"The end of the old is not necessarily the beginning of the new."
Hannah Arendt, The Life of the Mind
This is a simple enough statement, and yet it masks a profound truth, one that we often overlook out of the very human tendency to seek consistency and connection, to make order out of the chaos of reality, and to ignore the anomalous nature of that which lies in between whatever phenomena we are attending to.
Perhaps the clearest example of this has been what proved to be the unfounded optimism that greeted the overthrow of autocratic regimes through American intervention in Afghanistan and Iraq, and the native-born movements known collectively as the Arab Spring. It is one thing to disrupt the status quo, to overthrow an unpopular and undemocratic regime. But that end does not necessarily lead to the establishment of a new, beneficent and participatory political structure. We see this time and time again, now in Putin's Russia, a century ago with the Russian Revolution, and over two centuries ago with the French Revolution.
Of course, it has long been understood that oftentimes, to begin something new, we first have to put an end to something old. The popular saying that you can't make an omelet without breaking a few eggs reflects this understanding, although it is certainly not the case that breaking eggs will inevitably and automatically lead to the creation of an omelet. Breaking eggs is a necessary but not sufficient cause of omelets, and while this is not an example of the classic chicken and egg problem, I think we can imagine that the chicken might have something to say on the matter of breaking eggs. Certainly, the chicken would have a different view on what is signified or ought to be signified by the end of the old, meaning the end of the egg shell, insofar as you can't make a chicken without it first breaking out of the egg that it took form within.
So, whether you take the chicken's point of view, or adopt the perspective of the omelet, looking backwards, reverse engineering the current situation, it is only natural to view the beginning of the new as an effect brought into being by the end of the old, to assume or make an inference based on sequencing in time, to posit a causal relationship and commit the logical fallacy of post hoc ergo propter hoc, if for no other reason that by force of narrative logic that compels us to create a coherent storyline. In this respect, Arendt points to the foundation tales of ancient Israel and Rome:
We have the Biblical story of the exodus of Israeli tribes from Egypt, which preceded the Mosaic legislation constituting the Hebrew people, and Virgil's story of the wanderings of Aeneas, which led to the foundation of Rome—"dum conderet urbem," as Virgil defines the content of his great poem even in its first lines. Both legends begin with an act of liberation, the flight from oppression and slavery in Egypt and the flight from burning Troy (that is, from annihilation); and in both instances this act is told from the perspective of a new freedom, the conquest of a new "promised land" that offers more than Egypt's fleshpots and the foundation of a new City that is prepared for by a war destined to undo the Trojan war, so that the order of events as laid down by Homer could be reversed.
Fast forward to the American Revolution, and we find that the founders of the republic, mindful of the uniqueness of their undertaking, searched for archetypes in the ancient world. And what they found in the narratives of Exodus and the Aeneid was that the act of liberation, and the establishment of a new freedom are two events, not one, and in effect subject to Alfred Korzybski's non-Aristotelian Principle of Non-Identity. The success of the formation of the American republic can be attributed to the awareness on their part of the chasm that exists between the closing of one era and the opening of a new age, of their separation in time and space:
No doubt if we read these legends as tales, there is a world of difference between the aimless desperate wanderings of the Israeli tribes in the desert after the Exodus and the marvelously colorful tales of the adventures of Aeneas and his fellow Trojans; but to the men of action of later generations who ransacked the archives of antiquity for paradigms to guide their own intentions, this was not decisive. What was decisive was that there was a hiatus between disaster and salvation, between liberation from the old order and the new freedom, embodied in a novus ordo saeclorum, a "new world order of the ages" with whose rise the world had structurally changed.
I find Arendt's use of the term hiatus interesting, given that in contemporary American culture it has largely been appropriated by the television industry to refer to a series that has been taken off the air for a period of time, but not cancelled. The typical phrase is on hiatus, meaning on a break or on vacation. But Arendt reminds us that such connotations only scratch the surface of the word's broader meanings. The Latin word hiatus refers to an opening or rupture, a physical break or missing part or link in a concrete material object. As such, it becomes a spatial metaphor when applied to an interruption or break in time, a usage introduced in the 17th century. Interestingly, this coincides with the period in English history known as the Interregnum, which began in 1649 with the execution of King Charles I, led to Oliver Cromwell's installation as Lord Protector, and ended after Cromwell's death with the Restoration of the monarchy under Charles II, son of Charles I. While in some ways anticipating the American Revolution, the English Civil War followed an older pattern, one that Mircea Eliade referred to as the myth of eternal return, a circular movement rather than the linear progression of history and cause-effect relations.
The idea of moving forward, of progress, requires a future-orientation that only comes into being in the modern age, by which I mean the era that followed the printing revolution associated with Johannes Gutenberg (I discuss this in my book, On the Binding Biases of Time and Other Essays on General Semantics and Media Ecology). But that same print culture also gave rise to modern science, and with it the monopoly granted to efficient causality, cause-effect relations, to the exclusion in particular of final and formal cause (see Marshall and Eric McLuhan's Media and Formal Cause). This is the basis of the Newtonian universe in which every action has an equal and opposite reaction, and every effect can be linked back in a causal chain to another event that preceded it and brought it into being. The view of time as continuous and connected can be traced back to the introduction of the mechanical clock in the 13th century, but was solidified through the printing of calendars and time lines, and the same effect was created in spatial terms by the reproduction of maps, and the use of spatial grids, e.g., the Mercator projection.
And while the invention of history, as a written narrative concerning the linear progression over time can be traced back to the ancient Israelites, and the story of the exodus, the story incorporates the idea of a hiatus in overlapping structures:
A1. Joseph is the golden boy, the son favored by his father Jacob, earning him the enmity of his brothers
A2. he is sold into slavery by them, winds up in Egypt as a slave and then is falsely accused and imprisoned
A3. by virtue of his ability to interpret dreams he gains his freedom and rises to the position of Pharaoh's prime minister
B1. Joseph welcomes his brothers and father, and the House of Israel goes down to Egypt to sojourn due to famine in the land of Canaan
B2. their descendants are enslaved, oppressed, and persecuted
B3. Moses is chosen to confront Pharaoh, liberate the Israelites, and lead them on their journey through the desert
C1. the Israelites are freed from bondage and escape from Egypt
C2. the revelation at Sinai fully establishes their covenant with God
C3. after many trials, they return to the Promised Land
It can be clearly seen in these narrative structures that the role of the hiatus, in ritual terms, is that of the rite of passage, the initiation period that marks, in symbolic fashion, the change in status, the transformation from one social role or state of being to another (e.g., child to adult, outsider to member of the group). This is not to discount the role that actual trials, tests, and other hardships may play in the transition, as they serve to establish or reinforce, psychologically and sometimes physically, the value and reality of the transformation.
In mythic terms, this structure has become known as the hero's journey or hero's adventure, made famous by Joseph Campbell in The Hero with a Thousand Faces, and also known as the monomyth, because he claimed that the same basic structure is universal to all cultures. The basis structure he identified consists of three main elements: separation (e.g., the hero leaves home), initiation (e.g., the hero enters another realm, experiences tests and trials, leading to the bestowing of gifts, abilities, and/or a new status), and return (the hero returns to utilize what he has gained from the initiation and save the day, restoring the status quo or establishing a new status quo).
Understanding the mythic, non-rational element of initiation is the key to recognizing the role of the hiatus, and in the modern era this meant using rationality to realize the limits of rationality. With this in mind, let me return to the quote I began this essay with, but now provide the larger context of the entire paragraph:
The legendary hiatus between a no-more and a not-yet clearly indicated that freedom would not be the automatic result of liberation, that the end of the old is not necessarily the beginning of the new, that the notion of an all-powerful time continuum is an illusion. Tales of a transitory period—from bondage to freedom, from disaster to salvation—were all the more appealing because the legends chiefly concerned the deeds of great leaders, persons of world-historic significance who appeared on the stage of history precisely during such gaps of historical time. All those who pressed by exterior circumstances or motivated by radical utopian thought-trains, were not satisfied to change the world by the gradual reform of an old order (and this rejection of the gradual was precisely what transformed the men of action of the eighteenth century, the first century of a fully secularized intellectual elite, into the men of the revolutions) were almost logically forced to accept the possibility of a hiatus in the continuous flow of temporal sequence.
Note that concept of gaps in historical time, which brings to mind Eliade's distinction between the sacred and the profane. Historical time is a form of profane time, and sacred time represents a gap or break in that linear progression, one that takes us outside of history, connecting us instead in an eternal return to the time associated with a moment of creation or foundation. The revelation in Sinai is an example of such a time, and accordingly Deuteronomy states that all of the members of the House of Israel were present at that event, not just those alive at that time, but those not present, the generations of the future. This statement is included in the liturgy of the Passover Seder, which is a ritual reenactment of the exodus and revelation, which in turn becomes part of the reenactment of the Passion in Christianity, one of the primary examples of Campbell's monomyth.
Arendt's hiatus, then represents a rupture between two different states or stages, an interruption, a disruption linked to an eruption. In the parlance of chaos and complexity theory, it is a bifurcation point. Arendt's contemporary, Peter Drucker, a philosopher who pioneered the scholarly study of business and management, characterized the contemporary zeitgeist in the title of his 1969 book: The Age of Discontinuity. It is an age in which Newtonian physics was replaced by Einstein's relativity and Heisenberg's uncertainty, the phrase quantum leap becoming a metaphor drawn from subatomic physics for all forms of discontinuity. It is an age in which the fixed point of view that yielded perspective in art and the essay and novel in literature yielded to Cubism and subsequent forms of modern art, and stream of consciousness in writing.
Beginning in the 19th century, photography gave us the frozen, discontinuous moment, and the technique of montage in the motion picture gave us a series of shots and scenes whose connections have to be filled in by the audience. Telegraphy gave us the instantaneous transmission of messages that took them out of their natural context, the subject of the famous comment by Henry David Thoreau that connecting Maine and Texas to one another will not guarantee that they have anything sensible to share with each other. The wire services gave us the nonlinear, inverted pyramid style of newspaper reporting, which also was associated with the nonlinear look of the newspaper front page, a form that Marshall McLuhan referred to as a mosaic. Neil Postman criticized television's role in decontextualizing public discourse in Amusing Ourselves to Death, where he used the phrase, "in the context of no context," and I discuss this as well in my recently published follow-up to his work, Amazing Ourselves to Death.
The concept of the hiatus comes naturally to the premodern mind, schooled by myth and ritual within the context of oral culture. That same concept is repressed, in turn, by the modern mind, shaped by the linearity and rationality of literacy and typography. As the modern mind yields to a new, postmodern alternative, one that emerges out of the electronic media environment, we see the return of the repressed in the idea of the jump cut writ large.
There is psychological satisfaction in the deterministic view of history as the inevitable result of cause-effect relations in the Newtonian sense, as this provides a sense of closure and coherence consistent with the typographic mindset. And there is similar satisfaction in the view of history as entirely consisting of human decisions that are the product of free will, of human agency unfettered by outside constraints, which is also consistent with the individualism that emerges out of the literate mindset and print culture, and with a social rather that physical version of efficient causality. What we are only beginning to come to terms with is the understanding of formal causality, as discussed by Marshall and Eric McLuhan in Media and Formal Cause. What formal causality suggests is that history has a tendency to follow certain patterns, patterns that connect one state or stage to another, patterns that repeat again and again over time. This is the notion that history repeats itself, meaning that historical events tend to fall into certain patterns (repetition being the precondition for the existence of patterns), and that the goal, as McLuhan articulated in Understanding Media, is pattern recognition. This helps to clarify the famous remark by George Santayana, "those who cannot remember the past are condemned to repeat it." In other words, those who are blind to patterns will find it difficult to break out of them.
Campbell engages in pattern recognition in his identification of the heroic monomyth, as Arendt does in her discussion of the historical hiatus. Recognizing the patterns are the first step in escaping them, and may even allow for the possibility of taking control and influencing them. This also means understanding that the tendency for phenomena to fall into patterns is a powerful one. It is a force akin to entropy, and perhaps a result of that very statistical tendency that is expressed by the Second Law of Thermodynamics, as Terrence Deacon argues in Incomplete Nature. It follows that there are only certain points in history, certain moments, certain bifurcation points, when it is possible to make a difference, or to make a difference that makes a difference, to use Gregory Bateson's formulation, and change the course of history. The moment of transition, of initiation, the hiatus, represents such a moment.
McLuhan's concept of medium goes far beyond the ordinary sense of the word, as he relates it to the idea of gaps and intervals, the ground that surrounds the figure, and explains that his philosophy of media is not about transportation (of information), but transformation. The medium is the hiatus.
The particular pattern that has come to the fore in our time is that of the network, whether it's the decentralized computer network and the internet as the network of networks, or the highly centralized and hierarchical broadcast network, or the interpersonal network associated with Stanley Milgram's research (popularly known as six degrees of separation), or the neural networks that define brain structure and function, or social networking sites such as Facebook and Twitter, etc. And it is not the nodes, which may be considered the content of the network, that defines the network, but the links that connect them, which function as the network medium, and which, in the systems view favored by Bateson, provide the structure for the network system, the interaction or relationship between the nodes. What matters is not the nodes, it's the modes.
Hiatus and link may seem like polar opposites, the break and the bridge, but they are two sides of the same coin, the medium that goes between, simultaneously separating and connecting. The boundary divides the system from its environment, allowing the system to maintain its identity as separate and distinct from the environment, keeping it from being absorbed by the environment. But the membrane also serves as a filter, engaged in the process of abstracting, to use Korzybski's favored term, letting through or bringing material, energy, and information from the environment into the system so that the system can maintain itself and survive. The boundary keeps the system in touch with its situation, keeps it contextualized within its environment.
The systems view emphasizes space over time, as does ecology, but the concept of the hiatus as a temporal interruption suggests an association with evolution as well. Darwin's view of evolution as continuous was consistent with Newtonian physics. The more recent modification of evolutionary theory put forth by Stephen Jay Gould, known as punctuated equilibrium, suggests that evolution occurs in fits and starts, in relatively rare and isolated periods of major change, surrounded by long periods of relative stability and stasis. Not surprisingly, this particular conception of discontinuity was introduced during the television era, in the early 1970s, just a few years after the publication of Peter Drucker's The Age of Discontinuity.
When you consider the extraordinary changes that we are experiencing in our time, technologically and ecologically, the latter underlined by the recent news concerning the United Nations' latest report on global warming, what we need is an understanding of the concept of change, a way to study the patterns of change, patterns that exist and persist across different levels, the micro and the macro, the physical, chemical, biological, psychological, and social, what Bateson referred to as metapatterns, the subject of further elaboration by biologist Tyler Volk in his book on the subject. Paul Watzlawick argued for the need to study change in and of itself in a little book co-authored by John H. Weakland and Richard Fisch, entitled Change: Principles of Problem Formation and Problem Resolution, which considers the problem from the point of view of psychotherapy. Arendt gives us a philosophical entrée into the problem by introducing the pattern of the hiatus, the moment of discontinuity that leads to change, and possibly a moment in which we, as human agents, can have an influence on the direction of that change.
To have such an influence, we do need to have that break, to find a space and more importantly a time to pause and reflect, to evaluate and formulate. Arendt famously emphasizes the importance of thinking in and of itself, the importance not of the content of thought alone, but of the act of thinking, the medium of thinking, which requires an opening, a time out, a respite from the onslaught of 24/7/365. This underscores the value of sacred time, and it follows that it is no accident that during that period of initiation in the story of the exodus, there is the revelation at Sinai and the gift of divine law, the Torah or Law, and chief among them the Ten Commandments, which includes the fourth of the commandments, and the one presented in greatest detail, to observe the Sabbath day. This premodern ritual requires us to make the hiatus a regular part of our lives, to break the continuity of profane time on a weekly basis. From that foundation, other commandments establish the idea of the sabbatical year, and the sabbatical of sabbaticals, or jubilee year. Whether it's a Sabbath mandated by religious observance, or a new movement to engage in a Technology Sabbath, the hiatus functions as the response to the homogenization of time that was associated with efficient causality and literate linearity, and that continues to intensify in conjunction with the technological imperative of efficiency über alles.
To return one last time to the quote that I began with, the end of the old is not necessarily the beginning of the new because there may not be a new beginning at all, there may not be anything new to take the place of the old. The end of the old may be just that, the end, period, the end of it all. The presence of a hiatus to follow the end of the old serves as a promise that something new will begin to take its place after the hiatus is over. And the presence of a hiatus in our lives, individually and collectively, may also serve as a promise that we will not inevitably rush towards an end of the old that will also be an end of it all, that we will be able to find the opening to begin something new, that we will be able to make the transition to something better, that both survival and progress are possible, through an understanding of the processes of continuity and change.
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
On the Guernica blog, David Bromwich examines “how Obama became a publicist for his presidency (rather than the president).” In his first term Obama delivered 1,852 separate speeches, comments, or scheduled public remarks and granted 591 interviews. These exceptional numbers, Bromwich writes, were the result of “magical thinking” on the part of the Obama White House: if the American public heard the president often enough, they would see how sincere and bipartisan he was and accept his policies. An endless string of speeches, road trips, and town hall meetings thus came to serve as a stand-in for the decision-making and confrontation that true leadership requires, and genuine conviction demands. Argues Bromwich: “…The truth is that Obama’s convictions were never strong. He did not find this out until his convictions were tested, and they were not tested until he became president. Perhaps the thin connection between Obama’s words and his actions does not support the use of the word “conviction” at all. Let us say instead that he mistook his preferences for convictions—and he can still be trusted to tell us what he would prefer to do. Review the record and it will show that his first statement on a given issue generally lays out what he would prefer. Later on, he resigns himself to supporting a lesser evil, which he tells us is temporary and necessary. The creation of a category of permanent prisoners in “this war we’re in” (which he declines to call “the war on terror”) was an early and characteristic instance. Such is Obama’s belief in the power and significance of his own words that, as he judges his own case, saying the right thing is a decent second-best to doing the right thing.” For more see a commentary on the Arendt Center blog.
Phillip Durkin, author of the forthcoming book Borrowed Words, uses an interactive tool to show how English has changed over the last thousand years. Although still mostly dominated by Latin and French, English has also begun to borrow from languages with more distant origins, like Japanese, Russian, and Greek. Durkin's tool, and presumably his book, is a reminder of the fact that both words and their speakers exist in history, something all too easily lost in the hegemony of any present context.
Leonard Pierce takes aim at the aspirationism of the creative class, who, he says, are selling us their luck as our own failure. He concludes from the long view, “It is hard enough just being alive, just living and trying to be a decent person without being overwhelmed by shame and guilt and the demands of the world; the last thing we need is someone who got a few extra pulls of the handle at the cosmic slot machine telling us we’re doing it all wrong. If there is something we should aspire to, it certainly cannot be a position from which we look upon ordinary people, people no less miraculous but perhaps just a little less lucky than ourselves, as a lesser form of life."
In a speech to German Parliament, Angela Merkel, that country's chancellor, explains her position on privacy and surveillance. The question is about more than what happens in what country's borders, she says, and "millions of people who live in undemocratic states are watching very closely how the world’s democracies react to threats to their security: whether they act circumspectly, in sovereign self-assurance, or undermine precisely what in the eyes of these millions of people makes them so attractive—freedom and the dignity of the individual."
Considering the Philippine writer and hero Jose Mizal in the wake of reading Benedict Anderson's short book Why Counting Counts, Gina Apostol notes his two legacies: “For a Filipino novelist like myself, Rizal is a troubling emblem. Many writers like to dwell on the burden of his monumental legacy. But my problem is that Rizal is forgotten as an artist. Remembered (or dismembered) as a patriot, a martyr, a nationalist, a savior, a saint, Rizal is not discussed much as a writer — he is not read as an artist. Our national hero now shares the fate of all of us who attempt to write about our country in fiction. No one really reads his novels."
Audra Wolfe, taking note of Neil Degrasse Tyson's resurrection of Carl Sagan's TV science epic Cosmos, suggests that any hope that the series may bring increased attention, and therefore increased funding, to scientific pursuits may be misguided: "As is so often the case with science communication, the assumption seems to be that public understanding of science—sprinkled with a hearty dose of wonder and awe—will produce respect for scientific authority, support for science funding, and a new generation of would-be scientists. If only Americans loved science a little more, the thinking goes, we could end our squabbling about climate change, clean energy, evolution, and funding NASA and the National Science Foundation. These are high hopes to pin on a television show, even one as glorious as Cosmos." Although Wolfe makes a good argument about how Sagan's world is different from the world we now inhabit with Tyson, there's something more basic at work, here: the pernicious notion that, if we educate people who don't agree with us just a little bit more, they'll come around to our way of thinking. This, obviously, is a deeply dismissive point of view, one that suggests that everyone should think as we do, and that they don't is a question of status rather than viewpoint. If Cosmos gets people interested in science, it will be the possibility, the things that we are yet to understand, that get them excited, rather than what has already been settled. Speak to that sense of wonder and people very well may listen; speak to what you think people don't know and should, and they'll tune you out.
This week on the blog, read a recap and watch the video of Roger Berkowitz and Walter Russell Mead speaking with SCOTUSblog founder, Tom Goldstein, as part of our “Blogging and the New Public Intellectual series. Jason Adams relates Arendt’s belief that the act of thinking slips humanity out of historical and biographical time and into a non-time that reconstitutes the world.Roger Berkowitz ponders whether President Obama lacks conviction, and in the Weekend Read, Roger Berkowitz examines the current antisemitic controversies surrounding both Martin Heidegger and Paul de Man.
The first of the three volumes of the Gesammtausgabe of Martin Heidegger’s work, titled Überlegenungen or Reflections arrived in the mail. Somehow I’ll read the over 1,000 pages in these three volumes. And on April 8 in New York City I’ll be moderating a discussion on these volumes at the Goethe Institute in New York City, with Peter Trawny, the editor, as well as Babette Babich and Andrew Mitchell. But these volumes, even before they are published, have preemptively elicited dozens upon dozens of reviews and scandalized-yelps of outrage, nearly all by people who haven’t read them. What is more, most of these commentators also have never seriously read Martin Heidegger’s philosophy. The occasion for the outrage is that these so-called Schwarzen Hefte (The Black Notebooks) include statements that clearly trade in Jewish stereotypes and anti-Semitic tropes.
No one should be surprised that Heidegger had certain opinions about Jews that are anti-Semitic. Heidegger may be the most important philosopher of the 20th century. Be wary of anyone who denies his importance. But that does not mean he was a good person or without prejudices. The fact that his published work had never previously included anti-Semitic remarks is hardly evidence of his tolerance.
Amongst the most salacious of the literati pronouncing “Heidegger’s Hitler Problem is Worse Than We Thought” is Rebecca Schumann at Slate. Slightly better is the horrifically titled “Heidegger's 'black notebooks' reveal antisemitism at core of his philosophy,” by Philip Oltermann in The Guardian. On the other side, Jonathan Rée writes in defense of Heidegger. Rée makes an excellent point about the confusion of the charge of antisemitism and philosophy:
I think that those who say that because he was anti-Semitic we should not read his philosophy show a deep ignorance about the whole tradition of writing and reading philosophy. The point about philosophy is not that it offers an anthology of opinions congenial to us, which we can dip into to find illustrations of what you might call greeting card sentiments. Philosophy is about learning to be aware of problems in your own thinking where you might not have suspected them. It offers its readers an intellectual boot camp, where every sentence is a challenge, to be negotiated with care. The greatest philosophers may well be wrong: the point of recognising them as great is not to subordinate yourself to them, but to challenge yourself to work out exactly where they go wrong.
But the charge of many of Heidegger’s critics is not simply that he is an antisemite, but that his philosophy is founded upon antisemitism. As someone who has read Heidegger closely for decades, I can say confidently that such an opinion is based on fundamental misunderstandings. There is no need to deny Heidegger’s antisemitism. And yet, that is not at all an indictment of his philosophy. But Rée goes further, and concludes:
As for the hullaballoo over the Schwarzen Hefte. In the first place it seems to me a remarkable piece of publicity-seeking on the part of the publisher, who hints that we may at last find the black heart of anti-Semitism that beats in every sentence Heidegger wrote. That would of course be very gratifying to people who want an excuse for not taking Heidegger seriously, but it seems to me—from the few leaked passages I have seen, dating from 1938-9—that if Heidegger is on trial for vicious anti-Semitism, then the newly published notebooks make a case for the defence rather than the prosecution.
While I agree with Rée that this is largely a case of insane overreaction, one cannot say that the notebooks offer a defense of Heidegger, certainly not before reading them. What is more, only three of the planned four volumes of these notebooks are being published. The final notebook, covering the years 1941-1945, is apparently being held back and not even Peter Trawny, the editor of the first three volumes, is permitted to read the final one. We are left to imagine how much more damaging that final volume may be. What is undeniable, it seems, is that Heidegger certainly adopted and reflected upon some vulgur examples of antisemitism.
It is no small irony that the Schwarzen Hefte are being published in Germany at the same moment as a new biography of Paul de Man (The Double Life of Paul de Man by Evelyn Barish) is being released and reviewed in the U.S. De Man, like Heidegger, stands accused of Nazi writing and opinions during the war. Peter Brooks has an excellent essay on the controversy in the New York Review of Books. He writes:
Judging the extent and the gravity of de Man’s collaboration is difficult. At the war’s end, he was summoned for questioning in Brussels by the auditeur-général in charge of denazification, who decided not to bring any charges against him (whereas the editors of Le Soir were condemned to severe punishments). One could leave it at that: if not guiltless, not sufficiently guilty to merit sanction. Yet both those to whom de Man was an intellectual hero and those to whom he was akin to an academic Satan have wanted to know more.
Brooks is at his best when he takes seriously the charges against de Man but also reminds us of the context as well as the lost nuance in our backward looking judgments:
The most useful pieces in Responses come from the Belgians Ortwin de Graef, who as a young scholar discovered the wartime pieces, and Els de Bens. They help us to understand the nuances of collaboration in the occupied country, the different degrees of complicity with an enemy whom some saw as a liberator, and the evolution of a situation in which an apparent grant of at least limited freedom of speech and opinion gradually revealed itself to be an illusion. They do not conduce to excusing de Man—he clearly made wrong choices at a time when some others made right, and heroic, choices. They give us rather grounds for thought about life under occupation (which most Americans have not known) and the daily compromises of survival. They suggest that in our hindsight we need to be careful of unnuanced judgment. To try to understand is not in this case to excuse, but rather to hold ourselves, as judges, to an ethical standard.
On that ethical standard, Brooks finds Barish lacking. Her assertions are unsupported. And footnotes lead nowhere, as, for example, “I shared this information, and it has since been previously published in Belgian sources not now available to me.” And also, “This writer understands that an essay (citation unavailable) was produced by a student in Belgium.” As Brooks comments, “That does not pass any sort of muster. One could do a review of Barish’s footnotes that would cast many doubts on her scholarship.”
Brooks’ review is an important reminder of the way that charges of antisemitism are crude weapons. Barish, he writes,” goes on to conclude that de Man was not a pronounced anti-Semite but rather “one of the lukewarm, whom Dante condemned to sit eternally at the gates of Hell, men without principles or convictions who compromised with evil.”” I am left to wonder what it means to condemn lukewarm antisemites or racists to purgatory.
As the Director of the Hannah Arendt Center, I confront all kinds of misinformation on behalf of those who insist that Hannah Arendt defended Adolf Eichmann (on the contrary she called for him to be killed and erased from the face of the earth), that she blamed the Jews for the Holocaust (she never equates Jewish cooperation with the crimes of the Nazis), and that she opposed the state of Israel (she thought the existence of Israel important and necessary). No matter how often it is corrected, such misinformation has the tendency to spread and choke off meaningful thought and consideration.
The propagandists and vultures are circling the new Heidegger affair with open mouths. It is important at such moments to recall how easily such feeding frenzies can devour the good and the middling along with the bad and horrifically evil. It is helpful, therefore, to read a few sober cautions about the current Paul de Man controversy. Susan Rubin Suleiman has an excellent account in the NY Times Book Review. And then there is Brooks' essay in the NYRB. They are your weekend reads.
“What I propose, therefore, is very simple: it is nothing more than to think what we are doing”
—Hannah Arendt, “Prologue”, The Human Condition
The final scene of Alfonso Cuarón’s new film, Gravity, shows us Sandra Bullock trapped underwater in a satellite escape pod that she has just crashed into earth. Breaking loose from the straps and the heavy door of the pod, her body shoots up, slender and nymph like, to the surface of the unnamed body of water in which she almost drowned. She crawls out to the sand, in the footsteps of some primordial amphibian and within a few seconds she has struggled her way to uprightness, readjusting to gravity and completing the entire process of evolution. With Bullock, we feel relief and gratitude for the force that pulls us all down and makes us earth-bound creatures. In the 90 minutes leading up to this moment, we have seen her float in space, escaping one disaster or explosion after another and keeping herself precariously tethered to a bunch of satellite debris, until she finally manages to launch herself back to earth and to gravity.
I thought of this last scene – that final bit of action and irony thrown in before we are allowed to leave the movie theater: “You think she has made it back to earth? Oh no! She is about to drown!” – as I watched Margarethe von Trotta’s Hannah Arendt. The earth, and the fact that we are earth-bound creatures, our life with gravity, was a matter of great interest to Arendt. She discusses the launch of the Sputnik, that forefather of the satellites that crowd the sky in Gravity, in the forward of her book, The Human Condition, and worries that we might all find ourselves in the intellectual corollary of Sandra Bullock’s hovering in space, loosing our earthly orientation. The earth, Arendt writes, “is the very quintessence of the human condition.” (You can read an essay and watch a talk on Arendt’s discussion of earth alienation).
Unlike Cuarón, von Trotta has not produced an action movie in the conventional sense of the term, a fact that she seems to mark explicitly in the first scene of her film, which depicts the abduction of Adolf Eichmann by Mossad agents in Argentina. That moment could be the focal point of an action movie, but von Trotta wants to show us not action, but thinking, a contrast that she draws from Arendt’s writings, of course.
The movie is rich with details of Arendt’s life in the world: her love relationships and friendships, her body and the domestic setting that housed it, her public life. But what it attempts to capture are the moments in which Arendt withdraws from all of that to do what she suggests in the forward to The Human Condition: “to think what we are doing.” Barbara Sukowa depicts the thinking Arendt as she lies down on her recliner, eyes closed, slowly sucking on her cigarette. In fact, what she does is not thinking, but – as we are made to notice by Mary McCarthy’s chiding imitation of her friend’s heavy German accent in one of the party scenes that takes place in the Arendt-Blücher home on the Upper West Side – she is “sinking”. This is not a minor detail. Arendt’s political thought and her controversial analysis of the Eichmann trial, which is at the center of the movie, were formed by her own experience of statelessness and exile; the book about Eichmann, which she wrote in English, speaks with that German accent.
From the moment that McCarthy has imitated it, whenever Arendt speaks passionately about “the responsibility to sink” and “Eichmann’s inability to sink”, the viewer can’t help but note with amusement. A second immigrant’s slip of the tongue, caught by McCarthy and highlighted by its significant recurrence in the movie, also belongs to the same underwater sphere where Bullock spends the final dramatic moments of Gravity. In a discussion of the upcoming American elections, Arendt predicts that what will matter “when the ships are down” is Kennedy’s youth and charisma. When McCarthy corrects her, Arendt waves her hands impatiently. But as von Trotta’s film winds its way toward its ending, in the dramatic scene in which Arendt finally decides to lecture in public and provide a passionate defense of her book, she corrects herself and states that radical evil occurs when people fail to act “when the chips are down,” emphasizing the affricate sound of her acquired American idiom.
Though it could not be more different from Cuarón’s last bid to pump his viewers’ adrenaline by throwing Bullock into the sea, this too is an action scene. Arendt is performing precisely the type of action championed in her Human Condition, stepping out to the Agora, engaging in debate and defending her position. What von Trotta has shown is that Arendt’s terms are useful also for thinking about current cinema and the ways in which it shows us what it means to be human, what it means to act and to think about what we are doing.
University of Chicago
Peter Ludlow in the Stone remarks on the generational divide in attitudes towards whistle blowers, leakers, and hackers. According to Time Magazine, “70 percent of those age 18 to 34 sampled in a poll said they believed that Snowden “did a good thing” in leaking the news of the National Security Agency’s surveillance program. This fits a general trend, one heralded by Rick Falkvinge—founder of the European Pirate Parties—at the Hannah Arendt Center Conference last year, that young people value transparency above institutional democratic procedures. Distrusting government and institutions, there is a decided shift towards a faith in transparency and unfettered disclosure. Those who expose such in information are lauded for their courage in the name of the freedom of information.
Ludlow agrees and cites Hannah Arendt’s portrait of Adolf Eichmann for support of his contention that leakers like Edward Snowden and Chelsea Manning acted justly and courageously:
“In “Eichmann in Jerusalem,” one of the most poignant and important works of 20th-century philosophy, Hannah Arendt made an observation about what she called “the banality of evil.” One interpretation of this holds that it was not an observation about what a regular guy Adolf Eichmann seemed to be, but rather a statement about what happens when people play their “proper” roles within a system, following prescribed conduct with respect to that system, while remaining blind to the moral consequences of what the system was doing — or at least compartmentalizing and ignoring those consequences.”
Ludlow insists: “For the leaker and whistleblower the answer to [those who argue it is hubris for leakers to make the moral decision to expose wrongdoing], is that there can be no expectation that the system will act morally of its own accord. Systems are optimized for their own survival and preventing the system from doing evil may well require breaking with organizational niceties, protocols or laws. It requires stepping outside of one’s assigned organizational role.” In other words, bureaucratic systems have every incentive to protect themselves, thus leading to both dysfunction and injustice. We depend upon the actions of individuals who say simply: “No, I can’t continue to allow such injustice to go on.” Whistle blowers and leakers are essential parts of any just bureaucratic organization.
Ludlow’s insight is an important one: It is that the person who thinks for himself and stands alone from the crowd can—in times of crisis when the mass of people are thoughtlessly carried away by herd instincts and crowd mentality—act morally simply by refusing to go along with the collective performance of injustice. The problem is that if Snowden and Manning had simply resigned, their acts of resistance would have had minimal impact. To make a difference and to act in the name of justice, they had to release classified material. In effect, they had to break the law. Ludlow’s claim is that they did so morally and in the name of justice.
But is Ludlow correct to enlist Arendt in support of leakers such as Snowden and Manning? It is true that Arendt deeply understands the importance of individuals who resist the easy path of conformity in the name of doing right. Perhaps nowhere is the importance of such action made more markedly manifest than in her telling of the mention of Anton Schmidt when his name appeared in the testimony of the Eichmann trial:
At this slightly tense moment, the witness happened to mention the name of Anton Schmidt, a Feldwebel, or sergeant, in the German Army - a name that was not entirely unknown to this audience, for Yad Vashem had published Schmidt's story some years before in its Hebrew Bulletin, and a number of Yiddish papers in America had picked it up. Anton Schmidt was in, charge of a patrol in Poland that collected stray German soldiers who were cut off from their units. In the course of doing this, he had run into members of the Jewish underground, including Mr. Kovner, a prominent member, and he had helped the Jewish partisans by supplying them with forged papers and military trucks. Most important of all: "He did not do it for money." This had gone on for five months, from October, 1941, to March, 1942, when Anton Schmidt was arrested and executed. (The prosecution had elicited the story because Kovner declared that he had first heard the name of Eichmann from Schmidt, who had told him about rumors in the Army that it was Eichmann who "arranges everything.") ….
During the few minutes it took Kovner to tell of the help that had come from a German sergeant, a hush settled over the courtroom; it was as though the crowd had spontaneously decided to observe the usual two minutes of silence in honor of the man named Anton Schmidt. And in those two minutes, which were like a sudden burst of light in the midst of impenetrable, unfathomable darkness, a single thought stood out clearly, irrefutably, beyond question - how utterly different everything would be today in this courtroom, in Israel, in Germany, in all of Europe, and perhaps in all countries of the world, if only more such stories could have been told.
For Arendt, great civil disobedients from Socrates to Thoreau play important and essential roles in the political realm. What is more, Arendt fully defends Daniel Ellsberg’s release of the Pentagon Papers. It seems, therefore, that it is appropriate to enlist her in support of the modern day whistleblowers.
There is, however, a problem with this reading. Socrates, Thoreau, and Ellsberg all gave themselves up to the law and allowed themselves to be judged by and within the legal system. In this regard, they differ markedly from Snowden, Manning and others who have sought to remain anonymous or to flee legal judgment. For Arendt, this difference is meaningful.
Consider the case of Shalom Schwartzbard, which Arendt addresses in Eichmann in Jerusalem. Schwartzbard was a Jew who assassinated the leader of Ukranian pogroms in the streets of Paris. Schwartzbard stood where he took his revenge, waited for the police, admitted his act of revenge, and put himself on trial. He claimed to have acted justly at a time when the legal system was refusing to do justice. And a French jury acquitted him.
For Arendt, the Schwartzbard case stands for an essential principle of justice: that to break the law and act justly, one must then bring oneself back into the law. She writes:
He who takes the law into his own hands will render a service to justice only if he is willing to transform the situation in such a way that the law can again operate and his act can, at least posthumously, be validated.
What allows Schwartzbard to serve the end of justice is that he took the risk of putting himself on trial and asked a court of law and a jury to determine whether what he did was just, even it were also illegal. By doing so, Schwartzbard not only claimed that his act was a matter of personal conscience; he insisted as well that it was legal if one understood the laws rightly. He asked the representatives of the law—the French jury—to publicly agree with his claim and to vindicate him. He had no guarantee they would do so. When they did, their judgment brought the justice of Schwartzbard’s act to the bright light of the public and also cast the legal system’s inaction—its refusal to arrest war criminals living openly in Paris—in the shadow of darkness.
When I have suggested to colleagues and friends that Snowden’s flight to Moscow and his refusal to stand trial makes it impossible to see his release of the NSA documents as an act of justice, their response mirrors the argument made by Daniel Ellsberg. Ellsberg—who turned himself over to the police after releasing the Pentagon Papers—has defended Snowden’s decision to flee. The United States of 2013, he argues, is simply no longer the United States of the 1960s. When Ellsberg turned himself in, he was released on bail and given legal protections. He has no faith that the legal system today would treat Snowden with such respect. More likely Snowden would be imprisoned, possibly in solitary confinement. Potentially he would be tortured. There is every reason to believe, Ellsberg and others argue, that Snowden would not receive a fair trial. Under such circumstances, Snowden’s flight is, these supporters argue, justifiable.
I fully admit that it is likely that Snowden would have been treated much less generously than was Ellsberg. But aside from the fact that Snowden never gave the courts the chance to treat him justly, his refusal to submit to the law makes it impossible for his act of disobedience to shine forth as a claim of doing justice. He may claim that he acted in the public interest. He may argue that he acted out of conscience. And he may say he wants a public debate about the rightness of U.S. policy. He may be earnest in all these claims. But the fact that he fled and did not “transform the situation in such a way that the law can again operate and his act can be validated,” means that he does not, in the end, “render a service to justice.” On the contrary, by fleeing, Snowden gives solace to those who portray him as a criminal and make it easier for those who would to discredit him.
All of this is not to say that Snowden was wrong to release the NSA documents. It is clearly the case that the security state has gone off the rails and become encased in a bubble of fearful conformity that justifies nearly any act in the name of security. We do need such a public conversation about these policies and to the extent that Snowden and Manning have helped to encourage one, I am thankful to them. That said, Manning’s anonymity and Snowden’s flight have actually distracted attention from the question of the justice of their acts and focused attention instead on their motives and personal characters. They have, by resisting the return to law, diluted their claims to act justly.
It is a lot to ask that someone risk their life to act justly. But the fact that justice asks much of us is fundamental to the nature of justice itself: That justice, as opposed to legality, is always extreme, exceptional, and dangerous. Arendt knew well that those who act justly may lose their life, as did Socrates and Anton Schmidt. She knew well that those who act justly may lose their freedom, like Nelson Mandela. But she also knew that even those who die or are isolated will, by their courage in the service of justice, shine light into a world of shadows.
Peter Ludlow’s essay on the Banality of Systematic Evil is well worth reading. He is right that it is important for individuals to think for themselves and be willing to risk civil disobedience when they are convinced that bureaucracies have lost their moral bearings. It is your weekend read. And if you want to read more about Arendt and the demands of justice, take a look at this essay on Arendt’s discussion of the Shalom Schwartzbard case.
The Hannah Arendt Center has a acquired a complete transcript of the Trial of Adolf Eichmann in Jerusalem—one of only three copies in the United States and one of only seventeen copies world wide, making this a truly important addition to the Arendt Center's collection. We thank Mr. and Mrs. Sidney Lapidus for their support and generosity in helping us acquire these meaningful historic documents.
In response to the my essay on “Misreading ‘Eichmann in Jerusalem,” I have been asked repeatedly how to access the Sassen papers, the more than 1,300 pages of memoir and interview transcripts that Eichmann produced while he was in Argentina. The first answer is simple: Read the two issues of Life magazine from November 28 and December 5, 1960 in which a large chunk of these interviews are excerpted.
To actually read these excerpts is to be struck by how long they are, how detailed, and how chilling. And also it is to become aware of how important they were for Arendt’s own attempts to understand Eichmann.
Historians who now are digging through the Sassen papers are somewhat dismissive of the excerpts. Bettina Stangneth, the very best and most responsible of these historians, writes that excerpts in a popular magazine are not meaningful sources for serious scholars. And in one important sense, she is correct.
The excerpts are of course mere excerpts. Further, they were prepared by Willem Sassen, a Dutch-German Nazi and war criminal who along with others interviewed Eichmann over many months in 1957 in Argentina. Sassen was a journalist and gifted writer, and the original plan seems to have been for him and Eichmann together to publish a memoir or biography and split the profits, along with Eberhard Fritsch. Beyond pecuniary considerations, Sassen and Fritsch hoped that Eichmann would assist them in their aim of denying the Holocaust. Eichmann did not do so and, on the contrary, he confirmed it and boasted of his role in it. The three did not see eye to eye and publication plans were abandoned. After Eichmann was kidnapped and brought to Israel for trial, Sassen assembled the excerpts from the interviews and sold it to Life Magazine. Clearly, such tainted documents need to be taken with some care.
That said, the excerpts published in Life are remarkable documents and as they are widely available on Ebay and in libraries in the U.S., they are easily the most accessible way for English speakers to read Eichmann’s self-justification and self-presentation in Argentina, years before he was brought before Jewish judges in a courtroom in Jerusalem.
In what follows, for your Weekend Read, I offer some excerpts from these excerpts. Here, for example, is Eichmann describing his first encounter with the physical destruction of Jews:
When I rode out the next morning they had already started, so I could see only the finish. Although I was wearing a leather coat which reached almost to my ankles, it was very cold. I watched the last group of Jews undress, down to their shirts. They walked the last 100 tor 200 yards—they were not driven—then they jumped into the pit. It was impressive to see them all jumping into the pit without offering any resistance whatsoever. Then the men of the squad banged away into the pit with their rifles and machine pistols.
Why did that scene linger so long in my memory? Perhaps because I had children myself. And there were children in that pit. I saw a woman hold a child of a year or two into the air, pleading. At that moment all I wanted to say was, “Don’t shoot, hand over the child….” Then the child was hit.
I was so close that later I found bits of brains splattered on my long leather coat. My driver helped me remove them. Then we returned to Berlin. …
Having seen what I had in Minsk, I said this when I reported back to [Heinrich] Müller: “The solution. Gruppenführer, was supposed to have been a political one. But now that the Führer has ordered a physical solution, obviously a physical solution it must be. But we cannot go on conducting executions as they were done in Minsk and, I believe, other places. Of necessity our men will be educated to become sadists. We cannot solve the Jewish problem by putting a bullet through the brain of a defenseless woman who is holding her child up to us.”
Müller did not answer. He just looked at me in a fatherly, benevolent fashion. I never could figure him out.
In another excerpt, Eichmann describes his first experience viewing mobile gassing centers.
A doctor who was there suggested that I look at the people inside one bus through a peephole in the driver’s seat. I refused. I couldn’t look. This was the first time that I had seen and heard such a thing and my knees were buckling under me. I had been told that the whole process took only three minutes, but the buses rode along for about a quarter of an hour. …
When I reported back to Müller in Berlin, he chided me for not having timed the procedure with a stop watch. I said to him, “This sort of thing can’t go on. Things shouldn’t be done this way.” I admitted I had not been able to look through the peephole. This time too, Müller behaved like a sphinx. He forgave me, so to speak, for not having looked. Perhaps “forgive” sounds like an odd expression here.
The executions at Litzmannstadt and Minsk were a deep shock to me. Certainly I too had been aiming at a solution of the Jewish problem, but not like this. Of course, at that time, I had not yet seen burned Germans, Germans shrunken like mummies in death. I had yet to see the heavy, imploring eyes of the old couple in a Berlin air raid shelter who lay crushed beneath a beam, begging me to shoot them. I couldn’t bear to shoot them, but I told my sergeant to do so, if he could. If I had known then the horrors that would later happen to Germans, it would have been easier for me to watch the Jewish executions. At heart I am a very sensitive man. I simply can’t look at any suffering without trembling myself.
Later, in the second Life Magazine excerpt, Eichmann describes his famous final speech to his men in Berlin, perhaps the most quoted line from the Sassen interviews. He says:
I made my last report to Himmler less than a month before the final surrender of Germany. The Reichsführer had been for some time negotiating with Count Bernadotte about the Jews. He wanted to make sure that at least 100 of the most prominent Jews we could lay our hands on would be held in a safe place. Thus he hoped to strengthen our hand, for almost to the end Himmler was optimistic about making separate peace terms. “We’ll get a treaty,” he said to me, slapping his thigh. “We’ll lose a few feathers, but it will be a good one.” It was then mid-April 1945….
During those last days I called my men into my Berlin office in the Kurfürsten Strasse and formally took leave of them. “If it has to be,” I told them, “I will gladly jump into my grave in the knowledge that five million enemies of the Reich have already died like animals.” (“Enemies of the Reich,” I said, not “Jews.”) I spoke these words harshly and with emphasis. In fact, it gave me an extraordinary sense of elation to think that I was exiting from the stage this way.
The Life Magazine excerpts ends with a transcription and translation of Eichmann’s final outburst when, fed up with Sassen’s attempt to deny the Holocaust or to diminish it, he bursts out in a fit of self-justification:
But to sum it all up, I must say that I regret nothing. Adolf Hitler may have been wrong all down the line, but one thing is beyond dispute: the man was able to work his way up from lance corporal in the German army to Führer of a people of almost 80 million. I never met him personally, but his success alone proves to me that I should subordinate myself to this man. He was somehow so supremely capable that the people recognized him. And so with that justification I recognized him joyfully, and I still defend him.
I will not humble myself or repent in any way. I could do it too cheaply in today’s climate of opinion. It would be too easy to pretend that I had turned suddenly from a Saul to a Paul. No, I must say truthfully that if we had killed all the 10 million Jews that Himmler’s statisticians originally listed in 1933, I would say, “Good, we have destroyed an enemy.” But here I do not mean wiping them out entirely. That would not be proper—and we carried on a proper war.
Now, however, when through the malice of fate a large part of these Jews whom we fought against are alive, I must concede that fate must have wanted it so. I always claimed that we were fighting against a foe who through thousands of years of learning and development had become superior to us.
I no longer remember exactly when, but it was even before Rome itself had been founded that the Jews could already write. It is very depressing for me to think of that people writing laws over 6,000 years of written history. But it tells me that they must be a people of the first magnitude, for law-givers have always been great.
To read these excerpts is chilling and also illuminating, both about Eichmann and also about Arendt’s report on his trial.
Arendt wrote her articles and her book not simply at the mercy of the trial in Jerusalem and Eichmann’s self-presentation before Israeli judges. She had access to the excerpts in Life and many of her most controversial conclusions are clearly traceable to these pages. It is undoubtedly true that scholars should approach the original documents and not rely on excerpts translated in a popular magazine. But no one who has looked at the originals has made the case that anything published in Life is wrong or misleading.
For those who want more, the best source for learning about the Sassen papers is Bettina Stangneth’s book Eichmann vor Jerusalem. In good news, it will be published later this year or early next year in English. Stangneth’s book is often mentioned in the same breadth with much-less-responsible books by David Cesarani and Deborah Lipstadt, as collective examples of books that use new information from the Sassen reports to prove Arendt was wrong about Eichmann. But this is not exactly right.
Stangneth does write that Arendt “fell into a trap because Eichmann in Jerusalem was wearing a mask;” Stangneth also claims that “Eichmann manipulated Arendt, and the result was that she saw her own expectations confirmed.” Like Cesarani and Lipstadt, Stangneth wants to claim space from Arendt, to say that the new documents allow the modern scholar a wider perspective.
And yet, Stangneth also insists that Arendt “was very aware of the fact that she was not getting the whole picture.” Stangneth writes of her own book that,
Eichmann before Jerusalem is a dialogue with Hannah Arendt. This is not merely due to the fact that my own interest in the topic was aroused many years ago by reading Eichmann in Jerusalem. Our understanding of history is dependent on understanding the era and the circumstances in which events occurred, and so a perspective like Arendt's is indispensible. She showed courage in her ability to reach a clear judgment of the situation while aware of the risk, despite her meticulous research, of not knowing enough.
To read Stangneth’s book in its entirety is to see her in continued dialogue with Arendt as she makes her way through the Sassen papers and is to be impressed with her scholarship as well as by her honesty. If you read German, Eichmann Vor Jerusalem is your best way to learn more about the Sassen interviews. It is your Weekend Read if you don’t to wait for the English translation coming soon.
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
In the New York Times, Roger Berkowitz takes on what he calls the new consensus emerging in responses to the new "Hannah Arendt" movie, that seems to be resolving the vitriolic debates over Arendt's characterization of Adolf Eichmann over the last 50 years. This new consensus holds that Arendt was right in her general claim that many evildoers are normal people, but was wrong about Eichmann in particular. As Christopher Browning summed it up recently in the New York Review of Books, "Arendt grasped an important concept but not the right example." As Berkowitz writes, this new consensus is founded upon "new scholarship on Eichmann's writings and reflections from the 1950's, when he was living amongst a fraternity of former Nazis in Argentina, before Israeli agents captured him and spirited him out of the country and to Israel. Eichmann's writings include an unpublished memoir, "The Others Spoke, Now Will I Speak," and an interview conducted over many months with a Nazi journalist and war criminal, Willem Sassen, which were not released until long after the trial. Eichmann's justification of his actions to Sassen is considered more genuine than his testimony before judges in Jerusalem. In recent decades, scholars have argued that the Sassen interviews show that Arendt was simply wrong in her judgment of Eichmann because she did not have all the facts." As tempting as this new consensus is, it is wrong, Berkowitz argues. Read his full argument here.
Geoff Dyer, flipping through the catalogue of a recent Gary Winograd retrospective at SFMoMA, considers the way that the street photographer presented what he saw: "the pictures didn't look right, they were all skewed and lurchy, random-seeming and wrong. They were, it was felt, an unprovoked assault on the eye... We were accustomed to viewing the world through a set of conventional lenses that Winograd wrenched from our face, making us conscious of how short-sighted we had been." Winograd's still pictures, in other words, act on their viewers, betraying our sense of the world, shifting it out of focus, and therefore revealing it for what it is.
Tony Horwitz uses the upcoming 150th anniversary of Gettysburg to zoom out and consider the changing historical narrative about the American Civil War, in the process offering up an important reminder that history is a living, changing thing: "the 150th anniversary of the Civil War is too narrow a lens through which to view the conflict. We are commemorating the four years of combat that began in 1861 and ended with Union victory in 1865. But Iraq and Afghanistan remind us, yet again, that the aftermath of war matters as much as its initial outcome. Though Confederate armies surrendered in 1865, white Southerners fought on by other means, wearing down a war-weary North that was ambivalent about if not hostile to black equality. Looking backwards, and hitting the pause button at the Gettysburg Address or the passage of the 13th amendment, we see a "good" and successful war for freedom. If we focus instead on the run-up to war, when Lincoln pledged to not interfere with slavery in the South, or pan out to include the 1870s, when the nation abandoned Reconstruction, the story of the Civil War isn't quite so uplifting. "
Computer scientist and writer Jaron Lanier critiques the present digital economy with a close look at the evolving relationship between technology and power. To make his argument for change, he insightfully reinterprets what many consider to be a paradox - that the pairing of technology and power at once enriches and erodes the agency of individual actors. Companies like Google are so valuable, he argues, because they control enormously powerful and expensive servers-he calls them Siren Servers to emphasize their irresistible allure-that allow it to manipulate aggregate activity over time. "While people are rarely forced to accept the influence of Siren Servers in any particular case, on a broad statistical basis it becomes impossible for a population to do anything but acquiesce over time....While no particular Google ad is guaranteed to work, the overall Google ad scheme by definition must work, because of the laws of statistics. Superior computation lets a Siren Server enjoy the magical benefits of reliably manipulating others even though no hand is forced ... We need to experiment; to learn how to nurture a middle class that can thrive even in a highly automated society."
Discussing her recent essay in Harper's, writer Rebecca Makkai talks about her experience of her grandfather, whom she knew as a yoga instructor who lived in Hawaii, who was also the principal author of Hungary's Second Jewish Law, which passed in 1939. At one point, she strikes a particularly Arendtian note: "There's also the fact that it's just very difficult, psychologically, to reconcile the face of a real person with one of the darkest moments of the twentieth century. It's not the same as looking at someone who's personally violent, likely to reach out and hit you. This guy is chopping up papaya on his balcony, telling jokes, and I think we have an instinct to forgive, to see just the best in that person, to see him at just that moment. (The irony being that this is what he and his colleagues failed to do - to see humans in front of them.)"
Roger Berkowitz will be in attendance at the Moviehouse in Millerton for a discussion after the 4:00 pm screening of "Hannah Arendt" and before the 7:00 pm screening.
July 16, 2013
Following the 7:40 pm showing of "Hannah Arendt" at the Quad Cinema on 13th St. in N.Y.C., there will be a Q&A with Roger Berkowitz about the film.
July 21, 2013
Following the 6:00 pm showing of "Hannah Arendt" at Symphony Space on Broadway and 95th St. in N.Y.C., there will be a Q&A with Roger Berkowitz about the film.
The sixth annual fall conference, "Failing Fast" The Educated Citizen in Crisis"
Olin Hall, Bard College
Learn more here.
From the Hannah Arendt Center Blog
This week on the blog, Ian Storey in the Quote of the Week looks at the implications of the recent Supreme Court same sex marriage rulings. Jeff Champlin considers Arendt's reading of Kant, offering a new way to think about judgment. Hannah Arendt's thinking is brought to bear on the Paula Deen scandal. And, for your weekend read, Roger Berkowitz looks at the moral implications of financial inequality.
Stanley Kaufmann has a over-the-top critique of “Hannah Arendt” in The New Republic. As with most such reviews, it is driven more by personal animus towards Arendt than by any consideration of the film. Here is one representative graph:
Today at least we can see that there is small point in separating emotions from facts, as Arendt did. The immense horror of the Holocaust washed away any philosophical distinctions. Any sparing of Eichmann would have left millions of people feeling guilty of not fulfilling their duty. (An incidental bother: Before the war Arendt had been the student and lover of Martin Heidegger, who became a Nazi, and Arendt returned to him briefly after the war. This was presumably more a matter of Venus than politics; still it bothered many.) But Arendt’s strict adherence to her views resulted in her discharge from her teaching position, and the picture closes with her defiant parting address to her class.
First, Arendt did not return to her love affair with Heidegger after the war. Why imply she did?
Second, Arendt was not dismissed from a teaching position.
Mr. Kaufmann seems to have slept periodically through the movie and mixed up fantasy and reality in his fertile imagination. These are of course small points, but they are indications of just how deeply some people feel the need to discredit Arendt with personal attacks instead of addressing her ideas.
A.O. Scott gives "Hannah Arendt", the new film by Margarethe von Trotta a rave in the New York Times today:
We may need [Arendt’s] example more than ever. It’s probably too much to hope that Ms. von Trotta and her star, Barbara Sukowa, will do for Arendt what Nora Ephron and Meryl Streep did for Julia Child, but surely a fellow can dream. And in a manner not altogether dissimilar to the way “Julie & Julia” mastered the art of French cooking, “Hannah Arendt” conveys the glamour, charisma and difficulty of a certain kind of German thought. Ms. Sukowa, compact and energetic and not overly concerned with impersonation, captures Arendt’s fearsome cerebral power, as well as her warmth and, above all, the essential, unappeasable curiosity that drove her.
The movie turns ideas into the best kind of entertainment. There is an undeniable nostalgic thrill in stepping into an era in New York when philosophers lived in apartments with Hudson River views, and smoking was permitted even in college lecture halls, especially if you are someone for whom the summit of early-’60s Manhattan magic is not Madison Avenue or Macdougal Street but Riverside Drive. But it would be a mistake to file this film with all the other rose-colored midcentury costume dramas.
Read the whole review here.
"Hannah Arendt" opens tonight at Film Forum in Manhattan. We will be on hand and there is a Q&A afterwards with Margarethe von Trotta, Pam Katz (writer), Barbara Sukowa (playing Hannah Arendt) and Janet McTeer (playing Mary McCarthy).
The opening is sold out, but on Wednesday June 5th, there will be a Q&A with Roger Berkowitz, Director of the Hannah Arendt Center, following the 6:30 show. Buy tickets here.