Roger Berkowitz recently gave the opening lecture at the Hannah Arendt Center Conference “The Unmaking of Americans: Are There Still American Ideas Worth Fighting For?” The conference, held at Bard College, included talks by David Bromwich, Anand Girdirhardas, Kennan Ferguson, Jerome Kohn, Ann Lauterbach, Lawrence Lessig, Charles Murray, George Packer, Robert Post, Joan Richardson, Amity Shlaes, Jim Sleeper and Kendall Thomas. You can view the conference in its entirety here. For the Weekend Read this week, we provide an edited transcript of Professor Berkowitz’s speech: “American Exceptionalism: What Are We Fighting For?”
**This post was originally published on November 14th, 2011**
"The end of rebellion is liberation, while the end of revolution is the foundation of freedom."
-Hannah Arendt, On Revolution
Physical liberty is a prerequisite for freedom, but freedom, Arendt writes, "is experienced in the process of acting and nothing else". The intimate connection between acting and freedom is what animates the intense passion for revolution. At a time when freedom is reverenced, but mostly in the breach, revolutions seduce us with the hope that the "course of history suddenly begins anew, that an entirely new story, a story never known or told before, is about to unfold". Revolution, as the coincidence of the idea of freedom and the experience of a new beginning, actualizes the experience of being free".
Arendt writes that the "revolutionary spirit" of freedom unites two seemingly contradictory elements. The first is the "act of founding the new body politic", an act that "involves the grave concern with the stability and durability of the new structure". As an act of foundation, revolutionary action strives to found new yet lasting governmental institutions. Often ignored amidst the focus on revolutionary violence, the desire to found stable structures is central to the revolutionary spirit.
The second element of the revolutionary spirit, however, is the revolutionary’s experience of the revolution. It is "the experience . . . which those who are engaged in this grave business are bound to have", namely the experience of an "exhilarating awareness of the human capacity of beginning". Caught up in the thrall of creation, revolution gives birth to the "high spirits which have always attended the birth of something new on earth". The revolutionary spirit, therefore, includes the joy and excitement that attends all endeavoring to tear down and build up. The joy in the destruction of the old that Nietzsche reminds us of is inseparable from the joy in the creation of the new.
Arendt attributes the loss of the spirit of the revolution – what she calls the revolutionary treasure – to one overriding cause. The problem is that the republics that the revolutions created – one after another, whether in France, Russia, or America – left no space for the very freedom that constituted part of the revolutionary treasure. The question Arendt asks is: what kind of institutional spaces could, potentially, preserve a place for the revolutionary spirit of freedom within a republic?
I mention Arendt’s double characterization of the revolutionary spirit now in the shadow of the Arab Spring, the Israeli Summer, and the American Fall. In Egypt, Tunisia, and Libya, rebellions liberated the people from oppressive regimes, and rebellions continue to seek liberation in Syria, Sudan, and Bahrain. Around the globe, however, revolutionaries are struggling with Arendt's question of how to find a revolutionary spirit of freedom within a political order. Amidst the sense of utter disenfranchisement and powerlessness that gave birth to these movements in the very heart of democratic states, we need to work to restore spaces and possibilities for the experience of freedom.
In the United States, Arendt bemoans that the US founders "failed to incorporate the township and the town-hall meeting into the Constitution". The town-hall meetings were "spaces of freedom"; as such, they were crucial institutions of the new republic. The life of the free man, Arendt writes, needs "a place where people could come together." The possibility of public freedom necessitates institutionally recognized forums for free action in which free citizens manifest themselves to others.
Arendt’s interest in these councils and town-hall meetings – and also Thomas Jefferson’s stillborn proposal for a "ward system" that would divide the nation into "elementary republics" – is not a nostalgic call for direct decision-making. The point of these societies and councils was not necessarily to make decisions or to govern or administer a municipality. Indeed, Arendt praises one French club in particular that prohibited itself from any attempt to influence the General Assembly. The club existed only "to talk about [public affairs] and to exchange opinions without necessarily arriving at propositions, petitions, addresses, and the like". The councils were a space for freedom, a space for people to gather and discuss the affairs of the day with others. Their importance was not in what they accomplished, but rather in what they nourished.
As institutional spaces of "organized political experience", the clubs promoted "the same kind of attunement to events that had drawn the revolutionaries into action, and along its path". In other words, the councils offered the experience of freedom that "is experienced in the process of acting and nothing else".
-- Roger Berkowitz
Independence Day began for me at the Nantucket Unitarian Universalist Meeting House where a packed crowd braved an impending hurricane to hear a reading of the Declaration of Independence and the Bill of Rights alongside some vigorous patriotic singing. I had never heard the Declaration read aloud before, but one recalls that it is a declaration and meant to be read. Also striking is that the bulk of the Declaration is concerned with listing the ills and wrongs suffered at the hands of King George.
Thanks to William Novak for sending us this image.
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
Drones are simply one weapon in a large arsenal with which we fight the war on terror. Even targeted killings, the signature drone capability, are nothing new. The U.S. and other countries have targeted and killed individual leaders for decades if not centuries, using snipers, poisons, bombs, and many other technologies. To take a historical perspective, drones don’t change much. Nor is the airborne capacity of drones to deliver devastation from afar anything new, having as its predecessors the catapult, the long bow, the bomber, and the cruise missile. And yet, there is seemingly something new about the way drones change the feel and reality of warfare. On one side, drones sanitize the battlefield from a space of blood, fear, and heroic fortitude into a video game played on consoles. On the other side, drones dominate life, creating a low pitched humming sound that reminds inhabitants that at any moment a missile might pierce their daily routines. The two sides of this phenomenology of drones is the topic of an essay by Nasser Hussain in The Boston Review: “In order to widen our vision, I provide a phenomenology of drone strikes, examining both how the world appears through the lens of a drone camera and the experience of the people on the ground. What is it like to watch a drone’s footage, or to wait below for it to strike? What does the drone’s camera capture, and what does it occlude?” You can also read Roger Berkowitz’s weekend read on seeing through drones.
Marilynne Robinson, speaking to the American Conservative about her faith, elaborates on what she sees as the central flaws in contemporary American Christianity: "Something I find regrettable in contemporary Christianity is the degree to which it has abandoned its own heritage, in thought and art and literature. It was at the center of learning in the West for centuries—because it deserved to be. Now there seems to be actual hostility on the part of many Christians to what, historically, was called Christian thought, as if the whole point were to get a few things right and then stand pat. I believe very strongly that this world, these billions of companions on earth that we know are God’s images, are to be loved, not only in their sins, but especially in all that is wonderful about them. And as God is God of the living, that means we ought to be open to the wonderful in all generations. These are my reasons for writing about Christian figures of the past. At present there is much praying on street corners. There are many loud declarations of personal piety, which my reading of the Gospels forbids me to take at face value. The media are drawn by noise, so it is difficult to get a sense of the actual state of things in American religious culture."
Is poetry going the way of the Dodo bird? Vanessa Place makes this argument in a recent essay “Poetry is Dead. I Killed It,” on the Poetry Foundation website. And Kenneth Goldsmith, in the New Yorker, asks whether Place is right. The internet, he suggests, has killed or at least so rethought poetry that it may be unrecognizable. "Quality is beside the point—this type of content is about the quantity of language that surrounds us, and about how difficult it is to render meaning from such excesses. In the past decade, writers have been culling the Internet for material, making books that are more focussed [sic] on collecting than on reading. These ways of writing—word processing, databasing, recycling, appropriating, intentionally plagiarizing, identity ciphering, and intensive programming, to name just a few—have traditionally been considered outside the scope of literary practice."
In a rare interview, famously reclusive Calvin and Hobbes cartoonist Bill Watterson prognosticates on the future of the comics: "Personally, I like paper and ink better than glowing pixels, but to each his own. Obviously the role of comics is changing very fast. On the one hand, I don’t think comics have ever been more widely accepted or taken as seriously as they are now. On the other hand, the mass media is disintegrating, and audiences are atomizing. I suspect comics will have less widespread cultural impact and make a lot less money. I’m old enough to find all this unsettling, but the world moves on. All the new media will inevitably change the look, function, and maybe even the purpose of comics, but comics are vibrant and versatile, so I think they’ll continue to find relevance one way or another. But they definitely won’t be the same as what I grew up with."
Cambodian director Rithy Panh's new movie, The Missing Picture is about the rule of the Khmer Rouge in Cambodia. In making the film, he had to confront the challenge of making a movie about atrocities that are famously without explicit visual records, and he hit upon a unique solution: clay dolls. Although these figures "are necessarily silent, immobile, and therefore devoid of the intensity of those moments in other Panh films where his camera bores in on the face of a witness and lingers there as he remembers what happened, or what he did," Richard Bernstein suggests that they give the movie a unique power.
This week on the blog, Ian Storey revisits George Orwell's prescient essay, "Politics and the English Language." Jeffrey Champlin looks at James Muldoon's essay about Arendt's writngs on the advocacy of council systems in On Revolution. And your weekend read looks at the cultural impact of drones on the nations and groups that are employing them.