Hannah Arendt Center for Politics and Humanities
26May/140

Amor Mundi 5/25/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

The Fourth Revolution

1The first chapter of The Fourth Revolution: The Global Race to Reinvent the State by John Mickletwait and Adrian Wooldridge has been reprinted in various forms, most recently in the Wall Street Journal. It begins with fear and awe-of China. The first chapter, parts of which have been reprinted in various forms most recently in the Wall Street Journal, introduces the reader to CELAP, the China Executive Leadership Academy Pudong. "Today, Chinese students and officials hurtle around the world, studying successful models from Chile to Sweden. Some 1,300 years ago, CELAP's staff remind you, imperial China sought out the brightest young people to become civil servants. For centuries, these mandarins ran the world's most advanced government-until the Europeans and then the Americans forged ahead. Better government has long been one of the West's great advantages. Now the Chinese want that title back. Western policy makers should look at this effort the same way that Western businessmen looked at Chinese factories in the 1990s: with a mixture of awe and fear. Just as China deliberately set out to remaster the art of capitalism, it is now trying to remaster the art of government. The only difference is a chilling one: Many Chinese think there is far less to be gained from studying Western government than they did from studying Western capitalism. They visit Silicon Valley and Wall Street, not Washington, D.C." Beginning with the uncontroversial premise that government is broken, The Fourth Revolution argues that two responses are necessary. The first response is technical: "Government can be made slimmer and better." The second response is "ideological: it requires people to ask just what they want government to do." What is needed is a revolution, the surprising and unpredictable emergence of a new common sense that can inspire sacrifice and dedication in the name of a collective vision. Mickletwait and Wooldridge are to be commended for moving beyond the typical jeremiads that all that we need to fix government are technical solutions. The last third of their book is an attempt to articulate a vision of a common idea that can inspire and animate a revolutionary re-imagination of the state. That their proposed idea, which they call "freedom," is actually quite old is an argument against neither the idea nor its messengers. That said, their view of freedom is disappointingly tame and apolitical. Read more in the Weekend Read by Roger Berkowitz on the Arendt Center blog.

A Little More Than An Apple A Day

new yorker_newark schools_revisions_7What happens when a rock star Democratic mayor, a popular no-nonsense Republican Governor, and a billionaire philanthropist decide to make an all-out and high-profile effort to reform the failing schools in a poor post-industrial city? Dale Russakoff, in a long fascinating essay, describes the axis of local and financial interests that drove­-and blocked-school reform in Newark, New Jersey. Despite a $100,000,000 commitment from Facebook CEO Mark Zuckerberg, the results of the program have been mixed. "Almost four years later, Newark has fifty new principals, four new public high schools, a new teachers' contract that ties pay to performance, and an agreement by most charter schools to serve their share of the neediest students. But residents only recently learned that the overhaul would require thousands of students to move to other schools, and a thousand teachers and more than eight hundred support staff to be laid off within three years. In mid-April, seventy-seven members of the clergy signed a letter to Christie requesting a moratorium on the plan, citing 'venomous' public anger and 'the moral imperative' that people have power over their own destiny. Booker, now a U.S. senator, said in a recent interview that he understood families' fear and anger: 'My mom-she would've been fit to be tied with some of what happened.' But he characterized the rancor as 'a sort of nadir,' and predicted that in two or three years Newark could be a national model of urban education. 'That's pretty monumental in terms of the accomplishment that will be.'"

A Political Animal

1In a review essay summing up a recent biography of John Quincy Adams and both a recent biography and a collection of essays from his wife Louisa Catherine Adams, Susan Dunn points to Adams as perhaps the last member of the political generation of the founders, suggesting that he was both brilliant and behind his times: "Adams's program was a transformational one, but he disdained the transactional skills with which he might have achieved his goals. He rejected party-building, party leadership and followership, and piously stood opposed to using the tool of political patronage. He had neither talent nor patience for the essence of democratic leadership: connecting with, educating, and empowering ordinary citizens who were beginning to play a decisive part in American government. He did not grasp, as the historian Gordon Wood memorably wrote, that the voice of the people would become 'America's nineteenth-century popular substitute for the elitist intellectual leadership of the Revolutionary generation.' On the contrary, like the founders who worshiped 'the public' but feared 'the people,' Adams felt only scorn for the idea of dirtying his hands in the increasingly boisterous, personality-driven, sectional, and partisan politics of the 1820s and 1830s." Proving, however, that no one is just one thing, Adams would later prove to be in the advance guard of another issue; after losing the presidency in 1829, he took up abolition, which he fought as a member of the House of Representatives until his death two decades later.

Sometimes The Simplest Solution

1Philip Ball pushes on the idea that the most elegant scientific solution is likely to be the best one, and the following ideal that simplicity is therefore beautiful, and finds it empty: "The idea that simplicity, as distinct from beauty, is a guide to truth - the idea, in other words, that Occam's Razor is a useful tool - seems like something of a shibboleth in itself. As these examples show, it is not reliably correct. Perhaps it is a logical assumption, all else being equal. But it is rare in science that all else is equal. More often, some experiments support one theory and others another, with no yardstick of parsimony to act as referee. We can be sure, however, that simplicity is not the ultimate desideratum of aesthetic merit. Indeed, in music and visual art, there appears to be an optimal level of complexity below which preference declines. A graph of enjoyment versus complexity has the shape of an inverted U: there is a general preference for, say, 'Eleanor Rigby' over both 'Baa Baa Black Sheep' and Pierre Boulez's Structures Ia, just as there is for lush landscapes over monochromes. For most of us, our tastes eschew the extremes."

One Thing After Another

1Ben Lerner has an excellent essay in the London Review of Books on volume three of Karl Ove Knausgaard's My Struggle series. One of the most distinctive qualities of the series is the overwhelming amount of detail Knausgaard offers to describe even the most mundane of events, like the exact appearance and characteristics of a bowl of cornflakes. Indeed, Knausgaard has remarked in an interview, "I thought of this project as a kind of experiment in realistic prose. How far is it possible to go into detail before the novel cracks and becomes unreadable?" Lerner observes that it is this immersive and anti-literary formlessness-as well as the risk it carries-that ultimately gives Knausgaard's experiment its peculiar power. "What's unnerving about Knausgaard is that it's hard to decide if he's just a child who stares at everything, who makes no distinctions, or if he indeed qualifies as a Baudelairean man-child, as a genius who can 'bring order into the sum of experience, involuntarily amassed'. Another way to put it: does My Struggle ultimately have an aesthetic form? Or is it just one thing after another? I think it's because My Struggle is both absorbing and can feel undifferentiated that you'll find it being likened at once to crack cocaine and Marcel Proust. It's why we can read it compulsively while being uncertain if it's good."

Reaching Into the Way, Way Back For a Way Forward

1Paul Carrese and Michael Doran, weary of having to listen to pundits discuss foreign policy and wary of off-the-shelf foreign policy doctrine, look back to Washington's 1796 Farewell Address as a model for present day American decision making. They note four points - the primacy of natural rights and religious ideals, maintaining military readiness and civilian authority, wariness of faction but adherence to Constitutional rules, and a statesmanship balanced between interest and justice - worthy of continued consideration. They conclude, finally, that the foreign policy put forth by Washington is a foreign policy of an informed citizenry: "the Founders' school of foreign policy encourages us to maintain a flexible but principled disposition. Washington hoped his moderate, balanced principles would 'prevent our nation from running the course which has hitherto marked the destiny of nations.' This presupposed civic vigilance by citizens and leaders alike. The Farewell Address thus calls his 'friends and fellow citizens' to take up the hard work of learning about and debating difficult issues, while avoiding passion and partisan rancor to the highest degree humanly possible. In foreign policy, as in all aspects of political life, neither the experts nor the public have a monopoly on insight. Both are capable of error. A successful, long-term American strategy toward any given problem, or any given era of international realities, will command the respect of a large portion of the public and a significant portion of the experts. Such strategies must be a product of co-creation, and must be rooted in our deepest principles and values."

The Not-So-Clear NSA Line Between Terrorism and Crime

1In the Intercept, Ryan Devereaux, Glenn Greenwald, and Laura Poitras write about MYSTIC, a secret NSA program that allows the U.S. Government to record and listen to every single phone call in certain countries. "Rather than simply making 'tentative analytic conclusions derived from metadata,' the memo notes, analysts can follow up on hunches by going back in time and listening to phone calls recorded during the previous month. Such 'retrospective retrieval' means that analysts can figure out what targets were saying even when the calls occurred before the targets were identified. '[W]e buffer certain calls that MAY be of foreign intelligence value for a sufficient period to permit a well-informed decision on whether to retrieve and return specific audio content,' the NSA official reported. The program raises profound questions about the nature and extent of American surveillance abroad. The U.S. intelligence community routinely justifies its massive spying efforts by citing the threats to national security posed by global terrorism and unpredictable rival nations like Russia and Iran. But the NSA documents indicate that SOMALGET has been deployed in the Bahamas to locate 'international narcotics traffickers and special-interest alien smugglers' - traditional law-enforcement concerns, but a far cry from derailing terror plots or intercepting weapons of mass destruction. 'The Bahamas is a stable democracy that shares democratic principles, personal freedoms, and rule of law with the United States,' the State Department concluded in a crime and safety report published last year. 'There is little to no threat facing Americans from domestic (Bahamian) terrorism, war, or civil unrest.' By targeting the Bahamas' entire mobile network, the NSA is intentionally collecting and retaining intelligence on millions of people who have not been accused of any crime or terrorist activity."

From the Hannah Arendt Center Blog

This week on the Blog Wolfgang Heuer writes about Arendt and social science in the "Quote" of the Week. And Roger Berkowitz writes about the Fourth Revolution, a call for a classical liberal revolution in the Weekend Read.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
1May/130

The Re-Germanization of “Hannah Arendt”

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I must confess, I am no Roger Ebert. I don’t write movie reviews for a living. I love movies, and watch lots of them, and often have strong opinions, like most of us. More than that I cannot claim.

But I have been deeply engaged in the life and thought of Hannah Arendt, having recently finished a book on her. And one I thing I can tell you is that at her core she was Jewish and also very American. The problem of Jewish identity was something she wrestled with her whole life, and in a very advanced way. She looked for data everywhere, even among Nazis, and she pulled ideas from everywhere, seeking to invent something new. By identity, I don’t mean just personal identity. I mean the collective identity upon which personal identities stand, and the politics that surround them. The problem for her was how an ethnic identity could be anchored in political institutions, and fostered, and protected, and yet avoids the close-mindedness and intellectual rigidity that seem inherent in nationalism. Thus too much is constantly made out of her apparent "non-Love" for the Jewish people, something which she wrote to Gershom Scholem after the publication of Eichmann in Jerusalem, which is also a key scene in this movie. Against the backdrop of her own life, however, the idea that only friends mattered sounded just a bit ironic. Arendt was not exactly a "cultivator of her garden." She spent all her time wrapped up in national and international and cultural politics. Jewish politics was a big part of her life.

So as a fan of both movies and Arendt, you can imagine how much I was looking forward to this movie. Unfortunately, I came out deeply disappointed. It’s not simply that this portrait of Arendt is frozen in amber, and celebrates the misunderstandings of 50 years ago, when Eichmann in Jerusalem had just came out. It’s not simply that it ignores the last 15 years of modern scholarship, which re- excavated her Jewishness in order to make sense of the many things in her writings and actions that otherwise don’t. It’s that it turns her story inside out. She becomes a German woman saving the Jews.

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I first saw this film in Germany, and I can testify that Germans love the story when told this way. It also seems a story the director loves to tell. After seeing Arendt twice (once in Munich and once in Tel Aviv), I remembered von Trotta’s 2003 movie Rosenstrasse, and was stunned to realize it’s pretty much the same story: German women saving Jewish men. Rosenstrasse, an interesting footnote in Holocaust and legal history ends in a triumphal march with the women bringing their men home, seeming as if they’d risked life and limb. In Hannah Arendt, a similar scene is her big speech at the New School, where the evil administrators (all very Jewish looking) are shamed into submission by her brilliance, while young students (all pretty and Aryan-looking) applaud enthusiastically. Both are archetypal Hollywood “the world is good again” scenes. And both are fundamental distortions of reality, German fantasies being taken for history.

Perhaps that is the key. Perhaps in this age of Tarantino and Spielberg you are free to do what you like. The projection of historical fantasies is now a subgenre. So shouldn’t the Germans be free to enjoy their fantasies about the Jews, about Israel,about German-Jewish relations, about the meaning of German-Jewish reconciliation, you name it? Sure. But, as I’m sure you have noticed, along with passionate fans, these sorts of films always attract large measures of stinging criticism from (a) scholars peeved at gross inaccuracies, and (b) people who hate this fantasy and want a different one. Since for this film I fall into both groups, you should treat my reactions accordingly.

Hollywood conventions may be most visible in the “right with the world” scenes, but they appear throughout the film. The most Hollywood thing about it is that this is a film lionizing thinkers that doesn’t have any thinking in it. We are supposed to know from the camera and the music and the reaction shots that they are having big thoughts and that everyone is awed by them. But if you actually listen to what is supposed to be passing as big thought, Oy. Hannah Arendt and Mary McCarthy: frivolous advice about men. Martin Heidegger, who hovers over the movie like a Black Forest deity, appears via flashbacks, pronouncing things like “We think because we are thinking beings.” Young Hannah Arendt looks up, clearly smitten by such banalities. Under Heidegger’s cloud, Hannah Arendt is not only Germanized, but turned into a sentimental fool. Which is the last description anyone has ever reached for who had ever met her.

As for the Eichmann trial that frames and forms the core of the film, all I can say is don’t get me started. Arendt’s New Yorker articles and the book that came out of them were the source of endless misunderstanding, both at the time and still today. This movie not only adds to it, it builds on it. For von Trotta, “the banality of evil” is a way of normalizing the crimes of the Holocaust: anyone could have done them. Eichmann is no antisemite. Banality is the thus deepest insight, the final dismissal of charges. And it’s the Jews who miss it, and the German-speaking woman who has to tell them, for their own good, to give up on this grudge business and with it also realize their own guilt in the destruction of the Jews.

So far, so normal. Everyday Eichmann in Jerusalem is being misinterpreted like this in classrooms around the world. But there is one thing I can’t forgive, which gives the film its final conclusion, and that is the completely fabricated scene at the end where she is threatened by the Mossad. It is nonsensical for several reasons, but worse is how it is composed. It is a “walking my lonely road” scene that chimes with the very first scene of the movie, when Eichmann is walking along in Argentina just before he is grabbed. There, the Mossad men overpower him completely; he is helpless and held up to scorn. Here, she stands up to them and tells them off; they slink away, grumbling impotent before the truth. The arc is completed. The Israelis, wrong from the beginning, have finally been cowed by The Truth About How Wrong They Were, by the German speaking Athena. And for good measure she throws in a sneering crack about how the Jewish nation must have too much money if it sent four of them.

Tarantino never made up anything more inverted.


-Natan Sznaider

**Natan Sznaider is a Professor at the Academic College of Tel Aviv-Yaffo. Among his several books are Jewish Memory and the Cosmopolitan Order: Hannah Arendt and the Jewish Condition and two books on the sociology of the Holocaust.He was born and grew up in Germany, and is a regularly commentator in the German press. He lives in Tel Aviv.

 

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
11Dec/120

Mark Twain on Thinking

"The man with a new idea is a crank - until the idea succeeds."

-Mark Twain

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.