Hannah Arendt Center for Politics and Humanities
4Jun/131

On MOOCs; and Some Possible Futures for Higher Ed

ArendtEducation

Barely more than a year old, MITx and edX now dominate discussion about the future of higher education like nothing else I have seen in my time in Cambridge, MA. I have been teaching at MIT for more than 10 years now, and can’t remember any subject touching directly on university life that came even remotely close to absorbing the attention of higher ed professionals in the region the way that edX has. From initial investments of $30 million each by the founding institutions Harvard and MIT, and each month it seems bringing announcement of new partnerships with the world’s colleges & universities (27 institutions currently belong to the “X” consortium), the levels of hype and institutional buy-in have been nothing short of extraordinary.

Because of their ubiquity in the popular press, higher ed industry periodicals, and blogosphere, Massively Open Online Courses or MOOCs have become that most dangerous topic of discussion: a subject about which everybody needs to have an opinion. Such topics can unfortunately generate more heat than light, as the requirement to have and to express a point of view often means that the strongest and most extravagant opinions will claim attention and command the terms of debate. This is unfortunate if you favor the nuanced opinion or (as I do) feel genuinely ambivalent about MOOCs and the role(s) that they might play in shaping the future of higher education.

arm

So far much of the discourse about MOOCs has tended to settle around two competing claims -- one for, one against -- that I articulated in a tweet a few months ago. Either MOOC providers are described as delivering free or low-cost quality higher education to those hard-pressed to afford it (and so performing a valuable public service); or MOOCs are understood to be selling a "lite" version of higher education to the poor while consolidating power and prestige with a few wealthy elite schools.  In this dystopian view, the democratizing claims made by Udacity, Coursera and edX (the last formed of these outfits, and the only non-profit among them) are revealed instead to be essentially colonialist ones -- the colonialists, ed-tech profiteers hell-bent on thoroughly remaking the university as a crypto-corporate enterprise.  MOOCs are understood to be an engine in this transformation, and an integral part of an overall design for reshaping higher education as a neoliberal market pursuit.

I can’t doubt that there is truth in both of these sets of claims. It is difficult at the same time to ignore that arguments for and against MOOCs look past each other in crucial respects; and leave precious little ground between them. What the accounts do share is an assumption that MOOCs will transform or “revolutionize” the landscape of higher education (for good or ill). Either MOOCs will be agents for elevating some in the less advantaged and underserved corners of the world; or MOOCs are instruments for extracting bodies from classrooms and tenure-track lines from university departments. The somewhat high-flown claims to educate and elevate underserved populations of the globe, often based on stray anecdote, are offered independently of any more substantive claim about the specific learning communities who benefit (or stand to benefit) from MOOCs. Similarly, claims about the profit motives animating the companies offering MOOCs subordinate all discussion of MOOCs to the ideological positions that they supposedly exist to promote. The designs attributed to MOOCs, and to the instructors who offer MOOCs, are such as foreclose discussion rather than promote it.

While both accounts of MOOCs envision significant future consequences from their implementation, moreover, neither says very much about actually-existing MOOCs. The MOOC has become a repository for utopian and dystopian narratives about the present and future directions of higher ed. As a result, this or that fact about MOOCs is often considered (or not) insofar as it confirms the prevailing theory about them. 150,000 signing up for a class demonstrates a clear hunger on the part of many across the globe for access to a quality education; this fact authorizes enlarged claims for the ability to transform higher education by bringing MOOCs to the masses. Similarly, the replicability of the digital medium -- and the fact that course content such as video lectures, once made, do not necessarily need to be re-made each year -- is conceived as a key to how MOOCs will force everyone in higher ed to make do (not do more) with less: less student-faculty interaction, fewer tenure-track professors, down the road the prospect of fewer instructors (the majority of them adjuncts already) paid to teach in college classrooms.

In addition to fears that MOOCs will reinforce ongoing trends of budget cuts, adjunctification and layoffs of college teaching staff, another legitimate concern is that MOOCs will—by helping some schools with their branding strategies—have the effect of consolidating elite privilege with a few schools and the “superprofessors” (themselves overwhelmingly white and male) who teach MOOCs, leaving other lesser-ranked schools struggling to compete against a lower-priced virtual curriculum. The fear is that MOOCs will facilitate the emergence of two tiers in higher ed offerings: the “real” version, available only to the students whose families can afford the exorbitant tuition, or who survive by taking out massive student loan debts); and the second-rate online version. With proposals on the table such as California’s Senate Bill 520, which would grant college credit for certain approved online courses, and Coursera’s recent announcement that they will sell their MOOCs to 10 public universities in the US, these fears are unfortunately very real. I hope to see more MOOCs spring up to contest that sense of inevitable recentering of authority from within the elite universities that host them. However difficult the task may prove to be, we need to disentangle the genuinely democratizing outreach work done by online education from its re-inscription of elite privilege.

coursera

These are important and pressing concerns.  By the same token, they hardly exhaust all that can be said about MOOCs today.  A host of important questions about the creation and implementation of MOOCs -- about course content, mode of learning, assessment, and so on -- should not be lost amidst conversations about the larger tendency (whether benevolist and democratizing, or insidious and corporatizing) to which MOOCs properly belong. The movement of classroom tasks and functions online learning presents opportunities as well as risks; we should understand both. In an essay written late last year I tried to look without blinders at MOOCs, and to reflect both on the risks associated with their format and implementation as well as on their potential as instruments of learning and encounter. I wrote at the time that it wasn’t my intention "to defend the MOOC so much as...to hold open some alternative futures for it." For these alternative futures to emerge there needs to be vision, will, and coordinated effort on the part of many in higher ed. I am still willing at least to entertain the possibility that MOOCs may turn out to be an enabling, positive invention, while I acknowledge indicators that point in the direction of their being a lamentably misguided one. But the rush to condemn and dismiss online courses may be as fundamentally mistaken as the rush to anoint them the future of higher education.

Blended learning modes present opportunities for both pedagogical experimentation and outreach; neither opportunity should I think be dismissed lightly. I have heard many instructors of MOOCs (in both STEM and humanities subjects) remark that the experience of teaching online has transformed their thinking and approach to teaching familiar material in the traditional classroom -- whether in pace and timing, course content, evaluation and assessment, etc. My interest in MOOCs extends to how the format can be imagined to provide access to a university curriculum to populations that may not have had this kind of access, as this is the population that stands to gain most from them. But in addition to the flat, global learning community ritually invoked as the audience for MOOCs, we could benefit from thinking locally too. How can the online course format make possible new relationships not only with the most far-flung remote corners of the earth but with the neighborhoods and communities nearest to campus? Can we make MOOCs that foster meaningful links with the community or create learning communities that cut across both the university and the online platform?

Among other alternative futures for MOOCs, I imagine more opportunities to collaborate with colleagues at other institutions. The single-delivery, “sage on stage” MOOC is no more the only online model available than is the large lecture class at a brick-and-mortar school. While MOOCs are still for the most part free and non credit-bearing, we should try out (and generate metrics to assess) as many different teaching arrangements as possible. I hasten to add that this exploration should include the intellectual freedom along with the technological affordances to create a MOOC of any kind, at any time, with anybody. With instructors and modules selected in advance, some infrastructural support in each site, and a set of shared principles for continuity of curriculum and presentation, anybody could create a MOOC. Universities like Penn have already begun asking faculty to sign non-compete agreements, presumably to curb these kind of collaborations. For as long as such arrangements are permissible, however, I would urge researchers to collaborate on MOOCs themselves. This may be a tall order; but not I think impossible.

mooc

From various quarters we have heard recent calls for a slow-down of the MOOC bandwagon. An open letter from Harvard faculty to the Dean of Faculty of Arts & Sciences calls for more oversight and reflective engagement with the question of how MOOCs offered through edX will affect “the higher education system as a whole.” I support these calls as consistent with the seriousness of the proposals to transform higher ed that are currently before us. From my modest position within the ranks of MIT administration I have been glad to see great care on the part of faculty to ensure that a spirit of experimentation and exploration with regard to MOOCs remains compatible with the core principles of the university and with a residential education. Cathy Davidson at Duke will in January 2014 teach a MOOC with Coursera simultaneously combined with a brick-and-mortar course on “The History and Future of Higher Ed,” with participation from classes at other schools and universities as well. These and other movements are to me reassuring signs, indicators of collaborative engagement around a topic of great importance. They indicate a willingness too to eschew rehearsing polarized opinions for or against MOOCs in order to attend at once to their innovative construction and to their effective and responsible implementation. The challenge is to remind ourselves periodically to think small (locally, incrementally) at the same time that we heed calls to think big.

-Noel Jackson

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
29Apr/131

Amor Mundi 4/28/13

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Hannah Arendt: The Reviews are Coming In

tinymovieDavid Owen has this to say about Hannah Arendt, the new movie by Margarethe von Trotta: "Arendt sits reading and is haunted by voices from the trial, she spends a lot of time lying down on a divan smoking endless cigarettes, she types in a controlled frenzy. Here it seems to me that the film is linking these features in a way that is insightful and important, namely, that Arendt had to steel herself to write her report at all, that she had to set aside her own feelings and relationships to others in order to be able to try to serve truth, that intellectual conscience (redlichkeit) makes demands that are hard to bear." Read more here.

Natan Sznaider is less impressed. "...you can imagine how much I was looking forward to this movie.  Unfortunately, I came out deeply disappointed.  It's not simply that this portrait of Arendt is frozen in amber, and celebrates the misunderstandings of 50 years ago, when Eichmann in Jerusalem  had just came out.  It's not simply that it ignores the last 15 years of modern scholarship, which re-excavated her Jewishness in order to make sense of the many things in her writings and actions that otherwise don't.  It's that it turns her story inside out." Read more here.

Come see for yourself. The Hannah Arendt Center will be screening Hannah Arendt on Monday, April 29 at 7pm. Get more information here.

The Cost of Safety

rugsConor Friedersdorf asks hard questions in The Atlantic about New York City's Stop and Frisk program and its program of surveillance on Muslims. Friedersdorf lays out a long list of the harms caused by these programs, including: young Muslims feeling it is unsafe to pray in their mosques; the breach of the relationship of trust between Imam and congregations; the sense of persecution and suspicion associated with dressing as a Muslim; the de-politicization of the Muslim community; overall mutual suspicion of Muslims and police, and much more. These costs, he writes, must be balanced against the goal of keeping New Yorkers of all religions and races safe. Friedersdorf is clear that the costs are too high; and he is flabbergasted that most American liberals disagree with him:

"What does it say about American liberalism today that two of the most significant municipal programs abrogating the civil liberties of racial and ethnic minorities thrive in a deep blue city that also happens to be the media capitol of the country ... and the guy presiding over it remains popular?" Whether or not Friedersdorf is right, he does a good job of reminding us of the true cost of our safety.

Filling in the Gaps

booksStarting from the story of poet and essayist Muriel Rukeyser's long unpublished novel Savage Coast, to be issued for the first time next month, Anna Clark considers CUNY's Lost & Found project, which "resurrects" works of twentieth century fiction, poetry, and scholarship. Although Lost & Found isn't focused on women writers like Rukeyser, Clark believes that it and projects like it can be valuable to writing female authors back into the record: "The lack of this painstaking and intentional work risks skewing the narrative of our history and culture, ceding our past to appear more homogenous than it was. It is fair to point to literature's age-old gender gap that left most female writers on the sidelines-Virginia Woolf famously posited Shakespeare's Sister as the female counterpart of the Bard who, owing to her social role, would not have written a word."

 

Beyond the Flipped Classroom

mathSal Khan speaks with The Guardian about his transformative educational website Khan Academy. Khan began developing his now famous educational videos to teach his younger cousins fundamental concepts in math. He eventually quit his finance job to oversee the building of his non-profit empire, with the mission of "changing education for the better by providing a free world-class education for anyone anywhere." Khan's dream is to invert the usual classroom structure where teachers lecture in class and students work independently at home. When teachers can rely on his videos, students can learn the basics of their lessons at home and come into class to work collaboratively and get help from the teacher while they solve problems.

 

 

An African Caeser

caeserTeju Cole recently attended a staging of The Royal Shakespeare Company's Julius Caesar at B.A.M. Cole takes time to consider both the play itself and the African setting of this particular production, which features an "all-black cast": "The assassination of Caesar himself feels like a story from one of the newly independent African countries of the nineteen-sixties. [Director Gregory] Doran highlights the political aspect of the play, and this is to the good, for it is still necessary to insist on Africa as a site of political and ideological contest, and not a static place mired in an unchanging anthropological past. Caesar... is in the company of such manipulative despots as Idi Amin Dada, Mobutu Sese Seko, and Ibrahim Badamasi Babangida."

 

 

Featured Upcoming Event

The Hudson Valley Premiere of the biopic, Hannah Arendt

tinymovieApril 29, 2013 at Olin Hall, Bard College at 7:00 PM

Learn more here.

 

 

 

From the Hannah Arendt Center Blog

This week on the blog Wout Cornelissen considers Arendt's understanding of poetry. Roger Berkowitz thinks through Philip Roth's recent tribute to his favorite good teacher. And Berkowitz also considers the suspension and disciplining of the Albany high school teacher who asked students to think like a Nazi.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
6Feb/130

“If”

My girlfriend and I walked by a clothing storefront and noticed the print on some of the t-shirts at the lower right corner of the window and went in. She had mentioned this Imaginary Foundation (IF) before. They make print t-shirts.

I went to school at an expensive liberal arts college in the Hudson Valley—everyone there makes print t-shirts. It is like a business you start as a college sophomore as a way to convince yourself that you are a ‘creative entrepreneur’ before you enter the corporate world (or, alternatively, as a penance for inherited culture and comfort) the not-for-profit world.

Often, I cannot stand them —the print t-shirts. There is something out of shape about them, as if the juxtaposition of body/shirt/image, sets askew some intrinsic agreement in the marriage of fashion and identity. And yet, the IF designs spoke to me. There is something dreamy and yet sincere about these prints. If le petit prince was looking for a print t-shirt, he would buy one of these.

It just so happened that the owner of the company was visiting this Seattle distributor and was in the store. He was awkward, skittish and European. I liked him, and before we left I told him that I blog for a thinking and humanities institute out east and may want to write about his brand. That’s how I got into the Imaginary Foundation.

The shirts are not exactly ‘pretty,’ or ‘fashionable,’ rather, their attraction is a gesture beyond themselves -- a rare feat in a culture that positions branding as the apex of success. I’ll describe one shirt and if interested you can invest your own time in the Imaginary Foundation.

The “Being There” shirt has three anonymous human heads (one of the cloud suit, one of the water suit, and one of the fire suit). The heads are in peripheral view and are aligned, with a slight skew (allowing us the view of all three faces), as they break through a wall, the veil of the universe.

Other shirts handle concepts of psychosis and love “Love Science,” science and discovery in a reach towards heaven “Reach,” and other such concepts widely considered esoteric or cliché within the lens of our popular culture. But, we no longer understand what a ‘cliché’ is. I have long held the view that a cliché is a truth, or a point of interest and perspective insight, that has simply been worn out by overexposure. But who has worn it out? How have we taken the liberty and quiet pleasure of the private sphere (the realms of reflection, contemplation, meditation as it is thought of in the Greek terms), out of our living cycle, our consciousness, our daily existence? Why is the call for private contemplation no longer a necessity of existence? It seems we should have more time then ever for such practices. So many of our daily chores, our basic needs, are met through the economic matrix. I no longer have to chop wood for warmth, hunt a boar for food, trek down to the river for a water simply, etc... Why shouldn’t I spend more time in private contemplation, or even public conversation on these more subtle topics of the human necessity? Why shouldn’t I be making something in an effort to communicate those private necessities? The actualization of the humanist requires space for such a practice. And yet, anything that requires a slowing down of, a calling for the work of the mind and private reasoning, is now, quite often immediately, labeled a cliché.

In The Human Condition Arendt writes “The emancipation of labor and the concomitant emancipation of the laboring classes from oppression and exploitation certainly means progress in the direction of non-violence. It is much less certain that it was also progress in the direction of freedom.” She is not saying that laboring classes should not have been emancipated. Rather, that the humanist goal has been blurred by some glitch. Instead of moving towards freedom from wasteful labor (a waste of human power -- physical, mental, spiritual) we instead have emancipated labor. Most of us have become imprisoned in a non-sustainable cycle that for the continuation of its forward motion requires an ever-increasing consumption and waste. This waste can be seen in terms of power. The core power of the human psyche originates in the liberty of free private thoughts—a psychological space for contemplation. A mapping of one’s stillness that is only possible in the acquisition of free time. Free time is a result of freedom from labors necessity. What Arendt’s thoughts gesture towards is that the set of basic necessities that we have been freed from, have been replaced by another, far more complicated and disguised set—the necessity to perpetuate a system that is moving much faster then us; a necessity to consume and continue consuming. To be ‘a part of‘ is, today, to be a consumer—to take ones place in the labor of waste.

Oh right, I wanted to tell you about a product...

“IF” is a creative project. It gains the viewers attention and borrows the imagination. This is a beginning. It does not steal, it borrows. It suggests the prospect of resonance rather than ownership.

I checked out the company website. The “about” page describes the development of the Imaginary Foundation: “a think tank from Switzerland that does experimental research on new ways of thinking and the power of the imagination. They hold dear a belief in human potential and seek progress in all directions.” The page is dotted with black and white images from the sixties, shaggy haired men and turtle-neck clad women engaged in contemplative, laissez-faire, light spirited dialogue. The imaginary director of the foundation is described as a “70-something uber-intellectual whose father founded the Dadaist movement.” The foundation is imaginary. It is a base, a canvas, for the products (the t-shirts) and the ideas behind them.

The blog section of the site imagines a list of contributors: Isadore Muggll, Kamilla Rousseau, etc. These architects, as is the back story, are too imaginary. “IF” is a fictional foundation for the product. But the product is real and engaging.

What is captured here goes beyond the tangible properties of the product (t-shirts). It is about what the product delivers—the wonder of creativity and science, the archetypes of the IF.  Imagination IS the foundation of this product.

The blog itself is a venue for artists who marry technology and art, as well as other thought provoking materials. The image I use at the head of this article is taken from the blog. Cloud, idea, light, community, play—IF: all these are represented in the Cloud installation. This art installation is a discovery I am brought to by the Imaginary Foundation.

I once taught a course on the development of contemporary advertising, heavily focused on Edward Bernays and the peripheral route of persuasion. Bernays was Sigmund Freud’s nephew, Woodrow Wilson’s image advisor, the father of the term "Public Relations," and the architect of the torches of freedom (Lucky Strikes) campaign, among many others. His theory, though terribly simplified here, was that the modern consumer does not purchase with his mind; rather, he defers to his emotions in most choices. The rational-actor is a fiction. If consumerism became god, branding became its religion.

Ad campaigns have become remarkably creative, and even, at times, beautiful. Have you ever felt the urge to cry during a Jeep commercial? Many have. I think I have. The central conceptual premise of the AMC show Mad Men, depends upon this tension: between art and consumption; the rendering from black and white, to color; the effective marketing and selling off of the human experience. In question is the art aspect of advertising. It is at the core of Don Draper’s motivations, and the one that despite his many character failings keeps endearing him to us. Ultimately we are asking, will he reconcile his artistic urge (his private motivation) with his office at the homunculus of the consumerism model (his role in the corporate arena). Exposed is a manipulation, an incongruence, an infidelity in the marriage of advertising and art. Where as art points towards something beyond itself, beyond even the image and the medium, the ad campaign points only to one purpose—back into itself. No idea behind it. Nothing living. It consumes.

Advertising is like the Ouroboros, the dragon that swallows its own tail; having entirely swallowed itself, the modern advertising campaign defies the laws of balance, it is only the un-relentless, hungry serpent head of consumption -- devoid of the body of life. The only urge driving it is to possess.

It is the difference between the work of Egon Schiele and Penthouse, the writings of Georges Bataille and a godaddy.com super bowl campaign.

Seduce ->consume. This is the current mandate of the ad campaign. But this relationship is only sustainable through incompletion. It requires continual doses. Seduce -> consume -> feel a lack even in the possession of product (contract unfulfilled) -> be seduced again -> consume. Ad infinitum. A terrible loop.

How can consumerism and individual consciousness (the most private sector) be made sustainable? Is it possible for a product to speak beyond itself? To fulfill the promise of its persuasion? And if it could, what would that mean for us?

Here I position the word sustainability to face two directions. In part it refers to what Arendt terms as “worldly,” the creation produced through work and not labor, something that has the potential to last beyond the productions of time, something that maneuvers into the arena of the eternal. I also want to posit the word in terms of its evolving contemporary potential. The one sector of the public, and political sphere that allows for the platform of this conversation is the environmental movement. It is where we have begun to contemplate the world beyond the shortsighted view of individual lifetimes. We speak of the sustainability of our planet; we are considering new ways to move our habits from wasteful and consumptive, towards lasting and sustainable power. It is a fairly new conversation and the word “sustainability” is evolving with each new perspective we bring to it.

Sustainability goes beyond consumer awareness. It is about the awareness of the product, how a brand gains consciousness. I need to explore here a definition of “consciousness.”

I have come to understand definitions as ever evolving in accordance with society and the pressures put upon it by the conditions of the time, the fractals of our world (more simply put, the culture stew).

Consciousness is the expanding of space into which one can resonate. To learn of the world around us, to acknowledge it, to consider its multiple dimensions, is to become more conscious -- to create space into which we can move by the will of our imagination and invention.

The Imaginary Foundation is an example of this bridge. It acknowledges itself and its fiction. It allows for play. It is a small company that uses the fabrication of its narrative to bring the consumers attention to the mimetic principles behind its product. Revealing the architects conceit brings me (the consumer) into co-authorship of the story. It endears itself to me. We do not only consume the product. We consume the narrative of the product. Even if I do not purchase, if I am thinking about it, I am talking about it, I have bought in. If it generates new ideas and deeper order thoughts, then I have begun to take ownership of the product. I consume the myth, I begin to co-author it -- I don it in the neural network of culture. And thus the product has gained consciousness, has begun to be carried beyond the object -- it resonates.

My study of this product is limited. I am not encouraging anyone here to purchase a shirt. I have not purchased a shirt. What I think this opens up is a table for negotiations between the current consumerism model, and individual consciousness—an opportunity to examine sustainable consumerism in all implications.

-Nikita Nelin

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
23Jan/130

The Higher Education Bubble? Not So Fast.

We have a higher education bubble. The combination of unsustainable debt loads on young people and the advent of technological alternatives is clearly set to upend the staid and often sclerotic world of higher education.

In this month’s The American Interest, Nathan Hardin—the author of Sex & God at Yale: Porn, Political Correctness, and a Good Education Gone Bad (St. Martin’s, 2012) and editor of The College Fix—tries to quantify the destructive changes coming to higher education. Here is his opening paragraph:

In fifty years, if not much sooner, half of the roughly 4,500 colleges and universities now operating in the United States will have ceased to exist. The technology driving this change is already at work, and nothing can stop it. The future looks like this: Access to college-level education will be free for everyone; the residential college campus will become largely obsolete; tens of thousands of professors will lose their jobs; the bachelor’s degree will become increasingly irrelevant; and ten years from now Harvard will enroll ten million students.

Step back a second. Beware of all prognostications of this sort. Nobody knows what will happen tomorrow let alone 50 years from now. Even today the NY Times reports that the University of Cincinnati and the University of Arizona are turning to online courses as a way of increasing enrollment at their residential campuses. Whether this will work and how this will transform the very idea of a residential college are not yet clear. But the kinds of predictions Hardin makes can be provocative, thus inducing of thought. But they are rarely accurate and too often are simply irresponsible.

Beyond the hyperbole, here is something true. Colleges will exist so long as they can convince students and their parents that the value of education is worth the cost. One reason some colleges are suffering today is clearly the cost. But another reason is the declining perception of value.  We should also remember that many colleges—especially the best and most expensive ones—are seeing record demand. If and when the college bubble bursts, not all colleges will be hit equally. Some will thrive and others will likely disappear. Still others will adapt. We should be wary of collapsing all colleges into a single narrative or thinking we can see the future.

Part of the problem is that colleges offer education, something inherently difficult to put a value on. For a long time, the “value” of higher education was intangible. It was the marker of elite status to be a Harvard man or some such thing. One learned Latin and Greek and studied poetry and genetics. But what really was being offered was sophistication, character, erudition, culture, and status, not to mention connections and access.

More recently, college is “sold” in a very different way. It promises earning power. This has brought a whole new generation and many new classes into university education as they seek the magic ticket granting access to an upper middle class lifestyle. As the percentage of college graduates increases, the distinction and thus market value of college education decreases. The problem colleges have is that in their rush to open the doors to all paying customers, they have devalued the product they are offering. The real reason colleges are threatened now—if they indeed are threatened—is less financial than it is intellectual and moral. Quite simply, many of our colleges have progressively abandoned their intangible mission to educate students and embraced the market-driven task of credentialing students for employment. When for-profit or internet-based colleges can do this more cheaply and more efficiently, it is only logical that they will succeed.

For many professors and graduate students, the predicted demise of the residential college will be a hard shock. Professors who thought they had earned lifetime security with tenure will be fired as their departments are shuttered or their entire universities closed down. Just as reporters, book sellers, and now lawyers around the country have seen their jobs evaporate by the disruption of the internet, so too will professors be replaced by technological efficiencies. And this may well happen fast.

Gregory Ferenstein, who describes himself as a writer and educator and writes for Techcrunch and the Huffington Post,  has gone so far to offer a proposed timeline of the disappearance of most colleges as we know them. Here is his outline, which begins with the recently announced pilot program that will see basic courses at San Jose State University replaced by online courses administered by the private company Udacity:

  1. [The] Pilot [program in which Udacity is offering online courses for the largest university system in the world, the California State University System] succeeds, expands to more universities and classes
  2. Part-time faculty get laid off, more community colleges are shuttered, extracurricular college services are closed, and humanities and arts departments are dissolved for lack of enrollment (science enrollment increases–yay!?)
  3. Graduate programs dry up, once master’s and PhD students realize there are no teaching jobs. Fewer graduate students means fewer teaching assistants and, therefore, fewer classes
  4. Competency-based measures begin to find the online students perform on par with, if not better than, campus-based students. Major accredited state college systems offer fully online university degrees, then shutter more and more college campuses
  5. A few Ivy League universities begin to control most of the online content, as universities all over the world converge toward the classes that produce the highest success rates
  6. In the near future, learning on a college campus returns to its elite roots, where a much smaller percentage of students are personally mentored by research and expert faculty

I put little faith in things working out exactly as Ferenstein predicts, and yet I can’t imagine he is that far off the mark. As long as colleges see themselves in the knowledge-production business and the earnings-power business, they will be vulnerable to cheaper alternatives. Such quantifiable ends can be done more cheaply and sometimes better using technology and distance learning. Only education—the leading of students into a common world of tradition, values, and common sense—depends on the residential model of one-to-one in-person learning associated with the liberal arts college. The large university lecture course is clearly an endangered species.

Which is why it is so surprising to read a nearly diametrically opposed position suggesting that we are about to enter a golden age for untenured and adjunct faculty. This it the opinion of Michael Bérubé, the President of the Modern Language Association. Bérubé gave the Presidential Address at the 2013 MLA meetings in Boston earlier this month.

It is helpful and instructive to compare Hardin’s technophilic optimism with Bérubé’s recent remarks . He dedicated much of his speech to a very different optimism, namely that contingent and adjunct faculty would finally get the increased salaries and respect that they deserved. According to Bérubé:

[F]or the first time, MLA recommendations for faculty working conditions [are] being aggressively promoted by way of social media…. After this, I think, it really will be impossible for people to treat contingent faculty as an invisible labor force. What will come of this development I do not know, but I can say that I am ending the year with more optimism for contingent faculty members than I had when I began the year, and that’s certainly not something I thought I would be able to say tonight.

Bérubé’s talk is above all a defense of professionalization in the humanities. He defends graduate training in theory as a way to approach literary texts. He extols the virtues of specialized academic research over and above teaching. He embraces and justifies “careers of study in the humanities” over and against the humanities themselves. Above all, he argues that there are good reasons to “bother with advanced study in the humanities?” In short, Bérubé defends not the humanities, but the specialized study of the humanities by a small group of graduate students and professors.

I understand what Bérubé means. There is a joy in the pursuit of esoteric knowledge even if he eschews the idea of joy wanting instead to identify his pursuit work and professionalized labor. But to think that there is an optimistic future for the thousands of young graduate students and contingent faculty who are currently hoping to make professional careers in the advanced study of the humanities is lunacy. Yes advanced study of the humanities is joyful for some? But why should it be a paying job? There is a real blindness not only to the technological and economic imperatives of the moment in Bérubé’s speech, but also to the idea of the humanities.

As Hannah Arendt wrote 50 years ago in her essay On Violence, humanities scholars today are better served by being learned and erudite than by seeking to do original research by uncovering some new or forgotten scrap. What we need is not professional humanities scholars so much as educated and curious thinkers and readers.

As I have written before:

To say that excessively specialized humanities scholarship today is irrelevant is not to say that the humanities are irrelevant. The humanities are that space in the university system where power does not have the last word, where truth and beauty as well as insight and eccentricity reign supreme and where young people come into contact with the great traditions, writing, and thinking that have made us whom we are today. The humanities introduce us to our ancestors and our forebears and acculturate students into their common heritage. It is in the humanities that we learn to judge the good from the bad and thus where we first encounter the basic moral facility for making judgments. It is because the humanities teach taste and judgment that they are absolutely essential to politics. It is even likely that the decline of politics today is profoundly connected to the corruption of the humanities.

If humanities programs and liberal arts colleges go the way of the duck-billed platypus, it will only partly be because of new technologies and rising debt. It will also be because the over-professionalization of the humanities has led—in some but not all colleges—to a course of study that simply is not seen as valuable by many young people. The changes that Hardin and Ferenstein see coming will certainly shake up the all-too-comfortable world of professional higher education. That is not bad at all. The question is whether educators can adapt and begin to offer courses and learning that is valuable. But that will only happen if we abandon the hyper-professionalized self-image defended by scholars like Michael Bérubé. One model for such a change is, of course, the public intellectual writing and thinking of Hannah Arendt.

-RB

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.