“Politics arises between men, and so quite outside of man. There is therefore no real political substance. Politics arises in what lies between men and is established as relationships.”
-- The Promise of Politics 95, emphasis in original
What is politics? Ask around, and you may get answers such as government, the state, political parties, corruption, “something I don’t care about” and “something that is a threat to my privacy and my freedom.” Hannah Arendt probably wouldn’t be surprised. Arendt notes: “Both the mistrust of politics and the question as to the meaning of politics are very old, as old as the tradition of political philosophy.” Moreover, she continues,
Underlying our prejudices against politics today are hope and fear: the fear that humanity could destroy itself through politics and through the means of force now at its disposal, and, linked with this fear, the hope that humanity will come to its senses and rid the world, not of humankind, but of politics.
In The Promise of Politics, we see Arendt wrestling with questions on the meaning of politics, particularly as it has been inherited in our modern world.
Today marks the end of The Political Theory of Hannah Arendt: The Problem of Evil and the Origins of Totalitarianism, a five-week seminar hosted at Bard College this summer.
“It is obvious: if you do not accept something that assumes the form of ‘destiny,’ you not only change its ‘natural laws’ but also the laws of the enemy playing the role of fate.”
--Hannah Arendt, The Jewish Writings (223)
In 1944, as the Allied armies liberated areas under Nazi control, news about the horrors of the extermination camps inevitably wound its way to the United States. In her interview with Günter Gaus many years later, Hannah Arendt would recount these months as full of devastating shocks that unveiled the fullest extent of what was transpiring in Europe. It was in the midst of the delivery of the news of this carnage, this knowledge of the “fabrication of corpses,” that Arendt continued to perform her role as “something between a historian and political journalist.” This delicate terrain – somewhere “between silence and speechlessness” – is what Arendt had to traverse as she informed and provoked her audience into action.
"If people think that one can only write about these things in a solemn tone of voice...Look, there are people who take it amiss—and I can understand that in a sense—that, for instance, I can still laugh. But I was really of the opinion that Eichmann was a buffoon..."
Holocaust Remembrance Day, or Yom Hashoah, fell on the 27th day of the month of Nisan or in April this year. It begins at sundown and continues into the next day. A memorial to the six million Jewish people who were slaughtered by the Nazis between 1933 and 1945, it is a time to call these events to mind and consider their continued resonance and relevance in our own dark times. How shall we, in the words of Hannah Arendt, bear the burden of such a past? With what attitude should such events be commemorated?
Fifty years ago, on October 28, 1964, a televised conversation between the German-Jewish political theorist, Hannah Arendt, and the well-known German journalist, Günter Gaus, was broadcast in West Germany. Arendt’s Eichmann in Jerusalem: A Report on the Banality of Evil, her controversial analysis of the Jerusalem trial of Adolf Eichmann, had just been published in German in the Federal Republic and Gaus used the occasion to generate a “portrait of Hannah Arendt.” The interview ranged across a wide field of topics, including the difference between philosophy and politics, the situation in Germany before and after the war, the state of Israel, and even Arendt’s personal experiences as a detainee in Germany and France during the Second World War.
Already a cause célèbre in the United States the book had brought Arendt lavish praise and no small amount of damnation. What Gaus especially wanted to know was what Arendt thought about criticism levied against her by Jews angered by her portrait of Eichmann and her comments about Jewish leaders and other Jewish victims of the Holocaust. “Above all,” said Gaus, “people were offended by the question you raised of the extent to which Jews are to blame for their passive acceptance of the German mass murders, or to what extent the collaboration of certain Jewish councils almost constitutes a kind of guilt of their own.”
Gaus acknowledged that Arendt had already addressed these critics, by saying that such comments were, in some cases, based on a misunderstanding and, in others, part of a political campaign against her, but he had already crossed a contested border. Without hesitation, she corrected Gaus:
First of all, I must, in all friendliness, state that you yourself have become a victim of this campaign. Nowhere in my book did I reproach the Jewish people with nonresistance. Someone else did that in the Eichmann trial, namely Mr. Hausner of the Israeli public prosecutor’s office. I called such questions directed to the witnesses in Jerusalem both foolish and cruel.
True, Gaus admitted. He had read the book and agreed that Arendt had not made that point exactly. But, he continued, some criticism had been levied against her because of “the tone in which many passages are written.”
“Well,” Arendt replied, “that is another matter...That the tone of voice is predominantly ironic is completely true.”
What did she mean by ironic? “If people think that one can only write about these things in a solemn tone of voice.... Look, there are people who take it amiss—and I can understand that in a sense—that, for instance, I can still laugh. But I was really of the opinion that Eichmann was a buffoon...” To convey the shock she experienced when, contrary to her own expectations, Eichmann “in the flesh” appeared to be more a clown than a monster, Arendt countered with a reverse shock, adopting a sardonic, unsentimental voice to unmask what she later termed “the banality of evil.” It could be read as her way to diminish the self-aggrandizement of the architects of the Final Solution to middling size. The trouble was she used this voice rather undiplomatically to describe not only Eichmann’s actions but also the complicity of others, including some members of the Jewish community she judged harshly for cooperating with Nazis. “When people reproach me with accusing the Jewish people, that is a malignant lie and propaganda and nothing else. The tone of voice is, however, an objection against me personally. And I cannot do anything about that.”
“You are prepared to bear that?” asked Gaus. “Yes, willingly,” Arendt claimed. What she had not anticipated was how unprepared many who read her were to take on this new shock of the “banality of evil” on top of the horrifying accounts of Jewish suffering conveyed at the trial.
In fact, “bearing the burden of the past,” thinking about the past in its morally perplexing and disconcerting entirety, was the focus of Arendt’s writing, from her earliest essays to her last. And in no case did this burden bearing affect her more personally than when she published Eichmann in Jerusalem. When she returned from a European trip taken for a needed rest soon after the book’s release, she found stacks of letters waiting for her. Some correspondents praised the bravery of her truth-telling, but the lion’s share found her book detestable. A few included death threats.
Was her refusal to concede that her “tone” had anything to do with the hostility the book generated merely a matter of sheer stubbornness? Or was the ironic tone itself emblematic of Arendt’s ideas about the danger implicit in thinking and the burden of responsibility that lay at the heart of judgment?
In the introduction to The Life of the Mind, Arendt offered this account of the generation of her controversial and still frequently misunderstood concept of “the banality of evil”:
In my report of [the Eichmann trial] I spoke of ‘the banality of evil.’ Behind that phrase I was dimly aware of the fact that it went counter to our tradition of thought—literary, theological, or philosophic—about the phenomenon of evil...However, what I was confronted with was utterly different and still undeniably factual. I was struck by the manifest shallowness in the doer that made it impossible to trace the uncontestable evil of his deeds to any deeper level of roots or motives. The deeds were monstrous, but the doer—at least the very effective one now on trial—was quite ordinary, commonplace, and neither demonic nor monstrous...Might the problem of good and evil, our faculty of telling right from wrong, be connected with our faculty of thought?...Could the activity of thinking as such, the habit of examining whatever happens to come to pass or to attract attention, regardless of results and specific content, could this activity be among the conditions that make men abstain from evil-doing or even actually ‘condition’ them against it?
But, Arendt insisted, thinking’s ability to condition people against evil-doing did not mean “that thinking would ever be able to produce the good deed as its result, as though ‘virtue could be taught and learned’—only habits and customs can be taught, and we know only too well the alarming speed with which they are unlearned and forgotten when new circumstances demand a change in manners and patterns of behavior.” What cold comfort, then, this thinking business seemed to be, offering no guarantee that evil will be avoided and good prevail.
Arendt had removed the guarantee of absolute innocence and automatic guilt from the question of moral responsibility. What did she put in its place? The capacity to exercise an “independent human faculty, unsupported by law and public opinion, that judges in full spontaneity every deed and intent anew whenever the occasion arises.” And who evidenced this capacity? They were not distinguished by any superior intelligence or sophistication in moral matters but “dared to judge for themselves.” Deciding that conformity would leave them unable to “live with themselves,” sometimes they even chose to die rather than become complicit. “The dividing line between those who think and therefore have to judge for themselves, and those who do not, strikes across all social and cultural or educational differences.”
Nonetheless, Arendt’s tone made it seem as if she knew she would have acted more valiantly than those who cooperated with the Nazis. Outraged by her moral judgment of Jewish leaders many asked: Who is she to judge those who were forced to make difficult decisions and, in the interests of saving the many sacrificed the few? Arendt answered this question in a 1964 essay entitled “Personal Responsibility Under Dictatorship,” “Since this question of judging without being present is usually coupled by the accusation of arrogance, who has ever maintained that by judging a wrong I presuppose that I myself would be incapable of committing it?”
—Kathleen B. Jones
This Quote of the Week is adapted from an essay originally appearing in Humanities Magazine, March/April 2014.
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
Jonathan Schell has died. I first read "The Fate of the Earth" as a college freshman in Introduction to Political Theory and it was and is one of those books that forever impacts the young mind. Jim Sleeper, writing in the Yale Daily News, gets to the heart of Schell’s power: “From his work as a correspondent for The New Yorker in the Vietnam War through his rigorous manifesto for nuclear disarmament in "The Fate of the Earth", his magisterial re-thinking of state power and people’s power in “The Unconquerable World: Power, Nonviolence, and the Will of the People,” and his wry, rigorous assessments of politics for The Nation, Jonathan showed how varied peoples’ democratic aspirations might lead them to address shared global challenges.” The Obituary in the New York Times adds: “With “The Fate of the Earth” Mr. Schell was widely credited with helping rally ordinary citizens around the world to the cause of nuclear disarmament. The book, based on his extensive interviews with members of the scientific community, outlines the likely aftermath of a nuclear war and deconstructs the United States’ long-held rationale for nuclear buildup as a deterrent. “Usually, people wait for things to occur before trying to describe them,” Mr. Schell wrote in the book’s opening section. “But since we cannot afford under any circumstances to let a holocaust occur, we are forced in this one case to become the historians of the future — to chronicle and commit to memory an event that we have never experienced and must never experience.””
In an interview, Simon Schama, author of the forthcoming book and public television miniseries "The Story of the Jews," uses early Jewish settlement in America as a way into why he thinks that Jews have often been cast as outsiders: "You know, Jews come to Newport, they come to New Amsterdam, where they run into Dutch anti-Semites immediately. One of them, at least — Peter Stuyvesant, the governor. But they also come to Newport in the middle of the 17th century. And Newport is significant in Rhode Island because Providence colony is founded by Roger Williams. And Roger Williams is a kind of fierce Christian of the kind of radical — in 17th-century terms — left. But his view is that there is no church that is not corrupt and imperfect. Therefore, no good Christian is ever entitled to form a government [or] entitled to bar anybody else’s worship. That includes American Indians, and it certainly includes the Jews. And there’s an incredible spark of fire of toleration that begins in New England. And Roger Williams is himself a refugee from persecution, from Puritan Massachusetts. But the crucial big point to make is that Jews have had a hard time when nations and nation-states have founded themselves on myths about soil, blood and tribe."
Noam Scheiber describes the “wakeful nightmare for the lower-middle-aged” that has taken over the world of technology. The desire for the new, new thing has led to disdain for age; “famed V.C. Vinod Khosla told a conference that “people over forty-five basically die in terms of new ideas.” The value of experience and the wisdom of age or even of middle are scorned when everyone walks around with encyclopedias and instruction manuals in our pockets. The result: “Silicon Valley has become one of the most ageist places in America. Tech luminaries who otherwise pride themselves on their dedication to meritocracy don’t think twice about deriding the not-actually-old. “Young people are just smarter,” Facebook CEO Mark Zuckerberg told an audience at Stanford back in 2007. As I write, the website of ServiceNow, a large Santa Clara–based I.T. services company, features the following advisory in large letters atop its “careers” page: “We Want People Who Have Their Best Work Ahead of Them, Not Behind Them.””
Kenan Malik wonders how non-believers can appreciate sacred art. Perhaps, he says, the godless can understand it as "an exploration of what it means to be human; what it is to be human not in the here and now, not in our immediacy, nor merely in our physicality, but in a more transcendental sense. It is a sense that is often difficult to capture in a purely propositional form, but one that we seek to grasp through art or music or poetry. Transcendence does not, however, necessarily have to be understood in a religious fashion, solely in relation to some concept of the divine. It is rather a recognition that our humanness is invested not simply in our existence as individuals or as physical beings but also in our collective existence as social beings and in our ability, as social beings, to rise above our individual physical selves and to see ourselves as part of a larger project, to project onto the world, and onto human life, a meaning or purpose that exists only because we as human beings create it."
The Niemen Journalism lab has the straight scoop about the algorithm, written by Ken Scwhenke, that wrote the first story about last week's West Coast earthquake. Although computer programs like Schwenke's may be able to take over journalism's function as a source of initial news (that is, a notice that something is happening,) it seems unlikely that they will be able to take over one of its more sophisticated functions, which is to help people situate themselves in the world rather than merely know what's going on in it.
In an interview, Kate Beaton, the cartoonist responsible for the history and literature web comic Hark A Vagrant!, talks about how her comics, perhaps best described as academic parody, can be useful for teachers and students: "Oh yes, all the time! That’s the best! It’s so flattering—but I get it, the comics are a good icebreaker. If you are laughing at something, you already like it, and want to know more. If they’re laughing, they’re learning, who doesn’t want to be in on the joke? You can’t take my comics at face value, but you can ask, ‘What’s going on here? What’s this all about?’ Then your teacher gets down to brass tacks."
From the Hannah Arendt Center Blog
This week on the blog, our Quote of the Week comes from Arendt Center Research Associate, Thomas Wild, who looks at the close friendship between Hannah Arendt and Alfred Kazin who bonded over literature, writers, and the power of the written word.
Critical thinking is possible only where the standpoints of all others are open to inspection. Hence, critical thinking, while still a solitary business, does not cut itself off from ‘all others.’ To be sure, it still goes on in isolation, but by the force of imagination it makes the others present and thus moves in a space that is potentially public, open to all sides; in other words, it adopts the position of Kant’s world citizen. To think with an enlarged mentality means that one trains one’s imagination to go visiting.
-Hannah Arendt, Lectures on Kant's Political Philosophy, 43
Arendt’s appeal to the “enlargement of the mind” of Kantian judgment is well known and is often discussed in relation to Eichmann’s failure to think and recognize the world’s plurality. To the extent that we find lessons in these discussions, a prominent one is that we might all be vulnerable to such failures of judgment.
While recognizing how easy it is for us to not think, especially in the bureaucratic structures of the contemporary world, I want to focus here on the moments of thinking and judgment that do occur but fail to garner recognition.
I was recently involved in a discussion about educational and other support programs in prisons around the country. During the conversation, someone made the observation that these programs seem to appeal especially to women. It was the case that each of the women in this conversation had been involved in some prison program, either as an attorney or an educator. But the observation was intended, of course, to go beyond this relatively small group.
I don’t know whether it’s true that many more women than men are involved in programs like Bard’s Prison Initiative or the Innocence Project or any number of such programs. But what struck me about this conversation was that despite no one claiming to possess any knowledge beyond his or her personal observations, many seemed relatively certain about the possible explanation about this phenomenon (or non-phenomenon): that women might have a greater capacity to empathize with others, not because we are innately sensitive beings, but because we can more easily recognize the suffering of others and respond to that suffering.
Many readers of Arendt will immediately react to this description with Arendt’s critique of empathy in mind. For Arendt, empathy destroys critical thinking to the extent that it tries to “know what actually goes on in the mind of all others” as opposed to the comparing our judgment with the possible judgments of others (Lectures on Kant’s Political Philosophy, 43). In trying to feel like someone else, empathy makes it impossible to respond politically, as it destroys the distance between individuals that makes a response to another as other possible.
But if not empathy, what might better describe those, whether they are women or men, who are open to the sufferings and injustices of others? The answer, I submit, is critical thinking.
For Arendt, critical thinking is necessarily imaginative, as it requires that the thinker make “the others present.” The presence of others is not achieved by imagining what goes on in each of the minds of these imagined others. Rather, this presence is what allows one imaginatively to construct a public space in which one’s actions are visible to other people.
Critical thinking thus most importantly lies not in the ability to compare our judgment with the possible judgments of all others, which is what is often stressed in discussions of Arendtian judgment, but rather in the adoption of the position of Kant’s “world citizen.” Adopting such a position is less about imagining others as such and more about recognizing that one is always putting oneself out there for others to judge. Insofar as it is necessary to construct the audience to which the thinker presents herself, the imagination of others is the first step to critical thinking, but only the first step. Critical thinking is, as Kant writes in “What is Enlightenment?,” “addressing the entire reading public” such that that one presents oneself for judgment by this learned group of which one purports to be a member. Like a politician or a writer or an actor, the critical thinker acts with the understanding that she will be judged not just by friends, lovers, or like-minded compatriots, but by an entire learned public whose judgments are tempered neither by love nor even self-serving support.
The space in which women moved has always been “public” to the extent that women who acted always did so with the knowledge that they are opening themselves up to the judgment of others. Thus acting takes courage and a true living of the motto of the enlightenment “Sapere aude! Have the courage to use your own understanding!” (Kant, “What is Enlightenment?”).
But acting also necessarily engages critical thinking in another sense: one’s actions are always public to the extent that in acting one presents oneself for judgment to the world and discloses oneself. The thinking of women might, in this way, have been “forced” into the realm of the critical, for as solitary as the activity of thinking necessarily is, it occurs in a space in which the others are present by not only the “force of imagination,” but also the force of history. Thus, if certain professions, causes, or activities do draw relatively more women than men, part of the explanation might be that women think more critically. The world that one sees, with all its injustices and its suffering, does not move one to action or service. But this world is not the world in which one thinks or acts. Rather, one moves in and responds to the imagined one in which what one does is meaningful because one’s actions are being judged and because as vulnerable as one might feel in being judged, judgment brings along with it the implicit recognition that what one does is visible to others and, quite simply, that it might matter.
Arendt’s understanding of judgment is closely tied to Kant’s Critique of Judgment for a good reason: she herself builds her ideas directly on Kantian judgment. But reading Arendtian judgment through Kant’s shorter piece, “What is Enlightenment?” opens up to us aspects of the former that have previously been obscured. And it opens us up to acts of thinking, judgment, and courage to which we are often blind. Again, I don’t know that more women than men engage in work that supports prisoners and advances the cause of prisoners’ rights. But I don’t think it is controversial to say that the perception that they do exists and that women’s ability to empathize with others, whether because of their backgrounds or simply because they are women, is frequently an accompanying discourse. This could be the right explanation. But it could also be an expression not only of prejudices of what women are, but also of an insufficiency of our conceptual vocabulary to capture what it is that is going on in a way that does not simply reassert these prejudices.
Power is actualized only where word and deed have not parted company, where words are not empty and deeds not brutal, where words are not used to veil intentions but to disclose realities, and where deeds are not used to violate and destroy but to establish relations and create new realities.
-Hannah Arendt, The Human Condition
Arendt’s conception of power is one of the most subtle and elusive features of her political theory. Here Arendt poses the problem of power in terms of power’s loss, of powerlessness, which is also what she calls “the death of political communities.”
What is powerlessness? What, exactly, is lost when power is lost?
There are many ways to become powerless in the world of twenty-first century politics. In the United States we often imagine that citizens would be powerless without their constitutional rights – the vote, free speech, due process. In and around the world’s many war zones, the loss of military protection seems to produce a very different kind of powerlessness, one that is linked to both our physical vulnerability to violence as human beings and the persistence of violence between sovereign states (and within them.) There is also the powerlessness that seems to follow from the dislocations or migrations of peoples, a condition that Arendt calls mass homelessness, which may come from the movement of peoples across borders or the redrawing of borders across peoples. Poverty appears to be another form of powerlessness altogether, one that disrupts our capacity to appropriate nonhuman nature through labor and work and thereby sustain our lives. Arendt argues that mass destitution, alongside mass homelessness, is a form of powerlessness that is peculiar to the political condition of the modern age.
Many other kinds of powerlessness can be added to this list. The list is disturbing not only for its variety and length, but also because the felt urgency of each danger invites us to elevate one or two above the others, so that we risk settling for powerlessness of several kinds in order to secure power in one or two “emergency” domains. We choose between the power of kill lists and drone strikes and the power of due process for Americans accused of terrorism. We weigh our powerlessness in the face of global warming against the powerlessness caused by the Great Recession, where the hoped-for “recovery” will be defined by consumption-led “growth,” rendered tangible by lower gas prices and more crowded shopping malls. Or, we may think that US power in the globalizing world of free trade and faster capital flows is dependent upon “securing our national borders,” achieved through the quasi-militarization of immigration enforcement. Hard choices are the stuff of politics - they are supposed to be what power is all about - but the dilemmas of modern powerlessness are peculiarly wrenching in large part because they are not readily negotiable by political action, by those practices of public creativity and initiative that are uniquely capable of redefining what is possible in the common world. Rather, these “choices” and others like them seem more like dead-ends, tired old traps that mark the growing powerlessness of politics itself.
The death of the body politic, which can only occur by way of the powerlessness of politics itself, is Arendt’s main concern in the above quote. In contrast to Hobbes, Rousseau, Weber, and Habermas, among others, Arendt distinguishes power from domination, strength, rationality, propaganda, and violence. Located within the open and common world of human speech and action, power reveals its ethical and political limits when it is overcome by deception, empty words, destruction, and “brutality.” Rooted in the human conditions of natality and plurality, and constituted by the gathered actions of many in a public space of appearance, power exists only in its actualization through speech and deed. Like action, power depends upon the public self-disclosure of actors in historical time. Actors acting together with other actors generate power. Yet because we do not know “who” we disclose ourselves to be in the course of collective action, or what the effects of our actions will turn out to mean in the web of human stories, power itself is always “boundless and unpredictable,” which in part explains its peculiar force. Given its boundlessness and unpredictability, power cannot be stored up for emergencies, like weapons or food and water, nor kept in place through fixed territories, as with national sovereignty. Power therefore co-exists only uneasily with machpolitik. Power can overcome violence and strength through the gathered voices and acts of the many; it can also be destroyed (but not replaced) through the dispersal of the many and the dissolution of the space of appearance. In-between gathering and dispersal, power is preserved through what Arendt calls “organization,” the laws, traditions, habits, and institutions that sustain the space of appearance during those interims when actors disperse temporarily and withdraw back into the private realm, only to reappear later.
For Arendt, the loss of power is the loss of our capacity to act with others in a way that generates, sustains, and discloses a common world. Powerlessness is marked by the receding of public spaces. This may occur, for example, through the gentle decline of a formally constituted public realm into the technocratic shadows of the social, or through the brutal sovereign repression of spontaneously emergent spaces of appearance. In both cases, our ethical and political incapacities to act together, and the philosophical inability to recognize power when we see it, are at the root of modern political powerlessness. Power-seekers, on Arendt’s view, would be well advised to cultivate a deeper political appreciation for both the immaterial force and fragility of human natality, plurality, and public space, which will be lost when power is mistaken for its rivals, like reason, strength, violence, or sovereignty.
“The Origin and Character of Hannah Arendt's Theory of Judgment”
David L. Marshall
Political Theory 2010 38 (3) 367-393
Drawing chiefly on entries between 1952 and 1957 in Arendt's recently published Denktagebuch, David Marshall proposes an account of the origin of Arendt's theory of judgment based on her early readings of Hegel, Aristotle, and Kant. Marshall sets the broader frame of his argument in terms of the shift between Arendt's negative appraisal of Kant's philosophy in the second Critique as recorded in her (unpublished) Berkeley lecture of 1955 and her embrace of the third Critique in 1970 (in Lectures on Kant's Political Philosophy). Arendt saw the categorical imperative as concerning only the individual and thus ignoring the plurality of the world. Kant's aesthetics offers her the resources for a bold shift in political thinking but critics argue that too much emphasis on the individual's subjective decision (for example in the idea of taste) potentially undermines an eventual group judgment.
One of Marshall's strongest contributions helps explain how these group judgments develop in Arendt's view. Taking up an entry from December 1952 in the Denktagebuch on Hegel's Logic, he argues that Arendt's early understanding of judgment involves a move from particular to general characterized by “continuity” rather than “subsumption” (Hegel, cited by Marshall, 373). As an example, the judgment “Cicero is great” would not place Cicero under the already existing definition of greatness, but lead to a reconsideration of both terms. For Arendt this reconsideration points the way to a discussion about the shifts in meaning involved. Thus “in an Arendtian gloss, Hegel's emphasis on reflective judgment is a commitment to worldliness, to history, and to the particular” (375). From a broader perspective, Marshall's reading complicates Hegel's influence on Arendt by showing how he positively impacted her thought. Further work in this direction (drawing on the Denktagebuch) will be of great value in drawing a contrast with her general use of him in her published work to indicate an automatic development of history that threatens freedom.
The following section focuses on Aristotle's use of the term krinein in the Rhetoric and Arendt's double translation of the term as urteilen and entscheiden (judging and deciding). Marshall points out that the judge in Aristotle's text is not merely a spectator but also at least potentially and actor. As in the section on Hegel, Marshall sees this in terms of a turn away from the general and towards “a logic of the example” (379). One intriguing point for future research mentioned briefly relates to the connection between Arendt's reading of the Rhetoric and that of Heidegger in the summer semester of 1924 (published as Grundbegriffe der Aristotelischen Philosophie).
The remainder of the article places these specific engagements with Hegel and Aristotle in the context of Arendt's 1957 notes in the Denktagebuch that document her careful rereading of the Critique of Judgment. While Marshall sees these notes as being largely in line with the published 1970 Kant lectures, he employs the specifications made in his exegesis to respond to five criticisms of Arendt's theory of judgment from contemporary scholars broadly related to the supposed danger of the aesthetic dimension of her thought. Some readers may find this aspect of the article to be posturing and others may think that he sets himself too large a task, since each criticism could be explicated and parsed at much greater length. However, with his pointers to key sections of the Denktagebuch, Marshall offers a key contribution to growing work on the importance of this text and opens a number of lines of future inquiry.
-Review by Jeffrey Champlin
"Political institutions, no matter how well or badly designed, depend for continued existence upon acting men; their conservation is achieved by the same means that brought them into being. Independent existence marks the work of art as a product of making; utter dependence upon further acts to keep it in existence marks the state as a product of action."
-Hannah Arendt, ‘What is Freedom?’ in Between Past and Future
Arendt’s polemics against means-end thinking in politics are prominent throughout The Human Condition, and echoed in many of her other writings. Most of her readers have been willing to grant her the dangers of means-end thinking, as expressed in the maxim, “You can’t make an omelette without breaking eggs.” In this regard, Arendt’s words are indeed unanswerable: ‘We are perhaps the first generation which has become fully aware of the murderous consequences inherent in a line of thought that forces one to admit that all means, provided that they are efficient, are permissible and justified to pursue something defined as an end.’ (HC 229) Nonetheless, many readers have wondered whether she does not over-egg the pudding, so to speak, by so emphatically rejecting the political importance of goal-directed thinking and strategic action.
I think this passage from ‘What is Freedom?’ enables us to respond directly to these natural doubts about Arendt’s account of action in The Human Condition. It is an error, Arendt writes, to regard ‘the state or government as a work of art, as a kind of collective masterpiece’ (BPF 153). To endure, the work of art depends only on a certain degree of care. Cleaning and maintenance, or labour in Arendt’s terms, preserve the art-work, which – as its name indicates – resulted from the activity of work. It is quite otherwise with political institutions: ‘their conservation is achieved by the same means that brought them into being’ – that is, by the concerted action of many persons. In other words, we may easily mistake the nature of the goals at stake in politics, by misconstruing them as ends that might be achieved and endure, needing perhaps just a little ‘spit and polish’ from time to time.
Of course, many political acts do aim to bring about a lasting change in the world. In every case, however, this goal ultimately concerns the terms of on-going human relations. Whatever political aim we think of – someone obtaining political office, a change in the law or the foundation of a new state, even something as material as the erection of a monument or a boundary wall: in each case, unless people alter their conduct and relations in terms of these new realities, they will not, in fact, obtain any reality at all. An elected official can find herself powerless; a law can enter the statute books but remain a dead letter; history knows many vain and ineffectual acts of constitution. A monument or wall are slightly different: they are material objects that may, up to a point, endure with no one’s doing anything more about them. But of course, their coming-to-be rests on an agreement to commission them – that is, on action rather than work. And whether they retain any political relevance, whether they keep memories alive or boundaries solid, whether they become tourist attractions or mere rubble – this depends entirely on the opinions and conduct of the people who live alongside them. If many political acts aim at lasting change, then, many others aim to preserve: ‘the conservation [of any political accomplishment] is achieved by the same means that brought [it] into being.’
In other words, although it may be affected by material structures and written documents, the political realm ultimately consists just in how people conduct themselves toward one another. One of Arendt’s reasons for rejecting means-end thinking is that there is no ‘end’ to politics. Our political action can never strictly look to an end-point, for that could be nothing but the end of history itself (‘Understanding and Politics,’ in Essays in Understanding, 320). Again, we may suspect Arendt of hyperbole that misses the importance of goal-directed action in politics. But her deeper point is that political goals and achievements always concern the terms of on-going human relationships. These may be expressed by offices and laws, monuments or public squares; but they cannot be reified. No written document, not even the most solid and brutal wall, constitutes those term. Only continuing and concerted action, animated by particular principles and enacting certain virtues, does this.
There are no ends in politics, then, because political achievements only endure in the form of actions, principles, and relationships. People’s consent and support; the power that arises from these; the continuing preparedness to abide by the relevant terms – these phenomena of human acting and relating are the essential goal of any political initiative. ‘Means’ and ‘end’ are made of the same stuff, defeating any political theory that separates them and spelling ruin from all political practice that seriously regards actions or persons as mere means to an end. None of this is to deny that there are lasting political achievements, or that responsible political action may be directed toward such goals. The point is just that those achievements endure only if kept alive by ‘acting men’ – and, as Arendt would be sure to add, in the stories we tell about them.
-Garrath Williams, Lancaster University, UK
“In contrast to the inorganic thereness of lifeless matter, living beings are not mere appearances. To be alive means to be possessed by an urge toward self-display which answers the fact of one’s own appearingness. Living things make their appearance like actors on a stage set for them.”
-Hannah Arendt, The Life of the Mind, vol. 1: Thinking
Political theorists are likely to associate the phrase the “urge to self-display” with a characteristically “Arendtian” politics. But here, Arendt takes self-display to characterize something much more basic and fundamental—the sheer life of human beings. Despite Arendt’s imagery of the actor appearing on a stage, self-display does not seem at all to invoke the greatness of individuality or of heroic deeds. It is merely the “fact of one’s own appearingness.” What could Arendt mean by characterizing human life by the fact of appearing, and what does it mean to say that human beings, as opposed to “lifeless matter” makes their appearance?
In The Life of the Mind, Arendt describes the phenomenon of appearing as human beings’ appearing to others in a way that is subject to the particular perspective of the spectator.
“To appear,” she writes, “always means to seem to others, and this seeming varies according to the standpoint and perspective of the spectator”. In this interpretation, the fact of appearingness is a fact of the world in which we live; it is the fact of plurality and the irreducibility of perspectives that signals that men, not Man, populate the world.
But the fact of appearance also has a moral and political significance that goes beyond this almost formal description of the dual position of subjectivity and objectivity that human beings occupy with respect to one another. If we turn to Origins of Totalitarianism, a text that is not often read in connection with The Life of the Mind, we are confronted with a striking and terrifying picture of the loss of appearingness, which confronts us fully with the implications of Arendt’s characterization of human beings as beings who must make their appearance.
In Origins of Totalitarianism, Arendt uses the term “rightlessness” to describe the condition of European Jews under the Third Reich. In that regime, Jews were not merely “deprived of life, liberty, and the pursuit of happiness, or of equality before the law and freedom of opinion,” but made so irrelevant that “nobody wants even to oppress them”. The ultimate expression of invisibility was the genocide in the death camps of the Final Solution. However, the effectiveness of these camps in rendering people invisible did not lie simply in the physical destruction of millions. The camps sought to destroy what Arendt called the “moral man,” or that aspect of human beings that is subject to moral judgment and valuation. This term attaches not to moral behavior, but to the presence of individual human beings in the world that makes it possible to see them as individuals in the first place.
In the camps, the boundary between life and death and between individuals was so attenuated that it was nearly impossible to distinguish any one person from another, living or dead. The invisibility of individuals this lack of boundaries engendered was so thoroughgoing that it obscured even the most heroic of deaths: “[i]t belonged among the refinements of totalitarian governments in our century that they don’t permit their opponents to die a great, dramatic martyr’s death for their convictions….The totalitarian state lets its opponents disappear in silent anonymity”. Even the most heroic of acts was disposed of simply and without regard or comment, just as those deaths that occurred daily, and both were made invisible along with the individuals in and through whom these deaths occurred.
The crucial point is not that death was made routine, but that the camps ensured that with these deaths any marker of the victim’s having ever been alive also disappeared along with him. The individual prisoner was barely distinguished from the others and seen only as one in a series in which his exact position was irrelevant. As a group, the prisoners were invisible to the world, and as individuals, they were invisible to the world and to one another as distinct people.
The result was an attenuation of the line that separates the lives of individuals as they have lived it from mere physical life and death and the elimination of the world as a stage on which individuals could make their appearance. And in the absence of this stage, death could be nothing more than a “seal on the fact that he had never really existed”.
Making one’s appearance in the world, as an actor does on a stage, is not about being extraordinary. Nor is it a merely formal description of how human beings perceive the world around them and are perceived by other human beings. Rather, appearingness is the essential condition of being recognized as a member of the community of human beings and the world and of being treated accordingly. As the events of the past century have made strikingly clear, appearingness is a condition that we could lose or of which we could be stripped. Our condition of humanity is something that we must create—create by making our appearance in the world. Arendt’s words about our basic condition of appearance alerts us to the dangers of invisibility and should make us suspicious of any situation in which people exist in a condition of invisibility.
In our own time, the Occupy Wall Street movement has helped to bring to light some of those who have been made invisible in poverty. This act of opening up a space in which an individual might make their appearance in the world is, I think, one of the movement’s greatest accomplishments. And a politics of visibility is not just about our own visibility or our own great accomplishments, but about creating stages upon which people can make their appearance and exposing and tearing down those scaffoldings that bar some from entering these stages.
If we see the OWS movement as a politics of appearance, then the albeit valid criticisms about the lack of a definite agenda and the like do seem to lose some of their force. But this does not mean that the movement is a success in Arendt’s terms. The movement has certainly brought us to the stage, but what we all—the invisible and the visible—do with this opening and how we make our appearance onto it remains the political question that only the individual actors, and not any movement, can and must answer.