Hannah Arendt Center for Politics and Humanities

Amor Mundi 9/6/15


Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upA Post-Privacy Future

ashley madison hack 1In commenting on the enormous dump of private email addresses associated with the marital affairs website Ashley Madison, Albert Wenger takes the approach of radical transparency. Since privacy will be impossible in the future, Albert proposes that we have to move past privacy. This means we need to change our values and our morals. "I believe that this hack and subsequent data leak provides a glimpse of a post privacy future. As I have argued before here on Continuations it is not ultimately possible to protect data and what we should be focused on instead is protecting people. Whether en masse, as in this case, or one person at a time, data will continue to come out. We need to work towards a society and individual behaviors that acknowledge this fact and if anything err on the side of more transparency and disclosure. People have always had affairs. There is nothing new about that. People have also used technology as part of their affairs. For instance, when letters were the technology of the day people wrote letters to their lovers, which then occasionally were discovered. That's for instance how Eleanor Roosevelt found out about FDR's affair with Lucy Mercer. So it shouldn't be at all surprising that people have been using the internet to have affairs. Facebook is apparently cited in one third of divorce cases. The way forward here is not to pretend that there is a technological solution or to be sanctimonious about affairs. Instead what we need is to acknowledge that affairs are part of human behavior." The comments below Wenger's essay are worth reading as well. As Ryan Borker writes: "I think a post-privacy world leads us dangerously close to a 1984 future. This is especially true since our actions, emotions, and even beliefs change. Since we're 'biologically designed' to forget, full, permanent disclosure enabled by technology only prevents you from erasing the past. This would be horrible, since every single mistake you'd make is on public record." The debate about full transparency and the move beyond privacy always has at least two steps. The first is technological, that privacy is impossible. The second is messianic, that transparency will lead to a new kind of human freedom. And there is always a suspicion that the second belief gives credence to the factuality of the first assumption. What is always overlooked is what is lost when privacy is lost. For Hannah Arendt, the great danger of full transparency was the sacrifice of depth, which is also the essence of thinking. Discussion about this drive for transparency will be front and center at the Hannah Arendt Center's upcoming fall conference "Why Privacy Matters: What Do We Lose When We Lose Our Privacy?" You can register now.

The Expectation of Privacy

ashley madison hack 2Writing in The New York Times, Farhad Manjoo has a slightly different response to the Ashley Madison hack and the prospect of a post-privacy future. While agreeing with Wenger about the need for increased tolerance about personal indiscretions, Manjoo also thinks we need to take concrete steps to protect our privacy. "But the victims of the Ashley Madison hacking deserve our sympathy and aid because, with slightly different luck, you or I could just as easily find ourselves in a similarly sorry situation. This breach stands as a monument to the blind trust many of us have placed in our computers--and how powerless we all are to evade the disasters that may befall us when the trust turns out to be misplaced. 'I feel reticent to blame people for ignorance or the consequences of their actions when they're simply sitting there at home doing something perfectly reasonable in an environment where there was an expectation set for privacy,' Mr. Hunt told me. 'I think what this does is demonstrate that everything you put online may become public.' There are several steps to take to minimize future damage from hackings like this one. But first, we could all become a bit more tolerant of online lapses; maybe the way to solve the problem of rampant disclosure of private stuff is to strive to look away from the stuff when it leaks--and to give those who've been harmed the benefit of the doubt. Second, we should all learn a little 'opsec'--hackers' jargon for 'operational security,' or a guide for conducting yourself online to minimize the possibility of your secrets getting spilled. It wouldn't hurt the tech industry to help us in that endeavor, building warnings and guidelines into the same machines that are leaking our secrets. Perhaps we should even start teaching opsec in schools." Manjoo goes on to list concrete technological steps to help protect your privacy online. His suggestions are worth reading.

We Come as Saviors

hubert sauperDocumentarian Hubert Sauper, whose most recent film is about the founding of South Sudan, talks about the kind of documentary about Africa he tries not to make and how he sometimes makes that movie anyway: "I don't watch these very much because I get bored easily. Too many have the same tone. They're actually very postcolonial. Basically: 'I am from this sophisticated world, and I'm going to this chaos to show you guys back home in New York all these problems that these Africans have. And I will also, in the film, provide some solution, usually represented by someone from our culture.' To stretch a cliché, it would be a blond woman from Europe or the US taking children under her arms. She is us, of course, and she is there doing a good job. It's not only boring, it actually angers me, because it doesn't stir people up, it comforts the audience. In a political sense, it's counterproductive...They're basically an extension of this Judeo-Christian salvation nonsense. It's like Jesus comes and saves everyone. I went to Tanzania with my friend. You go to a village and, like with any other white person, the kids all run up to you to say hello, and you rub their heads. They look up at you as this figure from somewhere else, and you represent all these clichés that are implanted in our brains, our sick memory of colonialism: that we are hygienic, are wise, that we bring security--that we are something close to what we refer to as God. And we were doing just that. As two white dudes, that's what you do. Sometimes we saw footage of ourselves, and it was painful. How stupid it looks. How awful. Then I saw this movie about Jesus, where that cliché is pushed to the breaking point. Jesus comes to these villages, he's this long-haired, hippie-like dude and everyone looks up to him. It's exactly the same! And I don't know if you remember, but I took a piece of this movie--where Jesus brings all the fish--for Darwin's Nightmare, because this is the same narrative. But my film is not [meant] to describe an injustice, or some kind of world that could be better, because if you do that, you're claiming to know what 'better' is."

To the Most Parve Place on Earth

sayed kashuaRuth Margalit profiles Sayed Kashua, an Arab-Israeli writer enormously popular with Jewish Israelis who recently moved to Champaign, Illinois to teach Hebrew to college students. Kashua is, Margalit writes, "the most visible representative of Palestinian life in Israel." But Kashua has left the Jewish neighborhood in Jerusalem in which he lived, and he says he's not going back. In her portrait, Margalit teases out the paradoxes--and the dangers--of Kashua's identity: "Political debate in Israel is vigorous, if not always elegant, often summoning the old Hebrew phrase that describes 'a dialogue between deaf people.' But it has been dampened in recent years by a series of government-sponsored bills: one demanding that non-Jewish Israelis take loyalty oaths; another authorizing the finance ministry to withhold funds from organizations deemed--however vaguely--to be violating Israel's foundational tenet of a 'Jewish and democratic' state. Kashua, like other Arab Israelis in the public eye, was used to having his words scrutinized. But the summer's events felt different. As the conflict in Gaza escalated into war, the première of a movie based on his memoir 'Dancing Arabs' was hastily scrapped. Flag-draped extremists in Tel Aviv brandished metal rods at antiwar demonstrators. The atmosphere of intimidation became so intense that Ayman Odeh, the youthful leader of the Joint List, an alliance of Arab-backed parties that represent Palestinian aspirations in Israel, announced that an 'age of ostracism' had taken hold. Within the Green Line that separates Israel proper from Gaza and the West Bank, Arab Israelis make up twenty per cent of the population. For liberal Israelis, and for Arabs who hope to be accepted as equals, Kashua embodied the country's stated ideal of coexistence--of Arab Israelis' full legal and civil integration. For a decade, he had lived with his wife, Najat, in Ramat Denya, a Jewish neighborhood in Jerusalem, and their children attended the city's only bilingual school. In a country where columnists have a flair for grandiloquence, Kashua's columns are conversational, confiding, anecdotal, centered on the rituals and trials of bourgeois life, like the 'holiday tour' that includes stopping at sixteen relatives' houses, or the visiting electrician who reprimands him for his children's excessive television viewing. While his writing is rarely explicitly political, a sense of uprootedness lurks; when the electrician, also an Arab, overhears the kids speaking Hebrew, Kashua can't stop apologizing. Coexistence of the kind that Kashua represents seems increasingly out of reach these days, when more than a third of Jewish Israelis openly say that Arab citizens shouldn't be entitled to equal rights. Of 1.7 million Arabs in Israel, perhaps forty thousand lead middle-class lives in mixed cities. Ayman Odeh told me that his party's goal is for Arab citizens 'to take part in every institution in the country--except for security, foreign relations, and immigration absorption, because these institutions blur the lines of our national identity.' But even his more hopeful speeches don't envision such inclusiveness for ten more years."

amor_mundi_sign-upAnd He Was There

jorge ramosMarcela Valdes writes in The New York Times Magazine about what causes the admiration among the Spanish speaking audience in the United States for journalist Jorge Ramos--the journalist whose recent confrontation with Donald Trump has made him a hero to some. "A few months later, Ramos asked the former Mexican president Carlos Salinas de Gortari if he had ordered the assassination of his would-be successor, Luis Donaldo Colosio, in 1994, a death that traumatized Latin American politics for years. Salinas's response, transcribed in Ramos's 2001 book, 'A la caza del león' ('Hunting for the Lion'), begins with this parry: 'Luis Donaldo Colosio was my dear friend.' Dissatisfied with the absence of an explicit no, Ramos renews his attack: 'I want to ask again: You had nothing to do with Colosio's assassination?' 'I was among those who lost the most with Colosio's death,' Salinas replies. It is precisely this pattern of confrontation--not his poker-faced anchoring of the nightly news with his colleague Maria Elena Salinas on 'Noticiero Univisión'--that has won Ramos the trust of so many Hispanics. They know that in many countries south of the United States, direct questions can provoke not simply a loss of access but also a loss of life. Ramos's aggressive reporting on Latin America is possible because he is based in Miami. 'The United States is my journalistic trench,' he has written, 'and I am extremely grateful.' It's very unlikely that he expected to contend with bodyguards here."

Calling Adjuncts to Arms

adjunct facultyRandall Smith argues that the situation of adjunct professors at our nation's largest universities is so abysmal that the time has come for the guild of university professors to fight for their poorest and most abused members. He calls for a general strike. "Today, adjunct instructors make up half or more of all faculty. There is, of course, a legitimate role for such faculty. The category was created to cover those outside the academy who might come in to share their expertise in a special course--say, for example, a marketing executive who comes in to teach a business school course on marketing. These people aren't looking to achieve a tenured academic position, but they are 'faculty' nonetheless. What such people are generally paid is what we might call an 'honorarium' rather than a salary. We can't really afford to pay the high-level executive what she earns at her regular job, but we feel it 'honors' her to be paid something. The justification for not paying them benefits is due to the presumption that they have benefits (and usually better benefits) through their full-time jobs, and so offering them employee benefits such as health insurance (as opposed to, say, free parking, use of the library, and access to the gym) would be superfluous. The kind of 'adjunct' faculty we're discussing now, however, are not in this category. Most of the adjunct faculty that now make up more than half of higher education faculty are not 'honored' members of the community who have come into the university to provide students with the benefits of their practical experience. They are hired at poverty-level wages with no health-care benefits and no guarantee of continued employment from semester to semester.... Senior faculty must demand basic justice for those who are at the lowest end of the hierarchy and who are the weakest before the ever-increasing power of the corporate university establishment: the 'invisible' men and women of the adjunct faculty. These academic guilds have been able to get themselves together to do all sorts of things--print journals, arrange conferences in expensive hotels in big cities, condemn apartheid, affirm global warming, decry racism--but somehow they never have had the time or will to vote for something that might involve 'goring their own ox,' so to speak: namely, a nationwide strike among all the guilds of any and all institutions that do not agree to transition all adjunct faculty in the country who do not have full-time jobs elsewhere to 'Instructor' or 'Assistant Professor' rank, with a regular salary and health-care benefits."

The Case of the Patchwork Holmes

zach dundasZach Dundas suggests Sherlock Holmes is as much a product of a fascinated culture as the work of one man: "As I researched my recent book The Great Detective, an examination into the history of Sherlock Holmes in popular culture, I was struck by the degree to which Conan Doyle's creation belongs to others as much as to him. Long before the post-meta-everything fan fiction milieu took over, Sherlock Holmes evolved as a boundless collaborative project, with many hands molding critical components of the mythos. The actor William Gillette, for example, helped enshrine 'Elementary, my dear Watson' as the detective's motto; illustrator Sidney Paget welded Holmes to his deerstalker. The character thrived because so many people grabbed this and that from Conan Doyle and made it their own. And yet, paradoxically, Holmes remains Conan Doyle's creature, too--essentially of the author, but not wholly by him any more. So it is with Old Holmes: the idea of the detective in his retirement, even dotage, aged far beyond the Victorian era of his canonical adventures. Many have taken their crack. At this point, with literally millions of fan-fiction stories adrift on the Internet's high seas and uncounted thousands of more conventional pastiches and parodies gathering dust in collectors' libraries and used bookshops, there have been innumerable extra-Conan Doyle versions of retired Sherlock Holmes. A quick consultation of amateur fan-fiction websites like Archive of Our Own reveals 'Retirementlock' as a healthy subgenre within a vast literary sub rosa. But like all things Sherlockian, Old Holmes starts with Conan Doyle himself."

Privacy and Politics

hillary clintonIn five easy lessons, Scott Horton explicates the complicated relationship that politicians have with their secrets. Lesson one: "Secrets are routinely leaked by politicians for political gain; many of those who regularly complain about leaks are leakers themselves. The current controversy offers us a whirlwind of leaks within leaks and leaks about leaks. If it leaves any lasting footprint, then it will be as a demonstration of the art of simultaneously leaking and suppressing information to serve purely partisan political goals." Also worth noting is Lesson Five: "Secrecy regularly deprives decision-makers of the information they need in order to form valid judgments. Beltway insiders routinely agree that Washington makes far too many secrets. They also accept that secrecy is a tool used for bureaucratic antics. But by and large they insist that there's no real downside to the secrecy game. This is nonsense. In fact, secrecy regularly stands in the way of an informed public and a sensible political discussion of questions that are vital for the nation's future. It protects those who have made serious mistakes and fear accountability." Horton will be speaking on privacy and security with Robert Litt, General Counsel of the Office of the Director of National Intelligence, at the upcoming Hannah Arendt Center conference "Why Privacy Matters: What Do We Lose When We Lose Our Privacy?" You can register now.

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #12

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, September 11, 2015

Bluejeans.com, 11:00 am - 12:00 pm



why privacy matters title cardSAVE THE DATE - 2015 FALL CONFERENCE

The Hannah Arendt Center's eighth annual fall conference, "Why Privacy Matters: What Do We Lose When We Lose Our Privacy?," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

**UPDATE** Registration for our conference is now open! Save your seat for this exciting two-day event here!

Thursday, October 15 and Friday, October 16, 2015

Olin Hall, Bard College, 10:00 am - 6:00 pm

From the Arendt Center Blog

This week on the Blog, Jennifer M. Hudson discusses how bureaucracy, as imagined by both Kafka and Arendt, embodies an ideology of necessity through which humans abdicate responsibility for their common world in the Quote of the Week. Thomas Jefferson comments on the value and glow of thoughts in this week's Thoughts on Thinking. We welcome Dr. Ulrich von Bulow, a visiting scholar with the Hannah Arendt Center and the German Studies Program, to Bard College. Finally, Ryan Butler, a student of environmental activism, shares an image of his personal Arendt library with us in this week's Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

Amor Mundi 8/30/15


Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upA Different Cultural Paradigm Is Nowadays Inconceivable

pope francisAs Pope Francis prepares to visit the United States, Bill McKibben in the New York Review of Books writes that the Pope's encyclical on the environment is "entirely different from what the media reports might lead one to believe." The Pope is not simply concerned with the environmental challenges of global warming. His aim is higher, calling for a massive reconsideration of our ethical connection to the natural and technological world. "The ecological problems we face are not, in their origin, technological, says Francis. Instead, 'a certain way of understanding human life and activity has gone awry, to the serious detriment of the world around us.' He is no Luddite ('who can deny the beauty of an aircraft or a skyscraper?') but he insists that we have succumbed to a 'technocratic paradigm,' which leads us to believe that 'every increase in power means "an increase of 'progress' itself"...as if reality, goodness and truth automatically flow from technological and economic power as such.' This paradigm 'exalts the concept of a subject who, using logical and rational procedures, progressively approaches and gains control over an external object.' Men and women, he writes, have from the start 'intervened in nature, but for a long time this meant being in tune with and respecting the possibilities offered by the things themselves. It was a matter of receiving what nature itself allowed, as if from its own hand.' In our world, however, 'human beings and material objects no longer extend a friendly hand to one another; the relationship has become confrontational.' With the great power that technology has afforded us, it's become 'easy to accept the idea of infinite or unlimited growth, which proves so attractive to economists, financiers and experts in technology. It is based on the lie that there is an infinite supply of the earth's goods, and this leads to the planet being squeezed dry beyond every limit.' The deterioration of the environment, he says, is just one sign of this 'reductionism which affects every aspect of human and social life.' And though 'the idea of promoting a different cultural paradigm...is nowadays inconceivable,' the pope is determined to try exactly that, going beyond 'urgent and partial responses to the immediate problems of pollution' to imagine a world where technology has been liberated to serve the poor, the rest of creation, and indeed the rest of us who pay our own price even amid our temporary prosperity. The present ecological crisis is 'one small sign of the ethical, cultural and spiritual crisis of modernity,' he says, dangerous to the dignity of us all."

Those Who Forget the Past Are Doomed to Reform It

jamaica high schoolJelani Cobb, writing about the closure of his alma mater, Jamaica High School in Queens, suggests in his conclusion that there are important differences between the school reform of the late 20th century and that of today; Jelani thinks we may have been closer to getting it right before: "In a way, the protests over school closure are a bookend to the riots that broke out over busing four decades ago. Like 'busing' and 'integration,' the language of today's reformers often serves as a euphemism for poverty mitigation, the implicit goal that American education has fitfully attempted to achieve since Brown v. Board of Education. Both busing and school closure recognize the educational obstacles that concentrated poverty creates. But busing recognized a combination of unjust history and policy as complicit in educational failure. In the ideology of school closure, though, the lines of responsibility--of blame, really--run inward. It's not society that has failed, in this perspective. It's the schools. In 1954, Kenneth and Mamie Clark's arguments about the pernicious effects of racism on black children implicated white society. Sixty years later, arguments that black students associated studiousness with 'acting white' were seen not as evidence of the negative effects of internalized racism but as indicators of pathological self-defeat among African-Americans. The onus shifted, and public policy followed. The current language of educational reform emphasizes racial 'achievement gaps' and 'underperforming schools' but also tends to approach education as if history had never happened. Integration was a flawed strategy, but it recognized the ties between racial history and educational outcomes. Last year, a study by the Civil Rights Project at U.C.L.A. found that New York has the most segregated school system in the country, a reflection of the persistence of the housing patterns that Arthur Levitt talked about in 1954 but also of the failure of the integrationist ideal that was intended to address it. From that vantage point, the closure of Jamaica seemed to be less about the interment of a single school than about the impeachment of a particular brand of idealism regarding race and, by extension, American education. Ninety years ago, the City of New York broke ground on a huge, beautiful building as a symbol of its commitment to public education. Last year, it closed the school that the building housed, purportedly for the same reasons. The people who gathered angrily outside Jamaica High School weren't really protesting its closing; they were protesting the complex of history, policy, poverty, and race that had brought it about." Cobb makes an excellent point. Nevertheless, what are we to make of the failure of the big, beautiful buildings and the big, well-compensated bureaucracies whose mission it is to address the inequalities and inadequacies of education in America?

The Elites and the Masses

trumpPeggy Noonan in the Wall Street Journal writes that the Trump phenomenon is manifesting a chasm between elites and the masses that threatens to transform the world of American politics. She reports anecdotal evidence of a non-partisan mass of voters from all over the political and economic spectrum gravitating toward Trump. And the overriding theme she encounters is a disdain for political, economic, and mainstream elites. "On the subject of elites, I spoke to Scott Miller, co-founder of the Sawyer Miller political-consulting firm, who is now a corporate consultant. He worked on the Ross Perot campaign in 1992 and knows something about outside challenges. He views the key political fact of our time as this: 'Over 80% of the American people, across the board, believe an elite group of political incumbents, plus big business, big media, big banks, big unions and big special interests--the whole Washington political class--have rigged the system for the wealthy and connected.' It is 'a remarkable moment,' he said. More than half of the American people believe 'something has changed, our democracy is not like it used to be, people feel they no longer have a voice.' Mr. Miller added: 'People who work for a living are thinking this thing is broken, and that economic inequality is the result of the elite rigging the system for themselves. We're seeing something big.'" The mobilization of the masses outside and beyond traditional class boundaries is, of course, the kindling for all mass movements. And as Arendt writes in The Origins of Totalitarianism, movements feed on mass appeal founded upon moods and feelings rather than policies or interests: "Long before Nazism proudly pronounced that though it had a program it did not need one, Pan-Germanism discovered how much more important for mass appeal a general mood was than laid-down outlines and platforms. For the only thing that counts in a movement is precisely that it keeps itself in constant movement." The point here is not that Trump is anything like the Nazis; he is not. But he is one of a series of politicians over the last 10-15 years that has fed upon the mobilization of masses in opposition to the perceived corruption and elitism of state and economic forces. Trump is both a symptom and a motor of the massive disillusionment of the American masses, our loss of faith in governmental and mainstream institutions from Congress to town halls, from the police to schools. Trump may be boorish, but he speaks truth to many, truths that elites would rather snicker at than engage. Whatever happens to Donald Trump's candidacy, one wonders when, and if, the elites in this country will wake up and realize his popularity is founded upon a profound and real disdain that many, many Americans have for our advanced, progressive, and technocratic culture. What is more, at the end of her essay, Noonan writes that it is not only the masses but also the elites who think the game is rigged. This new version of what Arendt called the "temporary alliance of the mob and the elite" is worth attending to. For when the elites abandon mainstream institutions and join the mob in tearing down rather than building up, that is when the mobilization of movements threatens to get dangerous.

amor_mundi_sign-upIn Living Color

media deathsJonathan Jones thinks about this week's shootings of a television reporter and her cameraman live on the air in terms of the paradox of reality TV: "The sense that we somehow have a right to see this, the decision of many media outlets to screen it, has a lot to do with the television trappings of this crime. Because part of the attack was seen and heard live on air, because the victims and the perpetrator all worked for the same TV station, there's something stagey about it all. Sadly people so enjoy true life crime stories and this one has a hokey TV setting that recalls many fictional plots of films and TV programs. It exposes the paradox of 'reality television'--that people on television are not real to the audience at all. The death of a presenter is therefore something that can be replayed on screens with impunity. To see how bizarre and improper this is, imagine if anyone broadcast or hosted a serial killer's videos of graphic murders. How is viewing this better?"

Borrowings and Thefts

etgar keretIsraeli author Etgar Keret suggests there are some unique challenges to translating from Hebrew: "I think that the most dominant aspect is the language. When I published my first book, I would say 90 percent of the reviews [in Israel] were simply about the language and the choice of language. And when my books were translated, it was always about the characters, because the unique language aspect was lost in translation. Hebrew is this unique thing that you cannot translate to any other language. It has to do with its history. About 2,000 years ago, people stopped speaking Hebrew because of the diaspora. So people who went to Rome spoke Latin, people who moved to the US spoke English, people spoke Yiddish, but they didn't speak Hebrew. They knew the words, but it was a written language--they read prayers, they knew the language well, but it wasn't spoken. I think the logic behind it would be that you don't need to use the language of God to ask where the restrooms are. Then somebody took this frozen language and defrosted it in the microwave of history, and people spontaneously started speaking it. And the thing that happened when people started speaking this language is it was kind of a miracle. If Shakespeare were to come here and hear us speak, he wouldn't understand a word we were saying, but if Abraham or Isaac took a taxi in Israel, they could communicate with the taxi driver. He'd understand what they are saying because the language didn't organically change. It was frozen, like frozen peas, fresh out of the Bible. We import words from other languages and we put them in Israeli verb form. Like for cocaine, we say in Hebrew, lesniff. We have many words like this from Russian, from Arabic. What happens when you speak colloquial Hebrew is you switch between registers all the time. So in a typical sentence, three words are biblical, one word is Russian, and one word is Yiddish. This kind of connection between very high language and very low language is very natural, people use it all the time. So when my works are being translated, I always get this question from my translators: Up or down? Which means, should it sound biblical and highbrow, or should we take it all down to sound colloquial? In Hebrew, it's both all the time. People in Israel would write in a high register, they wouldn't write colloquial speech. I do a special take on colloquial speech. When I started writing, I thought [the language] was telling the story of this country: old people in a young nation, very religious, very conservative, very tight-assed, but also very anarchistic, very open-minded. It's all in the language, and that's one thing that doesn't translate."

Literary Feminism

elena ferrantePseudonymous Italian author Elena Ferrante considers the influence of feminism on her writing, particularly the idea that the personal is political: "From it I learned that even the most intimate individual concerns, those that are most extraneous to the public sphere, are influenced by politics; that is to say, by that complicated, pervasive, irreducible thing that is power and its uses. It's only a few words, but with their fortunate ability to synthesize they should never be forgotten. They convey what we are made of, the risk of subservience we are exposed to, the kind of deliberately disobedient gaze we must turn on the world and on ourselves. But 'the personal is political' is also an important suggestion for literature. It should be an essential concept for anyone who wants to write...In short, I am a passionate reader of feminist thought. Yet I do not consider myself a militant; I believe I am incapable of militancy. Our heads are crowded with a very heterogeneous mix of material, fragments of time periods, conflicting intentions that cohabit, endlessly clashing with one another. As a writer I would rather confront that overabundance, even if it is risky and confused, than feel that I'm staying safely within a scheme that, precisely because it is a scheme, always ends up leaving out lots of real stuff because it is disturbing. I look around. I compare who I was, what I have become, what my friends have become, the clarity and the confusion, the failures, the leaps forward. Girls like my daughters appear convinced that the freedom they've inherited is part of the natural state of affairs and not the temporary outcome of a long battle that is still being waged, and in which everything could suddenly be lost. As far as the male world is concerned, I have learned, contemplative acquaintances who tend either to ignore or to recast with polite mockery the literary, philosophical, and all other categories of work produced by women. That said, there are also very fierce young women, men who try to be informed, to understand, to sort through the countless contradictions. In short, cultural struggles are long, full of contradictions, and while they are happening it is difficult to say what is useful and what isn't. I prefer to think of myself as being inside a tangled knot; tangled knots fascinate me. It's necessary to recount the tangle of existence, both as it concerns individual lives and the life of generations. Searching to unravel things is useful, but literature is made out of tangles."  

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #12

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, September 11, 2015

Bluejeans.com, 11:00 am - 12:00 pm



why privacy matters title cardSAVE THE DATE - 2015 FALL CONFERENCE

The Hannah Arendt Center's eighth annual fall conference, "Why Privacy Matters: What Do We Lose When We Lose Our Privacy?," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

**UPDATE** Registration for our conference is now open! Save your seat for this exciting two-day event here!

Thursday, October 15 and Friday, October 16, 2015

Olin Hall, Bard College, 10:00 am - 6:00 pm

From the Arendt Center Blog

This week on the Blog, Jennie Han discusses how in order to live an authentic public life, one must begin in the sphere of the private where one can confront and take ownership of one's thoughts and principles in the Quote of the Week. Also, we appreciate several annotations Hannah Arendt made to her copy of Hans Jonas's "The Phenomenon of Life"in this week's Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

Amor Mundi 7/26/15


Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upWhere Everything Is Possible

concentration campHannah Arendt first argued that concentration and extermination camps were "the true central institution of totalitarian organizational power" and were "the laboratories in which the fundamental belief of totalitarianism that everything is possible [was] being verified." A new series of books exploring the Nazi camps has emerged offering what Richard J. Evans calls "An Anatomy of Hell." Writing in the New York Review of Books, Evans argues: "In the popular imagination, the Nazi concentration camp now features mainly as a place where Jews were taken to be gassed. In a recent German opinion poll, most respondents associated the camps with the persecution and murder of Jews; under 10 percent mentioned other categories of camp prisoners, such as Communists, criminals, or homosexuals. The power of the 'Holocaust' as a concept has all but obliterated other aspects of the crimes of the Nazis and the sufferings of their victims and driven the history of the camps from cultural memory. No crime in human history outdoes the genocidal extermination of six million European Jews on the orders of the leader of Germany's self-styled 'Third Reich.' Yet the majority of the Jewish victims of Nazi mass murder were not killed in the camps; they were shot, starved to death, or left to die of diseases that could easily have been prevented or treated but were not. The concentration camp was in no way synonymous with the Holocaust."

Selfie, Bound

selfieArianne Di Nardo writes about Mónika Sziládi's photography, which explores the way we express ourselves online: "Working by composite allows Sziládi to juxtapose multiple sharp moments in a single frame, to play with scale, and to create focal points that compete for our attention. She includes perturbing elements that, as she said in her speech, 'belong, and don't belong, at the same time.' The result is an uncanny, noisy circus, one with a dress code and that encourages visual transience. Take her rendition of the Three Graces, 'Untitled (Grapes and Graces)' (2010/2014). When photographed, the subjects posed for a 'selfie'; Sziládi took a spontaneous shot. She added the background four years later, after capturing the screen image of a Tuscan grapevine from inside a convention center. Nothing looks quite normal, but it feels okay. Not just because we relate to this innocuous gesture, but because the absurdity of the final image is offset by a cheeky wit...Despite its contemporaneity, Sziládi's work suggests a deep primordiality: connection. Displays of mimicry and repetition are not modern phenomena, and they appear frequently in Sziládi's work. People gesticulate, mirroring one other in posture and dress, and with devices omnipresent, scenes of surveillance--narcissistic and otherwise--are a reasonable afterthought. When asked if screens and devices are a part of her morning routine, Sziládi responded via email: 'Yes :(. But I try to check them at least half an hour after I wake up, and only briefly to make sure there are no emergencies. And then later attend to whatever needs to be done.' Whatever it is that needs doing, one hopes that in the constant and immediate culture of connectivity--that ever-expanding, immersive virtual web--Sziládi, as with the rest of us, can make greater space for the organic, breathing world."

Publicity and Shallowness

why privacy matters title cardHow does one find room for Arianne Di Nardo's organic world amidst the ever-growing intrusion of governmental, corporate, and social surveillance? Hannah Arendt saw the private realm as the essential refuge for human uniqueness. In daily life, she writes, we "return back from the outside world and withdraw into the security of private life within four walls." These walls of the private "enclose a secure place, without which no living thing can thrive." For Arendt, "Everything that lives, not vegetative life alone, emerges from darkness and, however strong its natural tendency to thrust itself into the light, it nevertheless needs the security of darkness to grow at all." Privacy guards the dark recesses of the human heart. So what is lost when these chambers are exposed to the light of public censure? Love grows in secret and loyalty trumps formal rules of fairness. We all transgress taboos and even a few laws. Yet, when we are forced to police private urges and actions by public standards, our belief in public morality appears hypocritical. Distrusting ourselves, we trust no one, which is the source of cynicism of political life. It is amidst a sense that privacy is being lost and we are powerless to resist such loss that the Hannah Arendt Center at Bard College will host our 8th Annual Conference, "Why Privacy Matters: What Do We Lose When We Lose Our Privacy?" Registration is now open.

The Privileges of Membership

HAC 100_10 logo 2015Every year in July, we ask our Amor Mundi readership to join the Hannah Arendt Center community as part of our 100/10 Membership Challenge. It's worth remembering that the Hannah Arendt Center is a membership organization. As such, our members are an integral part of our mission: to be the world's most expansive home for bold and risky humanities thinking about our political world inspired by the spirit of Hannah Arendt, the leading thinker of politics and active citizenship in the modern era. Those who join receive free admission to our annual conferences, yearly subscriptions to HA: The Journal of the Hannah Arendt Center, entry into our virtual reading group, and a Hannah Arendt Center tote bag, among other gifts. Membership dues support our fellowships, conferences, videos, and publications. They also go towards our National Endowment for the Humanities matching challenge grant, so all gifts are matched by the NEH. Please support us in our mission going forward. Please join the Arendt Center today and help us fulfill our 100/10 Membership Challenge.

amor_mundi_sign-upI Am Sorry that I Cannot Make It Okay

ta-nehisi coatesChris Lebron asks about Ta-Nehisi Coates's apology in his new book. Written as a letter to his son, Coates apologizes for not being able to make the world safe for him as a future black man. "In what really needs to be accepted as one of the book's most important passages, Coates says with respect to the unsatisfactory level of security he feels Samori is sure to inherit by way of his blackness: 'I am sorry that I cannot make it okay. I am sorry that I cannot save you--but not that sorry. Part of me thinks that your very vulnerability brings you closer to the meaning of life, just as for others, the quest to believe oneself white divides them from it.' (107) One can only imagine the tough pill this is to swallow for a boy aging into manhood, which raises the question as to why Coates feeds it to Samori? To say that it is part of the widely relied upon ethic in the black community of tough love is too facile. It is one thing to ready a belt; it is another to tell a son that the most reliable signifier of his existence is the delicate nature of that existence. A welt from the whack of belt clears up in day or two. The inheritance of existential precariousness lasts a lifetime. To see just how dangerous this kind of message is we can turn directly to Baldwin's opening salvo to his nephew regarding Baldwin's own father: 'Well, [your grandfather] is dead, he never saw you, and he had a terrible life; he was defeated long before he died because, at the bottom of his heart, he really believed what white people said about him.' Baldwin is clear in his message. The only way to a black life of meaning is to be aware of one's vulnerabilities but to simultaneously resist being defined by them, to deny the insistence that one frame one's life in terms of those vulnerabilities. The vulnerabilities at issue for both writers ought, for Baldwin, be taken as markers for resistance and personal radicalism broadly understood and not as reference points."

The Anti-Nostalgist

e. l. doctorowJeet Heer eulogizes writer E. L. Doctorow, who died this week at 84: "Doctorow's fiction enjoyed its greatest vogue in the 1970s when his novel Ragtime (1975) was an enormous bestseller. It's tempting but wrong to see Doctorow as an example of the nostalgia boom that overtook America during the 1960s and '70s. This was a period when you could go see Grease on Broadway, American Graffiti in the movie theatre, and 'Happy Days' on television. Dismayed by the Vietnam War and the Watergate scandal, Americans increasingly turned to pastoral celebrations of seemingly simpler times. Doctorow actually had a role to play in the rise of the nostalgia industry. In the early 1960s, as editor at The Dial Press, he commissioned the publication of Jules Feiffer's The Comic Book Heroes (1965), the first hardcover reprinting of such 1930s and 1940s caped crusaders as Superman, Batman, and The Spirit. The text of Feiffer's book indulged in no good-old-days falsifications: It was clear-eyed in linking superheroes to the trauma of the Depression and World War II. Still, the success of Feiffer's book inspired countless imitators, which robbed the artifacts of the past of their historical context. Despite his role in sparking the nostalgia boom, Doctorow was in fact an anti-nostalgist in a nostalgic period. His books never shirked from describing the primordial conflicts over race and class that were the very foundations of history. It's instructive to compare the movie The Sting (1973) with Ragtime. A sprightly caper film starting Paul Newman and Robert Redford, The Sting captures the look and feel of the Ragtime era, and helped spark a revival of popularity in the music of Scott Joplin, but has no ambitions to be more than entertainment. Everything that is forgotten in The Sting is remembered in Doctorow's Ragtime. Among other things, the roots of Ragtime music in African-American culture aren't forgotten in Doctorow's novel, which includes one of the most harrowing accounts of racist humiliation in American fiction in the form of the story of Coalhouse Walker."

Coming Up Bagel

bagelElizabeth Weil tries to get a good bagel in San Francisco: "The New York bagel, as everybody knows, is an institution. No bagel definition will satisfy all, but for starters, let's just say: A good one requires a chewy interior with blisters, called fisheyes, on a shiny, crispy crust. Making a bagel requires several steps: Hand-roll enriched dough; let it rise, or proof; retard the rising in a refrigerator; boil briefly in malted water; then bake. Mitchell Davis, the executive vice president of the James Beard Foundation--a man who is currently living in Milan and who almost came to tears one recent Sunday morning at the thought of his husband back home in Gramercy Park, reading the wedding announcements and eating an everything from Brooklyn Bagel--believes that the secret to a good bagel is technique, the length of time, say, for proofing and boiling, more than the type of water or flour. Achieving the right crust is foremost. 'That's the hardest thing, that outer crunch,' Davis told me. He recalled that his father described the bagel as 'a doughnut dipped in cement.' 'So he wasn't a fan?' I asked 'No!' Davis said. 'He loved them.' The obvious saviors in San Francisco's bagel situation should have been Evan Bloom and Leo Beckerman--occasional chefs at the Hillel chapter at the University of California, Berkeley, and the owners of San Francisco's relatively new and much beloved Jewish deli, Wise Sons, which opened in 2012. Many already believed Wise Sons made the best deli rye west of the Hudson River. The restaurant sold so much house-made pastrami that, after several years of Bloom's transporting the smoky, fatty meat to catering events, his girlfriend could no longer stand the smell and insisted he buy a new car. A disclaimer on the menu reads NOT A NEW YORK DELI. Bloom and Beckerman added the notice just a few months after opening because even though the place was packed, customers groused that Wise Sons' offerings didn't taste like the food they grew up eating on the East Coast. 'Our kugel is definitely not as good as your bubbe's kugel,' Beckerman told me, sitting on the bench where he used to sleep after working 20-hour shifts. 'The actual food we serve is better,' he said. 'I'm very proud of our food. But it's never going to match the memory of what your grandmother made you between the ages of 5 and 15.'"

Pity the Literary Immigrant

milan kunderaJohannes Lichtman notes that troubles with translation caused Milan Kundera to choose a new linguistic home, just as troubles with Czech politics caused him to move to France: "Early translations of his works tended to lose what made them most interesting. Foreign publishers wanted to market Kundera's biography rather than his style, and he has never quite been able to shed the early portrayal of himself as a dissident writer of protest novels. As the translation scholar and astute Kundera reader Michelle Woods pointed out, in the first British edition of The Joke, 'many of the experimental devices included by Kundera, such as the non-linear narrative and Jaroslav's discourse on polyphony, were seen as clouding the real message.' This resulted in 'a complete rearrangement of the novel into a semi-linear chronology and the removal of 300 sentences.' When he learned of this unauthorized editing, Kundera sent an angry letter to The Times Literary Supplement, in which he compared his editors and translators to communist censors, and said that he'd rather not publish at all than have his work rewritten without his consent. It was the first of many times he would assert his right to absolute control over his words--often to the detriment of his career. While the English translators of The Joke took a hatchet to the text, the French translator puffed up the style. The translator, Marcel Aymonin, had a very different aesthetic from Kundera, who has always written in language that's easy on the metaphors. As Caleb Crain noted, 'Where Kundera had written "The sky was blue," Aymonin had translated "Under a sky of periwinkle, October hoisted its showy shield."' Aymonin did not translate the book, but rather rewrote it: 'He found my style too simple!' Kundera told Jordan Elgrably. 'Into my manuscript he inserted hundreds (yes!) of embellishing metaphors; he used synonyms where I repeat the same word; he wanted to create a "beautiful style"!'... It was in part the horror of these experiences that led Kundera to embark on a linguistic emigration from Czech to French. Starting in the mid-1980s, he began writing first his essays, then his novels, in French, and he also rewrote his Czech novels into 'definitive' French versions from which his translators were to work. Notably, he did not feel the need to translate his new French texts into Czech, nor did he allow anyone else to do so. This perceived shunning of his Czech roots made him a target both in the Czech Republic and in France. Since the fall of communism, the Czech media has fostered an atmosphere where, as Crain put it, 'Any downturn in Kundera's post-Czech career is headline worthy.' While he is still a major figure in French literature, it's safe to say that he was more interesting to the French as a Czech exile than as a Parisian intellectual. After the release of Immortality (1990), Kundera's first novel more concerned with French characters than Czech characters, a French paper implored Kundera to return to Czech themes. The article ran under the headline: 'Kundera, Go Home!'"

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #11

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, July 31, 2015

Bluejeans.com, 11:00 am - 12:00 pm



why privacy matters title cardSAVE THE DATE - 2015 FALL CONFERENCE

The Hannah Arendt Center's eighth annual fall conference, "Why Privacy Matters: What Do We Lose When We Lose Our Privacy?," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

**UPDATE** Registration for our conference is now open! Save your seat for this exciting two-day event here!

Thursday, October 15 and Friday, October 16, 2015

Olin Hall, Bard College, 10:00 am - 6:00 pm

From the Arendt Center Blog

This week on the Blog, Roger Berkowitz discusses how the Nobel Prize celebrates those like Aung San Suu Kyi who dedicate their lives to the conviction that truth will win out over the holes of oblivion in the Quote of the Week. Abraham Lincoln provides his thoughts on thinking and speaking to people in this week's Thoughts on Thinking. Finally, we come across a collection of books in Arendt's library that exemplifies her interest in trying to understand religion and its political influence in this week's Library feature.

100 - 10.2015 On Wednesday of last week, we announced our 100/10 Membership Challenge, in which we work to gain 100 new members in 10 days. Our Challenge this year includes a number of exciting drawings and contests, the terms of which can be read here. Please support all of the activities the Hannah Arendt Center has planned over the next year and become a member today!

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

Amor Mundi 4/26/15


Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upWill It Never End?

violenceJohn Gray, writing in The Guardian, takes on Steven Pinker's argument that progress and the Enlightenment are bringing about the decline and extinction of violence. "It may be true that the modern state's monopoly of force has led, in some contexts, to declining rates of violent death. But it is also true that the power of the modern state has been used for purposes of mass killing, and one should not pass too quickly over victims of state terror. With increasing historical knowledge it has become clear that the 'Holocaust-by-bullets'--the mass shootings of Jews, mostly in the Soviet Union, during the second world war--was perpetrated on an even larger scale than previously realised. Soviet agricultural collectivisation incurred millions of foreseeable deaths, mainly as a result of starvation, with deportation to uninhabitable regions, life-threatening conditions in the Gulag and military-style operations against recalcitrant villages also playing an important role. Peacetime deaths due to internal repression under the Mao regime have been estimated to be around 70 million. Along with fatalities caused by state terror were unnumbered millions whose lives were irreparably broken and shortened. How these casualties fit into the scheme of declining violence is unclear. Pinker goes so far as to suggest that the 20th-century Hemoclysm might have been a gigantic statistical fluke, and cautions that any history of the last century that represents it as having been especially violent may be 'apt to exaggerate the narrative coherence of this history' (the italics are Pinker's). However, there is an equal or greater risk in abandoning a coherent and truthful narrative of the violence of the last century for the sake of a spurious quantitative precision."

How About Improving High Schools?

college reformDavid Leonhardt takes on the conventional wisdom that college is not for everyone. (Although I thought the conventional wisdom is that college is for everyone.) In his Upshot column in the NY Times, Leonhardt argues that new studies show that college benefits even the most marginal students. "The fate of students like Mr. Escanilla is crucial to today's debate over who should go to college: How much money should taxpayers spend subsidizing higher education? How willing should students be to take on college debt? How hard should Washington and state governments push colleges to lift their graduation rates? All of these questions depend on whether a large number of at-risk students are really capable of completing a four-year degree. As it happens, two separate--and ambitious--recent academic studies have looked at precisely this issue. The economists and education researchers tracked thousands of people over the last two decades in Florida, Georgia and elsewhere who had fallen on either side of hard admissions cutoffs. Less selective colleges often set such benchmarks: Students who score 840 on the SAT, for example, or maintain a C+ average in high school are admitted. Those who don't clear the bar are generally rejected, and many don't attend any four-year college. Such stark cutoffs provide researchers with a kind of natural experiment. Students who score an 830 on the SAT are nearly identical to those who score an 840. Yet if one group goes to college and the other doesn't, researchers can make meaningful estimates of the true effects of college. And the two studies have come to remarkably similar conclusions: Enrolling in a four-year college brings large benefits to marginal students. Roughly half of the students in Georgia who had cleared the bar went on to earn a bachelor's degree within six years, compared with only 17 percent of those who missed the cutoff, according to one of the studies, by Joshua S. Goodman of Harvard and Michael Hurwitz and Jonathan Smith of the College Board. The benefits were concentrated among lower-income students, both studies found, and among men, one of them found." What is unasked in Leonhardt's argument is, "What about high school?" It is not controversial that sending someone to college will help people. But does it make sense for us to continue offering free high school educations that are horrific and then charge people for better college educations? Wouldn't the money and effort spent on community colleges and financial aid for lower tier colleges be better spent reforming high school education in a meaningful way? It seems most people simply have given up on high school, which is why college becomes an expensive and next-best alternative.

Your Smart Things, They're Spying On You

smart homeJustin McGuirk says the smart house is here and that it's here less to make your life convenient and more to gather data about what you do at home: "For the first time since the mid-twentieth century--with its labor-saving household appliances and rising quality of life--the domestic is once again the site of radical change. And though domestic space appears to fall within the realm of architecture, architects themselves have been almost mute on the implications of such change. Architecture, it seems, has given up its dreams of imagining how we might live, and so into that void technology is rushing. That tired old trope of 'the house of the future' has been replaced by what is now called the 'smart home.' The smart home is the network's great white hope for ubiquitous connectivity. It sounds benign enough, and may conjure Jacques Tati-style mise-en-scènes populated by absurd devices--the smart home is prime territory for farce--but it is also an ideology. It is the house-shaped manifestation of the internet of things, according to which all our devices and appliances will join the network, communicating with us and each other. To say that the internet of things is an ideology is to suggest that the use-value of the concept has yet to be sold to the consumer. It is easily mocked by skeptical hacks who question the need for talking fridges and washing machines that you can program with your smartphone ('You still need to put the clothes in yourself, right?'). Bruce Sterling argues that the internet of things has nothing to do with the consumer and everything to do with the business interests of the service providers. Given that data is the new currency, the internet of things is an epic power grab by the lords of the network--Sterling focuses on the 'big five' of Google, Amazon, Facebook, Apple, and Microsoft--to gain control of as much human data as physically possible. As the primary interface of the internet of things, the smart home is effectively the tendrils of the network rising out of the ground and into every one of our household appliances to allow mass data collection and digital surveillance." And while it used to be that you could strategically opt out of this data gathering, McGuirk suggests that the smart home will just render you redundant. Home, then, is no longer any retreat from the public space.

amor_mundi_sign-upMindfulness and Social Control

mindfulnessVirginia Heffernan is wary of the way "mindfulness," an idea brought into Western thought from various Eastern religions, has been taken up by businesses and 21st century self-help gurus: "Mindfulness as 'keeping in tune' has a nice ring to it. But it's 'focused on the task at hand' that appeals to managers, like Jackson, who are conscious of performance goals. Might workplace mindfulness--in the cubicle or on the court--be just another way to keep employees undistracted and to get them to work harder for nothing but airy rewards? In this context of performance enhancement, 'mindfulness' seems perilously close to doggerel from the same playbook that brought us corny affirmations, inner children and vision boards. Maybe the word 'mindfulness' is like the Prius emblem, a badge of enlightened and self-satisfied consumerism, and of success and achievement. If so, not deploying mindfulness--taking pills or naps for anxiety, say, or going out to church or cocktails--makes you look sort of backward or classless. Like driving a Hummer."

Feeling and Thinking

Françoise MoulyFrançoise Mouly, in an interview, talks about the relationship between thought and emotion in art: "Often, we separate intellectual discourse from emotional reaction. But I take such genuine pleasure in things that are intellectually well architected. It's definitely an integrated experience for me. Much more than any kind of cheap, emotional pulls that you get in popular culture, when I read a sentence and it's beautifully written, it can bring me to tears. I know what I respond to is a voice. A voice is not just a stylistic thing, but it means someone who really has something to say. I think a lot of what I get from books--whether they be books of comics or books of literature--is a window into somebody's mind and their way of thinking. I love it when it's so specific. It's a new way to look at the world. It's as if I could get in and see it through their eyes. It also reaches a level of universality because, somehow, I can recognize some of my feelings in seeing somebody who is actually expressing their own inner reality. Even though Flaubert has not been in Madame Bovary's skin, you do get a sense of what it's like to be that person. It's a kind of empathic response when you're reading it."

The Fiction and the Fact

joseph mitchellIn a piece on the New Yorker writer Joseph Mitchell, Janet Malcom, starting with facts from a new biography of Mitchell, tries to work out whether it matters that his tendency to exaggerate or flat-out invent in his profiles for the magazine, more prevalent than previously believed, matters. Ultimately, she says, it doesn't. But only because he was good at it: "Every writer of nonfiction who has struggled with the ditch and the bushes knows what Mitchell is talking about, but few of us have gone as far as Mitchell in bending actuality to our artistic will. This is not because we are more virtuous than Mitchell. It is because we are less gifted than Mitchell. The idea that reporters are constantly resisting the temptation to invent is a laughable one. Reporters don't invent because they don't know how to. This is why they are journalists rather than novelists or short-story writers. They depend on the kindness of the strangers they actually meet for the characters in their stories. There are no fictional characters lurking in their imaginations. They couldn't create a character like Mr. Flood or Cockeye Johnny if you held a gun to their heads. Mitchell's travels across the line that separates fiction and nonfiction are his singular feat. His impatience with the annoying, boring bits of actuality, his slashings through the underbrush of unreadable facticity, give his pieces their electric force, are why they're so much more exciting to read than the work of other nonfiction writers of ambition. In the title piece of The Bottom of the Harbor, a short work of great subtlety about the ability of fish and shellfish to survive in polluted water, Mitchell mentions a small area of the New York waterfront where, in contrast to the general foulness, 'clean, sparkling, steel-blue water' can be found. This image of purity in the midst of contamination could serve as an emblem of Mitchell's journalistic exceptionalism. He has filtered out the impurities other journalists helplessly accept as the defining condition of their genre. Mitchell's genre is some kind of hybrid, as yet to be named."

What We Talk About When We Talk About Dresses

dressMegan Garber wonders what might have caused the backlash against some designer dresses that went on sale at Target this week, coming up with an answer that suggests, as always, that when we're talking about clothes, we're not just talking about clothes: "A common phrase you'll hear associated with Pulitzer is 'uniform'--as in, as Givhan put it, 'part of a preppy uniform that announces itself from fifty paces,' or, as the Boston Globe put it, 'a uniform of the well-heeled WASP.' Which is ironic, of course: Uniforms are about the constriction of freedoms, and preppiness and WASPiness are, in general, about the freedom that comes with privilege. And clothing, furthermore-'fashion,' in haughtier moments--is most optimistically about the freedoms of self-expression and self-reinvention. It recognizes very little distinction between faking it and making it. If you have the money and the inclination, you can stock your closet--and swath your body--with Alice + Olivia and Thakoon and Marc Jacobs and Marchesa, or with very convincing knockoffs. You can balance them out, as the fashion magazines have taught you to do, with items from H&M and Zara and Forever 21. We live in an economy of sartorial abundance; one outcome of that is that 'style' is something we have come to associate with freedom. But Pulitzer's clothes are, again, 'uniforms'--which are, on the whole, designed to free their wearers from the burdens of free thinking. And this is perhaps the main source of the ire about Pulitzer's clothes: The garments suggest a kind of willful conscription, celebrating what happens when wealth and status are accompanied by an insistent rejection of creativity. It was, and to some extent still is, popular to deride women for being 'basic,' which is to say for loving pumpkin-spice lattes, Ugg boots, Gucci handbags, and other predictable outcomes of commercialized femininity. 'Basic' is a terrible epithet in many ways, but it is also, as far as 'Lillys' are concerned, an instructive one: Pulitzer's clothes are, in this sense, the worst kind of basic. They promise class and community and the relief of conformity. They are marketed to people of privilege. Worst of all, though, they suggest that the best thing one can do with one's privilege is to use it to go on vacation."

amor_mundi_sign-upFeatured Events

h. g. adlerTranslating the Holocaust: H. G. Adler as Writer and Scholar

This event, which features a keynote address, several panels, and a performance, will offer a unique opportunity to consider the intersection of both the scholarly and artistic work of H. G. Adler, a major thinker and writer who is just becoming known in English.

Sponsored by the Hannah Arendt Center, The Bard Translation Initiative, Jewish Studies, German Studies, and Human Rights Project.

Free and open to the public!

Monday, May 4, 2015

Bard Hall, Bard College, 4:00 pm - 6:00 pm

human conditionHAC Virtual Reading Group - Session #8

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, May 15, 2015

Bluejeans.com, 11:00 am - 12:00 pm



privacy con 2015 (temp)SAVE THE DATE - 2015 FALL CONFERENCE

Thursday and Friday, October 15 and 16, 2015

The Hannah Arendt Center's eighth annual fall conference, "Privacy: Why Does It Matter?," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

From the Arendt Center Blog

This week on the Blog, Jennie Han discusses how Arendt's and Kant's conceptions of critical thinking help open us up to the rest of the world in the Quote of the Week. Albert Einstein provides this week's Thoughts on Thinking. In a special feature, Zelda May Bas, a student fellow with the Hannah Arendt Center, recounts our second "Courage to Be" dinner, during which Professor Uday Mehta spoke on Gandhi. Finally, we visit the Hannah Arendt Collection and peruse a number of books dedicated to understanding the character and political aspirations of Adolf Hitler in this week's Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

A Special Donation


The Hannah Arendt Center recently received a special donation from Konstanze Bachman in honor of her mother, Maria Schmitt-Kuemmell. We accept this gift with our sincerest thanks.

The donation is Hannah Arendt's 1929 dissertation Der Liebesbegriff bei Augustin: Versuch Einer Philosophischen Interpretation, or "The Concept of Love in Augustine. Attempt a Philosophical Interpretation" (Berline, Springer Verlag, 1929).

Der Liebesbegriff bei Augustin: Versuch Einer Philosophischen Interpretation(1)   Der Liebesbegriff bei Augustin: Versuch Einer Philosophischen Interpretation(2)

Under the direction of Karl Jaspers and the influence of Martin Heidegger, Hannah Arendt first began her scholarly career in 1929 by writing a dissertation on Saint Augustine's concept of caritas, or neighborly love. Four years later, her life in Germany ended abruptly with Hitler's rise to power in 1933, events which forced Arendt into exile in France. She eventually moved to New York and took her dissertation with her.

Der Liebesbegriff bei Augustin: Versuch Einer Philosophischen Interpretation(3)

During the late 1950s and early 1960s, Arendt completed some of her most influential studies of political life. It was at this time that Arendt also reworked her dissertation using some of the arguments and observations she had used in her other works. In this sense, Arendt's dissertation became a bridge over which she traveled back and forth between her early years in Germany and her professional career in New York, two periods which, despite their separation in time and space, both found relevance in Augustine's questions about human freedom and the possibility of political life in a scientific and technological age.

Der Liebesbegriff bei Augustin: Versuch Einer Philosophischen Interpretation(4)

This is the 9th booklet of the Philosophische Forschungen, which was published by Karl Jaspers in Heidelberg.

The Hannah Arendt Center intends to archive the book in the Hannah Arendt Collection at Bard College's Stevenson Library.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

Violence, Art, and Our Crisis in Culture

eric garner protests

“The common element connecting art and politics is that they are both phenomena of the public world. What mediates the conflict between the artist and the man of action is the cultura animi, that is, a mind so trained and cultivated that it can be trusted to tend and take care of the world of appearances whose criterion is beauty.”

“The Crisis in Culture,” in Between Past and Future (1993 [1961]) 218-219

The survival of culture is not assured. In her exploration of culture and crisis, Hannah Arendt distinguishes between objects that are produced for use and those that are produced as art in order to endure. Consumptive life is a part of leisure, a “necessity” of life, whereas art, as Arendt often discusses, partakes in the humanistic task of cultivating a world that doesn’t collapse all distinctions – among people, among realms of experiences, among spaces of collective encounter, and among the ways in which we see violence whether in the hands of fellow human beings or state authorities. This note about violence is not a theme in Arendt’s “The Crisis in Culture.” But it very well could be, and as I’ll assert here, it should be. This is part of our “crisis of culture,” after all, a dilemma for which art may offer some chance of cultivating a humanistic sensibility that is much needed in light of persistent violence within liberal democratic republics today.

Laurie Naranch
Laurie Naranch is Associate Professor of Political Science and director of the Women’s Studies Minor at Siena College, NY. She has published in the areas of democratic theory, gender theory, and popular culture. Her current research is on debt and citizenship along with the work of the Greek-French thinker Cornelius Castoriadis and democracy.

Amor Mundi 12/7/14


Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Who The Police Kill

police blackDara Lind on Vox looks into the controversial number of police killings every year. A minimum of about 400 people are killed annually by what the FBI calls "justified police homicides"--but the actual number is likely much higher (see FiveThirtyEight). Within these statistics, those killed are predominantly male. About 50% are white, the rest largely black or Hispanic. But one important difference concerns the age of the victims: "The SHR lists 118 victims of 'justifiable homicide' who were killed while fleeing, committing a felony, or resisting arrest--not because they were attacking anyone. And 102 of those weren't killed with a rifle or a shotgun but with a handgun. In these 102 cases, the necessity of the officers' use of force is the most ambiguous. And in these 102 cases, the victims are more likely than in any other justifiable homicide categories to be black.... John Roman of the Justice Policy Center at the Urban Institute says these numbers indicate that many white justifiable-homicide victims are killed by police who are intervening in a domestic-violence dispute. Broader research on all types of homicide, he says, shows that victim and offender ages fall into a few distinct groups: 'You see one peak with little kids with infanticide, one peak with teenagers shooting each other, and then you see another big blip where the age of the victim and the offender are the same and they could be in their 30s, 40s or 50s. And that's mainly domestic violence. So when you see whites being shot by police officers, who are older than their early 20s, that's almost certainly domestic violence.' The concentration of death among young black and Hispanic men, meanwhile, is in part a demonstration that those are the people most likely to encounter police officers. They're the ones most likely to be arrested, and most likely to be living in the neighborhoods where police most frequently patrol."

The Daughter Against The Archivist

saskia sassenMarc Parry profiles Saskia Sassen, author of Global Cities, and daughter of Willem Sassen, the Nazi who is now famous for his interviews with Adolf Eichmann. Amidst an account of Sassen's innovative work on globalization, Parry gives Sassen's reaction to the stories being told about her father, most recently in Bettina Stangneth's book Eichmann Before Jerusalem. "But, to my surprise, Sassen hasn't seen that movie. Nor has she read Stangneth's book. And the longer I speak with Sassen about her father, the clearer it becomes that her account clashes with Stangneth's. Willem Sassen, in his daughter's description, is a more palatable figure. A bit of a fanatic, yes. A journalist aligned with the Nazis, yes. But a man whose great passions were theater and journalism. In Eichmann Before Jerusalem, Stangneth describes how Willem Sassen grew infatuated with Hitler in his youth. She tells me how, after Eichmann's capture, Sassen protected the murderer by manipulating the transcripts of their discussions and never going public with the original recordings. (Stangneth found no evidence that Sassen had betrayed Eichmann to the Israelis.) Stangneth's book also describes how, in a 1991 interview on Argentine TV, Sassen continued to justify Josef Mengele's 'experiments' on Auschwitz victims. By contrast, Saskia Sassen tells me that her father 'did not like the Nazis.' She emphasizes how he clashed with Joseph Goebbels, Hitler's propaganda minister. 'My father detested Hitler,' she says. 'He detested him.' And the Argentina circle? The dreaming of Nazi restoration? Willem Sassen's attempt to discredit 'propaganda' about the Holocaust? 'That's not what I remember,' she says. In her telling, Willem Sassen comes across as a mouthpiece for local Nazis. He wrote for them but ranted about them at home. The 'ridiculous texts' he produced were 'to have an income,' she says. At another point in our conversation, Sassen says, 'My father was more a journalist--a journalist wants to discover stuff--than he was pro-Nazi, actually.' It's not that Stangneth is lying in her portrayal, she tells me. 'But she was dealing with archives.... She doesn't understand, in my home, what I experienced.'"

Seeing The World Through Others' Eyes

white resentmentTo think, Hannah Arendt writes, is to think from the perspective of others, what she calls enlarged thinking. But thinking from the perspective of others means many others, and not just from the perspective of one group. That is Jim Sleeper's point. He tells of Claudia Horwitz, "a spiritual/social activist and interim director of Houston's Rothko Chapel," who writes that the answer to the question, "What Are White People to Do?" is for whites to "put ourselves through some honest reflection and let that process lead us on to thoughtful action ... to dismantle a system of white supremacy that permeates every corner of our legal, economic, political, relational and cultural lives." Sleeper, author of the classic "The Closest of Strangers, Liberalism and the Politics of Race in New York," has a different take: "But Horowitz doesn't address those millions of white guys (and gals) who run the gamut from a Zimmerman to a Signorelli. To do that, whites who think and write about race would have to 'peer into' the lives of whites who are perhaps even more deeply angry than we are--so angry they haven't enough words or even scapegoats to lift the sadness that accompanies their rage. We'd also have to discover that some of them are as angry at moralizing, liberal whites as they are at blacks--just as angry as they'd be if America were white from coast to coast, like the England of Charles Dickens, where grinding, gnawing differences in class weren't racial at all, as they also aren't in most majority-black societies. We'd have to understand why the white anger I've just mentioned is taking increasingly murderous and perverse turns that won't be deflected by our moralizing. Start with two contrasting images of generic American 'white guys,' taken from two historic moments less than a decade apart. When death-embracing fundamentalists attacked the World Trade Center on 9/11, perhaps the most telling response came from New York City firefighters and police officers who ran toward death in order to rescue others, not slaughter them." For Sleeper, white elites must indeed learn to think and feel from the perspective of blacks, but they must also attend to the ressentiment of the white working class.

To Be Black

black americaSpeaking at a lecture at the University of Pennsylvania School of Education, Chris Lebron says that America, "while no longer white supremacist in the way it was before the passage of the Civil Rights Act, daily exhibits the visages of a country where public lynching was practiced and Jim Crow segregation was the norm." What is needed, Lebron argues, is a new idea of racial education: "When I speak of racial democratic education I mean something deeply humanistic. When we are presented with facts, numbers, and dates, we tend to think we have acquired knowledge. But more essentially we consider ourselves to be educated when knowledge opens a window letting in a new way of seeing the world--this is the moment when knowledge becomes erudition. I think a significant problem with regard to race in America today is that we have focused a great deal on, admittedly, a narrow range of knowledge regarding American history. These arebasic pedagogical tropes: Lincoln freed the slaves, Martin Luther King, Jr. made a momentous speech on the steps of the Washington Monument, the Civil Rights Act made racial equality law of the land. But these tropes do not allow us to see the world anew--they are the tropes that now allow us to be comfortable with the status quo, for surely if Martin had a dream and racial equality is law of the land, we can wake up today and go about our business. But it goes without saying that no conversation about the Civil Rights Movement can be complete without paying serious attention to Malcolm X or the Black Panthers. It goes without saying that no one can responsibly remark on the triumph of formal racial equality as law without also noting the concurrent and aggressive build-up of the carceral state and the penal system which disproportionately incarcerates young black men, resulting in what Michelle Alexander aptly calls the New Jim Crow. It would certainly help the cause of racial equality if more knowledge were brought before the minds of students and Americans more generally. But I want to explore another avenue. This avenue is not mutually exclusive to the knowledge-based approach I just mentioned. The kind of thing I've been thinking about lately has to do with something very essential: more than know what has happened in American history to blacks as a category of people (and here I note and bracket the obvious problems with a notion like racial categories). I think we need a better understanding of what it is like to be, to exist as a black person in America. In what follows I can only offer a philosophical account of the conceptual framework I have in mind--my expertise is far from advising educational policy in its particulars. It is my hope that some of what I say resonates here today with those of you who are surely better positioned than I am to think in terms of policy."

Goodbye To Virtuosos

Leon WieseltierThis week saw a mass resignation of editors and writers at The New Republic, one of the oldest and most venerable magazines in US history. No other resignation will be felt as strongly as that of Leon Wieseltier who ran the Books & The Arts section of the magazine for decades. R.R. Reno writes that Wieseltier's departure speaks volumes about both American liberalism and America's colleges: Wieseltier could leave, Reno writes, first because "American liberalism is shifting in the direction of a long tradition in American conservatism, one that is supremely confident in the wisdom of markets. For liberal idealists, the new technological utopianism married to the dynamism of capitalism has replaced the old utopian socialism of the bygone era." The second reason Wieseltier is going "reflects changes in the university. A liberal arts education educates young people into a particular way of life, a particular culture. Some of them become virtuosos in this way of life, which means they absorb its animating ideas and sentiments, but can improvise. All cultures need these virtuosos, because all cultures face external and internal challenges that require adaptation, revision, and renewal. The prophets of Israel were virtuosos. Socrates, Luther, Burke, and Emerson were virtuosos.... As an editor, Wieseltier sought liberal virtuosos. (Conservatives were not part of his mix. He was interested only in a conversation about a progressive future.) And when he found them he gave them an extraordinary amount of space to speak to us about things that matter. But today's universities don't train virtuosos. A shallow scientism and materialism has found its way to the classroom. Political correctness shuts down conversation, insisting on sterile platitudes. Conservative ideas are largely excluded, and many of the most important questions facing us today simply aren't posed in ways relevant to our public life (which unlike the university culture isn't monochromatic). And anyway, if starting a company and cashing out as a billionaire is the way to change the world, who needs Shakespeare?"

Comics And Other Arts

zap comixIn an interview, publisher Gary Groth situates underground comix in terms of other art movements from the 60s and 70s: "Zap was obviously part of the '60s-counter-cultural zeitgeist--it couldn't have happened without the larger cultural shift that it epitomized--but I tend to think the whole underground comix revolution was too singular to compare tidily with the stylistic and attitudinal shifts in the other arts in the '60s (and '70s). You can observe parallels in other media: artists like Stan Brackage, Jonas Mekas, Frank Jacobs, and Kenneth Anger were pushing the formal elements of film; Vonnegut, Pynchon, Brautigan, Kesey, and others were emerging in prose fiction. But they didn't represent a decisive split from the past. By contrast, in terms of visual art, I don't see much connection to other artists emerging in the '60s. Surely the Zap artists had little in common with (and I bet most were even fundamentally opposed to) Warhol (who showed his first comic strip painting in 1960) or Litchenstein (who did his first comic strip painting in 1961) or Claus Oldenberg or Gerhard Richter or Ed Ruscha, whose ascendancy parallels the underground artists. Their respective values seem quite different to me. The only art movement that I can see that Zap or the underground artists generally shares any affinity with is the Chicago Imagists (or the Hairy Who) (who had their first show in '66)--artists like Jim Nutt, Gladys Nilsson, Karl Wirsum. They had a cartoony, occasionally psychedelic cast to their work, but used to different ends, the results of which were pretty remote from those of underground comix. You could make a case that Kesey and his Merry Pranksters had the same aesthetically anarchic spirit as much of the undergrounds, but that too seems a bit of a stretch. And maybe rock was as huge a break from previous pop music as Zap was from previous industrial comics production, but the explosion of rock seems more like a continuation or culmination of musical trends, whereas underground comix was a decisive break from the past--a deliberate, incendiary reaction to the censored blandness of comics over the previous 15 years. So it seems to me that the Zap crew was somehow part of but apart from their countercultural brethren in the other arts."

Wisdom And The Crowd

crowdfundingFreddie de Boer admits to being suspicious of crowdfunding: "After all, crowdfunding is a type of crowdsourcing; what's being crowdsourced is the gatekeeping functions that investors and organizations used to perform. The essential work isn't just sorting through various projects and determining which are cool or desirable but determining if they're responsible and plausible--capable of being successfully pulled off by the people proposing them within the time frames and budgets stipulated. It turns out that most people are not good at that. But then, why would they be? Why would the average person be good at fulfilling that function? Where does that faith come from? There are so many places where we've turned over functions once performed by experts to amateurs, and we're consistently surprised that it doesn't work out. 401(k)s aren't crowdsourced, exactly, but they exist thanks to a choice to turn over control of retirement funds to individuals away from managers, in the pursuit of fees, of course. The results have been brutal. But why wouldn't they be brutal? Why would you expect every random person on the street to have a head for investment in that sense? It's worth pointing out that crowdsourcing was first introduced for simplistic tasks that a human can do better than a machine, often through rote repetition--bilingual speakers checking machine translation, for example, a task still far better performed by humans than machines. (Yes, folks.) But now, we seem to expect to hand tons of essential tasks off to computers and crowds, and in many cases, we don't bother to check and see how well they're actually doing because the hype about both is so loud."

Featured Events

Roundtable on Academic Freedom

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Tuesday, December 9, 2014

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From the Arendt Center Blog

This week on the Blog, Ari-Elmeri Hyvönen discusses how the absence of experience leads philosophy and ideology into useless abstractions that ignore the reality of human interactions in the Quote of the Week. Russian mathematician and esotericist P. D. Ouspensky provides this week's Thoughts on Thinking. In this week's Video Archives, we look back on a lecture Roger Berkowitz gave on the relationship between revenge and justice. And we appreciate two passages on Nietzsche that Arendt found worthy of annotation in our Library feature.

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The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

Amor Mundi 9/7/14

Amor Mundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Did Eichmann Think?

eichmann_before_jerusalemEichmann Before Jerusalem: The Unexamined Life of a Mass Murderer is the new English translation of Bettina Stangneth's exhaustive history of the life of Adolf Eichmann. Stangneth writes that her book has two aims. The first is "to present all the available material, as well as the challenges that come with it." The second is to engage in a "dialogue with Hannah Arendt, and not simply because I first came to this topic many years ago through Eichmann in Jerusalem." Stangneth traces her interest in Eichmann to Arendt's book, a book that in Stangneth's words "had the courage to form a clear judgment, even at the risk of knowing too little." Her plunge into the depths of Eichmann's soul is an effort to reckon with power and provocation of Arendt's judgment. Stangneth goes to great lengths to praise Arendt in interviews and in her writing, citing Arendt as an inspiration and model for fearless and critical thinking about difficult and horrible events. In the end, however, Stangneth concludes that as brilliant as Arendt's book on the Eichmann trial is, Arendt herself was mistaken in her characterization of Eichmann as banal: "one of the most significant insights to be gained from studying Adolf Eichmann is reflected in Arendt: even someone of average intelligence can induce a highly intelligent person to defeat herself with her own weapon: her desire to see her expectations fulfilled." In other words, Arendt expected Eichmann to be thoughtless; in concluding that he was banal, she was fooled by him. Stangneth's book is the best account of Eichmann the man to appear since Arendt's trial report in 1963. You can read an excerpt here. You can read my account on the Arendt Center blog.

It's All French to Me

franceTa-Nehisi Coates spent the summer in a French immersion program at Middlebury College. In an essay about the experience, he talks about how communicating and reading almost exclusively in French alienated him from the world outside of campus (except, perhaps, the world according to the French), how educational opportunities in America have been traditionally afforded to some and not others, and how the importance of the experience is, in part, discovering something counterintuitive: "One afternoon, I was walking from lunch feeling battered by the language. I started talking with a young master in training. I told her I was having a tough time. She gave me some encouraging words in French from a famous author. I told her I didn't understand. She repeated them. I still didn't understand. She repeated them again. I shook my head, smiled, and walked away mildly frustrated because I understood every word she was saying but could not understand how it fit. It was as though someone had said, 'He her walks swim plus that yesterday the fight.' (This is how French often sounds to me.) The next day, I sat at lunch with her and another young woman. I asked her to spell the quote out for me. I wrote the phrase down. I did not understand. The other young lady explained the function of the pronouns in the sentence. Suddenly I understood-and not just the meaning of the phrase. I understood something about the function of language, why being able to diagram sentences was important, why understanding partitives and collective nouns was important. In my long voyage through this sea of language, that was my first sighting of land. I now knew how much I didn't know. The feeling of discovery and understanding that came from this was incredible. It was the first moment when I thought I might survive the sea."

Corruption in America

teachoutWe are sick of politics, and who can blame us when the only rational conclusion is that getting involved doesn't make a difference? And yet every once in a while someone comes along who is convinced that they can make a difference, that politics can matter again. David Cole writes about Zephyr Teachout and her new book Corruption in America. "Indeed, according to Teachout, corruption is not just Cuomo's-or New York's-problem. It is the most pressing threat that our democracy faces. And the problem, as Teachout sees it, is that those in power refuse to admit it. Just as Cuomo shut down the Moreland Commission's inquiry into corruption, so the Supreme Court, by adopting an ahistorical and improperly narrow view of corruption, has shut down an exploration of the very real threat that unrestricted campaign spending actually poses to our democracy. In Corruption in America, an eloquent, revealing, and sometimes surprising historical inquiry, Teachout convincingly argues that corruption, broadly understood as placing private interests over the public good in public office, is at the root of what ails American democracy. Regulating corruption has been a persistent theme through American history and has bedeviled lawyers, politicians, and political philosophers alike. Everyone agrees that it is a problem, but few can agree on how to define it, much less fight it effectively." Teachout spoke at Bard last week as she prepares for the NY Democratic primary this Tuesday, in which she is challenging Andrew Cuomo. And she will be speaking as well with Lawrence Lessig at the Hannah Arendt Center Conference The Unmaking of Americans in October.

Teaching Teachers to Think

teachingDaniel Bergner describes Eva Moskowitz as a one-woman tsunami bringing about the drive for educational excellence in New York. "'I thought that as chairwoman of the Education Committee, I could make a difference,' [Moskowitz] said. But labor was too intransigent, the government bureaucracy too cumbersome and entrenched. 'I kept getting more and more narrow: Well, if you can't bring better science or better arts - I held a hearing on toilet paper. I thought, That's going to be a winner, everyone's for toilet paper, surely we can come together. But you couldn't, because the administration denied' that there was a problem. 'I had to go around photographing bathrooms where there wasn't toilet paper. . . . I thought, This is not a system that delivers for children. Kids can't wait till all the policies change. That's going to be another two centuries.'" Moskowitz has created a series of schools in which mostly poor and disadvantaged students test better than students at the best public and private schools. Her technique might surprise: "Above all, there are her exacting standards for the network's adults - the teachers she hires straight from certification programs or after stints with public schools or Teach for America and the administrators who have been promoted from her faculty. It's their intellectual capacity that is her main concern; the training sessions I sat in on this summer were less about teaching teachers to teach than about teaching them to think. I watched Jessica Sie, the associate director of literacy, lead an auditorium full of elementary- and middle-school faculty members in a discussion of the nuances in a short essay from The New Yorker. They wouldn't be using the essay with their students. But Moskowitz wants her faculty to know how to read in the deepest way, so they can model this for their pupils right from the youngest grades, when everyone is discussing 'The Tortoise and the Hare.'"

Indiscriminate Discrimination

discriminationWhile pursuing her Ph.D. at Vanderbilt, Tish Harrison Warren led the Graduate Christian Fellowship-a chapter of InterVarsity Christian Fellowship-until a new policy led her group to be put on probation. Their fault was to require leaders of the group to affirm certain Christian beliefs. She hoped it was all a misunderstanding. "But as I met with other administrators, the tone began to change. The word discrimination began to be used-a lot-specifically in regard to creedal requirements. It was lobbed like a grenade to end all argument. Administrators compared Christian students to 1960s segregationists. I once mustered courage to ask them if they truly thought it was fair to equate racial prejudice with asking Bible study leaders to affirm the Resurrection. The vice chancellor replied, 'Creedal discrimination is still discrimination.' .... The line between good and evil was drawn by two issues: creedal belief and sexual expression. If religious groups required set truths or limited sexual autonomy, they were bad-not just wrong but evil, narrow-minded, and too dangerous to be tolerated on campus. It didn't matter to them if we were politically or racially diverse, if we cared about the environment or built Habitat homes. It didn't matter if our students were top in their fields and some of the kindest, most thoughtful, most compassionate leaders on campus. There was a line in the sand, and we fell on the wrong side of it." All of which leads Warren to ask, with justification, if there is still space for religious organizations in America's universities.

Mooooom! I'm Booooored!

James WardJames Ward, who puts on something called the Boring Conference, talks to conference goers, including a woman who takes photographs of IBM cash registers, another who makes sound recordings of vending machines, and a man who keeps track of his sneezes. Why pay some attention to something so, well, boring? Ward explains: "'How should we take account of, question, describe what happens every day and recurs every day?' asks the French writer Georges Perec in his 1973 essay on the 'infra-ordinary' (his word for everything that's the opposite of 'extraordinary'). Perec challenges us to question the habitual. 'But that's just it, we're habituated to it. We don't question it, it doesn't question us, it doesn't seem to pose a problem, we live it without thinking, as if it carried within it neither question nor answers, as if it weren't the bearer of any information. Perec's point is that everything contains information. It's just that, sometimes, it takes a bit of work to notice it. These days, an audience and a platform can be found for even the most niche interests, as people demonstrate that nothing is truly boring - not if you look at it closely enough.'"

Featured Events

Kenan MalikLunchtime Talk with Kenan Malik

Details soon to follow.

Wednesday, September 17h, 2014

The Hannah Arendt Center, 12:30 pm





congressBard College Public Debate

Resolved: "The fate of the world depends upon the success or failure of America's model of democratic self-government."

Tuesday, October 7th, 2014

Campus Center Multipurpose Room, 7:00 pm - 9:00 pm


October 9-10

The Hannah Arendt Center's annual fall conference, The Unmaking of Americans: Are There Still American Values Worth Fighting For?, will be held this year on October 9-10!

Registration is now OPEN! You can register here!

Want to know more about the schedule of the conference? Please click for details here!

Learn more about the conference here.



From the Arendt Center Blog

This week on the Blog, Richard Barrett discusses scientific and philosophic truth in the Quote of the Week. French philosopher Henri Bergson provides this week's Thoughts on Thinking. We look back on a Lunchtime Talk with Ory Amitay on the nature and history of monotheism in our Video Archives. We celebrate the return of our Library feature with a visit to the Hannah Arendt Library at Bard College. Roger Berkowitz addresses some of the common critiques leveled against Eichmann in Jerusalem in the Weekend Read. And as a special treat, Roger Berkowitz discusses Bettina Stangneth's Eichmann Before Jerusalem: The Unexamined Life of a Mass Murderer.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

Skeptical, Dispassionate and Free


This post was originally published on December 2, 2011.

Eight years ago this week, Michael Ignatieff accepted the Hannah Arendt Prize in Bremen. Ignatieff's acceptance speech spoke of Hannah Arendt as an example, as an intellectual whose work and persona had inspired and guided him on his own course. As is appropriate, he praises Arendt and also challenges her, finding in his disagreements an intense respect for the provocation and courage of her thinking. Arendt inspires, Ignatieff concludes, because she is skeptical, dispassionate, and free. His speech is one of the best accounts of what makes Arendt so compelling as a thinker. I recommend it to you as this week’s Weekend read.

What most strikes Ignatieff about Arendt is her intellectual authority. He writes:

She was an example, first, because she created her own authority. She arrived in New York as a penniless refugee and by her death was widely respected as a public intellectual. She achieved authority by the power of thought. By authority, I mean that she was listened to, respected and widely regarded as a wise woman. I also mean that her influence has survived her and that the argument about her work continues a generation after her death.

Arendt's authority flows from commitment to ideas, to, in Ignatieff's words, an "intellectual life, that was free of any alliance with power, ideology, religion or coercive force." Neither a liberal nor a conservative, Arendt sought simply to think, and rethink, what we are doing. Again, Ignatieff characterizes her beautifully:

She defended a life of the mind connected to the idea of persuasion: the free changing of a mind in interaction with a logical argument or a claim about the world grounded in evident or falsifiable facts.  She was attentive to facts, understood the discipline they impose on thought, appreciated the moral code of empirical scholarship, the proposition that if the theory does not fit the facts, the theory must be changed. This is a moral idea simply because it requires people to admit that they are wrong, and since nobody likes to, everyone can find a morally dubious way to avoid doing so. Facts are stubborn things, and intellectual life has no essential morality unless it submits arguments to the discipline of such facts as we can discover about ourselves and the world we live in.

Arendt's insistence on facts beyond ideology and politics made her old-fashioned to some. While everyone has a right to their opinion, she insisted that facts are sacrosanct, and no one has a right to change facts. Fidelity to facts meant for her a fidelity to living in a world with others, a shared world, one in which our disagreements cannot include disagreements over the unquestionable factual truths that make up our common world.

It is on the question of one such fact, however, that Ignatieff disagrees with Arendt. In her book Eichmann in Jerusalem, Arendt brought attention to the complicity of Jewish leaders who, during WWII, supplied Nazi leaders with lists of Jews and organized their fellow Jews for transport to concentration and death camps. A few resigned. Fewer committed suicide or resisted. But the majority collaborated.

These Jewish leaders often defended their actions as a lesser evil, keeping order where otherwise disorder might have reigned. But Arendt noted that they also kept themselves and their families off the transport lists. These were facts. While many Jews thought these facts should be hidden, Arendt insisted on telling the whole truth. Arendt argued that it is always right to tell the truth, no matter the consequences.

What is more, Arendt had the temerity to judge the Jewish leaders for their complicity. The Jewish leaders, she wrote, had defended their actions by the argument of the "lesser evil"— that their cooperation allowed them to save some Jews (themselves included) and was therefore a lesser evil; if they had simply handed the responsibility for selecting and organizing the Jews to the Nazis, that would have been worse.

For Arendt, this argument of the lesser evil was in form, although not in significance or import, the very same argument Eichmann employed. It was even closer to the actions of  normal, average, everyday Germans who chose to work within the Nazi bureaucracy and legal system, justifying their actions by saying that if they resigned, others, even more heartless, would take their places. What unites the German civil servants and the Jewish leaders in Arendt’s telling is their willingness to justify morally suspect actions in the name of doing an unethical job as ethically as possible.

It is important to recall that Arendt did not advocate punishing the Jewish leaders. Hers was not a legal judgment. But she did insist that they should bear moral responsibility for their actions. In short, they had put their own safety and the safety of their friends and families above their obligations to those other Jews who were under their care. In short, they had valued the lives of some over others and cooperated in the selection of some for extermination.

Arendt's argument of the formal similarity between the complicity of the Jewish leader and German bureaucrats was, Ignatieff argues, a mistake. It is worth hearing his argument at length. He writes:

Arendt had assumed that the choices that Jewish leaders made under Nazi occupation ought to be judged by the same standards of accountability to be applied to the perpetrators. She quoted her friend Mary McCarthy as saying, “If somebody points a gun at you and says, “Kill your friend or I will kill you”, he is tempting you, that is all.”

Arendt maintained that while it might not be possible to resist direct coercion, it was possible to resist temptation. This standard applied equally to perpetrators and accomplices. Without holding on to such a distinction, Arendt claimed, personal responsibility would be lost altogether.

Yet while it is a temptation for the perpetrator to say: “Kill your friend or I will kill you”, the victim so compelled is under a very direct form of coercion. Arendt has elided two very different experiences: the German perpetrator who could disobey orders that entailed telling others to kill and a Jewish collaborator who knew that the choices were between everyone dying and some dying, between dying then or dying later.

 “I was told, “Arendt later said angrily, “that judging itself was wrong: no one can judge who had not been there.” But it was one thing to insist on the right to judge Eichmann and his kind, another thing to claim the equivalent right to judge—and condemn—the conduct of Jewish collaborators. The second case required a different kind of judgment, one that does not confuse understanding and forgiveness, but which does insist on empathy as a prelude to judgment. Empathy is not the same as sympathy. Empathy here means the capacity to enter into the moral world of those faced with intolerable choices and understand how these choices could be made. Empathy implies a capacity to discriminate between the condemnation appropriate to a perpetrator and that of his Jewish accomplice. The accusation here is fundamental: that in making ethical judgment the central function of intellectual life, and its chief claim of authority, Arendt had lacked the one essential feature of judgment: compassion.

There are a few things to say about Ignatieff's critique. First, he assumes that for the Jewish collaborators the choice was between "everyone dying and some dying, between dying then or dying later." Arendt disputes that fact. She denies that Jewish collaboration saved more lives than non-collaboration would have. Indeed, she argues that if the Jews had refused to collaborate, many fewer Jews would have been killed. The ensuing chaos would have afforded many Jews the chance to escape and would have inspired others to resist. Further, the complicity of Jewish leaders eased the Nazi's job and provided labor and legitimacy that expedited the efficiency of the final solution. It is simply wrong, Arendt insists, to see the choice as one of dying now or dying later. One cannot know the results of action, which always begins anew and is unpredictable in its consequences. Jewish resistance in place of collaboration, she argues, might have saved lives. It would have required courage, however, that the leaders risk their own lives.

Second, Ignatieff argues that Arendt was wrong to judge the collaborators and that in doing so she denied them the empathy and compassion that are essential features of judgment. Here Ignatieff and Arendt have a real difference of opinion, and it is one worth thinking about.

Ignatieff insists that judgment requires compassion. We should get to know the person being judged, empathize with his plight, and make allowance for his wrongs based on the circumstances. Against this view, Arendt insists that compassion—which is an essential and praiseworthy trait in the personal realm—must be kept out of the political realm and divorced from questions of judgment.

Compassion with another requires an engagement with another in their singularity. Indeed, it is just such a lack of compassion with those Jews under their care that was absent on the part of the Jewish leaders and that allowed them to act such as they did. Instead of compassion, the Jewish leaders treated their fellow Jews with pity. The leaders eased the plight of their subjects by treating them pitifully and softly as they sent them off to die, but they were able to do so only by avoiding the true empathy of compassion that would have made such action impossible. If the Jewish leaders really had compassion, they could never have handed them over to the Nazis to be killed. In fact, it is this willingness to subordinate their compassion and singular relation to those they were responsible for, to the political logic of means-ends rationality that bothered Arendt.

What most bothered Arendt, however, was that the Jewish leaders judged it better to do wrong by sending others off to die than to suffer wrong themselves. This putting of their own self-interest above the moral requirement not to do wrong was, she argued, a violation of the fundamental moral law first announced by Socrates; that it is better to suffer wrong than to do wrong. It is for their poor moral judgment that Arendt judges them.

While the leaders should have showed compassion for those in their care, Arendt insists that a judge should not. Judgment requires distance. It is from her distant perch as a conscious pariah—an outsider who refuses to let compassion enter her judgments—that Arendt found the moral authority with which to judge the Jewish leaders.  On the need for such judgment, she and Ignatieff simply disagree.

Enjoy Ignatieff's speech. It is a shining example of how to accept an award with gratitude—appropriate for a post-Thanksgiving read. And let us know what you think.


Roger Berkowitz
Roger Berkowitz is Associate Professor of Political Studies and Human Rights at Bard College, and Academic Director of the Hannah Arendt Center for Politics and the Humanities. He is also the author of "Gift of Science: Leibiniz and the Modern Legal Tradition", as well as co-editor of "Thinking in Dark Times: Hannah Arendt on Ethics and Politics".

Library of the University Club


Library of the University Club, New York


The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

Irving Howe on Hannah Arendt


The American writer and founder of Dissent magazine Irving Howe wrote many of the best accounts of the controversy over Arendt’s publication of Eichmann in Jerusalem. As the controversy swells yet again in the wake of the new movie “Hannah Arendt,” Dissent thankfully republishes an excerpt of Howe’s testamentary writing about Arendt.

My first encounter with Hannah had come in 1947 when she was editor of Schocken Books, the German-Jewish publishing house recently moved to New York. She needed a part-time assistant to do literary chores (copy for book jackets, cleaning up translations, and so forth), and for the handy sum of $150 a month I took the job. With it came the privilege of visiting Hannah at her office every week. She had not yet published her major work on totalitarianism, but everyone in the intellectual world respected her and some feared her. She liked to “adopt” young people, and while I was not one of her chosen—perhaps because I was deaf to philosophy, or had been contaminated by Marxism, or was visibly intent upon resisting her intellectual lures—she would take an hour off and talk to me about Kafka and Brecht, Yiddish folk tales and American politics.

See more here.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

Yes and No: The Split the Difference Approach to the Banality of Evil


“Hannah Arendt” the movie by acclaimed Director Margarethe von Trotta, opened in the United States this week at Film Forum in New York. It will begin its national release on June 6th.  Around the world the movie has garnered rave reviews and played to excited audiences. Reviews in the U.S. are appearing, including a rave by A.O. Scott in the New York Times.

In reading the many reviews and comments on the film, one trend stands out. This trend is epitomized by Fred Kaplan’s essay in the New York Times last weekend. Kaplan plays umpire and seeks to adjudicate whether Arendt was right or wrong in her controversial judgment of Adolf Eichmann. And like so many others in recent years, Kaplan tries to have it both ways. He writes that Arendt was in general right about the fact that “ordinary people become brutal killers,” but she was wrong about Eichmann. In short, Kaplan claims that Arendt’s thesis about the banality of evil is right, but Eichmann himself was not banal, he was a monster.


This Yes and No reading of Arendt’s judgment is now a commonplace. One sees it pop up in reviews of the new film in Europe and here in the U.S. Take, for example, Elke Schmitter, reviewing the film in the German Weekly Der Spiegel. Schmitter likes the film, and writes that von Trotta has “made an extremely vivid cinematic essay, thrilling in its every minute, deeply moving in its seriousness and suitably unsettling.” Yet Schmitter’s review prefigures Kaplan’s in its Janus faced analysis. She points to the interview with Eichmann by Willem Sassen as evidence that Arendt was deceived by Eichmann:

The [Sassen] tapes clearly show that Eichmann was an ardent anti-Semite, incapable of the direct use of force, and yet determined to exterminate the Jewish people. His performance in Jerusalem was a successful deception.

For both Kaplan and Schmitter, the larger truth of Arendt’s thesis that evil emerges from thoughtlessness must not obscure the apparent fact that Eichmann put on an act at trial and deceived Arendt. This view of Eichmann the actor who pulled the wool over Arendt’s eyes has become now the dominant reading of Arendt’s analysis. My colleague and fellow political thinker David Owen agrees with this basic Yes/No thesis.  Writing on the Hannah Arendt Center Blog, Owen argues:

And it must be noted that while Arendt’s thesis concerning the banality of evil is a fundamental insight for moral philosophy, she is almost certainly wrong about Eichmann. As David Cesarani and, more recently, Bettina Stangneth have compellingly argued, Arendt was — like almost everyone else — taken in by Eichmann’s strategy of self-presentation in the trial as a nobody, a mere functionary, a bureaucratic machine. Yet the evidence of Eichmann’s commitment to Nazism and, contra Arendt, his commitment to anti-Semitism that has emerged in more recent years, especially well-documented by Stangneth’s study Eichmann vor Jerusalem, suggests that Jonas was right — Eichmann was a monster who hated Jews.

The Yes and No analysis of Arendt’s argument relies largely on what are now known as the Sassen tapes, based on an interview with Eichmann done by Willem Sassen, a fellow member of the SS who also fled to Buenos Ares. Partial transcripts of the tapes were published in Life Magazine before the Eichmann trial and were read by Arendt, but the tapes and the entire transcript only became available much later. Scholars like David Cesarani, Bettina Stangneth, and Deborah Lipstadt argue that the tapes show Arendt was—through no fault of her own, they usually emphasize to display their magnanimity—wrong in her judgment of Eichmann. It is simply a matter of the emergence of new facts.

This “factual claim” has gotten a free pass. What exactly do the Sassen tapes show? Above all, the tapes show that Adolf Eichmann was an anti-Semite. Here is one quotation that is nearly always referred to and that Kaplan brings forth. Eichmann says: “I worked relentlessly to kindle the fire. I was not just a recipient of orders. Had I been that, I would have been an imbecile. I was an idealist.”

Kaplan actually leaves out an extra sentence between the last two quoted sentences, in which Eichmann adds: “Instead, I was part of the thought process. I was an idealist." Leaving out that line is hardly innocent as it establishes the context of Eichmann’s remarks, his claim to general participation in the Nazi thought process.

Critics point to the tapes to show that Eichmann was an anti-Semite. This is nothing new. Everyone knew Eichmann was an anti-Semite. And of course Arendt knew it. There are a few who argue that she denies this and some who go so far to argue that she thought Eichmann was a Zionist, but these are crazed and irresponsible Jeremiads. Arendt scoffed at Eichmann’s self-professed Zionism. She said that he said he was a Zionist and that he claimed he had no animus towards Jews. She did not credit these claims.

The revelation in the tapes is not that Eichmann was anti-Semitic. The claim is that if she had heard the tapes or seen the transcript, she would have been compelled to admit the ferocity of Eichmann’s anti-Semitism and thus the fact that his anti-Semitism contributed to his actions to a far greater extent than she believed.

Now this is an important point. Recall that the essence of Arendt’s rarely understood argument about the banality of evil is that evil motivations—that which really drives modern bureaucratic evil—is superficial, not deep. There is, of course, evil that is rooted deeply in hatred, as for example when I out of rage at a colleague who insults me I intentionally stick a dagger into his breast or when a suicide bomber blows himself and civilians up in a café from out of hatred and infinite hope that his actions will change the world. But such crimes, as horrible as they are, are not the true face of evil in the modern world. That face is recognizable in the mass administrative exterminations of innocent people for no justifiable reason other than their race or religion or creed. There are of course reasons for such evil acts, but those reasons have more to do with the internal logic of movements than personal animus. Such evil, she argues, may be initiated by psychopaths, but it is carried out by thoughtless nobodies. Eichmann, as a mid-level bureaucrat in charge of Bureau IV-B-4, the Gestapo division in charge of Jewish Affairs, was such a mid-level bureaucrat.

Now, if Arendt’s critics are correct, we must not only question her analysis of Eichmann, but her more general claims as well. Two scholars who recognize this are S. Alexander Haslam and Stephen D. Reicher. These two psychologists have written an intriguing paper taking on both Arendt and Stanley Milgram. As is well known, Milgram was led by the Eichmann trial to conduct experiments where residents of New Haven were asked to assist researchers in teaching students by administering what they thought were painful—and potentially lethal—electric shocks to students who gave wrong answers. The assistants largely did as they were instructed. Milgram concluded that most people will obey authority even when commands violate their deepest convictions; obedience, he argued, does not entail support. For many, Milgram’s experiment is confirmation of Arendt’s banality of evil thesis.

Arendt did not share this view; she insisted that obedience involves responsibility. She was shocked that her critics assumed that thoughtful people would act as Eichmann had. She worried experiments like Milgram’s would normalize moral weakness. Indeed, she saw the angry reaction to her book—her critics’ insistence on seeing Eichmann as a monster—as proof that they feared that they too lacked the moral independence and the ability to think that would allow them to resist authority.

The importance of Haslam and Reicher’s essay is to take the criticism that Eichmann was actually motivated by anti-Semitism to its logical conclusion. Haslam and Reicher say that Arendt’s portrayal was partial, and like Deborah Lipstadt, they fault Arendt for not staying to the end of the trial. But Arendt poured over the transcripts, and did view much of the trial. It is not at all clear what more viewing of Eichmann would have done to change her mind of his clownishness, an opinion shared by many who did watch the whole trial. But let’s assume that someone who watched the whole trial and heard the tapes came to a different conclusion. Namely, (Haslam and Reicher’s summation of the historical research):

Eichmann was a man who identified strongly with anti-semitism and Nazi ideology; a man who did not simply follow orders but who pioneered creative new policies; a man who was well aware of what he was doing and was proud of his ‘achievements’…. In short, the true horror of Eichmann and his like is not that their actions were blind. On the contrary, it is that they saw clearly what they did, and believed it to be the right thing to do. 

Haslam and Reicher argue that if one looks closely at Milgram’s and other related studies, one sees that people do not blindly and mindlessly obey. Some do and others do not. So from these obedience studies, they write,

It is not valid to conclude that people mindlessly and helplessly succumb to brutality. Rather both studies (and also historical evidence) suggest that brutality occurs when people identify strongly with groups that have a brutal ideology. This leads them to advance that ideology knowingly, creatively and even proudly…. People do great wrong, not because they are unaware of what they are doing but because they consider it to be right.

For Haslam and Reicher, the question is not: why are people thoughtless cogs in bureaucratic machines, but rather, why do people identify with hateful ideologies that allow them to participate in mass excursions of evil? Their point is that if indeed Eichmann committed his crimes because of his virulent anti-Semitism, that suggests that the bureaucrats who participate in great schemes of administrative evil are not simply unthinking nobodies and that Arendt’s overarching thesis about the banality of evil is wrong as well.

Haslam and Reicher have done a great service with their essay insofar as they at least pierce the halo that surrounds Milgram’s conclusions. What they show, and here they agree with Arendt against Milgram, is that human beings are not simply slaves to their situations. Character and thoughtfulness (or thoughtlessness) matter. Human action is not simply behavior. Or, as Arendt writes, in political and moral matters, obedience and support are the same.

At the same time, however, Haslam and Reicher are altogether too sure of their ability to know why Adolf Eichmann acted. Like David Cesarani, Deborah Lipstadt, Bettina Stangneth, and others, they believe that somehow listening to the Eichmann tapes gives them more insight into Eichmann’s true character than Hannah Arendt’s viewing of him on the witness stand for three weeks.  There is, it seems, an uncritical acceptance of the idea that Eichmann’s boasts about his importance and his refusal to express regrets in his conversations amongst former Nazis is better evidence of his character than his testimony in Jerusalem.  


But why privilege the interviews over the trial? In both the trial and the interviews, Eichmann refused to express regret for what he did. In both, he admitted wanting to carry out his job to the fullest of his abilities. In both he denied murdering or killing anyone. The real difference is that at trial in Jerusalem Eichmann claimed to have wanted to help the Jews and in Argentina he claimed to share the Nazi anti-Semitism and hatred of the Jews. Of course, no one in Jerusalem believed his claims of philo-Semitism, least of all Arendt. What she saw and what she argued is that his anti-Semitism alone was not of the type that would lead someone to do what he had done.

To evaluate the factual claim made by Kaplan and his fellow critics, we must also consider the context of the Sassen interviews themselves. Amongst the community of former Nazis in Buenos Aires, Eichmann was different. Many of these Nazis repudiated the final solution, claiming it was Allied propaganda. Eichmann, who had been mentioned frequently in Nuremburg, could confirm or reject that claim. It was thus that Sassen, who was working as a journalist, sought Eichmann out through Eberhard Fritsch, another Nazi who published a German-language journal in Buenos Ares and argued for a new ascent of National Socialism. Fritsch, Sassen, and Eichmann met for a series of conversations that Sassen taped and used for articles he wrote that appeared in Life Magazine. 

Eichmann himself had much to gain from these interviews. The Adolf Eichmann who agreed to be interviewed by Sassen was living as a poor man struggling to support his family. It was a far cry from his position of power and relative wealth in Germany during the War. And if there is one quality of Eichmann that Arendt and her critics can agree upon it is his vanity. Eichmann was, as Arendt noted, quite boastful. He desperately desired to be important and meaningful. Bettina Stangneth saw the same quality in Eichmann: “Eichmann hated being anonymous. He missed power. He wanted to matter again. On some level I think he even enjoyed his trial.” It is far from clear that Eichmann bared his true soul to Willem Sassen.

How to know whether the Eichmann speaking to former Nazis and seeking friends and importance is the truer Eichmann than the Eichmann brought before posterity at the trial in Jerusalem? One can, of course, argue that neither is the true Eichmann, that he would say whatever he thought would endear him to the crowd he was in, but that would simply go to support and confirm Arendt’s thesis that Eichmann was a nobody, a joiner. If Eichmann thought that lying about his anti-Semitism would convince anybody, and if he thought that saying he was just obeying orders would help him whereas it hadn’t his predecessors at Nuremburg, he was as thoughtless as Arendt said he was. In any case, there is nothing in the Sassen transcripts that shows Arendt’s factual analysis of the trial to be wrong. 

Arendt thought that it was a fact that Eichmann was thoughtless. Listening to his clichés and his boasts and hearing how he worshipped bureaucratic hierarchy, she determined that he had insulated himself from thinking. Her critics, in response, say he was creative and intelligent in carrying out his tasks. He was. He was not stupid, Arendt writes. He was thoughtless. This doesn’t mean he wasn’t anti-Semitic. What she means by thoughtlessness, contrary to much commentary, is not simple.

Arendt’s argument about thoughtlessness is complex and subtle.  First, Arendt says that what drove Eichmann to join the SS was not virulent hatred of Jews, but the need of a job and the desire to find meaning in his life. On this point, she and her critics largely agree. As a Nazi officer, Eichmann became a virulent anti-Semite. He adopted the rhetoric and language of those around him, even as he took pride in his ability to work with Jewish leaders. Even such an anti-Semite, however, insisted he did not kill Jews himself. That was important to him. He knew such killing was wrong. While he may indeed have wanted Germany to be free of Jews, and while he may have spoken in favor the killing itself, he knew that gassing Jews was wrong. He was not the kind of psychopath that breathes blood and relishes pulling the trigger. Eichmann describes how he was initially bothered and unsettled by the decision to gas the Jews, but that, over the course of about four weeks, he came to see the transport of Jews not as wrong, but as his legal obligation, one that he took pride in carrying out. In the space of one month, his moral universe around the question of genocide was upended. This is the famous inversion of Eichmann’s conscience that is at the core of Arendt’s argument.

It is this transition from anti-Semite who knows killing innocents is wrong to bloodless bureaucratic executioner who imagines it his conscientious and moral duty to follow the laws and orders by implementing the Final Solution that, Arendt argues, has its source neither in anti-Semitism nor a lack of goodness, but in moral weakness and thoughtlessness. In this sense, thoughtlessness is a willingness to abandon one’s common sense of right and wrong in order to fit in, be part of a movement, and attain success in the world. What thoughtlessness means is a lack of self-reliance, in an Emersonian vein, or, as Arendt puts it, the inability to think for oneself.

At the source of modern thoughtlessness is what Arendt calls the break in tradition that occurs in the modern era. Throughout history people have done wrongs, even great wrongs. But they eventually came to understand the wrongness of those wrongs as against religious, traditional, and customary rules. The rules persisted as rules, even in their breach. The distinction of the modern era and totalitarianism is that the old rules no longer held good. Eichmann and thousands like him in Germany and Soviet Russia were able to see bureaucratic genocide as lawful and right. They could only do so by abandoning their moral sense to the conventional wisdom of those around them. This is what Arendt means by thoughtlessness. The core of Arendt’s argument is that while anti-Semitism can explain hatred of the Jews and even pogroms and murdering of Jews, it cannot explain the motivation behind generally normal people putting aside their moral revulsion to murder and genocide and acting conscientiously to wipe out a race of human beings.

It is very possible that Arendt is wrong or that her argument is overstated. It may be as Haslam and Reicher argue that such action is motivated out of hatred and ideology. But all who think that should read Arendt’s book and see Margarethe von Trotta’s movie and look at the simplicity and clownishness and pettiness of Adolf Eichmann—and decide for themselves.


The question we who confront her text should ask is not, “is she right or wrong.” Rather, we should seek with her to understand how it is possible for Eichmann and people like him to have done what he did. If Arendt is wrong about Eichmann, than her thesis that thoughtlessness is the motivation for modern evil is questionable as well.

We must be honest: the hypothesis that "she was right in general, but wrong about Eichmann" is contradictory. If she was right and mechanized evil is only possible with bureaucratic thoughtlessness, then how can Eichmann not be bureaucratically thoughtless? Why do we insist on making him a monster? The answer is that we still don't fully accept her argument that Eichmann transformed from a normal anti-Semite with a moral sense into someone for whom morality meant following the law requiring him to destroy Jews. In denying Eichmann’s normality we still need to make him into a monster and thus refuse to confront—and also to resist— the dangerous truth Arendt is seeking to make visible. 

As you prepare to see Margarethe von Trotta’s “Hannah Arendt,” do some reading. For one, read my review of the movie in The Paris Review and A.O. Scott’s review in The New York Times. Also read Fred Kaplan’s essay in the New York Times. I suggest as well David Cesarani’s Becoming Eichmann. And then read S. Alexander Haslam and Stephen D. Reicher’s “Questioning the Banality of Evil.” Finally, check out the Arendt Center’s collection of Reviews of the film here. Best of all, of course, re-read Eichmann in Jerusalem itself. There is a lot to get through here, but take your tablet to the beach. You have a lot to get through for your weekend read.


Roger Berkowitz
Roger Berkowitz is Associate Professor of Political Studies and Human Rights at Bard College, and Academic Director of the Hannah Arendt Center for Politics and the Humanities. He is also the author of "Gift of Science: Leibiniz and the Modern Legal Tradition", as well as co-editor of "Thinking in Dark Times: Hannah Arendt on Ethics and Politics".

How it Looks to Think


A.O. Scott gives "Hannah Arendt", the new film by Margarethe von Trotta a rave in the New York Times today:

We may need [Arendt’s] example more than ever. It’s probably too much to hope that Ms. von Trotta and her star, Barbara Sukowa, will do for Arendt what Nora Ephron and Meryl Streep did for Julia Child, but surely a fellow can dream. And in a manner not altogether dissimilar to the way “Julie & Julia” mastered the art of French cooking, “Hannah Arendt” conveys the glamour, charisma and difficulty of a certain kind of German thought. Ms. Sukowa, compact and energetic and not overly concerned with impersonation, captures Arendt’s fearsome cerebral power, as well as her warmth and, above all, the essential, unappeasable curiosity that drove her.

The movie turns ideas into the best kind of entertainment. There is an undeniable nostalgic thrill in stepping into an era in New York when philosophers lived in apartments with Hudson River views, and smoking was permitted even in college lecture halls, especially if you are someone for whom the summit of early-’60s Manhattan magic is not Madison Avenue or Macdougal Street but Riverside Drive. But it would be a mistake to file this film with all the other rose-colored midcentury costume dramas.


Read the whole review here.

"Hannah Arendt" opens tonight at Film Forum in Manhattan. We will be on hand and there is a Q&A afterwards with Margarethe von Trotta, Pam Katz (writer), Barbara Sukowa (playing Hannah Arendt) and Janet McTeer (playing Mary McCarthy).

The opening is sold out, but on Wednesday June 5th, there will be a Q&A with Roger Berkowitz, Director of the Hannah Arendt Center, following the 6:30 show. Buy tickets here.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.