“Most of the mistakes in thinking are inadequacies of perception rather than mistakes of logic.”
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Indeed my opinion now is that evil is never “radical,” that it is only extreme, and that it possesses neither depth nor any demonic dimension. It can overgrow and lay waste the whole world precisely because it spreads like a fungus over the surface. It is ‘thought-defying,’ as I said, because thought tries to reach some depth, to go to the roots, and the moment it concerns itself with evil, it is frustrated because there is nothing.
-Hannah Arendt, letter to Gershom Scholem
Recent commentators have marked the 50th anniversary of Stanley Kubrick’s bleak nuclear satire, Dr. Strangelove, by noting that the film contained quite a bit more reality than we had thought. While national security and military officials at the time scoffed at the film’s farfetched depictions of a nuclear holocaust set off by a crazed general, we now know that such an unthinkable event would have been, at least theoretically, entirely possible. Yet there is another, deeper sense in which Kubrick’s satire puts us in touch with a reality that could not be readily depicted through other means.
The film tells the story of a rogue general who, at the height of the Cold War arms race, launches a nuclear attack that cannot be recalled, which leads to the destruction of most of humanity in a nuclear holocaust. These are events that we would conventionally describe as “tragic,” but the film is no tragedy. Why not? One answer, of course, is the comic, satirical touch with which Kubrick treated the material, his use of Peter Sellers to play three different characters, and his method of actually tricking his actors into playing their roles more ridiculously than they would have otherwise. But in a deeper sense, Stranglove is about the loss of a capacity for the tragic. The characters, absorbed in utter banalities as they hurtle toward collective catastrophe, display no real grasp of the moral reality of their actions, because they’ve lost contact with the moral reality of the world they share. Dr. Strangelove, then, is a satire about the impossibility of tragedy.
In order to think about what this might mean, it’s helpful to turn to the idea, famously invoked by Hannah Arendt at the end of Eichmann in Jerusalem, of the banality of evil. As Arendt stressed in a later essay, the banality of evil is not a theory or a doctrine “but something quite factual, the phenomenon of evil deeds, committed on a gigantic scale, which could not be traced to any particularity of wickedness, pathology, or ideological conviction in the doer, whose only personal distinction was perhaps extraordinary shallowness.” Eichmann was no villainous monster or demon; rather, he was “terrifyingly normal,” and his chief characteristic was “not stupidity but a curious, quite authentic inability to think.” The inability to think has nothing to do with the capacity of strategizing, performing instrumental calculations, or “reckoning with consequences,” as Hobbes put it. Rather, thinking has to do with awakening the inner dialogue involved in all consciousness, the questioning of the self by the self, which Arendt says dissolves all certainties and examines anew all accepted dogmas and values.
According to Arendt, the socially recognized function of “clichés, stock phrases, adherence to conventional, standardized codes of expression and conduct” is to “protect us against reality”; their function is to protect us against the claim that reality makes on our thinking. This claim, which awakens the dissolving powers of thought, can be so destabilizing that we all must inure ourselves to some degree against it, so that ordinary life can go on at all. What characterized Eichmann is that “he clearly knew of no such claim at all.” Eichmann’s absorption in instrumental and strategic problem solving, on the one hand, and clichés and empty platitudes on the other, was total. The absence of thought, and with it the absence of judgment, ensured a total lack of contact with the moral reality of his actions. Hence the “banality” of his evil resides not in the enormity of the consequences of his actions, but in the depthless opacity of the perpetrator.
The characters in Dr. Strangelove are banal in precisely this sense. All of them—from the affable, hapless president, the red-blooded general, the vodka-swilling diplomat, the self-interested advisors and Dr. Strangelove himself—are silly cardboard cutouts, superficial stereotypes of characters that any lack depth, self-reflection or the capacity for communicating anything other than empty clichés. They are missing what Arendt called “the activity of thinking as such, the habit of examining and reflecting upon whatever happens to come to pass, regardless of specific content and quite independent of results…” They also lack any contact with the moral reality of their activity. All of their actions takes place in an increasingly claustrophobic series of confined spaces carefully sealed off by design: the war room, the military base, the bomber cockpit. The world—Arendt’s common world of appearances that constitutes the possibility of narrative and story telling—never appears at all; reality cannot break through.
The presence of some of Arendt’s core themes in Kubrick’s film should not come as a surprise. Although she dedicated very little attention in her published works to the problem of nuclear war, in an early draft of a text that would later become The Human Condition, Arendt claimed that two experiences of the 20th century, “totalitarianism and the atomic bomb – ignite the question about the meaning of politics in our time. They are fundamental experiences of our age, and if we ignore them it is as if we never lived in the world that is our world.” Moreover, the culmination of strategic statecraft in social scientific doctrines mandating the nuclear arms race reflects on some of the core themes Arendt identified with political modernity: the emergence of a conception of politics as a strategic use of violence for the purposes of protecting society.
Niccolò Machiavelli, a thinker for whom Arendt had a lot of admiration, helped inaugurate this modern adventure of strategic statecraft by reframing politics as l’arte della stato – the art of the state, which unlike the internal civic space of the republic, always finds itself intervening within an instrumental economy of violence. For Machiavelli the prince, shedding the persona of Ciceronian humanism, must be willing to become beastly, animal-like, to discover the virtues of the vir virtutis in the animal nature of the lion and the fox. If political modernity is inaugurated by Machiavelli’s image of the centaur, the Prince-becoming-beastly, Strangelove closes with a suitable 20th century corollary to the career of modern statecraft. It is the image of the amiable, good-natured “pilot” who never steers the machines he occupies but is himself steered by them, finally straddling and literally transforming himself into the Bomb. It is an image that, in our own age of remote drone warfare and the possible dawning of a new, not yet fully conceivable epoch of post-human violence, has not lost its power to provoke reflection.
China has embraced the idea of a Western college education in a big way. As the NY Times reported recently, the country is making a $250 billion-a-year investment designed to give millions of young Chinese citizens a college education. “Just as the United States helped build a white-collar middle class in the late 1940s and early 1950s by using the G.I. Bill to help educate millions of World War II veterans, the Chinese government is using large subsidies to educate tens of millions of young people as they move from farms to cities.”
But for most of these newly minted college graduates, jobs are scarce. One reason is that these graduates often have few marketable skills and they refuse to take the jobs that actually exist. What China needs are people to work in factories. But for college graduates, factory work has little or even no allure.
Consider the case of Wang Zengsong.
Wang Zengsong is desperate for a steady job. He has been unemployed for most of the three years since he graduated from a community college here after growing up on a rice farm. Mr. Wang, 25, has worked only several months at a time in low-paying jobs, once as a shopping mall guard, another time as a restaurant waiter and most recently as an office building security guard.
But he will not consider applying for a full-time factory job because Mr. Wang, as a college graduate, thinks that is beneath him. Instead, he searches every day for an office job, which would initially pay as little as a third of factory wages.
“I have never and will never consider a factory job — what’s the point of sitting there hour after hour, doing repetitive work?” he asked.
This story is actually not unique to China. In the United States too, we here repeatedly that small businesses are unable to expand because they cannot find qualified workers. The usual reprise is that high school graduates don’t have the skills. Rarely asked is why college graduates don’t apply? I assume the reason is the same as in China. College graduates see production work as beneath them.
Plenty of college graduates, many with debt, are interning for free or working odd jobs that pay little; yet they do not even consider learning a skill and taking a job that would require them to build something. Just like their comrades in China, these young people identify as knowledge workers, not as fabricators. For them, a job making things is seen as a step down. Something that is beneath them.
Disdain for manual labor combined with respect for cognitive work is the theme of Matthew B. Crawford’s book Shop Craft as Soul Craft, based on his article by the same name that appeared in 2006 in The New Atlantis. Crawford’s writing is rich and his thinking profound. But boiled down, I took three main points from his book and article.
First, there is a meaningful and thoughtful component to manual labor. To make something is not thoughtless, but requires both skill and intelligence. This is true if you are building a table, where you must think about the shape, functionality, and aesthetics of a table. But even in factory work, there is the challenge of figuring out how to do something better. And in the modern factory, labor demands technical skill, problem solving, and creativity. Whether you are building a house or making a battery, making things requires thought. What is more, it is good for the soul. Here is how Crawford writes about the soul benefits of craft:
Hobbyists will tell you that making one’s own furniture is hard to justify economically. And yet they persist. Shared memories attach to the material souvenirs of our lives, and producing them is a kind of communion, with others and with the future. Finding myself at loose ends one summer in Berkeley, I built a mahogany coffee table on which I spared no expense of effort. At that time I had no immediate prospect of becoming a father, yet I imagined a child who would form indelible impressions of this table and know that it was his father’s work. I imagined the table fading into the background of a future life, the defects in its execution as well as inevitable stains and scars becoming a surface textured enough that memory and sentiment might cling to it, in unnoticed accretions. More fundamentally, the durable objects of use produced by men “give rise to the familiarity of the world, its customs and habits of intercourse between men and things as well as between men and men,” as Hannah Arendt says. “The reality and reliability of the human world rest primarily on the fact that we are surrounded by things more permanent than the activity by which they were produced, and potentially even more permanent than the lives of their authors.”
Arendt values those who make things, especially things that last, because lasting objects give permanence to our world. And such workers who make things are above all thinkers in her understanding. Work is the process of transfiguring the idea of something into a real and reliable object.
But even laborers who make consumable goods are, for Arendt, doing deeply human activity. To be human has been, for time immemorial, also to labor, to produce the goods one needs to live. A life without labor is impoverished and “the blessing of labor is that effort and gratification follow each other as closely as producing and consuming the means of subsistence.” Granted, in repetitive factory labor these blessings may seem obscure, but then again, Dilbert has taught us much about the supposed blessings of office work as well.
Second, Crawford tells the story of how schools in the U.S. have done away with shop classes, home economics, and auto-repair, all classes I and many others took in junior high and high school. In the pursuit of college preparation, education has ceased to value the blessings of labor and work.
Third, Crawford argues that in a global economy it will be work with out hands and not just work with our brains that pays well. When legal analysis can be outsourced or replaced by robots as easily as phone operators, the one kind of job that will remain necessary for humans is repair work, fixing things, and building things. Such work requires the combination of mental and physical dexterity that machines will unlikely reach for a very long time. Thus, Crawford argues that by emptying our schools of training in handwork, we are not only intellectually impoverishing our students, but also failing to train them for the kinds of jobs that will actually exist in the future.
Many of my students might now agree. I have former students who have written excellent senior theses on Emerson and Heidegger now working on Organic farms or learning the trade of gourmet cheese production. Others are making specialty furniture. One is even making a new custom-built conference table for the Hannah Arendt Center here at Bard. These students love what they do and are making good livings doing it. They are enriching the world with meaningful objects and memories that they are producing, things they can share as gifts and sell with pride.
Many of the best jobs out there now are in the specialty craft areas. These jobs require thought and creativity, but also experience with craftsmanship and labor. Crawford does not argue against training people well in the liberal arts, but he does raise important questions about our valuation of intellectual over manual labor. We here in the U.S. as well as our friends in China should pay attention. Perhaps we need to rethink our intellectual aversion to production. Maybe we should even begin again to teach crafts and skills in school.
Crawford will be speaking at the next Hannah Arendt Center Conference “The Educated Citizen” on Oct. 3-4, at Bard College. We invite you to join us. Until then, I commend to you his book or at least his essay; Shop Craft as Soul Craft is your weekend read.