Hannah Arendt Center for Politics and Humanities
6Sep/140

On Mark Lilla on Hannah Arendt

eichmann_jerusalem

**This post was originally published on November 15, 2013**

It is now more than 50 years since Hannah Arendt published Eichmann in Jerusalem. It is neither her best nor her most important book, yet it does contain essential and important insights. Above all, it offers us the example of a man who, as Arendt saw and understood him, moved fairly seamlessly from being an anti-Semite to a genocidal murderer. Arendt asked: How is it that Eichmann and others like him morphed so easily from an anti-Semite to a mass murderer?

Roger Berkowitz
Roger Berkowitz is Associate Professor of Political Studies and Human Rights at Bard College, and Academic Director of the Hannah Arendt Center for Politics and the Humanities. He is also the author of "Gift of Science: Leibiniz and the Modern Legal Tradition", as well as co-editor of "Thinking in Dark Times: Hannah Arendt on Ethics and Politics".
18Aug/140

Amor Mundi 8/17/14

Amor Mundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

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The Owl of Minerva Spreads Its Wings

povertyRaymond Geuss looks back at the 1970s, when he was writing The Idea of a Critical Theory, and sees now what he could not see then: the world he was writing about was ending. As far as what was 'really' happening is concerned, we can now see that the period of unprecedented economic growth and political and social progress which took place in the West after the end of World War II began to plateau in the 1970s when productivity began to stagnate. By the early 1970s, though, the assumption that economic growth would continue, levels of prosperity continue to rise, and the social and political structures continue to evolve in the direction of greater flexibility, realism and humanity had become very firmly entrenched in Western populations.The period during which anything like that assumption was at all reasonable was ending just as I was beginning work on my book, although I, of course, did not know that at the time, any more than anyone else did. It would have been political suicide for any major figure in the West to face up to this situation courageously and to try to make clear to the population that the possibilities of relatively easy real growth were exhausted, that the era of ever-increasing prosperity was gone for good; this would have raised intolerable questions about the very foundations of the existing socioeconomic and political order." Geuss raises serious questions about the poverty of our political and philosophical thinking and its inability to address the reality of our situation. He worries that by seeking to justify and legitimate power, political thinking has turned away from the more important question of justice. You can read more about Geuss' essay in the Weekend Read on the Hannah Arendt Center Blog.

The Militarized State

militarized_stateIn the wake of the controversial shooting of Michael Brown, an unarmed black teenager, protests and riots have been met by a heavily militarized police presence. The over-militarization of local police departments has been a theme for 30 years, but people are starting to pay attention. In the New York Times, Julie Bosman and Matt Apuzzo have a long article explaining how, for example, a suburban St. Louis district won a $360,000 U.S. government grant to purchase a heavily armored vehicle that was part of the militarized response to the protests: "For four nights in a row, they streamed onto West Florissant Avenue wearing camouflage, black helmets and vests with 'POLICE' stamped on the back. They carried objects that doubled as warnings: assault rifles and ammunition, slender black nightsticks and gas masks. They were not just one police force but many, hailing from communities throughout north St. Louis County and loosely coordinated by the county police. Their adversaries were a ragtag group of mostly unarmed neighborhood residents, hundreds of African-Americans whose pent-up fury at the police had sent them pouring onto streets and sidewalks in Ferguson, demanding justice for Michael Brown, the 18-year-old who was fatally shot by a police officer on Saturday. When the protesters refused to retreat from the streets, threw firebombs or walked too close to a police officer, the response was swift and unrelenting: tear gas and rubber bullets."

The Warrior Cop

warrior_copRadley Balko's book, "Rise of the Warrior Cop: The Militarization of America's Police Forces," offers a detailed account of the way government programs have encouraged the development of heavily armed police forces and also the way SWAT teams are deployed for even routine police actions. In an excerpt on Copblock, Balko writes, "Police militarization would accelerate in the 2000s. The first half of the decade brought a new and lucrative source of funding and equipment: homeland security. In response to the terrorist attacks of September 11, 2001, on the World Trade Center in New York City and the Pentagon in Washington, the federal government opened a new spigot of funding in the name of fighting terror. Terrorism would also provide new excuses for police agencies across the country to build up their arsenals and for yet smaller towns to start up yet more SWAT teams. The second half of the decade also saw more mission creep for SWAT teams and more pronounced militarization even outside of drug policing. The 1990s trend of government officials using paramilitary tactics and heavy-handed force to make political statements or to make an example of certain classes of nonviolent offenders would continue, especially in response to political protests. The battle gear and aggressive policing would also start to move into more mundane crimes-SWAT teams have recently been used even for regulatory inspections."

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The Critic as Oracle

Ellen WillisIn a review of a new collection essays, The Essential Ellen Willis, Hermione Hoby considers how Willis writes with a raw honesty that is bracing as it is compelling: "Throughout the fifty-one essays collected here, Willis writes as an interrogator, both of her world and of herself. As a self-identified optimist ('an attitude that seems to me as spiritually necessary and proper as it is intellectually suspect'), she is more interested in examining the way things might be than pronouncing on the way things are: an inquiry which, in accordance with her own convictions, nearly always entails a personal dimension. One of this book's rawest pieces is 'Next Year in Jerusalem' (1977), in which she follows her brother, Mike, to Israel where he is undergoing a conversion to Orthodox Judaism. This prompts a spiritual crisis of her own, not of loss of faith, but of a loss of faith in her faithlessness. She spirals into a slough of confusion and depression regarding her spiritual and political convictions. The rabbi's wife seems to deliver Willis the 'cosmic mockery' of her predicament: 'The big lie of male supremacy is that women are less than fully human; the basic task of feminism is to expose that lie and fight it on every level. Yet for all my feminist militance I was, it seemed, secretly afraid that the lie was true - that my humanity was hopelessly at odds with my ineluctable female sexuality - while the rebbetzin, staunch apostle of traditional femininity, did not appear to doubt for a moment that she could be both a woman and a serious person.'"

The Past and the Present

Mary BeardIn a short but sweet profile of the prominent classicist Mary Beard, Annalisa Quinn considers why Beard thinks that studying the classics remains important, even after two plus millennia of such scholarship: "'You do the ancient world much greater service if you keep arguing with them,' she says, gesticulating without bothering to put down her latte, which dipped dangerously...In the book, she writes that the way we read the subject 'says as much about us as it does about them.' I asked her what she meant. 'We raid them,' she says, simply. 'We have to ventriloquize the ancient world.' For example, scholarship on women in the ancient world has grown in the last few decades, Beard says, as a 'result of the feminist movements of the '70s and '80s. When I was an undergraduate, people didn't really talk about women in antiquity,' she says. But 'now, when we talk about Euripides, we talk about his female characters.' If the study of classics, then, can be a mirror of contemporary concerns, it also means scholars are never done."

The Mo Show

mo_showNothing can liven up the dog days of August like a feel-good story from the Little League World Series. Mo'ne Davis, a 13-year-old girl from Pennsylvania, is only the 18th girl to play in the Little League championship. She is now the first to throw a complete game shutout, completely dominating her male peers. She entered her latest game with huge expectations. "Could she live up to the hype? Yes. Davis pitched six innings, gave up a pair infield hits and struck out eight in a 4-0 victory over Nashville. By the end of fifth inning, with her Tennessee counterpart at the 85-pitch limit, Davis had thrown just 44. With each out in the final inning, the cheers became louder, and when Davis struck out the final batter, becoming the first girl in Little League World Series history to earn a win, the crowd exploded. Her parents hugged and then accepted the congratulations of strangers. Their modest 13-year-old girl had become an inspiration virtually overnight.... After Friday's game, Pennsylvania Manager Alex Rice put Davis's performance in perfect perspective, saying, 'It was the Mo show out there.'"

The Rarest of Beasts

snow_leopardFrom this week's dive into the New Yorker archives, we bring you the first part of Peter Matthiessen's essay "The Snow Leopard," the naturalist's trek into the Himalayas to try to catch a peak of the rare big cat.

 

 

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Featured Events

Kenan MalikLunchtime Talk with Kenan Malik

Details soon to follow.

Wednesday, September 17h, 2014

The Hannah Arendt Center, 12:30 pm

 

 

 


congressBard College Public Debate

Resolved:  "The fate of the world depends upon the success or failure of America's model of democratic self-government."

Tuesday, October 7th, 2014

Campus Center Multipurpose Room, 7:00 pm - 9:00 pm


conference_14SAVE THE DATE - 2014 FALL CONFERENCE

October 9-10

The Hannah Arendt Center's annual fall conference, The Unmaking of Americans: Are There Still American Values Worth Fighting For?, will be held this year on October 9-10!

Registration is now OPEN! You can register here!

Want to know more about the schedule of the conference? Please click for details here!

Learn more about the conference here.

 

 


From the Hannah Arendt Center Blog

This week on the Blog, Ian Storey discusses Isaiah Berlin and the need to understand others in politics in the Quote of the Week. Marcus Aurelius provides this week's Thoughts on Thinking. We look back on a public conversation on the nature of thinking between Roger Berkowitz and Bill T. Jones in our Video Archives. And Roger Berkowitz explores an essay by Raymond Guess on the weakness of contemporary thinking in the Weekend Read.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
11Aug/141

Amor Mundi 8/10/14

Amor Mundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

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Through the Looking Glass

looking_glassFantasy novelist Lev Grossman discusses why he loves the work of C.S. Lewis, who as opposed to most contemporary fantasy fiction wasn't particularly interested in the way that his world worked: "People talk a lot about the ecology of [George R. R. Martin's] Westeros, for instance-how do the seasons work? What are the climate patterns? How does it function as an ecosphere? You have to think about the economy, too-have I got a working feudal model? It's gotten so extreme that when characters do magic, it's very common to see fantasy writers talk about thermodynamics-okay, he's lighting a candle with magic, can he draw the heat from somewhere else in the room so that equilibrium gets preserved?  This is the school of thought that extends from Tolkien and his scrupulously-crafted Middle Earth. Lewis was of a different school from that. Magic, to him, was a much wilder, stranger thing. It was much less domesticated. And when I re-read The Lion, the Witch, and the Wardrobe, I feel as though we've wandered too far from the true magic, the kind Lewis wrote. Maybe we want to worry less about thermodynamics and work harder to get that sense of wonder he achieves with such apparent effortlessness. And then, there are things that he does that are simply not replicable. The lamppost in the woods: there's something indescribably strange and romantic about that image, which recurs at the end of the book. In some ways, you read Lewis and think: I can learn from this guy. But sometimes you have to sit back and think, I'll never know how he did that. You know, I've seen the lamppost in Oxford which is alleged to be the Narnia lamppost. To me, it looked like an ordinary lamppost. I would not have seen that lamppost and gone home to write The Lion, the Witch, and the Wardrobe. You had to be Lewis to see it for what it was."

Soul Time

soul_pulseThe statistical and technological mania has reached the soul. Casey N. Cep reports that a pastor, John Ortberg, has teamed up with a sociologist to market "a simpler way of measuring a soul: SoulPulse, a technology project that captures real-time data on the spirituality of Americans. SoulPulse attempts to quantify the soul, an unbodied version of what FitBit, the exercise-tracking device, has done for the body. After filling in a brief intake survey on your age, race, ethnicity, education, income, and religious affiliation, SoulPulse contacts you twice a day with questions about your physical health, spiritual disciplines, and religious experiences. Each of the surveys takes less than five minutes to complete.... Ortberg, who has a doctorate in clinical psychology, listened to my concerns, and said, 'On the one hand, not everything can be put in a test tube or seen with a microscope. The most important dimensions of life have to do with the spirit, and those aren't always quantifiable. But using the best tools and methods available seems like a worthwhile thing.' He also stressed that, while SoulPulse is using new tools, it is answering old questions. Describing Brother Lawrence's 'The Practice of the Presence of God,' a seventeenth-century text that linked God's presence to daily tasks like doing the dishes and cooking meals, Ortberg said that believers across the centuries have tried to cultivate a mindfulness of the holy."

The Search for Falafel

falafelThere are so many opinions about Gaza, so it is worthwhile to read a diary of the everyday there, from bombs and scares to the search for falafel. Atef Abu Saif published his diary of eight days during the war in the New York Times: "When I wake up I don't want to listen to the radio or phone a friend to ask about the latest developments. I want the morning to be like a normal morning, before the war. To start my day with a cup of coffee, to sip it in private for an hour. To look down from my window and watch the people in the street, to feel the pulse of the city around me. I suggest to Hanna that we have a proper breakfast: hummus, foul, falafel. But after an hour of visiting all the restaurants in the neighborhood, my son Mostafa returns with the news that falafel can no longer be bought in Jabaliya camp. My father-in-law explains that this might be because falafel requires a lot of boiled oil, which in turn requires lots of gas. As there is still no clue when the war might end, everyone is saving every gas cylinder they have. Hanna suggests that the lack of parsley in the market might be another cause; parsley is essential for making good falafel. My mother-in-law is watering her plants despite the shortage of water in the tanks. She keeps her plants in the living room in different pots arranged around the room. They make the house calmer, greener. There are 13 kinds of plants in this garden. Every morning she waters them and checks each leaf, remembers each one, and notices whenever a new leaf buds into life. She knows their length and their sheen. She always finds water for them. A minute later she is complaining that our oldest child, Talal, is taking too much time in the shower."

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Wars and Pictures

wwi_comicsGabriel Winslow-Yost considers the World War I comics of French cartoonist Jacques Tardi: "For his WWI books he restricts himself almost exclusively to three horizontal panels per page. These unusually wide, large panels fit the trenches and barren battlefields, and give him room to balance his careful renditions of tanks, guns, soiled uniforms, and exhausted faces against the emptiness of washed-out sky or devastated ground. The three-panel page also gives the action a slow, stuttering rhythm-a series of frozen moments, rather than any sort of continuous movement. This suits the mournful anecdotes of It Was the War perfectly. A pointless French infantry charge early in the book is agonizing, monumental. The soldiers are running, stumbling, bleeding, but with an eerie, almost sadistic slowness; Tardi draws them just at the moment they fall, in one case right as the bullet hits. The fundamental trick of comics is to convince us that a series of still images, all visible at once, are in fact depicting the passage of time. At its best, It Was the War manages to do the reverse: we see furious action stilled, the final horrible moments of these men prolonged indefinitely. The captions offer us a taste of contemporary jingoism: 'Joyful, despite their grief, are those families whose blood flows for their country.'"

Modernity and the University

university_modernityNoting that the essay is conspicuously anti-modern, Joshua Rothman answers William Deresiewicz's "Don't Send Your Kids To The Ivy League": "Deresiewicz believes that colleges can push the modern world out, that the proper role of a college is to be anti-modern. On today's élite campuses, Deresiewicz writes, 'everything is technocratic,' centered on 'the development of expertise'; wouldn't it be better, he wonders, if colleges replaced expertise with soulfulness? 'The job of college,' he proposes, is 'to help you become an individual, a unique being-a soul.' By this measure, religious colleges 'deliver a better education, in the highest sense of the word,' than do Ivy League schools. The implication is that, by rearranging their priorities, colleges could recapture the purity of purpose they once had. They could bring the past into the present. But this both underestimates the power of modernity and overestimates the power of colleges.... Colleges aren't monasteries. They can't give their students spiritual sustenance; they can't provide an escape from modernity. And they shouldn't be faulted, or punished, for that. There are good ways of responding to the modern world, but they don't have much to do with college. In 'Ulysses,' we admire Bloom's attitude of curious acceptance, which seems to be rooted in his disposition. In Proust, we learn to take solace in memory (Proust is hard to teach, in part, because twenty-one-year-olds have barely had time to forget anything). In 'Anna Karenina,' the answer seems to be patience and the passage of time. Levin flirts with the Deresiewiczian idea of escaping from modernity; maybe, he thinks, he should marry into a farming family, forget about writing his book, and cultivate a mode of life that allows him to live cheaply, simply, and away from the striving, citified world. In the end, he recognizes that he cannot pry himself loose from his own era. He marries the woman he loves-an upper-crust girl from Moscow-and admits to himself that, when it comes to the purpose of life, 'nowhere in the whole arsenal of his convictions was he able to find, not only any answers, but anything resembling an answer.... He was in the position of a man looking for food in a toymaker's or a gunsmith's shop.' In the end, Levin does the best he can; he nurtures a tentative faith, muddles through, tries to live a good life, and only occasionally despairs. Could a better college education have helped him avoid that? Not really." Let's hope Bard students would answer differently.

Eichmann, Von Mildenstein, and Arnon Goldfinger

the_flat_posterAt the trial of Adolf Eichmann, the accused was asked who the initiators were of the program of forced Jewish emigration from 1933-1939. He was asked if Heydrich was involved. Yes, he replied, but he did not initiate it. Pressed, Eichmann admitted that he himself was one of the initiators. Pressed further, he answers that the intellectual father of the German policy of Jewish emigration was Baron Leopold von Mildenstein. Mildenstein is the person who recruited Eichmann into the SS office on Jewish Affairs. Imagine the surprise of Arnon Goldfinger, living in Tel Aviv, when he learns that his Zionist grandparents were best friends with von Mildenstein and his wife. "I found much more about [von Mildenstein] than what is in the film. It was important to say that he did not l[ea]ve the Nazi party. He was involved in anti-Semitic propaganda. But he wanted to stay in contact with Jews. I found all kinds of other things about him, nothing that would change your mind, no smoking gun, but you could ask yourself, 'Did he have an alternative?' The way to describe what happened was this. Nobody knew what Hitler wanted, but everybody knew if they did something Hitler did not want, it's the end. It was a classic regime of terror. There's a book called Alone in Berlin that described life in the war. It's horrible. I am a Jew; I don't so much identify with them, but still I can understand and ask the question, 'Could he do something?' If you look at his career, you won't find him in the concentration camps. He is in the headquarters, spying, thinking. For me, it's enough. One of the most shocking moments for me was when Edda told me that she knew my family had lost someone in the concentration camps. She did not have the details right. She thought it was my grandfather's mother, not my grandmother's mother. She's a little mistaken with the details but it shows that she and therefore her parents knew some of what happened. That means my grandparents were sitting over there in the garden where we were, discussing the death of someone from their family with a man who was a Nazi. Did they ask him if he received their letter asking for help? Did he tell them he could not help them? There were a lot of lies over there." "The Flat," the movie he made about the discovery, is absolutely worth viewing.

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Featured Events

conference_14SAVE THE DATE - 2014 FALL CONFERENCE

October 9-10

The Hannah Arendt Center's annual fall conference, The Unmaking of Americans: Are There Still American Values Worth Fighting For?, will be held this year on October 9-10!

Registration is now OPEN! You can register here!

Want to know more about the schedule of the conference? Please click for details here!

Learn more about the conference here.

 

 

 

From the Hannah Arendt Center Blog

This week on the Blog, Jeffrey Jurgens discusses Arendt's insistence that judges to be able to deal with the unprecedented in the Quote of the Week. French wrier and moralist Luc de Clapiers provides this week's Thought on Thinking. We look back on a lecture Roger Berkowitz delivered in 2010 on the importance of humanity in our Video Archives. And Roger Berkowitz observes how the American crisis of freedom can be attributed to the loss of the national government's sense of constitutional purpose in the Weekend Read.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
7Aug/140

Video Archives – Roger Berkowitz L&T Lecture (2010)

tech_humanity

Monday, August 16, 2010: “Earth Alienation: From Galileo to Google”

Lecturer: Roger Berkowitz, Associate Professor of Political Studies and Human Rights at Bard College; Academic Director, Hannah Arendt Center for Politics and the Humanities.

In this lecture, Roger Berkowitz welcomes the incoming Class of 2014 at Bard College with an important question: “Is humanity important?” The human race has witnessed impressive scientific and technological achievements, some of the most remarkable of which have occurred in the past 50 years. While some of these have advanced the history of humanity, others threaten to dampen its spark. Nuclear and biological weapons are capable of killing untold millions of people, and the urge to embrace automation in our everyday lives cultivates the fear that society may one day embrace euthanization as a way to rid itself of “superfluous persons”. Acknowledging this increasingly dangerous world we live in, Berkowitz argues it is imperative that we at this moment in time take a closer look at ourselves and consider our significance. He proposes two sources that can help us in our task: Galileo and Google.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
31Jul/140

Video Archives – Lunchtime Talk with Douglas Irvin (2012)

Raphael_Lemkin

Wednesday, February 29th, 2012: The Origins of Genocide: Tracing the Lemkin-Arendt debate in Lemkin's Archives

Lecturer: Douglas Irvin, Ph.D. candidate at the Center for the Study of Genocide and Human Rights at Rutgers University.

In this Lunchtime talk at the Arendt Center, Douglas Irvin explores the connections between Arendt and Raphael Lemkin.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
28Jul/144

Amor Mundi 7/27/14

Amor Mundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

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Campbell's Law

1Rachel Aviv tells the heartrending and maddening story of the rise and fall of Damany Lewis, a dedicated and innovative teacher who helped teachers correct wrong answers on standardized test scores. One of the arguments for the Common Core and other data-driven educational reforms is that it has the dignity to hold students in poor districts to the same standards as students in wealthier districts. Lewis sees this demand as simply unrealistic: "He felt as if he and his colleagues were part of a nationwide 'biological experiment' in which the variables-the fact that so many children were hungry and transient, and witnessing violence-hadn't been controlled. David Berliner, the former dean of the school of education at Arizona State University, told me that, with the passage of the law, teachers were asked to compensate for factors outside their control. He said, 'The people who say poverty is no excuse for low performance are now using teacher accountability as an excuse for doing nothing about poverty.' Confronted with the need to reach impossible goals, Lewis and his fellow teachers took the easy way out: they cheated. The choice was made easy for them because 'they viewed the cheating as a door they had to pass through in order to focus on issues that seemed more relevant to their students' lives.'" In telling a compelling and devastating story, Aviv raises fundamental questions about the over-reliance on data in education: "John Ewing, who served as the executive director of the American Mathematical Society for fifteen years, told me that he is perplexed by educators' 'infatuation with data,' their faith that it is more authoritative than using their own judgment. He explains the problem in terms of Campbell's law, a principle that describes the risks of using a single indicator to measure complex social phenomena: the greater the value placed on a quantitative measure, like test scores, the more likely it is that the people using it and the process it measures will be corrupted. 'The end goal of education isn't to get students to answer the right number of questions,' he said. 'The goal is to have curious and creative students who can function in life.' In a 2011 paper in Notices of the American Mathematical Society, he warned that policymakers were using mathematics 'to intimidate-to preëmpt debate about the goals of education and measures of success.'"

Incarceration on a Scale Unexampled in Human History

jailIn the Atlantic, Matt Ford looks at the United States' obsession with incarceration. "Mass incarceration on a scale almost unexampled in human history is a fundamental fact of our country today-perhaps the fundamental fact, as slavery was the fundamental fact of 1850. In truth, there are more black men in the grip of the criminal-justice system-in prison, on probation, or on parole-than were in slavery then. Over all, there are now more people under 'correctional supervision' in America-more than six million-than were in the Gulag Archipelago under Stalin at its height.... The common retort is that people of color statistically commit more crimes, although criminologists and scholars like Michelle Alexander have consistently found no correlation between the incarceration rate and the crime rate. Claims about a 'black pathology' also fall short. But police scrutiny often falls most heavily on people of color nonetheless. In New York City alone, officers carried out nearly 700,000 stop-and-frisk searches in 2011. Eighty-five percent of those stops targeted black and Hispanic individuals, although they constitute only half the city's population. Overall, NYPD officers stopped and frisked more young black men in New York than actually live there. Similar patterns of discrimination can be found nationwide, especially on drug-related charges. Black and white Americans use marijuana at an almost-equal rate, but blacks are 3.7 times more likely to be arrested for possession nationally. In Pennsylvania, Illinois, and other Midwestern states, that arrest disparity jumps to a factor of five."

The Transcendent and Sequential Art

transcendant_artBrian Cremins takes on the relationship between the mundane and the transcendental both in comics and in art more broadly: "the transcendental artist is not bound by rationalism, but, then again, doesn't work in the realm of the irrational or of the uncanny either. The transcendental artist weaves together the rational with the irrational, the real with the imagined, and the material with the spiritual. To borrow a phrase from Benjamin, the artist doesn't differentiate between the 'major and minor,' but sees all of history's actors-from the enslaved and the martyred to the kings and queens-as playing roles of equal weight and significance."

The Secularization of the Sacred, the Sacralizing of the Secular

turk_politicsKaya Genç notes the way that Turkey's secular nationalists have taken on characteristics of the religious, while its competing group of Muslim nationalists have taken to certain secular aspects. The result makes the country's politics unusual: "Religion in Turkey has become secularized and the secular sphere sacralized, resulting in a struggle over the definition of what is sacred, accompanied by accusations of blasphemy (phrased as disloyalty to the nation and even treason). Individual choice - the choice to be suurlu, a 'consciously' believing Muslim, as opposed to blindly following tradition - has become highly valued as a sign of Muslim modernity. Islamic practice increasingly has come to be expressed as participation in economic networks and through a commodified lifestyle of self-consciously Muslim fashion and leisure. Meanwhile, Kemalist secularism has taken on aspects of the sacred. To discuss this reversal of cultural values and show how religion could have a Weberian association with a certain entrepreneurial mood, [writer Jenny] White paints a picture of the complexities behind Turkey's competing political discourses. The camps described above may have different approaches to nationalism, but they also have many things in common. The motif of the flag, for example, symbolizes both 'secular nationalism' and what White refers to as 'Muslim nationalism.' But beyond the flag, particularly when it comes to race and religion, Turkey's competing nationalisms have a number of not very easily reconcilable differences."

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Burning Down the Ivory Tower

ivy_league_schoolsWilliam Deresiewicz' new book Excellent Sheep takes on the academic-industrial complex. In an essay in the New Republic he argues that the Ivy League is ruining the best and the brightest: "These enviable youngsters appear to be the winners in the race we have made of childhood. But the reality is very different, as I have witnessed in many of my own students and heard from the hundreds of young people whom I have spoken with on campuses or who have written to me over the last few years. Our system of elite education manufactures young people who are smart and talented and driven, yes, but also anxious, timid, and lost, with little intellectual curiosity and a stunted sense of purpose: trapped in a bubble of privilege, heading meekly in the same direction, great at what they're doing but with no idea why they're doing it. When I speak of elite education, I mean prestigious institutions like Harvard or Stanford or Williams as well as the larger universe of second-tier selective schools, but I also mean everything that leads up to and away from them-the private and affluent public high schools; the ever-growing industry of tutors and consultants and test-prep courses; the admissions process itself, squatting like a dragon at the entrance to adulthood; the brand-name graduate schools and employment opportunities that come after the B.A.; and the parents and communities, largely upper-middle class, who push their children into the maw of this machine. In short, our entire system of elite education.... So extreme are the admission standards now that kids who manage to get into elite colleges have, by definition, never experienced anything but success. The prospect of not being successful terrifies them, disorients them. The cost of falling short, even temporarily, becomes not merely practical, but existential. The result is a violent aversion to risk."

How to Rebirth the Virtuous (Puritanical) University

excellent_sheepJim Sleeper responds to Deresiewicz' in an essay in Bookforum and argues that there is a lost tradition in the liberal arts university itself that Deresiewicz ignores but that needs to be reawakened. "[W]hat's most consequentially wrong with Deresiewicz's jeremiad is his selective history of the old colleges: 'We need to go back before the start, to the Gilded Age, the last decades of the nineteenth century,' a period he knows well as a scholar of its fiction. He dismisses the colleges' founding missions as too little, too early; like the sociologist Jerome Karabel in The Chosen, he doesn't quite know what to make of the fact that, as late as the 1960s, the Ivy WASPs mobilized their oldest, toughest Protestant and civic-republican virtues to prepare 'the ground for their own supersession' by retiring age-old quotas based on ethnicity and race (though, significantly, not the ones based on economic clout) and to 'put the interests of the nation as a whole above their own.' I witnessed that firsthand as an undergraduate at Yale, whose president Kingman Brewster Jr., a descendant of the minister on the Mayflower, gave an honorary doctorate to Martin Luther King Jr. in 1964, when some alumni still considered King a rabble-rouser. Brewster understood that the civil rights movement was renewing the Exodus myth that had moved his Puritan ancestors (and my own Jewish ones) to make history. Yale's radically Calvinist chaplain William Sloane Coffin Jr., leading resistance to the Vietnam War, defied the state in the name of a higher power that, for some of us, was the living American republic itself. So have Howard Dean, Jonathan Schell, Ned Lamont, and other Ivy graduates in our time.That mystic chord of memory seems broken now, as do the colleges that honored it. Deresiewicz tells them to stop cooperating with commercial college-ranking systems; to base affirmative action on class, not race; to discard preferences for legacies and athletes; to weight SAT scores for socioeconomic factors; to discourage résumé stuffing by curbing extracurriculars and by counting financial-aid service jobs as service. And he makes his grand, sweeping calls for change. But how to summon the will to fight for these worthy goals? Beyond his exhortations and potted invocations of George Eliot, Thomas Hardy, and Joseph Conrad, the preacher hasn't a clue."

From the Archives: Eichmann in Jerusalem

new_yorkerThis past week, The New Yorker put its whole archive online for free, for a limited time (of course). Over the next few weeks, we'll be combing the archives, finding articles worth your attention. In the meantime, it seems like there are two good places to start. The first, of course, is Hannah Arendt's dispatch from the trial of Adolf Eichmann, published in the magazine in five parts and then published separately as the book Eichmann in Jerusalem, a piece of journalism and philosophy that remains important and controversial. There are a lot of rumors about what Arendt said and about what she didn't say-- this is an opportunity to read the work and then judge for yourself as it first appeared.

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From the Hannah Arendt Center Blog

This week on the Blog, Arie Amaya-Akkermans explores the sources of Arendt's indebtedness to storytelling in the Quote of the Week. French biologist and philosopher Jean Rostand provides this week's Thought on Thinking. We look back on a racism lecture Robert Bernasconi delivered in 2011 in our Video Archives. As a special treat, we learn about a National Endowment for the Humanities Summer Seminar that was taught on Arendt at Bard this summer. And Roger Berkowitz celebrates the memory of author Nadine Gordimer and recognizes mankind's ability to change the world in the Weekend Read.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
28Jul/140

Death and the Public Realm

public_realm

**This article was originally published on May 13, 2013**

"There is perhaps no clearer testimony to the loss of the public realm in the modern age than the almost complete loss of authentic concern with immortality, a loss somewhat overshadowed by the simultaneous loss of the metaphysical concern with eternity."

--Hannah Arendt,  The Human Condition

David Bisson
David is the Media Coordinator at the Hannah Arendt Center for Politics and Humanities at Bard College. He is also Editor for Information Security Buzz. David's research interests include cybersecurity, war, and the political impact of new technologies.
21Jul/141

The Story of Reconciliation

Greek_storytelling

**This article was originally published on April 9, 2012. You can access the original article here.**

"It is true that storytelling reveals meaning without committing the error of defining it, that it brings about consent and reconciliation with things as they really are, and that we may even trust it to contain eventually by implication that last word which we expect from the Day of Judgment”.

--Hannah Arendt, “Isak Dinesen: 1885 – 1963” in Men in Dark Times

David Bisson
David is the Media Coordinator at the Hannah Arendt Center for Politics and Humanities at Bard College. He is also Editor for Information Security Buzz. David's research interests include cybersecurity, war, and the political impact of new technologies.
23Jun/140

Amor Mundi 6/22/14

Amor Mundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Black in the Age of Mechanical Reproduction

1Hilton Als, in reviewing a new book co-edited by Harvard professor Henry Louis Gates, Jr. entitled The Image of the Black In Western Art, The Twentieth Century: The Impact of Africa, is struck by a particular painting, Portrait of Tonia Stieltjes by the Dutch artist Jan Sluyters. The book focuses broadly on “image of the black during the age of mechanical reproduction and how it changed, was modernized, denigrated, and, often, fetishized.” Als, however, fixes on the singular humanity of one portrait: “Tonia’s grave face is powdered white, as was the fashion of the time, but then there is her ‘real’ skin and her style, which is something ‘other.’ My imagination reacts to those levels of density and nonverbal expression more readily than to portraits of black people by artists ranging from Goldie White to Brent Malone. I find their work predictable: it elevates blackness to a kind of folkloric purity and strength that doesn’t allow for labyrinthine humanness, or for the fact that most blacks come from some place they don’t know but, like Tonia, make themselves up out of the whole cloth of Europe, or Africa, or whatever temporary home will have them.... It’s Tonia’s isolation in public, the theatricalization of her different self through paint and dress, that encompasses so much of what makes the black in Western art incalculably lonely, unknowable, troubling, and, sometimes, beautiful, just like other people.”

Speaking Truth to Power

1In the New Republic, Christopher Ketcham makes the case that journalist idol Chris Hedges has a plagiarism problem. Ketcham's account, though bordering on the tedious, overly personal, and the monomaniacal, seems to make its case. It has recently been given further support by a long post by Adam Weinstein at Gawker, which both uncovers further instances of plagiarism and argues that Hedges habitually recycles 1000s of words of his own writing and even whole articles in longer articles and books that he claims to be original work. Hedges forcefully denies Ketcham’s charges and has written a response here that also includes responses from Ketcham and The New Republic. Ketcham’s thesis is that Hedges’s plagiarism must be outed to protect the integrity of journalism, an argument he puts in the words of a journalism expert: “Trust is a journalist’s and journalism’s most precious commodity…if there is even a hint of the possibility that misconduct was covered up, it’s even worse. Journalism will take another hit.” That is true. But equally central to this story is the nature of power. Hedges has said, “You have a choice between which two sets of principles you serve. Justice and truth or privilege and power…. The more you make concessions to those whose fealty is to privilege and power, the more you diminish the capacity for justice and truth.” He is so right. Admirably, Hedges has stood up for his principles, angering the right and the left, and always speaking his mind. We need more publicly courageous intellectuals like Hedges. But in his belief in his own importance to the cause for which he fights, Hedges has not only made mistakes (which can be forgiven) but also has refused to own up to his mistakes and instead has sought to drown out his critics with bluster. His response suggests that privilege and power may mean more to Hedges than he lets on.

Osmotic Learning

1In an interview with Granta, cartoonist Adrian Tomine discusses the value of a very informal education: "I've learned a lot of tangible, practical things from studying all kinds of things: comics, illustration, movies, prose, etc. But I think I've learned more from just hanging around creative people and talking to them and learning from their example. I suppose I'm talking about the kind of osmotic learning that comes from getting to know other artists (or writers or musicians or whatever). If you go over to the house of someone whose work you admire, and you look at their bookshelves and ask about things that jump out at you, that right there can be kind of an education. I've even learned a lot from just going to an art store with other cartoonists. Invariably they'll know about some drafting tool I'd never heard of, or have some preference for some brand of ink that they've arrived at after years of trial and error. And on a broader scale, it's really useful to watch how someone - especially someone who's been at it for longer - deals with issues that arise in their art and just in life in general."

The Beautiful Game as an Expression of National Character

1In the midst of the international frenzy of the World Cup, Matthew Futterman describes USA's German-born coach Jürgen Klinsmann as soccer's "Alexis de Tocqueville," endeavoring to create an American style of the game, saying that "he wanted to create a squad that represented what he sees as the defining American characteristic-a visceral hatred of being dictated to." Since, paradoxically, this change came from the top down, it, of course, turned out to be more difficult than easy.

I Come to Praise the CPA, Not to Bury Him

1Jacob Soll yearns for the heroic accountant of the early modern Dutch, for whom keeping one's books in order took on a spiritual meaning: "Double-entry accounting made it possible to calculate profit and capital and for managers, investors, and authorities to verify books. But at the time, it also had a moral implication. Keeping one's books balanced wasn't simply a matter of law, but an imitation of God, who kept moral accounts of humanity and tallied them in the Books of Life and Death. It was a financial technique whose power lay beyond the accountants, and beyond even the wealthy people who employed them. Accounting was closely tied to the notion of human audits and spiritual reckonings. Dutch artists began to paint what could be called a warning genre of accounting paintings. In Jan Provoost's 'Death and Merchant,' a businessman sits behind his sacks of gold doing his books, but he cannot balance them, for there is a missing entry. He reaches out for payment, not from the man who owes him the money, but from the grim reaper, death himself, the only one who can pay the final debts and balance the books. The message is clear: Humans cannot truly balance their books in the end, for they are accountable to the final auditor."

My Neighbor Marcel

1Alexandra Schwartz, riffing off the recent release of a book documenting Marcel Proust's letters to his upstairs neighbor, considers the loneliness and alienation of the city's crowd and remembers that, far from the mere writer of In Search of Lost Time, Proust was a real person who lived under neighbors whose loud banging sometimes annoyed him, too. Here is one such missive sent upstairs by Proust: "Madame, I hope you won't find me too indiscreet. There's been a lot of noise these past few days and as I'm not well, I'm more sensitive to it.... If the hammering must be done in the morning, might it be done in the part of your apartment that is above my kitchen, not my bedroom.... If there's too much noise on Sunday morning I won't be able to get out of bed until the afternoon." Schwartz adds, "We who toss and turn, fantasizing about the exquisitely cutting emails we'll never have the guts to send to the invisible others keeping us awake, are happy to have him on our team."

From the Hannah Arendt Center Blog

This week on the Blog, Christopher C. Robinson discusses intergenerational justice and the ecological crisis in the Quote of the Week. Lord Byron provides this week's Thought on Thinking. And Roger Berkowitz discusses the conscience of Edward Snowden in the Weekend Read.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
16Jun/141

Amor Mundi 6/15/14

Amor Mundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Unconstitutional Schools

1Dana Goldstein in The Atlantic partly agrees with the California superior-court judge who ruled this week that the state's teacher tenure system is a mess and discriminates against the state's poorest students. But Goldstein argues that simply abolishing tenure is not the answer. The problem is that good teachers simply don't want to teach in decrepit, disorganized, and discontented schools. "The lesson here is that California's tenure policies may be insensible, but they aren't the only, or even the primary, driver of the teacher-quality gap between the state's middle-class and low-income schools. The larger problem is that too few of the best teachers are willing to work long-term in the country's most racially isolated and poorest neighborhoods. There are lots of reasons why, ranging from plain old racism and classism to the higher principal turnover that turns poor schools into chaotic workplaces that mature teachers avoid. The schools with the most poverty are also more likely to focus on standardized test prep, which teachers dislike. Plus, teachers tend to live in middle-class neighborhoods and may not want a long commute. Educational equality is about more than teacher-seniority rules: It is about making the schools that serve poor children more attractive places for the smartest, most ambitious people to spend their careers." Read more in this week's Weekend Read.

Drones and Humanity

1In the Carnegie Journal of Ethics and International Affairs, Roger Berkowitz argues that the increasing reliance on drones is threatening our humanity-but not as usually thought. In "Drones and the Question of 'The Human,'" Berkowitz argues it is a mistake "to use the term 'drone' to refer only to these much publicized military devices. Drones, more precisely understood, are intelligent machines that-possessed of the capacity to perform repetitive tasks with efficiency, reliability, and mechanical rationality-increasingly displace the need for human thinking and doing.... The trend Jünger and Turkle worry about is unmistakable: we are at risk of losing the rich and mature relationships that mark us as human. The rise of social robots, unmanned aerial vehicles, and other one-dimensional machines that act like humans-without the perceived human weaknesses of distraction, emotion, exhaustion, quirkiness, risk, and unreliability-answers a profound human desire to replace human judgment with the more reliable, more efficient, and more rational judgment of machines. For all the superficial paeans to human instinct and intuition, human beings, in practice, repeatedly prefer drone-like reliability to the uncertain spontaneity of human intuition. In other words, we confront a future in which 'human' is a derogatory adjective signifying inefficiency, incompetence, and backwardness."

Take This Job and Shove It

509Karl Marx imagined that in a socialist utopia, everyone would work less and have more time to study or pursue hobbies. But contrary to Marx's prophecy-and also the prediction of John Maynard Keynes, who argued in the 1930s that improving productivity would result in significantly more leisure time for workers-increases in productivity have coincided with longer workdays. In an ever-wealthier society with more disposable income, the idea of leisure time is becoming culturally devalued. In an interview with Thomas Frank, David Graeber observes that this development has happened in part because of the creation of "bullshit jobs," which he describes as "the kind of jobs that even those who work them feel do not really need to exist," and work coming to be seen as a virtue in itself-and all the more virtuous if the job in question offers little intrinsic gratification: "Suddenly it became possible to see that if there's a rule, it's that the more obviously your work benefits others, the less you're paid for it. CEOs and financial consultants that are actually making other people's lives worse were paid millions, useless paper-pushers got handsomely compensated, people fulfilling obviously useful functions like taking care of the sick or teaching children or repairing broken heating systems or picking vegetables were the least rewarded. But another curious thing that happened after the crash is that people came to see these arrangements as basically justified. You started hearing people say, 'well, of course I deserve to be paid more, because I do miserable and alienating work,' by which they meant not that they were forced to go into the sewers or package fish, but exactly the opposite-that they didn't get to do work that had some obvious social benefit. I saw a very interesting blog by someone named Geoff Shullenberger recently that pointed out that in many companies, there's now an assumption that if there's work that anyone might want to do for any reason other than the money, any work that is seen as having intrinsic merit in itself, they assume they shouldn't have to pay for it. He gave the example of translation work. But it extends to the logic of internships and the like so thoroughly exposed by authors like Sarah Kendzior and Astra Taylor. At the same time, these companies are willing to shell out huge amounts of money to paper-pushers coming up with strategic vision statements who they know perfectly well are doing absolutely nothing."

Min Kamp

1Evan Hughes considers Karl Ove Knausgaard's suggestive titling of his six book autobiographical opus My Struggle, rendered in its original Norwegian as Min Kamp. Noting that the title was proposed by a friend, and suggesting that it is in some way a response to Knausgaard's childhood spent near the home of famous Norwegian author and Nazi sympathizer Knut Hamsun, Hughes also considers the way that Knausgaard's distinguishes himself, "sometimes speak[ing] in interviews and public appearances of an irony inherent in the name of the book; where Hitler is all ideology and rigid perfection in Mein Kampf, Knausgaard's struggle as a middle-class dad is quotidian, messy, faintly ridiculous. But his book is not all that ironic or clever. In fact, its directness and sincerity-to the point of frequent, unembarrassed cliché-contributes to the almost shocking immediacy of the voice. My Struggle makes no apologies. Knausgaard does not protect himself from the charge of narcissism by turning to self-deprecation or rationalization or literary tricks. Go ahead and say it's nothing much, he seems to say, but this is my struggle. For me, it counts."

The War Over "Good"

1Evgenia Peretz considers the recent blowup in literary criticism over the quality of Donna Tartt's The Goldfinch deserves its popularity. Noting that these questions are malleable, she provides an example: "The questions are as old as fiction itself. The history of literature is filled with books now considered masterpieces that were thought hackwork in their time. Take Dickens, the greatest novelist of the Victorian period, whose mantle writers from John Irving to Tom Wolfe to Tartt have sought to inherit. Henry James called Dickens the greatest of superficial novelists ... 'We are aware that this definition confines him to an inferior rank in the department of letters which he adorns; but we accept this consequence of our proposition. It were, in our opinion, an offence against humanity to place Mr. Dickens among the greatest novelists.... He has added nothing to our understanding of human character.'"

From the Hannah Arendt Center Blog

This week on the Blog, Jeffrey Champlin discusses the dual nature of thinking as a human activity in the Quote of the Week. Swiss philosopher and poet Henri-Frédéric Amiel provides this week's Thought on Thinking. And Roger Berkowitz discusses the value of tenure as both a luxury and evil in the Weekend Read.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
15Apr/140

An Arendt Library in Istanbul

ArendtLibrary

Photo submitted by Barış Tunçel in Istanbul.

lib

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
14Apr/142

Hiatus, Discontinuity, and Change

Arendtquote

"The end of the old is not necessarily the beginning of the new."

Hannah Arendt, The Life of the Mind

This is a simple enough statement, and yet it masks a profound truth, one that we often overlook out of the very human tendency to seek consistency and connection, to make order out of the chaos of reality, and to ignore the anomalous nature of that which lies in between whatever phenomena we are attending to.

Perhaps the clearest example of this has been what proved to be the unfounded optimism that greeted the overthrow of autocratic regimes through American intervention in Afghanistan and Iraq, and the native-born movements known collectively as the Arab Spring. It is one thing to disrupt the status quo, to overthrow an unpopular and undemocratic regime. But that end does not necessarily lead to the establishment of a new, beneficent and participatory political structure. We see this time and time again, now in Putin's Russia, a century ago with the Russian Revolution, and over two centuries ago with the French Revolution.

Of course, it has long been understood that oftentimes, to begin something new, we first have to put an end to something old. The popular saying that you can't make an omelet without breaking a few eggs reflects this understanding, although it is certainly not the case that breaking eggs will inevitably and automatically lead to the creation of an omelet. Breaking eggs is a necessary but not sufficient cause of omelets, and while this is not an example of the classic chicken and egg problem, I think we can imagine that the chicken might have something to say on the matter of breaking eggs. Certainly, the chicken would have a different view on what is signified or ought to be signified by the end of the old, meaning the end of the egg shell, insofar as you can't make a chicken without it first breaking out of the egg that it took form within.

eggs

So, whether you take the chicken's point of view, or adopt the perspective of the omelet, looking backwards, reverse engineering the current situation, it is only natural to view the beginning of the new as an effect brought into being by the end of the old, to assume or make an inference based on sequencing in time, to posit a causal relationship and commit the logical fallacy of post hoc ergo propter hoc, if for no other reason that by force of narrative logic that compels us to create a coherent storyline.  In this respect, Arendt points to the foundation tales of ancient Israel and Rome:

We have the Biblical story of the exodus of Israeli tribes from Egypt, which preceded the Mosaic legislation constituting the Hebrew people, and Virgil's story of the wanderings of Aeneas, which led to the foundation of Rome—"dum conderet urbem," as Virgil defines the content of his great poem even in its first lines. Both legends begin with an act of liberation, the flight from oppression and slavery in Egypt and the flight from burning Troy (that is, from annihilation); and in both instances this act is told from the perspective of a new freedom, the conquest of a new "promised land" that offers more than Egypt's fleshpots and the foundation of a new City that is prepared for by a war destined to undo the Trojan war, so that the order of events as laid down by Homer could be reversed.

 Fast forward to the American Revolution, and we find that the founders of the republic, mindful of the uniqueness of their undertaking, searched for archetypes in the ancient world. And what they found in the narratives of Exodus and the Aeneid was that the act of liberation, and the establishment of a new freedom are two events, not one, and in effect subject to Alfred Korzybski's non-Aristotelian Principle of Non-Identity. The success of the formation of the American republic can be attributed to the awareness on their part of the chasm that exists between the closing of one era and the opening of a new age, of their separation in time and space:

No doubt if we read these legends as tales, there is a world of difference between the aimless desperate wanderings of the Israeli tribes in the desert after the Exodus and the marvelously colorful tales of the adventures of Aeneas and his fellow Trojans; but to the men of action of later generations who ransacked the archives of antiquity for paradigms to guide their own intentions, this was not decisive. What was decisive was that there was a hiatus between disaster and salvation, between liberation from the old order and the new freedom, embodied in a novus ordo saeclorum, a "new world order of the ages" with whose rise the world had structurally changed.

I find Arendt's use of the term hiatus interesting, given that in contemporary American culture it has largely been appropriated by the television industry to refer to a series that has been taken off the air for a period of time, but not cancelled. The typical phrase is on hiatus, meaning on a break or on vacation. But Arendt reminds us that such connotations only scratch the surface of the word's broader meanings. The Latin word hiatus refers to an opening or rupture, a physical break or missing part or link in a concrete material object. As such, it becomes a spatial metaphor when applied to an interruption or break in time, a usage introduced in the 17th century. Interestingly, this coincides with the period in English history known as the Interregnum, which began in 1649 with the execution of King Charles I, led to Oliver Cromwell's installation as Lord Protector, and ended after Cromwell's death with the Restoration of the monarchy under Charles II, son of Charles I. While in some ways anticipating the American Revolution, the English Civil War followed an older pattern, one that Mircea Eliade referred to as the myth of eternal return, a circular movement rather than the linear progression of history and cause-effect relations.

The idea of moving forward, of progress, requires a future-orientation that only comes into being in the modern age, by which I mean the era that followed the printing revolution associated with Johannes Gutenberg (I discuss this in my book, On the Binding Biases of Time and Other Essays on General Semantics and Media Ecology). But that same print culture also gave rise to modern science, and with it the monopoly granted to efficient causality, cause-effect relations, to the exclusion in particular of final and formal cause (see Marshall and Eric McLuhan's Media and Formal Cause). This is the basis of the Newtonian universe in which every action has an equal and opposite reaction, and every effect can be linked back in a causal chain to another event that preceded it and brought it into being. The view of time as continuous and connected can be traced back to the introduction of the mechanical clock in the 13th century, but was solidified through the printing of calendars and time lines, and the same effect was created in spatial terms by the reproduction of maps, and the use of spatial grids, e.g., the Mercator projection.

And while the invention of history, as a written narrative concerning the linear progression over time can be traced back to the ancient Israelites, and the story of the exodus, the story incorporates the idea of a hiatus in overlapping structures:

A1.  Joseph is the golden boy, the son favored by his father Jacob, earning him the enmity of his brothers

A2.  he is sold into slavery by them, winds up in Egypt as a slave and then is falsely accused and imprisoned

A3.  by virtue of his ability to interpret dreams he gains his freedom and rises to the position of Pharaoh's prime minister

 

B1.  Joseph welcomes his brothers and father, and the House of Israel goes down to Egypt to sojourn due to famine in the land of Canaan

B2.  their descendants are enslaved, oppressed, and persecuted

B3.  Moses is chosen to confront Pharaoh, liberate the Israelites, and lead them on their journey through the desert

 

C1.  the Israelites are freed from bondage and escape from Egypt

C2.  the revelation at Sinai fully establishes their covenant with God

C3.  after many trials, they return to the Promised Land

It can be clearly seen in these narrative structures that the role of the hiatus, in ritual terms, is that of the rite of passage, the initiation period that marks, in symbolic fashion, the change in status, the transformation from one social role or state of being to another (e.g., child to adult, outsider to member of the group). This is not to discount the role that actual trials, tests, and other hardships may play in the transition, as they serve to establish or reinforce, psychologically and sometimes physically, the value and reality of the transformation.

In mythic terms, this structure has become known as the hero's journey or hero's adventure, made famous by Joseph Campbell in The Hero with a Thousand Faces, and also known as the monomyth, because he claimed that the same basic structure is universal to all cultures. The basis structure he identified consists of three main elements: separation (e.g., the hero leaves home), initiation (e.g., the hero enters another realm, experiences tests and trials, leading to the bestowing of gifts, abilities, and/or a new status), and return (the hero returns to utilize what he has gained from the initiation and save the day, restoring the status quo or establishing a new status quo).

Understanding the mythic, non-rational element of initiation is the key to recognizing the role of the hiatus, and in the modern era this meant using rationality to realize the limits of rationality. With this in mind, let me return to the quote I began this essay with, but now provide the larger context of the entire paragraph:

The legendary hiatus between a no-more and a not-yet clearly indicated that freedom would not be the automatic result of liberation, that the end of the old is not necessarily the beginning of the new, that the notion of an all-powerful time continuum is an illusion. Tales of a transitory period—from bondage to freedom, from disaster to salvation—were all the more appealing because the legends chiefly concerned the deeds of great leaders, persons of world-historic significance who appeared on the stage of history precisely during such gaps of historical time. All those who pressed by exterior circumstances or motivated by radical utopian thought-trains, were not satisfied to change the world by the gradual reform of an old order (and this rejection of the gradual was precisely what transformed the men of action of the eighteenth century, the first century of a fully secularized intellectual elite, into the men of the revolutions) were almost logically forced to accept the possibility of a hiatus in the continuous flow of temporal sequence.

Note that concept of gaps in historical time, which brings to mind Eliade's distinction between the sacred and the profane. Historical time is a form of profane time, and sacred time represents a gap or break in that linear progression, one that takes us outside of history, connecting us instead in an eternal return to the time associated with a moment of creation or foundation. The revelation in Sinai is an example of such a time, and accordingly Deuteronomy states that all of the members of the House of Israel were present at that event, not just those alive at that time, but those not present, the generations of the future. This statement is included in the liturgy of the Passover Seder, which is a ritual reenactment of the exodus and revelation, which in turn becomes part of the reenactment of the Passion in Christianity, one of the primary examples of Campbell's monomyth.

Arendt's hiatus, then represents a rupture between two different states or stages, an interruption, a disruption linked to an eruption. In the parlance of chaos and complexity theory, it is a bifurcation point. Arendt's contemporary, Peter Drucker, a philosopher who pioneered the scholarly study of business and management, characterized the contemporary zeitgeist in the title of his 1969 book: The Age of Discontinuity. It is an age in which Newtonian physics was replaced by Einstein's relativity and Heisenberg's uncertainty, the phrase quantum leap becoming a metaphor drawn from subatomic physics for all forms of discontinuity. It is an age in which the fixed point of view that yielded perspective in art and the essay and novel in literature yielded to Cubism and subsequent forms of modern art, and stream of consciousness in writing.

cubism

Beginning in the 19th century, photography gave us the frozen, discontinuous moment, and the technique of montage in the motion picture gave us a series of shots and scenes whose connections have to be filled in by the audience. Telegraphy gave us the instantaneous transmission of messages that took them out of their natural context, the subject of the famous comment by Henry David Thoreau that connecting Maine and Texas to one another will not guarantee that they have anything sensible to share with each other. The wire services gave us the nonlinear, inverted pyramid style of newspaper reporting, which also was associated with the nonlinear look of the newspaper front page, a form that Marshall McLuhan referred to as a mosaic. Neil Postman criticized television's role in decontextualizing public discourse in Amusing Ourselves to Death, where he used the phrase, "in the context of no context," and I discuss this as well in my recently published follow-up to his work, Amazing Ourselves to Death.

The concept of the hiatus comes naturally to the premodern mind, schooled by myth and ritual within the context of oral culture. That same concept is repressed, in turn, by the modern mind, shaped by the linearity and rationality of literacy and typography. As the modern mind yields to a new, postmodern alternative, one that emerges out of the electronic media environment, we see the return of the repressed in the idea of the jump cut writ large.

There is psychological satisfaction in the deterministic view of history as the inevitable result of cause-effect relations in the Newtonian sense, as this provides a sense of closure and coherence consistent with the typographic mindset. And there is similar satisfaction in the view of history as entirely consisting of human decisions that are the product of free will, of human agency unfettered by outside constraints, which is also consistent with the individualism that emerges out of the literate mindset and print culture, and with a social rather that physical version of efficient causality. What we are only beginning to come to terms with is the understanding of formal causality, as discussed by Marshall and Eric McLuhan in Media and Formal Cause. What formal causality suggests is that history has a tendency to follow certain patterns, patterns that connect one state or stage to another, patterns that repeat again and again over time. This is the notion that history repeats itself, meaning that historical events tend to fall into certain patterns (repetition being the precondition for the existence of patterns), and that the goal, as McLuhan articulated in Understanding Media, is pattern recognition. This helps to clarify the famous remark by George Santayana, "those who cannot remember the past are condemned to repeat it." In other words, those who are blind to patterns will find it difficult to break out of them.

Campbell engages in pattern recognition in his identification of the heroic monomyth, as Arendt does in her discussion of the historical hiatus.  Recognizing the patterns are the first step in escaping them, and may even allow for the possibility of taking control and influencing them. This also means understanding that the tendency for phenomena to fall into patterns is a powerful one. It is a force akin to entropy, and perhaps a result of that very statistical tendency that is expressed by the Second Law of Thermodynamics, as Terrence Deacon argues in Incomplete Nature. It follows that there are only certain points in history, certain moments, certain bifurcation points, when it is possible to make a difference, or to make a difference that makes a difference, to use Gregory Bateson's formulation, and change the course of history. The moment of transition, of initiation, the hiatus, represents such a moment.

McLuhan's concept of medium goes far beyond the ordinary sense of the word, as he relates it to the idea of gaps and intervals, the ground that surrounds the figure, and explains that his philosophy of media is not about transportation (of information), but transformation. The medium is the hiatus.

The particular pattern that has come to the fore in our time is that of the network, whether it's the decentralized computer network and the internet as the network of networks, or the highly centralized and hierarchical broadcast network, or the interpersonal network associated with Stanley Milgram's research (popularly known as six degrees of separation), or the neural networks that define brain structure and function, or social networking sites such as Facebook and Twitter, etc. And it is not the nodes, which may be considered the content of the network, that defines the network, but the links that connect them, which function as the network medium, and which, in the systems view favored by Bateson, provide the structure for the network system, the interaction or relationship between the nodes. What matters is not the nodes, it's the modes.

Hiatus and link may seem like polar opposites, the break and the bridge, but they are two sides of the same coin, the medium that goes between, simultaneously separating and connecting. The boundary divides the system from its environment, allowing the system to maintain its identity as separate and distinct from the environment, keeping it from being absorbed by the environment. But the membrane also serves as a filter, engaged in the process of abstracting, to use Korzybski's favored term, letting through or bringing material, energy, and information from the environment into the system so that the system can maintain itself and survive. The boundary keeps the system in touch with its situation, keeps it contextualized within its environment.

The systems view emphasizes space over time, as does ecology, but the concept of the hiatus as a temporal interruption suggests an association with evolution as well. Darwin's view of evolution as continuous was consistent with Newtonian physics. The more recent modification of evolutionary theory put forth by Stephen Jay Gould, known as punctuated equilibrium, suggests that evolution occurs in fits and starts, in relatively rare and isolated periods of major change, surrounded by long periods of relative stability and stasis. Not surprisingly, this particular conception of discontinuity was introduced during the television era, in the early 1970s, just a few years after the publication of Peter Drucker's The Age of Discontinuity.

When you consider the extraordinary changes that we are experiencing in our time, technologically and ecologically, the latter underlined by the recent news concerning the United Nations' latest report on global warming, what we need is an understanding of the concept of change, a way to study the patterns of change, patterns that exist and persist across different levels, the micro and the macro, the physical, chemical, biological, psychological, and social, what Bateson referred to as metapatterns, the subject of further elaboration by biologist Tyler Volk in his book on the subject. Paul Watzlawick argued for the need to study change in and of itself in a little book co-authored by John H. Weakland and Richard Fisch, entitled Change: Principles of Problem Formation and Problem Resolution, which considers the problem from the point of view of psychotherapy. Arendt gives us a philosophical entrée into the problem by introducing the pattern of the hiatus, the moment of discontinuity that leads to change, and possibly a moment in which we, as human agents, can have an influence on the direction of that change.

To have such an influence, we do need to have that break, to find a space and more importantly a time to pause and reflect, to evaluate and formulate. Arendt famously emphasizes the importance of thinking in and of itself, the importance not of the content of thought alone, but of the act of thinking, the medium of thinking, which requires an opening, a time out, a respite from the onslaught of 24/7/365. This underscores the value of sacred time, and it follows that it is no accident that during that period of initiation in the story of the exodus, there is the revelation at Sinai and the gift of divine law, the Torah or Law, and chief among them the Ten Commandments, which includes the fourth of the commandments, and the one presented in greatest detail, to observe the Sabbath day. This premodern ritual requires us to make the hiatus a regular part of our lives, to break the continuity of profane time on a weekly basis. From that foundation, other commandments establish the idea of the sabbatical year, and the sabbatical of sabbaticals, or jubilee year. Whether it's a Sabbath mandated by religious observance, or a new movement to engage in a Technology Sabbath, the hiatus functions as the response to the homogenization of time that was associated with efficient causality and literate linearity, and that continues to intensify in conjunction with the technological imperative of efficiency über alles.

hiatus

To return one last time to the quote that I began with, the end of the old is not necessarily the beginning of the new because there may not be a new beginning at all, there may not be anything new to take the place of the old. The end of the old may be just that, the end, period, the end of it all. The presence of a hiatus to follow the end of the old serves as a promise that something new will begin to take its place after the hiatus is over. And the presence of a hiatus in our lives, individually and collectively, may also serve as a promise that we will not inevitably rush towards an end of the old that will also be an end of it all, that we will be able to find the opening to begin something new, that we will be able to make the transition to something better, that both survival and progress are possible, through an understanding of the processes of continuity and change.

-Lance Strate

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
14Apr/140

Amor Mundi 4/13/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Denaturalization and Superfluous People

passportIn 2010, Mohamed Sakr was stripped of his British citizenship. “Seventeen months later,” the NY Times reports, “an American drone streaked out of the sky in the Lower Shabelle region of Somalia and killed Mr. Sakr. An intelligence official quoted in news reports called him a “very senior Egyptian,” though he never held an Egyptian passport. A childhood friend of Mr. Sakr, Bilal al-Berjawi, a Lebanese-Briton also stripped of his citizenship by the British government, was killed in a drone strike a month earlier, after having escaped an attack in June 2011. The cases of Mr. Sakr and Mr. Berjawi are among the most significant relating to the British government’s growing use of its ability to strip citizenship and its associated rights from some Britons at the stroke of a pen, without any public hearing and with only after-the-fact involvement by the courts. Now, faced with concerns that the steady stream of British Muslims traveling to fight in Syria could pose a threat on their return, Prime Minister David Cameron’s government is pushing legislation that would give it additional flexibility to use the power, which among other things keeps terrorism suspects from re-entering the country.” The sovereign right of a nation to control who is nationalized or denationalized is unchallenged, and yet in practice the rise of mass denationalization first emerged in Europe in the 1930s. For Hannah Arendt, it is a truism that “One is almost tempted to measure the degree of totalitarian infection by the extent to which the concerned governments use their sovereign right of denationalization.” This does not mean that Britain is teetering toward totalitarianism. All countries make use of denationalization to some extent. And yet, the normalization of the practice of depriving some people of their status as citizens does not deprive them simply of rights, but also leaves them fully outside the sphere of organized human society. They lack not the right to a trial or the right to speak, but the right to have rights as a member of human society. Mass denationalization is a dangerous road.

Beyond the Rational

mythSelf-described rationalist and atheist Barbara Ehrenreich, who is also a scientist by training, is interviewed about her new book Living with a Wild God: A Nonbeliever’s Search for the Truth About Everything on NPR. She recounts one of the mystical experiences she had as a teenager in the Mojave Desert: “It was – the only words I can put to it after all these years are that the world flamed into life. Everything was alive. It was like there was a feeling of an encounter with something living, not something God-like, not something loving, not something benevolent, but something beyond any of those kinds of categories, beyond any human categories.” This book, Ehrenreich says, marks the first time she has spoken to anyone about these experiences. “…I think I have a responsibility to report things, even if they're anomalous, even if they don't fit whatever theory I had in my mind or most people have or anything. So it's in that spirit that I take this risk…Now I'm getting responses from people and I'm talking about serious people, serious rational actually nonbelievers, people I know through my work, as well as total strangers who pop up and say, that is so much like my experience.”

Unheard Prayer

chickIn an interview, Mary Szybist, winner of the 2013 National Book Award for poetry, discusses the relationship between her prayer and her chosen medium: "When I was young, I reached a point where I found myself unable to pray. I was devastated by it. I missed being able to say words in my head that I believed could be heard by a being, a consciousness outside me. That is when I turned to poetry. I have always been attracted to apostrophe, perhaps because of its resemblance to prayer. A voice reaches out to something beyond itself that cannot answer it. I find that moving in part because it enacts what is true of all address and communication on some level—it cannot fully be heard, understood, or answered. Still, some kinds of articulations can get us closer to such connections—connections between very different consciousnesses—and I think the linguistic ranges in poetry can enable that."

No Easy Way Out

peterOnly a few days prior to author and naturalist Peter Matthiessen's death last week, the New York Times Magazine published a profile of him in honor of In Paradise, Matthiessen's final book. That novel springs from an experience that the author had during a Zen Buddhist retreat held at Auschwitz; one night, the group fell into dance, a profoundly divisive act, not, perhaps, that different from holding a meditation retreat in a German death camp. A few nights later, responding both to the dancing and to the retreat as a whole, Mattheiessen spoke: “I just got up and made a generality that if we think the Germans are unique in this regard, we’re crazy. We’re all capable of this, if the right buttons are pressed. Our countries have all done it. Man has been a murderer forever...It was no great manifesto up there. I just wanted to say, ‘Come on, we’re all in this together.’” There is, however, a non-minimal difference between those who might have participated in the Final Solution if given the chance and those who did so. To say we are all guilty is to say that no one is, as Arendt never tired of pointing out. I would like to think Mattheiessen knew he was just mouthing a “generality,” as he said.

Against Philosophical Cleverness

bernardPaul Sagar reviews Bernard Williams' posthumous collection of essays and reviews. Sagar praises the therapeutic impact of the seriousness of Williams’ public thinking, which may “teach and urge patience regarding the long span of time that is required to acquire, process, and then develop knowledge and ideas. This in turn can have a calming effect, balancing the sense of being overwhelmed by the vast amount that there is to know before one can even come close to saying something worth saying.” Indeed, Williams is one of those few public thinkers who, in the tradition of Hannah Arendt, elevate public discourse by the force of their example. In other words, Williams insists that philosophy remain a humanist rather than a scientific project. “Williams urged that philosophy must be a humanistic discipline. Many analytic philosophers proceed as though the sheer force of their cleverness can scythe through deep problems of human living and understanding, unaided and unencumbered by further learning and knowledge. This attitude frequently goes along with a willful philistinism: a celebration of one’s ignorance beyond one’s academic niche, within which one prowls to do battle with the more or less clever as they dare come forth. Williams’s work stands as an indictment of this way of going about philosophy. He shows that it is most certainly an intellectual mistake. But it is also an ethical one, insofar as we rightfully find ignorance repellant and its celebration a vice. The richness and value of human experience must extend beyond being merely clever, if our lives are to have that dimension of meaning which philosophy, of all disciplines, should surely put first and foremost (the clue, after all, is in the name).”

Pictures of Reconciliation

recThe NY Times offers pictures of reconciliation, putting faces and bodies to relationships such as this one: “NZABAMWITA: “I damaged and looted her property. I spent nine and a half years in jail. I had been educated to know good from evil before being released. And when I came home, I thought it would be good to approach the person to whom I did evil deeds and ask for her forgiveness. I told her that I would stand by her, with all the means at my disposal. My own father was involved in killing her children. When I learned that my parent had behaved wickedly, for that I profoundly begged her pardon, too.” KAMPUNDU: “My husband was hiding, and men hunted him down and killed him on a Tuesday. The following Tuesday, they came back and killed my two sons. I was hoping that my daughters would be saved, but then they took them to my husband’s village and killed them and threw them in the latrine. I was not able to remove them from that hole. I knelt down and prayed for them, along with my younger brother, and covered the latrine with dirt. The reason I granted pardon is because I realized that I would never get back the beloved ones I had lost. I could not live a lonely life — I wondered, if I was ill, who was going to stay by my bedside, and if I was in trouble and cried for help, who was going to rescue me? I preferred to grant pardon.”” Arendt relates reconciliation to Amor Mundi, to love the world. Reconciliation, she writes, “has its origin in a self-coming to terms with what has been given to one.” The act of loving the world as it is re-imagines one’s solidarity in the face of a wrong that threatens to dissolve that common sense of belonging to a world, even a world that harbors horrific wrongs. In this sense, reconciliation is the judgment that in spite of our plurality and differences, we share a common world.

Rawls on Why Baseball is the Best of All Games

baseI attended my first Mets game of the season last Sunday, with my daughter. She is learning to watch the whole field, to note where the outfielders shift against right and left handed hitters and when her favorite player, David Wright, covers the line at third. Baseball is a game of pauses that can be filled with strategy, conversation, and hot dogs. Basking in the glory of the beginning of a new season of hope, I was thrilled to come across a short letter by John Rawls extolling seven virtues of baseball. Here are the first two. “First: the rules of the game are in equilibrium: that is, from the start, the diamond was made just the right size, the pitcher’s mound just the right distance from home plate, etc., and this makes possible the marvelous plays, such as the double play. The physical layout of the game is perfectly adjusted to the human skills it is meant to display and to call into graceful exercise. Whereas, basketball, e.g., is constantly (or was then) adjusting its rules to get them in balance. Second: the game does not give unusual preference or advantage to special physical types, e.g., to tall men as in basketball. All sorts of abilities can find a place somewhere, the tall and the short etc. can enjoy the game together in different positions.”

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
10Apr/140

Henry Ford on Thinking

Arendtthoughts

“Thinking is the hardest work there is, which is probably the reason why so few engage in it.”

-Henry Ford

ford

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
9Apr/141

Democracy and Disagreement

FromtheArendtCenter

In the wake of Mozilla C.E.O. Brendan Eich's resignation over his support for California's 2008 Proposition 8, which banned gay marriage and has since been overturned in court, Andrew Sullivan laments the process by which Eich was compelled to step down.

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In his post,  Sullivan, a gay man who has been making the conservative case for gay marriage for nearly two decades, suggests that to simply label Eich a bigot and move forward under that presumption is too easy. Indeed, he says, that "the ability to work alongside or for people with whom we have a deep political disagreement is not a minor issue in a liberal society. It is a core foundation of toleration. We either develop the ability to tolerate those with whom we deeply disagree, or liberal society is basically impossible. Civil conversation becomes culture war; arguments and reason cede to emotion and anger." In this context, what is a crusade for tolerance also becomes a front for intolerance, something about which Sullivan is deeply troubled. The propagation of such a sure belief means the end of civil society and, in its face, he proposes we embrace uncertainty, concluding, finally, that "a moral movement without mercy is not moral; it is, when push comes to shove, cruel."

Sullivan makes a passionate and necessary plea for both moral uncertainty and, equally important, a willingness to live with and amongst those whose opinions we find both wrong and hurtful. What makes American democracy special is not that we have the right answers, but that we are committed to the conversation, not that we employ mandarins blessed with the right answers but that we trust everyday citizens to figure it out as we go along. Sullivan makes his case that Eich was honorable, open, and willing to engage in meaningful dialogue with those he disagreed with. Let's leave aside accusations of political correctness and such. The important point is that we are living in a country increasingly at odds with its democratic tradition of debate and disagreement. We bemoan the fact that Republicans and Democrats can't talk across the aisle; how is that we now won't even work with someone who respectfully disagrees with us politically?

—RB h/t Josh Kopin

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.