“What is Politics?” is the question taken up by a conference co-sponsored by the Hannah Arendt Center and the Villa Aurora in Los Angeles earlier this month. Hannah Arendt dedicated her work to the reinvention of the public realm and to freedom in political action. Today, as in the 1960s, her ideas inspire theoretical debates as well as civil political initiatives.
The conference, with lectures by experts on Hannah Arendt’s work, focused on the influence of her European-American experience and the particular importance of transcultural exchange in Arendt’s theory of political action. Speakers included Marie Luise Knott, Anson Rabinbach; Princeton University, Peg Birmingham; DePaul University, Robert Harrison; Stanford University, Martín Plot; California Institute of the Arts, Wolfgang Heuer; Freie Universität Berlin, and Roger Berkowitz; Bard College. Most of the talks were videotaped and are now online. They are your weekend read. Happy Thanksgiving.
The secret of American exceptionalism may very well be the uniquely American susceptibility to narratives of decline. From the American defeat in Vietnam and the Soviet launch of Sputnik to the quagmire in Afghanistan and the current financial crisis, naysayers proclaim the end of the American century. And yet the prophecies of decline are nearly always, in a uniquely American spirit, followed by calls for rejuvenation. Americans are neither pessimists nor optimists. Instead, they are darkened by despair and fired by hope.
Decline, writes Josef Joffe in a recent essay in The American Interest, “is as American as apple pie. “ The tales of decline that populate American cultural myths have many morals, but one common shared theme: Renewal.
“Decline Time in America” is never just a disinterested tally of trends and numbers. It is not about truth, but about consequences—as in any morality tale. Declinism tells a story to shape belief and change behavior; it is a narrative that is impervious to empirical validation, whose purpose is to bring comforting coherence to the flow of events. The universal technique of mythic morality tales is dramatization and hyperbole. Since good news is no news, bad news is best in the marketplace of ideas. The winning vendor is not Pollyanna but Henny Penny, also known as Chicken Little, who always sees the sky falling. But why does alarmism work so well, be it on the pulpit or on the hustings—whatever the inconvenient facts?
Joffe, the editor of the German weekly Die Zeit, writes from the lofty perch of an all-knowing cultural critic. Declinism is, when looked at from above, little more than a marketing pitch:
Since biblical times, prophets have never gone to town on rosy oratory, and politicos only rarely. Fire and brimstone are usually the best USP, “unique selling proposition” in marketing-speak.
The origins of modern declinism, pace Joffe, are found in “the serial massacre that was World War I,” the rapacious carnage that revealed “the evil face of technology triumphant.” WWI deflated the enlightenment optimism in reason and science, showing instead the destructive impact of those very same progressive ideals.
The knowledge that raised the Eiffel Tower also birthed the machine gun, allowing one man to mow down a hundred without having to slow down for reloading. Nineteenth-century chemistry revolutionized industry, churning out those blessings from petroleum to plastics and pharmacology that made the modern world. But the same labs also invented poison gas. The hand that delivered good also enabled evil. Worse, freedom’s march was not only stopped but reversed. Democracy was flattened by the utopia-seeking totalitarians of the 20th century. Their utopia was the universe of the gulag and the death camp. Their road to salvation led to a war that claimed 55 million lives and then to a Cold War that imperiled hundreds of millions more.
America, the land of progress in Joffe’s telling, now exists in a productive tension with the anti-scientific tale of the “death of progress.”
“Technology and plenty, the critics of the Enlightenment argued, would not liberate the common man, but enslave him in the prison of “false consciousness” built by the ruling elites. The new despair of the former torchbearers of progress may well be the reason that declinism flourishes on both Left and Right. This new ideological kinship alone does not by itself explain any of the five waves of American declinism, but it has certainly broadened its appeal over time.
Joffe stands above both extremes of the declinism pendulum. Instead of embracing or rejecting the tale of decline, he names decline and its redemptive flipside the driving force of American exceptionalism. Myths of decline are necessary in order to fuel the exceptional calls for sacrifice, work, and innovation that have for centuries turned the tide of American elections and American culture.
[D]awn always follows doom—as when Kennedy called out in his Inaugural Address: “Let the word go forth that the torch has been passed to a new generation of Americans.” Gone was the Soviet bear who had grown to monstrous size in the 1950s. And so again twenty years later. At the end of Ronald Reagan’s first term, his fabled campaign commercial exulted: “It’s morning again in America. And under the leadership of President Reagan, our country is prouder and stronger and better.” In the fourth year of Barack Obama’s first term, America was “back”, and again on top. Collapse was yesterday; today is resurrection. This miraculous turnaround might explain why declinism usually blossoms at the end of an administration—and wilts quickly after the next victory.
Over and over the handwriting that showed that decline was on the wall was, in truth, “a call to arms that galvanized the nation.”
Behind this long history of nightmares of degeneration and dreams of rebirth is Joffe’s ultimate question: Are the current worries about the death of the American century simply the latest in the American cycle of gloom and glee? Or is it possible that the American dream is, finally, used up? In other words, is it true that, since “at “some point, everything comes to an end,” this may be the end for America? Might it be that, as many in Europe now argue, “The United States is a confused and fearful country in 2010.” Is it true that the US is a “hate-filled country” in unavoidable decline?
Joffe is skeptical. Here is his one part of his answer:
Will they be proven right in the case of America? Not likely. For heuristic purposes, look at some numbers. At the pinnacle of British power (1870), the country’s GDP was separated from that of its rivals by mere percentages. The United States dwarfs the Rest, even China, by multiples—be it in terms of GDP, nuclear weapons, defense spending, projection forces, R&D outlays or patent applications. Seventeen of the world’s top universities are American; this is where tomorrow’s intellectual capital is being produced. America’s share of global GDP has held steady for forty years, while Europe’s, Japan’s and Russia’s have shrunk. And China’s miraculous growth is slipping, echoing the fates of the earlier Asian dragons (Japan, South Korea, Taiwan) that provided the economic model: high savings, low consumption, “exports first.” China is facing a disastrous demography; the United States, rejuvenated by steady immigration, will be the youngest country of the industrial world (after India).
In short, if America is to decline it will be because America refuses to stay true to its tradition of innovation and reinvention.
As convincing as Joffe is, the present danger that America’s current malaise will persist comes less from economics or from politics than from the extinguishing of the nation’s moral fire. And in this regard, essays such as Joffe’s are symptoms of the problem America faces. Joffe writes from above and specifically from the position of the social scientist. He looks down on America and American history and identifies trends. He cites figures. And he argues that in spite of the worry, all is generally ok. Inequality? Not to worry, it has been worse. Democratic sclerosis? Fret not; think back to the 1880s. Soul-destroying partisanship? Have you read the newspapers of the late 18th century? In short, our problems are nothing new under the sun. Keep it in perspective. There is painfully little urgency in such essays. Indeed, they trade above all in a defense of the status quo.
There is reason to worry though, and much to worry about. Joffe may himself have seen one such worry if he had lingered longer on an essay he cites briefly, but does not discuss. In 1954, Hannah Arendt published “Europe and America: Dream and Nightmare” in Commentary Magazine. In that essay—originally given as part of a series of talks at Princeton University on the relationship between Europe and America—she asked: “WHAT IMAGE DOES Europe have of America?”
Her answer is that Europe has never seen America as an exotic land like the South Sea Islands. Instead, there are two conflicting images of America that matter for Europeans. Politically, America names the very European dream of political liberty. In this sense, America is less the new world than the embodiment of the old world, the land in which European dreams of equality and liberty are made manifest. The political nearness of Europe and America explains their kinship.
European anti-Americanism, however, is lodged in a second myth about American, the economic image of America as the land of plenty. This European image of America’s stupendous wealth may or may not be borne out in reality, but it is a fantasy that drives European opinion:
America, it is true, has been the “land of plenty” almost since the beginning of its history, and the relative well-being of all her inhabitants deeply impressed even early travelers. … It is also true that the feeling was always present that the difference between the two continents was greater than national differences in Europe itself even if the actual figures did not bear this out. Still, at some moment—presumably after America emerged from her long isolation and became once more a central preoccupation of Europe after the First World War—this difference between Europe and America changed its meaning and became qualitative instead of quantitative. It was no longer a question of better, but of altogether different conditions, of a nature which makes understanding well nigh impossible. Like an invisible but very real Chinese wall, the wealth of the United States separates it from all other countries of the globe, just as it separates the individual American tourist from the inhabitants of the countries he visits.
Arendt’s interest in this “Chinese wall” that separates Europe from America is that it lies behind the anti-Americanism of European liberals, even as it inspires the poor. “As a result,” of this myth, Arendt writes, “sympathy for America today can be found, generally speaking, among those people whom Europeans call “reactionary,” whereas an anti-American posture is one of the best ways to prove oneself a liberal.” The same can largely be said today.
The danger in such European anti-Americanism is not only that it will fire a European nationalism, but also that it will lead cast European nationalism as an ideological opposition to American wealth. “Anti-Americanism, its negative emptiness notwithstanding, threatens to become the content of a European movement.” In other words, European nationalism threatens to assume on a negative ideological tone.
That Europe will understand itself primarily in opposition to America as a land of wealth impacts America too, insofar as European opposition hardens Americans in their own mythic sense of themselves as a land of unfettered economic freedom and unlimited wealth. European anti-Americanism thus fosters the kind of free market ideology so rampant in America today.
What is more, when Europe and America emphasize their ideological opposition on an economic level, they deemphasize their political kinship as lands of freedom.
Myths of American decline serve a purpose on both sides of the Atlantic.
In Europe, they help justify Europe’s social democratic welfare states, as well as their highly bureaucratized regulatory state. In America, they underlie attacks on regulation and calls to limit and shrink government. These are all important issues that should be thought and debated with an eye to reality. The danger is that the European emancipation and American exceptionalism threatens to elevate ideology over reality, hardening positions that need rather to be open for innovation.
Joffe’s essay on the Canard of Decline is a welcome spur to rethinking the gloom and the glee of our present moment. It is your weekend read.
In this week's Chronicle of Higher Education, Richard D. Kahlenberg lifts (or rips) the band-aid off a wound that has been festering for decades. For much of the 20th century, class animated campus Marxists. Since the 1970s, race and gender have largely supplanted class as the source of youthful protest. But the pendulum is swinging back. Studies find that "being an underrepresented minority increased one's chances of admissions at selective colleges by almost 28 percentage points, but that being low-income provided no boost whatsoever." Will racial and gender politics give way to a renewed interest in class? Will there be a divide on the left between class and identity politics? In either case, the debate is beginning.
Here is Kahlenberg:
Long hidden from view, economic status is emerging from the shadows, as once-taboo discussions are taking shape. The growing economic divide in America, and on American campuses, has given rise to new student organizations, and new dialogues, focused on raising awareness of class issues—and proposing solutions. With the U.S. Supreme Court likely to curtail the consideration of race in college admissions this year, the role of economic disadvantage as a basis for preferences could further raise the salience of class.
This interest represents a return to an earlier era. Throughout the first half of the 20th century, class concerns animated Marxists on campus and New Deal politicians in the public sphere. Both groups papered over important dimensions of race and gender to focus on the nation's economic divide. Programs like Federal Housing Administration-guaranteed loans and the GI Bill provided crucial opportunities for upward mobility to some working-class families and students.
Colleges, meanwhile, began using the SAT to identify talented working-class candidates for admission. But FHA loans, the GI Bill, and the SAT still left many African-Americans, Latinos, and women out in the cold.
In the 1960s and 70s, that narrow class focus was rightly challenged by civil-rights activists, feminists, and advocates of gay rights, who shined new light on racism, sexism and homophobia. Black studies, women's studies, and later gay studies took root on college campuses, along with affirmative-action programs in student admissions and faculty employment to correct for the lack of attention paid to marginalized groups by politicians and academics alike.
Somewhere along the way, however, the pendulum swung to the point that issues of class were submerged. Admissions officers, for example, paid close attention to racial and ethnic diversity, but little to economic diversity. William Bowen, a former president of Princeton University, and his colleagues reported in 2005 that being an underrepresented minority increased one's chances of admissions at selective colleges by almost 28 percentage points, but that being low-income provided no boost whatsoever. Campuses became more racially and ethnically diverse—and all-male colleges began admitting women—but students from the most advantaged socioeconomic quartile of the population came to outnumber students from the least advantaged quartile at selective colleges by 25 to 1, according to a 2004 study by the Century Foundation.
Read the whole article here.
Kahlenberg’s inquiry into the return of class to debates on campus cannot be seen outside the context of rising inequality in the U.S. Just this week Anne Lowrey reports in the New York Times that incomes are rising briskly for the top 1% but are actually stagnant or falling for everyone else:
Incomes rose more than 11 percent for the top 1 percent of earners during the economic recovery, but not at all for everybody else, according to new data.
It may be true that prices are declining and the middle class, despite its wage stagnation, is still living well. But we cannot ignore the increasing divide between the rich and the middle class. Not to mention the poor.
This was the topic of an op-ed essay in Monday’s New York Times by Nobel Laureate, Joseph Stiglitz, who writes, “The gap between aspiration and reality could hardly be wider.” Stiglitz, like Kahlenberg, sets the question of class inequality against increasing racial equality:
While racial segregation decreased, economic segregation increased. After 1980, the poor grew poorer, the middle stagnated, and the top did better and better. Disparities widened between those living in poor localities and those living in rich suburbs — or rich enough to send their kids to private schools. A result was a widening gap in educational performance — the achievement gap between rich and poor kids born in 2001 was 30 to 40 percent larger than it was for those born 25 years earlier, the Stanford sociologist Sean F. Reardon found.
Many on the left will respond that race and class are linked: minorities, who are poor, they say, suffer worst of all. That may be true. But race, gender, and identity have dominated the conversation about equality and oppression in this country for 50 years. That is changing. This will be hard for some to accept, and yet it makes sense. Poverty, more than race or gender, is increasingly the true mark of disadvantage in 21st century America.
A few weeks ago, Christy Wampole, a professor of French at Princeton, took to the New York Times to point to what she sees as a pandemic of irony, the symptom of a malignant hipster culture which has metastasized, spreading out from college campuses and hip neighborhoods and into the population at large. Last week, author R. Jay Magill responded to Wampole, noting that the professor was a very late entry into an analysis of irony that stretches back to the last gasps of the 20th century, and that even that discourse fits into a much longer conversation about sincerity and irony that has been going on at least since Diogenes.
Of course, this wasn’t Magill’s first visit to this particular arena; his own entry, entitled Sincerity: How a Moral Ideal Born Five Hundred Years Ago Inspired Religious Wars, Modern Art, Hipster Chic, and the Curious Notion That We All Have Something to Say (No Matter How Dull), came out in July. Magill very effectively recapitulates the main point from his book in his article for the Atlantic, but, if you were to read this new summary alone, you would both deny yourself of some of the pleasures of Magill’s research and prose, as well as spare yourself from some of his less convincing arguments, arguments which, incidentally, happen to suffice for the thrust of his recent article.
The most interesting chapters of Magill’s book deal with the early history of the rise of sincerity, which he traces back to the Reformation. In Magill’s telling, the word “sincere” enters the record of English in 1533, when an English reformer named John Frith writes, to Sir Thomas More, that John Wycliffe “had lived ‘a very sincere life.’” Before that use, in its origin in Latin and French, the word “sincere” had only been used to describe objects and, now, Frith was using it not only for the first time in English but also to describe a particular individual as unusually true and pure to his self, set in opposition to the various hypocrisies that had taken root within the Catholic Church. Magill sums this up quite elegantly: “to be sincere” he writes “was to be reformed.”
Now, this would have been revolutionary enough, since it suggested that a relationship with God required internal confirmation rather than external acclamation—in the words of St. Paul, a fidelity to the spirit of the law and not just the letter. And yet reformed sincerity was not simply a return to the Gospel. In order to be true to one’s self, there must be a self to accord with, an internal to look towards. Indeed, Magill’s history of the idea of sincerity succeeds when it describes the development of the self, and, in particular, that development as variably determined by the internal or the external.
It gets more complicated, however, or perhaps more interesting, when Magill turns towards deceptive presentations of the self, that is, when he begins to talk about insincerity. He begins this conversation with Montaigne, who “comes to sense a definite split between his public and private selves and is the first author obsessed with portraying himself as he really is.” The most interesting appearance of this conversation is an excellent chapter on Jean-Jacques Rousseau, who suggested that people should aspire to self-sameness, should do their best to “reconcile” one’s self to one’s self, a demand for authenticity that would come to be fully expressed in Immanuel Kant’s moral law, the command that I must set myself as a law for myself.
Sincerity, the moral ideal first put forth by John Frith, started as the Reformation’s response to the inability of the Catholic Church to enact that particular principle, in other words, its hypocrisy. This follows for each of the movements that Magill writes about, each responding to the hypocrisy of their own moment in a specific way. On this matter he has a very good teacher, Hannah Arendt, an inheritor of Kant, who was himself a reader of Rousseau. Arendt writes, in Crisis of the Republic, what might serve as a good summation of one of Magill’s more convincing arguments: “if we inquire historically into the causes likely to transform engagés into enragés, it is not injustice that ranks first, but hypocrisy.”
Still, while what makes the sincerity of Frith (who was burned at the stake) or Wycliffe (whose body was exhumed a half century after his death so that it, too, could be burned) compelling is the turn inwards, it is Rousseau’s substitution of the turn back for that turn inward that appears to interest Magill, who decries “the Enlightenment understanding of the world” that “would entirely dominate the West, relegating Rousseau to that breed of reactionary artististic and political minds who stood against the progress of technology, commerce, and modernization and pined for utopia.”
The whole point is moot; Rousseau was himself a hypocrite, often either unable or unwilling to enact the principles he set out in his writings. As Magill moves forward, though, it becomes clear the he values the turn back as a manifestation of sincerity, as a sort of expressing oneself honestly. The last few hundred years in the development of sincerity, it seems, are finding new iterations of the past in the self. He writes that the Romantics, a group he seems to favor as more sincere than most, “harbored a desire to escape a desire to escape forward-moving, rational civilization by worshipping nature, emotion, love, the nostalgic past, the bucolic idyll, violence, the grotesque, the mystical, the outcast and, failing these, suicide.” In turn, in his last chapter, Magill writes that hipster culture serves a vital cultural purpose: its “sincere remembrance of things past, however commodified or cheesy or kitschy or campy or embarrassing, remains real and small and beautiful because otherwise these old things are about to be discarded by a culture that bulldozes content once it has its economic utility.”
The hipster, for Magill, is not the cold affectation of an unculture, as Wampole wants to claim, but is instead the inheritor “of the the entire history of the Protestant-Romantic-rebellious ethos that has aimed for five hundred years to jam a stick into the endlessly turning spokes of time, culture and consumption and yell, “Stop! I want to get off!”
There’s the rub. What Magill offers doesn’t necessarily strike me as a move towards sincerity, but it is definitely a nod to nostalgia. Consider how he recapitulates his argument in the article:
One need really only look at what counts as inventive new music, film, or art. Much of it is stripped down, bare, devoid of over-production, or aware of its production—that is, an irony that produces sincerity. Sure, pop music and Jeff Koons alike retain huge pull (read: $$$), but lately there has been a return to artistic and musical genres that existed prior to the irony-debunking of 9/11: early punk, disco, rap, New Wave—with a winking nod to sparse Casio keyboard sounds, drum machines, naïve drawing, fake digital-look drawings, and jangly, Clash-like guitars. Bands like Arcade Fire, Metric, Scissor Sisters, CSS, Chairlift, and the Temper Trap all go in for heavy nostalgia and an acknowledgement of a less self-conscious, more D.I.Y. time in music.
Here, Magill is very selectively parsing the recent history of “indie music,” ignoring a particularly striking embrace of artificial pop music that happened alongside the rise of the “sincere” genres, like new folk, that he favors. There’s no reason to assume that Jeff Koons’s blown up balloon animals or Andy Warhol’s Brillo Boxes are any less sincere than the Scissor Sisters’s camp disco, just as there is no reason to assume that a desire to return to nature is any less sincere than the move into the city. Although Magill makes a good argument for the hipster’s cultural purpose, that purpose is not itself evidence that the hipster is expressing what’s truly inside himself, just as there’s no way for you to be sure that I am sincerely expressing my feelings about Sincerity. Magill, ultimately, makes the same mistake as Wampole, in that he judges with no evidence; the only person you can accurately identify as sincere is yourself.