This Quote of the Week was originally published on May 21, 2012.
"Acting and Thinking: Thinking is rather complete concentration or absolute waking, that through which and in which all other "faculties" concentrate themselves."
—Arendt, Denktagebuch, vol. 1, 12
In The Human Condition, Hannah Arendt treats action as one of the three "most elementary articulations of the human condition"—those activities that are "within the range of every human being." But Arendt leaves out other—less elementary—articulations of human being. Most notably, she specifically says that the book will not address thinking, "the highest and perhaps purest activity of which men are capable." If acting is the highest of the elementary ways of being human, thinking is a specific kind of action that is, by its rarity, reserved for the few. Written by one of those few, The Human Condition is, above all, an attempt to "think what we are doing."
The Human Condition traces the relation between thinking and acting that cuts through all of Arendt's writing. Her account of Adolf Eichmann emphasizes his thoughtlessness. She comes to believe that it is thoughtlessness that makes possible evil actions and that thinking is the only possible way to stop or at least dis-empower the human tendency to do evil.
Similarly, thinking what we do is the path toward a reinvigoration of politics.
But what, exactly, is the relation between thinking and acting? Near the beginning Hannah Arendt's Denktagebuch, in July 1950, Arendt sets down the first of what will become numerous entries under the title: "Acting and Thinking." While many themes run through theDenktagebuch (literally, a book-of-thoughts), no other theme is so prevalent as "Acting and Thinking." In this early line of thought, we see Arendt's attempt to establish the relation between the two activities that would come to dominate her own thinking for the next 25 years.
The full entry, which references Martin Heidegger and William Faulkner, is worth citing in its entirety:
Acting and Thinking: Heidegger can only mean that it rests upon the sameness of being and thinking, and surely then, when thinking is understood as the being of man in the sense of the being of being. Thinking would then be the being that in man is freed to be action. Thinking is here neither speculation nor contemplation nor "cogitation." It is rather the complete concentration or the absolute waking, that through which and in which all other "faculties" concentrate themselves.
"Why did I wake since waking I never shall sleep again."
The quoted line at the bottom is a slight misquotation of William Faulkner's famous line fromAbsalom, Abaslom (Arendt transposes "never" and "shall"). Thinking, Arendt writes, is an "absolute waking." It can be a rude awakening, insofar as it tears one from the dream world of easy living and requires concentrated attention to difficulty. In such wakefulness, there is the ecstasy of absolutely wakeful concentration.
The word Arendt uses to describe the fullness of wakeful thinking is the German vollbringen, to complete, or to bring to fullness. This is, not coincidentally, the same word Martin Heidegger uses to describe both thinking and acting in his 1946 Letter on Humanism. Heidegger begins his Letter on Humanismwith a discussion of the relation of action and thinking. The first sentence introduces the relationship: "We are still far from thinking the essence of action decisively enough."
If usually we think of action as simply something that causes or brings about effects, Heidegger writes that this is not decisive enough. Instead, "The essence of action is the bringing of something to completion, or the bringing of something to fulfillment." To act is to unfold something in the fullness of its essence, to bring it to be what it most is. It is for this reason that human action is thinking, since “Thinking brings to fullness the relation of being to the essence of man."
Arendt follows Heidegger in seeing thinking as the same as acting. What Arendt's account of thinking as fulfilling and completing wakefulness adds to Heidegger's conjunction of action and thinking is her insistence on human freedom. In the relation of action and thinking Arendt rejects all determinism and all understandings of action and thinking based in speculation, contemplation, or cognition, all of which subordinate human action to rules or reasons. Arendt's acting and thinking human being is not a shepherd of being, but a beginner.
Thinking, Arendt writes, is freed to act and to bring new things into the world. That is what Arendt means by a thinking that is absolutely awake. Thinking what we are doing must, therefore, be itself an active beginning, a surprising and spontaneous action that inserts itself into the world in act and deed. If such thinking is surprising and new, it will draw others to it who will tell stories about it. Only then, if and when thinking inspires others to act in its wake, does thinking act.
At Duke University and the University of North Carolina, two highly popular professors have transformed their course Think Again: How to Reason and Argue into a Massive Online Open Course (MOOC) that is taken by 170,000 people from all over the world at one time. This is old news. There is nothing to worry about when hundreds of thousands of people around the world watch flashy lectures by top professors on how to think and argue. Better such diversions than playing Temple Run. There are advantages and benefits from MOOCs and other forms of computer learning. And we should not run scared from MOOCs.
But the alacrity with which universities are adopting MOOCs as a way of cutting costs and marketing themselves as international brands harbors a danger too. The danger is not that more people will watch MOOCs or that MOOCs might be used to convey basic knowledge inside or outside of universities. No, the real danger in MOOCs is that watching a professor on your Ipad becomes confused with education.
You know elite universities are in trouble when their professors say things like Edward Rock. Rock, Distinguished Professor at the University of Pennsylvania Law School and coordinator of Penn’s online education program, has this to say about the impending revolution in online education:
We’re in the business of creating and disseminating knowledge. And in 2012, the internet is an incredibly important place to be present if you’re in the knowledge dissemination business.
If elite colleges are in the knowledge dissemination business, then they will over time be increasingly devalued and made less relevant. There is no reason that computers or televisions can’t convey knowledge as well or even better than humans. Insofar as professors and colleges imagine themselves to be in the “business of creating and disseminating knowledge,” they will be replaced by computers. And it will be their own fault.
The rising popularity of MOOCs must be understood not as a product of new technology, but as a response to the failure of our universities. As Scott Newstock has argued, the basic principle behind MOOCs is hardly new. Newstock quotes one prominent expert who argues that the average distance learner "knows more of the subject, and knows it better, than the student who has covered the same ground in the classroom." Indeed, "the day is coming when the work done [via distance learning] will be greater in amount than that done in the class-rooms of our colleges." What you might not expect is that this prediction was made in 1885. "The commentator quoted above was Yale classicist (and future University of Chicago President) William Rainey Harper, evaluating correspondence courses." What Newstock’s provocation shows is that efforts to replace education with knowledge dissemination have been around for centuries. But they have failed, at least until now.
MOOCs are so popular today because of the sadly poor quality of much—but certainly not all—college and university education. Around the country there are cavernous lecture halls filled with many hundreds of students. A lone professor stands up front, often with a PowerPoint presentation in a darkened room. Students have their computers open. Some are taking notes, but many are checking Facebook or surfing the Internet. Some are asleep. And others did not bother to show up, since the professor has posted his or her lecture notes online so that students can just read them instead of making the effort to make it to class. Such lectures may be half-decent ways to disseminate knowledge. Some lectures are better than others. But not much learning goes on in such lectures that can’t be simply replicated more efficiently and maybe even better on a computer. It is in this context that advocates of MOOCs are correct. When one compares a large lecture course with a well-designed online course, it may very well be that the online course is a superior educational venture. That it is cheaper too makes the advance of MOOCs seemingly inevitable.
As I have written here before, the best argument for MOOCs is that they may finally put the large and impersonal college lecture course out of its misery. There is no reason to be nostalgic for the lecture course. It was never a very good idea. Aside from a few exceptional lecturers—in my world I can think of the reputations of Hegel, his student Eduard Gans, Martin Heidegger, and, of course, Hannah Arendt—college lectures are largely an economical way to allow masses of students to acquire basic introductory knowledge in a field. If the masses are now more massive and the lectures more accessible, I’ll accept that as progress.
What this means is that there is an opportunity, at this moment, to embrace MOOCs as a disruptive force that will allow us to re-dedicate our universities and colleges to the practice of education as opposed to the business of knowledge dissemination. What colleges and universities need to offer is not simply knowledge, but education.
“Education,” as Martin Luther King wrote, “must also train one for quick, resolute and effective thinking.” Quick and resolute thinking requires that one “think incisively” and “think for one's self.” This “is very difficult.” The difficulty comes from the seduction of conformity and the power of prejudice. “We are prone to let our mental life become invaded by legions of half truths, prejudices, and propaganda.” We are all educated into prejudgments. They are human and it is inhuman to live free from prejudicial opinions and thoughts. On the one hand, education is the way we are led into and brought into a world as it exists, with its prejudices and values. And yet, education must also produce self-thinking persons, people who, once they are educated and enter the world as adults, are capable of judging the world into which they been born. (I have written more about King’s thoughts on education here).
In her essay “The Crisis in Education,” Hannah Arendt writes that education must have a double aspect. First, education leads a new young person into an already existing world. The world is that which is there before the child was born and will continue to exist after the child dies. It is the common world of things, stories, and experiences in which all of us spend our lives. All children, as newcomers who are born into a world that is at first strange to them, must be led into the already existing world. They must be taught to speak a common language, respect common values, see the same facts, and hear the same stories. This common world is what Arendt calls the “truth… we cannot change; metaphorically, it is the ground on which we stand and the sky that stretches above us.” In its first aspect, then, education must protect the world from “the onslaught of the new that bursts upon it with each new generation.” This is the conservationist function of education: to conserve the common world against the rebelliousness of the new. And this is why Arendt writes, “Education is the point at which we decide whether we love the world enough to assume responsibility for it.”
At the same time, however, there is a second aspect of education that seeks to afford the child “special protection and care so that nothing destructive may happen to him from the world.” The teacher must nurture the independence and newness of each child, what “we generally call the free development of characteristic qualities and talents… the uniqueness that distinguishes every human being from every other.” The teacher must not simply love the world, but as part of the world in which we live, the teacher must also love the fact—and it is a fact—that the world will change and be transformed by new ideas and new people. Education must love this transformative nature of children, and we must “love our children enough” so that we do not “strike from their hands their chance of undertaking something new, something unforeseen by us, but to prepare them in advance for the task of renewing a common world.” Alongside its conservationist role, education also must be revolutionary in the sense that it prepares students to strike out and create something altogether new.
Now is the time to use the disruption around MOOCs to rethink and re-invigorate our commitment to education and not simply to the dissemination of knowledge. This will not be easy.
A case in point is the same Duke University Course mentioned above, “Think Again: How to Reason and Argue.” In a recent article by Michael Fitzgerald, the Professors— Walter Sinnott-Armstrong from Duke and Ram Neta of the University of North Carolina at Chapel Hill— describe how teaching their MOOC led them to radically re-conceive how they teach in physical university classrooms. Here is Fitzgerald:
“The big shift: far fewer in-class lectures. Students will watch the lectures on Coursera beginning Monday. "Class will become a time for activities and also teamwork," said Sinnott-Armstrong. He's devised exercises to help on-campus students engage with the concepts in the class, including a college bowl-like competition, a murder mystery night and a scavenger hunt, all to help students develop a deeper understanding of the material presented in the lectures. "You can have these fun activities in the classroom when you're not wasting the classroom time with the lectures," he said.”
What we see here is that the mass appeal of MOOCs and their use as a way of replacing lectures is not being seized as an opportunity to make education more serious, but as an excuse to make college more fun. That professors at two of this country’s elite universities see it as progress that classes are replaced by murder mystery games and scavenger hunts is evidence of a profound confusion between education and infotainment. I have no doubt that much can be learned through fun and games. Children learn through games and it makes all the sense in the world that Finland allows children in schools to play until they are seven or eight years old. Even in primary or at times in secondary school, simulations and games may be useful. But there is a limit. Education, at least higher education, is not simply fun and games in the pursuit of knowledge.
As Arendt understood, education requires that students be nurtured and allowed to grow into adults who think for themselves in a serious and engaged way about the world. This is one reason Arendt is so critical of reformist pedagogy that seeks to stimulate children—especially older children in secondary schools and even college—to learn through play. When we teach children a foreign language through games instead of through grammar or when we make them learn history by playing computer games instead of by reading and studying, we “keep the older child as far as possible at the infant level. The very thing that should prepare the child for the world of adults, the gradually acquired habit of work and of not-playing, is done away with in favor of the autonomy of the world of childhood.” The same can be said of university courses that adopt the juvenile means of primary and secondary education.
The reasons for such a move to games in the classroom are many. Games are easy, students love them, and thus they fill massive classes, leading to superstar professors who can command supersized salaries. What is more, games work. You can learn a language through games. But games rarely teach seriousness and independence of thought.
The rise of MOOCs and the rise of fun in the college classroom are part of the trend to reduce education to a juvenile pursuit. One hardly needs an advanced degree to oversee a scavenger hunt or prepare students to take a test. And scavenger hunts, as useful as they may be in making learning fun, will hardly inculcate the independence of mind and strength of character that will produce self-thinking citizens capable of renewing the common world.
The question of how to address the crisis in education today—the fact that an ever more knowledgeable population with greatest access to information than at any time in the history of the world is perhaps the most politically illiterate citizenry in centuries—is the theme of the upcoming Hannah Arendt Center Conference, “Failing Fast: The Educated Citizen in Crisis.” In preparation for the conference, you can do nothing better than to re-read Hannah Arendt’s essay, "The Crisis in Education." You can also buy Between Past and Future the book of essays in which it appears. However you read it, "The Crisis in Education" is your weekend read.
Everything that is, must appear, and nothing can appear without a shape of its own…
-Hannah Arendt, The Human Condition
The book is under attack. A recent article in The New Atlantis begins by calling the book “modernity’s quintessential technology,” but reports that “now that the rustle of the book’s turning page competes with the flicker of the screen’s twitching pixel, we must consider the possibility that the book may not be around much longer,” and asks “If it isn’t — if we choose to replace the book…what does it tell us about ourselves that we may soon retire this most remarkable, five-hundred-year-old technology?” The book’s future at the university is also uncertain. Even as student surveys consistently show preference for the “real thing,” a shift of emphasis towards the e-text is discernible in library catalogs and, increasingly, basic course requirements. Since 2009, roughly thirty major universities have joined a pilot program requiring the purchase of e-text in lieu of textbooks for select courses.
The challenge for those driven to distraction by these developments is to articulate, in reasonably urgent and suitably political terms, what might otherwise seem a vague and idiosyncratic sense of loss—loss of depth and of a world—in an age of digital information. To this purpose, Christine Rosen in the aforementioned article quotes Hannah Arendt: “The printed book is the ‘transformation of the intangible into the tangibility of things,’ as Hannah Arendt put it; it is imagined and lived action and speech turned into palpable remembrance.”
The quote comes from a section of Arendt’s The Human Condition called “The Thing-Character of the World.” There Arendt distinguishes the products of labor, work, and action in their distinct roles in the making of the world. What distinguishes the first two—the products of labor and work—is that while the former (e.g. “a bread”), being “needed by our bodies…but without stability,” are destined to “appear and disappear” through “incessant consumption,” the latter (e.g. “a table”), “Viewed as part of the world…guarantee the permanence and durability without which a world would not be possible at all.” Though the products of work “wear” over time through use, they do not regularly “disappear”—indeed, Arendt says later in The Human Condition that without their stability the human artifice “could never be a reliable home for men”; that without the fabrication of houses, chairs, tables, tools, bridges and the like—the world would assume “the sublime indifference of untouched nature,” and our dwelling within it (to the extent that such a term would be appropriate) would mean substantially less.
The products of work, in turn, bear a special relationship to “the ‘products’ of action and speech, which together constitute the fabric of human relationships and affairs.” Because the latter “do not ‘produce,’ bring forth anything…In order to become worldly things…they must first be seen, heard, and remembered and then transformed, reified as it were, into things—into sayings of poetry, the written page or the printed book, into paintings or sculpture, into all sorts of records, documents, and monuments.” Human remembrance of action and speech may sustain the “factual world of human affairs” for a short while, but ultimately “The reality and reliability of the human world rest primarily on the fact that we are surrounded by things more permanent,” things which survive long after the act and actor.
Seeing all this, the problem of books remains a perplexing one—for on one hand, if the written word simply compensates for the frailty of human remembrance, might a digital text serve the same purpose? On the other hand, if standard mass produced books hardly qualify as singular “works of art” (which Arendt calls “the most intensely worldly of all tangible things” because they endure both despite and because they have no use value) our only alternative is to accord books the same status as Arendt’s “chair,” a worldly artifact which stays in the world not only because it is durable, but because it is useful. This, however, only begets the original question of why use the book in the first place, rather than a digital copy? Absent any rare or singular artistic value to a particular volume, there seems no clear reason to preserve the book. To exit this conundrum, it seems one must explain why reification of the word in particular into a tangible thing is important.
In a recent article in Philosophy and Literature Jonathan Brent offers one answer. He writes that “‘Content’ is not simply ‘content.’ It has a form and a wrapper. If we do not recognize this, we risk making a fundamental mistake.” Books, says Brent, with their “spines, headbands, prefaces (and sometimes postfaces), appendices, running feet, footnotes, headnotes, shoulders...heads…[and] tails,” are not only “‘content’ but…unique embodiments and transmitters of a life beyond themselves[.]”
Moreover “The characters, of which words are made, are not a graven image but engraved images made originally with an instrument that in Greek was called a kharakter.” Thus the covenant between God and Abraham and his descendants—a sentence—“cuts into us at the point where the flesh and word become one.” In the same spirit, one might add, did God give unto Moses “two tables of testimony, tables of stone, written with the finger of God.”
For Arendt, the reification of words serves a purpose less reliant on the rugged idea of kharacter, and more on Brent’s colorful sense of “form and wrapper.” Indeed, for Arendt it is precisely the “form and wrapper” which give the ordinary products of work—the useful but otherwise expendable artifacts of the world—a far more profound and ultimately political importance:
“The man-made world of things,” Arendt concludes Section 23 of The Human Condition (“The Permanence of the World and the Work of Art,” and the last section of the chapter on “Work”), “the human artifice erected by homo faber, becomes a home for mortal men, whose stability will endure and outlast the ever-changing movement of their lives and actions, only insomuch as it transcends both the sheer functionalism of things produced for consumption and the sheer utility of objects produced for use.” In other words, notwithstanding that the durable objects of the world first exist, and then persist in the world largely because of their use value, in appearing before humans they also achieve a value and meaning independent of instrumental concerns—a value and meaning in and of themselves. Arendt prepares this point some lines earlier: “Everything that is,” she writes, “must appear, and nothing can appear without a shape of its own; hence there is in fact no thing that does not in some way transcend its functional use, and its transcendence, its beauty or ugliness, is identical with appearing publicly and being seen. By the same token, namely, its sheer worldly existence, everything also transcends the sphere of pure instrumentality…are judged not only according to the subjective needs of men but by the objective standards of the world where they will find their place[.]”
Here Arendt, in a manner not as apparent in her later appropriation of Kant (where she attaches judgment to the sense of taste), suggests a direct connection between the possibility for political judgment and the sense of sight. The appearance of product of work in public not only establishes the thing as thing, but engenders an aesthetic quality that transcends its use value, thus giving the world itself a firmer grounding than mere utility. Moreover, the appearance of the thing in public functions like Arendt’s famous “table” which at once relates and separates humans, not only in space, but also (as Arendt’s own desk continues to do in the classroom at Bard College’s Hannah Arendt Center) across time. In the case of books, it is not only the physical binding that appears in public, but just as importantly the great words and deeds contained within in which, through the tangible presence of the book, also enter the everyday world of appearances.
Hannah Arendt, as is well known, was a student of Martin Heidegger. In his essay “The Thing” Heidegger wrote that “the Old High German word thing means a gathering, and specifically a gathering to deliberate on a matter under discussion, a contested matter.” Furthermore “thing or dinc…is suited as no other word to translate properly the Roman word res, that which is pertinent, which has a bearing,” as in res publica which means, “not the state, but that which, known to everyone, concerns everybody and is therefore deliberated in public.” In this context Heidegger warned that while “Thinging is the nearing of the world,” the “frantic abolition of all distances brings no nearness.” The abolition of all distances fashioned by modern technology, in other words, threatens to eliminate the minimal distance required for things to appear in public in a manner that is both in-between and connecting of individuals. Thus, Heidegger warned, at a time in which “All distances in time and space are shrinking,” and man receives “instant information” and witnesses “the abolition of every possibility of remoteness,” the paradoxical result will be “the failure of nearness to materialize in consequence of the abolition of all distances[.]”
Such passages evoke a famous moment in The Human Condition previously alluded to, where Arendt writes that “To live together in the world means essentially that a world of things is between those who have it in common as a table is located between those who sit around it; the world, like every in-between, relates and separates men at the same time.” Books—old-fashioned, time faded, coffee-stained books—are part of that world of things that, like Arendt’s table, constitute the in-between that relates and separates men. Seen through the lens of Heidegger and Arendt, the problem facing the digital age—of which the vanishing of books is but one exemplary form—is whether the world itself, and the worldly in-between with its attendant plurality mediated by things that appear and endure, can itself endure; or alternatively, whether a world is still possible, and if so what kind, among humans related and separated no longer by things, but by pixel screens and antennae.
"Thinking begins only when we have come to know that reason, glorified for centuries,
is the stiff-necked adversary of thought.”
— Martin Heidegger
Stanley Kaufmann has a over-the-top critique of “Hannah Arendt” in The New Republic. As with most such reviews, it is driven more by personal animus towards Arendt than by any consideration of the film. Here is one representative graph:
Today at least we can see that there is small point in separating emotions from facts, as Arendt did. The immense horror of the Holocaust washed away any philosophical distinctions. Any sparing of Eichmann would have left millions of people feeling guilty of not fulfilling their duty. (An incidental bother: Before the war Arendt had been the student and lover of Martin Heidegger, who became a Nazi, and Arendt returned to him briefly after the war. This was presumably more a matter of Venus than politics; still it bothered many.) But Arendt’s strict adherence to her views resulted in her discharge from her teaching position, and the picture closes with her defiant parting address to her class.
First, Arendt did not return to her love affair with Heidegger after the war. Why imply she did?
Second, Arendt was not dismissed from a teaching position.
Mr. Kaufmann seems to have slept periodically through the movie and mixed up fantasy and reality in his fertile imagination. These are of course small points, but they are indications of just how deeply some people feel the need to discredit Arendt with personal attacks instead of addressing her ideas.
I must confess, I am no Roger Ebert. I don’t write movie reviews for a living. I love movies, and watch lots of them, and often have strong opinions, like most of us. More than that I cannot claim.
But I have been deeply engaged in the life and thought of Hannah Arendt, having recently finished a book on her. And one I thing I can tell you is that at her core she was Jewish and also very American. The problem of Jewish identity was something she wrestled with her whole life, and in a very advanced way. She looked for data everywhere, even among Nazis, and she pulled ideas from everywhere, seeking to invent something new. By identity, I don’t mean just personal identity. I mean the collective identity upon which personal identities stand, and the politics that surround them. The problem for her was how an ethnic identity could be anchored in political institutions, and fostered, and protected, and yet avoids the close-mindedness and intellectual rigidity that seem inherent in nationalism. Thus too much is constantly made out of her apparent "non-Love" for the Jewish people, something which she wrote to Gershom Scholem after the publication of Eichmann in Jerusalem, which is also a key scene in this movie. Against the backdrop of her own life, however, the idea that only friends mattered sounded just a bit ironic. Arendt was not exactly a "cultivator of her garden." She spent all her time wrapped up in national and international and cultural politics. Jewish politics was a big part of her life.
So as a fan of both movies and Arendt, you can imagine how much I was looking forward to this movie. Unfortunately, I came out deeply disappointed. It’s not simply that this portrait of Arendt is frozen in amber, and celebrates the misunderstandings of 50 years ago, when Eichmann in Jerusalem had just came out. It’s not simply that it ignores the last 15 years of modern scholarship, which re- excavated her Jewishness in order to make sense of the many things in her writings and actions that otherwise don’t. It’s that it turns her story inside out. She becomes a German woman saving the Jews.
I first saw this film in Germany, and I can testify that Germans love the story when told this way. It also seems a story the director loves to tell. After seeing Arendt twice (once in Munich and once in Tel Aviv), I remembered von Trotta’s 2003 movie Rosenstrasse, and was stunned to realize it’s pretty much the same story: German women saving Jewish men. Rosenstrasse, an interesting footnote in Holocaust and legal history ends in a triumphal march with the women bringing their men home, seeming as if they’d risked life and limb. In Hannah Arendt, a similar scene is her big speech at the New School, where the evil administrators (all very Jewish looking) are shamed into submission by her brilliance, while young students (all pretty and Aryan-looking) applaud enthusiastically. Both are archetypal Hollywood “the world is good again” scenes. And both are fundamental distortions of reality, German fantasies being taken for history.
Perhaps that is the key. Perhaps in this age of Tarantino and Spielberg you are free to do what you like. The projection of historical fantasies is now a subgenre. So shouldn’t the Germans be free to enjoy their fantasies about the Jews, about Israel,about German-Jewish relations, about the meaning of German-Jewish reconciliation, you name it? Sure. But, as I’m sure you have noticed, along with passionate fans, these sorts of films always attract large measures of stinging criticism from (a) scholars peeved at gross inaccuracies, and (b) people who hate this fantasy and want a different one. Since for this film I fall into both groups, you should treat my reactions accordingly.
Hollywood conventions may be most visible in the “right with the world” scenes, but they appear throughout the film. The most Hollywood thing about it is that this is a film lionizing thinkers that doesn’t have any thinking in it. We are supposed to know from the camera and the music and the reaction shots that they are having big thoughts and that everyone is awed by them. But if you actually listen to what is supposed to be passing as big thought, Oy. Hannah Arendt and Mary McCarthy: frivolous advice about men. Martin Heidegger, who hovers over the movie like a Black Forest deity, appears via flashbacks, pronouncing things like “We think because we are thinking beings.” Young Hannah Arendt looks up, clearly smitten by such banalities. Under Heidegger’s cloud, Hannah Arendt is not only Germanized, but turned into a sentimental fool. Which is the last description anyone has ever reached for who had ever met her.
As for the Eichmann trial that frames and forms the core of the film, all I can say is don’t get me started. Arendt’s New Yorker articles and the book that came out of them were the source of endless misunderstanding, both at the time and still today. This movie not only adds to it, it builds on it. For von Trotta, “the banality of evil” is a way of normalizing the crimes of the Holocaust: anyone could have done them. Eichmann is no antisemite. Banality is the thus deepest insight, the final dismissal of charges. And it’s the Jews who miss it, and the German-speaking woman who has to tell them, for their own good, to give up on this grudge business and with it also realize their own guilt in the destruction of the Jews.
So far, so normal. Everyday Eichmann in Jerusalem is being misinterpreted like this in classrooms around the world. But there is one thing I can’t forgive, which gives the film its final conclusion, and that is the completely fabricated scene at the end where she is threatened by the Mossad. It is nonsensical for several reasons, but worse is how it is composed. It is a “walking my lonely road” scene that chimes with the very first scene of the movie, when Eichmann is walking along in Argentina just before he is grabbed. There, the Mossad men overpower him completely; he is helpless and held up to scorn. Here, she stands up to them and tells them off; they slink away, grumbling impotent before the truth. The arc is completed. The Israelis, wrong from the beginning, have finally been cowed by The Truth About How Wrong They Were, by the German speaking Athena. And for good measure she throws in a sneering crack about how the Jewish nation must have too much money if it sent four of them.
Tarantino never made up anything more inverted.
**Natan Sznaider is a Professor at the Academic College of Tel Aviv-Yaffo. Among his several books are Jewish Memory and the Cosmopolitan Order: Hannah Arendt and the Jewish Condition and two books on the sociology of the Holocaust.He was born and grew up in Germany, and is a regularly commentator in the German press. He lives in Tel Aviv.
"Heidegger is wrong: man is not “thrown” “in the world;” if we are thrown, then – no differently from animals – onto the earth. Man is precisely guided, not thrown, precisely for that reason his continuity arises and the way he belongs appears. Poor us, if we are thrown into the world!"
"Heidegger hat unrecht: “in die Welt” ist der Mensch nicht “geworfen;” wenn wir geworfen sind, so – nicht anders als die Tiere – auf die Erde. In die Welt gerade wird der Mensch geleitet, nicht geworfen, da gerade stellt sich seine Kontinuität her und offenbart seine Zugehörigkeit. Wehe uns, wenn wir in die Welt geworfen werden!"
-Hannah Arendt, Denktagebuch, Notebook 21, Section 68, August, 1955
Hannah Arendt follows her teacher Martin Heidegger in casting the classical philosophical question of the relation of the one and the many as the relationship between the individual and the world. Like the early Heidegger, she emphasizes the future, but she more frequently combines conceptual and narrative explication. For Arendt, freedom is at stake, the freedom of plural humanity that can call on, but cannot be reduced to, guiding ideas of tradition or authority. Yet while she consistently defends freedom through action that cannot be tied to the logic of the past or an assumed goal in the future, her thinking has both a moment of freedom and concern with connection to the past.
In Being and Time, Heidegger’s idea of “thrownness” (Geworfenheit) offers a conceptual hinge between a limitation and expansion of freedom. On the one hand, the thrown “Dasein” cannot choose to come into the world, much less into a particular world. On the other hand, once situated in a field of relations, possibilities open that allow Dasein to fashion a sense of the future and self-knowledge.
Arendt can be seen to ask how exactly we are to recognize the original condition of being thrown in such a way that new possibilities open up. Her objection to Heidegger in the passage above takes a subtle linguistic path that shows how her method of reading inflects her philosophical ideas. Rather than holding exclusively to the conceptual development of “thrownness,” she offers a terminological challenge. She says that man is only thrown into the natural “earth,” not the humanly-made “world.” In inserting this distinction between the earth and the world, she reads “geworfen” not abstractly as “thrown,” but concretely, implying that she has in mind a second use of the German verb "werfen:" to refer to animals giving birth.
Arendt wants to leave the merely animal behind. The German verb “leiten” that I have translated here as “guided” could also mean to direct, to conduct, to lead, to govern. Thinking ahead to Arendt’s writing on education, I hear a connection to “begleiten,” which means to accompany. The guiding that one receives gives a sense of continuing and belonging to a greater world. Heidegger insists that Dasein does not choose to be thrown into a specific world, we are born without our choice or input. For Arendt, this is our earthliness and she emphasizes the difference between the human world and the given earth. With respect to the world, she highlights the connection to others from the start. Since others exist before the entrance of the newcomer, we also assume responsibility for their entry to the world. One must be educated into the world, which is not simply the earth, but the humanly constructed edifice that includes history and memory and the polis.
Dana Villa and Peg Birmingham suggest that Arendt replaces Heidegger’s “geworfen” with “geboren” (“thrown” with “born”). The passage from the Thought Diary above shows the complexity of this substitution and that it only works by changing the context to the world rather than earth. However, while the quote shows that Arendt relegates Heidegger’s thrownness to the realm of the earth and body, her own idea of “natality” brings the body back to her thinking of freedom. Being born is very important for Arendt, but not in Heidegger’s sense. If "werfen" can refer to animals giving birth, Arendt works out a specific way in which humans are born, one that emphasizes a liberating break from the earth. Humans, as Arendt will say in The Human Condition, are born with the ability to start something completely new.
I think Arendt would say that we are always guided in a certain way. This leads us to ask if today we are making a choice as a society to abdicate explicit reflection and responsibility regarding the terms of guidance, either by “outsourcing” these decisions to experts or assuming that individuals can still make rational choices in the face of corporations and institutions that carefully take advantage of cognitive limitations. In other words: In what ways are people guided into the world that we do not think about, and how could reflection help us here?
On the other hand, the note ends with an existential lament that reminds us of the Romantic poet Friedrich Holderlin’s “weh mir” (“poor me”). After noting how she thinks Heidegger is wrong to see us thrown into the world, Arendt returns us to his despair; but the despair she imagines arises insofar as we are thrown into the world—which would mean that we lose the world as a humanly built home.
"Exactly for the sake of what is new and revolutionary in every child, education must be conservative; it must preserve this newness and introduce it as a new thing into an old world."
-Hannah Arendt, The Crisis in Education
In the central and perhaps most provocative passage of her essay on The Crisis in Education (1958), Arendt thrice repeats the same word: to preserve. This should not be surprising, in the context of her presentation of the thesis that “education must be conservative.” Education must be carried out with a “conservative attitude” in order to preserve the possibility for something new to arise.
Arendt thinks little of educators and professors who issue directives to their pupils about what actions they should undertake to change the world. The responsibility of the educator is more to bring a “love for the world” into the seminar room. Whether the tutor wishes the world to be different, better, or more just should be inconsequential. It is his job to represent the factual world as frankly as possible. One cannot do more and should not do less. This love for the world forms the basis for “newcomers” to take the chances of their new beginning into their own hands. Seen in this way the tutor must be “conservative” (in relation to the state of the world), not in order inspire “progressive” action but rather to enable new beginnings that cannot be planned or calculated. And so says the full quote about education that must be conservative: “Exactly for the sake of what is new and revolutionary in every child, education must be conservative; it must preserve this newness and introduce it as a new thing into an old world.”
A few lines earlier Arendt distinguishes between this innovative “conservative attitude” in education and conservatism in politics. Political conservatism, “striving only to preserve the status quo,” ultimately leads to destruction: if people do not undertake renewals, reformations, the world is abandoned to decay over time. Immediately after this second use of “to preserve” Arendt uses the word a third time. Since the world is shaped by mortals, it is at risk of becoming as mortal as its inhabitants. “To preserve the world against the mortality of its creators and inhabitants,” Arendt writes, “it must be constantly set right new.” The “capacity of beginning something anew” appears according to Arendt principally in action, which is the capacity that has “the closest connection with the human condition of natality”—“the new beginning inherent in birth,” Arendt writes at the same time in The Human Condition (1958).
Aren’t these three very different meanings of “to preserve”? Can this single word really convey all these nuances? Only when one consults the original German version of Arendt’s essay does the scope of distinctions become clear. The Crisis in Education is the English version of a lecture Arendt gave in 1958 in Bremen, Germany, translated by Denver Lindley.
The conservative stance in politics, which is “striving only to preserve the status quo” is said in German to seek to “erhalten.” This is very similar to the English to preserve, to conserve, to maintain. Yet in the next part, where education is said to be the way “to preserve the world against the mortality of its creators and inhabitants,” this protection of the world against mortality is called in German “im Sein halten,” literally “to hold or to keep in the state of being.” The point here is not any physical preservation of the world, nor any quasi-metaphysical or Heideggerian elevation of the “world.” Arendt’s German wording rather suggests that the philosophical is to be found in the world, which she understands as something that emerges from the space in-between people: the in-between of the many and diverse. Finally, the task of education to be conservative and to “preserve” the revolutionary in every child is called “bewahren” in the German version, i.e., to retain and perpetuate, literally: to keep true—to keep the newness true.
“Erhalten,” “im Sein halten,” “bewahren”—these differentiations of the “conservative attitude” of education that Arendt develops in German on the conceptual level must be conveyed through context in English. This does not mean that the English is deficient. Rather, it demands that the reader reflect on the particularity of each appearance of “to preserve.” Arendt’s German text lends the direction of these reflections important impetus.
Likewise, a decisive conceptual impetus for Arendt’s German lecture comes from the English. In the middle of the passage on the conservative attitude in education, she quotes an English line from Shakespeare’s Hamlet: “The time is out of joint. O cursed spite that ever I was born to set it right.” The literary citation is not tasked with illustrating a theoretical reflection. Arendt thinks and writes with the poetic thought of this verse. In the German lecture she uses an unusual construction, saying that the world must be (newly) “eingerenkt”—it is the German equivalent of “to set it right,” if one reads “joint” literally as the joint of a body; the usual translation of “out of joint” is “aus den Fugen,” where “Fuge” has more the connotation of “seam,” “interstice,” or “connection.” In this way Arendt answers the English literally and therefore newly in German. She gives her text a “figurative posture,” which advocates for a plurality of languages. This can also be understood as a political gesture against the totalizing assertion of one homogenous language (of truth, of philosophy etc.).
All of this is possibly less revolutionary than the “newness” that each child brings into the world. And yet a reflection of it is brought “as a new thing into an old world.” In addition, Hamlet’s line “that ever I was born to set it right” being placed in the charged context of Arendt’s thoughts on natality (the human condition of being born, which equips every newcomer with “the capacity of beginning something anew, that is, of acting”) challenges both perspectives on action: Is Shakespeare’s Hamlet more capable of taking action than we usually think? Is Arendt’s “newcomer” more bound in his or her actions than we typically assume? Arendt’s mode of writing preserves an educating esprit for her readers.
—Thomas Wild, with Anne Posten
San Jose State University is experimenting with a program where students pay a reduced fee for online courses run by the private firm Udacity. Teachers and their unions are in retreat across the nation. And groups like Uncollege insist that schools and universities are unnecessary. At a time when teachers are everywhere on the defensive, it is great to read this opening salvo from Leon Wieseltier:
When I look back at my education, I am struck not by how much I learned but by how much I was taught. I am the progeny of teachers; I swoon over teachers. Even what I learned on my own I owed to them, because they guided me in my sense of what is significant.
I share Wieseltier’s reverence for educators. Eric Rothschild and Werner Feig lit fires in my brain while I was in high school. Austin Sarat taught me to teach myself in college. Laurent Mayali introduced me to the wonders of history. Marianne Constable pushed me to be a rigorous reader. Drucilla Cornell fired my idealism for justice. And Philippe Nonet showed me how much I still had to know and inspired me to read and think ruthlessly in graduate school. Like Wieseltier, I can trace my life’s path through the lens of my teachers.
The occasion for such a welcome love letter to teachers is Wieseltier’s rapacious rejection of homeschooling and unschooling, two movements that he argues denigrate teachers. As sympathetic as I am to his paean to pedagogues, Wieseltier’s rejection of all alternatives to conventional education today is overly defensive.
For all their many ills, homeschooling and unschooling are two movements that seek to personalize and intensify the often conventional and factory-like educational experience of our nation’s high schools and colleges. According to Wieseltier, these alternatives are possessed of the “demented idea that children can be competently taught by people whose only qualifications for teaching them are love and a desire to keep them from the world.” These movements believe that young people can “reject college and become “self-directed learners.”” For Wieseltier, the claim that people can teach themselves is both an “insult to the great profession of pedagogy” and a romantic over-estimation of “untutored ‘self’.”
The romance of the untutored self is strong, but hardly dangerous. While today educators like Will Richardson and entrepreneurs like Dale Stephens celebrate the abundance of the internet and argue that anyone can teach themselves with simply an internet connection, that dream has a history. Consider this endorsement of autodidactic learning from Ray Bradbury from long before the internet:
Yes, I am. I’m completely library educated. I’ve never been to college. I went down to the library when I was in grade school in Waukegan, and in high school in Los Angeles, and spent long days every summer in the library. I used to steal magazines from a store on Genesee Street, in Waukegan, and read them and then steal them back on the racks again. That way I took the print off with my eyeballs and stayed honest. I didn’t want to be a permanent thief, and I was very careful to wash my hands before I read them. But with the library, it’s like catnip, I suppose: you begin to run in circles because there’s so much to look at and read. And it’s far more fun than going to school, simply because you make up your own list and you don’t have to listen to anyone. When I would see some of the books my kids were forced to bring home and read by some of their teachers, and were graded on—well, what if you don’t like those books?
In this interview in the Paris Review, Bradbury not only celebrates the freedom of the untutored self, but also dismisses college along much the same lines as Dale Stephens of Uncollege does. Here is Bradbury again:
You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do—and they don’t. They have prejudices. They may like Henry James, but what if you don’t want to write like Henry James? They may like John Irving, for instance, who’s the bore of all time. A lot of the people whose work they’ve taught in the schools for the last thirty years, I can’t understand why people read them and why they are taught. The library, on the other hand, has no biases. The information is all there for you to interpret. You don’t have someone telling you what to think. You discover it for yourself.
What the library and the internet offer is unfiltered information. For the autodidact, that is all that is needed. Education is a self-driven exploration of the database of the world.
Of course such arguments are elitist. Not everyone is a Ray Bradbury or a Wilhelm Gottfried Leibniz, who taught himself Latin in a few days. Hannah Arendt refused to go to her high school Greek class because it was offered at 8 am—too early an hour for her mind to wake up, she claimed. She learned Greek on her own. For such people self-learning is an option. But even Arendt needed teachers, which is why she went to Freiburg to study with Martin Heidegger. She had heard, she later wrote, that thinking was happening there. And she wanted to learn to think.
What is it that teachers teach when they are teaching? To answer “thinking” or “critical reasoning” or “self-reflection” is simply to open more questions. And yet these are the crucial questions we need to ask. At a period in time when education is increasingly confused with information delivery, we need to articulate and promote the dignity of teaching.
What is most provocative in Wieseltier’s essay is his civic argument for a liberal arts education. Education, he writes, is the salvation of both the person and the citizen. Indeed it is the bulwark of a democratic politics:
Surely the primary objectives of education are the formation of the self and the formation of the citizen. A political order based on the expression of opinion imposes an intellectual obligation upon the individual, who cannot acquit himself of his democratic duty without an ability to reason, a familiarity with argument, a historical memory. An ignorant citizen is a traitor to an open society. The demagoguery of the media, which is covertly structural when it is not overtly ideological, demands a countervailing force of knowledgeable reflection.
That education is the answer to our political ills is an argument heard widely. During the recent presidential election, the candidates frequently appealed to education as the panacea for everything from our flagging economy to our sclerotic political system. Wieseltier trades in a similar argument: A good liberal arts education will yield critical thinkers who will thus be able to parse the obfuscation inherent in the media and vote for responsible and excellent candidates.
I am skeptical of arguments that imagine education as a panacea for politics. Behind such arguments is usually the unspoken assumption: “If X were educated and knew what they were talking about, they would see the truth and agree with me.” There is a confidence here in a kind of rational speech situation (of the kind imagined by Jürgen Habermas) that holds that when the conditions are propitious, everyone will come to agree on a rational solution. But that is not the way human nature or politics works. Politics involves plurality and the amazing thing about human beings is that educated or not, we embrace an extraordinary variety of strongly held, intelligent, and conscientious opinions. I am a firm believer in education. But I hold out little hope that education will make people see eye to eye, end our political paralysis, or usher in a more rational polity.
What then is the value of education? And why is that we so deeply need great teachers? Hannah Arendt saw education as “the point at which we decide whether we love the world enough to assume responsibility for it." The educator must love the world and believe in it if he or she is to introduce young people to that world as something noble and worthy of respect. In this sense education is conservative, insofar as it conserves the world as it has been given. But education is also revolutionary, insofar as the teacher must realize that it is part of that world as it is that young people will change the world. Teachers simply teach what is, Arendt argued; they leave to the students the chance to transform it.
To teach the world as it is, one must love the world—what Arendt comes to call amor mundi. A teacher must not despise the world or see it as oppressive, evil, and deceitful. Yes, the teacher can recognize the limitations of the world and see its faults. But he or she must nevertheless love the world with its faults and thus lead the student into the world as something inspired and beautiful. To teach Plato, you must love Plato. To teach geology, you must love rocks. While critical thinking is an important skill, what teachers teach is rather enthusiasm and love of learning. The great teachers are the lovers of learning. What they teach, above all, is the experience of discovery. And they do so by learning themselves.
Education is to be distinguished from knowledge transmission. It must also be distinguished from credentialing. And finally, education is not the same as indoctrinating students with values or beliefs. Education is about opening students to the fact of what is. Teaching them about the world as it is. It is then up to the student, the young, to judge whether the world that they have inherited is loveable and worthy of retention, or whether it must be changed. The teacher is not responsible for changing the world; rather the teacher nurtures new citizens who are capable of judging the world on their own.
Arendt thus affirms Ralph Waldo Emerson's view that “He only who is able to stand alone is qualified for society.” Emerson’s imperative, to take up the divine idea allotted to each one of us, resonates with Arendt’s Socratic imperative, to be true to oneself. Education, Arendt insists, must risk allowing people their unique and personal viewpoints, eschewing political education and seeking, simply, to nurture independent minds. Education prepares the youth for politics by bringing them into a common world as independent and unique individuals. From this perspective, the progeny of teachers is the educated citizen, someone one who is both self-reliant in an Emersonian sense and also part of a common world.
The new Hannah Arendt bio picture by Margarethe von Trotta has been released in Europe. It will hit theatres in the US in May, although it is making the rounds of festivals now. The good news: “Hannah Arendt” the film is really wonderful. I’ll have more to say about the film at some point soon, but until then we’ll be passing along the most interesting reviews. To get us started, here is a write up by David Owen, who teaches political theory at the University of Southampton. If you see the film and have some thoughts, pass them our way and we’ll post them on the blog.
The opening scene of the film shows the organised abduction of an ordinary-looking older man on a country road before cutting to a woman, obviously European in her movements, listening to classical music in a room whose decor is clearly American. These people are, of course, Adolf Eichmann and Hannah Arendt – and thus the film signals its central focus, namely, Arendt’s relationship to the event of Eichmann’s Trial in Jerusalem and the questions that Arendt’s report and the reactions to it raise concerning the relations of the private and the public, the personal and the political, and, more specifically, the conditions (and wisdom) of a philosopher speaking philosophically about politics in public.
The film’s portrayal of Arendt is unfolded through her relationships, most notably with her husband Heinrich Blücher, her friend Mary McCarthy, her once class-mate and now friend and colleague Hans Jonas, her old political mentor and friend the Zionist Kurt Blumenfeld, the editor of the New Yorker William Shawn, and her former teacher and lover Martin Heidegger. All except the last of these are played out within a linear dramatic narrative that tracks Arendt’s circle from the capture of Eichmann through the trail in Jerusalem to the composition and publication of, and reaction to, Arendt’s New Yorker articles. The relationship to Heidegger is interspersed into the narrative through flashback’s that are Arendt’s memories of her relationship with Heidegger and his disastrous foray into public political speech in the Rectoral Address of May 27th 1933, a public act which he later spoke of privately as ‘die größte Dummheit seines Lebens’ but which he never publically renounced. This figuring of her relationship to Heidegger within the dramatic structure of the film is unfortunate in a number of ways, not least the portrayal of Heidegger as a clownish naïf, but primarily because through the use and positioning of these flashbacks within the film, von Trotta offers an open-ended analogy between Heidegger’s and Arendt’s acts of public speech. Even if von Trotta means only to raise the suggestion, since these flashbacks are Arendt’s, that Arendt reflects on her Report on the Eichmann Trial through the prism of her personal relationship to Heidegger and his own abrogated stress on the necessity of thinking, it gets in the way of the rest of the film which is a beautifully shot and compelling piece of narrative drama with a strong ensemble cast, not least in the sensitive use of documentary footage in the reconstruction of the Eichmann trial.
In different respects, Blücher and McCarthy are presented as Arendt’s supports. Blücher’s wandering eye and philandering (which Arendt is portrayed as accepting as a fact about which it would be hopeless to rail) are offset by his role as loving companion and sounding board for her thoughts. McCarthy is the female confidant, a blousy American whose insecurity in her personal life and work contrasts with and highlights Arendt’s European roots and location in an older tradition.
By contrast, the relationships with Hans Jonas and Kurt Blumenfeld are offered as both deep but also, finally broken, by Arendt’s writing on Eichmann. This is given early expression in, first, an argument between Jonas and Blücher about Eichmann’s abduction to be placed on trial in Israel which foreshadows the more dramatic rupture between Jonas and Arendt – and, second, Arendt’s visit to Blumenfeld’s family in Jerusalem (on her way to cover the Eichmann trial) in awkwardness and already emerging disagreement are covered over by the depth of their friendship. Later, after the report is published, Arendt will dash to Jerusalem to visit a seriously ill Blumenfeld in his sickbed only for him to turn his back to her. The issue von Trotta raises here concerns not so much whether Arendt’s arguments are right or wrong but rather how much one can reasonably ask one’s friends to bear in respect of one’s own commitment to intellectual integrity. For Blumenfeld, Arendt’s remarks on the role of the Jewish leaders in co-operating with the Nazi organization run by Eichmann and hence facilitating the Shoah are a betrayal of the Jewish people. Arendt’s response — that she does not think of herself as having such an obligation — adds only insult to injury. For Jonas, Arendt’s fault is arrogance — and certainly the portrayal of her relationship to William Shawn, an editor overwhelmed by awe at Arendt which she shows no compunction in exploiting, is given as testimony to this side of her character. This issue is raised for us acutely by the climax of the film to which I’ll come shortly but there are two other features that deserve comment first.
The first is the presentation of the charge made against Arendt by her public critics that she is cold, without feeling, and McCarthy’s defense of her as simply having a courage that her critics lack, in the context of a portrayal of Arendt among students and friends as a caring and humorous person who, at one point, privately breaks down in the face of the reaction to her report. The second is the portrayal of the process of composing her writing of Eichmann which combines two elements: the engagement with a vast mass of empirical material, piles of folders of paper (court transcripts, etc.) are arranged around the study and apartment, and the difficulty of writing: Arendt sits reading and is haunted by voices from the trial, she spends a lot of time lying down on a divan smoking endless cigarettes, she types in a controlled frenzy. Here it seems to me that the film is linking these features in a way that is insightful and important, namely, that Arendt had to steel herself to write her report at all, that she had to set aside her own feelings and relationships to others in order to be able to try to serve truth, that intellectual conscience (redlichkeit) makes demands that are hard to bear. In this sense, the film suggests that the critics (who remind me of Martha Nussbaum on tragedy) are right to see her writing as cold and without feeling but quite wrong in their judgment of the significance of this fact and the courage that the writing required of her. At the same time, her response to William Shawn that her writing about the Jewish leaders was purely factual raises for the viewer the question of whether she has lost the ability to discriminate between her judgment and facts in this process. In making this point, the film does not attempt to adjudicate the question of whether Arendt was right or wrong to write the report that she composed, rather it tries, I think compellingly, to make intelligible how she could come to speak in the way that she did (it may also explain why she was entirely unconcerned that Eichmann was hanged).
Let me now turn to the climax. As the drama following the publication of her report unfolds, Arendt is presented as treating from public space and, against McCarthy’s advice, refusing to engage publically with the criticisms directed at her work by critics for whom she has no intellectual respect (echoes of Heidegger’s postwar silence are raised here). When she returns to The New School, at that time almost entirely a Jewish institution, her colleagues shun her and she is asked to resign from teaching her classes which she refuses to do — but she does acknowledge an obligation to the students, who have supported her (and whom the film portrays her as feeling responsible to, for example, in the scene where McCarthy arrives at her class to tell her that Blücher has had a heart attack and is in hospital, and her first shocked reaction is to return to finish her class). When she has offered her explanation to a lecture hall packed with students and the three staff before whom she was hauled for dressing down and discipline, she rebuts – albeit not wholly convincingly — the charge by a staff member that she is blaming the victims for their own victimhood and is given rapturous applause by the students. As they leave, she sees that Hans Jonas is also in the audience. His face, in a bravura piece of acting by Ulrich Noethen, gives us no clue as to what is to come next but seems to express a process of internal struggle. Arendt goes to him, hopeful that her explanation will have healed the rupture of their friendship, but far from it — Jonas rejects her account, she has gone too far, and, in a bitter expression of the end of their friendship, refers to her as “Heidegger’s little darling”.
The question raised by this film is that of ‘thoughtlessness’. Arendt presents Eichmann as a creature who cannot think, for has abdicated the realm of thinking, and at the same time she sees Heidegger as a philosopher whose movement into the public realm is marked by a shift to thoughtlessness (a view that allows her to continue to engage Heidegger’s philosophical work after 1933 in contrast to Jonas). Is Arendt similarly ‘thoughtless’ is her reflections on the Jewish leaders? The film asks us to consider this question but not, I think, quite in Arendt’s sense of thoughtlessness but in the broader sense that underlies it. Her commitment to understanding, to making intelligible, to truthfulness is given clear expression as too are the demands this makes on her — but what about the demands that this makes on her friends, is there not a kind of thoughtlessness here? Is there not a kind of thoughtlessness in her failure to anticipate the entirely predictable response to her moralized interpretation of the role of the Jewish leaders, whose cooperation with the Nazis, she writes, should strike Jews as the darkest episode of a dark chapter of human action?
I don’t think that the film ultimately takes a stance on this issue – rather it raises for us the question of the relationship of Arendt’s sense of thoughtlessness to our ordinary sense of that word. And it must be noted that while Arendt’s thesis concerning the banality of evil is a fundamental insight for moral philosophy, she is almost certainly wrong about Eichmann. As David Cesarani and, more recently, Bettina Stangneth have compellingly argued, Arendt was — like almost everyone else — taken in by Eichmann’s strategy of self-presentation in the trial as a nobody, a mere functionary, a bureaucratic machine. Yet the evidence of Eichmann’s commitment to Nazism and, contra Arendt, his commitment to anti-Semitism that has emerged in more recent years, especially well-documented by Stangneth’s study Eichmann vor Jerusalem, suggests that Jonas was right — Eichmann was a monster who hated Jews. The film is composed in a context in which we, and von Trotta, know this — and I think the film’s refusal to resolve the issues that it raises is precisely an acknowledgement of this context. In this respect, Thomas Assheuer’s review in Die Zeit which suggests that Arendt’s reading of Eichmann was directed against that of the Israeli Prime Minster David Ben Gurion who represented him as a monster of evil for ideological purposes may have some force but not against the film. Rather the film leaves us with questions concerning the relationship between friendship and the service of truth, of emotional life and the conditions of writing truthfully, and of the conditions and costs of public speech.
Ernst Cassirer is an oft-neglected thinker in contemporary continental philosophy. He is typically eclipsed by Martin Heidegger, whom he faced in the now famous disputation at Davos, Switzerland in the spring of 1929, which had such a dramatic effect on continental philosophy that the young Emmanuel Levinas, who attended the debate, felt as if he were "present at the creation and end of the world". In spite of Cassirer's attempt to make his three-volume Philosophie der symbolischen Formen (1923-1929) more accessible to an English speaking audience through a concise redaction in An Essay on Man (1944), he remains a marginal figure in contemporary philosophy.
However, Ned Curthoys, a researcher at the Australian National University's School of Cultural Inquiry, has recently recovered a latent conversation between Cassirer and Hannah Arendt that casts new light on the impact and significance of his work.
Arendt's vigorous annotations in her copy of Cassirer's An Essay on Man indicate that she was a diligent and consistent reader of Cassirer. Her personal library housed in the Arendt Collection at Bard College contains over a dozen titles by Cassirer. Most Cassirer’s works in Arendt's personal library contain heavy annotations and marginalia, which suggest a critical and substantive engagement with Cassirer's work. Although Arendt's references to Cassirer in her major works are sparse—once in her essay "The Concept of History: Ancient and Modern" in Between Past and Future, and four times in The Human Condition—it is clear that Cassirer had an influence on Arendt's postwar writings. The question is: What was the extent of this influence?
Curthoys has recently taken up this question and offers a persuasive argument that Arendt's philosophy of history and her philosophical anthropology were shaped significantly by her reading of Cassirer. Curthoys' early essays on Arendt explored the political significance of narrative in her work and her use of "thought-figures," like Charlie Chaplin, Franz Kafka, Karl Jaspers, Walter Benjamin, and Isak Dinesen, all of whom attempted to subvert the authoritative discourses of their times by means of counter-narratives. Curthoys discerns the marks of a German émigré consciousness in Arendt's postwar writings that suggests an intellectual dialogue with other German émigrés like Karl Jaspers, Walter Benjamin, and Ernst Cassirer. He foregrounds Arendt's status as a conscious pariah and engages in a postcolonial reading of her work that highlights her development of a counter-narrative to the Eurocentric metanarratives of her age.
More recently, Curthoys has begun excavating a latent conversation between Arendt and Cassirer. In his essay, "The Pathos and Promise of Counter-History: Hannah Arendt and Ernst Cassirer's German-Jewish Historical Consciousness" (in Power, Judgment, and Political Evil,), Curthoys explores Arendt's philosophy of history, and argues that she found a "counter-history" in Walter Benjamin and Ernst Cassirer that allowed her to challenge the Eurocentric discourse on history that had rendered her an outsider, a pariah. It is precisely this location outside the dominant identities and political narratives of Europe, Curthoys avers, that served as Arendt's Ansatzpunkt, or starting point, and allowed her to engage in a recursive investigation of history.
What is most significant in this essay is Curthoys' claim that Arendt's engagement with Cassirer's "philosophy of symbolic forms" was instrumental in the development of her philosophy of history, and his suggestion that it led to her reconsider Cassirer's defense of neo-Kantianism in the Davos debate, a reconsideration that Curthoys sees as the impetus for Arendt's return to Kant in her final years. This engagement was not a wholesale adoption of Cassirer's approach to history, Curthoys argues, but a critical and creative renewal of his thought.
Curthoys has extended this exploration of the connection between Arendt and Cassirer in a subsequent article titled, "Ernst Cassirer, Hannah Arendt, and the Twentieth-Century Revival of Philosophical Anthropology." Curthoys argues that Arendt's focus on philosophical anthropology in The Human Condition, Men in Dark Times, The Life of the Mind, and her final lectures on Kant is the result of her ongoing critical engagement with Cassirer's work. At the heart of this article is Curthoys’ assertion that Cassirer's theory of symbolic forms is refracted in Arendt's notion of a common world. Cassirer had argued in his Philosophie der symbolischen Formen that human beings are symbolic animals that express themselves in systems of signs, which mediate reality in networks of meaning. These systems of signs take form in language, myth, religion, art, science, and history. Readers of Patchen Markell's "Arendt's Work: On the Architecture of The Human Condition" will recall his claim that "work" plays a mediating role, which resonates with Cassirer's notion of symbolic forms.
Curthoys' investigation and recovery of the intellectual conversation between Arendt and Cassirer is compelling, but more needs to be done to make this influence explicit. Curthoys' new book The Legacy of Liberal Judaism: Ernst Cassirer's and Hannah Arendt's Hidden Conversation (Forthcoming in September 2013, Berghahn Books) promises to offer more evidence for Arendt's creative development of Cassirer's thought. Curthoys' research opens up a new line of inquiry into the wider connections between Arendt and the German-Jewish intellectual tradition and offers further confirmation of her fidelity to Jewish thought in general.
-John Douglas Macready (University of Dallas)