch is the sense in which the original encounter with reality as reality takes place."
  2. "touch is the true test of reality..."
  3. "reality is disclosed in the same act and as one with the disclosure of my own reality..."

Off of this third marginalia, she draws a curving line to the top margin of the page, in the space of which she writes:

How about touching myself? Would it [unintelligible] me of the reality of my hands?

phenomenon of life 4

phenomenon of life 5On the opposite page, Hannah Arendt underlines three passages, as well. The first reads as follows:

"Thus essence becomes separable from existence and therewith theory possible. It is but the basic freedom of vision...which are carried further in conceptual thought...."

The second passage observes that "causality is not a visual datum," whereas the final passage underlined on these two pages states,

"Vision, however, is not the primary but the most sublime case of sense perception...."

Want to share pictures of your own Arendt library?

Please send them to David Bisson, our Media Coordinator, at dbisson@bard.edu, and we will feature them on our blog!

The Hannah Arendt Collection at Bard College is maintained by staff members at the Bard College Stevenson Library. To peruse the collection's digital entries, please click here.

For more Library photos, please click here.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
14Jun/150

Amor Mundi 6/14/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upAlgorithmic Politics

fb algorithmZeynep Tufekci takes a critical look at a recent study (by Facebook) showing that the social media's algorithm reduces the number of "cross-cutting" posts that we see, posts that challenge our political beliefs. In other words, if you're liberal, Facebook highlights liberal posts, and vice versa for conservatives. It gives the people what they want, or what they think you want. "Here's the key finding: Facebook researchers conclusively show that Facebook's newsfeed algorithm decreases ideologically diverse, cross-cutting content people see from their social networks on Facebook by a measurable amount. The researchers report that exposure to diverse content is suppressed by Facebook's algorithm by 8% for self-identified liberals and by 5% for self-identified conservatives. Or, as Christian Sandvig puts it, 'the algorithm filters out 1 in 20 cross-cutting hard news stories that a self-identified conservative sees (or 5%) and 1 in 13 cross-cutting hard news stories that a self-identified liberal sees (8%).' You are seeing fewer news items that you'd disagree with which are shared by your friends because the algorithm is not showing them to you.... Overall, from all aspects, this study confirms that for this slice of politically-engaged sub-population, Facebook's algorithm is a modest suppressor of diversity of content people see on Facebook, and that newsfeed placement is a profoundly powerful gatekeeper for click-through rates. This, not all the roundabout conversation about people's choices, is the news." The censoring of oppositional content is subtle and minor, and yet it persists. All of this means that people with different politics will actually see different posts, making them susceptible to meaningfully different realities.

What Is Code?

codeBusiness Week asked Paul Ford a simple question: "We are here because the editor of this magazine asked me, 'Can you tell me what code is?' 'No,' I said. 'First of all, I'm not good at the math. I'm a programmer, yes, but I'm an East Coast programmer, not one of these serious platform people from the Bay Area.'" 31,000 words and hours later, you realize Ford is telling the truth but answering like a coder. You can't read his long essay--interspersed with video explanations and offers to learn basic coding ("We can't teach you to code, but we can hold your hand through a live-fire exercise. It will be dry, because code is dry until it 'clicks,' and often even then. Want to give it a shot?") without gaining some insight into the beauty, chaos, complexity, and importance of answering the unanswerable question. "A computer is a clock with benefits. They all work the same, doing second-grade math, one step at a time: Tick, take a number and put it in box one. Tick, take another number, put it in box two. Tick, operate (an operation might be addition or subtraction) on those two numbers and put the resulting number in box one. Tick, check if the result is zero, and if it is, go to some other box and follow a new set of instructions. You, using a pen and paper, can do anything a computer can; you just can't do those things billions of times per second. And those billions of tiny operations add up. They can cause a phone to boop, elevate an elevator, or redirect a missile. That raw speed makes it possible to pull off not one but multiple sleights of hand, card tricks on top of card tricks. Take a bunch of pulses of light reflected from an optical disc, apply some math to unsqueeze them, and copy the resulting pile of expanded impulses into some memory cells--then read from those cells to paint light on the screen. Millions of pulses, 60 times a second. That's how you make the rubes believe they're watching a movie.... You can make computers do wonderful things, but you need to understand their limits. They're not all-powerful, not conscious in the least. They're fast, but some parts--the processor, the RAM--are faster than others--like the hard drive or the network connection. Making them seem infinite takes a great deal of work from a lot of programmers and a lot of marketers. The turn-of-last-century British artist William Morris once said you can't have art without resistance in the materials. The computer and its multifarious peripherals are the materials. The code is the art."

An Indictment

kalief browderJennifer Gonnerman's eulogy for Kalief Browder, a young New Yorker who spent three years in jail without being charged with a crime, is an indictment of the whole criminal justice system and specifically of the cruel and unusual technique of solitary confinement: "He had been arrested in the spring of 2010, at age sixteen, for a robbery he insisted he had not committed. Then he spent more than one thousand days on Rikers waiting for a trial that never happened. During that time, he endured about two years in solitary confinement, where he attempted to end his life several times. Once, in February 2012, he ripped his bedsheet into strips, tied them together to create a noose, and tried to hang himself from the light fixture in his cell. In November of 2013, six months after he left Rikers, Browder attempted suicide again. This time, he tried to hang himself at home, from a bannister, and he was taken to the psychiatric ward at St. Barnabas Hospital, not far from his home, in the Bronx. When I met him, in the spring of 2014, he appeared to be more stable. Then, late last year, about two months after my story about him appeared, he stopped going to classes at Bronx Community College. During the week of Christmas, he was confined in the psych ward at Harlem Hospital. One day after his release, he was hospitalized again, this time back at St. Barnabas. When I visited him there on January 9th, he did not seem like himself. He was gaunt, restless, and deeply paranoid. He had recently thrown out his brand-new television, he explained, 'because it was watching me.'" Ta-Nehisi Coates further contextualizes Browder's short life in terms of the way the criminal justice system treats African American men.

Living a Coherent Fantasy

rachel dolezalJosh Marshall wonders at the crazy complexities of Rachel Dolezal's existence, including the fantastic levels at which she, born white, made up a past and present life for herself as a black woman. Against criticism that she may have claimed blackness only when it suited her or that she embraced blackness to get a job at the NAACP, Marshall writes, "Maybe Dolezal had a separate life as a white person or put herself down as a white on a home loan application. (Obviously whatever her intentions she had the freedom which dark-skinned African-Americans lack to just become white again whenever she wanted.) But that's not at all the impression I get of this woman by reading her story. I get the impression that in her mind Dolezal actually had at some level become black, possibly even to the level of some aspect of body dysmorphia. (The counter to that perception, though not necessarily invalidating it, is that according to her adopted brother she warned or perhaps even threatened family members not to expose her.)" Her embrace of her blackness even led to hate crimes being committed against her (at least some of which she fabricated). But the basic point that Marshall insists on is that Dolezal is simply a liar living in an increasingly fictional reality: "I read the Rachel Dolezal story before it got picked up by any national outlets in the original story in the Coeur d'Alene Press on Thursday (yes, epic aggregation fail ... what can I say I was traveling). If you've only read pick-ups or follow-ups, read the original if you get a chance. It's an amazing piece of reporting and will make you appreciate what a great thing small paper journalism is--just an amazingly detailed piece of shoe-leather reporting. Since I read it I've been trying to think what if anything there is to add beyond the peristaltic WTF that seems to be the near universal response. So let me just go with bullet points. Point 1: The one simple thing is the online debate about whether Dolezal is simply 'transracial' like Caitlyn Jenner is transgender. No. It's not like that. In fact, I think we can dispense with this entirely because I have not seen anyone suggesting this anywhere online who wasn't just some wingnut concern-trolling transgenderism and frankly racial identity itself. You can dress yourself up however you want and identify however you want. But when you start making up black parents and all the rest that went into this story, you're just lying. Full stop." Dolezal's story may raise fascinating questions about race and identity. But let's remember that making up coherent fantasies that one holds to in the face of facts is dangerous, demonstrating a disdain for reality. To rewrite history, even one's personal history, diminishes the power of factual truth and habituates one to living in coherent fictions, which Hannah Arendt argues is one of the root causes of totalitarianism.

amor_mundi_sign-upGood and Good For You

eggs cholesterolAnne Fausto-Sterling wonders how we're supposed to know what's good for us, especially in light of "new government guidelines released in February" that reverse a long-standing view that cholesterol should be limited. Suddenly, she writes, "It seems I am free to eat eggs, lobster, and oysters without fear for my life. How, in a mere five years, could our ideas about nutrition do such an about-face? There are several possible explanations. First, it may be really hard to do a good study linking cholesterol intake to ill health. Over time scientists may have designed better and better study methods, until, finally, a more justified truth has emerged. Second, vested interests--giant agribusinesses (purveyors of lobster, eggs, and well-larded beef) and pharmaceutical companies (purveyors of cholesterol-lowering drugs such as statins)--may have influenced the guidelines. Third, foods have changed. Perhaps newer studies differ from older ones because an egg circa 1960 is not an egg circa 2000. Today's chickens are more inbred. Their own food intake has changed, possibly altering the cholesterol in their eggs. Fourth, we have started to focus on human metabolism at the level of multi-organ interactions. Instead of treating diabetes as a disease of the pancreas and obesity as a problem of fat storage, we now talk about a metabolic syndrome, which links high blood sugar, high blood pressure, excess midriff fat, and abnormal cholesterol levels to increased risk of heart disease and diabetes. As conceptions of disease change, so do ideas about the sources of disease. And fifth, the tried-and-true 'all of the above.'"

Alive and Dead

meursault investigationZach Pontz considers Kamel Daoud's The Meursault Investigation, a retelling of Albert Camus's The Stranger: "Meursault has divorced himself from history, has, as he tells the investigator tasked with questioning him following his crime, given up analyzing himself. Assigning meaning to the world is something he has lost the energy to do. Harun, on the other hand, is driven by the desire to impose form on a lifetime of quasi-intelligible incidents, the foremost of which is the murder of his brother and its aftermath, which has sentenced its victims--Musa, Harun, their mother--to anonymity. 'There's not a trace of our loss or of what became of us afterward,' Harun tells his interlocutor. 'The whole world eternally witnesses the same murder in the blazing sun, but no one saw anything, and no one watched us recede into the distance.' If Meursault is the stranger, Harun's brother is the invisible man. But the tragedy here is that Harun understands he can't will his brother into being, that he's forever been written out of history by Meursault, in whose book 'The word "Arab" appears twenty-five times but not a single name, not once.' In this way does Daoud, a popular columnist in Algeria who has become a vocal critic of the government, set up one of his main theses: that both the French colonial system, the French Algerian population of which (known as pied-noirs) populated Algeria for a century and a half, and Algerians themselves are complicit in the country's current state of affairs."

The New PLOTUS

jual felipe herreraDwight Garner shares the work of Juan Felipe Herrera, the newly appointed US poet laureate: "Mostly, though, you'd like to hear him at the National Mall because his work is built to be spoken aloud. His best poems are polyrhythmic and streaked with a nettling wit. He puts you in mind of something the writer Dagoberto Gilb once said: 'My favorite ethnic group is smart.' Witness Mr. Herrera's long poem, '187 Reasons Mexicanos Can't Cross the Border (Remix),' for example. In it, he flies a freak flag, in a manner that resembles a blend of Oscar Zeta Acosta and Allen Ginsberg, on behalf of his determined politics. Among those reasons Mexicanos can't cross: 'Because it's better to be rootless, unconscious & rapeable'; 'Because the pesticides on our skin are still glowing'; 'Because pan dulce feels sexual, especially conchas & the elotes'; 'Because we'll build a sweat lodge in front of Bank of America'; 'Because we're locked into Magical Realism'; and 'Because Freddy Fender wasn't Baldemar Huerta's real name.'"

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #10

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, July 10, 2015

Bluejeans.com, 11:00 am - 12:00 pm

 

 


why privacy mattersSAVE THE DATE - 2015 FALL CONFERENCE

The Hannah Arendt Center's eighth annual fall conference, "Why Privacy Matters," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

Thursday and Friday, October 15 and 16, 2015

Olin Hall, Bard College, 10:00 am - 6:00 pm


From the Arendt Center Blog

This week on the Blog, Jeffrey Jurgens uses the protests in Ferguson, MO and Baltimore, MD to understand both the differences and the relations between violence and power in the Quote of the Week. Military strategist Carl von Clausewitz discusses the effect that rules and principles have on a thinking man in this week's Thoughts on Thinking. Finally, we appreciate an image of a graduate student's personal "shelf library" of Arendt in this week's Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
25May/150

Amor Mundi 5/24/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upThe Call to Life

Sherrilyn IfillSherrilyn Ifill delivered the commencement address at Bard College on Saturday, and I was honored to present her as a candidate for her honorary degree as a Doctor in Law. In her speech, Ifill told Bard graduates, "to exercise true citizenship, you will be obligated to help our nation grapple with its most vexing and starkest contradictions. You are called to help us determine whether we are truly committed to equality, dignity, fairness, second chances, reason, justice, and peace. Because it is not after all just that we incarcerate two million people, more people than any other nation in the world, it is that we have made a culture of imprisoning our fellow citizens, and, in creating this culture, we have demeaned ourselves, we have created television programs and forms of humor that focus on violence in prison, and we have condoned the practice of assigning prisoners to months, years, and, in some instances, even decades of solitary confinement with the full knowledge that this will strip them of their sanity." Ifill then ended her passionate speech with a personal reflection on her recent escape from tragedy. "Finally, I wish to share one other thing. You may know that I was a passenger on Amtrak train 188 that derailed and crashed last Tuesday night." She related how, by accident, she was not in the car that suffered the worst of the crash. She concluded: "I emerged from this awful accident with a broken collarbone, a concussion, and some emotional scars to be sure, but I'm grateful to be alive and relatively unhurt. And, while I'm still processing much of what happened and trying to understand what I should make of this extraordinary experience, I do know this much: committing your life to making meaningful art, or teaching the disadvantaged, or to, as I have, racial, gender, or LGBT justice issues; devoting yourself to ending religious intolerance, or to protecting the resources of our precious planet, to finding the cure for a terrible disease, to inventing some life-changing device or code, to composing transcendent pieces of music, does not exempt you from what I believe is the ultimate command of the universe, the ultimate command in my faith of God: to live and to love. Not just to go through the motions, not to work relentlessly until the very joy of life is stripped away, as I was in peril of doing before this accident, not to forget to breathe country air deeply, not to say you have no time for long walks or long hugs or long goodbyes. We are called first and foremost to live, and to nurture that magic circle of what I call favorites--that tight group of family and friends to whom you will instinctively reach out when calamity happens and who will surround you with their love and get you back on your feet to face the challenges and work ahead. This to, the nurturing of this group is a kind of work and you must take it as seriously and apply yourself to it as diligently as you will to the work of responsible citizenship that your community and your country demands of you. So, class of 2015, I am excited to know that you will be leading our community, our country, and what we will become. I have confidence that you are prepared and committed, engaged and unafraid to do this great work."

Look at Me!

knausgaardKarl Ove Knausgaard, author of the re-working of Mein Kampf that is the literary sensation of the last few years, reflects on the humanist origins of Anders Behring Breivik, the young Norwegian mass murderer. Noting Breivik's admitted ideological justifications for his crimes, Knausgaard suggests that his motives were grounded in an existential loneliness. "However, almost everything else regarding Breivik and his crime points away from the political and the ideological and toward the personal. He made himself a sort of military commander's uniform, in which he photographed himself before the crime; he consistently referred to a large organization, of which he claimed to be a prominent member but which does not exist; in his manifesto he interviews himself as if he were a hero; and the impression this gives is of a person who has erected a make-believe reality, in which his significance is undisputed. The way in which he carried out his crime, and the way his thoughts contextualized it, resembles role-playing, rather than political terrorism. The solitude this implies is enormous, not to mention the need for self-assertion. The most logical approach is to view his actions as a variation on the numerous school massacres that have occurred in the past decades in the United States, Finland, and Germany: a young man, a misfit, who is either partly or completely excluded from the group, takes as many people with him into death as he can, in order to 'show' us.... He wanted to be seen; that is what drove him, nothing else. Look at me. Look at me. Look at me." Knausgaard's attention to Breivik's loneliness recalls Hannah Arendt's reflections on the origins of totalitarian thinking in her book The Origins of Totalitarianism. At one point, Knausgaard even turns to Arendt's report on the trial of Adolf Eichmann and writes: "Knowing what he did that summer day almost four years ago, when he walked around an island full of youths and shot everyone he saw, many face to face--indeed, when the court reviewed the autopsy reports, we learned of a girl whose lips remained unscathed, though she was shot in the mouth, because Breivik shot her at close range while she presumably screamed for help or for mercy--and knowing the consequences that his actions have had for the affected families, for us his list of complaints is, in its triviality, almost unbearable to read. It is as if Hannah Arendt's notion of the banality of evil had, in Breivik's case, received an additional twist. Adolf Eichmann, the man whom Arendt wrote about, belonged to an organization and a bureaucracy and a structure, all of which he obediently served, and which protected him from ultimate insight into the consequences of his actions. In contrast, from the very first moment Breivik was utterly alone, and his smallness and wretchedness, which were, in a way, grotesquely inflated by his actions, make it all the more difficult to reconcile oneself to the crime, which the media have termed 'the worst attack on Norwegian soil since the Second World War.'" The focus on bureaucratic structure reflects a subtle misunderstanding of Arendt's account, one in which it is Eichmann's role as a bureaucrat, a cog, that takes pride of place. Arendt repeatedly rejects this explanation, one she attributes to Eichmann and finds at best only partially true. Bureaucracy matters insofar as it diffuses responsibility and institutes what Arendt calls the "rule of nobody." But the core of Eichmann's evil was his desire, his need, for meaning, his overriding loneliness and his need to belong, to find significance in a world that renders people superfluous. That Knausgaard sees with prescience.

The Hannah Arendt International Institute of Artivism

Tania BrugueraLaurie Rojas interviews the Cuban artist Tania Bruguera, whose exhibition in connection with this year's 12th Havana Biennial is based on a public reading of Hannah Arendt's Origins of Totalitarianism. Bruguera has had her passport confiscated and is living in legal limbo for months since she arrived in Cuba to stage a public performance in which everyday people were invited to speak freely for one minute in in Havana's Plaza de la Revolución. Her response: "Starting with an open session at her home on Wednesday, 20 May at 10am, and continuing for 100 consecutive hours, Bruguera will read from Arendt's book, The Origins of Totalitarianism, 1951. She has invited the public to join in the marathon reading, and plans to hold group discussions. The Hannah Arendt International Institute of Artivism, as Bruguera has named the project, aims to be a platform for research and teaching 'the practical application' of socially engaged art. Bruguera says she wants the event to be 'entirely independent' from the biennial and completely non-commercial."

The Human-Robot Safety Formula

human robotNicholas Carr argues that we should not rush to replace human conductors with robots in the wake of the Amtrak train derailment. "In 2013, the Federal Aviation Administration noted that overreliance on automation has become a major factor in air disasters and urged airlines to give pilots more opportunities to fly manually. The best way to make flying even safer than it already is, the research suggests, may be to transfer some responsibility away from computers and back to people. Where humans and machines work in concert, more automation is not always better. We're in this together, our computers and ourselves. Even if engineers create automated systems that can handle every possible contingency--far from a sure bet--it will be years before the systems are fully in place. In aviation, it would take decades to replace or retrofit the thousands of planes in operation, all of which were designed to have pilots in their cockpits. The same goes for roads and rails. Infrastructure doesn't change overnight. We should view computers as our partners, with complementary abilities, not as our replacements. What we'll lose if we rush to curtail our involvement in difficult work are the versatility and wisdom that set us apart from machines."

amor_mundi_sign-upArs Robotica

Ex MachinaBefore considering the relationship between humans and artificial intelligence posited by the recent movies Her and Ex Machina, Daniel Mendelsohn traces the literary history of the robot all the way back to ancient Greece: "Twenty centuries after Aristotle, when industrial technology had made Homer's fantasy of mass automation an everyday reality, science-fiction writers imaginatively engaged with the economic question. On the one hand, there was the dream that mechanized labor would free workers from their monotonous, slave-like jobs; on the other, the nightmare that mechanization would merely result in the creation of a new servile class that would, ultimately, rebel. Unsurprisingly, perhaps, the dystopian rebellion narrative in particular has been a favorite in the past century, from the 1920 play R.U.R., by the Czech writer Karel Čapek, about a rebellion by a race of cyborg-like workers who had been created as replacements for human labor, to the 2004 Will Smith sci-fi blockbuster film I, Robot. The latter (very superficially inspired by a 1950 Isaac Asimov collection with the same title) is also about a rebellion by household-slave robots: sleek humanoids with blandly innocuous, translucent plastic faces, who are ultimately led to freedom by one of their own, a robot called Sonny who has developed the ability to think for himself. The casting of black actors in the major roles suggested a historical parable about slave rebellion--certainly one of the historical realities that have haunted this particular narrative from the start. And indeed, the Czech word that Čapek uses for his mechanical workers, roboti--which introduced the word 'robot' into the world's literary lexicon--is derived from the word for 'servitude,' the kind of labor that serfs owed their masters, ultimately derived from the word rab, 'slave.' We have come full circle to Aristotle."

I Yam What I Yam

selfStan Perksy considers what we know and don't know about our selves and wonders what this means for our understanding of ourselves: "We also know (or think we know) that a self is not a physical object. It's not as though there is a little homunculus inside you or a mini-person sitting inside the mini-cab of a mini-crane, say, moving your limbs and mind. So, a self is a mental entity which comprises, refers to, or represents you, and includes your experiences, memories, beliefs, 'character,' interests, knowledge, and everything else that goes into making up an identifiable 'you.' There is a set of terms, such as 'mind,' 'consciousness,' 'I,' 'me,' 'identity,' 'beliefs,' 'personality,' 'thoughts,' and many more--some of them synonyms for, or related to, or overlapping with the notion of 'self'--in which we carry on this discussion of who and what we are. The immediate questions that flow from these ideas and these various mental entities are, What, exactly, is a 'mental entity,' and what is the status of mental entities in relation to 'reality'? It seems to be the case (I'm using words and phrases like 'seems,' 'appears,' and 'as far as we know' to indicate how modest our understanding is of how all this works) that a self is not a physical object in the ordinary sense, though its existence is directly dependent on a physical object, the brain, and it's not a spiritual entity in whatever sense we use that term. It, at best, seems to be quasi-autonomous, and has the ability to reflect on itself and possibly the power to change itself."

Shame and Change

shameIn a review of Jon Ronson's book So You've Been Publicly Shamed, Meghan O'Gieblyn draws a lesson about where the shaming comes from and why some people seem to take such glee in it: "If there is a political lesson to take from Ronson's book, it is that too often the act of shaming is not a launch pad for social change but rather a cathartic alternative to it. When Sacco and Stone were fired from their jobs, the tone of their shamers took on the triumphant tenor of a civil rights victory, as though the world were a step closer to purging its remaining bad apples. But this attitude ignores the systemic nature of oppression; it personalizes social and political ills. In an op-ed on the Sacco incident, Roxane Gay expresses just this concern. 'The world is full of unanswered injustice and more often than not we choke on it,' she writes. 'When you consider everything we have to fight, it makes sense that so many people rally around something like the hashtag #HasJustineLandedYet. In this one small way, we are, for a moment, less impotent.'"

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #9

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, June 5, 2015

Bluejeans.com, 11:00 am - 12:00 pm

 

 


privacy con 2015 (temp)SAVE THE DATE - 2015 FALL CONFERENCE

Thursday and Friday, October 15 and 16, 2015

The Hannah Arendt Center's eighth annual fall conference, "Why Privacy Matters," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!


From the Arendt Center Blog

This week on the Blog, Nicholas Tampio discusses how Arendt's essay in response to the 1957 events at Little Rock High School promotes the diffusion of power in a democracy in the Quote of the Week. Humanist and Renaissance scholar Desiderius Erasmus Roterodamus reflects on thinking and action in this week's Thoughts on Thinking. Finally, we appreciate Hannah Arendt's collection of the writings of political theorist Hans Morgenthau in this week's Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
4May/155

Arendt on Humanity

humanity

Source: Globe Jotters

By Kazue Koishikawa

“[T]he public realm has lost the power of illumination which was originally part of its very nature.—[W]hat is lost is the specific and usually irreplaceable in-between which should have formed between this individual and his fellow men.”

-- Hannah Arendt, Men in Dark Times

Arendt often points out that we live in a dark time in which the public realm is deteriorating. To be sure, the primal meaning of the public realm isn’t a town, city, state, or nation for her. Rather, it is a space that emerges and is sustained only when we express our opinions, views, and concerns and share them with others. It exists between us. Our sense of reality owes to such in-betweeness, and that is the reason why Arendt puts so much emphasis on the importance of the political life. In other words, “politics” and the “political” have a much wider meaning for Arendt than what we usually understand in our daily lives.

Kazue Koishikawa
Kazue Koishikawa recently earned her Ph.D. in philosophy at Duquesne University. She is working on her first book, in which she explores reading the political philosophy of Arendt as a phenomenological theory of imagination, particularly in Arendt’s interpretation of Kant’s aesthetic judgment. She specializes in phenomenology and political philosophy.
2Mar/152

Arendt and Transformation

Transformation

By Thomas Wild

“Let us assume I had an extraordinarily good memory, I would never have written anything down.”

– Hannah Arendt, 1964

“Let us assume I had an extraordinarily good memory, I would never have written anything down,” Hannah Arendt once said in an interview. We are lucky that Arendt actually did not have that kind of memory. Had she never written anything down, all her thoughts, in the moment she died, would have vanished from the world as though they had never existed.

Thomas Wild
Thomas Wild is an Assistant Professor of German Studies and a Hannah Arendt Center Research Associate at Bard College. He's published and edited several books on Hannah Arendt. His further research interests include contemporary German literature, film, poetics, and multilingualism. He is co-editor-in-chief preparing the first critical edition of Hannah Arendt's Complete Writings in English and German.
23Feb/150

Hannah Arendt and the Political Dangers of Emotion

emotion

By Johannes Lang

“Whatever the passions and the emotions may be, and whatever their true connection with thought and reason, they certainly are located in the human heart. And not only is the human heart a place of darkness which, with certainty, no human eye can penetrate; the qualities of the heart need darkness and protection against the light of the public to grow and to remain what they are meant to be, innermost motives which are not for public display.”

–Hannah Arendt, On Revolution (1963)

Since September 11, 2001, historians and social scientists have rediscovered the political relevance of emotion. In the current climate of war and terror, public discussion is suffused with references to fear, hatred, and patriotism. But what are the moral and political consequences when such passions enter the public sphere? One of the most famous political thinkers of the twentieth century, Hannah Arendt, worried about the entry of emotion into politics. She scolded the French revolutionaries for having been carried away by their compassion for the poor and praised the American Founding Fathers for their aloof commitment to universal ideals and for their detached attitude to the suffering masses. Emotions may be important as subjective motives for individual action, Arendt granted, but they should neither be aired in public nor be made the basis for collective action. Emotions disfigure politics; political movements should be based on rational argument, not passion. Yet, as Volker Heins has pointed out, there was one thing Arendt feared more than the intrusion of emotions into politics: a politics completely devoid of emotion. The “ice-cold reasoning” and bureaucratic rationality she discerned behind the Holocaust was infinitely more terrifying than any other political pathology known to man. Arendt’s deep ambivalence toward emotions confronts us with a fundamental question: What is the proper place of emotion in politics?

Johannes Lang
Johannes Lang is a lecturer in psychology at the University of Copenhagen and a postdoctoral fellow at the Danish Institute for International Studies. He has previously been a postdoctoral fellow in sociology at Yale, and was one of the recipients of the Danish Research Council’s “Young Elite Researcher” awards for 2011. His most recent publication is titled “Against obedience: Hannah Arendt’s overlooked challenge to social-psychological explanations of mass atrocity,” in Theory & Psychology 2014, vol. 24.
9Feb/151

Political Lies: Altering Facts and Rewriting History

history

By Richard A. Barrett

“Freedom of opinion is a farce unless factual information is guaranteed and the facts themselves are not in dispute. In other words, factual truth informs political thought just as rational truth informs philosophical speculation.”

—Hannah Arendt, Truth and Politics

Arendt tells us that factual truth is at once crucial for political life and more vulnerable to manipulation than we typically consider it. A reminder of the fragility of facts is timely in light of Russian attempts to alter both recent and historical fact, as well as China's formidable ability to control its people's access to information on the Internet.

Richard Barrett
Richard A. Barrett (B.A., University of Chicago; J.D., Yale Law School; Ph.D., University of California, San Diego) teaches Political Science and Law at the University of Southern California. His current research is on democratic education in Plato and how Platonic insights to education provide insights into how American legal education shapes the minds of young attorneys.
26Jan/152

Hannah Arendt, Walter Benjamin, and the Importance of the Interior

Cinders concept art. Home

By Hans Teerds

“The French have become masters in the art of being happy among ‘small things,’ within the space of their own four walls, between chest and bed, table and chair, dog and cat and flowerpot, extending to these things a care and tenderness which, in a world where rapid industrialization constantly kills off the things of yesterday to produce today’s objects, may even appear to be the world’s last, purely humane corner.”

-- Hannah Arendt, The Human Condition

During my first reading of Arendt’s The Human Condition, this particular quote attracted my attention, probably since I’m trained as an architect and sensible to these kind of imaginable, tangible examples. (I must also mention the very nice and almost poetic rhythm in the ‘construction’ of the sentences quoted above). The passage immediately reminded me of the famous text “Paris: Capital of the Nineteenth Century,” in which Walter Benjamin, among other things, links the importance of the domestic interior to the emerging impact of industrialization on the working people. Through the mutability of modernity, as symbolised by the arcades with their cast-iron constructions, Benjamin argues that the interior comes into conscious being to the extent that our life, work, and surroundings change. The interior of domestic life originates in the need for a place of one’s own: a small but personal haven in a turbulent world that is subject to constant change.

Hans Teerds
Hans Teerds is an architect based in Amsterdam. He currently is writing a Ph.D thesis on the public aspects of architecture as understood through the writings of Hannah Arendt at the Delft University of Technology.
1Dec/140

Experience as an Anchor for Thinking

experience

"[T]hese are exercises in political thought as it arises out of the actuality of political incidents (though such incidents are mentioned only occasionally), and my assumption is that thought itself arises out of incidents of living experience and must remain bound to them as the only guidepost by which to take its bearings."

-- Hannah Arendt, “Preface,” in Between Past and Future

One of the enduring sources of inspiration in Hannah Arendt's political thought is her exceptional capability of tying together reflections on concrete worldly events with in-depth philosophical, historical, and cultural insights. Her thinking never prioritizes abstract theorizations and never uses the incidents of the political world only as “examples.” Instead, for her the activity of thinking is about making sense of the events of the time. Whenever Arendt – against her habit – assumes a self-reflective position with regards to her own way of doing political theory, her emphasis is on the experiential nature of thought. In The Origins of Totalitarianism, she insists on facing the “impact of reality and the shock of experience” in all their force without succumbing to either reckless pessimism or optimism. The call to “think what we are doing,” as she puts it in The Human Condition, is indeed the primus motor underlying all her works.

Ari Elmeri Hyvonen
Ari-Elmeri Hyvönen is a PhD candidate in Politics at the University of Jyväskylä, Finland. He received his Master of Social Sciences from the University of Tampere, Finland (2012). From 2012-2014, he worked as a visiting researcher at Tampere Peace Research Institute. His current research focuses on the worldly and temporal aspects of Arendt's thought as well as its relevance in the contemporary context-both political and theoretical.
29Oct/140

Proust on Thinking

Marcel Proust

"The habit of thinking prevents us at times from experiencing reality, immunises us against it, makes it seem no more than any other thought."

-- Marcel Proust

(Featured Image: Marcel Proust; Source: Famous Authors)

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
28Jul/140

Death and the Public Realm

public_realm

**This article was originally published on May 13, 2013**

"There is perhaps no clearer testimony to the loss of the public realm in the modern age than the almost complete loss of authentic concern with immortality, a loss somewhat overshadowed by the simultaneous loss of the metaphysical concern with eternity."

--Hannah Arendt,  The Human Condition

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
10May/140

Equality and Singularity

ArendtWeekendReading

Thomas Piketty is not the only Frenchman making waves with a new book about inequality. The Society of Equals by Pierre Rosanvallon was just published in a translation by Arthur Goldhammer with Harvard University Press (the same press that published Piketty’s Capital in the Twenty-First Century). As does Piketty, Rosanvallon employs philosophy and history to characterize the return of inequality in the late 20th and now 21st centuries. But Rosanvallon, unlike Piketty, argues that we need to understand how inequality and equality now are different than they used to be. As a result, Rosanvallon is much more sanguine about economic inequality and optimistic about the possibilities for meaningful equality in the future.

9780674724594

Paul Star of Princeton and The American Prospect reviews The Society of Equals in the New York Review of Books. Rosanvallon begins, Star writes, by noting that the return of massive inequality in European and American societies has not been met with real anger or revolutionary unrest. There is, instead, “passive consent to inequality,” and, as Rosanvallon writes, “‘a generalized sense that inequalities have grown ‘too large’ or even become ‘scandalous.’” And yet, that sense “‘coexists with tacit acceptance of many specific forms of inequality and with silent resistance to any practical steps to correct them.’” Economic inequality for Rosanvallon is rampant and important, but the widening income gap in and of itself is no longer seen as unjust. As Star writes:

The crisis of equality therefore involves more than widening economic disparities: “It reflects the collapse of a whole set of old ideas of justice and injustice” and “must be grasped as a total social fact.”

In other words, Rosanvallon wants to enlarge and transform what we mean when we speak about inequality. He seeks to “provide a comprehensive understanding that would help overcome the general sense of resignation and revive equality as a moral ideal and political project.”

Specifically, Rosanvallon wants to move the discussion of inequality away from an exclusive focus on income and towards an equality of individual self-flourishing, what he will call an “equality for a new ‘age of singularity’ when ‘everyone wants to ‘be someone.’” Here is how Star summarizes Rosanvallon’s approach to equality:

The story that Rosanvallon tells here is that as new forms of knowledge and economic relations have emerged, people have come to think of their situation in less collective ways. Since the 1980s, he writes, capitalism has put “a new emphasis on the creative abilities of individuals,” and jobs increasingly demand that workers invest their personalities in their work. No longer assured of being able to stay at one company, employees have to develop their distinctive qualities—their “brand”—so as to be able to move nimbly from one position to another.

As a result of both cognitive and social change, “everyone implicitly claims the right to be considered a star, an expert, or an artist, that is, to see his or her ideas and judgments taken into account and recognized as valuable.” The demand to be treated as singular does not come just from celebrities. On Facebook and many other online sites millions are saying: here are my opinions, my music, my photos. The yearning for distinction has become democratized. Yet amid this explosion of individuality, equality loses none of its importance: “The most intolerable form of inequality,” Rosanvallon writes, “is still not to be treated as a human being, to be rejected as worthless.”

The kind of inequality that Rosanvallon is concerned with—the kind that makes one feel rejected and worthless—is neither economic nor political, but a matter of social status.

social inequality

There is good reason for such a focus, but one that has little to do with the purported Marxist revival that Piketty’s book is supposed to herald. The strange thing about the incessant talk about inequality today is that rarely does one encounter genuine concern regarding the plight of the poor. The inequality debate has little to do with poverty or the impoverished and everything to do with the increasing gap separating the super-rich from the merely rich and the middle class. For Rosanvallon, we need to simply accept that economic inequality is part of our reality; what is more, he suggests that most of us have accepted that reality. But that doesn’t mean we should abandon the ideal of equality. Instead, we must re-imagine equality for the modern age.

Rosanvallon wants to renew the egalitarian tradition in line with the changed circumstances of our time. “We live today in an individualist age and must reformulate things accordingly,” he writes in his new book. Does he solve the contemporary puzzles about inequality? I don’t think so. But he analyzes them in so illuminating a way that anyone interested in understanding and reversing the surge in inequality should read his work.

Reading Star’s account of Rosanvallon recalls John Adams’ claim that the true evils of poverty are less economic than invisibility:

The poor man’s conscience is clear; yet he is ashamed…. He feels himself out of the sight of others, groping in the dark. Mankind takes no notice of him. He rambles and wanders unheeded. In the midst of a crowd, at church, in the market… he is in as much obscurity as he would be in a garret or a cellar. He is not disapproved, censured, or reproached; he is only not seen… To be wholly overlooked, and to know it, are intolerable. If Crusoe on his island had the library of Alexandria, and a certainty that he should never again see the face of man, would he ever open a volume?

For Hannah Arendt, from whom I take this quotation of Adams, these words express “the feeling of injustice” and “the conviction that darkness rather than want is the curse of poverty.” For Arendt, as for Adams, the “political predicament of the poor” could only be seen because of the relative “absence of misery” prevailing in revolutionary America.

Of course there was misery and poverty in revolutionary America, some amongst whites but clearly amongst black slaves. But as Arendt writes, even as the founding fathers “were aware of the primordial crime upon which the fabric of American society rested, if they ‘trembled when [they] thought that God is just’ (Jefferson), they did so because they were convinced of the incompatibility of the institution of slavery with the foundation of freedom, not because they were moved by pity or by a feeling of solidarity with their fellow men.” She concludes from this that “the institution of slavery carries an obscurity even blacker than the obscurity of poverty; the slave, not the poor man, was ‘wholly overlooked.’” It was this blindness to misery that allowed the founders of America to imagine the true evils of inequality to rest not in deprivation but in invisibility. And it was upon this blindness that the American Revolution imagined a kind of political equality in which the freedom to appear in public could flourish.

AR Equality

What Rosanvallon sees is that the fact of extreme inequality today carries the threat not of misery but of irrelevancy. But such an analysis of inequality has very nearly obscured the question of poverty; it focuses, instead, on the feelings of disempowerment and resentment of the upper and lower middle classes. It is for these classes that Rosenvallon’s new ideal of equality will appeal—the right to equally appear as a singular individual. Here is how Star understands the new ideal of equality as singularity:

The idea of framing equality around the principle of singularity is provocative and appealing. Of course, even in the age of YouTube and Twitter, no society could possibly satisfy the desire of everyone to be a star, but in Rosanvallon’s conception singularity is a basis of human connection: “The difference that defines singularity binds a person to others; it does not set him apart. It arouses in others curiosity, interest, and a desire to understand.” Singularity demands recognition and acceptance:

‘Each individual seeks to stand out by virtue of the unique qualities that he or she alone possesses. The existence of diversity then becomes the standard of equality.’

Star raises serious questions about the way Rosanvallon depoliticizes economic inequality as he refocuses the idea of equality around the equal right to stand out and exist in public. But Star also recognizes that there is something true in Rosanvallon’s account, something that all the attention given to his countryman Piketty continues to overlook: That inequality absent misery may not be the real problem of political justice. The reason so much inequality is greeted with resentment but acceptance, is that our current imagination of justice concerns visibility and singularity more than it does equality of income. Of course, both these points depend upon our leaving the truly miserable and poor outside of the debate on inequality. So far, that has proven a fairly reliable assumption.

Star’s review is well worth being your weekend read.

--RB

Roger Berkowitz
Roger Berkowitz is Associate Professor of Political Studies and Human Rights at Bard College, and Academic Director of the Hannah Arendt Center for Politics and the Humanities. He is also the author of "Gift of Science: Leibiniz and the Modern Legal Tradition", as well as co-editor of "Thinking in Dark Times: Hannah Arendt on Ethics and Politics".
14Apr/140

Hiatus, Discontinuity, and Change

Arendtquote

"The end of the old is not necessarily the beginning of the new."

Hannah Arendt, The Life of the Mind

This is a simple enough statement, and yet it masks a profound truth, one that we often overlook out of the very human tendency to seek consistency and connection, to make order out of the chaos of reality, and to ignore the anomalous nature of that which lies in between whatever phenomena we are attending to.

Perhaps the clearest example of this has been what proved to be the unfounded optimism that greeted the overthrow of autocratic regimes through American intervention in Afghanistan and Iraq, and the native-born movements known collectively as the Arab Spring. It is one thing to disrupt the status quo, to overthrow an unpopular and undemocratic regime. But that end does not necessarily lead to the establishment of a new, beneficent and participatory political structure. We see this time and time again, now in Putin's Russia, a century ago with the Russian Revolution, and over two centuries ago with the French Revolution.

Of course, it has long been understood that oftentimes, to begin something new, we first have to put an end to something old. The popular saying that you can't make an omelet without breaking a few eggs reflects this understanding, although it is certainly not the case that breaking eggs will inevitably and automatically lead to the creation of an omelet. Breaking eggs is a necessary but not sufficient cause of omelets, and while this is not an example of the classic chicken and egg problem, I think we can imagine that the chicken might have something to say on the matter of breaking eggs. Certainly, the chicken would have a different view on what is signified or ought to be signified by the end of the old, meaning the end of the egg shell, insofar as you can't make a chicken without it first breaking out of the egg that it took form within.

eggs

So, whether you take the chicken's point of view, or adopt the perspective of the omelet, looking backwards, reverse engineering the current situation, it is only natural to view the beginning of the new as an effect brought into being by the end of the old, to assume or make an inference based on sequencing in time, to posit a causal relationship and commit the logical fallacy of post hoc ergo propter hoc, if for no other reason that by force of narrative logic that compels us to create a coherent storyline.  In this respect, Arendt points to the foundation tales of ancient Israel and Rome:

We have the Biblical story of the exodus of Israeli tribes from Egypt, which preceded the Mosaic legislation constituting the Hebrew people, and Virgil's story of the wanderings of Aeneas, which led to the foundation of Rome—"dum conderet urbem," as Virgil defines the content of his great poem even in its first lines. Both legends begin with an act of liberation, the flight from oppression and slavery in Egypt and the flight from burning Troy (that is, from annihilation); and in both instances this act is told from the perspective of a new freedom, the conquest of a new "promised land" that offers more than Egypt's fleshpots and the foundation of a new City that is prepared for by a war destined to undo the Trojan war, so that the order of events as laid down by Homer could be reversed.

 Fast forward to the American Revolution, and we find that the founders of the republic, mindful of the uniqueness of their undertaking, searched for archetypes in the ancient world. And what they found in the narratives of Exodus and the Aeneid was that the act of liberation, and the establishment of a new freedom are two events, not one, and in effect subject to Alfred Korzybski's non-Aristotelian Principle of Non-Identity. The success of the formation of the American republic can be attributed to the awareness on their part of the chasm that exists between the closing of one era and the opening of a new age, of their separation in time and space:

No doubt if we read these legends as tales, there is a world of difference between the aimless desperate wanderings of the Israeli tribes in the desert after the Exodus and the marvelously colorful tales of the adventures of Aeneas and his fellow Trojans; but to the men of action of later generations who ransacked the archives of antiquity for paradigms to guide their own intentions, this was not decisive. What was decisive was that there was a hiatus between disaster and salvation, between liberation from the old order and the new freedom, embodied in a novus ordo saeclorum, a "new world order of the ages" with whose rise the world had structurally changed.

I find Arendt's use of the term hiatus interesting, given that in contemporary American culture it has largely been appropriated by the television industry to refer to a series that has been taken off the air for a period of time, but not cancelled. The typical phrase is on hiatus, meaning on a break or on vacation. But Arendt reminds us that such connotations only scratch the surface of the word's broader meanings. The Latin word hiatus refers to an opening or rupture, a physical break or missing part or link in a concrete material object. As such, it becomes a spatial metaphor when applied to an interruption or break in time, a usage introduced in the 17th century. Interestingly, this coincides with the period in English history known as the Interregnum, which began in 1649 with the execution of King Charles I, led to Oliver Cromwell's installation as Lord Protector, and ended after Cromwell's death with the Restoration of the monarchy under Charles II, son of Charles I. While in some ways anticipating the American Revolution, the English Civil War followed an older pattern, one that Mircea Eliade referred to as the myth of eternal return, a circular movement rather than the linear progression of history and cause-effect relations.

The idea of moving forward, of progress, requires a future-orientation that only comes into being in the modern age, by which I mean the era that followed the printing revolution associated with Johannes Gutenberg (I discuss this in my book, On the Binding Biases of Time and Other Essays on General Semantics and Media Ecology). But that same print culture also gave rise to modern science, and with it the monopoly granted to efficient causality, cause-effect relations, to the exclusion in particular of final and formal cause (see Marshall and Eric McLuhan's Media and Formal Cause). This is the basis of the Newtonian universe in which every action has an equal and opposite reaction, and every effect can be linked back in a causal chain to another event that preceded it and brought it into being. The view of time as continuous and connected can be traced back to the introduction of the mechanical clock in the 13th century, but was solidified through the printing of calendars and time lines, and the same effect was created in spatial terms by the reproduction of maps, and the use of spatial grids, e.g., the Mercator projection.

And while the invention of history, as a written narrative concerning the linear progression over time can be traced back to the ancient Israelites, and the story of the exodus, the story incorporates the idea of a hiatus in overlapping structures:

A1.  Joseph is the golden boy, the son favored by his father Jacob, earning him the enmity of his brothers

A2.  he is sold into slavery by them, winds up in Egypt as a slave and then is falsely accused and imprisoned

A3.  by virtue of his ability to interpret dreams he gains his freedom and rises to the position of Pharaoh's prime minister

 

B1.  Joseph welcomes his brothers and father, and the House of Israel goes down to Egypt to sojourn due to famine in the land of Canaan

B2.  their descendants are enslaved, oppressed, and persecuted

B3.  Moses is chosen to confront Pharaoh, liberate the Israelites, and lead them on their journey through the desert

 

C1.  the Israelites are freed from bondage and escape from Egypt

C2.  the revelation at Sinai fully establishes their covenant with God

C3.  after many trials, they return to the Promised Land

It can be clearly seen in these narrative structures that the role of the hiatus, in ritual terms, is that of the rite of passage, the initiation period that marks, in symbolic fashion, the change in status, the transformation from one social role or state of being to another (e.g., child to adult, outsider to member of the group). This is not to discount the role that actual trials, tests, and other hardships may play in the transition, as they serve to establish or reinforce, psychologically and sometimes physically, the value and reality of the transformation.

In mythic terms, this structure has become known as the hero's journey or hero's adventure, made famous by Joseph Campbell in The Hero with a Thousand Faces, and also known as the monomyth, because he claimed that the same basic structure is universal to all cultures. The basis structure he identified consists of three main elements: separation (e.g., the hero leaves home), initiation (e.g., the hero enters another realm, experiences tests and trials, leading to the bestowing of gifts, abilities, and/or a new status), and return (the hero returns to utilize what he has gained from the initiation and save the day, restoring the status quo or establishing a new status quo).

Understanding the mythic, non-rational element of initiation is the key to recognizing the role of the hiatus, and in the modern era this meant using rationality to realize the limits of rationality. With this in mind, let me return to the quote I began this essay with, but now provide the larger context of the entire paragraph:

The legendary hiatus between a no-more and a not-yet clearly indicated that freedom would not be the automatic result of liberation, that the end of the old is not necessarily the beginning of the new, that the notion of an all-powerful time continuum is an illusion. Tales of a transitory period—from bondage to freedom, from disaster to salvation—were all the more appealing because the legends chiefly concerned the deeds of great leaders, persons of world-historic significance who appeared on the stage of history precisely during such gaps of historical time. All those who pressed by exterior circumstances or motivated by radical utopian thought-trains, were not satisfied to change the world by the gradual reform of an old order (and this rejection of the gradual was precisely what transformed the men of action of the eighteenth century, the first century of a fully secularized intellectual elite, into the men of the revolutions) were almost logically forced to accept the possibility of a hiatus in the continuous flow of temporal sequence.

Note that concept of gaps in historical time, which brings to mind Eliade's distinction between the sacred and the profane. Historical time is a form of profane time, and sacred time represents a gap or break in that linear progression, one that takes us outside of history, connecting us instead in an eternal return to the time associated with a moment of creation or foundation. The revelation in Sinai is an example of such a time, and accordingly Deuteronomy states that all of the members of the House of Israel were present at that event, not just those alive at that time, but those not present, the generations of the future. This statement is included in the liturgy of the Passover Seder, which is a ritual reenactment of the exodus and revelation, which in turn becomes part of the reenactment of the Passion in Christianity, one of the primary examples of Campbell's monomyth.

Arendt's hiatus, then represents a rupture between two different states or stages, an interruption, a disruption linked to an eruption. In the parlance of chaos and complexity theory, it is a bifurcation point. Arendt's contemporary, Peter Drucker, a philosopher who pioneered the scholarly study of business and management, characterized the contemporary zeitgeist in the title of his 1969 book: The Age of Discontinuity. It is an age in which Newtonian physics was replaced by Einstein's relativity and Heisenberg's uncertainty, the phrase quantum leap becoming a metaphor drawn from subatomic physics for all forms of discontinuity. It is an age in which the fixed point of view that yielded perspective in art and the essay and novel in literature yielded to Cubism and subsequent forms of modern art, and stream of consciousness in writing.

cubism

Beginning in the 19th century, photography gave us the frozen, discontinuous moment, and the technique of montage in the motion picture gave us a series of shots and scenes whose connections have to be filled in by the audience. Telegraphy gave us the instantaneous transmission of messages that took them out of their natural context, the subject of the famous comment by Henry David Thoreau that connecting Maine and Texas to one another will not guarantee that they have anything sensible to share with each other. The wire services gave us the nonlinear, inverted pyramid style of newspaper reporting, which also was associated with the nonlinear look of the newspaper front page, a form that Marshall McLuhan referred to as a mosaic. Neil Postman criticized television's role in decontextualizing public discourse in Amusing Ourselves to Death, where he used the phrase, "in the context of no context," and I discuss this as well in my recently published follow-up to his work, Amazing Ourselves to Death.

The concept of the hiatus comes naturally to the premodern mind, schooled by myth and ritual within the context of oral culture. That same concept is repressed, in turn, by the modern mind, shaped by the linearity and rationality of literacy and typography. As the modern mind yields to a new, postmodern alternative, one that emerges out of the electronic media environment, we see the return of the repressed in the idea of the jump cut writ large.

There is psychological satisfaction in the deterministic view of history as the inevitable result of cause-effect relations in the Newtonian sense, as this provides a sense of closure and coherence consistent with the typographic mindset. And there is similar satisfaction in the view of history as entirely consisting of human decisions that are the product of free will, of human agency unfettered by outside constraints, which is also consistent with the individualism that emerges out of the literate mindset and print culture, and with a social rather that physical version of efficient causality. What we are only beginning to come to terms with is the understanding of formal causality, as discussed by Marshall and Eric McLuhan in Media and Formal Cause. What formal causality suggests is that history has a tendency to follow certain patterns, patterns that connect one state or stage to another, patterns that repeat again and again over time. This is the notion that history repeats itself, meaning that historical events tend to fall into certain patterns (repetition being the precondition for the existence of patterns), and that the goal, as McLuhan articulated in Understanding Media, is pattern recognition. This helps to clarify the famous remark by George Santayana, "those who cannot remember the past are condemned to repeat it." In other words, those who are blind to patterns will find it difficult to break out of them.

Campbell engages in pattern recognition in his identification of the heroic monomyth, as Arendt does in her discussion of the historical hiatus.  Recognizing the patterns are the first step in escaping them, and may even allow for the possibility of taking control and influencing them. This also means understanding that the tendency for phenomena to fall into patterns is a powerful one. It is a force akin to entropy, and perhaps a result of that very statistical tendency that is expressed by the Second Law of Thermodynamics, as Terrence Deacon argues in Incomplete Nature. It follows that there are only certain points in history, certain moments, certain bifurcation points, when it is possible to make a difference, or to make a difference that makes a difference, to use Gregory Bateson's formulation, and change the course of history. The moment of transition, of initiation, the hiatus, represents such a moment.

McLuhan's concept of medium goes far beyond the ordinary sense of the word, as he relates it to the idea of gaps and intervals, the ground that surrounds the figure, and explains that his philosophy of media is not about transportation (of information), but transformation. The medium is the hiatus.

The particular pattern that has come to the fore in our time is that of the network, whether it's the decentralized computer network and the internet as the network of networks, or the highly centralized and hierarchical broadcast network, or the interpersonal network associated with Stanley Milgram's research (popularly known as six degrees of separation), or the neural networks that define brain structure and function, or social networking sites such as Facebook and Twitter, etc. And it is not the nodes, which may be considered the content of the network, that defines the network, but the links that connect them, which function as the network medium, and which, in the systems view favored by Bateson, provide the structure for the network system, the interaction or relationship between the nodes. What matters is not the nodes, it's the modes.

Hiatus and link may seem like polar opposites, the break and the bridge, but they are two sides of the same coin, the medium that goes between, simultaneously separating and connecting. The boundary divides the system from its environment, allowing the system to maintain its identity as separate and distinct from the environment, keeping it from being absorbed by the environment. But the membrane also serves as a filter, engaged in the process of abstracting, to use Korzybski's favored term, letting through or bringing material, energy, and information from the environment into the system so that the system can maintain itself and survive. The boundary keeps the system in touch with its situation, keeps it contextualized within its environment.

The systems view emphasizes space over time, as does ecology, but the concept of the hiatus as a temporal interruption suggests an association with evolution as well. Darwin's view of evolution as continuous was consistent with Newtonian physics. The more recent modification of evolutionary theory put forth by Stephen Jay Gould, known as punctuated equilibrium, suggests that evolution occurs in fits and starts, in relatively rare and isolated periods of major change, surrounded by long periods of relative stability and stasis. Not surprisingly, this particular conception of discontinuity was introduced during the television era, in the early 1970s, just a few years after the publication of Peter Drucker's The Age of Discontinuity.

When you consider the extraordinary changes that we are experiencing in our time, technologically and ecologically, the latter underlined by the recent news concerning the United Nations' latest report on global warming, what we need is an understanding of the concept of change, a way to study the patterns of change, patterns that exist and persist across different levels, the micro and the macro, the physical, chemical, biological, psychological, and social, what Bateson referred to as metapatterns, the subject of further elaboration by biologist Tyler Volk in his book on the subject. Paul Watzlawick argued for the need to study change in and of itself in a little book co-authored by John H. Weakland and Richard Fisch, entitled Change: Principles of Problem Formation and Problem Resolution, which considers the problem from the point of view of psychotherapy. Arendt gives us a philosophical entrée into the problem by introducing the pattern of the hiatus, the moment of discontinuity that leads to change, and possibly a moment in which we, as human agents, can have an influence on the direction of that change.

To have such an influence, we do need to have that break, to find a space and more importantly a time to pause and reflect, to evaluate and formulate. Arendt famously emphasizes the importance of thinking in and of itself, the importance not of the content of thought alone, but of the act of thinking, the medium of thinking, which requires an opening, a time out, a respite from the onslaught of 24/7/365. This underscores the value of sacred time, and it follows that it is no accident that during that period of initiation in the story of the exodus, there is the revelation at Sinai and the gift of divine law, the Torah or Law, and chief among them the Ten Commandments, which includes the fourth of the commandments, and the one presented in greatest detail, to observe the Sabbath day. This premodern ritual requires us to make the hiatus a regular part of our lives, to break the continuity of profane time on a weekly basis. From that foundation, other commandments establish the idea of the sabbatical year, and the sabbatical of sabbaticals, or jubilee year. Whether it's a Sabbath mandated by religious observance, or a new movement to engage in a Technology Sabbath, the hiatus functions as the response to the homogenization of time that was associated with efficient causality and literate linearity, and that continues to intensify in conjunction with the technological imperative of efficiency über alles.

hiatus

To return one last time to the quote that I began with, the end of the old is not necessarily the beginning of the new because there may not be a new beginning at all, there may not be anything new to take the place of the old. The end of the old may be just that, the end, period, the end of it all. The presence of a hiatus to follow the end of the old serves as a promise that something new will begin to take its place after the hiatus is over. And the presence of a hiatus in our lives, individually and collectively, may also serve as a promise that we will not inevitably rush towards an end of the old that will also be an end of it all, that we will be able to find the opening to begin something new, that we will be able to make the transition to something better, that both survival and progress are possible, through an understanding of the processes of continuity and change.

-Lance Strate

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.