Hannah Arendt & the Redemptive Power of Narrative
Hannah Arendt and the Redemptive Power of Narrative
Selya Benhabib, Social Research, Vol. 57, No. 1, Philosophy and Politics II (spring 1990), pp. 167-196
Selya Benhabib, Eugene Mayer Professor of Political Science and Philosophy at Yale University, sees Arendt as affirming the modernist move beyond the nation to universal human rights, while at the same time disparaging the social in a way that many critics see as anti-modern. As Roger Berkowitz explains regarding a later work, Benhabib works out this universal aspiration “with and against Arendt.” In this 1990 article, Benhabib makes only passing reference to Arendt’s famous critical phrase “the right to have rights.” Briefly put though, she sees Arendt’s concern not as a fundamental challenge but rather as an implicit spur for a broader guarantee of rights.
For Arendt the social, which in large part corresponds to economic activity, no longer remains in its proper place of the household, but emerges to obscure the public space of politics. One might then ask, is Arendt a Romantic proponent of a return to Greek origins, in line with Hölderlin, Hegel, and Heidegger? Benhabib denies this challenge, arguing instead that Arendt’s confrontation with National Socialism led her to develop a new idea
of political theory as "storytelling." In light of this conception, her analysis of the decline of the public space cannot be considered a nostalgic Verfallsgeschichte (a history of decline). Rather, it must be viewed as an "exercise" in thought, the chief task of which is to dig under the rubble of history and to recover those "pearls" of past experience, with their sedimented and hidden layers of meaning, so as to cull from them a story that can orient the mind in the future.
The figures of secret “pearls” and covered sediments align in part but not in whole: historians could be seen as describing the hidden layers of ruins that we rarely consider beneath our feet. The idea of finding “pearls,” which Benhabib draws from Arendt’s longer citation to Shakespeare’s Tempest offers the key idea of a particular point of significance that then rearranges other semantic layers.
Full fathom five thy father lies,
Of his bones are coral made,
Those are pearls that were his eyes.
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange. (The Tempest, act I, scene 2)
Benhabib sees the theorist casting the challenges of history as “rich and strange” stories. One might push this idea further and see the theorist as descending into the depths to inhabit history from the specific place of the dead man, who longer sees naturally, but retains the markers of perception. We might even say that the drowned man offers the right body to connect ourselves to a broken past. Drawing on Heidegger’s terminology, Benhabib writes:
If Dasein is in time, narrative is the modality through which time is experienced. Even when the thread of tradition is broken, even when the past is no longer authoritative simply because it has been, it lives within us and we cannot avoid placing ourselves in relation to it. The narrative uniting past and present defines who we are at any point. Narrative then, or, in Arendt's word, storytelling, is a fundamental human activity. There is then a continuum between the attempt of the theorist to understand the past and the need of the acting person to interpret the past as part of a coherent and continuing life story.
Notice that Benhabib sees it as a necessity that we place ourselves in relation to tradition. The distinctive mark of Arendt’s storytelling is that it is not purely imaginative in the sense that “anything goes.” Instead, it establishes a creative relation to the past.
In the 2004 Tanner lectures, Benhabib argues for human rights based on intersubjective cosmopolitanism rather than a metaphysical universalism. The work on narrative in this earlier article raises the question of the role that narrative plays in creating such a cosmopolitanism. Indeed, in the continuing demand to tell a “coherent” story, perhaps we can see the emergence of an international narrative that does not rely so much on the stability of intersubjectivity as one continually open to the future in action.
-Jeffrey Champlin
Habermas on Arendt’s Conception of Power
Jürgen Habermas sees Arendt as usefully placing emphasis on the origin of power as opposed to its means of employment. In contrast to Max Weber, who understands power in terms of particular individuals seeking to realize a fixed goal, she separates power from the telos (end), developing what Habermas calls a theory of power as "communicative action". This formulation gestures towards his own conceptual language (see Theory of Communicative Action, 1981) and in Arendt he names plurality as the condition for communication, quickly moving from distinctness to connection:
"The spatial dimension of the life-world is determined by the "fact of human plurality": every interaction unifies multiple perspectives of perception and action of those present […]"
Perceptively-and provocatively-Habermas compliments this description of the spatial dimension of the world with a temporal one:
"The temporal dimension of the life-world is determined by the "fact of human natality": the birth of every individual means the possibility of a new beginning; to act means to be able to seize the initiative and to do the unanticipated."
In this description, we see that a kind of conceptual past allows something new to happen in the future. Further, the reference to the past is singular ("the birth of every individual") but allows action between people. So in natality, as Habermas describes it, we go from the past to the future and the individual to the group. The very emphasis on the origin of power, however, raises the question of how it is to endure over time. The phrase "temporal dimension of the life-world" points to this problem: how to use power in the future when, as Arendt writes in the Human Condition: "power cannot be stored up and kept in reserve for emergencies." This citation helpfully emphasizes that power shouldn't be seen as capital that can be deployed at the time that a ruler or executive wishes. Arendt suggests instead that it cannot be virtualized, that it always exists in a one to one relation with opinion as it shifts.
Habermas ultimately accuses Arendt of a sleight of hand in taking refuge in the idea of the contract to solve the problem of her radical conception of action. In ending his article with an emphasis on the "contract theory of natural law" however, he overlooks the difference between a promise and a contract in Arendt. The promise offers individual stability of one's identity over time in the same way that the contract offers consistency to group action and both in a sense win consistency through the virtual. In both cases the reality of identity comes into being only over time. However, there is a different kind of "storage" in the model of the promise than the one we imagine with capital. Arendt suggests the contract as a way to make a short term structure that retains flexibility that the idea of stockpiled power does not.
-Jeffrey Champlin
Remembrance and Gratitude
“We are wont to see friendship solely as a phenomenon of intimacy in which the friends open their hearts to each other unmolested by the world and its demands...Thus it is hard for us to understand the political relevance of friendship...But for the Greeks the essence of friendship consisted in discourse...The converse (in contrast to the intimate talk in which individuals speak about themselves), permeated though it may be by pleasure in the friend’s presence, is concerned with the common world.”
-Hannah Arendt, Men in Dark Times, p. 24
As the year comes to an end, in many English-speaking countries, including the U.S., Arendt’s adopted country, friends and neighbors may gather to sing Auld Lang Syne, the song adapted from the verse of Scottish poet, Robert Burns and traditionally sung at the stroke of midnight, as one year fades into the next. An evocation of memory, and times long ago, it resonates also with an image of a long-lasting friendship. So, in tune with the season, I chose for commentary an image of friendship Arendt crafted in her essay on Lessing, the opening piece in Men in Dark Times. “The essence of friendship consisted in discourse…concerned with the common world.”
Both memory and friendship are important themes in Arendt’s writing. “We can no more master the past than we can undo it. But we can reconcile ourselves to it. The form for this is the lament, which arises out of all recollection.” (Men in Dark Times, p. 21) Recollection, or remembrance, becomes, in Arendt’s view, a pathway to reconcile ourselves to what has happened. Bearing the burden of the past and the responsibility past events places on us meant, for Arendt, facing up to reality, no matter what it might have been.
When Arendt wrote about bearing the burden of the past she had in mind the terrible weight that the most momentous events of the twentieth century—the emergence of totalitarianism and the catastrophe of the Holocaust—had put upon the shoulders of modern humanity. In the aftermath of these events, we face new difficulties: “the bitter realization that nothing has been promised to us, no Messianic Age, no classless society, no paradise after death.” (Origins of Totalitarianism) Referring to this as humanity’s “coming of age,” she recognized that its first “disastrous result...is that modern man has come to resent everything given, even his own existence—to resent the very fact that he is not the creator of the universe and himself. In this fundamental resentment he refuses to see rhyme or reason in the given world.”
But remembrance does not so much dwell in the past as allow the possibility of action in the future through the cultivation of gratitude. The opposite of passivity, which is the unconscious reception of everything that happens, has happened or might happen, gratitude might be said to be the active acceptance of the chance I have been given to make some mark in the world within the endowment of time, however brief or long, I have to live in it. As Arendt wrote in Origins, “[S]uch gratitude expects nothing except, in the worlds of Faulkner--‘one’s own one anonymous chance to perform something passionate and brave and austere not just in but into man’s enduring chronicle...in gratitude for the gift of [one’s] time in it.’ ” And, in many ways, these words echo sentiments Arendt expressed in her doctoral dissertation: “[G]ratitude for life having been given at all is the spring of remembrance, for a life is cherished even in misery: ‘Now you are miserable and still you do not want to die for no other reason but that you want to be.’ What ultimately stills the fear of death is not hope or desire, but remembrance and gratitude.” The kind of friendship Arendt calls “political” (because of its concern with the common world) is the model for those relationships that facilitate remembrance and cultivate gratitude.
There were, in fact, two types of friendship in Arendt’s life--those that were most like her characterization of friendship in her portrait of Lessing in Men in Dark Times (quoted above), which she called “friendship among citizens,” and those she called “intimate.” Sometimes, but only rarely, the two types were interwoven in the same friend. Besides her relationship with her husband, Heinrich Blucher, Arendt’s friendship with Mary McCarthy provides another glimpse into the practice of these two types of friendship with the same person.
Though an unlikely partnership, and one that got off to a rocky start, the improbable friendship between Hannah and Mary McCarthy found a way to begin and lasted nearly three decades, nourished by several streams of intellectual and emotional sustenance each offered the other. Littered throughout the McCarthy/Arendt correspondence are recommendations for books to read and write, places to visit, and ways to think about current issues. But the undertone of dialogue between them is one of growing intimacy and fervor, whether engaging topics worldly or personal.
When McCarthy read Men in Dark Times she thought the centrality of friendship as a theme in Men in Dark Times came through so strongly she told Arendt she thought the book to be “very maternal...mutterlich, if that is a word. You’ve made me think a lot about the Germans and how you/they are different from us. It’s the only work of yours I would call ‘German,’ and this may have something to do with the role friendship plays in it, workmanly friendship, of apprentices starting out with their bundle on a pole and doing a piece of the road together.” Hannah replied that she was not sure why McCarthy thought the book was ‘German.’ But she heartily embraced the idea of friendship that McCarthy had characterized: “And of course friendship in the sense of ‘doing a piece of the road together’--as distinguished from intimacy. Thanks!”
A year after Heinrich Blücher’s death, Arendt traveled with McCarthy and her husband, Jim West, to Greece, visiting many places Hannah had been with her Blücher, on an earlier trip. “I know it was painful for you to revisit so many of the places you had been with Heinrich,” McCarthy wrote to Hannah after she’d returned to New York. “That has never happened to me, to repeat an experience, with different people, that I’d shared with someone now lost...I can only hope the good outweighed the disagreeable or discordant.” Arendt replied indirectly to McCarthy’s worries. “During the last months I have often thought of myself--free like a leaf in the wind...And all the time I also thought: Don’t do anything against this, that is the way it is, let no ‘autocratic will’ interfere...Let me come back once more to the ‘leaf in the wind.’ It is of course only half true. For there is, on the other hand, the whole weight of the past (gravitas). And what Hölderlin once said in a beautiful line: ‘Und vieles/Wie auf den Schultern eine/Last von Scheitern ist/Zu behalten--And much/ as on your shoulders/ a burden of logs/ is to bear and keep.’--In short: remembrance. Much, much love. Yours, Hannah.”
“What ultimately stills the fear of death….is remembrance and gratitude.”
-Kathleen B. Jones
Reflections on Arendt’s Denktagebuch
The atmosphere around the Hannah Arendt Center this week has been jovial yet intense. Ten Arendt scholars have gathered to read closely Hannah Arendt's Denktagebuch, loosely translated as her "Book of Thoughts." We meet every day for two sessions, each 150 minutes, with no breaks.
One participant leads a discussion about a selection of the book. The sessions have been riveting. The plan is to bring out a book that collects essays based on these presentations. It will be called Reading Arendt's Denktagebuch. We hope it will appear around the time that the English translation of Arendt's Denktagebuch is published.
The Denktagebuch is a "unique artifact," as one participant put it during our opening dinner. It is comprised of two, thick, beautifully rendered, hardcover volumes that together contain over 1,200 pages. It is not really a book, but is comprised of individual entries that Arendt wrote down in 28 notebooks over 23 years from 1950-1973. The entries are chronologically arranged (except for a thematically organized final book containing Arendt's notes on Immanuel Kant's thinking about judgment). The whole, masterfully edited by Ursula Ludz and Ingeborg Nordmann, contains extensive scholarly apparatus at the back.
One question we have asked is how to read the Denktagebuch. Some participants have chosen a particular chronological period and sought relationships and associations amongst Arendt's entries. Others identified recurring themes that Arendt returns to over the years, such as the relation between truth and metaphor, Kant's theory of judgment, and the connection between action and thinking. A few of our sessions have used the Denktagebuch to elucidate passages from Arendt's published work—this is especially fruitful since a full 500 pages of the Denktagebuch reflect entries from 1950-1954, the time when Arendt was at work on The Human Condition. Some excavated ideas are largely absent from the published work but vividly present in the Denktagebuch—for example love, reconciliation, and grammar. Finally, we have tried reading the Denktagebuch as a proper book, namely as a book of short aphorisms or poems, each standing on its own and yet fitting into the totality that is Arendt's thinking.
The origin of the Denktagebuch is interesting in itself. Arendt traveled to Germany in the winter of 1949-50 as the director of the Commission on European Jewish Cultural Reconstruction. Her mission was to search for Jewish ceremonial objects and, mainly, for Jewish books. The Commission recovered 1.5 million Jewish books under Arendt's leadership, part of what Leon Wieseltier calls "a campaign for the re-capture of a people’s dignity." During her visit, Arendt wrote "The Aftermath of Nazi-Rule. Report from Germany,“ which was published in Commentary. Also while in Germany, Arendt visited her old teacher, mentor, and lover, Martin Heidegger.
We know from Arendt's correspondence with Heidegger that they spoke at length about language, revenge, forgiveness, and reconciliation. Heidegger had joined the Nazi Party in 1933 and served for about one year as Rector of Freiburg University. He abandoned many of his Jewish friends and colleagues and promoted a philosophical version of Nazism before he resigned in 1934. The Heidegger case is complicated and controversial. Heidegger was a Nazi, but what kind of Nazi he was is not a simple question; there is no better account of the complexity of Heidegger's Nazism than Tracy Strong's powerful and nuanced retelling of the affair in his recent book Politics Without Vision.
In the 1940's Arendt was deeply critical of Heidegger. Her visit in 1950 provided an opportunity to think through her proper response to his activities. Shortly after her return to New York City in March1950, Arendt received a letter from Heidegger (along with some love poems) that read, in part:
I am happy for you that you are surrounded by your books again. The line with “the burden of the logs” is in “Ripe and dipped in Fire”—around the same time you probably wrote it [presumably a lost letter—RB], I had been thinking about the burden of logs.
The reference is to a poem “Reif Sind” by Friedrich Hölderlin. The poem is about memory, the past, and the question of whether to recall the past or to live in the present. One of the poem's central images is of the burden of logs that one carries on one's shoulders.
Shortly after Arendt receives Heidegger's letter, she begins her Denktagebuch, with the opening line:
The wrong that one has done is the burden on one’s shoulders, something that one bears because he has laden it upon himself.
That Arendt would initiate her book of thoughts with a meditation on the burden of past wrongs is not surprising. After all, she had recently finished the manuscript for The Origins of Totalitarianism—originally entitled The Burden of Our Times—which explored not simply the elements of totalitarianism, but more importantly the burden that such a past, a recent past, places on people in the present day: to comprehend and come to terms with what men had done as well as to acknowledge what any of us is capable of doing again. And, of course, she had just returned from a reunion with her past in Germany and Heidegger. The past is this burden that we bear on our shoulders, and Arendt begins her Denktagebuch with a reflection that is at once personal and yet also deeply abstract and universal.
The question of how to respond to the burden of wrongful deeds is woven through Arendt's writing. What is fascinating is that in the first pages of the Denktagebuch and then throughout the 1,200 pages, Arendt continues to think about the response to wrongs as a kind of reconciliation. This is surprising because reconciliation is not an idea prevalent in much of Arendt's published work.
In an article published last year, I explore the meaning and sense of reconciliation in Arendt's thinking. In it, I argue,
By focusing on Arendt's discussion of acts of reconciliation and also of non-reconciliation—her response to her reunion with Martin Heidegger in 1950, her judgment of the impossibility of reconciling oneself to Adolf Eichmann, her account of Jesus' forgiving and not-forgiving of petty and colossal crimes in the Gospel of Luke, and her reconciliation to life after the death of her husband, Heinrich Blücher—I show how Arendt places the judgment for or against reconciliation at the center of political action. Above all, I argue that the question—"Ought I to reconcile myself to the world?"—is, for Arendt, the pressing political question in our age.
There are not many articles published on the Denktagebuch in English. My article, focusing on the first seven pages of Arendt's notebooks, offers a glimpse into one way the Denktagebuch can help expand and enrich our reading of Arendt. You'll have to wait a bit for the book Reading Arendt's Denktagebuch, but for now you can read "Bearing Logs on Our Shoulders: Reconciliation, Non-Reconciliation, and the Building of a Common World."
You can also read this account of the Denktagebuch by Sigrid Weigel, at Telos (payment required).
You can also watch a video of Ursula Ludz discussing editing Arendt's work here, from a talk she gave in 2010 at the Hannah Arendt Center.
-RB
Leading a Student Into the World
As long as our world changes so rapidly that children can expect to live very differently than their parents, it is likely that education and child rearing will always be in crisis.
This is the first sentence of a senior project I am reading today, the first of many I will read over the next two weeks. If the others are as fascinating as this one, it will be a happy two weeks.
The Bard senior project is the culmination of a Bard Student's year-long inquiry into a topic of their choosing. In this case, my student Steven Tatum—an aspiring teacher who will attend Bard's Master in Teaching Program next year—set out to explore the sense and import of our crisis in education.
In its most basic sense, education is how we lead new human beings into the world and introduce them to it. The Latin root of our word “educate” is educo, which means to rear or bring up a child, but it also means to lead forth and draw out. For most of Western history, education in this sense was a relatively simple matter of leading children into the lifestyles that their families had maintained for generations. But with the modern emphasis on equality, self-determination, and social mobility, the task of leading children into the world became much more difficult since educators could never know how a given student would choose to live in the world. Schools were given the task of leading students into a world of freedom and possibilities.
While these benefits for human freedom certainly make the increased burden on education worth bearing, this difficulty becomes a crisis when parents and teachers cannot be sure what the world will be like when their children and students reach adulthood. How can parents and teachers lead the next generation into a world that neither generation knows?
Tatum's Senior Project asks how to lead a student into the world, and seeks guidance from Hannah Arendt's essay, The Crisis in Education.
In this project I follow Arendt through the crisis in education as a way of learning with her about the essence of education and the educational challenges we face in our uncertain time. I begin at the beginning of education: the birth of a child. For Arendt, the fact that new people are continuously born into the world is the essence of education. In addition to marking the beginning of a living growing being, Arendt focuses on birth as the origin of our capacity to make new beginnings of our own throughout our lives by acting in the world. She believes the task of education is to preserve and foster this capacity for action so that the members of each new generation can participate in building and rebuilding a common world.
The tension in education today is between the need to lead people into an already existing world and the equally pressing imperative to prepare them for a new world that certainly is approaching, faster and more unpredictably than any of us imagine. The news this week is filled with articles about new initiatives at Stanford, the University of Pennsylvania, Harvard, and MIT to create new corporations that will offer courses on the internet. This is part of the trend to orient education toward the future, in the hope that we can teach students more quickly and more efficiently what they will need to know in the new economy.
Underlying much contemporary educational thinking is the assumption that our present world will not last long. More important than leading students into the world, is the need to give them the tools of the future. And this is not wrong. We do live in a world in which the constancy of tradition has been disrupted. Ours is a world in which the foundations are fluid and we cannot rely on past verities, be they moral, political, or scientific. Everything is changeable, and we must prepare our children for such a world.
And yet, even in a world in which we must "think without banisters," there is still a world, a common sense and a common space where people congregate. As Arendt writes,
The loss of worldly permanence and reliability ... does not entail, at least not necessarily, the loss of the human capacity for building, preserving, and caring for a world that can survive us and remain a place fit to live in for those who come after us.
It may be that we live in a time of flux and change, one where permanence and structure are necessarily fleeting. At the same time, it is human to build structures that last, to tell stories that are meaningful, and build works that memorialize. As much as education is about preparing students for the new, it is also about teaching them the stories, showing them the works, and introducing them to the heroes that together comprise the world into which they have been born. Education is importantly a collective effort at remembering and thus calling to mind the world in which we live.
With that in mind, it is helpful to consider these lines from Steven's Thesis.
While I focus on the arguments she makes in her published work, studying Arendt has also allowed me to reflect on how my own education has taken place. As a student at Bard College, I found Hannah Arendt’s grave in the college cemetery well before I read any of her work. In writing this project, I have found more and more ways in which I share a common world with her. I did research in her personal library, read her letters, spoke with people who knew her, and sat by her grave. I also learned recently that one of the desks in the classroom at Bard’s Hannah Arendt Center where I took a class on her book Between Past and Future is the desk from her apartment in New York City. These experiences have done more than add personal touches to my research; they resonate with the content of this project in the sense that they have lead me to a deeper awareness of and appreciation for the world that I am entering.
For your weekend read, I commend to you Hannah Arendt's essay, The Crisis in Education.
-RB
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