Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
Rachel Aviv tells the heartrending and maddening story of the rise and fall of Damany Lewis, a dedicated and innovative teacher who helped teachers correct wrong answers on standardized test scores. One of the arguments for the Common Core and other data-driven educational reforms is that it has the dignity to hold students in poor districts to the same standards as students in wealthier districts. Lewis sees this demand as simply unrealistic: "He felt as if he and his colleagues were part of a nationwide 'biological experiment' in which the variables-the fact that so many children were hungry and transient, and witnessing violence-hadn't been controlled. David Berliner, the former dean of the school of education at Arizona State University, told me that, with the passage of the law, teachers were asked to compensate for factors outside their control. He said, 'The people who say poverty is no excuse for low performance are now using teacher accountability as an excuse for doing nothing about poverty.' Confronted with the need to reach impossible goals, Lewis and his fellow teachers took the easy way out: they cheated. The choice was made easy for them because 'they viewed the cheating as a door they had to pass through in order to focus on issues that seemed more relevant to their students' lives.'" In telling a compelling and devastating story, Aviv raises fundamental questions about the over-reliance on data in education: "John Ewing, who served as the executive director of the American Mathematical Society for fifteen years, told me that he is perplexed by educators' 'infatuation with data,' their faith that it is more authoritative than using their own judgment. He explains the problem in terms of Campbell's law, a principle that describes the risks of using a single indicator to measure complex social phenomena: the greater the value placed on a quantitative measure, like test scores, the more likely it is that the people using it and the process it measures will be corrupted. 'The end goal of education isn't to get students to answer the right number of questions,' he said. 'The goal is to have curious and creative students who can function in life.' In a 2011 paper in Notices of the American Mathematical Society, he warned that policymakers were using mathematics 'to intimidate-to preëmpt debate about the goals of education and measures of success.'"
In the Atlantic, Matt Ford looks at the United States' obsession with incarceration. "Mass incarceration on a scale almost unexampled in human history is a fundamental fact of our country today-perhaps the fundamental fact, as slavery was the fundamental fact of 1850. In truth, there are more black men in the grip of the criminal-justice system-in prison, on probation, or on parole-than were in slavery then. Over all, there are now more people under 'correctional supervision' in America-more than six million-than were in the Gulag Archipelago under Stalin at its height.... The common retort is that people of color statistically commit more crimes, although criminologists and scholars like Michelle Alexander have consistently found no correlation between the incarceration rate and the crime rate. Claims about a 'black pathology' also fall short. But police scrutiny often falls most heavily on people of color nonetheless. In New York City alone, officers carried out nearly 700,000 stop-and-frisk searches in 2011. Eighty-five percent of those stops targeted black and Hispanic individuals, although they constitute only half the city's population. Overall, NYPD officers stopped and frisked more young black men in New York than actually live there. Similar patterns of discrimination can be found nationwide, especially on drug-related charges. Black and white Americans use marijuana at an almost-equal rate, but blacks are 3.7 times more likely to be arrested for possession nationally. In Pennsylvania, Illinois, and other Midwestern states, that arrest disparity jumps to a factor of five."
Brian Cremins takes on the relationship between the mundane and the transcendental both in comics and in art more broadly: "the transcendental artist is not bound by rationalism, but, then again, doesn't work in the realm of the irrational or of the uncanny either. The transcendental artist weaves together the rational with the irrational, the real with the imagined, and the material with the spiritual. To borrow a phrase from Benjamin, the artist doesn't differentiate between the 'major and minor,' but sees all of history's actors-from the enslaved and the martyred to the kings and queens-as playing roles of equal weight and significance."
Kaya Genç notes the way that Turkey's secular nationalists have taken on characteristics of the religious, while its competing group of Muslim nationalists have taken to certain secular aspects. The result makes the country's politics unusual: "Religion in Turkey has become secularized and the secular sphere sacralized, resulting in a struggle over the definition of what is sacred, accompanied by accusations of blasphemy (phrased as disloyalty to the nation and even treason). Individual choice - the choice to be suurlu, a 'consciously' believing Muslim, as opposed to blindly following tradition - has become highly valued as a sign of Muslim modernity. Islamic practice increasingly has come to be expressed as participation in economic networks and through a commodified lifestyle of self-consciously Muslim fashion and leisure. Meanwhile, Kemalist secularism has taken on aspects of the sacred. To discuss this reversal of cultural values and show how religion could have a Weberian association with a certain entrepreneurial mood, [writer Jenny] White paints a picture of the complexities behind Turkey's competing political discourses. The camps described above may have different approaches to nationalism, but they also have many things in common. The motif of the flag, for example, symbolizes both 'secular nationalism' and what White refers to as 'Muslim nationalism.' But beyond the flag, particularly when it comes to race and religion, Turkey's competing nationalisms have a number of not very easily reconcilable differences."
William Deresiewicz' new book Excellent Sheep takes on the academic-industrial complex. In an essay in the New Republic he argues that the Ivy League is ruining the best and the brightest: "These enviable youngsters appear to be the winners in the race we have made of childhood. But the reality is very different, as I have witnessed in many of my own students and heard from the hundreds of young people whom I have spoken with on campuses or who have written to me over the last few years. Our system of elite education manufactures young people who are smart and talented and driven, yes, but also anxious, timid, and lost, with little intellectual curiosity and a stunted sense of purpose: trapped in a bubble of privilege, heading meekly in the same direction, great at what they're doing but with no idea why they're doing it. When I speak of elite education, I mean prestigious institutions like Harvard or Stanford or Williams as well as the larger universe of second-tier selective schools, but I also mean everything that leads up to and away from them-the private and affluent public high schools; the ever-growing industry of tutors and consultants and test-prep courses; the admissions process itself, squatting like a dragon at the entrance to adulthood; the brand-name graduate schools and employment opportunities that come after the B.A.; and the parents and communities, largely upper-middle class, who push their children into the maw of this machine. In short, our entire system of elite education.... So extreme are the admission standards now that kids who manage to get into elite colleges have, by definition, never experienced anything but success. The prospect of not being successful terrifies them, disorients them. The cost of falling short, even temporarily, becomes not merely practical, but existential. The result is a violent aversion to risk."
Jim Sleeper responds to Deresiewicz' in an essay in Bookforum and argues that there is a lost tradition in the liberal arts university itself that Deresiewicz ignores but that needs to be reawakened. "[W]hat's most consequentially wrong with Deresiewicz's jeremiad is his selective history of the old colleges: 'We need to go back before the start, to the Gilded Age, the last decades of the nineteenth century,' a period he knows well as a scholar of its fiction. He dismisses the colleges' founding missions as too little, too early; like the sociologist Jerome Karabel in The Chosen, he doesn't quite know what to make of the fact that, as late as the 1960s, the Ivy WASPs mobilized their oldest, toughest Protestant and civic-republican virtues to prepare 'the ground for their own supersession' by retiring age-old quotas based on ethnicity and race (though, significantly, not the ones based on economic clout) and to 'put the interests of the nation as a whole above their own.' I witnessed that firsthand as an undergraduate at Yale, whose president Kingman Brewster Jr., a descendant of the minister on the Mayflower, gave an honorary doctorate to Martin Luther King Jr. in 1964, when some alumni still considered King a rabble-rouser. Brewster understood that the civil rights movement was renewing the Exodus myth that had moved his Puritan ancestors (and my own Jewish ones) to make history. Yale's radically Calvinist chaplain William Sloane Coffin Jr., leading resistance to the Vietnam War, defied the state in the name of a higher power that, for some of us, was the living American republic itself. So have Howard Dean, Jonathan Schell, Ned Lamont, and other Ivy graduates in our time.That mystic chord of memory seems broken now, as do the colleges that honored it. Deresiewicz tells them to stop cooperating with commercial college-ranking systems; to base affirmative action on class, not race; to discard preferences for legacies and athletes; to weight SAT scores for socioeconomic factors; to discourage résumé stuffing by curbing extracurriculars and by counting financial-aid service jobs as service. And he makes his grand, sweeping calls for change. But how to summon the will to fight for these worthy goals? Beyond his exhortations and potted invocations of George Eliot, Thomas Hardy, and Joseph Conrad, the preacher hasn't a clue."
This past week, The New Yorker put its whole archive online for free, for a limited time (of course). Over the next few weeks, we'll be combing the archives, finding articles worth your attention. In the meantime, it seems like there are two good places to start. The first, of course, is Hannah Arendt's dispatch from the trial of Adolf Eichmann, published in the magazine in five parts and then published separately as the book Eichmann in Jerusalem, a piece of journalism and philosophy that remains important and controversial. There are a lot of rumors about what Arendt said and about what she didn't say-- this is an opportunity to read the work and then judge for yourself as it first appeared.
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This week on the Blog, Arie Amaya-Akkermans explores the sources of Arendt's indebtedness to storytelling in the Quote of the Week. French biologist and philosopher Jean Rostand provides this week's Thought on Thinking. We look back on a racism lecture Robert Bernasconi delivered in 2011 in our Video Archives. As a special treat, we learn about a National Endowment for the Humanities Summer Seminar that was taught on Arendt at Bard this summer. And Roger Berkowitz celebrates the memory of author Nadine Gordimer and recognizes mankind's ability to change the world in the Weekend Read.
A few weeks ago, Christy Wampole, a professor of French at Princeton, took to the New York Times to point to what she sees as a pandemic of irony, the symptom of a malignant hipster culture which has metastasized, spreading out from college campuses and hip neighborhoods and into the population at large. Last week, author R. Jay Magill responded to Wampole, noting that the professor was a very late entry into an analysis of irony that stretches back to the last gasps of the 20th century, and that even that discourse fits into a much longer conversation about sincerity and irony that has been going on at least since Diogenes.
Of course, this wasn’t Magill’s first visit to this particular arena; his own entry, entitled Sincerity: How a Moral Ideal Born Five Hundred Years Ago Inspired Religious Wars, Modern Art, Hipster Chic, and the Curious Notion That We All Have Something to Say (No Matter How Dull), came out in July. Magill very effectively recapitulates the main point from his book in his article for the Atlantic, but, if you were to read this new summary alone, you would both deny yourself of some of the pleasures of Magill’s research and prose, as well as spare yourself from some of his less convincing arguments, arguments which, incidentally, happen to suffice for the thrust of his recent article.
The most interesting chapters of Magill’s book deal with the early history of the rise of sincerity, which he traces back to the Reformation. In Magill’s telling, the word “sincere” enters the record of English in 1533, when an English reformer named John Frith writes, to Sir Thomas More, that John Wycliffe “had lived ‘a very sincere life.’” Before that use, in its origin in Latin and French, the word “sincere” had only been used to describe objects and, now, Frith was using it not only for the first time in English but also to describe a particular individual as unusually true and pure to his self, set in opposition to the various hypocrisies that had taken root within the Catholic Church. Magill sums this up quite elegantly: “to be sincere” he writes “was to be reformed.”
Now, this would have been revolutionary enough, since it suggested that a relationship with God required internal confirmation rather than external acclamation—in the words of St. Paul, a fidelity to the spirit of the law and not just the letter. And yet reformed sincerity was not simply a return to the Gospel. In order to be true to one’s self, there must be a self to accord with, an internal to look towards. Indeed, Magill’s history of the idea of sincerity succeeds when it describes the development of the self, and, in particular, that development as variably determined by the internal or the external.
It gets more complicated, however, or perhaps more interesting, when Magill turns towards deceptive presentations of the self, that is, when he begins to talk about insincerity. He begins this conversation with Montaigne, who “comes to sense a definite split between his public and private selves and is the first author obsessed with portraying himself as he really is.” The most interesting appearance of this conversation is an excellent chapter on Jean-Jacques Rousseau, who suggested that people should aspire to self-sameness, should do their best to “reconcile” one’s self to one’s self, a demand for authenticity that would come to be fully expressed in Immanuel Kant’s moral law, the command that I must set myself as a law for myself.
Sincerity, the moral ideal first put forth by John Frith, started as the Reformation’s response to the inability of the Catholic Church to enact that particular principle, in other words, its hypocrisy. This follows for each of the movements that Magill writes about, each responding to the hypocrisy of their own moment in a specific way. On this matter he has a very good teacher, Hannah Arendt, an inheritor of Kant, who was himself a reader of Rousseau. Arendt writes, in Crisis of the Republic, what might serve as a good summation of one of Magill’s more convincing arguments: “if we inquire historically into the causes likely to transform engagés into enragés, it is not injustice that ranks first, but hypocrisy.”
Still, while what makes the sincerity of Frith (who was burned at the stake) or Wycliffe (whose body was exhumed a half century after his death so that it, too, could be burned) compelling is the turn inwards, it is Rousseau’s substitution of the turn back for that turn inward that appears to interest Magill, who decries “the Enlightenment understanding of the world” that “would entirely dominate the West, relegating Rousseau to that breed of reactionary artististic and political minds who stood against the progress of technology, commerce, and modernization and pined for utopia.”
The whole point is moot; Rousseau was himself a hypocrite, often either unable or unwilling to enact the principles he set out in his writings. As Magill moves forward, though, it becomes clear the he values the turn back as a manifestation of sincerity, as a sort of expressing oneself honestly. The last few hundred years in the development of sincerity, it seems, are finding new iterations of the past in the self. He writes that the Romantics, a group he seems to favor as more sincere than most, “harbored a desire to escape a desire to escape forward-moving, rational civilization by worshipping nature, emotion, love, the nostalgic past, the bucolic idyll, violence, the grotesque, the mystical, the outcast and, failing these, suicide.” In turn, in his last chapter, Magill writes that hipster culture serves a vital cultural purpose: its “sincere remembrance of things past, however commodified or cheesy or kitschy or campy or embarrassing, remains real and small and beautiful because otherwise these old things are about to be discarded by a culture that bulldozes content once it has its economic utility.”
The hipster, for Magill, is not the cold affectation of an unculture, as Wampole wants to claim, but is instead the inheritor “of the the entire history of the Protestant-Romantic-rebellious ethos that has aimed for five hundred years to jam a stick into the endlessly turning spokes of time, culture and consumption and yell, “Stop! I want to get off!”
There’s the rub. What Magill offers doesn’t necessarily strike me as a move towards sincerity, but it is definitely a nod to nostalgia. Consider how he recapitulates his argument in the article:
One need really only look at what counts as inventive new music, film, or art. Much of it is stripped down, bare, devoid of over-production, or aware of its production—that is, an irony that produces sincerity. Sure, pop music and Jeff Koons alike retain huge pull (read: $$$), but lately there has been a return to artistic and musical genres that existed prior to the irony-debunking of 9/11: early punk, disco, rap, New Wave—with a winking nod to sparse Casio keyboard sounds, drum machines, naïve drawing, fake digital-look drawings, and jangly, Clash-like guitars. Bands like Arcade Fire, Metric, Scissor Sisters, CSS, Chairlift, and the Temper Trap all go in for heavy nostalgia and an acknowledgement of a less self-conscious, more D.I.Y. time in music.
Here, Magill is very selectively parsing the recent history of “indie music,” ignoring a particularly striking embrace of artificial pop music that happened alongside the rise of the “sincere” genres, like new folk, that he favors. There’s no reason to assume that Jeff Koons’s blown up balloon animals or Andy Warhol’s Brillo Boxes are any less sincere than the Scissor Sisters’s camp disco, just as there is no reason to assume that a desire to return to nature is any less sincere than the move into the city. Although Magill makes a good argument for the hipster’s cultural purpose, that purpose is not itself evidence that the hipster is expressing what’s truly inside himself, just as there’s no way for you to be sure that I am sincerely expressing my feelings about Sincerity. Magill, ultimately, makes the same mistake as Wampole, in that he judges with no evidence; the only person you can accurately identify as sincere is yourself.