Hannah Arendt Center for Politics and Humanities
21Jun/150

Amor Mundi 6/21/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upThinkable, Speakable Things

charleston shootingCharles P. Pierce suggests that those who are calling the fatal shooting of churchgoers in Charleston, South Carolina earlier this week unthinkable or unspeakable are engaging in wishful thinking, assiduously avoiding the fact that fear is a reality of daily life for a certain percentage of Americans: "What happened in a church in Charleston, South Carolina on Wednesday night is a lot of things, but one thing it's not is 'unthinkable.' Somebody thought long and hard about it. Somebody thought to load the weapon. Somebody thought to pick the church. Somebody thought to sit, quietly, through some of Wednesday night bible study. Somebody thought to stand up and open fire, killing nine people, including the pastor. Somebody reportedly thought to leave one woman alive so she could tell his story to the world. Somebody thought enough to flee. What happened in that church was a lot of things, but unthinkable is not one of them. What happened in a Charleston church on Wednesday night is a lot of things, but one thing it's not is 'unspeakable.' We should speak of it often. We should speak of it loudly. We should speak of it as terrorism, which is what it was. We should speak of it as racial violence, which is what it was... There is a timidity that the country can no longer afford. This was not an unthinkable act. A man may have had a rat's nest for a mind, but it was well thought out. It was a cool, considered crime, as well planned as any bank robbery or any computer fraud. If people do not want to speak of it, or think about it, it's because they do not want to follow the story where it inevitably leads. It's because they do not want to follow this crime all the way back to the mother of all American crimes, the one that Denmark Vesey gave his life to avenge. What happened on Wednesday night was a lot of things. A massacre was only one of them."

The Pope's Green Robes

pope francisEmma Green considers Pope Francis's recent exhortation about climate change, noting his particular angle and how it is tied to Catholic morality. "The pope uses different language than a climate activist might. Throughout the encyclical, he refers to the modern world's 'throwaway culture.' This includes literal trash--'hundreds of millions of tons of waste are generated, much of it non-biodegradable, highly toxic and radioactive, from homes and businesses, from construction and demolition sites, from clinical, electronic and industrial sources,' he writes. But it also encompasses a mentality of excessive consumption and an orientation toward profit maximization, especially in the 'global north.' People in the developed world are morally obligated to those in developing countries, he says, because when they buy things, it's at the direct expense of the labor, health, and, sometimes, lives of the poor. As Benedict wrote in his 2009 encyclical, Caritas in Veritate, 'It is good for people to realize that purchasing is always a moral--and not simply economic--act...' In making this comment, he's taking aim at a whole swath of the development and environmentalist community, including aid organizations and governments. Throughout the encyclical, he slams what could roughly be called 'technological solutionism,' when 'life gradually becomes a surrender to situations conditioned by technology, itself viewed as the principal key to the meaning of existence.' It's a somewhat obtuse reminder that the pope is neither a liberal activist nor a technocrat intent on finding simple solutions. His encyclical is a sermon, not a white paper, and he's comfortable criticizing do-gooders and multinational corporations in the same breath."

The Struggle Over Omnisurveillance

facial recognition techThe Financial Times reports that a coalition of privacy advocates in the United States have withdrawn from talks with the government and technology firms designed to develop a "voluntary code of conduct for the use of facial recognition technology." According to the article: "The nine groups, which include the American Civil Liberties Union and Consumer Federation of America, said that 16 months of negotiation with tech industry representatives and others had failed to bring agreement on even the most basic privacy issues raised by software that can identify people from images of their face.... In a joint statement, the privacy advocates blamed companies that hope to use the technology for refusing to give ground in the discussions. 'The position that companies never need to ask permission to use biometric identification is at odds with consumer expectations, current industry practices, as well as existing state law,' they said. They added: 'At a base minimum, people should be able to walk down a public street without fear that companies they've never heard of are tracking their every movement--and identifying them by name--using facial recognition technology.'"

Metaphors for Sale

metaphorFor Hannah Arendt, metaphors are the source of all thinking and speaking since thinking is a metaphorical transformation of the visible into the invisible. Arendt argues that metaphor is the lifeblood of poets and thinkers. Now Michael Erard writes about the life of a metaphor designer: "Consider the thing to be communicated--a business strategy, a discovery, a new look at a familiar social problem--and then make a pseudo-mistake. Actually, create a lot of pseudo-mistakes, and test each one. At the end, the floor will be covered with the blood of failed comparisons. One way to create these mistakes is to deliberately miscategorise the thing you are trying to explain. What do paintbrushes have to do with pumps? Ah, they all move liquid. You choose the pump because it's the most prototypical member of the things-that-move-liquid category. Another way to create the mistake is to break the thing you want to explain into its components, then connect them to some other idea or domain of life. Say there's a city department that's in charge of lots of different programmes, all of them related to health. The department plays a centralising function for various programmes funded by multiple sources, operating over several jurisdictions. That diversity confuses audiences. Also, the programmes are often for vulnerable populations--the elderly, immigrants, people with addictions: people for whom the average taxpayer's sympathies are not necessarily assured. So the right metaphor must speak to inclusion and community, and suggest some benefit, such as health or opportunity, that's more widely shared. I tried 'bridge' and 'platform', but ultimately went with 'key ring': the department holds the keys for unlocking health."

amor_mundi_sign-upOur Puritan Future

puritansAt a moment when so many decry the problems with liberal democracy at home and abroad, Jim Sleeper suggests we can find hope and rejuvenation from an old American source, the Puritans. "The Puritans were America's first Very Serious People.... What were they about? First, in attempting to emulate the earliest Christian communities, they turned their backs on the golden thrones of popes and kings and countenanced neither aristocracy nor destitution--a revolutionary innovation in the early seventeenth century. Although they were often shrewd businessmen, they never argued openly that prosperity brings freedom and dignity, preaching instead that it carried communal obligations. Second, they weren't out to 'make history,' as we try to, through scientific planning or by discerning great movements of Hegelian Reason in our strivings, but by fulfilling the pre-established biblical typology of the Israelites' exodus from Egypt on a sacred mission to a Promised Land. (Hence their naming some New England towns Salem, Goshen, Bethlehem, Sharon, and Lebanon; hence the Hebrew on the seals of Yale and Dartmouth.) What might seem a worldly enterprise financed by English entrepreneurs was, in the Puritan reality, a mission for 'The General Restoration of Mankind from the Curse of the Fall' that would bring a blessing upon all the nations of the Earth. Third, the Puritans' biblically covenanted, congregational communities combined public purpose with personal integrity in ways that survive in our understandings of the interplay between individual conscience and rights on the one hand and civic obligation on the other." To revivify the American moral spirit, Sleeper writes, we cannot rely on a non-judgmental liberal state or on neo-liberal market values. The Puritans, all their limitations notwithstanding, offer insights into a "new cosmology" that we can hope to use to address our spiritual needs "in ways that a liberal capitalist republic no longer can."

Pulling Themselves Up By Their Commencement Robes

college eliteAndrew Delbanco quotes Horace Mann to express the democratic hope that Americans have always placed upon education: "Death may be the great equalizer, but Americans have long believed that during this life 'the spread of education would do more than all things else to obliterate factitious distinctions in society.'" Writing in the New York Review of Books, Delbanco shows how the once vibrant connection between higher education and equality has been stalled. "At the top of the prestige pyramid, in highly selective colleges like those of the Ivy League, students from the bottom income quartile in our society make up around 5 percent of the enrollments." There are huge numbers of highly qualified students from poor families that don't attend elite colleges largely because they don't apply, "in part because most such students get little if any counseling in high school about the intricate process of applying to a selective college--so they rarely do." And even when one gets into college, universities seem to be failing the poorest students. "Critics like Bennett are right, however, to decry what's happening--or not happening--to many students who do get to college. Too few are challenged or given guidance and encouragement. Cheating is common, including at elite private colleges and the so-called public flagships. In a widely noted 2011 book, Academically Adrift: Limited Learning on College Campuses, the sociologists Richard Arum and Josipa Roksa gave a grim account of college as a place where students are held to low standards in an atmosphere of wasteful frivolity. In their new book, Aspiring Adults Adrift: Tentative Transitions of College Graduates, they stress that the likeliest victims of 'late adolescent meandering' are students from low-income backgrounds who come out of college aimless, demoralized, and with fewer chances than their more affluent peers to recoup lost opportunities. In Paying for the Party: How College Maintains Inequality, Elizabeth Armstrong and Laura Hamilton speak of 'an implicit agreement between the university and students to demand little of each other.' And they, too, make the case that students with the fewest family resources have the lowest post-college prospects." Delbanco concludes with a sad but too-often true complaint: "Perhaps concern for the poor has shriveled not only among policymakers but in the broader public. Perhaps in our time of focus on the wealthy elite and the shrinking middle class, there is a diminished general will to regard poor Americans as worthy of what are sometimes called 'the blessings of American life'--among which the right to education has always been high if not paramount."

Illiberalism

OrbánColin Woodard checks in on the situation in Hungary: "Orbán has declared that he is building a new state in Hungary, 'an illiberal state' capable of guiding the Hungarian nation to victory 'in the great global race for decades to come.' Inspired by the alleged successes of illiberal states like Russia, China, Turkey and Singapore, Orbán promises a new order that puts the collective goals of the Hungarian people--including the more than two million of them living in neighboring countries that were once part of the Hungarian Kingdom--ahead of the liberal goal of maximizing individual liberty. Throughout his tenure, Orbán has slapped down EU criticisms of his policies with nationalist rhetoric, saying Hungary 'will not be a colony' and won't 'live according to the commands of foreign powers.' ... Orbán, a youthful anti-communist dissident when Hungarian communism fell in 1989, has spent the past two decades transforming a libertarian-minded youth group into an immensely powerful national conservative political machine. When he swept into power in the aftermath of the 2008-2009 global financial meltdown (during which Hungary accepted a $26 billion rescue package to avoid bankruptcy), Orbán's Alliance of Young Democrats (or Fidesz) and their loyal coalition partners used their two-thirds majority in parliament to rewrite the constitution and pass hundreds of new laws during their first year and a half in power. The combined effect: an erosion of the independence of the judiciary, the packing of courts with political loyalists, a wholesale political purge of the civil service and the chief prosecutor's office, new election rules that advantage the governing coalition and the intimidation of the news organizations (who can be issued crippling fines for content deemed 'not politically balanced' by a government-appointed panel.) When laws criminalizing homelessness, curtailing political advertizing, foreclosing the possibility of gay marriage and restricting judicial review were found unconstitutional, Orbán used his parliamentary supermajority to simply add the measures to the new constitution."

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #10

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, July 10, 2015

Bluejeans.com, 11:00 am - 12:00 pm

 

 


why privacy mattersSAVE THE DATE - 2015 FALL CONFERENCE

The Hannah Arendt Center's eighth annual fall conference, "Why Privacy Matters," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

Thursday and Friday, October 15 and 16, 2015

Olin Hall, Bard College, 10:00 am - 6:00 pm


From the Arendt Center Blog

This week on the Blog, Anabella Di Pego discusses Hannah Arendt's call to a mode of thinking that leaves behind the notion of the ivory tower at the end of "The Human Condition" in the Quote of the Week. Famed American inventor Thomas Edison reflects on the quality of thinking done in solitude as compared to that which is done turmoil in this week's Thoughts on Thinking. Finally, one of our followers on Twitter reveals how it is possible to expand one's mind by reading Arendt in this week's Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
7Jun/151

Amor Mundi 6/7/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-upThe Public Informer

snowdenEdward Snowden writes in the New York Times that the public is finally waking up to the dangers of surveillance and the need to protect privacy. "Two years on, the difference is profound. In a single month, the N.S.A.'s invasive call-tracking program was declared unlawful by the courts and disowned by Congress. After a White House-appointed oversight board investigation found that this program had not stopped a single terrorist attack, even the president who once defended its propriety and criticized its disclosure has now ordered it terminated. This is the power of an informed public. Ending the mass surveillance of private phone calls under the Patriot Act is a historic victory for the rights of every citizen, but it is only the latest product of a change in global awareness. Since 2013, institutions across Europe have ruled similar laws and operations illegal and imposed new restrictions on future activities. The United Nations declared mass surveillance an unambiguous violation of human rights. In Latin America, the efforts of citizens in Brazil led to the Marco Civil, an Internet Bill of Rights. Recognizing the critical role of informed citizens in correcting the excesses of government, the Council of Europe called for new laws to protect whistle-blowers." None of this would have happened if Snowden had not blown the whistle and gone public with his revelations about NSA activities. As David Cole writes this week in the New York Review of Books, "Sunsets require sunshine. That may be the most enduring lesson from the Senate's passage on Tuesday of the USA Freedom Act, which will bring an end to the National Security Agency's bulk collection of Americans' phone records. If Edward Snowden had not revealed the NSA's sweeping surveillance of Americans, Congress would have simply renewed Section 215, the USA Patriot Act provision that the NSA relied on before its expiration on June 1--as Congress had done on seven previous occasions since 2001. But Snowden's leaking of top secret NSA documents let Americans in on the previously secret fact that their government was collecting all of their phone data, without regard to whether they had ever engaged in any terrorist, criminal, or even suspicious activity. As a result, Congress has now imposed restrictions on national security surveillance for the first time since the September 11 attacks."

The Imagination Economy

gaiman ishikuroIn a wide ranging conversation with Neil Gaiman about the relevance of literary genre in contemporary writing, Kazuo Ishiguro suggests a reason why fantasy seems to be coming out of the shadows: "But maybe the stigma against fantasy is something much wider than in the fiction world. Since industrial times began, it's sort of true to say that children have been allowed a sanctioned world where fantasy and imagination is deemed to be fine, in fact, almost desirable. But then when they get to a certain age, they have to start getting prepared to be units of the labour force. And so, society has to start getting the fantasy element out of the children, so that they can become factory workers, soldiers, white-collar workers, whatever, because it's seen to be not useful to the overall economic enterprise to have children growing up maintaining that fantasy element. You don't want people who are too dreamy or who are imagining things: you want them to accept this is the nitty-gritty of real life, that they've just got to get on with it. I'm not suggesting we're necessarily being manipulated by some sinister government or anything; it's just there in society. Parents will naturally discourage children once they get to a certain age from continuing with the fantasy element in their lives; schools will, too. It becomes taboo in the society at large. Maybe the reason it's been loosening up, and the stigma is going away to some extent in the last 25 years or so, is that the nature of our capitalist enterprise has changed. We're no longer factory workers, white-collar workers, soldiers, and so on. And with the advent of blue-sky thinking, the new tech industries that have led the way in the last two decades seem to require some kind of imagination. Perhaps people are beginning to think there is some economic use in actually allowing us to indulge in what was once deemed childish fantasy. I sound like some sort of Seventies sociology professor, but I feel there's something in this."

Reality Trolls

runetTrue long-form journalism in mainstream publications is a rarity, but Adrian Chen's investigative essay on a shadowy Russian agency that fabricates stories, spreads misinformation, and destabilizes facts is proof that the medium can still exist. Chen's tale melds geopolitics with philosophy; it unfolds slowly, but it is gripping. After a few choice examples of the way Russia ruthlessly attacks inconvenient facts and manufactures alternative realities, Chen concludes: "All of this has contributed to a dawning sense, among the Russian journalists and activists I spoke with, that the Internet is no longer a natural medium for political opposition. 'The myth that the Internet is controlled by the opposition is very, very old,' says Leonid Volkov, a liberal politician and campaign manager to Alexei Navalny. 'It's not true since at least three years.' Part of this is simple demographics: The Internet audience has expanded from its early adopters, who were more likely to be well-educated liberal intelligentsia, to the whole of Russia, which overwhelmingly supports Putin. Also, by working every day to spread Kremlin propaganda, the paid trolls have made it impossible for the normal Internet user to separate truth from fiction. 'The point is to spoil it, to create the atmosphere of hate, to make it so stinky that normal people won't want to touch it,' Volkov said, when we met in the office of Navalny's Anti-Corruption Foundation. 'You have to remember the Internet population of Russia is just over 50 percent. The rest are yet to join, and when they join it's very important what is their first impression.' The Internet still remains the one medium where the opposition can reliably get its message out. But their message is now surrounded by so much garbage from trolls that readers can become resistant before the message even gets to them. During the protests, a favorite tactic of the opposition was making anti-Putin hashtags trend on Twitter. Today, waves of trolls and bots regularly promote pro-Putin hashtags. What once was an exhilarating act of popular defiance now feels empty. 'It kind of discredited the idea of political hashtags,' says Ilya Klishin, the web editor for the independent television station TV Rain who, in 2011, created the Facebook page for the antigovernment protests. Russia's information war might be thought of as the biggest trolling operation in history, and its target is nothing less than the utility of the Internet as a democratic space. In the midst of such a war, the Runet (as the Russian Internet is often called) can be an unpleasant place for anyone caught in the crossfire. Soon after I met Leonid Volkov, he wrote a post on his Facebook wall about our interview, saying that he had spoken with someone from The New York Times. A former pro-Kremlin blogger later warned me about this. Kremlin allies, he explained, monitored Volkov's page, and now they would be on guard. 'That was not smart,' he said."

The Age of the Artisanal

frank lloyd wrightMiya Tokumitsu, citing Frank Lloyd Wright, calls out the recent trend of marketing "artisanal" and "homemade" goods for obscuring certain economic realities: "The ongoing turn-of-the-last-century nostalgia spell, fueling contemporary markets for mustache wax and obscure herbaceous liquors--excuse me, tonics (tonics that I find delightful, by the way)--shows no sign of waning anytime soon. Yet as others have argued, this obsession with the artisanal production of yesteryear is hardly unproblematic, ignoring as it does the widespread racial, gender, and class oppression that it entailed and still perpetuates. As Rachel Laudan explains, in casting foodstuffs like handmade tortillas, traditionally pressed olive oil, and home-cooked meals as more wholesome, both nutritionally and morally, we overlook the fact that these delicacies necessitate hours of physical labor--labor that was traditionally performed by women and poorly paid agricultural and domestic workers. Nostalgia is a form of remembrance, but one that simultaneously demands willful forgetting. And that is why it is so dangerous--it always runs the risk of justifying and replicating the injustices of past eras by making them invisible."

amor_mundi_sign-upOnward, Poet Soldiers

isis poetRobyn Creswell and Bernard Haykel wonder at why ISIS and other Islamist groups are so fond of poetry: "It may seem curious that some of the most wanted men in the world should take the time to fashion poems in classical metres and monorhyme--far easier to do in Arabic than in English, but something that still requires practice. And these are only the most obvious signs of the jihadis' dedication to form. The poems are full of allusions, recherché terms, and baroque devices. Acrostics, in which the first letters of successive lines spell out names or phrases, are especially popular. One of al-Nasr's poems, a declaration of her commitment to ISIS, is based on the group's acronym, Daesh. ('Daesh' is generally a derogatory label, and al-Nasr's embrace of it is a gesture of defiance.) The militants' evident delight in their virtuosity turns their poems into performances. The poets are making sure that we know they are poets--laying claim to the special authority that comes with poetry's status in Arabic culture. Yet behind the swagger there are powerful anxieties: all jihadis have elected to set themselves apart from the wider society, including their families and their religious communities. This is often a difficult choice, with lasting consequences. By casting themselves as poets, as cultural actors with deep roots in the Arab Islamic tradition, the militants are attempting to assuage their fears of not really belonging." It is worth in this context recalling Hannah Arendt's essay on Bertolt Brecht, where she observed that "poets have not often made good, reliable citizens." Perversity is an artistic privilege as long as it produces good art. The problem is that once poets become political, they turn their gaze from truth to persuasion. This is why Brecht's odes praising Stalin are both politically odious and artistically sterile. It may be worth asking why ISIS members turn to poetry, but one shouldn't confuse political rhymes with poetry.

My Institution, My Selfie

duane hansonIn a retrospective on the work of sculptor Duane Hanson, Douglas Coupland suggests that the selfie may come to have an important place in the art world: "In fact, could there be any work out there more selfie-friendly than Hanson's? Technology has inverted some of the rules of appreciating art. What was once forbidden in the museum (the photo) is now encouraged. The eyeballs of Hanson's figures no longer look out into space, but at the viewer's camera, along with the viewer. What was once a power imbalance--the institution and the viewer--instead becomes intimate, curious, democratic and highly engaged. A new museum archive category seems to be emerging: a continuum of 'selfieness'. At one end of the selfie spectrum is, say, the work of Donald Judd. It's hard to imagine taking a selfie with one of his minimalist wall pieces. And at the other end of the selfie continuum, we have Hanson and, say, Jeff Koons. Selfieness is no indication of a work's depth or anything else except, well, its selfieness. But whatever selfieness is, it's possibly what institutions are looking for to help them navigate through the next 20 years. So maybe it's not so odd a category after all."

Gone Astray in Translation

translationGideon Lewis-Kraus takes a look at much bemoaned computational translations and wonders if they'll ever be any good and, for that matter, what "good" means in this context: "Though some researchers still endeavor to train their computers to translate Dante with panache, the brute-force method seems likely to remain ascendant. This statistical strategy, which supports Google Translate and Skype Translator and any other contemporary system, has undergone nearly three decades of steady refinement. The problems of semantic ambiguity have been lessened--by paying pretty much no attention whatsoever to semantics. The English word 'bank,' to use one frequent example, can mean either 'financial institution' or 'side of a river,' but these are two distinct words in French. When should it be translated as 'banque,' when as 'rive'? A probabilistic model will have the computer examine a few of the other words nearby. If your sentence elsewhere contains the words 'money' or 'robbery,' the proper translation is probably 'banque.' (This doesn't work in every instance, of course--a machine might still have a hard time with the relatively simple sentence 'A Parisian has to have a lot of money to live on the Left Bank.') Furthermore, if you have a good probabilistic model of what standard sentences in a language do and don't look like, you know that the French equivalent of 'The box is in the ink-filled writing implement' is encountered approximately never. Contemporary emphasis is thus not on finding better ways to reflect the wealth or intricacy of the source language but on using language models to smooth over garbled output. A good metaphor for the act of translation is akin to the attempt to answer the question 'What player in basketball corresponds to the quarterback?' Current researchers believe that you don't really need to know much about football to answer this question; you just need to make sure that the people who have been drafted to play basketball understand the game's rules. In other words, knowledge of any given source language--and the universal cultural encyclopedia casually encoded within it--is growing ever more irrelevant."

Rotten to the Core

clinton impeachOrin Kerr has this nugget in the Washington Post: "If I understand the history correctly, in the late 1990s, the President was impeached for lying about a sexual affair by a House of Representatives led by a man who was also then hiding a sexual affair, who was supposed to be replaced by another Congressman who stepped down when forced to reveal that he too was having a sexual affair, which led to the election of a new Speaker of the House who now has been indicted for lying about payments covering up his sexual contact with a boy. Yikes."

amor_mundi_sign-upFeatured Events

human conditionHAC Virtual Reading Group - Session #10

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, July 10, 2015

Bluejeans.com, 11:00 am - 12:00 pm

 

 


why privacy mattersSAVE THE DATE - 2015 FALL CONFERENCE

The Hannah Arendt Center's eighth annual fall conference, "Why Privacy Matters," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

Thursday and Friday, October 15 and 16, 2015

Olin Hall, Bard College, 10:00 am - 6:00 pm


From the Arendt Center Blog

This week on the Blog, Philip Walsh discusses some of the startling conclusions Hannah Arendt arrived at with regards to moral philosophy in the Quote of the Week. French mathematician and physicist Blaise Pascal offers up his comments on human nature in this week's Thoughts on Thinking. Finally, we appreciate several copies and translations of "The Origins of Totalitarianism" found in the Hannah Arendt Collection in this week's Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
9Mar/152

Hannah Arendt on Use and Consumption

consumption

By Philip Walsh

“In our need for more and more rapid replacement of the worldly things around us, we can no longer afford to use them, to respect and preserve their inherent durability; we must consume, devour, as it were, our houses and furniture and cars as though they were the ‘good things’ of nature which spoil uselessly if they are not drawn swiftly into the never-ending cycle of man’s metabolism with nature. It is as though we had forced open the distinguishing boundaries which protected the world, the human artifice, from nature, the biological process which goes on in its very midst as well as the natural cyclical processes which surround it, delivering and abandoning to them the always threatened stability of a human world.”

-- Hannah Arendt, The Human Condition

This quote reveals Hannah Arendt’s distinctive critique of the consumer society that she realized was becoming dominant in 1950s America. It is quite different from that of the ‘culture industry’ motif that the Frankfurt School thinkers of the time were presenting, but it was no less devastating and, I think, more prescient.

Philip Walsh
Philip Walsh is Associate Professor and Chair, Department of Sociology at York University in Toronto. He is the author of several articles on the significance of the work of Hannah Arendt for the social sciences. His book, Arendt Contra Sociology: Theory, Society and its Science, was published by Ashgate in February 2015.
20Feb/150

Hannah Arendt Library: Karl Marx

ArendtLibrary

On a recent trip to the Hannah Arendt Library at Bard College, we came across this small collection of books on economic theory. A number of titles can be identified from the photograph below. These include The Accumulation of Capital: A Contribution to an Economic Explanation of Imperialism, which is the principal work of Marxist theorist Rosa Luxemburg; Capitalism Today, a collection of 12 essays that, in the minds of some reviewers, cohere around the notion of capitalism providing unlimited material progress; and The Idea of Usury, a historical analysis of usury dating back all the way to the text of Deuteronomy.

Also readily apparent are several different copies of Karl Marx's Capital. Arendt was highly critical of some of the ideas put forth by Marx, including his reduction of all aspects of society to the fulfillment of labor and life's necessities, his characterization of social phenomena as symptoms of trans-historical processes, and his belief that self-alienation--not world-alienation, as proposed by Arendt--has dominated the modern age. No doubt these and other works of Marx played an important role in shaping Arendt's understanding of politics, economic affairs, and the world.

hannah arendt library marx

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
26Jan/1510

Amor Mundi 1/25/15

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-up
What Should Remain Hidden in Private

childbirthDawn Herrera-Helphand draws Arendtian lessons about the meaningfulness of privacy from her experience of giving birth. Writing in The Point, Herrera-Helphand describes the emotional intensity of her natural birth, all of which connected her to pain she did know she could bear and power she did not know she might have. Giving birth was an ecstasy, a standing apart from herself, what she found to be "a liberating intimacy with the immanent force of life." Herrera-Helphand asks: "Could this necessary self-abandon have proceeded if I did not feel sheltered? The body has a sense of fear or safety, precognitive and wholly prior to our rationalizations. To feel vulnerable to the eyes of others, to their designs or interventions, is to want to maintain some semblance of control. The illusion of sovereignty that we cultivate in public is precious, not easily relinquished. The ambition to maintain it is antithetical to the necessary labor of childbirth. Apropos of nothing, my cousin, in her second trimester, told me her fantasy of hiding away to give birth 'like an animal.' It makes sense when you think about it: not wanting a hungry bear to eat the baby, not wanting to be seen so deep in suffering.... Giving birth afforded me a fresh perspective on Arendt's distinction between what should be hidden and what should be shown. This binary of private and public remains deeply problematic regarding questions of domestic work and caregiving. But from another angle, privacy is not so much a question of what is fit for appearance to public eyes as of what cannot fully transpire in view of others. The idea that privacy is proper to the realm of necessity need not be based on shame in the body. Privacy can also shield interests that are literally vital, so as to give them their full weight." It is precisely the power of privacy to give weight and depth to life that makes the loss of privacy in our times so terrifying. Privacy will be the theme of the Hannah Arendt Center's 8th annual conference this October 15-16th. Save the Date.

What Would Hannah Arendt Do?

arendt thoughtIn an exchange of letters with David Mikics, Mark Greif asks: "What would Arendt do? I've often thought I should make up a WWAD necklace. One certainly would like to know what she would have done, or said, in the face of the present day. But part of her charm is that she was surprising and unpredictable. Not unpredictable because she was inconsistent--rather, I think, because she did insist on thinking things through, in each new situation, all the way to the root. She was an intensely annoying figure to her contemporaries. Lately she has become another 'inspiring' figure and source of sanctimony. I wish there were more room to try to think things down to their roots, and see what itineraries you wind up following, right or wrong, usefully or--sometimes--as mere exploration. People in her circles in the 1940s and 1950s liked to point out, in the face of doctrinaire leftists, that this was the real meaning of radical--at least etymologically--to go 'down to the root.' And then to be prepared to tug up the roots--or defend them and nourish them--rather than keep plucking off leaves...." We at the Arendt Center resist the question of what Arendt would think precisely for the reason Greif offers: that her thought was at once deeply consistent and remarkably surprising. To think radically, down to the roots, means that one looks beyond conventional categories, looks at facts plainly and gathers them together informed by a unique and critical perspective, one informed by tradition and yet not a slave to the past. That is how Arendt thought and it is why she has become such an inspiring figure to many even as others insist on using her, wrongly, to advance their pet political positions. Greif's insistence in these letters is that we think well. The terrorists, he argue, thought poorly: "For the kosher supermarket mass murderer, I think the sequence went something like this: The Israeli state, or all Israelis, are in bloody conflict with nearby Palestinians. Israel is a Jewish state. Palestinians are Muslims. I am Muslim. I guess I too am in a bloody conflict with Israeli Jews. Wait--France has Jews. I ought to kill them. I eat Halal, but they eat Kosher. Therefore I know just where to find them. The universe shouldn't have room--I think Hannah Arendt would point out--for such a lethal mockery of thought, or thoughtlessness. Because it undoes all the distinctions that allow political thinking, political difference, ideas, and legitimate conflict, ever to occur." At the same time, Greif worries that too many responses to the attacks are also plagued by poor thinking: "But I think a corollary of this way of judging relative wrongs--here I'm doing my Arendtian ventriloquism, as I understand it--is that actually too wide, flowing, and unanalytic a sense of identification on 'our' side, lumping together of many different things rather than following out their distinctions and differences, is a bad idea, too. Because we won't think well. We won't be able to follow different effects to different causes; keep several incompatible ideas in mind at once, to judge among them; judge rightly. And one thing I do think Arendt would want us to try to keep straight about, is the question of proximity and distance. Time will tell--and near time, too--how much of a fluke the Charlie Hebdo and supermarket murders were. Should European Jews, and European writers, actually expect attacks--should they change their life on that basis?"

On The Right

national frontRosie Gray checks in on The National Front, France's newly popular far-right party, which is in the middle of reinvigorating itself and sanitizing its image: "the image of the National Front is starting to change. Marine Le Pen has largely avoided the kind of forthrightly intolerant comments her father is famous for, and she is a savvy public figure, the Rand Paul to Jean-Marie's Ron. The party has seen some of its positions leaking into the mainstream, and even into the left. For example, after the Charlie Hebdo attack, Socialist politician Jean-Marc Germain said that France must re-examine the Schengen zone--the policy of border-free travel within most of Europe, a position that the Front, which wants to remove France from the Schengen area of border-free travel entirely, has held for years. Le Pen has deftly kept herself in the center of the French political conversation during the crisis, announcing that she would not attend the massive unity rally in Paris after French President François Hollande did not invite her. On Sunday night, the New York Times published an op-ed by her, both in English and French, slamming the French government for what she perceives as its unwillingness to clearly name radical Islam as the reason for the attack. 'Now the French people, as if a single person, must put pressure on their leaders so that these days in January will not have been in vain,' Le Pen wrote. 'From France's tragedy must spring hope for real change.'"

Poe's Brain

poeMarilynne Robinson champions the thinking of Edgar Allan Poe: "Poe's mind was by no means commonplace. In the last year of his life he wrote a prose poem, Eureka, which would have established this fact beyond doubt--if it had not been so full of intuitive insight that neither his contemporaries nor subsequent generations, at least until the late twentieth century, could make any sense of it. Its very brilliance made it an object of ridicule, an instance of affectation and delusion, and so it is regarded to this day among readers and critics who are not at all abreast of contemporary physics. Eureka describes the origins of the universe in a single particle, from which 'radiated' the atoms of which all matter is made. Minute dissimilarities of size and distribution among these atoms meant that the effects of gravity caused them to accumulate as matter, forming the physical universe. This by itself would be a startling anticipation of modern cosmology, if Poe had not also drawn striking conclusions from it, for example that space and 'duration' are one thing, that there might be stars that emit no light, that there is a repulsive force that in some degree counteracts the force of gravity, that there could be any number of universes with different laws simultaneous with ours, that our universe might collapse to its original state and another universe erupt from the particle it would have become, that our present universe may be one in a series. All this is perfectly sound as observation, hypothesis, or speculation by the lights of science in the twenty-first century. And of course Poe had neither evidence nor authority for any of it. It was the product, he said, of a kind of aesthetic reasoning--therefore, he insisted, a poem. He was absolutely sincere about the truth of the account he had made of cosmic origins, and he was ridiculed for his sincerity. Eureka is important because it indicates the scale and the seriousness of Poe's thinking, and its remarkable integrity. It demonstrates his use of his aesthetic sense as a particularly rigorous method of inquiry."

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Strange Persecutions

billie holidayJohann Hari has a powerful essay on the unrelenting persecution of Billie Holiday by Harry Anslinger and the FBI. "Jazz was the opposite of everything Harry Anslinger believed in. It is improvised, relaxed, free-form. It follows its own rhythm. Worst of all, it is a mongrel music made up of European, Caribbean and African echoes, all mating on American shores. To Anslinger, this was musical anarchy and evidence of a recurrence of the primitive impulses that lurk in black people, waiting to emerge. 'It sounded,' his internal memos said, 'like the jungles in the dead of night.' Another memo warned that 'unbelievably ancient indecent rites of the East Indies are resurrected' in this black man's music. The lives of the jazzmen, he said, 'reek of filth.'" Driven by racial as well as musical hatred, Anslinger could not crack the intensely insular and loyal Jazz world, but he directed his obsession on one person: Holiday. "One night, in 1939, Billie Holiday stood on stage in New York City and sang a song that was unlike anything anyone had heard before. 'Strange Fruit' was a musical lament against lynching. It imagined black bodies hanging from trees as a dark fruit native to the South. Here was a black woman, before a mixed audience, grieving for the racist murders in the United States. Immediately after, Billie Holiday received her first threat from the Federal Bureau of Narcotics."

My Algorithm, My Self

algorithmEvan Selinger is worried that autocomplete is going to turn us into 'personal cliches,' rendering us dead and unthinking: "by encouraging us not to think too deeply about our words, predictive technology may subtly change how we interact with one another. As communication becomes less of an intentional act, we give others more algorithm and less of ourselves. This is why I argued in Wired last year that automation can be bad for us; it can stop us thinking. When predictive technology learns how we communicate, finds patterns specific to what we're inclined to say, and drills down into the essence of our idiosyncrasies, the result is incessantly generated boilerplate. As the artist Salvador Dali famously quipped: 'The first man to compare the cheeks of a young woman to a rose was obviously a poet; the first to repeat it was possibly an idiot.' Yet here, the repetition is of ourselves. When algorithms study our conscientious communication and subsequently repeat us back to ourselves, they don't identify the point at which recycling becomes degrading and one-dimensional. (And perversely, frequency of word use seems likely to be given positive weight when algorithms calculate relevance.)"

The Philosopher and the Man

gunther figalGünter Figal has resigned his position as the Head of the Martin Heidegger Society. The Daily Nous offers a translation of part of his statement: "As chairman of a society, which is named after a person, one is in certain way a representative of that person. After reading the Schwarze Hefte, especially the antisemitic passages, I do not wish to be such a representative any longer. These statements have not only shocked me, but have turned me around to such an extent that it has become difficult to be a co-representative of this." One can listen to a longer interview with Figal, in German, here. A few thoughts are in order. First, Figal seems to be surprised that Heidegger as a person was an antisemite. Really? How can this have been surprising to him? Second, he makes a series of demarcations. The early Heidegger up through and past Being and Time is clearly not implicated, but the middle Heidegger might very well be. We need to do more research. The late Heidegger may be, too. (It would be helpful to see the later editions of the Schwarze Hefte.) Third, he offers one example of the way Heidegger's philosophy may be racist. He says that Heidegger's account of Rechnung and calculation is developed in his published works out of Greek philosophy from Plato and others. But in the Black Notebooks, in a handful of passages over 8 years, Heidegger mentions that the Jews also fit into this history because of their reputation as money-oriented calculating sly foxes. This suggests to Figal that Heidegger may actually have developed his entire approach to Rechnung and the impact of calculation in our world out of antisemitism and sought to make it presentable by tying it to the Greeks, or that maybe, alternatively, it is founded subconsciously in Heidegger's antisemitsm. Finally, Figal says that as the chief of the Heidegger Society he has to represent not just the philosopher but the man. Here Figal has something right. As the Director of the Hannah Arendt Center, I do have some obligation to respond to irresponsible attacks on Arendt (of which there are many). And I do think it is important that in the end I respect the person of Hannah Arendt and not simply what she wrote. I do. On Heidegger, my opinions have always been different. I have seen, and still see, no evidence that his philosophy is in any way affected by his antisemitism. But on the question of Heidegger himself, I have long thought that he himself was a mean-spirited and resentful man--and a racist. I don't identify as a Heidegger scholar and am not interested in doing so, even though I read Heidegger regularly, teach him regularly, and find his work along with Arendt's some of the only work of the 20th century worth large percentages of my intellectual energy. In short, I am not opposed to Figal's decision to step down; I am only concerned that he was just now surprised to learn of Heidegger's racism and that by reacting so publicly he is fanning the flames of those who would tarnish the thinker with the sins of the man. For more, see my discussion with Peter Trawny, the editor of Heidegger's Black Notebooks, and my account of that discussion here.

The Grumbler's Age

grumblingJoshua Rothman has a few notes on grumbling: "It seems absurd to imagine that people grumble more than they used to: all the evidence points to the fact that people have grumbled throughout history. (That's why the Bible is full of anti-grumbling propaganda.) But it's entirely possible that we're grumbling better. The Internet has made our grumbles more audible; our taste in grumbles has improved. This may be making our grumbling more performative and self-aware--perhaps even more camp--than it has been in the past. And grumbling, as a form of communication, seems to resonate with the part of our contemporary outlook that's repelled by stridency and self-assertion. Even if we're not grumbling more, we could be in a golden age of grumbling."

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Featured Events

human conditionHAC Virtual Reading Group - Session #4

HAC members at all levels are eligible to participate in a monthly reading group led online via a telecommunication website by Roger Berkowitz, Director of the Hannah Arendt Center.

For questions and to enroll in our virtual reading group, please email David Bisson, our Media Coordinator, at dbisson@bard.edu.

Friday, February 6, 2015

Bluejeans.com, 11:00 am - 12:00 pm

 

 


arendtNow Accepting Applications for Post-Doctoral Fellowships!

The Hannah Arendt Center announces three post-doctoral fellowships for the 2015-2016 academic year.

To learn more about the fellowships, including how to apply, click here.

Application Deadline: Thursday, March 5, 2015


eyal press Courage To Be: Lecture and Dinner Series, with Eyal Press

The Courage To Refuse

Monday, February 9, 2015

Kline Faculty Dining Room, 6:00 pm


Jeanne van Heeswijk Courage To Be: Lecture and Dinner Series, with Keith Haring Fellow in Art and Activism, Jeanne van Heeswijk

Monday, February 16, 2015

Kline Faculty Dining Room, 6:00 pm

 


angela maioneLunchtime Talk with Angela Maione, our Klemens Von Klemperer Post-Doctoral Fellow

"Wollstonecraft and the Right to Political Community

Wednesday, February 18, 2015

The Hannah Arendt Center, 6:00 - 7:00 pm


the decent oneScreening of The Decent One and Q&A with Director Vanessa Lapa and Sound Designer Tomer Eliav

The film is based on the newly discovered diaries of Heinrich Himmler. Read more about the film and watch a trailer here.

Monday, February 23, 2015

Campus Center, Weis Cinema, 6:00 - 9:00 pm

 

 

 


charles snyderLunchtime Talk with Charles Snyder, a Hannah Arendt Center Post-Doctoral Fellow

"Natality and its Vicissitudes"

Wednesday, February 25, 2015

The Hannah Arendt Center, 12:00 pm

 

 


uday mehtaCourage To Be: Lecture and Dinner Series, with Uday Mehta

Putting Courage at the Centre: Gandhi on Civility, Society and Self-Knowledge

Monday, March 30, 2015

Manor House Cafe, 6:00 pm

 


sa poverty Property and Freedom: Are Access to Legal Title and Assets the Path to Overcoming Poverty in South Africa?

A one-day conference sponsored by the Hannah Arendt Center for Politics and Humanities at Bard College, the Human Rights Project, and the Center for Civic Engagement, with support from the Ford Foundation, The Brenthurst Foundation, and The University of The Western Cape

Monday, April 6, 2015

Bard College Campus Center, Weis Cinema, 10:00 am - 7:00 pm


privacy con 2015 (temp)SAVE THE DATE - 2015 FALL CONFERENCE

Thursday and Friday, October 15 and 16, 2015

The Hannah Arendt Center's eighth annual fall conference, "Privacy: Why Does It Matter?," will be held this year on Thursday and Friday, October 15-16, 2015! We'll see you there!

 

 


From the Arendt Center Blog

This week on the Blog, Nicholas Tampio discusses the dangers of the Common Core program and appeals to Arendt's concept of natality as a way to help education once again teach students how to think for themselves in the Quote of the Week. Russian novelist Aleksandr Solzhenitsyn provides this week's Thoughts on Thinking. We appreciate Arendt's copy of Paul Tillich's "The Shaking of the Foundations," which contains a special note, in our Library feature.  And we are pleased to share "Arendt and Ricoeur on Ideology and Authority," an article written by a former HAC fellow.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
12Jan/150

Arendt’s Plurality of Languages

Tower of Babel

** This article was originally published on our blog on Monday, August 13, 2012. **

Plurality of languages: [...] It is crucial 1. that there are many languages and that they differ not only in vocabulary, but also in grammar, and so in mode of thought and 2. that all languages are learnable.”

-- Hannah Arendt, Denktagebuch, i.e. Thinking Diary, p. 42f

Hannah Arendt learned English quickly. In the year after her arrival to the USA in 1941, her work was already being printed by American magazines and publishers. In November 1950, as she wrote the above sentences on the “plurality of languages,” she refined her groundbreaking book The Origins of Totalitarianism (1951) and readied it for publication. Contemporaneously with the publication of her first book in English and shortly before her “naturalization” as an American citizen, Arendt began her Denktagebuch. The book—a diary of reflections, of sorts—was written in several languages and often, like the entry above, in German.

Thomas Wild
Thomas Wild is an Assistant Professor of German Studies and a Hannah Arendt Center Research Associate at Bard College. He's published and edited several books on Hannah Arendt. His further research interests include contemporary German literature, film, poetics, and multilingualism. He is co-editor-in-chief preparing the first critical edition of Hannah Arendt's Complete Writings in English and German.
8Sep/140

Work and Culture

world

“The earthly home becomes a world only when objects as a whole are produced and organized in such a way that they may withstand the consumptive life-process of human beings living among them – and may outlive human beings, who are mortal.”

--Hannah Arendt, “Culture and Politics”

In reflections upon the writings of Hannah Arendt, specifically The Human Condition, scholars traditionally respond to her concepts of politics, action, and the public realm. And rightly so: these concepts are undeniably at the core of Arendt’s philosophy, sometimes quite ambiguous in their definition, and hence often in need of scholarly analysis. However, meaningful responses to Arendt’s interpretation of work are quite rare. That might not be a surprise. In her writings, the category of work remains underexposed. One might even argue that beyond the chapter on Work in The Human Condition, only in the essays “Crisis in Culture” (1961) and the preceding “Kultur und Politik” (1959) does work receive any significant attention. Of course, scores of her critics have argued that the categories of human activity – labor, work, and action – are much more intermixed in real life than how Arendt understands them. But this does not undermine the basic tenets of Arendt’s philosophy.

Hans Teerds
Hans Teerds is an architect based in Amsterdam. He currently is writing a Ph.D thesis on the public aspects of architecture as understood through the writings of Hannah Arendt at the Delft University of Technology.
2Feb/140

Amor Mundi 2/2/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

The Right to Not Care

womanEvincing a particular kind of anti-political judgment, the editors at N+1 are trying to wiggle their way out of the internet's world of opinion: "We assert our right to not care about stuff, to not say anything, to opt out of debate over things that are silly and also things that are serious—because why pretend to have a strong opinion when we do not? Why are we being asked to participate in some imaginary game of Risk where we have to take a side? We welcome the re-emergence of politics in the wake of the financial crash, the restoration of sincerity as a legitimate adult posture. But already we see this new political sincerity morphing into a set of consumer values, up for easy exploitation. We are all cosmopolitans online, attentive to everything; but the internet is not one big General Assembly, and the controversies planted in establishment newspapers aren’t always the sort of problems that require the patient attention of a working group. Some opinions deserve radical stack (like #solidarityisforwhitewomen), but the glorified publicity stunts that dress up in opinion’s clothes to get viral distribution in the form of “debate” (Open Letters to Miley Cyrus) do not. We ought to be selective about who deserves our good faith. Some people duke it out to solve problems. Others pick fights for the spectacle, knowing we’ll stick around to watch. In the meantime they’ll sell us refreshments, as we loiter on the sideline, waiting to see which troll will out-troll his troll." Read Roger Berkowitz’s  response on the Arendt Center blog.

Ignorance Praised in Art and Education

artBarry Schwabsky wonders what the proliferation of MFAs and not Ph.D.’s in art means for artists. Could it be dangerous and lead to intellectually gifted but sterile artists? Don’t worry, Schwabsky writes, since art schools have adopted ignorance as their motto: "Just as no one family of techniques can be prescribed as the right content of art education, neither can any one set of ideas. The instructor’s knowledge and experience are always in principal too limited for the job they’ve taken on. They’re supposed to help usher their students into the not-yet-known, toward what, in Draw It With Your Eyes Closed, the Canadian artist Jon Pylypchuk calls "another place where there was no grade and just a friend telling you that what you did was good."  Sooner or later teaching art, and making art, is about coming to terms with one’s own ignorance.  Maybe that’s why the art world’s favorite philosopher these days is, whose best-known book—published in France in 1987 and translated into English four years later—is called The Ignorant Schoolmaster. Its subject is Joseph Jacotot, a forgotten French educator of the early nineteenth century whose “intellectual adventure” was founded on a paradoxical—one might be tempted to say nonsensical—principle: “He proclaimed that one could teach what one didn’t know.” The educator’s job, since teacher and student are assumed to be equal in intelligence, is nothing more than to “use all possible means of convincing the ignorant one of his power” of understanding. The teacher is there simply to remind the learner to pay attention, to keep working.” It might be helpful to recall Arendt’s argument in “The Crisis in Education,” that teaching must teach something if it is to give students the possibility of rebuilding the world anew.

Not Dead Yet

bookDigital journalism professor Meredith Borussard explains why she's banned e-readers from her classroom, and gives a short history of the book while she's at it: "The user interface for a book has been refined for centuries. What we call a ‘printed book’ today is a codex, a set of uniformly sized pages bound between covers. It was adopted around the 3rd or 4th century. A book’s interface is nearly perfect. It is portable, it never runs out of power, and you can write notes in it if you forget your notebook. The physical book is seamlessly integrated into the educational experience: It fits on any desk, even those cramped little writing surfaces that flip up from the side of a seat. You can sit around a table with 15 other people, each of whom has a book, and you can all see each other to have a conversation about what is on the page."

Hopelessly American

flagCarol Becker confronts “the first time I was aware that the world had changed and that "we" (my age group) were no longer the "younger generation." Another group was ascending, and its members appeared confoundedly different from us.” Becker reflects on what it is that identifies her generation and suggests that their idealism was hopelessly American: “I was asked if I still believed in making a “better world.” I was taken aback. I could not imagine a life where that was not a goal, nor a world incapable of movement forward. Having grown up believing in progress–not the progress of technology or material wealth but that of personal and social transformation—it probably is the concept of “hope” that most separates my generation from those that immediately followed. Perhaps I am delusional and, like all who suffer from delusions, unable to function without them. Or it could be that I am “hopelessly American”, as my students in Greece used to say, because of my conviction that the world can be changed for the better and that I or we, must have a hand in that process.”

The Last of the Unjust

filmClaude Lanzmann, maker of the magisterial Shoah, has been deeply critical of Hannah Arendt’s appraisal of Jewish leaders. Now Lanzmann has a new film out that is proving almost as controversial as Eichmann in Jerusalem. I wrote about it earlier, here. This weekend, Jeremy Gerard has a short profile of the movie in the New York Times.  “Life and death in Theresienstadt were overseen by successive heads of the Judenrat, the Jewish council set up by the Nazis in ghettos and camps to enforce Nazi orders and to oversee labor and the transfer of people to Auschwitz-Birkenau, Dachau and other camps. The first two were executed when their usefulness ended. The final elder, serving from December 1944 to May 1945, was a brilliant Viennese rabbi, Benjamin Murmelstein, who called himself “the last of the unjust,” a phrase that Mr. Lanzmann appropriated for the title of his 3-hour-40-minute look at this divisive figure. In the documentary, opening on Feb. 7, he revisits an intense week he spent filming Rabbi Murmelstein nearly four decades ago. Some critics and Holocaust survivors have found the new documentary overly sympathetic to the rabbi; Mr. Lanzmann himself has therefore become an unlikely player in the continuing debate over how we are to remember Jews who worked in any way with the Nazis.”

From the Hannah Arendt Center Blog

This week on the blog, Ian Storey writes about Arendt, Steve McQueen, and Kanye West. And in the Weekend Read, Roger Berkowitz takes on the editors at N+1 who berate the internet for inciting too much free speech.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
24Jan/140

Loneliness and Expansive Writing

ArendtWeekendReading

In The Origins of Totalitarianism, Hannah Arendt asks after the “elements” of totalitarianism, those fundamental building blocks that made possible an altogether new and horrific form of government. The two structural elements she locates are the emergence of a new ideological form of Antisemitism and the rise of transnational imperialist movements, which gives the structure to her book: Part One (Antisemitism) and Part Two (Imperialism) lead into Part Three (Totalitarianism). Underlying both Antisemitism and Imperialism is what Arendt calls metaphysical rootlessness and metaphysical loneliness.

origins

Totalitarian government, Arendt writes, “bases itself on loneliness, on the experience of not belonging to the world at all, which is among the most radical and desperate experiences of man.” The loneliness of modern humanity is multifaceted. It is “closely connected with uprootedness and superfluousness which have been the curse of modern masses since the beginning of the industrial revolution and have become acute with the rise of imperialism at the end of the last century and the breakdown of political institutions and social traditions in our own time.” The image of the factory worker laboring repetitively on a conveyor belt is forever associated with Charlie Chaplin’s Modern Times. In his 1950 classic The Lonely Crowd, David Reisman describes how middle class Americans had lost their meaningful connections to religion, to class, and to family. They take their values increasingly from a mass culture and they become malleable and subject to the influence of propaganda and advertising.

“Metaphysical rootlessness,” Arendt argues, is both the “basic experience” of modern society and also the generative impulse behind ideological racisms (which Arendt distinguishes from older non-scientific versions of racism). Without a core of personal and collective identity, the lonely mass man is “the common ground for terror, the essence of totalitarian government, and for ideology or logicality, the preparation of its executioners and victims.” Racism is based in hatred of a world in which lonely and rootless people are confronted with their meaninglessness, their belonging to no place, and their superfluousness. It is these masses that seek to build an imaginary and coherent togetherness based on race. Thus is rootlessness characteristic of all racism and all totalitarianism.

In her most pregnant attempt at a definition of totalitarianism, Arendt writes: “Totalitarian movements are mass organizations of atomized, isolated, individuals.” Totalitarianism depends upon “the masses [who] grew out of the fragments of a highly atomized society whose competitive structure and concomitant loneliness of the individual had been held in check only through membership in a class.” Shorn of family and national and class connection, the modern atomized individual becomes a mass man. “The chief characteristic of the mass man is not brutality and backwardness, but his isolation and lack of normal social relationships.”

The question underlying so much of Arendt’s work is how to respond to what she calls “the break in tradition,” the fact that the political, social, and intellectual traditions that bound people together in publically meaningful institutions and networks have frayed beyond repair. The customs and traditions that for millennia were the unspoken common sense of peoples can no longer be presumed. Stripped of these meaningful institutions of transcendence, mass men turn to racism or consumerism to give their lives meaning. Both are dangerous in different ways. Arendt ask repeatedly, how are we to make life meaningful, how are we to inure individuals from the seduction of ideological movements that lend weight to their meaningless lives?

If metaphysical loneliness is the basic experiences of modern life, then it is not surprising that great modern literature would struggle with the agony of such disconnection and seek to articulate paths of reconnection. That, indeed, is the thesis of Wyatt Mason’s essay “Make This Not True,” in this week’s New York Review of Books. Modern fiction, Mason argues, struggles to answer the question: How can we live and die and not be alone?

In the guise of a review of George Saunders Tenth of September (a 2012 finalist for the National Book Award), Mason suggests at least three paradigmatic answers to this question “How do I die?” The answers are represented alternatively by three of the greatest contemporary writers, David Foster Wallace, Jonathan Franzen, and Saunders. In brief, Wallace combats the loneliness and inattention of the distracted masses by writing prose that is so seductively difficult that it demands attentiveness and thus membership in a community of readers. Franzen seeks the antidote to loneliness in palpable scenes of connection amidst the wreckages of modern relationships. For both Wallace and Franzen, connection is to be found in the cultivation of quintessentially modern relationships.

Flickr - Manky M.

Flickr - Manky M.

Saunders is notable for pursing a different path through the wilderness of contemporary isolation. Instead of external connections, Saunders is a master of the inward journey we must make alone. For Mason, there is an important link between Saunder’s Buddhism and his writing:

In Buddhist practice, through sitting meditation, the mind may be schooled in the way of softness, openness, expansiveness. This imaginative feat—of being able to live these ideas—is one of enormous subtlety. What makes Saunders’s work unique is not its satirical verve or its fierce humor but its unfathomable capacity to dramatize, in story form, the life-altering teachings of such a practice. … [I]f fiction is to continue to exert an influence over a culture that finds it ever easier to connect, however frailly, to the world around them through technology, Saunders’s stories suggest that the ambition to connect outwardly isn’t the only path we can choose. Rather, his fiction shows us that the path to reconciliation with our condition is inward, a journey we must make alone.

Mason’s essay is subtle and profound. It is your weekend read. And if you have the time, read Saunders’ masterful short story, "The Falls", which Mason discusses at length in his essay. Best of all, order Tenth of December. I spent a few rapturous days reading Saunders’ stories this summer. They can warm your January as well.

-RB

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
22Jan/140

The Unproductive Labor of Politics: Arendt’s reading of Adam Smith

Arendtiana

Richard Halpern, “Eclipse of Action: Hamlet and the Political Economy of Playing,” Shakespeare Quarterly, Volume 59, Number 4, Winter 2008, pp. 450-482

As he formulates an original response to the classic problem of Hamlet’s non-action, Halpern offers one of the few critical analyses of Arendt’s reading of Adam Smith in The Human Condition. He shows how Arendt draws on Smith’s concepts of productive and unproductive labor to articulate her key concepts of work and labor. Moreover, his close reading draws our attention to an intriguing paradox in the temporality of action that may indicate a corrective—albeit a difficult one—to the current demand for instant gratification that often leads to cynicism in the face of great political challenges.

Halpern reminds us that Aristotle separates action from labor; Smith replaces action with production; and Arendt seeks to restore action to a place of prominence in the political realm. Arendt explicitly says that “the distinction between productive and unproductive labor contains, albeit in a prejudicial manner, the more fundamental distinction between work and labor” (HC 87). She does not simply take over Smith’s idea, but wishes to transfer his distinction from his own economic system (the “prejudice” of his own thought) to her own thinking of labor and work.  Halpern’s analysis of Arendt’s move helps us start to think about her surprising appeal to 18th century economic theory. Moreover, it her discussion of Smith (and better known critique of Marx), I see her posing an even broader question: what does it mean to be productive and what are the appropriate spheres of different types of productivity?

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Within the realm of production, Halpern looks at how Smith offers a further distinction in Book 2, Chapter 3 of The Wealth of Nations, under the heading “Of the Accumulation of Capital, or of Productive and Unproductive Labor”:

There is one sort of labor which adds to the value of the subject upon which it is bestowed: there is another which has no such effect. The former, as it produces a value, may be called productive; the latter, unproductive labour. Thus the labour of a manufacturer adds, generally, to the value of the materials which he works upon, that of his own maintenance, and of his master’s profit. The labor of a menial servant, on the contrary, adds to the value of nothing. (Adam Smith, An Inquiry into the Nature and Causes of the Wealth of Nations, ed. Edwin Cannan (Chicago: U of Chicago P, 1976), 351.)

Smith draws a distinction between labor that holds or builds value (say the manufacture of a chair), and labor that evaporates the moment the worker completes it (such as cleaning the house or washing clothes). Classical political economists of the 18th and 19th century engaged in wide ranging debates over what should “count” as value before capitalist countries agreed on the ratio of labour to output or per capita GDP as the standard; socialist countries, following the USSR, adopted an alternative “material product system” that prioritized the amount of goods. In a time of environmental change, this glimpse into the history of economic theory may offer a helpful reminder that society can decide to change the standard of economic success.

According to Halpern, Arendt draws from Smith not to rehabilitate an outmoded aspect of economic theory, but to draw inspiration for her creation of distinct conceptual spaces for labor, work, and action. Specifically, she aligns Smith’s “unproductive labor” with her circular conception of labor and “productive labor” with her linear conception of work. This does not mean that labor is unproductive but it does require a clarification of different types of productivity. I see it as useful to keep the discussion on productivity since these spheres of private life and cultural and industrial economy then offer a contrast to the political sphere where action can happen. Action is neither circular like labor, nor linear like work, but has its own peculiar directionality and temporality. Halpern’s analysis helpfully zeroes in on the perplexing relation between the ephemerality of labor and action and action’s desire for permanence:

The temporal paradox of the political is that while it aims at immortality, action and speech are, in themselves, evanescent: “Left to themselves, they lack not only the tangibility of other things, but are even less durable and more futile than what we produce for consumption” (HC 95). Like Smith’s unproductive labor, action disappears in the moment of its occurrence because it leaves no material trace behind. (Halpern, 457)

Politics demands an extraordinary effort. It asks that one expend energy indefinitely for an uncertain reward. Discussion and debate goes on and on, only occasionally clicking with spectacular agreement or deflationary compromise. Arendt’s analysis can help us perceive the difficulty of contemporary politics that attempts to fit into consumer culture that preserves, and thus remembers, nothing.

Arendt’s attention to the aspects of debate and negotiation that might be seen as unproductive (a dimension that in other parts of the Human Condition she relates to menial work, again often in relation to Smith) offers a corrective to a misguided understanding of politics that leads to frustration and despair.Even if we are not at the extreme level of the menial functioning of a New England town hall meeting debating the budget for potholes or an Occupy Wall Street discussion that requires unanimous consensus for closure, politics works in a different temporality. Rather than the fever pitched accusations of crisis that in the U.S. actually covers up rather than encourage political risk, a more humble sense of public debate as requiring something like the patience of the menial task may be a corrective.

Political action in Arendt’s sense differs from work in being freed from a fixed goal. She links this freedom, which for her is based on self-referentiality, to drama:

Arendt’s discomfort with the economic dimension of theater reveals itself when she criticizes Adam Smith for grouping actors, along with churchmen, lawyers, musicians, and others, as unproductive laborers and hence as lowly cousins of the menial servant (HC 207). Arendt would distinguish all of these activities from labor in that they “do not pursue an end . . . and leave no work behind . . . , but exhaust their full meaning in the performance itself ” (206). Smith’s inclusion of these autotelic activities under the category of labor is for Arendt a sign of the degradation that human activity had already undergone by the early days of the modern era. By contrast, “It was precisely these occupations—healing, flute-playing, play-acting—which furnished ancient thinking with examples for the highest and greatest activities of man” (207–21). What Arendt overlooks is that—already in the ancient world—healing, flute playing, and playacting became remunerated professions and differed in this respect from politics, which was not the work of a professional class of politicians. (Halpern 458)

Arendt agrees that actors on the stage perform fleeting scenes, but wishes to link this to “the highest and greatest activities of man,” ie. those of politics. Halpern argues that in fact, actors in ancient times already worked for wages and were thus not independent like citizens in their roles as politicians. Nonetheless, Arendt shows us that in the modern period we can learn something about acting in politics from acting in the arts. The key point for Halpern is that drama, etc. are “autotelic activities.” They do not even keep up the house like menial work; they have their own end and really evaporate in reaching this end. Political action works along an undecidable edge: even less productive than labor but at any moment potentially the most lasting. Against the odds, politics holds open the space in which something new can begin and thus renew the human world against the circular forces of nature.

One could reasonably argue that in his focus on the connection between labor and action, Halpern fails to adequately emphasize the importance of work. In a world of labor and the victory of animal laborans, there is no work to preserve action and no polis/world to give action memorialization. Indeed, we face the danger of the collapse of the world into the “waste economy” (HC 134) and the seductions to action disappear. However, Halpern does not say that play is action for Arendt but rather, as I understand his argument, that it there is an aspect of action that is like play. Action requires debate that may seem to be going nowhere, or just be undertaken for its own sake up to the moment that it takes a risk. When it dares to venture into the public realm, action clearly very different from play as a hobby.

Labor is both constant and fleeting. On the one hand, the demands of the body never end, nor do the cycles of nature. On the other hand, labor is also fleeting in that its mode of production only temporarily maintains life. Action is also fleeting from the perspective that the risk it takes often evaporates but has the utmost political constancy when one considers those actions that succeed in forming the power of a new beginning.

shakes

In the remainder of the article, Halpern moves from The Human Condition to Hamlet, arguing that Shakespeare replaces action on the classical model of tragedy with the ceaseless activity of Hamlet’s thoughts. This activity runs in circles like unproductive labor in Smith and labor in Arendt rather than the action of Aristotle’s aesthetic and Arendt’s political ideal. From an Arendtian point of view, the modernity of the drama reveals a challenge to politics, the challenge of a time out of joint that action has to face again and again.

-Jeffrey Champlin

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
4Dec/130

Arendt on Reproductive Technologies, Labor, and Action

ArendtBookreview1

“Hannah Arendt, Feminist Theorizing, and the Debate Over New Reproductive Technologies”

Kimberley F. Curtis, Polity, Vol. 28, No. 2 (Winter, 1995), pp. 159-187

Kimberley Curtis employs Arendt’s conceptual categories in The Human Condition to critically distinguish between scientific interventions that control fertility and those that endeavor to produce fertility. In doing so, she both offers an alternative to current feminist stances toward reproductive technology and contributes to our understanding of the relation between labor and action in the Arendt’s work.

Politically, Curtis responds to “liberal feminists” who tend to favor all new developments as instruments of choice, “socialist feminists” who also favor them in the broader context of their project of controlling nature through production, and “radical feminists” who oppose new reproductive technologies as instruments of patriarchal oppression. In contrast, Curtis proposes that:

[Arendt's] theorizing [...] powerfully embraces the need for control, which has been the cornerstone of feminist concern over reproductive technologies, while also offering some critical grounds for limiting the development and use of these technologies and practices.

Thus, Curtis adopts some of the enthusiasm of liberal feminists and some of the reservations of radical feminists. Socialist feminists, however, in her view make a serious mistake in their justification of their stance. She agrees with Arendt that nature must emphatically remain separate from human artifice. Arendt’s distinction between labor and work codifies this distinction. At the same time though, critics often over-emphasize the separation between the two realms. Curtis articulates her objection by eloquently linking labor and work to action:

To be fully human we must be, to some extent, subject to necessity's compulsion; we must feel its impact. Not to be so subject is to risk losing both the very capacity for action that makes us human and the hope for and renewal of the world it promises. There is multidimensionality to Arendt's conception of necessity that feminists (as well as most other students of Arendt) have largely ignored.

“Necessity” here corresponds to “labor” in Arendt’s schema. Rather than viewing the steps of labor, work, and action as a gradual progression toward freedom, Curtis proposes these terms as equally important “viewpoints.” The actor sees labor as an anchor and dead weight in light of his effort to start something new. Homo faber, the one who works to create a permanent world, sees the natural world of labor as raw material. Humans as laboring animals, Animal laborans, enjoy, at least to an extent, their immersion in natural life. Here, one might object that Arendt’s momentary praise of “the sheer bliss of being alive,” takes on an ironic tinge in light of her larger goal of defending action.

art

Curtis’s next defense of labor stands up better to scrutiny: she sees the darkness and obscurity that Arendt attributes to the realm of labor as a very important way of describing the “givenness” of existence. In protecting the private realm in this way, Arendt ensures a space between labor and work that allows the creation of different (at least potentially better) worlds in work free of deterministic forces.

Curtis then makes another argument that, in contrast to the previous one, emphasizes the continual pressure of the life of the body:

[O]ur very capacity for initiative is tied to this sense of compulsion and unfreedom. Without the impact of nature's compulsion bearing down upon us, we have no way of distinguishing between a state of freedom and one of enslavement.

Technology, in Curtis’s view, can ameliorate our sense of the compulsion of nature but must not go as far as to do away with it. With an apparent paradox, she ends with an appeal to a “conservative attitude” to protect the possibility of novelty:

[A] conservative attitude is appropriate here: one that protects the newness of the new from the impulses of those who come from an established world which to the new will always appear old- no matter how revolutionary no matter how much a part of creating conditions of new freedom those from that established world conceive their actions to be.

Returning, in conclusion, to feminist approaches to reproductive technologies, Curtis admits that this “conservative attitude” has been, and will likely continue to be, instrumentalized politically in favor of patriarchal and economic interests. In this light, she sees the need to reflect on these larger political forces with the goal of holding open the tension between freedom of reproductive control and the dangers inherent in technological worldviews that replace nature and the new.

-Jeffrey Champlin

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
26Aug/130

Machine-man and man-machines in the last stage of the laboring society

Arendtquote

“The last stage of the laboring society, the society of job holders, demands of its members a sheer automatic functioning, as though individual life had actually been submerged in the over-all life process of the species and the only active decision still required of the individual were to let go, so to speak, to abandon his individuality, the still individually sensed pain and trouble of living, and acquiesce in a dazed, ‘tranquilized’, functional type of behavior”.

-Hannah Arendt,  "The Human Condition"

About fifty years ago Hannah Arendt diagnosed the “last stage of the laboring society”.  Human beings can only live as “job holders” without access to the realm of freedom in the sense of the classical ideal of political action. For Arendt this state of affairs is the result of the development process of modernity. As the life of the species, the ‘social’ became the central interest of the public sphere. There is no margin for self-realization unless this is within the limits of an adaptation to the needs of the collective life process. Even a passive freedom of “sensing pain and trouble of living” is no longer permitted. Human beings not only have to function automatically, they have to “bow with joy” to their condition. This ideological aspect of the contemporary conditio humana is perhaps the one that outrages Arendt the most. The anesthesia of the mind in modern society: Individuals have to “acquiesce in a dazed, ‘tranquilized’, functional type of behavior”.

labor

Through her diagnosis Arendt addresses the development of the “machine-man” in the laboring society. Subliminal to the process of the modern liberation of individuality, which reaches a pinnacle in the Universal Declaration of Human Rights, the private sphere of the ancient household as a place of labor is extended to the whole of society. At the end of the day individuals have to conform to the needs of the life production process in a way that makes it impossible for them even to look after their rights. This is the age of the machine-man. “Functionality” becomes the grounding element of human behavior. Positivistic fate in progress represents its civil religion: When every aspect of society could be traced back to its proper functioning there were no limits to life perfection.

With this result, to speak with Max Weber, a specific idea achieved an overwhelming impact on societal transformation. Descartes’ separation of res cogitans and res extensa produced the idea of an animal-machine without a soul, which could be completely reduced to the functional needs of rationalistic world domination. Some hundred years later La Mettrie completed the reflection with the idea of the homme-machine. Without knowing its sources in cultural history, industrialization translated the idea radically into action: By being reduced to machine-men individuals had to fulfill the needs of a mechanized production system. In order to face the anthropological consequences of the industrial development of modernity, Marx and Engels provided the plot for the political redemption of the machine-men. The only way to escape alienation is to attain the complete automation of the factory, and thus the substitution of job holders by intelligent machines. In 1921 reversed this utopia in a dystopia. He coined the word “robot” for his theater piece “Rossum’s Universal Robots” using the Slavic word robota, which traditionally means the work period (corvée) a serf had to give for his lord. By reviving the theme of the Jewish legend about the Golem, Čapek put the religious prohibition of recreating human beings at the forefront of the debate. There could be no liberation of machine-man by constructing man-machines without provoking a rebellion of the latter against their creators: this has been the subject of all science fiction literature and film about man-machines ever since.

A sociologically based intercultural survey about the current development of robotics shows that both the scientific utopia of creating man-machines as well as the public’s fears about their potential danger are present in the reflections of European and American engineers. Japanese roboticists on the other hand think that the introduction of man-machines into social interaction does not provoke any dystopic consequences. In an age of an increasing crisis of labor as the central category of modernity, technology research tries to develop substitutes for the missing animal laborans. Its leading idea is that an aging society needs support and care for humans who live long after they have ceased to be job holders. Instead of thinking about a different organization of society, decision-makers and stakeholders aim at substituting the absent young job holders with machines that have all the characteristics of functionality pointed out in Arendt’s diagnosis of the last stage of laboring society’s members. The machine-man reproduces himself as a man-machine.

But furthermore, the empirical surveys show that utopia stalls with the implementation of the man-machine. Technically, it is very hard to realize robots that can effectively substitute working humans in a real-world environment. Societally, there is a very low level of acceptance for man-machines, not least because of deep ethical concerns about human–robot interaction. Legal issues offer an even greater problem: Neither the European, American nor Japanese legal system provides proper legal instruments to allow robots to enter real-world settings.

robot

This background strongly influences the further development of technological research. So it is interesting to observe how developers worldwide slowly abandon the plan of realizing a substitute for the animal laborans as an autonomous entity. Following the design guidelines of “Ambient Assisted Living”, single parts of its body are disaggregated and put into the environment of the pensioned job holders. The man-machine only survives as an executer (Europe) or as a communication tool (Japan) for an overall ambient intelligence. Robots thereby become an interface for the “rule of nobody” of a superior control instance within the private life of the discharged job holders. No advent of autonomous robots seems therefore to be expected, if not as a result of undercover research into military robotics that plans for their introduction in the extra-legal domain of war.

Machine-men hesitate to realize the utopia of man-machines. They seem to abandon the idea of making man-machines full members of the public sphere, as they are to be seen e. g. in the film adaptation of Asimov’s I, Robot. This current stage of the laboring society poses the question of its critical assessment. It would be interesting to know what Hannah Arendt would have said about this.

-Gregor Fitzi

University of Potsdam, Germany

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
6Aug/130

Hannah Arendt and Feminist Politics

Arendtiana

Mary Dietz, "Hannah Arendt and Feminist Politics"
In: Hannah Arendt: Critical Essays (Albany: SUNY Press, 1994) 231-260.

 

Dietz begins by recalling that in the 1970s and 80s, feminist critics Adrienne Rich and Mary O'Brien attacked Arendt as a great political thinker who, as female, was all the more culpable for strengthening traditional gender differences in her writing. These critics primary challenged Arendt's hard line between labor and action. Dietz agrees with these critics that since the duties of body and household that characterize labor traditionally fall to women, Arendt's conceptual distinction has the potential to reinforce gender roles that have excluded women from the public realm. Action, in contrast to labor, occurs in an explicitly political sphere modeled on ancient Athens, where men debated the future of the city.

In Dietz's account, much of broader feminist thought celebrates the very spheres of life that have traditionally been relegated to the household and family. She, in contrast, sees Arendt as offering a way to not to look inward, but to value all voices in the public realm. In "Arendt's existential analysis [...] there is nothing intrinsically or essentially masculine about the public realm, just as there is nothing essentially feminine about laboring in the realm of necessity" (248). In other words, she removes the inner anchors of the public realm in some see in gender difference and replaces it with and alternative spatial conception. In terms of a critique of "essence," and thinking of recent work on Heidegger's influence on Arendt, this insight might be understood as expanding what Heidegger terms "existential spatiality" in Being and Time into the political realm.

A second advantage of Arendt's though that Dietz sees as relevant for feminist thought is the emphasis on speech. While Arendt does not go into the specifics of how speech should work in the political realm, Dietz asks if women potentially bring a different voice to plural deliberations.

arendtglasses

Perhaps most compellingly, Dietz concludes by arguing that Arendt actually brings the body into the political realm: "In fact, Arendt's account of politics in the public realm brings courage, the spontaneity of passion, and "appearance" to the foreground" (250). Here she emphasized Arendt's specific definition of "reason" in the political realm, which is not just instrumental but includes an expansive representational thinking.

Reflecting on Dietz's argument suggests a parallel between scholarship on Hegel and Arendt. In the Phenomenology of Spirit, Hegel at times says that spirit moves from a lower to a higher level, implying a hierarchy of meaning. In recent years though, commentators have emphasized that "absolute knowledge" does not simply cancel out the earlier stages but brings them together in a new way. In other words, they work to redefine the key term "sublation" (Aufhebung). Similarly, Arendt does clearly value action over work and labor from the point of view of the threatened political realm. However, the impression that Arendt leaves labor behind may be a matter of tone more than logic. A close reading of the Human Condition shows that all three spheres of labor, work, and action are important and interconnected. A rereading of Arendt that takes into account earlier conceptual clarifications but looks for new links can work out exactly how these connections operate.

-Jeff Champlin

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
17Jun/130

Transformation of the Intangible

Arendtquote

Everything that is, must appear, and nothing can appear without a shape of its own…

-Hannah Arendt, The Human Condition

The book is under attack. A recent article in The New Atlantis begins by calling the book “modernity’s quintessential technology,” but reports that “now that the rustle of the book’s turning page competes with the flicker of the screen’s twitching pixel, we must consider the possibility that the book may not be around much longer,” and asks “If it isn’t — if we choose to replace the book…what does it tell us about ourselves that we may soon retire this most remarkable, five-hundred-year-old technology?” The book’s future at the university is also uncertain. Even as student surveys consistently show preference for the “real thing,” a shift of emphasis towards the e-text is discernible in library catalogs and, increasingly, basic course requirements. Since 2009, roughly thirty major universities have joined a pilot program requiring the purchase of e-text in lieu of textbooks for select courses.

newsweek

The challenge for those driven to distraction by these developments is to articulate, in reasonably urgent and suitably political terms, what might otherwise seem a vague and idiosyncratic sense of loss—loss of depth and of a world—in an age of digital information. To this purpose, Christine Rosen in the aforementioned article quotes Hannah Arendt:  “The printed book is the ‘transformation of the intangible into the tangibility of things,’ as Hannah Arendt put it; it is imagined and lived action and speech turned into palpable remembrance.”

The quote comes from a section of Arendt’s The Human Condition called “The Thing-Character of the World.” There Arendt distinguishes the products of labor, work, and action in their distinct roles in the making of the world. What distinguishes the first two—the products of labor and work—is that while the former (e.g. “a bread”), being “needed by our bodies…but without stability,” are destined to “appear and disappear” through “incessant consumption,” the latter (e.g. “a table”), “Viewed as part of the world…guarantee the permanence and durability without which a world would not be possible at all.” Though the products of work “wear” over time through use, they do not regularly “disappear”—indeed, Arendt says later in The Human Condition that without their stability the human artifice “could never be a reliable home for men”; that without the fabrication of houses, chairs, tables, tools, bridges and the like—the world would assume “the sublime indifference of untouched nature,” and our dwelling within it (to the extent that such a term would be appropriate) would mean substantially less.

The products of work, in turn, bear a special relationship to “the ‘products’ of action and speech, which together constitute the fabric of human relationships and affairs.” Because the latter “do not ‘produce,’ bring forth anything…In order to become worldly things…they must first be seen, heard, and remembered and then transformed, reified as it were, into things—into sayings of poetry, the written page or the printed book, into paintings or sculpture, into all sorts of records, documents, and monuments.” Human remembrance of action and speech may sustain the “factual world of human affairs” for a short while, but ultimately “The reality and reliability of the human world rest primarily on the fact that we are surrounded by things more permanent,” things which survive long after the act and actor.

Seeing all this, the problem of books remains a perplexing one—for on one hand, if the written word simply compensates for the frailty of human remembrance, might a digital text serve the same purpose? On the other hand, if standard mass produced books hardly qualify as singular “works of art” (which Arendt calls “the most intensely worldly of all tangible things” because they endure both despite and because they have no use value) our only alternative is to accord books the same status as Arendt’s “chair,” a worldly artifact which stays in the world not only because it is durable, but because it is useful. This, however, only begets the original question of why use the book in the first place, rather than a digital copy? Absent any rare or singular artistic value to a particular volume, there seems no clear reason to preserve the book. To exit this conundrum, it seems one must explain why reification of the word in particular into a tangible thing is important.

In a recent article in Philosophy and Literature Jonathan Brent offers one answer. He writes that “‘Content’ is not simply ‘content.’ It has a form and a wrapper. If we do not recognize this, we risk making a fundamental mistake.” Books, says Brent, with their “spines, headbands, prefaces (and sometimes postfaces), appendices, running feet, footnotes, headnotes, shoulders...heads…[and] tails,” are not only “‘content’ but…unique embodiments and transmitters of a life beyond themselves[.]”

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Moreover “The characters, of which words are made, are not a graven image but engraved images made originally with an instrument that in Greek was called a kharakter.” Thus the covenant between God and Abraham and his descendants—a sentence—“cuts into us at the point where the flesh and word become one.” In the same spirit, one might add, did God give unto Moses “two tables of testimony, tables of stone, written with the finger of God.”

For Arendt, the reification of words serves a purpose less reliant on the rugged idea of kharacter, and more on Brent’s colorful sense of “form and wrapper.” Indeed, for Arendt it is precisely the “form and wrapper” which give the ordinary products of work—the useful but otherwise expendable artifacts of the world—a far more profound and ultimately political importance:

“The man-made world of things,” Arendt concludes Section 23 of The Human Condition (“The Permanence of the World and the Work of Art,” and the last section of the chapter on “Work”), “the human artifice erected by homo faber, becomes a home for mortal men, whose stability will endure and outlast the ever-changing movement of their lives and actions, only insomuch as it transcends both the sheer functionalism of things produced for consumption and the sheer utility of objects produced for use.” In other words, notwithstanding that the durable objects of the world first exist, and then persist in the world largely because of their use value, in appearing before humans they also achieve a value and meaning independent of instrumental concerns—a value and meaning in and of themselves. Arendt prepares this point some lines earlier: “Everything that is,” she writes, “must appear, and nothing can appear without a shape of its own; hence there is in fact no thing that does not in some way transcend its functional use, and its transcendence, its beauty or ugliness, is identical with appearing publicly and being seen. By the same token, namely, its sheer worldly existence, everything also transcends the sphere of pure instrumentality…are judged not only according to the subjective needs of men but by the objective standards of the world where they will find their place[.]”

Here Arendt, in a manner not as apparent in her later appropriation of Kant (where she attaches judgment to the sense of taste), suggests a direct connection between the possibility for political judgment and the sense of sight. The appearance of product of work in public not only establishes the thing as thing, but engenders an aesthetic quality that transcends its use value, thus giving the world itself a firmer grounding than mere utility. Moreover, the appearance of the thing in public functions like Arendt’s famous “table” which at once relates and separates humans, not only in space, but also (as Arendt’s own desk continues to do in the classroom at Bard College’s Hannah Arendt Center) across time. In the case of books, it is not only the physical binding that appears in public, but just as importantly the great words and deeds contained within in which, through the tangible presence of the book, also enter the everyday world of appearances.

Hannah Arendt, as is well known, was a student of Martin Heidegger. In his essay “The Thing” Heidegger wrote that “the Old High German word thing means a gathering, and specifically a gathering to deliberate on a matter under discussion, a contested matter.” Furthermore “thing or dinc…is suited as no other word to translate properly the Roman word res, that which is pertinent, which has a bearing,” as in res publica which means, “not the state, but that which, known to everyone, concerns everybody and is therefore deliberated in public.” In this context Heidegger warned that while “Thinging is the nearing of the world,” the “frantic abolition of all distances brings no nearness.” The abolition of all distances fashioned by modern technology, in other words, threatens to eliminate the minimal distance required for things to appear in public in a manner that is both in-between and connecting of individuals.  Thus, Heidegger warned, at a time in which “All distances in time and space are shrinking,” and man receives “instant information” and witnesses “the abolition of every possibility of remoteness,” the paradoxical result will be “the failure of nearness to materialize in consequence of the abolition of all distances[.]”

planet

Such passages evoke a famous moment in The Human Condition previously alluded to, where Arendt writes that “To live together in the world means essentially that a world of things is between those who have it in common as a table is located between those who sit around it; the world, like every in-between, relates and separates men at the same time.” Books—old-fashioned, time faded, coffee-stained books—are part of that world of things that, like Arendt’s table, constitute the in-between that relates and separates men. Seen through the lens of  Heidegger and Arendt, the problem facing the digital age—of which the vanishing of books is but one exemplary form—is whether the world itself, and the worldly in-between with its attendant plurality mediated by things that appear and endure, can itself endure; or alternatively, whether a world is still possible, and if so what kind, among humans related and separated no longer by things, but by pixel screens and antennae.

-John LeJeune

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.