Hannah Arendt Center for Politics and Humanities
26Jul/150

Amor Mundi 7/26/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upWhere Everything Is Possible

concentration campHannah Arendt first argued that concentration and extermination camps were "the true central institution of totalitarian organizational power" and were "the laboratories in which the fundamental belief of totalitarianism that everything is possible [was] being verified." A new series of books exploring the Nazi camps has emerged offering what Richard J. Evans calls "An Anatomy of Hell." Writing in the New York Review of Books, Evans argues: "In the popular imagination, the Nazi concentration camp now features mainly as a place where Jews were taken to be gassed. In a recent German opinion poll, most respondents associated the camps with the persecution and murder of Jews; under 10 percent mentioned other categories of camp prisoners, such as Communists, criminals, or homosexuals. The power of the 'Holocaust' as a concept has all but obliterated other aspects of the crimes of the Nazis and the sufferings of their victims and driven the history of the camps from cultural memory. No crime in human history outdoes the genocidal extermination of six million European Jews on the orders of the leader of Germany's self-styled 'Third Reich.' Yet the majority of the Jewish victims of Nazi mass murder were not killed in the camps; they were shot, starved to death, or left to die of diseases that could easily have been prevented or treated but were not. The concentration camp was in no way synonymous with the Holocaust."

Selfie, Bound

selfieArianne Di Nardo writes about Mónika Sziládi's photography, which explores the way we express ourselves online: "Working by composite allows Sziládi to juxtapose multiple sharp moments in a single frame, to play with scale, and to create focal points that compete for our attention. She includes perturbing elements that, as she said in her speech, 'belong, and don't belong, at the same time.' The result is an uncanny, noisy circus, one with a dress code and that encourages visual transience. Take her rendition of the Three Graces, 'Untitled (Grapes and Graces)' (2010/2014). When photographed, the subjects posed for a 'selfie'; Sziládi took a spontaneous shot. She added the background four years later, after capturing the screen image of a Tuscan grapevine from inside a convention center. Nothing looks quite normal, but it feels okay. Not just because we relate to this innocuous gesture, but because the absurdity of the final image is offset by a cheeky wit...Despite its contemporaneity, Sziládi's work suggests a deep primordiality: connection. Displays of mimicry and repetition are not modern phenomena, and they appear frequently in Sziládi's work. People gesticulate, mirroring one other in posture and dress, and with devices omnipresent, scenes of surveillance--narcissistic and otherwise--are a reasonable afterthought. When asked if screens and devices are a part of her morning routine, Sziládi responded via email: 'Yes :(. But I try to check them at least half an hour after I wake up, and only briefly to make sure there are no emergencies. And then later attend to whatever needs to be done.' Whatever it is that needs doing, one hopes that in the constant and immediate culture of connectivity--that ever-expanding, immersive virtual web--Sziládi, as with the rest of us, can make greater space for the organic, breathing world."

Publicity and Shallowness

why privacy matters title cardHow does one find room for Arianne Di Nardo's organic world amidst the ever-growing intrusion of governmental, corporate, and social surveillance? Hannah Arendt saw the private realm as the essential refuge for human uniqueness. In daily life, she writes, we "return back from the outside world and withdraw into the security of private life within four walls." These walls of the private "enclose a secure place, without which no living thing can thrive." For Arendt, "Everything that lives, not vegetative life alone, emerges from darkness and, however strong its natural tendency to thrust itself into the light, it nevertheless needs the security of darkness to grow at all." Privacy guards the dark recesses of the human heart. So what is lost when these chambers are exposed to the light of public censure? Love grows in secret and loyalty trumps formal rules of fairness. We all transgress taboos and even a few laws. Yet, when we are forced to police private urges and actions by public standards, our belief in public morality appears hypocritical. Distrusting ourselves, we trust no one, which is the source of cynicism of political life. It is amidst a sense that privacy is being lost and we are powerless to resist such loss that the Hannah Arendt Center at Bard College will host our 8th Annual Conference, "Why Privacy Matters: What Do We Lose When We Lose Our Privacy?" Registration is now open.

The Privileges of Membership

HAC 100_10 logo 2015Every year in July, we ask our Amor Mundi readership to join the Hannah Arendt Center community as part of our 100/10 Membership Challenge. It's worth remembering that the Hannah Arendt Center is a membership organization. As such, our members are an integral part of our mission: to be the world's most expansive home for bold and risky humanities thinking about our political world inspired by the spirit of Hannah Arendt, the leading thinker of politics and active citizenship in the modern era. Those who join receive free admission to our annual conferences, yearly subscriptions to HA: The Journal of the Hannah Arendt Center, entry into our virtual reading group, and a Hannah Arendt Center tote bag, among other gifts. Membership dues support our fellowships, conferences, videos, and publications. They also go towards our National Endowment for the Humanities matching challenge grant, so all gifts are matched by the NEH. Please support us in our mission going forward. Please join the Arendt Center today and help us fulfill our 100/10 Membership Challenge.

amor_mundi_sign-upI Am Sorry that I Cannot Make It Okay

ta-nehisi coatesChris Lebron asks about Ta-Nehisi Coates's apology in his new book. Written as a letter to his son, Coates apologizes for not being able to make the world safe for him as a future black man. "In what really needs to be accepted as one of the book's most important passages, Coates says with respect to the unsatisfactory level of security he feels Samori is sure to inherit by way of his blackness: 'I am sorry that I cannot make it okay. I am sorry that I cannot save you--but not that sorry. Part of me thinks that your very vulnerability brings you closer to the meaning of life, just as for others, the quest to believe oneself white divides them from it.' (107) One can only imagine the tough pill this is to swallow for a boy aging into manhood, which raises the question as to why Coates feeds it to Samori? To say that it is part of the widely relied upon ethic in the black community of tough love is too facile. It is one thing to ready a belt; it is another to tell a son that the most reliable signifier of his existence is the delicate nature of that existence. A welt from the whack of belt clears up in day or two. The inheritance of existential precariousness lasts a lifetime. To see just how dangerous this kind of message is we can turn directly to Baldwin's opening salvo to his nephew regarding Baldwin's own father: 'Well, [your grandfather] is dead, he never saw you, and he had a terrible life; he was defeated long before he died because, at the bottom of his heart, he really believed what white people said about him.' Baldwin is clear in his message. The only way to a black life of meaning is to be aware of one's vulnerabilities but to simultaneously resist being defined by them, to deny the insistence that one frame one's life in terms of those vulnerabilities. The vulnerabilities at issue for both writers ought, for Baldwin, be taken as markers for resistance and personal radicalism broadly understood and not as reference points."

The Anti-Nostalgist

e. l. doctorowJeet Heer eulogizes writer E. L. Doctorow, who died this week at 84: "Doctorow's fiction enjoyed its greatest vogue in the 1970s when his novel Ragtime (1975) was an enormous bestseller. It's tempting but wrong to see Doctorow as an example of the nostalgia boom that overtook America during the 1960s and '70s. This was a period when you could go see Grease on Broadway, American Graffiti in the movie theatre, and 'Happy Days' on television. Dismayed by the Vietnam War and the Watergate scandal, Americans increasingly turned to pastoral celebrations of seemingly simpler times. Doctorow actually had a role to play in the rise of the nostalgia industry. In the early 1960s, as editor at The Dial Press, he commissioned the publication of Jules Feiffer's The Comic Book Heroes (1965), the first hardcover reprinting of such 1930s and 1940s caped crusaders as Superman, Batman, and The Spirit. The text of Feiffer's book indulged in no good-old-days falsifications: It was clear-eyed in linking superheroes to the trauma of the Depression and World War II. Still, the success of Feiffer's book inspired countless imitators, which robbed the artifacts of the past of their historical context. Despite his role in sparking the nostalgia boom, Doctorow was in fact an anti-nostalgist in a nostalgic period. His books never shirked from describing the primordial conflicts over race and class that were the very foundations of history. It's instructive to compare the movie The Sting (1973) with Ragtime. A sprightly caper film starting Paul Newman and Robert Redford, The Sting captures the look and feel of the Ragtime era, and helped spark a revival of popularity in the music of Scott Joplin, but has no ambitions to be more than entertainment. Everything that is forgotten in The Sting is remembered in Doctorow's Ragtime. Among other things, the roots of Ragtime music in African-American culture aren't forgotten in Doctorow's novel, which includes one of the most harrowing accounts of racist humiliation in American fiction in the form of the story of Coalhouse Walker."

Coming Up Bagel

bagelElizabeth Weil tries to get a good bagel in San Francisco: "The New York bagel, as everybody knows, is an institution. No bagel definition will satisfy all, but for starters, let's just say: A good one requires a chewy interior with blisters, called fisheyes, on a shiny, crispy crust. Making a bagel requires several steps: Hand-roll enriched dough; let it rise, or proof; retard the rising in a refrigerator; boil briefly in malted water; then bake. Mitchell Davis, the executive vice president of the James Beard Foundation--a man who is currently living in Milan and who almost came to tears one recent Sunday morning at the thought of his husband back home in Gramercy Park, reading the wedding announcements and eating an everything from Brooklyn Bagel--believes that the secret to a good bagel is technique, the length of time, say, for proofing and boiling, more than the type of water or flour. Achieving the right crust is foremost. 'That's the hardest thing, that outer crunch,' Davis told me. He recalled that his father described the bagel as 'a doughnut dipped in cement.' 'So he wasn't a fan?' I asked 'No!' Davis said. 'He loved them.' The obvious saviors in San Francisco's bagel situation should have been Evan Bloom and Leo Beckerman--occasional chefs at the Hillel chapter at the University of California, Berkeley, and the owners of San Francisco's relatively new and much beloved Jewish deli, Wise Sons, which opened in 2012. Many already believed Wise Sons made the best deli rye west of the Hudson River. The restaurant sold so much house-made pastrami that, after several years of Bloom's transporting the smoky, fatty meat to catering events, his girlfriend could no longer stand the smell and insisted he buy a new car. A disclaimer on the menu reads NOT A NEW YORK DELI. Bloom and Beckerman added the notice just a few months after opening because even though the place was packed, customers groused that Wise Sons' offerings didn't taste like the food they grew up eating on the East Coast. 'Our kugel is definitely not as good as your bubbe's kugel,' Beckerman told me, sitting on the bench where he used to sleep after working 20-hour shifts. 'The actual food we serve is better,' he said. 'I'm very proud of our food. But it's never going to match the memory of what your grandmother made you between the ages of 5 and 15.'"

Pity the Literary Immigrant

milan kunderaJohannes Lichtman notes that troubles with translation caused Milan Kundera to choose a new linguistic home, just as troubles with Czech politics caused him to move to France: "Early translations of his works tended to lose what made them most interesting. Foreign publishers wanted to market Kundera's biography rather than his style, and he has never quite been able to shed the early portrayal of himself as a dissident writer of protest novels. As the translation scholar and astute Kundera reader Michelle Woods pointed out, in the first British edition of The Joke, 'many of the experimental devices included by Kundera, such as the non-linear narrative and Jaroslav's discourse on polyphony, were seen as clouding the real message.' This resulted in 'a complete rearrangement of the novel into a semi-linear chronology and the removal of 300 sentences.' When he learned of this unauthorized editing, Kundera sent an angry letter to The Times Literary Supplement, in which he compared his editors and translators to communist censors, and said that he'd rather not publish at all than have his work rewritten without his consent. It was the first of many times he would assert his right to absolute control over his words--often to the detriment of his career. While the English translators of The Joke took a hatchet to the text, the French translator puffed up the style. The translator, Marcel Aymonin, had a very different aesthetic from Kundera, who has always written in language that's easy on the metaphors. As Caleb Crain noted, 'Where Kundera had written "The sky was blue," Aymonin had translated "Under a sky of periwinkle, October hoisted its showy shield."' Aymonin did not translate the book, but rather rewrote it: 'He found my style too simple!' Kundera told Jordan Elgrably. 'Into my manuscript he inserted hundreds (yes!) of embellishing metaphors; he used synonyms where I repeat the same word; he wanted to create a "beautiful style"!'... It was in part the horror of these experiences that led Kundera to embark on a linguistic emigration from Czech to French. Starting in the mid-1980s, he began writing first his essays, then his novels, in French, and he also rewrote his Czech novels into 'definitive' French versions from which his translators were to work. Notably, he did not feel the need to translate his new French texts into Czech, nor did he allow anyone else to do so. This perceived shunning of his Czech roots made him a target both in the Czech Republic and in France. Since the fall of communism, the Czech media has fostered an atmosphere where, as Crain put it, 'Any downturn in Kundera's post-Czech career is headline worthy.' While he is still a major figure in French literature, it's safe to say that he was more interesting to the French as a Czech exile than as a Parisian intellectual. After the release of Immortality (1990), Kundera's first novel more concerned with French characters than Czech characters, a French paper implored Kundera to return to Czech themes. The article ran under the headline: 'Kundera, Go Home!'"

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #11

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, July 31, 2015

Bluejeans.com, 11:00 am - 12:00 pm

 

 


why privacy matters title cardSAVE THE DATE - 2015 FALL CONFERENCE

The Hannah Arendt Center's eighth annual fall conference, "Why Privacy Matters: What Do We Lose When We Lose Our Privacy?," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

**UPDATE** Registration for our conference is now open! Save your seat for this exciting two-day event here!

Thursday, October 15 and Friday, October 16, 2015

Olin Hall, Bard College, 10:00 am - 6:00 pm


From the Arendt Center Blog

This week on the Blog, Roger Berkowitz discusses how the Nobel Prize celebrates those like Aung San Suu Kyi who dedicate their lives to the conviction that truth will win out over the holes of oblivion in the Quote of the Week. Abraham Lincoln provides his thoughts on thinking and speaking to people in this week's Thoughts on Thinking. Finally, we come across a collection of books in Arendt's library that exemplifies her interest in trying to understand religion and its political influence in this week's Library feature.

100 - 10.2015 On Wednesday of last week, we announced our 100/10 Membership Challenge, in which we work to gain 100 new members in 10 days. Our Challenge this year includes a number of exciting drawings and contests, the terms of which can be read here. Please support all of the activities the Hannah Arendt Center has planned over the next year and become a member today!

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
19Jul/150

Amor Mundi 7/19/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upRevisiting a Fairy Tale

harper leeHarper Lee's To Kill a Mockingbird is an industry and a cultural icon that has been read by millions of white Americans as a tale of courage and racial color blindness. Now, with the publication of Lee's original manuscript Go Set A Watchman--in which Atticus Finch is depicted as a somewhat typical if also honorable and generous man of the south--it is time to revisit our energetic worship of Atticus as well as our generations-long misreading of To Kill a Mockingbird. Randall Kennedy reminds us that Monroe Freedman had already in 1992 written--in an obscure law journal--that Finch was depicted in the book as a reluctant hero and someone who was at home with the racism and segregation of the South. For Freedman, it was wrong to see Finch as a model for lawyers. Kennedy argues that the Go Set a Watchman now proves Freedman right and requires that we ask ourselves how, and why, we got it so wrong--why for so long we have been satisfied with the fairy tale when a more nuanced and less comforting truth was staring us in the face. In Hannah Arendt's vocabulary, we should ask why and how is it that we have contented ourselves to embrace the coherent and pleasing fantasy of an exceptional white man fighting for racial justice in the 1960s south despite all the facts that show such an ideal to be a fantasy? Kennedy writes: "Generations have admired Finch for his fidelity to due process even at the risk of unpopularity and personal harm. Freedman noted, however, that Finch did not volunteer to represent Robinson; he did so only upon assignment by the court, saying that he had 'hoped to get through life without a case of this kind.' Freedman also pointed out that Finch abstained from challenging the obvious illicit racial exclusion of blacks from the jury that wrongly convicted Robinson and the racial segregation in the courtroom itself, where blacks were confined to the balcony. At the time of this fictional trial, there would have been good strategic reasons for forgoing objection to these customs. Confrontation would have had little chance at success and a large likelihood of provoking retaliation against the defendant. In Freedman's view, however, those considerations were not decisive in influencing Atticus Finch. Rather, Freedman inferred that Finch failed to oppose Jim Crow custom because he was at home with it. He told his children that the Ku Klux Klan was merely 'a political organization' and that the leader of the lynch mob was 'basically a good man' albeit with 'blind spots along with the rest of us.' To Freedman, Finch's acts and omissions defined a lawyer who lived his life as a 'passive participant' in 'pervasive injustice.' This column by a legal academic, published in a relatively obscure trade journal, so enraged admirers of Atticus Finch that this newspaper published an article about the column and the impassioned responses it provoked. Dismissed by some as the ravings of a curmudgeon, Freedman's impression of Atticus Finch has now been largely ratified by none other than his creator, Harper Lee herself.... In America in 1960, the story of a decent white Southerner who defends an innocent black man charged with raping a white woman had the appeal of a fairy tale and the makings of a popular movie. Perhaps even more promising, though, was the novel Lee first envisioned, the story of Jean Louise's adult conflicts between love and fairness, decency and loyalty. Fully realized, that novel might have become a modern masterpiece."

Go Set a Lawyer

go set a watchmanClaire Suddath looks into the questions surrounding the release of To Kill A Mockingbird author Harper Lee's second novel, Go Set A Watchmen, which appears to be just a different, earlier draft of the former book: "Watchman is the most preordered book in HarperCollins's history. Its first print run is two-thirds larger than the final Hunger Games book and more than twice that of the last Game of Thrones installment. HarperCollins is selling the book for up to $20 to bookstores, which means a sold-out first printing could rake in close to $40 million. The novel's topped Amazon.com's best-seller list since its release was announced in February and is the website's most preordered book of any genre in the last four years. Monroeville's two-room bookstore has presold almost 7,000 copies and is trying to find a loading dock big enough to accept them the night before they go on sale. 'This Watchman publication is what physicists call a singularity. There has been nothing like it before now, and there never will be again,' says Daniel Menaker, a former editor at Random House and, before that, the fiction editor at the New Yorker. 'You couldn't plan for this if you tried.' But someone did plan for this, although it might not have been Harper Lee. Ever since Watchman was announced, rumors have persisted that a younger, more mindful Lee--the one who swore not to publish anything again--wouldn't abide any of this. At one point, the state of Alabama even got involved to assess a claim of possible 'elder abuse.' How aware is Lee, really, of this new book? Does she, as her publishers insist, approve of its publication? The answers lie with Lee's lawyer, friend, and confidante, Carter. So I traveled to Monroeville to talk with her."

Machines, Information, and Post-Capitalism

capitalism endPaul Mason argues that the information economy is creating new material conditions that enable a post-capitalist economy based on sharing and zero-marginal cost production to emerge. What is more, he argues that all this was foreseen by Karl Marx in a little known fragment on Machines from 1858. "The scene is Kentish Town, London, February 1858, sometime around 4am. Marx is a wanted man in Germany and is hard at work scribbling thought-experiments and notes-to-self. When they finally get to see what Marx is writing on this night, the left intellectuals of the 1960s will admit that it 'challenges every serious interpretation of Marx yet conceived'. It is called 'The Fragment on Machines'. In the 'Fragment' Marx imagines an economy in which the main role of machines is to produce, and the main role of people is to supervise them. He was clear that, in such an economy, the main productive force would be information. The productive power of such machines as the automated cotton-spinning machine, the telegraph and the steam locomotive did not depend on the amount of labour it took to produce them but on the state of social knowledge. Organisation and knowledge, in other words, made a bigger contribution to productive power than the work of making and running the machines. Given what Marxism was to become--a theory of exploitation based on the theft of labour time--this is a revolutionary statement. It suggests that, once knowledge becomes a productive force in its own right, outweighing the actual labour spent creating a machine, the big question becomes not one of 'wages versus profits' but who controls what Marx called the 'power of knowledge'. In an economy where machines do most of the work, the nature of the knowledge locked inside the machines must, he writes, be 'social'. In a final late-night thought experiment Marx imagined the end point of this trajectory: the creation of an 'ideal machine', which lasts forever and costs nothing. A machine that could be built for nothing would, he said, add no value at all to the production process and rapidly, over several accounting periods, reduce the price, profit and labour costs of everything else it touched. Once you understand that information is physical, and that software is a machine, and that storage, bandwidth and processing power are collapsing in price at exponential rates, the value of Marx's thinking becomes clear. We are surrounded by machines that cost nothing and could, if we wanted them to, last forever. In these musings, not published until the mid-20th century, Marx imagined information coming to be stored and shared in something called a 'general intellect'--which was the mind of everybody on Earth connected by social knowledge, in which every upgrade benefits everybody. In short, he had imagined something close to the information economy in which we live. And, he wrote, its existence would 'blow capitalism sky high'."

amor_mundi_sign-upYour Home Is Your Transparent Castle

arne svensonArne Svenson, an artist, used a telephoto lens to take pictures surreptitiously of everyday people in their apartments. He then exhibited these photos in an art gallery, obscuring the faces, seeking, in his telling, "to comment on the 'anonymity' of urban life, where individuals only reveal what can be seen through their windows." Photos included a half-naked young girl dancing in a tiara. Svenson's neighbors, recognizing themselves and their children, sued Svenson for a violation of their privacy. Two New York State Courts have now upheld Svenson's rights to artistic expression and denied that the neighbors had their privacy rights violated. This is how Justice Dianne Renwick of the New York Appellate Court summed up the decision. "In this action, plaintiffs seek damages and injunctive relief for an alleged violation of the statutory right to privacy. Concerns over privacy and the loss thereof have plagued the public for over a hundred years. Undoubtedly, such privacy concerns have intensified for obvious reasons. New technologies can track thought, movement, and intimacies, and expose them to the general public, often in an instant. This public apprehension over new technologies invading one's privacy became a reality for plaintiffs and their neighbors when a photographer, using a high-powered camera lens inside his own apartment, took photographs through the window into the interior of apartments in a neighboring building. The people who were being photographed had no idea this was happening. This case highlights the limitations of New York's statutory privacy tort as a means of redressing harm that may be caused by this type of technological home invasion and exposure of private life. We are constrained to find that the invasion of privacy of one's home that took place here is not actionable as a statutory tort of invasion of privacy pursuant to sections 50 and 51 of the Civil Rights Law, because defendant's use of the images in question constituted art work and, thus is not deemed 'use for advertising or trade purposes,' within the meaning of the statute." Justice Renwick does recognize that the violation of privacy in this case is real, but she calls upon the legislature to address it. "To be sure, by our holding here--finding no viable cause of action for violation of the statutory right to privacy under these facts--we do not, in any way, mean to give short shrift to plaintiffs' concerns. Undoubtedly, like plaintiffs, many people would be rightfully offended by the intrusive manner in which the photographs were taken in this case. However, such complaints are best addressed to the legislature--the body empowered to remedy such inequities. Needless to say, as illustrated by the troubling facts here, in these times of heightened threats to privacy posed by new and ever more invasive technologies, we call upon the legislature to revisit this important issue, as we are constrained to apply the law as it exists."

Getting Out

re-entry movementUsing two ex-cons who pick recently released prisoners up from jail and get them to wherever they need to be going as a way in, Jon Mooallem peeks in at the lived experience of reentering a changed world: "It wasn't until the mid-2000s that this looming 'prisoner re-entry crisis' became a fixation of sociologists and policy makers, generating a torrent of research, government programs, task forces, nonprofit initiatives and conferences now known as the 're-entry movement.' The movement tends to focus on solving structural problems, like providing housing, job training or drug treatment, but easily loses sight of the profound disorientation of the actual people being released. Often, the psychological turbulence of those first days or weeks is so debilitating that recently incarcerated people can't even navigate public transportation; they're too frightened of crowds, too intimidated or mystified by the transit cards that have replaced cash and tokens. In a recent study, the Harvard sociologist Bruce Western describes a woman who 'frequently forgot to eat breakfast or lunch for several months because she was used to being called to meals in prison.' I met one man who explained that, after serving 15 years, he found himself convinced that parked cars would somehow switch on and run him over. So many years inside can leave people vulnerable in almost incomprehensibly idiosyncratic ways, sometimes bordering on helplessness: 'Like that little bird, getting his wings' is how one man described himself on Day 1. Many spill out of prison in no condition to take advantage of the helpful bureaucracies the re-entry movement has been busily putting in place."

The Euro on the Left

euroJames K. Galbraith makes a prediction about the end of the Euro and where that end might come from: "SYRIZA was not some Greek fluke; it was a direct consequence of European policy failure. A coalition of ex-Communists, unionists, Greens, and college professors does not rise to power anywhere except in desperate times. That SYRIZA did rise, overshadowing the Greek Nazis in the Golden Dawn party, was, in its way, a democratic miracle. SYRIZA's destruction will now lead to a reassessment, everywhere on the continent, of the 'European project.' A progressive Europe--the Europe of sustainable growth and social cohesion--would be one thing. The gridlocked, reactionary, petty, and vicious Europe that actually exists is another. It cannot and should not last for very long. What will become of Europe? Clearly the hopes of the pro-European, reformist left are now over. That will leave the future in the hands of the anti-European parties, including UKIP, the National Front in France, and Golden Dawn in Greece. These are ugly, racist, xenophobic groups; Golden Dawn has proposed concentration camps for immigrants in its platform. The only counter, now, is for progressive and democratic forces to regroup behind the banner of national democratic restoration. Which means that the left in Europe will also now swing against the euro. As that happens, should the United States continue to support the euro, aligning ourselves with failed policies and crushed democratic protests? Or should we let it be known that we are indifferent about which countries are in or out? Surely the latter represents the sensible choice. After all, Poland, the Czech Republic, Croatia, and Romania (not to mention Denmark and Sweden, or for that matter the United Kingdom) are still out and will likely remain so--yet no one thinks they will fail or drift to Putin because of that. So why should the euro--plainly now a fading dream--be propped up? Why shouldn't getting out be an option? Independent technical, financial, and moral support for democratic allies seeking exit would, in these conditions, help to stabilize an otherwise dangerous and destructive mood."

On The Frontlines

avant-gardePaul Stephens wonders if avant-garde poetry may help us work through the flood of information we carry around in our pockets and on our wrists: "Avant-garde poetry may have a small role to play in our understanding of global information flows--on the other hand, the avant-garde has always aspired to be predictive, to keep up with the present, to stay ahead of history. The avant-garde's attempts to maintain critical distance from mainstream bourgeois values may be grandiose and hyperbolic, but the questions raised by avant-garde movements should not be dismissed as nihilistic or unrepresentative of larger social developments. To adapt a question posed by Lyn Hejinian-'Isn't the avant-garde always pedagogical?'--I would ask: 'Isn't the avant-garde always technological?' Much of the work of the twentieth-century avant-garde was extremely self-conscious of the rapid changes in technologies of communication and data storage. From Dada photomontage to hypertext poetry, avant-garde methodology has been deeply concerned with remediation and transcoding--the movement from one technological medium or format to another. As Brian Reed has recently written, 'poetry is a language-based art with a penchant for reflecting on its channels of communication.' For Reed, poetry 'offers unparalleled opportunities for coming to grips with the new media ecology. Poets, as they experiment with transmediation, serially bring to light each medium's textures, contours, and inner logic.' While poetry may seem the most non-technological of literary genres, over the past century poets have frequently been obsessed with the changing nature of information and its dissemination. The news that there is more news than we can process is not so new; while avant-garde poetry may not figure prominently in the global information glut, the global information glut figures prominently in avant-garde poetry."

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #11

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, July 31, 2015

Bluejeans.com, 11:00 am - 12:00 pm

 

 


why privacy mattersSAVE THE DATE - 2015 FALL CONFERENCE

The Hannah Arendt Center's eighth annual fall conference, "Why Privacy Matters," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

**UPDATE** Registration for our conference is now open! Save your seat for this exciting two-day event here

Thursday and Friday, October 15 and 16, 2015

Olin Hall, Bard College, 10:00 am - 6:00 pm


From the Arendt Center Blog

This week on the Blog, Jeffrey Champlin discusses how in The Human Condition Arendt at one point refers to a type of monument that complicates the process of creating historical memory through a common world in the Quote of the Week. Lao-Tze traces how thoughts translate into an individual's destiny in this week's Thoughts on Thinking. Finally, we relate the history of Bard College's Hannah Arendt Collection in this week's Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
19May/140

Amor Mundi 5/18/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Is Democracy Over?

1Thomas Meaney and Yascha Mounk argue in a long essay in The Nation that the democratic moment is passing if it has not yet passed. Meaney and Mounk build their argument on a simple critical insight, a kind of "unmasking" of what might be called the hypocrisy of modern democracy. Democracy is supposed to be the will of the people. It is a long time since the small group of Athenian citizens governed themselves. Modern democrats have defended representative democracy as a pragmatic alternative because gathering all the citizens of modern states together for democratic debate is simply impossible. But technology has changed that. "As long as direct democracy was impracticable within the confines of the modern territorial state, the claim that representative institutions constituted the truest form of self-government was just about plausible. But now, in the early twenty-first century, the claim about direct democracy being impossible at the national level and beyond is no longer credible. As the constraints of time and space have eroded, the ubiquitous assumption that we live in a democracy seems very far from reality. The American people may not all fit into Madison Square Garden, but they can assemble on virtual platforms and legislate remotely, if that is what they want. Yet almost no one desires to be that actively political, or to replace representation with more direct political responsibility. Asked to inform themselves about the important political issues of the day, most citizens politely decline. If forced to hold an informed opinion on every law and regulation, many would gladly mount the barricades to defend their right not to rule themselves in such a burdensome manner. The challenge posed by information technology lies not in the possibility that we might adopt more direct forms of democracy but in the disquieting recognition that we no longer dream of ruling ourselves." In short, democracy understood as self-government is now once again possible in the technical age. Such techno-democratic possibility is not, however, leading to more democracy. Thus, Meaney and Mounk conclude, technology allows us to see through the illusions of democracy as hypocritical and hollow. While it is true that people are not flocking to technical versions of mass democracies, they are taking to the streets and organizing protests, and involving themselves in the activities of citizenship. Meaney and Mounk are right, democracy is not assured, and we should never simply assume its continued vitality. But neither should we write it off entirely. Read more in the Weekend Read by Roger Berkowitz.

Who is Modi?

1Narenda Modi is a corruption-fighting son of a tea merchant who has risen from one of India's lowest castes to be its new Prime Minister. He is also a member of an ultra-nationalist organization who is alleged to have enabled anti-Muslim pogroms and has until now been banned from traveling to the United States. An unsigned editorial in the Wall Street Journal gushes: "Mr. Modi's record offers reason for optimism. As governor for 13 years of Gujarat state, he was the archetypal energetic executive, forcing through approvals of new projects and welcoming foreign investment. Gujarat now accounts for 25% of India's exports, and the poverty rate has plunged. As the son of a tea-seller, Mr. Modi also has a gut sense of the economic aspirations of ordinary Indians." In a longer essay in the same paper, Geeta Anand and Gordon Fairclough speak of India's "post-ideological moment": "Voters from different castes and regions, rural and urban areas, the middle class and those who want to be middle class-all turned out to vote for Mr. Modi. 'This is a big shift. It is the beginning of a post-ideological generation, not left-centered,' says Shekhar Gupta, editor in chief of the Indian Express newspaper. 'This is the rise of Indians more interested in themselves. They are aspirational, and they are united in their impatience.'" And yet, in the Guardian, Pankaj Mishra warns: "Back then, it would have been inconceivable that a figure such as Narendra Modi, the Hindu nationalist chief minister of Gujarat accused, along with his closest aides, of complicity in crimes ranging from an anti-Muslim pogrom in his state in 2002 to extrajudicial killings, and barred from entering the US, may occupy India's highest political office. Modi is a lifelong member of the Rashtriya Swayamsevak Sangh (RSS), a paramilitary Hindu nationalist organization inspired by the fascist movements of Europe, whose founder's belief that Nazi Germany had manifested 'race pride at its highest' by purging the Jews is by no means unexceptional among the votaries of Hindutva, or ''Hinduness'. In 1948, a former member of the RSS murdered Gandhi for being too soft on Muslims. The outfit, traditionally dominated by upper-caste Hindus, has led many vicious assaults on minorities. A notorious executioner of dozens of Muslims in Gujarat in 2002 crowed that he had slashed open with his sword the womb of a heavily pregnant woman and extracted her foetus. Modi himself described the relief camps housing tens of thousands of displaced Muslims as 'child-breeding centres'. Such rhetoric has helped Modi sweep one election after another in Gujarat."

A Penny for Your Thoughts

1Subscriptions to academic journals can run into the $1,000s. What is more, after a publication and review process that takes years, the articles are frequently barricaded behind firewalls for years more. Robert Darnton, despairing over inaccessibility of academic journals and what that means both for both research and the public good, notes that there is, in fact, some hope in any number of organizations looking to align the interests of authors and readers both: "the desire to reach readers may be one of the most underestimated forces in the world of knowledge. Aside from journal articles, academics produce a large numbers of books, yet they rarely make much money from them. Authors in general derive little income from a book a year or two after its publication. Once its commercial life has ended, it dies a slow death, lying unread, except for rare occasions, on the shelves of libraries, inaccessible to the vast majority of readers. At that stage, authors generally have one dominant desire-for their work to circulate freely through the public; and their interest coincides with the goals of the open-access movement." The new model of open-source academic publishing seeks to subsidize peer review by charging a fee for submission. Good idea.

Against Critical Thinking

1Hardly any idea is more in vogue these days than 'critical thinking.' There is even a National Council for Excellence in Critical Thinking that defines critical thinking as the intellectually disciplined process of skillfully conceptualizing, applying, analyzing, and evaluating information gathered from, or generated by, observation, experience, reflection, reasoning, or communication, as a guide to belief and action. Isn't that what we are supposed to be teaching our children and our students? Not according to Michael S. Roth, President of Wesleyan University. In "The Stone" in the New York Times, Roth argues that students-and not only students-are too critical in their approach to texts and ideas. "Our best college students are very good at being critical. In fact being smart, for many, means being critical. Having strong critical skills shows that you will not be easily fooled. It is a sign of sophistication, especially when coupled with an acknowledgment of one's own 'privilege.'The combination of resistance to influence and deflection of responsibility by confessing to one's advantages is a sure sign of one's ability to negotiate the politics of learning on campus. But this ability will not take you very far beyond the university. Taking things apart, or taking people down, can provide the satisfactions of cynicism. But this is thin gruel." Critical thinking is important. First, however, learning requires submission to the text, the facts, or the thinker. Too often, students and even professors skip the hard work of learning and proceed directly to criticism. As I am constantly telling my students, first try to understand Nietzsche before you decide if he is right or wrong.

The Death Penalty in Context

1In an essay on the racial-bias in the death penalty, Ta-Nehisi Coates writes: "When [Ramesh] Ponnuru suggests that the way to correct for the death penalty's disproportionate use is to execute more white people, he is presenting a world in which the death penalty has neither history nor context. One merely flips the 'Hey Guys, Let's Not Be Racist' switch and then the magic happens. Those of us who cite the disproportionate application of the death penalty as a reason for outlawing it do so because we believe that a criminal-justice system is not an abstraction but a real thing, existing in a real context, with a real history. In America, the history of the criminal justice-and the death penalty-is utterly inseparable from white supremacy. During the Civil War, black soldiers were significantly more likely to be court-martialed and executed than their white counterparts. This practice continued into World War II. 'African-Americans comprised 10 percent of the armed forces but accounted for almost 80 percent of the soldiers executed during the war,' writes law professor Elizabeth Lutes Hillman."

The Rainbow Pope

1Omar Encarnación argues in Foreign Affairs that we should pay attention to Pope Francis not only because of his well-remarked attention to economic inequality. "More surprising than Francis' endorsement of economic populism and even liberalization theology are his views on social issues, homosexuality in particular, which suggest an even deeper Latin American influence on Francis' papacy. On a flight back from Brazil last July, he told reporters: 'If someone is gay and seeks the Lord with good will, who am I to judge?' Then, in an interview in September, he called on Catholics to 'get over their obsession with abortion, contraceptives, and homosexuality.' Most recently, in an interview in March, Francis insinuated that he supported same-sex civil unions and that the church would tolerate them -- for economic reasons. 'Matrimony is between a man and a woman,' he said. But moves to 'regulate diverse situations of cohabitation [are] driven by the need to regulate economic aspects among persons, as for instance to assure medical care.'"

What They Show

1Dahlia Schweitzer praises the work of photographer Cindy Sherman for daring to reveal what's beneath: "After all, Sherman's photographs are an encyclopedia of body language, identities performed with carefully arranged figures. The body is a collection of limbs used to convey roles, personalities, and situations. Each gesture, each object, is loaded with meaning. Her photographs are never casual snapshots or self-portraits. Rather, they are explorations of arrangement and archetype. She questions stereotype and learned behavior through her compositions and subjects, and through the diorama-like environments she creates for each scenario. She exposes the ruptures under the surface by taking everyday life and shifting it off-kilter, examining society's expectations for appearance and behavior. Her photographs work for the attention they bring to that which does not fit, to the exact point of the tear."

Heidegger, Arendt, and the Political

1Babette Babich speaks with Roger Berkowitz and Tracy Strong in a long conversation touching upon Hannah Arendt, the Margarethe von Trotta film, managerial governance, totalitarianism, the Eichmann case, Stanley Milgram, evil, democracy, Martin Heidegger, and politics in the 21st century.

 

 

 

 

 

From the Hannah Arendt Center Blog

This week on the Blog, Jennifer M. Hudson in the Quote of the Week compares Thomas Piketty to Arendt's approach to populism and technocratic rule. And in the Weekend Read, Roger Berkowitz argues that claims portending the end of democracy are overstated.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
14Apr/140

Hiatus, Discontinuity, and Change

Arendtquote

"The end of the old is not necessarily the beginning of the new."

Hannah Arendt, The Life of the Mind

This is a simple enough statement, and yet it masks a profound truth, one that we often overlook out of the very human tendency to seek consistency and connection, to make order out of the chaos of reality, and to ignore the anomalous nature of that which lies in between whatever phenomena we are attending to.

Perhaps the clearest example of this has been what proved to be the unfounded optimism that greeted the overthrow of autocratic regimes through American intervention in Afghanistan and Iraq, and the native-born movements known collectively as the Arab Spring. It is one thing to disrupt the status quo, to overthrow an unpopular and undemocratic regime. But that end does not necessarily lead to the establishment of a new, beneficent and participatory political structure. We see this time and time again, now in Putin's Russia, a century ago with the Russian Revolution, and over two centuries ago with the French Revolution.

Of course, it has long been understood that oftentimes, to begin something new, we first have to put an end to something old. The popular saying that you can't make an omelet without breaking a few eggs reflects this understanding, although it is certainly not the case that breaking eggs will inevitably and automatically lead to the creation of an omelet. Breaking eggs is a necessary but not sufficient cause of omelets, and while this is not an example of the classic chicken and egg problem, I think we can imagine that the chicken might have something to say on the matter of breaking eggs. Certainly, the chicken would have a different view on what is signified or ought to be signified by the end of the old, meaning the end of the egg shell, insofar as you can't make a chicken without it first breaking out of the egg that it took form within.

eggs

So, whether you take the chicken's point of view, or adopt the perspective of the omelet, looking backwards, reverse engineering the current situation, it is only natural to view the beginning of the new as an effect brought into being by the end of the old, to assume or make an inference based on sequencing in time, to posit a causal relationship and commit the logical fallacy of post hoc ergo propter hoc, if for no other reason that by force of narrative logic that compels us to create a coherent storyline.  In this respect, Arendt points to the foundation tales of ancient Israel and Rome:

We have the Biblical story of the exodus of Israeli tribes from Egypt, which preceded the Mosaic legislation constituting the Hebrew people, and Virgil's story of the wanderings of Aeneas, which led to the foundation of Rome—"dum conderet urbem," as Virgil defines the content of his great poem even in its first lines. Both legends begin with an act of liberation, the flight from oppression and slavery in Egypt and the flight from burning Troy (that is, from annihilation); and in both instances this act is told from the perspective of a new freedom, the conquest of a new "promised land" that offers more than Egypt's fleshpots and the foundation of a new City that is prepared for by a war destined to undo the Trojan war, so that the order of events as laid down by Homer could be reversed.

 Fast forward to the American Revolution, and we find that the founders of the republic, mindful of the uniqueness of their undertaking, searched for archetypes in the ancient world. And what they found in the narratives of Exodus and the Aeneid was that the act of liberation, and the establishment of a new freedom are two events, not one, and in effect subject to Alfred Korzybski's non-Aristotelian Principle of Non-Identity. The success of the formation of the American republic can be attributed to the awareness on their part of the chasm that exists between the closing of one era and the opening of a new age, of their separation in time and space:

No doubt if we read these legends as tales, there is a world of difference between the aimless desperate wanderings of the Israeli tribes in the desert after the Exodus and the marvelously colorful tales of the adventures of Aeneas and his fellow Trojans; but to the men of action of later generations who ransacked the archives of antiquity for paradigms to guide their own intentions, this was not decisive. What was decisive was that there was a hiatus between disaster and salvation, between liberation from the old order and the new freedom, embodied in a novus ordo saeclorum, a "new world order of the ages" with whose rise the world had structurally changed.

I find Arendt's use of the term hiatus interesting, given that in contemporary American culture it has largely been appropriated by the television industry to refer to a series that has been taken off the air for a period of time, but not cancelled. The typical phrase is on hiatus, meaning on a break or on vacation. But Arendt reminds us that such connotations only scratch the surface of the word's broader meanings. The Latin word hiatus refers to an opening or rupture, a physical break or missing part or link in a concrete material object. As such, it becomes a spatial metaphor when applied to an interruption or break in time, a usage introduced in the 17th century. Interestingly, this coincides with the period in English history known as the Interregnum, which began in 1649 with the execution of King Charles I, led to Oliver Cromwell's installation as Lord Protector, and ended after Cromwell's death with the Restoration of the monarchy under Charles II, son of Charles I. While in some ways anticipating the American Revolution, the English Civil War followed an older pattern, one that Mircea Eliade referred to as the myth of eternal return, a circular movement rather than the linear progression of history and cause-effect relations.

The idea of moving forward, of progress, requires a future-orientation that only comes into being in the modern age, by which I mean the era that followed the printing revolution associated with Johannes Gutenberg (I discuss this in my book, On the Binding Biases of Time and Other Essays on General Semantics and Media Ecology). But that same print culture also gave rise to modern science, and with it the monopoly granted to efficient causality, cause-effect relations, to the exclusion in particular of final and formal cause (see Marshall and Eric McLuhan's Media and Formal Cause). This is the basis of the Newtonian universe in which every action has an equal and opposite reaction, and every effect can be linked back in a causal chain to another event that preceded it and brought it into being. The view of time as continuous and connected can be traced back to the introduction of the mechanical clock in the 13th century, but was solidified through the printing of calendars and time lines, and the same effect was created in spatial terms by the reproduction of maps, and the use of spatial grids, e.g., the Mercator projection.

And while the invention of history, as a written narrative concerning the linear progression over time can be traced back to the ancient Israelites, and the story of the exodus, the story incorporates the idea of a hiatus in overlapping structures:

A1.  Joseph is the golden boy, the son favored by his father Jacob, earning him the enmity of his brothers

A2.  he is sold into slavery by them, winds up in Egypt as a slave and then is falsely accused and imprisoned

A3.  by virtue of his ability to interpret dreams he gains his freedom and rises to the position of Pharaoh's prime minister

 

B1.  Joseph welcomes his brothers and father, and the House of Israel goes down to Egypt to sojourn due to famine in the land of Canaan

B2.  their descendants are enslaved, oppressed, and persecuted

B3.  Moses is chosen to confront Pharaoh, liberate the Israelites, and lead them on their journey through the desert

 

C1.  the Israelites are freed from bondage and escape from Egypt

C2.  the revelation at Sinai fully establishes their covenant with God

C3.  after many trials, they return to the Promised Land

It can be clearly seen in these narrative structures that the role of the hiatus, in ritual terms, is that of the rite of passage, the initiation period that marks, in symbolic fashion, the change in status, the transformation from one social role or state of being to another (e.g., child to adult, outsider to member of the group). This is not to discount the role that actual trials, tests, and other hardships may play in the transition, as they serve to establish or reinforce, psychologically and sometimes physically, the value and reality of the transformation.

In mythic terms, this structure has become known as the hero's journey or hero's adventure, made famous by Joseph Campbell in The Hero with a Thousand Faces, and also known as the monomyth, because he claimed that the same basic structure is universal to all cultures. The basis structure he identified consists of three main elements: separation (e.g., the hero leaves home), initiation (e.g., the hero enters another realm, experiences tests and trials, leading to the bestowing of gifts, abilities, and/or a new status), and return (the hero returns to utilize what he has gained from the initiation and save the day, restoring the status quo or establishing a new status quo).

Understanding the mythic, non-rational element of initiation is the key to recognizing the role of the hiatus, and in the modern era this meant using rationality to realize the limits of rationality. With this in mind, let me return to the quote I began this essay with, but now provide the larger context of the entire paragraph:

The legendary hiatus between a no-more and a not-yet clearly indicated that freedom would not be the automatic result of liberation, that the end of the old is not necessarily the beginning of the new, that the notion of an all-powerful time continuum is an illusion. Tales of a transitory period—from bondage to freedom, from disaster to salvation—were all the more appealing because the legends chiefly concerned the deeds of great leaders, persons of world-historic significance who appeared on the stage of history precisely during such gaps of historical time. All those who pressed by exterior circumstances or motivated by radical utopian thought-trains, were not satisfied to change the world by the gradual reform of an old order (and this rejection of the gradual was precisely what transformed the men of action of the eighteenth century, the first century of a fully secularized intellectual elite, into the men of the revolutions) were almost logically forced to accept the possibility of a hiatus in the continuous flow of temporal sequence.

Note that concept of gaps in historical time, which brings to mind Eliade's distinction between the sacred and the profane. Historical time is a form of profane time, and sacred time represents a gap or break in that linear progression, one that takes us outside of history, connecting us instead in an eternal return to the time associated with a moment of creation or foundation. The revelation in Sinai is an example of such a time, and accordingly Deuteronomy states that all of the members of the House of Israel were present at that event, not just those alive at that time, but those not present, the generations of the future. This statement is included in the liturgy of the Passover Seder, which is a ritual reenactment of the exodus and revelation, which in turn becomes part of the reenactment of the Passion in Christianity, one of the primary examples of Campbell's monomyth.

Arendt's hiatus, then represents a rupture between two different states or stages, an interruption, a disruption linked to an eruption. In the parlance of chaos and complexity theory, it is a bifurcation point. Arendt's contemporary, Peter Drucker, a philosopher who pioneered the scholarly study of business and management, characterized the contemporary zeitgeist in the title of his 1969 book: The Age of Discontinuity. It is an age in which Newtonian physics was replaced by Einstein's relativity and Heisenberg's uncertainty, the phrase quantum leap becoming a metaphor drawn from subatomic physics for all forms of discontinuity. It is an age in which the fixed point of view that yielded perspective in art and the essay and novel in literature yielded to Cubism and subsequent forms of modern art, and stream of consciousness in writing.

cubism

Beginning in the 19th century, photography gave us the frozen, discontinuous moment, and the technique of montage in the motion picture gave us a series of shots and scenes whose connections have to be filled in by the audience. Telegraphy gave us the instantaneous transmission of messages that took them out of their natural context, the subject of the famous comment by Henry David Thoreau that connecting Maine and Texas to one another will not guarantee that they have anything sensible to share with each other. The wire services gave us the nonlinear, inverted pyramid style of newspaper reporting, which also was associated with the nonlinear look of the newspaper front page, a form that Marshall McLuhan referred to as a mosaic. Neil Postman criticized television's role in decontextualizing public discourse in Amusing Ourselves to Death, where he used the phrase, "in the context of no context," and I discuss this as well in my recently published follow-up to his work, Amazing Ourselves to Death.

The concept of the hiatus comes naturally to the premodern mind, schooled by myth and ritual within the context of oral culture. That same concept is repressed, in turn, by the modern mind, shaped by the linearity and rationality of literacy and typography. As the modern mind yields to a new, postmodern alternative, one that emerges out of the electronic media environment, we see the return of the repressed in the idea of the jump cut writ large.

There is psychological satisfaction in the deterministic view of history as the inevitable result of cause-effect relations in the Newtonian sense, as this provides a sense of closure and coherence consistent with the typographic mindset. And there is similar satisfaction in the view of history as entirely consisting of human decisions that are the product of free will, of human agency unfettered by outside constraints, which is also consistent with the individualism that emerges out of the literate mindset and print culture, and with a social rather that physical version of efficient causality. What we are only beginning to come to terms with is the understanding of formal causality, as discussed by Marshall and Eric McLuhan in Media and Formal Cause. What formal causality suggests is that history has a tendency to follow certain patterns, patterns that connect one state or stage to another, patterns that repeat again and again over time. This is the notion that history repeats itself, meaning that historical events tend to fall into certain patterns (repetition being the precondition for the existence of patterns), and that the goal, as McLuhan articulated in Understanding Media, is pattern recognition. This helps to clarify the famous remark by George Santayana, "those who cannot remember the past are condemned to repeat it." In other words, those who are blind to patterns will find it difficult to break out of them.

Campbell engages in pattern recognition in his identification of the heroic monomyth, as Arendt does in her discussion of the historical hiatus.  Recognizing the patterns are the first step in escaping them, and may even allow for the possibility of taking control and influencing them. This also means understanding that the tendency for phenomena to fall into patterns is a powerful one. It is a force akin to entropy, and perhaps a result of that very statistical tendency that is expressed by the Second Law of Thermodynamics, as Terrence Deacon argues in Incomplete Nature. It follows that there are only certain points in history, certain moments, certain bifurcation points, when it is possible to make a difference, or to make a difference that makes a difference, to use Gregory Bateson's formulation, and change the course of history. The moment of transition, of initiation, the hiatus, represents such a moment.

McLuhan's concept of medium goes far beyond the ordinary sense of the word, as he relates it to the idea of gaps and intervals, the ground that surrounds the figure, and explains that his philosophy of media is not about transportation (of information), but transformation. The medium is the hiatus.

The particular pattern that has come to the fore in our time is that of the network, whether it's the decentralized computer network and the internet as the network of networks, or the highly centralized and hierarchical broadcast network, or the interpersonal network associated with Stanley Milgram's research (popularly known as six degrees of separation), or the neural networks that define brain structure and function, or social networking sites such as Facebook and Twitter, etc. And it is not the nodes, which may be considered the content of the network, that defines the network, but the links that connect them, which function as the network medium, and which, in the systems view favored by Bateson, provide the structure for the network system, the interaction or relationship between the nodes. What matters is not the nodes, it's the modes.

Hiatus and link may seem like polar opposites, the break and the bridge, but they are two sides of the same coin, the medium that goes between, simultaneously separating and connecting. The boundary divides the system from its environment, allowing the system to maintain its identity as separate and distinct from the environment, keeping it from being absorbed by the environment. But the membrane also serves as a filter, engaged in the process of abstracting, to use Korzybski's favored term, letting through or bringing material, energy, and information from the environment into the system so that the system can maintain itself and survive. The boundary keeps the system in touch with its situation, keeps it contextualized within its environment.

The systems view emphasizes space over time, as does ecology, but the concept of the hiatus as a temporal interruption suggests an association with evolution as well. Darwin's view of evolution as continuous was consistent with Newtonian physics. The more recent modification of evolutionary theory put forth by Stephen Jay Gould, known as punctuated equilibrium, suggests that evolution occurs in fits and starts, in relatively rare and isolated periods of major change, surrounded by long periods of relative stability and stasis. Not surprisingly, this particular conception of discontinuity was introduced during the television era, in the early 1970s, just a few years after the publication of Peter Drucker's The Age of Discontinuity.

When you consider the extraordinary changes that we are experiencing in our time, technologically and ecologically, the latter underlined by the recent news concerning the United Nations' latest report on global warming, what we need is an understanding of the concept of change, a way to study the patterns of change, patterns that exist and persist across different levels, the micro and the macro, the physical, chemical, biological, psychological, and social, what Bateson referred to as metapatterns, the subject of further elaboration by biologist Tyler Volk in his book on the subject. Paul Watzlawick argued for the need to study change in and of itself in a little book co-authored by John H. Weakland and Richard Fisch, entitled Change: Principles of Problem Formation and Problem Resolution, which considers the problem from the point of view of psychotherapy. Arendt gives us a philosophical entrée into the problem by introducing the pattern of the hiatus, the moment of discontinuity that leads to change, and possibly a moment in which we, as human agents, can have an influence on the direction of that change.

To have such an influence, we do need to have that break, to find a space and more importantly a time to pause and reflect, to evaluate and formulate. Arendt famously emphasizes the importance of thinking in and of itself, the importance not of the content of thought alone, but of the act of thinking, the medium of thinking, which requires an opening, a time out, a respite from the onslaught of 24/7/365. This underscores the value of sacred time, and it follows that it is no accident that during that period of initiation in the story of the exodus, there is the revelation at Sinai and the gift of divine law, the Torah or Law, and chief among them the Ten Commandments, which includes the fourth of the commandments, and the one presented in greatest detail, to observe the Sabbath day. This premodern ritual requires us to make the hiatus a regular part of our lives, to break the continuity of profane time on a weekly basis. From that foundation, other commandments establish the idea of the sabbatical year, and the sabbatical of sabbaticals, or jubilee year. Whether it's a Sabbath mandated by religious observance, or a new movement to engage in a Technology Sabbath, the hiatus functions as the response to the homogenization of time that was associated with efficient causality and literate linearity, and that continues to intensify in conjunction with the technological imperative of efficiency über alles.

hiatus

To return one last time to the quote that I began with, the end of the old is not necessarily the beginning of the new because there may not be a new beginning at all, there may not be anything new to take the place of the old. The end of the old may be just that, the end, period, the end of it all. The presence of a hiatus to follow the end of the old serves as a promise that something new will begin to take its place after the hiatus is over. And the presence of a hiatus in our lives, individually and collectively, may also serve as a promise that we will not inevitably rush towards an end of the old that will also be an end of it all, that we will be able to find the opening to begin something new, that we will be able to make the transition to something better, that both survival and progress are possible, through an understanding of the processes of continuity and change.

-Lance Strate

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
30Sep/130

Amor Mundi 9/29/13

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Empathy for Machines

machineMegan Garber points to research that suggests that soldiers who use battlefield robots as part of their missions often become quite fond of, maybe even empathetic towards, their helpers. "It makes sense that the tools that do so much work in the high-stakes environment of the battlefield would engender devotion from the people they benefit. According to... research, the soldiers assigned their robotic companions 'human or animal-like attributes, including gender.' Furthermore, they 'displayed a kind of empathy toward the machines.' And ‘they felt a range of emotions such as frustration, anger, and even sadness when their field robot was destroyed.'" Machines are increasingly able to act “as if they are human,” even when they are simply following complex algorithms. Shirley Turkle has shown how even people who understand the robotics involved develop deep human emotions for their robots. And David Levy has proposed legalizing marriage with robots. The question is: As we learn to love and relate to robots that are tireless, devoted, and obedient, how will that impact our relationships with humans who are often tired, cranky, and stubborn?

By the way, Megan Garber will be speaking in NYC on Oct. 27th along with Jay Rosen, Walter Russell Mead and Roger Berkowitz at the Bard Graduate Center as part of the Hannah Arendt Center’s panel on Blogging and the New Public Intellectual. Information here. RSVP at arendt@bard.edu.

Seeing America

ladiesIn a consideration of MoMA's recently erected gallery of Walker Evans photographs, James Polchin emphasizes just how shocking Evans' photographs were when he took them more than three quarters of a century ago, suggesting that he did little other than represent what was: "Evans’ images exude a longing and melancholy for something lost. They are relics of a past, as much today as they were 75 years ago. They are decrepit sharecropper porches, ornate Victorian architecture, and decaying southern verandas. They are hauntingly empty small-town street corners and portraits of people who seem to have no place to go. There is in American Photographs no modernist romance of a dynamic future, no awe of machines or the possibilities of the future that were so often modernism’s compelling allure. Instead we are left with a certain absence that is both material and psychological. American Photographs remind us that modernism was also heaped in a kind of creative longing for all that was disappearing."

At What Cost Nature

jbIn an interview, J.B. Mackinnon, author of the recent book The Once and Future World: Nature As It Was, As It Is, As It Could Be talks about what it would mean to "rewild" the planet: “I now find myself comparing co-existence with other species to life in a multicultural city: it’s complicated and demands innovation and often education, but when it works it creates the most exciting societies the world has ever known. Few people who live in multicultural cities would say it’s easy, but even fewer, I think, would say they would prefer homogeneity. The shared culture of difference becomes a part of our individual identities, and at that point, a harm to diversity really does become a harm to us all. Now consider a similar relationship, this time not to cultural but to ecological complexity, and we have what I would consider the rewilding of the human being. Ecology as a part of identity." An interesting thought experiment, but who does MacKinnon have to displace to make it work? Perhaps more importantly, is such an environmental modification really returning to nature in some way, or is it instead more proof of man's supposed mastery over his environment? Indeed, isn’t so much of the talk about sustainability and the preservation of nature rather a furthering of the human desire to master, control, and make of nature what man wants—except that we now want nature to be natural. Marianne Constable makes this argument beautifully in her essay “The Rhetoric of Sustainability: Human, All Too Human,” available in HA: The Journal of the Hannah Arendt Center.

What is the Debt Crisis?

greekIn order to better understand the situation in Greece, Arnon Grunberg went to Thessaloniki, the country's second largest city. There, he met with the mayor and some of the city's citizens; one of them, Debbie, echoes Arendt when she talks about what Greeks might glean from their current situation: “Efficiency is a capitalist term that assumes one has the goal of achieving a certain level of productivity. That’s not the way we think. Capitalism, of course, is what sired this crisis. But the crisis is also an opportunity to ask the right questions. We want to teach people that they have the power to fight back. No one can take away your dignity, that’s what I tell them. No one has to be embarrassed by the fact that the system can’t guarantee that everyone has health insurance. The power of capitalism lies in how it presents itself as the sole alternative. I don’t have any illusions about ever seeing it disappear, but we can create little fissures in it.”

From the Hannah Arendt Center Blog

This week on the blog, Jennifer Hudson writes about the “False Culture of Utility” in an excellent Quote of the Week coming from a reading of Arendt’s essay “The Crisis of Culture.” In advance of our sixth annual conference next week, "Failing Fast: The Educated Citizen in Crisis," your weekend read is on the topic of education.

Featured Events

smallfailingOctober 3-4, 2013

The sixth annual fall conference, "Failing Fast:The Educated Citizen in Crisis"

Olin Hall, Bard College

Learn more here.

 

 

 

 

 

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
12Aug/130

Amor Mundi – 8/11/13

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor MundiLove of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

The Glasses and the Man

glassesGary Shteyngart tries Google's new digital glasses and feels alternately estranged and powerful. Above all, Shteyngart comes to feel the emergence of a new human-technological symbiosis that he explains by referring to "Bloodchild," a science fiction story by Octavia Butler. "The story takes place on a faraway planet dominated by a large insect-like species called the Tlic. The humans who have fled oppression on their own planet live on a so-called Preserve, where their bodies are used as hosts for the Tlic's eggs, culminating in a horrifyingly graphic hatching procedure often resulting in the death of the human host.... Butler wrote that she thought of "Bloodchild" as "a love story between two very different beings." Although their relationship is unequal and often gruesome, Tlic and humans need each other to survive. Today, when I think of our relationship with technology, I cannot help but think of human and Tlic, the latter's insect limbs wrapped around the former's warm-blooded trunk, about to hatch something new."

Bearing False Witness Against Thy Self

printWe know that eyewitness evidence is notoriously unreliable, but confessions are still thought to be meaningful. Wrongly, it seems. Using a case study where a man admitted to a murder two others were already in prison for, Marc Bookman examines the false confessions of the innocent: "People have been admitting to things they haven't done for as long as they've been committing crimes. On the North American continent, prominent examples reach back to 1692 and the Salem witch trials. DNA exonerations over the past 24 years have established not only how error-prone our system of justice is, but how more than a quarter of those wrongly convicted have been inculpated by their own words. Now an entire body of scientific research is devoted to the phenomenon of the false confession."

Photographing Syrians

photo

 

Turkish photographer Cihad Caner recently traveled to Syria, where he took pictures of Syrians. He then asked his subjects to alter pictures of themselves; writing and drawing on the photos, his collaborators take the last word on the state of their home.

Poor Men Want to be Rich, Rich Men Want to be Kings

ACChris Pomorski profiles Atlantic City, intermixing the narrative of one of the city's recent homicides with a short history of the area. What Pomorski finds is a place that was promised much, and that promises much, but that didn't get, and doesn't give, what it was hoping for.

The Real and the Fake

paintCharles Hope writes a short history of the art forger: "It is often said that art forgery has existed as long as the demand for works of art, but this is not strictly true. There is no clear evidence that art forgeries as such existed in the ancient world. There were plenty of collectors, but they seem to have found copies just as desirable as originals. Even the presence of a signature was not necessarily taken as an indication that the object in question had been made by that artist. The notion of art forgery, as we understand it today, seems to require the idea that originals possess certain qualities not found even in the best copies. It also requires the presence of an expert with the ability to distinguish between the two; but such expertise does not seem to have existed in antiquity."

Featured Events

smallfailingOctober 3-4, 2013

The sixth annual fall conference, "Failing Fast:The Crisis of the Educated Citizen"

Olin Hall, Bard College

Learn more here.

From the Hannah Arendt Center Blog

This week on the blog, Jeff Champlin investigates the relationship between Arendt and Feminist politics. Lance Strate delves into the human condition. Your weekend read looks at the splintering of culture in an intellectual world no longer governed by a unified aesthetic or a single dominant medium.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
8Jul/130

Amor Mundi – 7/7/13

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor MundiLove of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Roger Berkowitz on Arendt's Unconventional Wisdom

arendtIn the New York Times, Roger Berkowitz takes on what he calls the new consensus emerging in responses to the new "Hannah Arendt" movie, that seems to be resolving the vitriolic debates over Arendt's characterization of Adolf Eichmann over the last 50 years. This new consensus holds that Arendt was right in her general claim that many evildoers are normal people, but was wrong about Eichmann in particular. As Christopher Browning summed it up recently in the New York Review of Books, "Arendt grasped an important concept but not the right example." As Berkowitz writes, this new consensus is founded upon "new scholarship on Eichmann's writings and reflections from the 1950's, when he was living amongst a fraternity of former Nazis in Argentina, before Israeli agents captured him and spirited him out of the country and to Israel. Eichmann's writings include an unpublished memoir, "The Others Spoke, Now Will I Speak," and an interview conducted over many months with a Nazi journalist and war criminal, Willem Sassen, which were not released until long after the trial. Eichmann's justification of his actions to Sassen is considered more genuine than his testimony before judges in Jerusalem. In recent decades, scholars have argued that the Sassen interviews show that Arendt was simply wrong in her judgment of Eichmann because she did not have all the facts." As tempting as this new consensus is, it is wrong, Berkowitz argues. Read his full argument here.

A Challenging World View

garyGeoff Dyer, flipping through the catalogue of a recent Gary Winograd retrospective at SFMoMA, considers the way that the street photographer presented what he saw: "the pictures didn't look right, they were all skewed and lurchy, random-seeming and wrong. They were, it was felt, an unprovoked assault on the eye... We were accustomed to viewing the world through a set of conventional lenses that Winograd wrenched from our face, making us conscious of how short-sighted we had been." Winograd's still pictures, in other words, act on their viewers, betraying our sense of the world, shifting it out of focus, and therefore revealing it for what it is.

The Meaning of Gettysburg

gettyTony Horwitz uses the upcoming 150th anniversary of Gettysburg to zoom out and consider the changing historical narrative about the American Civil War, in the process offering up an important reminder that history is a living, changing thing: "the 150th anniversary of the Civil War is too narrow a lens through which to view the conflict. We are commemorating the four years of combat that began in 1861 and ended with Union victory in 1865. But Iraq and Afghanistan remind us, yet again, that the aftermath of war matters as much as its initial outcome. Though Confederate armies surrendered in 1865, white Southerners fought on by other means, wearing down a war-weary North that was ambivalent about if not hostile to black equality. Looking backwards, and hitting the pause button at the Gettysburg Address or the passage of the 13th amendment, we see a "good" and successful war for freedom. If we focus instead on the run-up to war, when Lincoln pledged to not interfere with slavery in the South, or pan out to include the 1870s, when the nation abandoned Reconstruction, the story of the Civil War isn't quite so uplifting. "

Fixing the Digital Economy

digitalComputer scientist and writer Jaron Lanier critiques the present digital economy with a close look at the evolving relationship between technology and power. To make his argument for change, he insightfully reinterprets what many consider to be a paradox - that the pairing of technology and power at once enriches and erodes the agency of individual actors. Companies like Google are so valuable, he argues, because they control enormously powerful and expensive servers-he calls them Siren Servers to emphasize their irresistible allure-that allow it to manipulate aggregate activity over time. "While people are rarely forced to accept the influence of Siren Servers in any particular case, on a broad statistical basis it becomes impossible for a population to do anything but acquiesce over time....While no particular Google ad is guaranteed to work, the overall Google ad scheme by definition must work, because of the laws of statistics. Superior computation lets a Siren Server enjoy the magical benefits of reliably manipulating others even though no hand is forced ... We need to experiment; to learn how to nurture a middle class that can thrive even in a highly automated society."

Reconciling Experience with History

treeDiscussing her recent essay in Harper's, writer Rebecca Makkai talks about her experience of her grandfather, whom she knew as a yoga instructor who lived in Hawaii, who was also the principal author of Hungary's Second Jewish Law, which passed in 1939. At one point, she strikes a particularly Arendtian note: "There's also the fact that it's just very difficult, psychologically, to reconcile the face of a real person with one of the darkest moments of the twentieth century. It's not the same as looking at someone who's personally violent, likely to reach out and hit you. This guy is chopping up papaya on his balcony, telling jokes, and I think we have an instinct to forgive, to see just the best in that person, to see him at just that moment. (The irony being that this is what he and his colleagues failed to do - to see humans in front of them.)"

Featured Upcoming Events

minimovieJuly 13, 2013

Roger Berkowitz will be in attendance at the Moviehouse in Millerton for a discussion after the 4:00 pm screening of "Hannah Arendt" and before the 7:00 pm screening.

July 16, 2013

Following the 7:40 pm showing of "Hannah Arendt" at the Quad Cinema on 13th St. in N.Y.C., there will be a Q&A with Roger Berkowitz about the film.

July 21, 2013

Following the 6:00 pm showing of "Hannah Arendt" at Symphony Space on Broadway and 95th St. in N.Y.C., there will be a Q&A with Roger Berkowitz about the film.

October 3-4, 2013

The sixth annual fall conference, "Failing Fast" The Educated Citizen in Crisis"

Olin Hall, Bard College
Learn more here.

From the Hannah Arendt Center Blog

This week on the blog, Ian Storey in the Quote of the Week looks at the implications of the recent Supreme Court same sex marriage rulings. Jeff Champlin considers Arendt's reading of Kant, offering a new way to think about judgment. Hannah Arendt's thinking is brought to bear on the Paula Deen scandal. And, for your weekend read, Roger Berkowitz looks at the moral implications of financial inequality.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
1Nov/120

Attending Phaidon’s Century

Submitted by D. Grace Reid.

"One hundred years of human progress, regression, suffering and hope."

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
17Sep/120

History and Freedom

The history of humanity is not a hotel where someone can rent a room whenever it suits him; nor is it a vehicle which we board or get out of at random.  Our past will be for us a burden beneath which we can only collapse for as long as we refuse to understand the present and fight for a better future.  Only then—but from that moment on—will the burden become a blessing, that is, a weapon in the battle for freedom.

-Hannah Arendt, "Moses or Washington" (March 27, 1942)

This eloquent quote from Hannah Arendt moves through a series of metaphors for historical consciousness.  The first two, history is a hotel, and history is a vehicle, are rejected as misleading.  Hotels and vehicles are both transitional spaces, areas inhabited on a temporary basis, not permanent dwellings.  History is not a place we visit for a short period of time, or a place we merely use to get from point A to point B.  Arendt further implies that history is not a commodity to be bought and sold, used and disposed of according to our mood.  But this is less a statement of fact than an admonition, in response to the fact that it is indeed possible for individuals to reject and deny their past, to ignore and abandon their history.  It is a commonplace to say that we cannot choose our parents, and the history of humanity that Arendt is concerned with is, after all, an extension of our personal and family histories.

As an admonition, Arendt's remarks may seem to be a simple restatement of George Santayana's famous 1905 quote, "those who cannot remember the past are condemned to repeat it."  And clearly, she shares in this sentiment about the importance of collective memory and the need to learn from the errors of previous eras.  But she goes beyond this simple formulation by invoking the metaphor of history as a burden.  History has gravity, history has weight, and the longer the historical memory, the heavier the baggage that accompanies it.  Historical mass accumulates over time, and also through innovations in communications.  In oral cultures, where writing is absent, history as we understand it does not exist; instead there is myth and legend, preserved through oral tradition by way of continued repetition via oral performance.  Given the limitations of human memory, details about the past are forgotten within a generation or two, and the main function of myth and legend is to reflect and explain present circumstances.  This collective amnesia allows for a great deal of cultural flexibility and social homeostasis, a freedom from the burden of history that literate cultures take up.  The written word first makes possible chronological recordkeeping, and later historical narrative framed as an ongoing progression of events; this linear conception of time replaces the cyclical past of oral tradition, and what Mircea Eliade referred to as the myth of eternal return.  And so we hear the complaint of school children in generation after generation, that history is so much harder now than it was for their parents, because now there is so much more of it than ever before.

History is a burden, one that becomes too much to bear if all we are doing is living in the past, in rigid adherence to a fixed and unchanging tradition.  But Arendt adds the complementary metaphor of history as a blessing.  The burden can become a blessing if we use the past to understand the present, to serve the present, not to overwhelm or command the present.  The past can inform the present, history helps us to see why things are the way they are, why we do the things we do; being mindful of the past is a means to help fulfill Arendt’s goal of thinking what we are doing.  But it is not enough simply to live in the present, and for the present.  We also have to look towards the future, to work for progress in the moral, ethical, and social sense, to enlarge the scope of human freedom.  And in light of this goal, Arendt invokes her fifth and final metaphor for history:  history is a weapon.  It is a weapon not to destroy or dominate others, or at least that is not what Arendt intends it to be, but rather a sword of liberty, an instrument to be used in the fight against oppression.

This quote reflects Arendt's overriding concern with human freedom.  The battle for freedom that she refers to is a collective struggle, not an individual quest.  It can only be achieved by political cooperation and unity, not by solitary escape from tyranny.  The commonly used phrase in western cultures, individual freedom, while not without value, all too easily eclipses the necessity of freedom as a shared responsibility, and in excess becomes oxymoronic.  As the Rev. Martin Luther King, Jr., so eloquently put it, "injustice anywhere is a threat to justice everywhere" and "no one is free while others are oppressed."  Freedom for all, shared freedom, requires a sense of affiliation, kinship, connection, which in turn requires a sense of continuity over time. Just as individual memory is intimately related to individual identity, our collective memory is the key to group identity.  History is the foundation of community.

Historical consciousness, which is derived from literacy, did not become widespread until after the diffusion of typography.  In addition to making written history widely available, print media such as calendars and periodicals made individuals aware of their place in history as never before, down to the basic knowledge of the year, month, and date that we all take for granted, not to mention awareness of our date of birth and age.  And as the great historian of printing, Elizabeth Eisenstein explains, more than any other factor, it was the printing revolution that gave rise to modernity.  The irony is that as printing made the past more accessible, it also made it seem less valuable, resulting in modernity's ahistorical tendencies.  Focus shifted from venerating tradition to revering progress, from looking back to origins to looking forward for originality.  This is exemplified by the fact that printing gave us two new literary forms, the news, and the novel.

And so we get Henry Ford saying, "history is bunk," and dystopian novels like Brave New World and 1984 portraying future societies where history is either deleted or subject to constant revision.  Without a sense of the past, sensitivity to the future is undermined, and with the advent of instantaneous electronic communications beginning with telegraphy in the 19th century, more and more emphasis has been placed on the now, the present tense, leading us to lose touch with both the past and the future.  Conceptions of the past have also been affected by the rise of image culture, beginning with photography in the 19th century, so that a coherent sense of linear history came to be replaced by a discontinuous, and therefore incoherent collection of snapshots evoking nostalgia, as Susan Sontag observed in On Photography.  What Arendt makes clear is that contemporary present-minded ahistoricism risks more than Santayana's Sisyphean purgatory, but a true hell of oppression and slavery.

So far, I have stressed a universal interpretation of this quote, and ignored its particular context.  Arendt's admonition originates in a column she wrote for a Jewish newspaper, Aufbau, published in New York for German-speaking Jews, as part of a critique of the Reform movement in Judaism.  The movement originated in 19th century Germany, as a response to the Enlightenment, and the Emancipation initiated by Napoleon, wherein Jews were released from ghetto confinement and given a measure of equal rights and citizenship.

To accommodate their newly established status, the Reform movement sought to recast Judaism in the image of Protestantism, as just another religious sect.  Apart from a liberalizing and modernizing of worship and religious requirements, this meant abandoning Jewish identity as a people, as a nation in exile, so as to give full political allegiance to the new nation-states of the west, and embrace a new national identity as citizens of Germany, or France, or England, or the United States.  Consequently, the Reform movement rejected Zionism and made loyalty to the nation of one's birth a religious duty.  Jewish identity and tradition were thereby reduced, compartmentalized as only a form of religious belief and practice, their political significance abandoned.

Arendt's criticism is consonant with Jewish tradition, as the Torah repeatedly asks the Jewish people to remember, to remember the Exodus, to remember the revelation at Mount Sinai, to remember God's laws and commandments, to remember God's commitment to social justice.  Rather than make an argument for a return to Orthodoxy, however, Arendt's concern is characteristically philosophical.  Immediately before concluding her column with the passage quoted above, Arendt makes a more specific appeal regarding models of political leadership and moral guidance:

As long as the Passover story does not teach the difference between freedom and slavery, as long as the Moses legend does not call to mind the eternal rebellion of the heart and mind against slavery, the "oldest document of human history" will remain dead and mute to no one more than the very people who once wrote it.  And while all of Christian humanity has appropriated our history for itself, reclaiming our heroes as humanity's heroes, there is paradoxically a growing number of those who believe they must replace Moses and David with Washington or Napoleon.  Ultimately, this attempt to forget our own past and to find youth again at the expense of strangers will fail—simply because Washington's and Napoleon's heroes were named Moses and David.

Written in the dark times that followed Hitler's rise to power, the outbreak of the Second World War, and the establishment of Eichmann's concentration camps, Arendt's words are all the more poignant and powerful in their call for taking pride in the Jewish tradition of fighting for freedom and justice, and for an awareness that the cause of liberty and human rights have their roots in that most ancient of documents.

Arendt's criticisms of the excesses of Reform Judaism were widely shared, and the movement itself changed dramatically in response to the Holocaust and the establishment of the State of Israel.  Reform Judaism reversed its stance on Zionism, and remains a staunch supporter of the Jewish state, albeit with a willingness to engage in criticism of Israeli government policies and decisions.  At the same time, Reform religious observance, while still distinct from that of the Orthodox and Conservative branches, has gradually restored many elements of traditional worship over the years.  And the celebration of Jewish culture and identity has become normalized during the past half century.

For example, witness Aly Raisman's gold medal-winning gymnastic routine at the recently completed London Olympics, performed to the tune of Hava Nagila; Keith Stern, the rabbi at the Reform synagogue that Aly attends, explained that " it indicates Aly’s Jewish life is so integrated into her entire soul, that I don’t think she was looking to make a statement as a Jew, I think it was so natural to her that it's more like, why wouldn’t she use the Hora? It shows again her confidence and tradition in a really fundamental way."

Raisman's musical selection made an important statement as well, in light of the International Olympics Committee's decision not to have a moment of silence during the opening ceremonies to commemorate the 40th anniversary of the death of 11 Israeli athletes at the Munich Olympics in a terrorist attack.  I think that Arendt would be nodding in approval at the way in which the teenage captain of the United States women's gymnastics team, in her own way, followed the example of Moses and David.

Arendt's passage about history and freedom is a fitting one, I believe, for a Quote of the Week post scheduled to appear on the same day as Rosh Hashanah, the Jewish New Year, which is also said to be the birthday of the world.  The calendar year now turns to 5773, and 5,773 years is roughly the age of history itself, of recorded history, of written records, which originate in Mesopotamia, the cradle of civilization.  And while Rosh Hashanah and Yom Kippur are referred to as the High Holy Days, and are popularly thought to be the most important in Jewish tradition, in truth it is the Passover that is the oldest, and most significant, of our holidays, lending further support to Arendt's argument.  But even more important than Passover is the weekly observance of the Sabbath day, which is mandated by the Fourth Commandment.  And in the new Sabbath liturgy recently adopted by the American Reform movement, there is a prayer adapted from a passage in the book Exodus and Revolution by political philosopher Michael Walzer, that is worth sharing in this context:

Standing on the parted shores of history
We still believe what we were taught
Before ever we stood at Sinai’s foot;
That wherever we go, it is eternally Egypt
That there is a better place, a promised land;
That the winding way to that promise
Passes through the wilderness.
That there is no way to get from here to there
Except by joining hands, marching together.

The message of this prayer is that only by working together can we transform the burden of history into a blessing, only by working together can we wield the shared history of humanity in the service of human freedom and social justice.  This is what Arendt wanted us to understand, to commit to memory, and to learn by heart.

-Lance Strate

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.