Hannah Arendt Center for Politics and Humanities

Amor Mundi 10/4/15


Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upCelebrity Trumps Ideology

trumpMark Leibovich in the NY Times Magazine has found something fascinating and more frightening about the Trump candidacy. "But what was more compelling to me about both the speech and the spirit of the room was how nonideological it all was. Other than undocumented immigrants, who represent a go-to boogeyman for the right, Trump's targets consisted of a bipartisan assembly of the 'permanent political class' that Joan Didion described in her book 'Political Fictions': that incestuous band of TV talkers, campaign strategists and candidates that had 'rigged the game' and perpetuated the scripted awfulness of our politics. 'Everyone knows that what you see in politics is fake or confected,' Didion wrote. 'But everyone's O.K. with that, because it's all been focus-­grouped.' Resentment of this class has built over several years. It has been expressed on both sides, by the rise of insurgent movements like the Tea Party and Occupy Wall Street (Trump's railing against fund-raiser 'blood money,' 'bloodsucker' lobbyists and Wall Street 'paper pushers' would play well across the board). As a reporter in Washington, I, too, have grown exceedingly weary of this world--the familiar faces, recycled tropes and politics as usual--and here was none other than Donald J. Trump, the billionaire blowhard whom I had resisted as a cartoonish demagogue, defiling it with resonance. He tacked not to the left or to the right, but against the 'losers' and 'scumbags' in the various chapters of the club: the pundits who 'wear heavy glasses' and 'sit around the table,' the 'political hacks' selling out American interests overseas. Karl Rove 'is a totally incompetent jerk,' Trump told the crowd in Dallas, referring to the Fox News commentator and chief Republican strategist of the George W. Bush years. The crowd went nuts at the Rove put-down, which in itself is remarkable--the 'architect' of Bush's political ride being abused by a right-leaning crowd in Bush's home state. It was at this point that I began to feel glad I decided to write about Trump, who seemed to have clearly seized on some profound exhaustion with our politics. There's very little difference between Trump when he's not running for president and Trump now that he is running for president, except that he makes more public appearances. Trump is the same boorish, brash and grandiose showman we've known across many realms. And for some reason, that character has proved an incendiary match with this political moment. It was a repeat of what I saw that night of the first debate, when the whole room abandoned the professional campaign surrogates in favor of the blazing chaos of Trump himself. Was Trump the logical byproduct of a cancerous system in which American democracy has mutated into a gold rush of cheap celebrity, wealth creation and narcissistic branding madness? Or has he merely wielded the tools of this transformation--his money, celebrity and dominance of the media--against the forces that have engendered this disgust in the system to begin with?" Leibovich has an answer to that question, and it is as depressing as it is worth pondering.

Job Did Exist

primo leviJames Wood has a remarkable testament to the author, Auschwitz survivor, and chemist Primo Levi in this week's New Yorker. Wood touches upon so many facets of Levi's prose and humanity, as well as the uniqueness of his particular witnessing of the Holocaust. "There is a Talmudic commentary that argues that 'Job never existed and was just a parable.' The Israeli poet and concentration-camp survivor Dan Pagis replies to this easy erasure in his poem 'Homily.' Despite the obvious inequality of the theological contest, Pagis says, Job passed God's test without even realizing it. He defeated Satan with his very silence. We might imagine, Pagis continues, that the most terrible thing about the story is that Job didn't understand whom he had defeated, or that he had even won the battle. Not true. For then comes an extraordinary final line: 'But in fact, the most terrible thing of all is that Job never existed and is just a parable.' Pagis's poem means: 'Job did exist, because Job was in the death camps. Suffering is not the most terrible thing; worse is to have the reality of one's suffering erased.' In just this way, Levi's writing insists that Job existed and was not a parable. His clarity is ontological and moral: these things happened, a victim witnessed them, and they must never be erased or forgotten. There are many such facts in Levi's books of testament. The reader is quickly introduced to the principle of scarcity, in which everything--every detail, object, and fact--becomes essential, for everything will be stolen: wire, rags, paper, bowl, a spoon, bread. The prisoners learn to hold their bowls under their chins so as not to lose the crumbs. They shorten their nails with their teeth. 'Death begins with the shoes.' Infection enters through wounds in the feet, swollen by edema; ill-fitting shoes can be catastrophic. Hunger is perpetual, overwhelming, and fatal for most: 'The Lager is hunger.' In their sleep, many of the prisoners lick their lips and move their jaws, dreaming of food. Reveille is brutally early, before dawn. As the prisoners trudge off to work, sadistic, infernal music accompanies them: a band of prisoners is forced to play marches and popular tunes; Levi says that the pounding of the bass drum and the clashing of the cymbals is 'the voice of the Lager' and the last thing about it he will forget. And present everywhere is what he called the 'useless violence' of the camp: the screaming and beatings and humiliations, the enforced nakedness, the absurdist regulatory regimen, with its sadism of paradox--the fact, say, that every prisoner needed a spoon but was not issued one and had to find it himself on the black market (when the camp was liberated, Levi writes, a huge stash of brand-new plastic spoons was discovered), or the fanatically prolonged daily roll call, which took place in all weathers, and which required militaristic precision from wraiths in rags, already half dead."

Anxieties of Democracy

democracyIra Katznelson has an essay in Boston Review on the historical return of the worry that liberal democracies are failing. He worries that around the world liberal representative democracies are experiencing a "profound crisis of moral legitimacy, practical capacity, and institutional sustainability." And he reminds us that it is not the first time this has happened. Worries about the exhaustion and limits of representative democracies were widespread in the 1930s when "Many Americans embraced these views. In Reflections on the End of an Era (1934), Reinhold Niebuhr offered 'the basic conviction . . . that the liberal culture of modernity is quite unable to give guidance and direction to a confused generation which faces the disintegration of a social system and the task of building a new one.' Looking across the sea at fascist ascendance and communist assertiveness, he warned, 'a dying social order hastens its death in the frantic effort to avoid or postpone it.' The following year, philosopher William Ernest Hocking declared that the time for liberal democracy 'has already passed,' for it is 'incapable of achieving social unity.' Such government, he predicted, 'has no future. . . . Its once negligible weaknesses have developed into menacing evils.' Even the relatively optimistic political scientist Lindsay Rogers believed, in 1934, that representative institutions 'must reconcile themselves to laying down general principles within the limits of which they will give executives free hands.' Such 'considerable revamping of the machinery of representative government [that] will come quickly is greatly to be desired,' he wrote in Crisis Government. The era's democratic governments looked vastly inferior to the instruments of mass mobilization and problem solving fashioned by the dictatorships. The pressures on all the democracies were intense. Writing in 1932 about 'the breakdown of the old order,' 'the immediate economic and social needs of labor,' and 'the exploitation of the farmers,' economist and future U.S. Senator Paul Douglas exhorted fellow advocates of peaceful and democratic change that all had not yet been lost. But he thought he was pushing against the odds. Mussolini's confident assertion in 1932 that 'liberalism is preparing to close the doors of its temples' has been proved wrong. Dictatorships in Italy, Germany, Japan, Spain, and Argentina have given way to entrenched democracy. Even an increasingly authoritarian Russia embraces democratic forms. With the exceptions of China's large-scale experiment in autocratic capitalism and the surprising surge of theocracy in parts of the Middle East and North Africa, liberal democracy based on the rule of law, government by consent, individual rights, and political representation presently has no effective normative or institutional challengers in most of the world, and no effective contenders in countries with long-standing democratic regimes. What saved democracy? Much credit goes to the New Deal." The Boston Review collects a number of responses to Katznelson, and one particularly noteworthy is by Nadia Urbanati, who writes: "Thus, one novel aspect of the present crisis of legitimacy of parliamentary democracy is a revolt against the intermediary bodies that made it possible--political parties and professional journalism."

Solitude and Conversation

smartphoneIn reviewing Sherry Turkle's new book "Reclaiming Conversation" in the New York Times, Jonathan Franzen highlights the nexus between conversation and solitude. "Conversation is Turkle's organizing principle because so much of what constitutes humanity is threatened when we replace it with electronic communication. Conversation presupposes solitude, for example, because it's in solitude that we learn to think for ourselves and develop a stable sense of self, which is essential for taking other people as they are. (If we're unable to be separated from our smartphones, Turkle says, we consume other people 'in bits and pieces; it is as though we use them as spare parts to support our fragile selves.') Through the conversational attention of parents, children acquire a sense of enduring connectedness and a habit of talking about their feelings, rather than simply acting on them. (Turkle believes that regular family conversations help 'inoculate' children against bullying.) When you speak to people in person, you're forced to recognize their full human reality, which is where empathy begins. (A recent study shows a steep decline in empathy, as measured by standard psychological tests, among college students of the smartphone generation.) And conversation carries the risk of boredom, the condition that smartphones have taught us most to fear, which is also the condition in which patience and imagination are developed."


boringGayatri Devi wants us to embrace boredom: "So lean in to boredom, into that intense experience of time untouched by beauty, pleasure, comfort and all other temporal salubrious sensations. Observe it, how your mind responds to boredom, what you feel and think when you get bored. This form of metathinking can help you overcome your boredom, and learn about yourself and the world in the process. If meditating on nothing is too hard at the outset, at the very least you can imitate William Wordsworth and let that host of golden daffodils flash upon your inward eye: emotions recollected in tranquility--that is, reflection--can fill empty hours while teaching you, slowly, how to sit and just be in the present. Don't replace boredom with work or fun or habits. Don't pull out a screen at every idle moment. Boredom is the last privilege of a free mind. The currency with which you barter with folks who will sell you their 'habit,' 'fun' or 'work' is your clear right to practice judgment, discernment and taste. In other words, always trust when boredom speaks to you. Instead of avoiding it, heed its messages, because they'll keep you true to yourself."

amor_mundi_sign-upSelling Yourself

personal brandingAnn Friedman tried, like we all must now, to build a personal brand and was not exactly sold on the process of the personal elevator pitch: "I don't want to live in a world in which everyone must be able to summarize and publicize their work in order to be professionally successful. I think those journalists in Alaska should have decent salaries and job security just because they report the news well, not because they have a lot of Twitter followers and a flashy personal web site. The same goes for janitors and call-center employees and anyone else who doesn't have a branding-friendly job. It's ridiculous to think that, even in the age of widespread access to social media, everyone has the freedom and time to brand themselves. Peters saw personal branding as a way for average workers to become something more than corporate drones. But in reality, that's still a luxury reserved for the privileged. There's also something inherently fake about having a carefully constructed identity. The more we think of ourselves as brands, the less personal everything becomes. Instead of the real you, with all your quirks and shortcomings, we get a polished YOU™, the version that is marketed to the world. Maybe, if you're making a CEO-level salary, the trade-off is worth it. Maybe, if you're naturally outgoing and find yourself in the right industry, it doesn't feel like a trade-off at all. But it seems wrong to extol the virtues of personal branding without at least acknowledging this disconnect. Anything less would be inauthentic."

Can't Stay, Can't Go

eu migrant crisisHugh Eakin sees the roots of Europe's refugee crisis, a crisis that extends beyond the fleeing Syrians we've come to associate with it in recent days and weeks, as a simple fact: "there are virtually no legal ways for a refugee to travel to Europe. You can only apply for asylum once you arrive in a European country, and since the EU imposes strict visa requirements on most non-EU nationals, and since it is often impossible to get a European visa in a Middle Eastern or African country torn apart by war, the rules virtually require those seeking protection to take a clandestine journey, which for most would be impossible without recourse to smugglers. This situation has led to a vast, shadowy human-smuggling industry, based in Turkey, the Balkans, and North Africa, which European officials have recently estimated to be worth as much as $1 billion per year. Just months before the current refugee crisis erupted this summer, European leaders launched a 'war on smugglers,' a controversial plan to crack down on criminal networks in Libya that control what European officials call the 'Central Mediterranean' migration route. As Libya descended into growing instability and violence following the 2011 revolution, it became a haven for human smugglers, who specialize in ferrying asylum seekers to Lampedusa, off the coast of Sicily. The smugglers are paid upfront and do not themselves navigate the boats; they have every incentive to put as many people as they can onto small, wooden crafts, leaving it to Italian and European naval forces to rescue them when they flounder. (According to European security experts, the smugglers offer a 'menu' of different levels of service for these terrifying journeys, charging more if you want to have a lifejacket, or to sit near the center of the boat, where you are less likely to wash overboard.) This is not a new phenomenon: the Missing Migrants Project, a database run by the International Organization of Migration in Switzerland, has recorded more than 22,000 migrant deaths in the Mediterranean since the year 2000. But over the past eighteen months, as demand has gone up and smugglers have grown more reckless, the number of fatalities has increased dramatically, with more than five thousand deaths since the beginning of 2014. This year, in the month of April alone, a record 1,200 people are believed to have drowned off the coast of Libya. 'How many more deaths will it take for us to call these guys [i.e., the smugglers] mass murderers?' a migration official for a Northern European government told me. In late September, the UN Security Council was to vote on a draft resolution authorizing European forces to seize and even destroy smugglers' boats off the coast of Libya."

How to Get There Once You're Gone

migrant journeyGhaith Abdul-Ahad, who himself once was conned out of a significant sum trying to get smuggled out of Iraq, tracks the routes that migrants take to get from the Mediterranean Coast through Greece or Turkey and into Europe: "Following the route laid out by my Facebook friend, most of these migrants would stop briefly in Athens and then travel on to Thessaloniki. It's a six-hour walk from the train station there to the Macedonian border. Next to a deserted petrol station--used by no one, since fuel is cheaper on the other side of the border--is a two-storey motel, a place to rest, buy provisions and charge up your phone. Presumably, this place was once as deserted as the petrol station but now it was a modern-day caravanserai, the lobby stacked high with overpriced canned food, trainers, backpacks and bottled water. Two elderly Greek cooks were ladling out beans and rice for €10 a plate. Every table, chair and corner was occupied. A group of Syrians sat smoking and nattering away; next to them a table full of Eritreans drank beer in silence. The patron of the motel was charging round in a rage shouting orders, behaving as if his fine establishment had been invaded by vermin rather than clients. Business was so good that neighbouring tavernas and places with rooms to let had all hung out signs in misspelled Arabic in the hope of luring in some of the new clientele. Most of the migrants had money to spend and didn't mind the prices. They had come with a few thousand euros, cash from houses and cars sold back home to fund the journey to Europe. Being charged €5 for a can of Coke was a trivial exploitation compared to the thousand or so euros each had had to pay for a trip on an inflatable dinghy that would have cost €15 on a ferry."

The EU and Data Privacy

eu data privacyThe European Parliament has released a study "Big Data, Smart Devices, and their Impact on Privacy" that concludes, "the data-driven economy poses significant challenges to the EU Charter of Fundamental Rights, notably in the fields of privacy and personal data protection." The study is overly bureaucratic but is worth slogging through. Here are the key findings: "Big Data can be broadly depicted as the massive and rapid processing of data (through modern data analytics) in the search for information (including unforeseen information). The practice of data mining poses a significant challenge due to the degree of opacity characterising many contemporary data processing activities. Envisioned through the lens of Big Data, smart devices are singled out for their ability to further extend data mining practices. The production of data by smart devices can be quite varied (such as sensors planned for data capture); the pervasive and extensive routine data production of smart devices might not be fully grasped by individuals. Data mining practices may result in 'behavioural targeting' and further encourage a 'datafication' of society that poses significant challenges for privacy and digital rights in general. Due to such risks as statistical discrimination, there are calls for up-to-date regulations."

Friday Night Lights

american footballCharles P. Pierce takes stock of American football in the week after a high school player "took a hard hit" and died: "Let us be plain. For the moment, anybody who writes about sports who chooses to boycott American football because of the inherent and inevitable damage it does to the individuals who play the game is doing only half of their job. American football is the great, gravitational force at the center of the universe in which our spectacle sports operate. It is fine to operate from the moral high ground, but the fact remains that the existential crisis of physical destruction in American football is an existential crisis at the heart of American sports. It requires a serious moral calculation on the part of everyone who makes a living within the game, who makes a living transmitting the game out there to all the Evan Murrays watching at home, who involves him or herself vicariously through fantasy leagues, and who works at covering the complex at any level of journalism. Too much of American journalism--and, therefore, too much of what Americans think they know about their country--is corrupted by a kind of anesthetic generality. To cover American sports while boycotting football is to make a conscious choice to ignore the most garish form of the basic commodification of human beings that is fundamental to all of the games. At the same time, that same moral calculation requires an acknowledgement that the essence of American football is the destruction of the human body and that it alone among the institutions of sports spectacles involves the death of children"


Featured Events

marcus llanqueOn Hannah Arendt's Republican Criticism of Liberal Conceptions of Human Rights

Marcus Llanque engages with Arendt's original intention, which was not to criticize the idea of human rights as such but the specific concept of that idea that prevailed in the Universal Declaration of Human Rights in 1948, which dominates human rights discourse in our times. In Arendt's view, human rights can only guide actions, but they cannot replace them. Historically, human rights were most successful when they were linked to the foundation of a polity guided by the principles that human rights stand for. Her argument reflects a classical republican position by emphasizing that norms are nothing without actors and that it is the purpose of human beings, not just to enjoy as many rights as possible but to also be able to act in the first place.

Marcus Llanque is Professor for Political Theory at University of Augsburg/ Germany. He's published several books on the theory of democracy, republicanism, and the history of political ideas. He is the editor of Hannah Arendt's "What is Politics?" within the upcoming critical edition of Arendt's complete works.

Free and Open to the Public

Monday, October 5, 2015

Room 203, Olin Hall, Bard College, 5:00 pm

clinton hillary debateDemocratic Debate Screening

Please join us at The Hannah Arendt Center for the first Democratic Debate on Tuesday October 13th.

Light refreshments will be served.

Space is limited, so please R.S.V.P. to shill@bard.edu

Tuesday, October 13, 2015

The Hannah Arendt Center, Time TBA

Privacy debate bannerBard College Public Debate

Resolved: "National security is more important than the individual right to privacy."

Please join us for an exciting public debate inspired by the topic of this year's Hannah Arendt Center Conference, "Why Privacy Matters." The debate will feature Bard Debate Union members, Bard College faculty, and cadets and faculty from the United States Military Academy at West Point.

Wednesday, October 14, 2015

Free and Open to the Public

Campus Center, Multipurpose Room, 7:00pm

why privacy matters title cardSAVE THE DATE - 2015 FALL CONFERENCE

The Hannah Arendt Center's eighth annual fall conference, "Why Privacy Matters: What Do We Lose When We Lose Our Privacy?," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

**UPDATE** Registration for our conference is NOW CLOSED except for on-site registration, which is subject to availability and will cost $45 for ALL interested parties except those of the Bard community.

We will be offering a live webcast to individuals who are interested in watching one or both days of the conference. To learn more, please click here.

Thursday, October 15 and Friday, October 16, 2015

Olin Hall, Bard College, 10:00 am - 6:00 pm

hannah arendt poetryNo Word Breaks Into the Dark - The Poetry of Hannah Arendt

Hannah Arendt always returned to poetry and kept the language of German poems in her hinterkopf. For Arendt, poetry is the closest form we have to thought itself, bearing the burden of language and memory. It should then be no surprise that Arendt herself wrote poems.

The poems now appear in translation for the first time, edited and translated into English by Samantha Hill and into French by Karin Biro. Biro and Hill join us to read from their translations and discuss Arendt's poetry, the work of translation, and the place of poetry across Arendt's political and philosophical works.

Free and Open to the Public, but space is limited. Please RSVP to cstanton@bard.edu

Tuesday, October 20, 2015

The Hannah Arendt Center, 1:00 pm

david brinDoes Literature Become More Relevant When We Incorporate History, Science, and Other Elements of Change?

National Endowment for the Humanities/Hannah Arendt Center Distinguished Visiting Fellow DAVID BRIN is a scientist who has served as a NASA visiting scholar in exobiology. As a writer of science fiction, he has received the Nebula award, two Hugo awards, and four Locus awards, and has published books including Earth and The Postman. He is also the author of The Transparent Society: Will Technology Force Us to Choose Between Freedom and Privacy?

Free and Open to the Public

Thursday, October 22, 2015

Bard Hall, Bard College, Time TBA

albert knollAlbert Knoll, of the Dachau Archives, Will Be Honored as Archivist of the Year

The special event will take place in Manhattan on Oct. 26, 2015, 6.30pm, at the Bard Graduate Center at 38. West 86th Street, New York, NY, in conjunction with The Hannah Arendt Center for Politics and Humanities at Bard College. The Introductory Presentation will be by Professor Nikolaus Wachsmann, author of the acclaimed, new book, KL: A History of the Concentration Camps.

Honoree Albert Knoll, b. 1958, has served the mission of the Dachau Concentration Camp Memorial Museum since 1997. In addition to maintaining and expanding its archival work and databases, he has been instrumental in assisting relatives of former inmates as well as guiding researchers, scholars and authors around the world - including Awards Event speaker Nickolaus Wachsmann. Knoll has written articles on illegal photos, homosexual prisoners, contemporary Nazi press coverage of Dachau, etc, and contributed to the International Tracing Service's first scholarly yearbook. He has also organized international workshops on the gathering of data on all categories of National Socialist victims.

Invitation Only. RSVP Required. Please contact sconefoundation@yahoo.com.

Monday, October 26, 2015

Bard College Graduate Center, 38 West 86th Street, New York, NY, 6:30 pm

human conditionHAC Virtual Reading Group - Session #14

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, November 6, 2015

Bluejeans.com, 11:00 am - 12:00 pm



From the Arendt Center Blog

This week on the Blog, Ian Storey discusses how the modern Chinese state under President Xi Jinping is an exceedingly different beast than the regimes Arendt understood as inaugurating totalitarianism in the Quote of the Week. Peter Drucker offers his views on asking the wrong questions in this week's Thoughts on Thinking. Peter Baehr analyzes "Stalinism in Retrospect", Arendt's contribution to Columbia's Seminar on Communism, with respect to her theories on totalitarianism. Finally, we appreciate the various annotations Hannah Arendt made to her copy of "The Will of Zeus" in this week's Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

The Dangers of Cynicism


By Jeffrey Jurgens

“In the circle around Socrates, there were men like Alcibiades and Critias—God knows, by no means the worst among his so-called pupils—and they had turned out to be a very real threat to the polis, and this not by being paralyzed by the electric ray but, on the contrary, by having been aroused by the gadfly. What they had been aroused to was license and cynicism.”

--Hannah Arendt, “Thinking and Moral Considerations”

Hannah Arendt regards Socrates as an apt model for the kind of thinking she admired and championed. He was, in her words, “a citizen among citizens,” a man who thought “without becoming a philosopher.” For rather than imparting a substantive notion of virtue or truth, he sought to “unfreeze” sedimented concepts like justice, courage, and happiness so that his interlocutors might examine them anew.

Jeffrey Jurgens
Jeffrey Jurgens received his Ph.D. in Anthropology from the University of Michigan, Ann Arbor. He is Fellow for Anthropology and Social Theory at the Bard Prison Initiative as well as Academic Co-Director of the Consortium for the Liberal Arts in Prison. His scholarly interests revolve around themes of migration, citizenship, public memory, youth culture, and the politics of religiosity and secularism.

Loneliness and Expansive Writing


In The Origins of Totalitarianism, Hannah Arendt asks after the “elements” of totalitarianism, those fundamental building blocks that made possible an altogether new and horrific form of government. The two structural elements she locates are the emergence of a new ideological form of Antisemitism and the rise of transnational imperialist movements, which gives the structure to her book: Part One (Antisemitism) and Part Two (Imperialism) lead into Part Three (Totalitarianism). Underlying both Antisemitism and Imperialism is what Arendt calls metaphysical rootlessness and metaphysical loneliness.


Totalitarian government, Arendt writes, “bases itself on loneliness, on the experience of not belonging to the world at all, which is among the most radical and desperate experiences of man.” The loneliness of modern humanity is multifaceted. It is “closely connected with uprootedness and superfluousness which have been the curse of modern masses since the beginning of the industrial revolution and have become acute with the rise of imperialism at the end of the last century and the breakdown of political institutions and social traditions in our own time.” The image of the factory worker laboring repetitively on a conveyor belt is forever associated with Charlie Chaplin’s Modern Times. In his 1950 classic The Lonely Crowd, David Reisman describes how middle class Americans had lost their meaningful connections to religion, to class, and to family. They take their values increasingly from a mass culture and they become malleable and subject to the influence of propaganda and advertising.

“Metaphysical rootlessness,” Arendt argues, is both the “basic experience” of modern society and also the generative impulse behind ideological racisms (which Arendt distinguishes from older non-scientific versions of racism). Without a core of personal and collective identity, the lonely mass man is “the common ground for terror, the essence of totalitarian government, and for ideology or logicality, the preparation of its executioners and victims.” Racism is based in hatred of a world in which lonely and rootless people are confronted with their meaninglessness, their belonging to no place, and their superfluousness. It is these masses that seek to build an imaginary and coherent togetherness based on race. Thus is rootlessness characteristic of all racism and all totalitarianism.

In her most pregnant attempt at a definition of totalitarianism, Arendt writes: “Totalitarian movements are mass organizations of atomized, isolated, individuals.” Totalitarianism depends upon “the masses [who] grew out of the fragments of a highly atomized society whose competitive structure and concomitant loneliness of the individual had been held in check only through membership in a class.” Shorn of family and national and class connection, the modern atomized individual becomes a mass man. “The chief characteristic of the mass man is not brutality and backwardness, but his isolation and lack of normal social relationships.”

The question underlying so much of Arendt’s work is how to respond to what she calls “the break in tradition,” the fact that the political, social, and intellectual traditions that bound people together in publically meaningful institutions and networks have frayed beyond repair. The customs and traditions that for millennia were the unspoken common sense of peoples can no longer be presumed. Stripped of these meaningful institutions of transcendence, mass men turn to racism or consumerism to give their lives meaning. Both are dangerous in different ways. Arendt ask repeatedly, how are we to make life meaningful, how are we to inure individuals from the seduction of ideological movements that lend weight to their meaningless lives?

If metaphysical loneliness is the basic experiences of modern life, then it is not surprising that great modern literature would struggle with the agony of such disconnection and seek to articulate paths of reconnection. That, indeed, is the thesis of Wyatt Mason’s essay “Make This Not True,” in this week’s New York Review of Books. Modern fiction, Mason argues, struggles to answer the question: How can we live and die and not be alone?

In the guise of a review of George Saunders Tenth of September (a 2012 finalist for the National Book Award), Mason suggests at least three paradigmatic answers to this question “How do I die?” The answers are represented alternatively by three of the greatest contemporary writers, David Foster Wallace, Jonathan Franzen, and Saunders. In brief, Wallace combats the loneliness and inattention of the distracted masses by writing prose that is so seductively difficult that it demands attentiveness and thus membership in a community of readers. Franzen seeks the antidote to loneliness in palpable scenes of connection amidst the wreckages of modern relationships. For both Wallace and Franzen, connection is to be found in the cultivation of quintessentially modern relationships.

Flickr - Manky M.

Flickr - Manky M.

Saunders is notable for pursing a different path through the wilderness of contemporary isolation. Instead of external connections, Saunders is a master of the inward journey we must make alone. For Mason, there is an important link between Saunder’s Buddhism and his writing:

In Buddhist practice, through sitting meditation, the mind may be schooled in the way of softness, openness, expansiveness. This imaginative feat—of being able to live these ideas—is one of enormous subtlety. What makes Saunders’s work unique is not its satirical verve or its fierce humor but its unfathomable capacity to dramatize, in story form, the life-altering teachings of such a practice. … [I]f fiction is to continue to exert an influence over a culture that finds it ever easier to connect, however frailly, to the world around them through technology, Saunders’s stories suggest that the ambition to connect outwardly isn’t the only path we can choose. Rather, his fiction shows us that the path to reconciliation with our condition is inward, a journey we must make alone.

Mason’s essay is subtle and profound. It is your weekend read. And if you have the time, read Saunders’ masterful short story, "The Falls", which Mason discusses at length in his essay. Best of all, order Tenth of December. I spent a few rapturous days reading Saunders’ stories this summer. They can warm your January as well.


The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.

Hannah Arendt, Quote Unquote


“To interpret, to quote – yet only to have witnesses, also friends.”

-Hannah Arendt, Denktagebuch, vol. 2, p. 756 (November 1969), my translation.

When we quote someone, we often seem to do so in order to appeal to some kind of authority. We use a statement of Arendt, for instance, in order to shed light on a contemporary event or phenomenon that calls for our attention. We consider her as a “theorist” who supposedly has “relevant” things to say that may help us “solve” a contemporary problem of understanding. We ask ourselves: “What would Hannah Arendt say?”

For several reasons, however, this practice is problematic. Firstly, as Arendt herself repeatedly insisted, thinking, understood as the never-ending attempt to make sense of events, experiences, and phenomena that occur, is an activity that we can only perform for and by ourselves. Secondly, by “applying” an authoritative “theory” to concrete events, we run the risk of explaining them away, rather than to “save the phenomena” in their concrete particularity. Finally, we run the risk of doing injustice to the “authority” in question. Arendt’s work is much too multi-vocal and perspectival for it to be reduced to a bag of “relevant” propositions that we can use at will. Much of what she says is more complicated and puzzling than it may seem, and requires a serious and sustained effort of interpretation. “Results” are by no means guaranteed. In this sense, the self-evident practice of quoting her every week entails the risk that she becomes all-too-familiar to us, that she is turned into someone whose “convictions” we no longer question, but complacently apply.


The use of Arendt as an authority becomes especially problematic when she is read in what could be called a “pessimistic” or “nostalgic” way, as if the most important thing that we can learn from her consists in a “diagnosis” of “our time”, which entails the claim that politics has been “lost”, that culture and education are in “crisis”, etc. By reading her this way, we run the risk of reinforcing an “objectifying” picture of our contemporary situation, as if the terms “loss” and “crisis” refer to objective facts that are “out there”, rather than to conceptual interventions that may (and perhaps should) invite our own counter-interventions. What is more, we run the risk of placing ourselves on the side of the few who really “got it”, against the many who still do not get it and will perhaps never get it, lest they start reading – and quoting – Arendt.

This is not to say that there is no basis at all in her work for reading her like this, but it is at odds with what may be considered as a more promising and liberating reading – a reading which invites us to begin something new, both in thinking and by acting, however difficult this may seem to be. Invoking Arendt as an authority, by contrast, may precisely serve as a substitute for thinking, rather than as its starting point.

By taking as our starting point a quote about quoting, we hope to make the practice of quoting Arendt into something uncommon, something unfamiliar. The quote in question, cited above, is a singular entry from Arendt’s Denktagebuch, the “thinking diary” that she kept from the early fifties until a few years before her death, and which she never intended for publication. The sentence is from November 1969, when she was working on what would become the first volume of The Life of the Mind, called Thinking, in which she addresses the question, what are we “doing” when we do nothing but think.

The meaning of the sentence – perhaps “meditation” is a better term – is by no means easy to grasp. It appears as a moment of self-reflection, a moment in which she stops, steps back, and thinks about the very thing she has been doing in her notebook: to interpret, to quote. It almost reads as a warning: make sure you consider these interpretations and quotations only as witnesses [Zeugen], also friends [Freunde], rather than as – we are tempted to add – authoritative statements, or – to borrow a phrase from Virginia Woolf's A Room of One's Own – nuggets of pure truth to keep between the pages of your notebook and keep on the mantelpiece forever.

What does it mean to consider the practice of “interpreting, quoting” as a means to have “witnesses, also friends”? In the entry that immediately follows, Arendt uses the word “friend” twice: “Thought speaks with itself (as with a friend)…” and “In thought, the self is a friend…” Only two entries earlier, she had written that critical thinking consists in a giving-of-account [Rechenschaft geben] in a dialogue with oneself. She cites Kant as the genuine representative of this form of thinking, who had distinguished the quaestio facti – how one comes in possession of a specific concept, or what the origin of a specific term is – from the quaestio juris – with what right one possesses and makes use of a specific concept.

The process of a giving-of-account in this latter sense requires that you are friends with yourself. If there is too much distance, you do no longer talk with yourself, and the inner dialogue comes to an end. Yet the activity of talking something through also comes to an end when there is not enough distance, when you do no longer disagree with yourself at all. As Arendt writes earlier in her notebook: “Only because I can speak with others, can I also speak with myself, i.e., think. Ergo: Aristotle is not right: A friend is not “another self”, rather, the self is another friend.”

Perhaps it is here that we should bring the notion of a “witness” into play. The figure of a witness may be described as someone who testifies to an event that is beyond our own immediate experience, something we were not there to see with our own eyes, perhaps something unheard of. In the entry on critical thinking mentioned above, Arendt notes that our conscience finds its origin in our activity of thinking in the sense of a giving-of-account of something, in a dialogue with ourselves. In another Denktagebuch-entry, written in December 1969, so one month later, she uses the notion of a witness precisely in the context of explaining the workings of our conscience. When our conscience speaks, it serves as our inner witness by reminding us of something we did, and in calling us to account for it. Obviously, the point here is not that we were not present at the actual event, but that we do not want to hear about it anymore.


In the context of our quotation, we may say that a witness confronts us with a certain perspective on our conception of a certain event or experience, perhaps a strange or unsuspected one. Thereby, he or she invites us to give account of our own convictions and interpretations. However, the addition “also friends” is required: only if we approach a witness as a friend – a friendly interlocutor – will the thinking dialogue actually come to pass, will we start thinking something through.

By quoting, we may now suggest, we invoke a testimony by someone who calls us into thinking. By interpreting a quotation, we may add, we gain the opportunity to think something through by and for ourselves, rather than to use it as a means of adding authority to our already existing convictions and interpretations or to use the “answers” it contains in order to “solve” our problems for us. Or, in the words of Walter Benjamin, as quoted by Arendt in her essay on him: “Quotations … are like robbers by the roadside who make an armed attack and relieves an idler of his convictions.”

-Wout Cornelissen

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.


My girlfriend and I walked by a clothing storefront and noticed the print on some of the t-shirts at the lower right corner of the window and went in. She had mentioned this Imaginary Foundation (IF) before. They make print t-shirts.

I went to school at an expensive liberal arts college in the Hudson Valley—everyone there makes print t-shirts. It is like a business you start as a college sophomore as a way to convince yourself that you are a ‘creative entrepreneur’ before you enter the corporate world (or, alternatively, as a penance for inherited culture and comfort) the not-for-profit world.

Often, I cannot stand them —the print t-shirts. There is something out of shape about them, as if the juxtaposition of body/shirt/image, sets askew some intrinsic agreement in the marriage of fashion and identity. And yet, the IF designs spoke to me. There is something dreamy and yet sincere about these prints. If le petit prince was looking for a print t-shirt, he would buy one of these.

It just so happened that the owner of the company was visiting this Seattle distributor and was in the store. He was awkward, skittish and European. I liked him, and before we left I told him that I blog for a thinking and humanities institute out east and may want to write about his brand. That’s how I got into the Imaginary Foundation.

The shirts are not exactly ‘pretty,’ or ‘fashionable,’ rather, their attraction is a gesture beyond themselves -- a rare feat in a culture that positions branding as the apex of success. I’ll describe one shirt and if interested you can invest your own time in the Imaginary Foundation.

The “Being There” shirt has three anonymous human heads (one of the cloud suit, one of the water suit, and one of the fire suit). The heads are in peripheral view and are aligned, with a slight skew (allowing us the view of all three faces), as they break through a wall, the veil of the universe.

Other shirts handle concepts of psychosis and love “Love Science,” science and discovery in a reach towards heaven “Reach,” and other such concepts widely considered esoteric or cliché within the lens of our popular culture. But, we no longer understand what a ‘cliché’ is. I have long held the view that a cliché is a truth, or a point of interest and perspective insight, that has simply been worn out by overexposure. But who has worn it out? How have we taken the liberty and quiet pleasure of the private sphere (the realms of reflection, contemplation, meditation as it is thought of in the Greek terms), out of our living cycle, our consciousness, our daily existence? Why is the call for private contemplation no longer a necessity of existence? It seems we should have more time then ever for such practices. So many of our daily chores, our basic needs, are met through the economic matrix. I no longer have to chop wood for warmth, hunt a boar for food, trek down to the river for a water simply, etc... Why shouldn’t I spend more time in private contemplation, or even public conversation on these more subtle topics of the human necessity? Why shouldn’t I be making something in an effort to communicate those private necessities? The actualization of the humanist requires space for such a practice. And yet, anything that requires a slowing down of, a calling for the work of the mind and private reasoning, is now, quite often immediately, labeled a cliché.

In The Human Condition Arendt writes “The emancipation of labor and the concomitant emancipation of the laboring classes from oppression and exploitation certainly means progress in the direction of non-violence. It is much less certain that it was also progress in the direction of freedom.” She is not saying that laboring classes should not have been emancipated. Rather, that the humanist goal has been blurred by some glitch. Instead of moving towards freedom from wasteful labor (a waste of human power -- physical, mental, spiritual) we instead have emancipated labor. Most of us have become imprisoned in a non-sustainable cycle that for the continuation of its forward motion requires an ever-increasing consumption and waste. This waste can be seen in terms of power. The core power of the human psyche originates in the liberty of free private thoughts—a psychological space for contemplation. A mapping of one’s stillness that is only possible in the acquisition of free time. Free time is a result of freedom from labors necessity. What Arendt’s thoughts gesture towards is that the set of basic necessities that we have been freed from, have been replaced by another, far more complicated and disguised set—the necessity to perpetuate a system that is moving much faster then us; a necessity to consume and continue consuming. To be ‘a part of‘ is, today, to be a consumer—to take ones place in the labor of waste.

Oh right, I wanted to tell you about a product...

“IF” is a creative project. It gains the viewers attention and borrows the imagination. This is a beginning. It does not steal, it borrows. It suggests the prospect of resonance rather than ownership.

I checked out the company website. The “about” page describes the development of the Imaginary Foundation: “a think tank from Switzerland that does experimental research on new ways of thinking and the power of the imagination. They hold dear a belief in human potential and seek progress in all directions.” The page is dotted with black and white images from the sixties, shaggy haired men and turtle-neck clad women engaged in contemplative, laissez-faire, light spirited dialogue. The imaginary director of the foundation is described as a “70-something uber-intellectual whose father founded the Dadaist movement.” The foundation is imaginary. It is a base, a canvas, for the products (the t-shirts) and the ideas behind them.

The blog section of the site imagines a list of contributors: Isadore Muggll, Kamilla Rousseau, etc. These architects, as is the back story, are too imaginary. “IF” is a fictional foundation for the product. But the product is real and engaging.

What is captured here goes beyond the tangible properties of the product (t-shirts). It is about what the product delivers—the wonder of creativity and science, the archetypes of the IF.  Imagination IS the foundation of this product.

The blog itself is a venue for artists who marry technology and art, as well as other thought provoking materials. The image I use at the head of this article is taken from the blog. Cloud, idea, light, community, play—IF: all these are represented in the Cloud installation. This art installation is a discovery I am brought to by the Imaginary Foundation.

I once taught a course on the development of contemporary advertising, heavily focused on Edward Bernays and the peripheral route of persuasion. Bernays was Sigmund Freud’s nephew, Woodrow Wilson’s image advisor, the father of the term "Public Relations," and the architect of the torches of freedom (Lucky Strikes) campaign, among many others. His theory, though terribly simplified here, was that the modern consumer does not purchase with his mind; rather, he defers to his emotions in most choices. The rational-actor is a fiction. If consumerism became god, branding became its religion.

Ad campaigns have become remarkably creative, and even, at times, beautiful. Have you ever felt the urge to cry during a Jeep commercial? Many have. I think I have. The central conceptual premise of the AMC show Mad Men, depends upon this tension: between art and consumption; the rendering from black and white, to color; the effective marketing and selling off of the human experience. In question is the art aspect of advertising. It is at the core of Don Draper’s motivations, and the one that despite his many character failings keeps endearing him to us. Ultimately we are asking, will he reconcile his artistic urge (his private motivation) with his office at the homunculus of the consumerism model (his role in the corporate arena). Exposed is a manipulation, an incongruence, an infidelity in the marriage of advertising and art. Where as art points towards something beyond itself, beyond even the image and the medium, the ad campaign points only to one purpose—back into itself. No idea behind it. Nothing living. It consumes.

Advertising is like the Ouroboros, the dragon that swallows its own tail; having entirely swallowed itself, the modern advertising campaign defies the laws of balance, it is only the un-relentless, hungry serpent head of consumption -- devoid of the body of life. The only urge driving it is to possess.

It is the difference between the work of Egon Schiele and Penthouse, the writings of Georges Bataille and a godaddy.com super bowl campaign.

Seduce ->consume. This is the current mandate of the ad campaign. But this relationship is only sustainable through incompletion. It requires continual doses. Seduce -> consume -> feel a lack even in the possession of product (contract unfulfilled) -> be seduced again -> consume. Ad infinitum. A terrible loop.

How can consumerism and individual consciousness (the most private sector) be made sustainable? Is it possible for a product to speak beyond itself? To fulfill the promise of its persuasion? And if it could, what would that mean for us?

Here I position the word sustainability to face two directions. In part it refers to what Arendt terms as “worldly,” the creation produced through work and not labor, something that has the potential to last beyond the productions of time, something that maneuvers into the arena of the eternal. I also want to posit the word in terms of its evolving contemporary potential. The one sector of the public, and political sphere that allows for the platform of this conversation is the environmental movement. It is where we have begun to contemplate the world beyond the shortsighted view of individual lifetimes. We speak of the sustainability of our planet; we are considering new ways to move our habits from wasteful and consumptive, towards lasting and sustainable power. It is a fairly new conversation and the word “sustainability” is evolving with each new perspective we bring to it.

Sustainability goes beyond consumer awareness. It is about the awareness of the product, how a brand gains consciousness. I need to explore here a definition of “consciousness.”

I have come to understand definitions as ever evolving in accordance with society and the pressures put upon it by the conditions of the time, the fractals of our world (more simply put, the culture stew).

Consciousness is the expanding of space into which one can resonate. To learn of the world around us, to acknowledge it, to consider its multiple dimensions, is to become more conscious -- to create space into which we can move by the will of our imagination and invention.

The Imaginary Foundation is an example of this bridge. It acknowledges itself and its fiction. It allows for play. It is a small company that uses the fabrication of its narrative to bring the consumers attention to the mimetic principles behind its product. Revealing the architects conceit brings me (the consumer) into co-authorship of the story. It endears itself to me. We do not only consume the product. We consume the narrative of the product. Even if I do not purchase, if I am thinking about it, I am talking about it, I have bought in. If it generates new ideas and deeper order thoughts, then I have begun to take ownership of the product. I consume the myth, I begin to co-author it -- I don it in the neural network of culture. And thus the product has gained consciousness, has begun to be carried beyond the object -- it resonates.

My study of this product is limited. I am not encouraging anyone here to purchase a shirt. I have not purchased a shirt. What I think this opens up is a table for negotiations between the current consumerism model, and individual consciousness—an opportunity to examine sustainable consumerism in all implications.

-Nikita Nelin

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.