The Perplexities of Secularism
Does a cross in a courtroom infringe on the religious freedom of non-Christians involved in legal proceedings? Does it violate the principles of a secular state? These questions have recently arisen in Germany thanks to the trial of Beate Zschäpe. Zschäpe is the one surviving member of the National Socialist Underground (NSU), a band of neo-Nazis that allegedly murdered eight people of Turkish descent, one person of Greek descent, and one non-immigrant German police officer in a string of premeditated attacks from 2000 to 2007.
Zschäpe is currently standing trial at the upper court of appeals in Munich, and like other legal chambers in the state of Bavaria, its décor includes a modest wooden cross.
This cross did not evoke comment from the judge and lawyers in the run-up to the trial, and it was not an initial source of concern for the victims’ immediate relatives, who are acting as joint plaintiffs in the case. But it did draw the ire of Mahmut Tanal, a member of the Turkish parliament who attended the first day of the proceedings. Tanal, who is affiliated with the secularist Republican People’s Party, argued that a religious symbol like a cross has no place in the courtroom and should be removed immediately. In his estimation, the cross not only violated the principle of state neutrality in religious affairs, but also constituted a “threat” for the Muslim relatives of the Turkish victims.
Several conservative politicians in Germany responded to his complaints with sharply worded defenses of the cross. Norbert Geis, a parliamentarian for Germany’s Christian Social Union (CSU), announced that “the cross belongs to our culture” and urged Tanal to display more respect for the Christian influence on German life. Günter Krings, a member of parliament for the Christian Democratic Union (CDU), contended that the cross “symbolizes brotherly love and tolerance and is an expression of our Christian-Western roots.” And Günther Beckstein (CSU), Bavaria’s former Minister President, insisted that it was important to make clear, even in a courtroom, that “God stands above the person.”
The matter might have ended there if one of the joint plaintiffs, Talar T., had not agreed with Mahmut Tanal and filed a motion for the cross to be removed. Talar T. insisted that he had a pressing claim “not to be exposed to the influence of a religion—even in the form of a symbol—by the German state.”
Significantly, there is no established legal precedent on this and related matters. The State Court in Saarbrücken ruled in 2001 that a cross must be removed from a courtroom when a concerned party believes that its presence injures her or his right to religious freedom. But it is not clear whether this judgment would apply to courts in Bavaria, especially when Germany’s federalist system grants individual states considerable legal and policymaking autonomy. Indeed, it is precisely this system that has allowed Bavaria to hang crosses in its courtrooms when most other German states avoid and even disavow the practice.
We should not place undue emphasis on this aspect of the trial, which is highly charged for reasons that have nothing to do with the presence or absence of a cross. After all, German prosecutors accuse Zschäpe and her NSU compatriots of a string of xenophobic if not racist murders, and they charge that incompetence at the highest levels of German law enforcement allowed many if not all of these murders to occur. Nevertheless, I would argue that the contention and uncertainty surrounding the cross remain significant in their own right, for they speak to important arguments about the nature of secularism as a modern historical phenomenon.
In a series of recent articles and a concluding book, the University of Chicago anthropologist Hussein Agrama has proposed that secularism, contrary to the normative claims advanced in its favor, is not an institutional framework in which religion and politics are clearly separated. Instead, secularism consistently fashions religion as an object of governmental management and intervention, and it therefore expresses the state’s sovereign power to decide “what count should count as essentially religious and what scope it can have in social life.” Yet in the act of exercising this power, the secular state repeatedly blurs the very line between religion and politics that it aims to draw. For example: if a state insists that religiosity may only be expressed in the private sphere, what is the nature and extent of that sphere? Does it only include the home? Or does it also encompass communal places of worship, or believers’ choice of clothing and other forms of adornment? Is not the demarcation of a private realm of legitimate religious expression itself a political act?
In the end, Agrama argues that secularism is not a solution that neatly defines religion’s place in contemporary life. Instead, it constitutes a problem-space “wherein the question of where to draw a line between religion and politics continually arises.” Moreover, this question cannot be easily ignored, for it is inextricably bound up with the distribution of liberal rights and freedoms.
In Germany’s case, the state and federal governments, including the one in Bavaria, have adopted the principle that the state is independent of religious institutions and should not invoke or favor one religious tradition over another. The state and federal governments have also affirmed the right of all citizens to express their religious beliefs without undue interference from the state. These commitments are basic elements of German liberal governance, and the presence of the cross in Bavarian courtrooms would appear to complicate if not directly contradict them. To use Agrama’s language, the cross blurs the line between religion and politics, and it raises questions about the substance of the religious freedom that citizens may claim.
As my preceding discussion indicates, proponents of the status quo in Bavaria have tended to finesse these difficulties by insisting that the cross is merely a “symbol.” The cross, they imply, evokes a tradition that has exerted a formative influence on culture and politics in Germany and humanist thinking more broadly, but its presence is ultimately incidental to the legal proceedings and judgments that the state initiates. Moreover, the cross does not “threaten” non-Christians because it does not enshrine Christianity as the state’s religion, and it does not infringe on citizens’ freedom of religious belief or their equality before the law. To an important extent, this logic would seem to deny that the cross, at least in this context, is a “religious” artifact at all.
Of course, we might well wonder whether a symbol that is incidental to legal proceedings really needs to be present in a courtroom in the first place. More importantly, though, we might wish to question the innocence of the cross given the larger context of the case against Beate Zschäpe.
The NSU murders have led many migrants and post-migrants, including those from Muslim-majority countries like Turkey, to doubt their full inclusion in the German nation and polity. Moreover, the climate of lingering distrust surrounding Islam has only sharpened many Muslims’ perception that their faith is not a welcome and integral aspect of German life. Thus, even if the inclusion of a cross is not meant to be a “threatening” gesture, it is hardly a neutral, merely “symbolic” one either.
In the wake of the Arab Spring, many Euro-American commentators have wondered whether the new governments in Egypt and other Middle Eastern countries will be “secular” or “religious.” At least some of them have also maintained that “secular” governments will further the region’s democratization and long-term stability. To my mind, this line of thinking presumes that states in Europe and North America are exemplary polities which have more or less resolved the perplexities of secularism. But if the recent debates over the cross in Germany are any indication, such a judgment is premature if not complacent and self-serving. Even in those polities where secularism seems firmly established, uncertainty and dissension over religion persist. Indeed, such a condition may be the norm that defines secularist structures of power, not their fleeting and aberrant exception.
NOTE: as I was finishing this post, the U.S. Supreme Court announced that it will rule on the constitutional status of prayer in town board meetings, based on a case from Greece, New York. Many of my remarks on the Zschäpe trial are pertinent in this instance as well.
-Jeffrey Jurgens
Thinking Metaphors
This Quote of the Week post was first published on August 27, 2012.
“What connects thinking and poetry [Dichten] is metaphor. In philosophy one calls concept what in poetry [Dichtkunst] is called metaphor. Thinking creates its “concepts” out of the visible, in order to designate the invisible.”
-Hannah Arendt, Denktagebuch, vol. 2, p. 728 (August 1969) (translation my own)
Arendt’s Denktagebuch is less a “book” than a collection of “thought fragments”. These fragments, such as the one quoted above, are perhaps best considered not as advocating some position, but as specific angles or starting points from which we are invited to think something through.
All too often, her published works are understood in an “advocatory” fashion. Accordingly, The Human Condition, is sometimes read as a “plea” in favor of the vita activa over and against the vita contemplativa. In fact, however, Arendt explicitly denies that she wishes to reverse the traditional hierarchy between the two ways of life. Rather, she is questioning the conceptual framework within which both ways of life have traditionally been understood.
Hence, I take it to be her aim not only to liberate acting [Handeln] from its being reduced to nothing more than an instrument in the process of making [Herstellen], but, analogously, to liberate the activity of thinking from its being reduced to nothing more than an instrument in the process of cognition culminating in contemplation, in “seeing” the truth which, in turn, serves as blueprint for the process of making. She notes that both the process of making, which uses mute violence, and the end of contemplation, which is reached in a state of speechless wonder, entail a loss of language.[1] As a consequence, the element of speech has disappeared not only from our conception of action (including politics), but also from our conception of thinking (including philosophy).
If not from the model of the passive contemplation, how does Arendt wish to understand the activity of thinking? In my view, there are at least three thinking “motifs” which can be traced throughout her oeuvre. The first, and certainly the best known, is that of “dialectical thinking”, that is, the soundless dialogue between me and myself (“two-in-one”). It is used in The Origins of Totalitarianism, and it keeps recurring in many of her later works, including The Life of the Mind. The second, somewhat less prominent motif is that of “representative thinking”, which denotes the capacity of placing oneself in the perspectives of (more than two) fellow human beings, and which prepares the formation of opinions and judgments. The notion itself occurs for the first time in ‘The Crisis in Culture’ (1960), but it is clearly related to, if not identical with, the “communicative” thinking introduced in her essays on Karl Jaspers a few years earlier.
The third motif, “poetic thinking”, is perhaps the most interesting one. Although she uses the term itself exclusively in her essay on Walter Benjamin (1968), a description of the underlying phenomenon recurs in The Life of the Mind, more specifically in its two chapters on metaphor. Arendt describes the function of metaphor as “turning the mind back to the sensory world in order to illuminate the mind’s non-sensory experiences for which there are no words in any language.” (The Life of the Mind, vol.1, p. 106)
As soon as we realize, as do the poets, that all language is metaphorical, we will, as thinkers, be able to assess the crucial role of our language in bridging the gap between the visible phenomena of the outer world and the invisible concepts of our inner mind. To give an example, by tracing a concept – such as “politics” – to its originally underlying experience – the Greek polis – we will be able to assess whether the way in which we employ it, is “adequate”, that is, whether we actually employ it in any meaningful way, whether it really “makes sense”.
In concluding her chapters on metaphor, Arendt raises the challenging question whether there exists a metaphor that could serve to illuminate the invisible activity of “thinking” itself. The most she is willing to offer, however, is the metaphor of “the sensation of being alive”, of which she herself readily admits that it “remains singularly empty” (idem, p. 124).
Why does she not mention the metaphor of poetry here? In the Denktagebuch fragment quoted above, written while she was preparing The Life of the Mind, Arendt clearly points to a certain correspondence between the role of metaphor in poetry and the role of concept in thinking. Perhaps we may go so far as to suggest that she uses poetry – or rather, since she uses the substantivized German verb “Dichten”, the activity of “making poetry” – as a metaphor for thinking.
However, the word “poetry” itself is derived from the Greek word “poièsis”, which should be rendered as “making” [Herstellen]. Hence, she might have thought that by using poetry as a metaphor for thought, she would have reiterated the traditional problem of the activity of thinking having been overlaid with the contemplative element in the experience of making. Indeed, in The Human Condition, in the section titled ‘The Permanence of the World and the Work of Art’, she seems to imply that writing poetry involves “the same workmanship which, through the primordial instrument of human hands, builds the other durable things of the human artifice.” (The Human Condition, p. 169)
Yet, in the very same section another, more promising, understanding of “poetry” is beginning to emerge. Arendt calls music and poetry “the least “materialistic” of the arts because their “material” consists of sounds and words” – note her use of quotation marks here – and she adds that the workmanship they demand is “kept to a minimum”.
Moreover, after having suggested that the durability of a poem is not so much caused by the fact that it is written down, but by “condensation”, she speaks of poetry as “language spoken in utmost density and concentration” (idem, p. 169). The German word for condensation is “Verdichtung” and for density “Dichte”. While being absent in the English expression of “making poetry”, both words clearly resonate in the German verb “dichten”.
Arendt does not draw any explicit connection between the activity of condensation and the use of metaphor. Still, she might have had it in mind. One page earlier (idem, p. 168), she referred to a poem by Rilke in order to illustrate the “veritable metamorphosis” a work of art is capable of bringing about, being more than a mere reification, more than a matter of “making” in the ordinary sense. Consider especially the second strophe, which simultaneously articulates and demonstrates the power of metaphor in “calling” the invisible:
Here is magic. In the realm of a spell
the common word seems lifted up above...
and yet is really like the call of the male
who calls for the invisible female dove.[2]
- Wout Cornelissen
Thoughtless Purposefulness
The word designating military drones comes from the word for bee. This is true all over the world, in countless languages. Partly because of this linguistic consistency, it is a common misperception that drones take their name from the buzzing sound when unmanned aircraft fill the air. More accurately, however, drones trace their etymological lineage to the male honey-bee that is called a drone. The male drone-bee is distinguished from the female worker-bees. It does no useful work and has one single function: to impregnate the queen-bee. What unites military drones with their apiary namesakes is not sound, but thoughtless purposefulness.
The beauty of the drone-bee—like the dark beauty of the military drone—is its single-minded purpose. It is a miracle of efficiency, designed to do one thing. The drone-bee is not distracted by the perfume of flowers or the contentment of labor. It is born, lives, and dies with only one task in mind. Similarly, the military drone suffers neither from hunger nor from distraction. It does what it is told. If necessary, it will sacrifice itself for its mission. It is a model of thoughtless efficiency.
A few weeks ago I wrote about Ernst Jünger’s novel The Glass Bees, in which a brilliant inventor produces tiny flying glass bees that offer limitless potential for surveillance and war. Today I turn to Jake Kosek’s recent paper “Ecologies of Empire: On The New Uses of the Honeybee.” Kosek does not cite Jünger’s novel, and yet his article is in many ways its non-fiction sequel. What Kosek sees is that the rise of drones in military strategy is tied deeply to their ability to mimic the activity and demeanor of male honey-bees. It is because bees can fly, swarm, change direction, alter their course, and yet achieve their single purpose absent any intentionality or thinking that bees are so useful in modern warfare.
Bees have long been associated with military endeavors, both metaphorically and literally. Kosek tells that our word bomb comes from the Greek bombos, which means bee. The first bombs were, it seems, beehives dropped or catapulted into the heart of the enemy camp. Bees are today trained to sniff out toxic chemicals; and beeswax was for generations an essential ingredient in munitions.
In the war on terror, bees have taken on a special significance. The “enemy’s lack of coherence—institutionally, ideologically, and territorially— makes the search for the enemy central to the politics of the war on terror.” War in the war on terror is ever less a contest of armies on the battlefield and is increasingly a war of knowledge. This means that surveillance—for centuries an important complement to battlefield tactics—comes to occupy the core of the modern war on terror. In this regard, drones are essential, as drones can hover in the air unseen for days, gathering essential intelligence on persons, groups, or even whole cities. All the more powerful would be miniature drones that fly through the air unseen and at ground level. That is why Kosek writes that “Intelligence gathering [is] not just limited to psychologists, sociologists, lawyers, and military planners, but [has come] to include biologists, anthropologists, epidemiologists, and even entomologists.” What the military use of bees promises is access to information and worlds not previously open to human knowledge. Bees, Kosek writes, are increasingly the model for the modern military.
The advantage of bees is not simply their thoughtlessness, but is found also in their ability to operate as part of a swarm. Current drone technology requires that each drone be controlled by a single pilot. What happens when hundreds of drones must share the airspace around a target? How can drones coordinate their activity? Kosek quotes a private contractor, John Sauter, who says:
“A central aspect of the future of warfare technology is to get networks of machines to operate as self-synchronized war fighting units that can act as complex adaptive systems. . . We want these machines to be fighting units that can operate as reconfigurable swarms that are less mechanical and more organic, less engineered and more grown.”
The point is that drones, be they large or small, must increasingly work in conjunction with each other at a speed and level of nuance that is impossible for human controllers to manage. The result is that we must model the drones of the future on bees.
The scientists working with the Pentagon to create drones that can fly and function like bees are not entomologists, but mathematicians. The DNA of the glass or silicone bees of the future will be complex algorithms inspired by but actually surpassing the ability of swarms “to coordinate and collect small bits of information that can be synchronized to make collective action by drones possible.” Once this is possible, one controller will be able to manage a single drone “and the others adapt, react, and coordinate with that drone.”
Kosek’s article is provocative and fascinating. His ruminations on empire strike me as overdone; his insights about the way our training and use of bees has transformed the bee and the ways that bees are serving as models and inspiration for our own development of new ways to fight wars and solve problems are important. So too is his imagination of the bee as the six-legged soldier of the future. Whether the drones of the future are cyborg bees (as some in Kosek’s article suggest) or mechanical bees as Jünger imagined half a century ago, it is nevertheless the case that thinking about the impact of drones on warfare and human life is enriched by the meditation on the male honeybee. For your weekend read , I offer you Jake Kosek’s “Ecologies of Empire: On The New Uses of the Honeybee.”
-RB
Hannah Arendt & the Redemptive Power of Narrative
Hannah Arendt and the Redemptive Power of Narrative
Selya Benhabib, Social Research, Vol. 57, No. 1, Philosophy and Politics II (spring 1990), pp. 167-196
Selya Benhabib, Eugene Mayer Professor of Political Science and Philosophy at Yale University, sees Arendt as affirming the modernist move beyond the nation to universal human rights, while at the same time disparaging the social in a way that many critics see as anti-modern. As Roger Berkowitz explains regarding a later work, Benhabib works out this universal aspiration “with and against Arendt.” In this 1990 article, Benhabib makes only passing reference to Arendt’s famous critical phrase “the right to have rights.” Briefly put though, she sees Arendt’s concern not as a fundamental challenge but rather as an implicit spur for a broader guarantee of rights.
For Arendt the social, which in large part corresponds to economic activity, no longer remains in its proper place of the household, but emerges to obscure the public space of politics. One might then ask, is Arendt a Romantic proponent of a return to Greek origins, in line with Hölderlin, Hegel, and Heidegger? Benhabib denies this challenge, arguing instead that Arendt’s confrontation with National Socialism led her to develop a new idea
of political theory as "storytelling." In light of this conception, her analysis of the decline of the public space cannot be considered a nostalgic Verfallsgeschichte (a history of decline). Rather, it must be viewed as an "exercise" in thought, the chief task of which is to dig under the rubble of history and to recover those "pearls" of past experience, with their sedimented and hidden layers of meaning, so as to cull from them a story that can orient the mind in the future.
The figures of secret “pearls” and covered sediments align in part but not in whole: historians could be seen as describing the hidden layers of ruins that we rarely consider beneath our feet. The idea of finding “pearls,” which Benhabib draws from Arendt’s longer citation to Shakespeare’s Tempest offers the key idea of a particular point of significance that then rearranges other semantic layers.
Full fathom five thy father lies,
Of his bones are coral made,
Those are pearls that were his eyes.
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange. (The Tempest, act I, scene 2)
Benhabib sees the theorist casting the challenges of history as “rich and strange” stories. One might push this idea further and see the theorist as descending into the depths to inhabit history from the specific place of the dead man, who longer sees naturally, but retains the markers of perception. We might even say that the drowned man offers the right body to connect ourselves to a broken past. Drawing on Heidegger’s terminology, Benhabib writes:
If Dasein is in time, narrative is the modality through which time is experienced. Even when the thread of tradition is broken, even when the past is no longer authoritative simply because it has been, it lives within us and we cannot avoid placing ourselves in relation to it. The narrative uniting past and present defines who we are at any point. Narrative then, or, in Arendt's word, storytelling, is a fundamental human activity. There is then a continuum between the attempt of the theorist to understand the past and the need of the acting person to interpret the past as part of a coherent and continuing life story.
Notice that Benhabib sees it as a necessity that we place ourselves in relation to tradition. The distinctive mark of Arendt’s storytelling is that it is not purely imaginative in the sense that “anything goes.” Instead, it establishes a creative relation to the past.
In the 2004 Tanner lectures, Benhabib argues for human rights based on intersubjective cosmopolitanism rather than a metaphysical universalism. The work on narrative in this earlier article raises the question of the role that narrative plays in creating such a cosmopolitanism. Indeed, in the continuing demand to tell a “coherent” story, perhaps we can see the emergence of an international narrative that does not rely so much on the stability of intersubjectivity as one continually open to the future in action.
-Jeffrey Champlin
Forgiveness
Trespassing is an everyday occurrence which is in the very nature of action’s constant establishment of new relationships within a web of relations, and it needs forgiving, dismissing in order to go on by constantly releasing men from what they have done unknowingly. Only through this constant mutual release from what they do can men remain free agents, only by constant willingness to change their minds and start again can they be trusted with so great a power as that to begin something new.
—Hannah Arendt, The Human Condition
In The Human Condition, Hannah Arendt relates Augustine’s Christian concept of forgiveness to human action and agency. Forgiveness solves an important problem inherent to the activity of action. Since “men never have been and never will be able to undo or even control reliably any of the processes they start through action,” human beings are met with the disabling reality of processes whose outcomes are both unpredictable and irreversible. Knowing that our actions may lead to evil or unhappiness, why would anyone take the risk of action at all? Remarkably, Arendt finds the remedy to this predicament within the faculty of action itself. The antidote for irreversibility is forgiveness, which "serves to undo the deeds of the past" by releasing actors from the consequences of their actions.
The beauty of forgiveness is that it interrupts otherwise automatic processes. For example, forgiveness enables actors to become freed from vengeance, “which encloses both doer and sufferer in the relentless automatism of the action process, which by itself need never come to an end.” Within the space created by the interruption, forgiveness creates a new relationship that is radically different from what existed before.
As something startlingly new, forgiveness is not conditioned by the wrong that provokes it and it can therefore never be predicted. Arendt admits as much. She explains, “forgiving, in other words, is the only reaction which does not merely re-act but acts anew and unexpectedly.” Released from vengeful reactions, I can act in ways that are not predetermined or compelled by another's trespasses against me. In this sense, forgiveness is an unanticipated, uncaused and undetermined act; is it truly spontaneous. Arendtian forgiveness seems to take on a metaphysical stature; it appears to be able to change the nature of reality, undoing the irreversible. It acts against necessity, undoing what was done by releasing the doer from the deed.
In the last 60 years, notably in tribunals and reconciliation commissions characteristic of transitional justice, forgiveness has become a political and legal ideal in cases where massive moral injury threatens to extinguish human plurality and dignity. Seen as a willingness to continually participate in an imperfect world with civility, those willing to forgive demonstrate the ability to begin again not only despite the social facts of moral injury and misrecognition, but as Arendt teaches, also despite ontological facts of irreversibility, contingency, and unpredictability. Forgiving victims who are able to respond creatively rather than vindictively are said to escape the vicious cycle of violence and exemplify their moral agency.
What does forgiveness really do as a political tool? Arendt's forgiveness responds creatively to the fact of injury. What I’d like to suggest is that Arendt understands forgiveness as a cure for the irreversibility of action, not of violence. Unlike many contemporary (theological and secular) political views that see forgiveness as an act of compassion in response to atrocity, Arendt insists that forgiveness is an activity of politics.
Understood politically, forgiveness is about surviving these effects of irreversibility. Because linear time shapes human experience, irreversibility is unavoidable. Taking aim at what cannot be undone, forgiveness releases actors from what would otherwise become a mechanistic or routinized cycle of retaliation.
Arendt describes forgiveness as the act of constantly releasing the wrongdoer. Quoting Luke 17:3-4, she says “And if he trespass against thee…and…turn again to thee, saying, I repent; thou shalt release him.” If the wrongdoer shows signs of contrition or transformation, he should be released from the trespass.
In his essay about Arendt’s judgment of Eichmann, Roger Berkowitz argues that Arendt adopts the language of release or dismissal (which I find very similar to Nietzsche's understanding of forgetting) in order to characterize the action of forgiveness, a move that greatly limits the scope or reach of forgiveness. Berkowitz explains,
Arendt critically limits the province of forgiveness to minor trespasses… As she notes, the Greek word in the Gospels traditionally translated as “forgiveness” is aphienai, which Arendt suggests means to “dismiss” and “release” rather than “forgive.” As a release, Arendt’s defense of forgiveness does not reach the forgiving of crimes and sins. Instead, forgiveness is limited to the “constant mutual release” that allows men to continue to act in the world.
People can release each other, but the capacity as denoted by the original Greek amounts to dismissal rather than pardon or exoneration.
Whereas forgiveness releases, its opposite, vengeance, binds people to the past crime and to the process of reaction. Vengeance, unlike forgiveness, is not creative of new possibilities for action. Instead, it “acts in the form of re-acting against an original trespassing, whereby far from putting an end to the consequences of the first misdeed, everybody remains bound to the process. But note that it is the deterministic character that threatens the sphere of action and which morphs a trespass into an unforgiveable crime. The magnitude of the crime is a necessary, but not sufficient condition for crimes against plurality.
Unlike the common imperialist tactic of legalized discrimination, Arendt explains in Eichmann in Jerusalem that war crimes committed by totalitarianism gave rise to the unprecedented:
It was when the Nazi regime declared that the German people not only were unwilling to have any Jews in Germany but wished to make the entire Jewish people disappear from the face of the earth that the new crime, the crime against humanity—in the sense of a crime “against human status,” or against the very nature of mankind—appeared.
She continues,
Expulsion and genocide must remain distinct; the former is an offense against fellow-nations, whereas the latter is an attack upon human diversity as such, that is, upon a characteristic of the ‘human status’ without which the very worlds ‘mankind’ or ‘humanity’ would be devoid of meaning.
Arendt described such actions as those which “transcend the realm of human affairs and the potentialities of human power, both of which they radically destroy wherever they make their appearance.” Eichmann’s actions destroyed human potentiality. Arendt cannot forgive such crimes.
This is our first clue that the offences to which forgiveness responds are within the reach of dismissal, whereas crimes against the human status are not. Moreover, forgiveness releases those who "unknowingly" transgressed. The predicament of action is that people cannot know the consequences of their actions (action is unpredictable). When the act is intended to harm, the law calls for punishment. It would be a mistake therefore to think that Arendtian forgiveness is intended to cure anything outside the realm of action.
It is a striking absence that Arendt did not refer to the concept of forgiveness as it is developed in the Human Condition in her decision in Eichmann in Jerusalem. And yet Arendt wasn't attempting to create a complete system of concepts across her work. As her views changed, her concepts also shifted. But having the limits of Arendt's forgiveness in mind can, I think, nonetheless help us understand her judgment against Eichmann. Because Eichmann’s decisions and rule following annihilated spontaneity and plurality, he cannot be released from his deeds.
-Grace Hunt
The Politics of Intimacy
In an era defined by pervasive mass mediation, what role might intimacy—a relation of closeness and familiarity with another person—play in the realm of politics? Most of us are familiar with the town hall meetings, living-room campaign events, and other highly publicized yet simultaneously face-to-face interactions that now play a prominent role in this country’s electoral campaigns. Most of us also recognize the ways that Obama and other recent Presidents have presented the nation with stories of individual tribulation in order to “give a human face” to the sub-prime mortgage crisis, the spiraling costs of health care, or the most recent school shooting. To be sure, cynics might argue that political figures stage such moments of (supposed) intimacy merely to evoke and harness constituents’ sentiments in the service of their policies—or to lend themselves an air of human approachability. There is probably some truth in these claims. But I believe such skepticism also underestimates the varied motives that prompt leaders to mobilize the rhetoric of intimacy. It also skirts the diverse reasons why ordinary citizens might seek out—or refuse—those leaders’ expressions of empathy and solidarity.
I was led to these reflections by last week’s meeting between German Federal President Joachim Gauck and the relatives of the ten people murdered by the National Socialist Underground, or NSU, between 2000 and 2007. The NSU was a small but committed group of violent neo-Nazis that initially coalesced in Jena, a university town in the former East Germany, over the course of the 1990s. In the years that followed, the NSU’s core members ranged across the Federal Republic of Germany to target and fatally shoot nine small business owners of migrant backgrounds (eight of them Turkish, one of them Greek). They also shot two police officers, one of whom later died of her injuries, and injured twenty-three additional people in two separate bombings.
The NSU managed to evade detection and arrest for years due to competition between German law enforcement and security agencies, structural barriers to communication, and the evident negligence of investigators on the local, state, and national levels. Perhaps most egregiously, the Federal Office of Constitutional Protection sought to avoid public scrutiny and censure of its actions in late 2011 by deliberately destroying files that documented its long-standing contacts with another right extremist group closely related to the NSU. During these years of bungling, many of those in law enforcement and public security failed to take the possibility of right-wing political violence seriously. Instead, investigators long operated on the premise that the victims had died at the hands of relatives, drug dealers, or other criminals in the underground immigrant milieu. In this manner, law enforcement officials wittingly or unwittingly bought into reductive stereotypes that link people of migrant backgrounds with violence and crime.
On February 18th, Federal President Gauck invited the victims’ families to his offices in Berlin to express his commitment to the full investigation of the murders and the institutional shortcomings that failed to prevent them. This meeting was a particularly delicate one for Gauck since he has struggled to strike a consistent and publicly palatable tone on matters of immigration. In 2010 he awkwardly defended the anti-immigrant populist Thilo Sarrazin and his book Deutschland schafft sich ab, and later that same year he distanced himself from former Federal President Christian Wulff’s claim that “Islam belongs to Germany.” Gauck also appeared distinctly ill at ease during an earlier memorial gathering with the victims’ families in 2012. On the whole, Gauck’s public statements have tended to emphasize the “foreignness” of Muslims and post-war migrants, not their integral and self-evident membership in German national life.
Perhaps in response to his earlier public statements, last week Gauck promised the families that he would invest his full “personal involvement” in the ongoing government-led inquiry. This striking formulation implied a level of engagement on his part that extended beyond the strictly “professional” concern that might be expected of him as Germany’s Federal President. In addition, Gauck insisted ahead of the meeting that it would be small in scale and familiar in tone, and members of the press would not be allowed to attend the proceedings. These conditions would allow him, he contended, to hold personal and private conversations with all of the attendees. In short, Gauck set considerable store in interpersonal intimacy as a means to engage with the surviving family members, acknowledge their loss and mistreatment, and restore at least some of their confidence in German legal and political institutions. He probably also hoped to rehabilitate his own public image to some degree, but I suspect that this motive was not the overriding one during this particular meeting.
Many of the surviving family members accepted Gauck’s invitation, and several of the seventy total attendees contributed in their own fashion to this performance of political intimacy. Ismail Yozgat, father of murder victim Halil Yozgat, arrived with a photograph of his son as a six-year-old hung around his neck, and when he tearfully called on state authorities to “give me my son back,” Gauck wrapped his arm around his shoulders.
But many of the other attendees pointedly refused to speak at length with the Federal President, and some later expressed irritation that Gauck had not lingered with them, but had instead departed promptly at 2 p.m. to attend to other business. Others were troubled by the fact that Gauck had shared his opening remarks with media representatives rather than reserving them for the families alone. And still others had not accepted the Federal President’s invitation at all and remained distant from the gathering. One family worried that the group would actually be too large for Gauck to have a personal conversation with them. A few others, meanwhile, justified their absence on the grounds that the Federal President’s office had not honored their requests for their lawyers to be present. In the words of Angela Wierig, representative for Ayşen Taşköprü: “true empathy would have recognized that my client would have liked me by her side.”
In short, the families of the NSU murder victims were well aware of the intimacy that Gauck had hoped to invest and mobilize in their meeting with him, and they negotiated his framing of the event in diverse ways. While some consented to the terms of Gauck’s invitation, others detected a distinct lack of sincerity in his proclaimed “personal involvement.” Others feared that the gathering would not in fact be intimate enough, while still others refused the offer of intimacy and instead sought to place the meeting on a squarely legalistic, guarded, even confrontational footing.
All of these responses point to the ways that human closeness is not an inevitable or natural state of affairs, but rather a contingent condition that can only fashioned amid varied and often trying circumstances. Moreover, they suggest that intimacy may not be the only or even the best means to redress moments of pain, injustice, and mistrust.
For no small number of the people affected by the NSU murders, rigorous accountability for law enforcement incompetence—not offers of solidarity from the Federal President—offered the most promising route forward.
-Jeff Jurgens
Learning From Crisis
"[T]here is another even more cogent reason for [the layman] concerning himself with a critical situation in which he is not immediately involved. And that is the opportunity, provided by the very fact of crisis—which tears away facades and obliterates prejudices—to explore and inquire into whatever has been laid bare of the essence of the matter…"
-Hannah Arendt, "The Crisis in Education"
I
It is often said that the Chinese word for “crisis,” or weiji, means a combination of “danger” and “opportunity,” and every so often the trope appears in the highest echelons of American politics. Linguist Benjamin Zimmer cites its frequent use by John F. Kennedy in speeches leading into the 1960 presidential election; and more recently, Al Gore in 2006-7 used weiji to anchor both his Congressional testimony on the problem of climate change, and his Vanity Fair article (“The Moment of Truth”) concerning the same. During her January 2007 trip to the Middle East, then-Secretary of State Condoleezza Rice told reporters of conditions in the region, "I don't read Chinese but I am told that the Chinese character for crisis is wei-ji, which means both danger and opportunity…And I think that states it very well. We'll try to maximize the opportunity."
This use of weiji has irked some linguists. Zimmer calls Gore’s Chinese riff a “linguistic canard” and writes that in all these cases, “[T]he trope was deployed for similar effect: as a framing technique for describing current perils posed by a particular world crisis and future possibilities for resolving that crisis. Thus it allows the speaker to shift rhetorical footing from pessimism to optimism, ending with an upbeat tone and a call to action.” Victor H. Mair, a professor of Chinese language and literature at UPenn, identifies a “fatal” error of interpretation that centers on the second character, ji, which rather than “opportunity,” here means something like “incipient moment; crucial point (when something begins or changes).” Thus, “A weiji indicates a perilous situation when one should be especially wary. It is not a juncture when one goes looking for advantages and benefits.”
To those still seeking New Age wisdom in the danger/opportunity coupling, Mair points to the old Greek usage. Modern “crisis” stems from the Greek krinein, meaning to separate, decide, or judge. The word reached Middle English in the 15th century via Latin, and the Oxford English Dictionary says that by mid-16th century it meant judgment related specifically to sickness and the sudden change of disease (The Online Etymology Dictionary cites Hippocrates using krinein in the same way.). Soon thereafter it referred more generally to “A vitally important or decisive stage in the progress of anything; a turning-point,” as well as judgment or decision simply, and “A point by which to judge; a criterion; token; sign.”
In moments of crisis the important connection between “danger” and “opportunity” centers on their common source in a disruption of normal order, a disruption that entails instability and volatility, but also openings to previously precluded or unimagined possibilities for action. The moment of crisis is transient, and in political matters the statesman’s virtue is two-fold—not only to manage (or “seize”) a crisis situation, but also to recognize the situation when it arises (See Lenin, “The Crisis Has Matured,” September 29, 1917) or foresee its coming. By recognizing a crisis for what it is—a moment of decision—we can wrest the decision to ourselves.
II
Hannah Arendt’s essay “The Crisis in Education” seems to offer a different understanding of social and political crisis—one less concerned with critical moments and more concerned with the “elemental structures” of modernity that “crystallize” over time and manifest today in a variety of ways. The essay starts by observing that “The general crisis that has overtaken the modern world everywhere and in almost every sphere of life manifests itself differently in each country, involving different areas and taking on different forms.” In America the general crisis has assumed the form of “the recurring crisis in education that, during the last decade at least, has become a political problem of the first magnitude[.]” This introduces a recurring theme in the essay, that while examining a particular political crisis in America, the essay is also—and perhaps more fundamentally—about “a more general crisis and instability in modern society.”
This more general crisis is the modern crisis of authority that is “closely connected with the crisis of tradition…the crisis in our attitude towards the realm of the past.” Seeing how this bears on the crisis of education requires examining “whatever has been laid bare of the essence of the matter, and the essence of education is natality, the fact that human beings are born into the world.” At the same time, Arendt writes, “Basically we are always educating for a world that is or is becoming out of joint,” a world that, because it is made by mortals, “runs the risk of becoming as mortal as they.” And thus—because the essence of education is natality, and the “newcomers” need a world in which to live and act, but the world in which we live and act constantly “is or is becoming out of joint”—the problem of education concerns how to stabilize this world for the “newcomers” without also stifling their capacity to renew or even drastically alter it: “Exactly for the sake of what is new and revolutionary in every child,” Arendt writes, “education must be conservative; it must preserve this newness and introduce it as a new thing into an old world[.]”
Here the crisis of modernity and education converge—for the process of giving students a world has historically relied on the authority of tradition and the past. But if these authorities can no longer be relied upon, then what remains? Stunningly, Arendt locates a new authority for modern conditions in the teacher’s “assumption of responsibility for that world.”
III
Arendt’s account of the American crisis of education illustrates the connection between local political crises around the world and a larger civilizational crisis. Indeed, a central goal of “The Crisis in Education” is to highlight the blind spots in understanding that result when one regards “a local phenomenon” like the crisis of education as “unconnected with the larger issues of the century, to be blamed on certain peculiarities of life in the United States” (as for example its history of “continuous immigration”). To localize such problems is tempting because “However clearly a general problem may present itself in a crisis, it is nevertheless impossible ever to isolate completely the universal element from the concrete and specific circumstances in which it makes its appearance.” But while “There is always a temptation to believe that we are dealing with specific problems confined within historical and national boundaries and of importance only to those immediately affected”— “It is precisely this belief that in our time has consistently proved false” (emphasis added).
This false belief prevents us from, among other things, ascertaining “which aspects of the modern world and its crisis have actually revealed themselves” (in a local crisis)—that is, “the true reasons that for decades things could be said and done in such glaring contradiction to common sense.” And events continue in this manner due in part to the illusion that situation-specific and/or scientific solutions, which may (or may not) satisfactorily solve local problems in the short term, actually touch upon the heart of the matter. The illusion manifests in “repeat performance” of the crisis, “though perhaps different in form, since there are no limits to the possibilities of nonsense and capricious notions that can be decked out as the last word in science.” Arendt’s criticism of the futility of pragmatist pedagogy in addressing the crisis of authority in the classroom represents a case in point.
IV
In recent months and years, few words have achieved more prominence in Washington politics than crisis. As recently as February 3, President Obama said in a CBS interview that “Washington cannot continually operate under a cloud of crisis.” And following the latest inconclusive negotiations over the country’s fiscal situation and looming (depending on who you ask) “debt crisis,” a recent article in the Huffington Post bemoans the “pattern of a Congress that governs from crisis to crisis” that has become “all too familiar—and predictable. The trend goes something like this: As a deadline approaches, Republicans repeat their calls for spending cuts. Democrats accuse Republicans of hostage-taking. A short-term agreement is then reached that averts economic calamity, but ultimately kicks the can down the road for yet another fight.”
What does it mean for a Congress to routinely “govern from crisis to crisis”? Does “governing by crisis” constitute functioning politics, or a political crisis of the first order? In The Crisis in Education Arendt writes that “the very fact of crisis…tears away facades and obliterates prejudices,” and allows one “to explore and inquire into whatever has been laid bare of the essence of the matter.” But to state the obvious, if “the very fact of crisis…tears away facades and obliterates prejudices,” then such tearing and obliteration requires that “the very fact of crisis” be recognized and acknowledged. In the current governing crisis in Washington, what fundamentally new, to say nothing of unprejudiced, questions—other than how Washington’s two parties will “compromise” and avoid self-destruction—have been asked? Who has spoken seriously, truthfully, and critically, in an effort to lay bare the essence of the matter?
At a time when happenings in Washington “could be said and done in such glaring contradiction to common sense” (How else are we to understand “governing by crisis”?), Hannah Arendt reminds us to seek out and overcome those “prejudices” and “preformed judgments”—including the obligatory moves to technocratic and ideological narratives—that preclude the introduction of new questions and corresponding answers that require direct and original judgments and, perhaps most importantly, thinking and responsibility. Counterintuitively, in such situations Arendt highlights the importance of questions rather than solutions in confronting political crisis—that the proper response to crisis requires thinking rather than knowledge. To narrowly search for efficient policy “solutions” or ideological “compromises” based on prior prejudices simply misses the point.
If crisis does not seem especially urgent to Arendt in “The Crisis on Education,” she does warn that, in the end, “unreflective perseverance…can only…lead to ruin.” Ironically, one of the prejudiced assumptions that seems most prevalent in Congress today—that abandoning one’s prejudices and preformed judgments spells political death—may be most indicative of our current political crisis.–—And yet if, as Arendt suggests on more than one occasion, one answer to the modern crisis of authority lies in the “assumption of responsibility”—be it responsibility for the world in the classroom, responsibility for extraordinary action in politics (Arendt once attributed Lenin’s revolutionary authority to his singular willingness to “assume responsibility for the revolution after it happened.”), or even responsibility for truthful speech (as opposed to “mere talk”) and action in normal, everyday politics—then notwithstanding whatever the American crisis is, whoever has the courage to speak truthfully and accept political responsibility may wake up to find real power and opportunity suddenly within his grasp.
-John LeJeune
“If”
My girlfriend and I walked by a clothing storefront and noticed the print on some of the t-shirts at the lower right corner of the window and went in. She had mentioned this Imaginary Foundation (IF) before. They make print t-shirts.
I went to school at an expensive liberal arts college in the Hudson Valley—everyone there makes print t-shirts. It is like a business you start as a college sophomore as a way to convince yourself that you are a ‘creative entrepreneur’ before you enter the corporate world (or, alternatively, as a penance for inherited culture and comfort) the not-for-profit world.
Often, I cannot stand them —the print t-shirts. There is something out of shape about them, as if the juxtaposition of body/shirt/image, sets askew some intrinsic agreement in the marriage of fashion and identity. And yet, the IF designs spoke to me. There is something dreamy and yet sincere about these prints. If le petit prince was looking for a print t-shirt, he would buy one of these.
It just so happened that the owner of the company was visiting this Seattle distributor and was in the store. He was awkward, skittish and European. I liked him, and before we left I told him that I blog for a thinking and humanities institute out east and may want to write about his brand. That’s how I got into the Imaginary Foundation.
The shirts are not exactly ‘pretty,’ or ‘fashionable,’ rather, their attraction is a gesture beyond themselves -- a rare feat in a culture that positions branding as the apex of success. I’ll describe one shirt and if interested you can invest your own time in the Imaginary Foundation.
The “Being There” shirt has three anonymous human heads (one of the cloud suit, one of the water suit, and one of the fire suit). The heads are in peripheral view and are aligned, with a slight skew (allowing us the view of all three faces), as they break through a wall, the veil of the universe.
Other shirts handle concepts of psychosis and love “Love Science,” science and discovery in a reach towards heaven “Reach,” and other such concepts widely considered esoteric or cliché within the lens of our popular culture. But, we no longer understand what a ‘cliché’ is. I have long held the view that a cliché is a truth, or a point of interest and perspective insight, that has simply been worn out by overexposure. But who has worn it out? How have we taken the liberty and quiet pleasure of the private sphere (the realms of reflection, contemplation, meditation as it is thought of in the Greek terms), out of our living cycle, our consciousness, our daily existence? Why is the call for private contemplation no longer a necessity of existence? It seems we should have more time then ever for such practices. So many of our daily chores, our basic needs, are met through the economic matrix. I no longer have to chop wood for warmth, hunt a boar for food, trek down to the river for a water simply, etc... Why shouldn’t I spend more time in private contemplation, or even public conversation on these more subtle topics of the human necessity? Why shouldn’t I be making something in an effort to communicate those private necessities? The actualization of the humanist requires space for such a practice. And yet, anything that requires a slowing down of, a calling for the work of the mind and private reasoning, is now, quite often immediately, labeled a cliché.
In The Human Condition Arendt writes “The emancipation of labor and the concomitant emancipation of the laboring classes from oppression and exploitation certainly means progress in the direction of non-violence. It is much less certain that it was also progress in the direction of freedom.” She is not saying that laboring classes should not have been emancipated. Rather, that the humanist goal has been blurred by some glitch. Instead of moving towards freedom from wasteful labor (a waste of human power -- physical, mental, spiritual) we instead have emancipated labor. Most of us have become imprisoned in a non-sustainable cycle that for the continuation of its forward motion requires an ever-increasing consumption and waste. This waste can be seen in terms of power. The core power of the human psyche originates in the liberty of free private thoughts—a psychological space for contemplation. A mapping of one’s stillness that is only possible in the acquisition of free time. Free time is a result of freedom from labors necessity. What Arendt’s thoughts gesture towards is that the set of basic necessities that we have been freed from, have been replaced by another, far more complicated and disguised set—the necessity to perpetuate a system that is moving much faster then us; a necessity to consume and continue consuming. To be ‘a part of‘ is, today, to be a consumer—to take ones place in the labor of waste.
Oh right, I wanted to tell you about a product...
“IF” is a creative project. It gains the viewers attention and borrows the imagination. This is a beginning. It does not steal, it borrows. It suggests the prospect of resonance rather than ownership.
I checked out the company website. The “about” page describes the development of the Imaginary Foundation: “a think tank from Switzerland that does experimental research on new ways of thinking and the power of the imagination. They hold dear a belief in human potential and seek progress in all directions.” The page is dotted with black and white images from the sixties, shaggy haired men and turtle-neck clad women engaged in contemplative, laissez-faire, light spirited dialogue. The imaginary director of the foundation is described as a “70-something uber-intellectual whose father founded the Dadaist movement.” The foundation is imaginary. It is a base, a canvas, for the products (the t-shirts) and the ideas behind them.
The blog section of the site imagines a list of contributors: Isadore Muggll, Kamilla Rousseau, etc. These architects, as is the back story, are too imaginary. “IF” is a fictional foundation for the product. But the product is real and engaging.
What is captured here goes beyond the tangible properties of the product (t-shirts). It is about what the product delivers—the wonder of creativity and science, the archetypes of the IF. Imagination IS the foundation of this product.
The blog itself is a venue for artists who marry technology and art, as well as other thought provoking materials. The image I use at the head of this article is taken from the blog. Cloud, idea, light, community, play—IF: all these are represented in the Cloud installation. This art installation is a discovery I am brought to by the Imaginary Foundation.
I once taught a course on the development of contemporary advertising, heavily focused on Edward Bernays and the peripheral route of persuasion. Bernays was Sigmund Freud’s nephew, Woodrow Wilson’s image advisor, the father of the term "Public Relations," and the architect of the torches of freedom (Lucky Strikes) campaign, among many others. His theory, though terribly simplified here, was that the modern consumer does not purchase with his mind; rather, he defers to his emotions in most choices. The rational-actor is a fiction. If consumerism became god, branding became its religion.
Ad campaigns have become remarkably creative, and even, at times, beautiful. Have you ever felt the urge to cry during a Jeep commercial? Many have. I think I have. The central conceptual premise of the AMC show Mad Men, depends upon this tension: between art and consumption; the rendering from black and white, to color; the effective marketing and selling off of the human experience. In question is the art aspect of advertising. It is at the core of Don Draper’s motivations, and the one that despite his many character failings keeps endearing him to us. Ultimately we are asking, will he reconcile his artistic urge (his private motivation) with his office at the homunculus of the consumerism model (his role in the corporate arena). Exposed is a manipulation, an incongruence, an infidelity in the marriage of advertising and art. Where as art points towards something beyond itself, beyond even the image and the medium, the ad campaign points only to one purpose—back into itself. No idea behind it. Nothing living. It consumes.
Advertising is like the Ouroboros, the dragon that swallows its own tail; having entirely swallowed itself, the modern advertising campaign defies the laws of balance, it is only the un-relentless, hungry serpent head of consumption -- devoid of the body of life. The only urge driving it is to possess.
It is the difference between the work of Egon Schiele and Penthouse, the writings of Georges Bataille and a godaddy.com super bowl campaign.
Seduce ->consume. This is the current mandate of the ad campaign. But this relationship is only sustainable through incompletion. It requires continual doses. Seduce -> consume -> feel a lack even in the possession of product (contract unfulfilled) -> be seduced again -> consume. Ad infinitum. A terrible loop.
How can consumerism and individual consciousness (the most private sector) be made sustainable? Is it possible for a product to speak beyond itself? To fulfill the promise of its persuasion? And if it could, what would that mean for us?
Here I position the word sustainability to face two directions. In part it refers to what Arendt terms as “worldly,” the creation produced through work and not labor, something that has the potential to last beyond the productions of time, something that maneuvers into the arena of the eternal. I also want to posit the word in terms of its evolving contemporary potential. The one sector of the public, and political sphere that allows for the platform of this conversation is the environmental movement. It is where we have begun to contemplate the world beyond the shortsighted view of individual lifetimes. We speak of the sustainability of our planet; we are considering new ways to move our habits from wasteful and consumptive, towards lasting and sustainable power. It is a fairly new conversation and the word “sustainability” is evolving with each new perspective we bring to it.
Sustainability goes beyond consumer awareness. It is about the awareness of the product, how a brand gains consciousness. I need to explore here a definition of “consciousness.”
I have come to understand definitions as ever evolving in accordance with society and the pressures put upon it by the conditions of the time, the fractals of our world (more simply put, the culture stew).
Consciousness is the expanding of space into which one can resonate. To learn of the world around us, to acknowledge it, to consider its multiple dimensions, is to become more conscious -- to create space into which we can move by the will of our imagination and invention.
The Imaginary Foundation is an example of this bridge. It acknowledges itself and its fiction. It allows for play. It is a small company that uses the fabrication of its narrative to bring the consumers attention to the mimetic principles behind its product. Revealing the architects conceit brings me (the consumer) into co-authorship of the story. It endears itself to me. We do not only consume the product. We consume the narrative of the product. Even if I do not purchase, if I am thinking about it, I am talking about it, I have bought in. If it generates new ideas and deeper order thoughts, then I have begun to take ownership of the product. I consume the myth, I begin to co-author it -- I don it in the neural network of culture. And thus the product has gained consciousness, has begun to be carried beyond the object -- it resonates.
My study of this product is limited. I am not encouraging anyone here to purchase a shirt. I have not purchased a shirt. What I think this opens up is a table for negotiations between the current consumerism model, and individual consciousness—an opportunity to examine sustainable consumerism in all implications.
-Nikita Nelin
The Higher Education Bubble? Not So Fast.
We have a higher education bubble. The combination of unsustainable debt loads on young people and the advent of technological alternatives is clearly set to upend the staid and often sclerotic world of higher education.
In this month’s The American Interest, Nathan Hardin—the author of Sex & God at Yale: Porn, Political Correctness, and a Good Education Gone Bad (St. Martin’s, 2012) and editor of The College Fix—tries to quantify the destructive changes coming to higher education. Here is his opening paragraph:
In fifty years, if not much sooner, half of the roughly 4,500 colleges and universities now operating in the United States will have ceased to exist. The technology driving this change is already at work, and nothing can stop it. The future looks like this: Access to college-level education will be free for everyone; the residential college campus will become largely obsolete; tens of thousands of professors will lose their jobs; the bachelor’s degree will become increasingly irrelevant; and ten years from now Harvard will enroll ten million students.
Step back a second. Beware of all prognostications of this sort. Nobody knows what will happen tomorrow let alone 50 years from now. Even today the NY Times reports that the University of Cincinnati and the University of Arizona are turning to online courses as a way of increasing enrollment at their residential campuses. Whether this will work and how this will transform the very idea of a residential college are not yet clear. But the kinds of predictions Hardin makes can be provocative, thus inducing of thought. But they are rarely accurate and too often are simply irresponsible.
Beyond the hyperbole, here is something true. Colleges will exist so long as they can convince students and their parents that the value of education is worth the cost. One reason some colleges are suffering today is clearly the cost. But another reason is the declining perception of value. We should also remember that many colleges—especially the best and most expensive ones—are seeing record demand. If and when the college bubble bursts, not all colleges will be hit equally. Some will thrive and others will likely disappear. Still others will adapt. We should be wary of collapsing all colleges into a single narrative or thinking we can see the future.
Part of the problem is that colleges offer education, something inherently difficult to put a value on. For a long time, the “value” of higher education was intangible. It was the marker of elite status to be a Harvard man or some such thing. One learned Latin and Greek and studied poetry and genetics. But what really was being offered was sophistication, character, erudition, culture, and status, not to mention connections and access.
More recently, college is “sold” in a very different way. It promises earning power. This has brought a whole new generation and many new classes into university education as they seek the magic ticket granting access to an upper middle class lifestyle. As the percentage of college graduates increases, the distinction and thus market value of college education decreases. The problem colleges have is that in their rush to open the doors to all paying customers, they have devalued the product they are offering. The real reason colleges are threatened now—if they indeed are threatened—is less financial than it is intellectual and moral. Quite simply, many of our colleges have progressively abandoned their intangible mission to educate students and embraced the market-driven task of credentialing students for employment. When for-profit or internet-based colleges can do this more cheaply and more efficiently, it is only logical that they will succeed.
For many professors and graduate students, the predicted demise of the residential college will be a hard shock. Professors who thought they had earned lifetime security with tenure will be fired as their departments are shuttered or their entire universities closed down. Just as reporters, book sellers, and now lawyers around the country have seen their jobs evaporate by the disruption of the internet, so too will professors be replaced by technological efficiencies. And this may well happen fast.
Gregory Ferenstein, who describes himself as a writer and educator and writes for Techcrunch and the Huffington Post, has gone so far to offer a proposed timeline of the disappearance of most colleges as we know them. Here is his outline, which begins with the recently announced pilot program that will see basic courses at San Jose State University replaced by online courses administered by the private company Udacity:
- [The] Pilot [program in which Udacity is offering online courses for the largest university system in the world, the California State University System] succeeds, expands to more universities and classes
- Part-time faculty get laid off, more community colleges are shuttered, extracurricular college services are closed, and humanities and arts departments are dissolved for lack of enrollment (science enrollment increases–yay!?)
- Graduate programs dry up, once master’s and PhD students realize there are no teaching jobs. Fewer graduate students means fewer teaching assistants and, therefore, fewer classes
- Competency-based measures begin to find the online students perform on par with, if not better than, campus-based students. Major accredited state college systems offer fully online university degrees, then shutter more and more college campuses
- A few Ivy League universities begin to control most of the online content, as universities all over the world converge toward the classes that produce the highest success rates
- In the near future, learning on a college campus returns to its elite roots, where a much smaller percentage of students are personally mentored by research and expert faculty
I put little faith in things working out exactly as Ferenstein predicts, and yet I can’t imagine he is that far off the mark. As long as colleges see themselves in the knowledge-production business and the earnings-power business, they will be vulnerable to cheaper alternatives. Such quantifiable ends can be done more cheaply and sometimes better using technology and distance learning. Only education—the leading of students into a common world of tradition, values, and common sense—depends on the residential model of one-to-one in-person learning associated with the liberal arts college. The large university lecture course is clearly an endangered species.
Which is why it is so surprising to read a nearly diametrically opposed position suggesting that we are about to enter a golden age for untenured and adjunct faculty. This it the opinion of Michael Bérubé, the President of the Modern Language Association. Bérubé gave the Presidential Address at the 2013 MLA meetings in Boston earlier this month.
It is helpful and instructive to compare Hardin’s technophilic optimism with Bérubé’s recent remarks . He dedicated much of his speech to a very different optimism, namely that contingent and adjunct faculty would finally get the increased salaries and respect that they deserved. According to Bérubé:
[F]or the first time, MLA recommendations for faculty working conditions [are] being aggressively promoted by way of social media…. After this, I think, it really will be impossible for people to treat contingent faculty as an invisible labor force. What will come of this development I do not know, but I can say that I am ending the year with more optimism for contingent faculty members than I had when I began the year, and that’s certainly not something I thought I would be able to say tonight.
Bérubé’s talk is above all a defense of professionalization in the humanities. He defends graduate training in theory as a way to approach literary texts. He extols the virtues of specialized academic research over and above teaching. He embraces and justifies “careers of study in the humanities” over and against the humanities themselves. Above all, he argues that there are good reasons to “bother with advanced study in the humanities?” In short, Bérubé defends not the humanities, but the specialized study of the humanities by a small group of graduate students and professors.
I understand what Bérubé means. There is a joy in the pursuit of esoteric knowledge even if he eschews the idea of joy wanting instead to identify his pursuit work and professionalized labor. But to think that there is an optimistic future for the thousands of young graduate students and contingent faculty who are currently hoping to make professional careers in the advanced study of the humanities is lunacy. Yes advanced study of the humanities is joyful for some? But why should it be a paying job? There is a real blindness not only to the technological and economic imperatives of the moment in Bérubé’s speech, but also to the idea of the humanities.
As Hannah Arendt wrote 50 years ago in her essay On Violence, humanities scholars today are better served by being learned and erudite than by seeking to do original research by uncovering some new or forgotten scrap. What we need is not professional humanities scholars so much as educated and curious thinkers and readers.
As I have written before:
To say that excessively specialized humanities scholarship today is irrelevant is not to say that the humanities are irrelevant. The humanities are that space in the university system where power does not have the last word, where truth and beauty as well as insight and eccentricity reign supreme and where young people come into contact with the great traditions, writing, and thinking that have made us whom we are today. The humanities introduce us to our ancestors and our forebears and acculturate students into their common heritage. It is in the humanities that we learn to judge the good from the bad and thus where we first encounter the basic moral facility for making judgments. It is because the humanities teach taste and judgment that they are absolutely essential to politics. It is even likely that the decline of politics today is profoundly connected to the corruption of the humanities.
If humanities programs and liberal arts colleges go the way of the duck-billed platypus, it will only partly be because of new technologies and rising debt. It will also be because the over-professionalization of the humanities has led—in some but not all colleges—to a course of study that simply is not seen as valuable by many young people. The changes that Hardin and Ferenstein see coming will certainly shake up the all-too-comfortable world of professional higher education. That is not bad at all. The question is whether educators can adapt and begin to offer courses and learning that is valuable. But that will only happen if we abandon the hyper-professionalized self-image defended by scholars like Michael Bérubé. One model for such a change is, of course, the public intellectual writing and thinking of Hannah Arendt.
-RB
The Progeny of Teachers
San Jose State University is experimenting with a program where students pay a reduced fee for online courses run by the private firm Udacity. Teachers and their unions are in retreat across the nation. And groups like Uncollege insist that schools and universities are unnecessary. At a time when teachers are everywhere on the defensive, it is great to read this opening salvo from Leon Wieseltier:
When I look back at my education, I am struck not by how much I learned but by how much I was taught. I am the progeny of teachers; I swoon over teachers. Even what I learned on my own I owed to them, because they guided me in my sense of what is significant.
I share Wieseltier’s reverence for educators. Eric Rothschild and Werner Feig lit fires in my brain while I was in high school. Austin Sarat taught me to teach myself in college. Laurent Mayali introduced me to the wonders of history. Marianne Constable pushed me to be a rigorous reader. Drucilla Cornell fired my idealism for justice. And Philippe Nonet showed me how much I still had to know and inspired me to read and think ruthlessly in graduate school. Like Wieseltier, I can trace my life’s path through the lens of my teachers.
The occasion for such a welcome love letter to teachers is Wieseltier’s rapacious rejection of homeschooling and unschooling, two movements that he argues denigrate teachers. As sympathetic as I am to his paean to pedagogues, Wieseltier’s rejection of all alternatives to conventional education today is overly defensive.
For all their many ills, homeschooling and unschooling are two movements that seek to personalize and intensify the often conventional and factory-like educational experience of our nation’s high schools and colleges. According to Wieseltier, these alternatives are possessed of the “demented idea that children can be competently taught by people whose only qualifications for teaching them are love and a desire to keep them from the world.” These movements believe that young people can “reject college and become “self-directed learners.”” For Wieseltier, the claim that people can teach themselves is both an “insult to the great profession of pedagogy” and a romantic over-estimation of “untutored ‘self’.”
The romance of the untutored self is strong, but hardly dangerous. While today educators like Will Richardson and entrepreneurs like Dale Stephens celebrate the abundance of the internet and argue that anyone can teach themselves with simply an internet connection, that dream has a history. Consider this endorsement of autodidactic learning from Ray Bradbury from long before the internet:
Yes, I am. I’m completely library educated. I’ve never been to college. I went down to the library when I was in grade school in Waukegan, and in high school in Los Angeles, and spent long days every summer in the library. I used to steal magazines from a store on Genesee Street, in Waukegan, and read them and then steal them back on the racks again. That way I took the print off with my eyeballs and stayed honest. I didn’t want to be a permanent thief, and I was very careful to wash my hands before I read them. But with the library, it’s like catnip, I suppose: you begin to run in circles because there’s so much to look at and read. And it’s far more fun than going to school, simply because you make up your own list and you don’t have to listen to anyone. When I would see some of the books my kids were forced to bring home and read by some of their teachers, and were graded on—well, what if you don’t like those books?
In this interview in the Paris Review, Bradbury not only celebrates the freedom of the untutored self, but also dismisses college along much the same lines as Dale Stephens of Uncollege does. Here is Bradbury again:
You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do—and they don’t. They have prejudices. They may like Henry James, but what if you don’t want to write like Henry James? They may like John Irving, for instance, who’s the bore of all time. A lot of the people whose work they’ve taught in the schools for the last thirty years, I can’t understand why people read them and why they are taught. The library, on the other hand, has no biases. The information is all there for you to interpret. You don’t have someone telling you what to think. You discover it for yourself.
What the library and the internet offer is unfiltered information. For the autodidact, that is all that is needed. Education is a self-driven exploration of the database of the world.
Of course such arguments are elitist. Not everyone is a Ray Bradbury or a Wilhelm Gottfried Leibniz, who taught himself Latin in a few days. Hannah Arendt refused to go to her high school Greek class because it was offered at 8 am—too early an hour for her mind to wake up, she claimed. She learned Greek on her own. For such people self-learning is an option. But even Arendt needed teachers, which is why she went to Freiburg to study with Martin Heidegger. She had heard, she later wrote, that thinking was happening there. And she wanted to learn to think.
What is it that teachers teach when they are teaching? To answer “thinking” or “critical reasoning” or “self-reflection” is simply to open more questions. And yet these are the crucial questions we need to ask. At a period in time when education is increasingly confused with information delivery, we need to articulate and promote the dignity of teaching.
What is most provocative in Wieseltier’s essay is his civic argument for a liberal arts education. Education, he writes, is the salvation of both the person and the citizen. Indeed it is the bulwark of a democratic politics:
Surely the primary objectives of education are the formation of the self and the formation of the citizen. A political order based on the expression of opinion imposes an intellectual obligation upon the individual, who cannot acquit himself of his democratic duty without an ability to reason, a familiarity with argument, a historical memory. An ignorant citizen is a traitor to an open society. The demagoguery of the media, which is covertly structural when it is not overtly ideological, demands a countervailing force of knowledgeable reflection.
That education is the answer to our political ills is an argument heard widely. During the recent presidential election, the candidates frequently appealed to education as the panacea for everything from our flagging economy to our sclerotic political system. Wieseltier trades in a similar argument: A good liberal arts education will yield critical thinkers who will thus be able to parse the obfuscation inherent in the media and vote for responsible and excellent candidates.
I am skeptical of arguments that imagine education as a panacea for politics. Behind such arguments is usually the unspoken assumption: “If X were educated and knew what they were talking about, they would see the truth and agree with me.” There is a confidence here in a kind of rational speech situation (of the kind imagined by Jürgen Habermas) that holds that when the conditions are propitious, everyone will come to agree on a rational solution. But that is not the way human nature or politics works. Politics involves plurality and the amazing thing about human beings is that educated or not, we embrace an extraordinary variety of strongly held, intelligent, and conscientious opinions. I am a firm believer in education. But I hold out little hope that education will make people see eye to eye, end our political paralysis, or usher in a more rational polity.
What then is the value of education? And why is that we so deeply need great teachers? Hannah Arendt saw education as “the point at which we decide whether we love the world enough to assume responsibility for it." The educator must love the world and believe in it if he or she is to introduce young people to that world as something noble and worthy of respect. In this sense education is conservative, insofar as it conserves the world as it has been given. But education is also revolutionary, insofar as the teacher must realize that it is part of that world as it is that young people will change the world. Teachers simply teach what is, Arendt argued; they leave to the students the chance to transform it.
To teach the world as it is, one must love the world—what Arendt comes to call amor mundi. A teacher must not despise the world or see it as oppressive, evil, and deceitful. Yes, the teacher can recognize the limitations of the world and see its faults. But he or she must nevertheless love the world with its faults and thus lead the student into the world as something inspired and beautiful. To teach Plato, you must love Plato. To teach geology, you must love rocks. While critical thinking is an important skill, what teachers teach is rather enthusiasm and love of learning. The great teachers are the lovers of learning. What they teach, above all, is the experience of discovery. And they do so by learning themselves.
Education is to be distinguished from knowledge transmission. It must also be distinguished from credentialing. And finally, education is not the same as indoctrinating students with values or beliefs. Education is about opening students to the fact of what is. Teaching them about the world as it is. It is then up to the student, the young, to judge whether the world that they have inherited is loveable and worthy of retention, or whether it must be changed. The teacher is not responsible for changing the world; rather the teacher nurtures new citizens who are capable of judging the world on their own.
Arendt thus affirms Ralph Waldo Emerson's view that “He only who is able to stand alone is qualified for society.” Emerson’s imperative, to take up the divine idea allotted to each one of us, resonates with Arendt’s Socratic imperative, to be true to oneself. Education, Arendt insists, must risk allowing people their unique and personal viewpoints, eschewing political education and seeking, simply, to nurture independent minds. Education prepares the youth for politics by bringing them into a common world as independent and unique individuals. From this perspective, the progeny of teachers is the educated citizen, someone one who is both self-reliant in an Emersonian sense and also part of a common world.
-RB
What is a Fact?
What is a fact? Few more thorny questions exist. Consider this, from Hannah Arendt’s essay, “Truth and Politics:”
But do facts, independent of opinion and interpretation, exist at all? Have not generations of historians and philosophers of history demonstrated the impossibility of ascertaining facts without interpretation, since they must first be picked out of a chaos of sheer happenings (and the principles of choice are surely not factual data) and then be fitted into a story that can be told only in certain perspective, which has nothing to do with the original occurrence?
Facts are constructed. They are not objective. And there is no clear test for what is a fact. Thus, when Albert Einstein was asked, how science can separate fact from fiction, brilliant hypotheses from nutty quackery, he answered: ‘There is no objective test.” Unlike rational truths that are true outside of experience and absolute, all factual truths are contingent. They might have been otherwise. That is one reason it is so hard to pin them down.
Steve Shapin reminds us of these puzzles in an excellent essay in this weeks London Review of Books. Shapin is reviewing a new book on Immanuel Velikovsky by Michael Gordin. Velikovsky, for those born since the 1960s, caused an uproar in the 1960s and 70s with his scientific claims that Venus was the result of a dislodged piece of Jupiter, that comets led to the parting of the Red Sea, that it dislodged the orbit of Mars threatening Earth, and caused the relocation of the North Pole, not to mention the showering of plagues of vermin onto the earth that nourished the Israelites in the desert.
Gordin’s book is about how American scientists went ballistic over Velikovsky. They sought to censor his work and schemed to prevent the publication of his book, Worlds in Collision, at the prestigious Macmillan press. At the center of the controversy was Harvard, where establishment scientists worked assiduously to discredit Velikovsky and stop the circulation of his ideas. [I am sensitive to such issues because I was also the target of such a suppression campaign. When my book The Gift of Science was about to be published by Harvard University Press, I received a call from the editor. It turns out an established scholar had demanded that HUP not publish my book, threatening to no longer review books for the press let alone publish with them. Thankfully, HUP resisted that pressure, for which I will always be grateful.]
For these Harvard scientists, Velikovsky was a charlatan peddling a dangerous pseudo science. The danger in Velikovsky’s claims was more than simple misinformation. It led, above all, to an attack on the very essence of scientific authority. What Velikovsky claimed as science flew in the face of what the scientific community knew to be true. He set himself up as an outsider, a dissident. Which he was. In the wake of totalitarianism, he argued that democratic society must allow for alternative and heretical views. The establishment, Velikovsky insisted, had no monopoly on truth. Let all views out, and let the best one win.
Shapin beautifully sums up the real seduction and danger lurking in Velikovsky’s work.
The Velikovsky affair made clear that there were radically differing conceptions of the political and intellectual constitution of a legitimate scientific community, of what it was to make and evaluate scientific knowledge. One appealing notion was that science is and ought to be a democracy, willing to consider all factual and theoretical claims, regardless of who makes them and of how they stand with respect to canons of existing belief. Challenges to orthodoxy ought to be welcomed: after all, hadn’t science been born historically through such challenges and hadn’t it progressed by means of the continual creative destruction of dogma? This, of course, was Velikovsky’s view, and it was not an easy matter for scientists in the liberal West to deny the legitimacy of that picture of scientific life. (Wasn’t this the lesson that ought to be learned from the experience of science in Nazi Germany and Stalinist Russia?) Yet living according to such ideals was impossible – nothing could be accomplished if every apparently crazy idea were to be given careful consideration – and in 1962 Thomas Kuhn’s immensely influential Structure of Scientific Revolutions commended a general picture of science in which ‘dogma’ (daringly given that name) had an essential role in science and in which ‘normal science’ rightly proceeded not through its permeability to all sorts of ideas but through a socially enforced ‘narrowing of perception’. Scientists judged new ideas to be beyond the pale not because they didn’t conform to abstract ideas about scientific values or formal notions of scientific method, but because such claims, given what scientists securely knew about the world, were implausible. Planets just didn’t behave the way Velikovsky said they did; his celestial mechanics required electromagnetic forces which just didn’t exist; the tails of comets were just not the sorts of body that could dump oil and manna on Middle Eastern deserts. A Harvard astronomer blandly noted that ‘if Dr Velikovsky is right, the rest of us are crazy.'
Immanuel Velikovsky
It is hard not to read this account and not think about contemporary debates over global warming, Darwinism, and the fall of the World Trade Center. In all three cases, outsiders and even some dissident scientists have made arguments that have been loudly disavowed by mainstream scientists.
No one has done more to explore the claims of modern pseudo science than Naomi Oreskes. In her book Merchants of Doubt written with Erik Conway, Oreskes shows how “a small handful of men” could, for purely ideological reasons, sow doubt about the ‘facts’ regarding global warming and the health effects of cigarettes. In a similar vein, Jonathan Kay has chronicled the efforts of pseudo scientists to argue that there was no possible way that the World Trade Towers could have been brought down by jet fuel fires, thus suggesting and seeking to “prove” that the U.S. government was behind the destruction of 9/11.
Oreskes wants to show, at once, that it is too easy for politically motivated scientists to sow doubt about scientific fact, and also that there is a workable and effective way for the scientific community to patrol the border between science and pseudo science. What governs that boundary is, in Oreskes words, “the scientific consensus.” The argument that global warming is a fact rests on claims about the scientific method: value free studies, evaluated by a system of peer review, moving towards consensus. Peer review is, for Oreskes, “is a crucial part of science.” And yet, for those who engage in it know full well, peer review is also deeply political, subject to petty and also not so petty disputes, jealousies, and vendettas. For this and other reasons, consensus is, as Oreskes herself admits, not always accurate: “The scientific consensus might, of course, be wrong. If the history of science teaches anything, it is humility, and no one can be faulted for failing to act on what is not known.”
Just as Einstein said 50 years ago, in the matters of establishing scientific fact, there is no objective test. This is frustrating. Indeed, it can be dangerous, not only when pseudo scientists sow doubt about global warming thus preventing meaningful and necessary action. But also, the pervasive and persuasive claims of pseudo science sow cynicism that undermines the factual and truthful foundations of human life.
Arendt reminds us, with a clarity rarely equaled, that factual truth is always contingent. “Facts are beyond agreement and consent, and all talk about them—all exchanges of opinion based on correct information—will contribute nothing to their establishment.” Against the pseudo scientific claims of many, science is always a contingent and hypothetical endeavor, one that deals in hypotheses, agreement, and factual proof. Scientific truth is always empirical truth and the truths of science are, in the end, grounded in consensus.
The trouble here is that scientific truths must—as scientific—claim to be true and not simply an opinion. Science makes a claim to authority that is predicated not upon proof but on the value and meaningfulness of impartial inquiry. It is a value that is increasingly in question.
What the challenge of pseudo science shows is how tenuous scientific authority and the value placed on disinterested research really is. Such inquiry has not always been valued and there is no reason to expect it to be valued about partial inquiry in the future. Arendt suggests that the origin of the value in disinterested inquiry was Homer’s decision to praise the Trojans equally as he lauded the Achaeans. Never before, she writes, had one people been able to look “with equal eyes upon friend and foe.” It was this revolutionary Greek objectivity that became the source for modern science. For those who do value science and understand the incredible advantages it has bestowed upon modern civilization, it is important to recall that the Homeric disinterestedness is neither natural nor necessary. In the effort to fight pseudo science, we must be willing and able to defend just such a position and thus what Nietzsche calls the “pathos of distance” must be central to any defense of the modern scientific world.
When science loses its authority, pseudo science thrives. That is the situation we are increasingly in today. There are no objective tests and no clear lines demarcating good and bad science. And that leaves us with the challenge of the modern age: to pursue truth and establish facts without secure or stable foundations. For that, we need reliable guides whom we can trust. And for that reason, you should read Steven Shapin’s latest essay. It is your weekend read.
-RB
What is a House?
Hannah Arendt spoke of having acquired, through her life, a "love of the world." When writing about education she argues that "education is the point at which we decide whether we love the world enough to assume responsibility for it." And in politics, she insists, we must care for and love the world more than oneself. What then is the world?
The world is related to human making and to the things and artifacts that human beings make. What defines the things of a world is that those things gather individuals together.
In the public realm, a politician is that person who speaks and acts in such a way that those around him come to see those institutions and values that they share and treasure. The common world is the world that emerges when a plurality of people bind themselves to stories, traditions, institutions, rituals, and practices that they share and that they love. Like a table that unites those who sit around it in a common conversation or feast, the common world brings different people together. It stands between them, both joining and separating them.
In the private realm, a world is founded in property, and property has an essential role in the public realm too. For property is what one owns, what is proper to one, and thus defines one over against others in the common world. Property provides the boundaries between people and also serves as the boundary between the commonality of the public realm and the uniqueness of the private realm. It is no accident that original Greek word for law, nemein, also means to distribute and to possess, as well as to dwell. Property, in English, also names the laws of propriety, what is right and given to each.
In both the public and the private realms the world consists of things that endure. Worldly things must not only be common. They must also last. Since we must love the world more than our own lives—since we must be willing to pursue the world as an ideal and sacrifice ourselves to the glory and good of the world we share with others—the world must offer us the promise of permanence and thus immortality.
How are to understand the worldly conditions of permanence and immortality? We might ask: What is a house?
This is one of the many questions at issue in Jonathan Franzen's essay "House For Sale," about his return to his mother's house in Webster Grove, Missouri to sell the house after her death. Here is how Franzen describes his mother's house.
This was the house where, five days a month for ten month, while my brothers and I were going about our coastal lives, she had come home alone from chemotherapy and crawled into bed. The house from which, a year after that, in early June, she had called me in New York and said she was returning to the hospital for more exploratory surgery, and then had broken down in tears and apologized for being such a disappointment to everyone and giving us more bad news. The house where, a week after her surgeon had shaken his head bitterly and sewn her abdomen back up, she'd grilled her most trusted daughter-in-law on the idea of the afterlife, and my sister-in-law had confessed that, in point of sheer logistics, the idea seemed to her pretty far-fetched, and my mother, agreeing with her, had then, as it were, put a check beside the item "Decide about the afterlife" and continued down her to-do list in her usual pragmatic way, addressing other tasks that her decision had rendered more urgent than ever, such as "Invite best friends over one by one and say goodbye to them forever." This was the house from which, on a Saturday morning in July, my brother Bob had driven her to her hairdresser, who was Vietnamese and affordable and who greeted her with the words "Oh, Mrs. Fran, Mrs. Fan, you look terrible," and to which she'd returned, an hour later, to complete her makeover, because she was spending long-hoarded frequent-flyer miles on two first-class tickets, and first-class travel was an occasion for looking her best, which also translated into feeling her best; she came down from her bedroom dressed for first class, said goodbye to her sister, who had traveled from New York to ensure that the house would not be empty when my mother walked away from it—that someone would be left behind—and then went to the airport with my brother and flew to the Pacific Northwest for the rest of her life. Her house, being a house, was enough slower in its dying to be a zone of comfort to my mother, who needed something larger than herself to hold on to but didn't believe in supernatural beings. Her home was the heavy (but not infinitely heavy) and sturdy (but not everlasting) God that she'd loved and served and been sustained by, and my aunt had done a very smart thing by coming when she did.
Franzen offers us a house in many valences.
It was where his mother lived. Where she was sick. Where she thought about dying and God. Where she recovered from surgery and made herself up. Above all, it was his mother's house. Later he writes that the house was "my mother's novel, the concrete story she told about herself." In this house she "pondered the arrangement of paintings on a wall like a writer pondering commas." It was a house in which she showed herself. It was thus an invitation. And "she wanted you to want to stay."
The problem is that Franzen does not want to stay in his mother's house. He grew up in the house, but he resents it. The house his mother made, was filled with "sturdy and well made" furniture that "my brothers and I couldn't make ourselves want." He has fled the house and returns only to remove those photos that for his mother made the house hers, to act like a conqueror, he admits, and repossess the house from his mother. But only to then sell it.
If Mrs. Fanzen's house is her novel and if it was a house in which she both concealed and showed herself, her son's house in NYC is something else entirely. Here is how Franzen describes his own dwelling place:
I now owned a nice apartment on East Eighty-first Street. Walking in the door, after two months in California, I had the sensation of walking into somebody else's apartment. The guy who lived here was apparently a prosperous middle-aged Manhattanite with the sort of life I'd spent my thirties envying from afar, vaguely disdaining, and finally being defeated in my attempts to imagine my way into. How odd that I now had the keys to this guy's apartment.
House for sale is, amongst other themes like the loss of religion, the loss of family, and the loss of the American middle class, about the loss of the American house. It is also therefore, in an Arendtian vein, a story about the loss of our world, the property that both hides and nurtures our souls and separates and distinguishes us from our fellow citizens. Denuded of our habitus and property, we are defenseless against the conformity of society. Without desks and bookshelves passed down over generations that fit us, over and against our choices, into a private world, we are consumers who build a temporary bulwark whether styled by Ikea or the local antique store. Such a house is not meant to last and to be passed down across the generations. It will be used and, eventually, sold or walked away from. With nothing that defines us in a lasting and immortal vein, our lives have no depth or meaning beyond our accomplishments. There is no weight or law that claims us and obligates. We are free, but free, unsure why we are here or what it all means.
I recently encountered Jonathan Franzen's essay within an extraordinary theatrical experience. The play "House For Sale" is based on his essay by the same name.
It has been adapted for the stage by Daniel Fish. I have now been to see it twice. The play is hilarious, brutal, and shattering. It makes Franzen's essay come alive in ways miraculous and uplifting. The final scene itself is worth dropping every plan you have, flying to NYC, and rushing to the Duke Theatre on 42nd St. to catch it. I can't recommend this highly enough. But hurry, it is playing for only a few more performances. You can buy tickets here.
Or, if you simply can't get to NYC, buy The Discomfort Zone, Franzen's book of essays in which "House For Sale" originally appeared. It is your weekend read.
-RB
The Humanities and Common Sense
In this post, academics and university faculty will be criticized. Railing against college professors has become a common pastime, one practiced almost exclusively by those who have been taught and mentored by those whom are now being criticized. It is thus only fair to say upfront that the college education in the United States is, in spite of its myriad flaws, still of incredible value and meaning to tens if not hundreds of thousands of students every year.
That said, too much of what our faculties teach is neither interesting nor wanted by our students.
This is a point that Jacques Berlinerblau makes in a recent essay in the Chronicle of Higher Education.
Observers of gentrification like to draw a distinction between needs and wants. Residents in an emerging neighborhood need dry cleaners, but it's wine bars they really want. The application of that insight to the humanities leads me to an unhappy conclusion: Our students, and the educated public at large, neither want us nor need us.
What is amazing is that not only do our students not want what we offer, but neither do our colleagues. It is an amazing and staggering truth that much of what academics write and publish is rarely, if ever, read. And if you want to really experience the problem, attend an academic conference some day, where you will see panels of scholars presenting their work, sometimes to 1 or 2 audience members. According to Berlinerblau, the average audience at academic conference panels is fourteen persons.
The standard response to such realizations is that scholarship is timeless. Its value may not be discovered for decades or even centuries until someone, somewhere, pulls down a dusty volume and reads something that changes the world. There is truth in such claims. When one goes digging in archives, there are pearls of wisdom to be found. What is more, the scholarly process consists of the accumulation of information and insight over generations. In other words, academic research is like basic scientific research, useless but useful in itself.
The problem with this argument is that such really original scholarship is rare and getting ever more rare. While there are exceptions, little original research is left to do in most fields of the humanities. Few important books are published each year. The vast majority are as derivative as they are unnecessary. We would all do well to read and think about the few important books (obviously there will be some disagreement and divergent schools) than to spend our time trying to establish our expertise by commenting on some small part of those books.
The result of the academic imperative of publish or perish is the increasing specialization that leads to the knowing more and more about less and less. This is the source of the irrelevance of much of humanities scholarship today.
As Hannah Arendt wrote 50 years ago in her essay On Violence, humanities scholars today are better served by being learned and erudite than by seeking to do original research by uncovering some new or forgotten scrap. While such finds can be interesting, they are exceedingly rare and largely insignificant.
As a result—and it is hard to hear for many in the scholarly community—we simply don't need 200 medieval scholars in the United States or 300 Rawlsians or 400 Biblical scholars. It is important that Chaucer and Nietzsche are taught to university students; but the idea that every college and university needs a Chaucer and a Nietzsche scholar to teach Chaucer and Nietzsche is simply wrong. We should, of course, continue to support scholars, those whose work is to some extent scholarly innovative. But more needed are well-read and thoughtful teachers who can teach widely and write for a general audience.
To say that excessively specialized humanities scholarship today is irrelevant is not to say that the humanities are irrelevant. The humanities are that space in the university system where power does not have the last word, where truth and beauty as well as insight and eccentricity reign supreme and where young people come into contact with the great traditions, writing, and thinking that have made us whom we are today. The humanities introduce us to our ancestors and our forebears and acculturate students into their common heritage. It is in the humanities that we learn to judge the good from the bad and thus where we first encounter the basic moral facility for making judgments. It is because the humanities teach taste and judgment that they are absolutely essential to politics. It is even likely that the decline of politics today is profoundly connected to the corruption of the humanities.
Hannah Arendt argues precisely for this connection between the humanities and politics in her essay The Crisis in Culture. Part Two of the essay addresses the political significance of culture, which she relates to humanism—both of which are said to be of Roman origin. The Romans, she writes, knew how to care for and cultivate the grandiose political and artistic creations of the Greeks. And it is a line from Pericles that forms the center of Arendt's reflections.
The Periclean citation is translated (in part) by Arendt to say: "We love beauty within the limits of political judgment." The judgment of beauty, of culture, and of art is, Pericles says, limited by the political judgment of the people. There is, in other words, an intimate connection between culture and politics. In culture, we make judgments of taste and thus learn the faculty of judgment so necessary for politics. And political judgment, in turn, limits and guides our cultural judgments.
What unites culture and politics is that they are "both phenomena of the public world." Judgment, the primary faculty of politics, is discovered, nurtured, and practiced in the world of culture and the judgment of taste. What the study of culture through the humanities offers, therefore, is an orientation towards a common world that is known and understood through a common sense. The humanities, Arendt argues, are crucial for the development and preservation of common sense—something that is unfortunately all-too-lacking in much humanities scholarship today.
What this means is that teaching the humanities is absolutely essential for politics—and as long as that is the case, there will be a rationale for residential colleges and universities. The mania for distance learning today is understandable. Education is, in many cases, too expensive. Much could be done more cheaply and efficiently at colleges. And this will happen. Colleges will, increasingly, bring computers and the Internet into their curricula. But as powerful as the Internet is, and as useful as it is as a replacement for passive learning in large lectures, it is not yet a substitute for face-to-face learning that takes place at a college or university. The learning that takes place in the hallways, offices, and dining halls when students live, eat, and breathe their coursework over four years is simply fundamentally different from taking a course online in one's free time. As exciting as technology is, it is important to remember that education is, at its best, not about transmitting information but about inspiring thinking.
Berlinerblau thinks that what will save the humanities is better training in pedagogy. He writes:
As for the tools, let's look at it this way. Much as we try to foist "critical thinking skills" on undergraduates, I suggest we impart critical communication skills to our master's and doctoral students. That means teaching them how to teach, how to write, how to speak in public. It also means equipping them with an understanding that scholarly knowledge is no longer locked up in journals and class lectures. Spry and free, it now travels digitally, where it may intersect with an infinitely larger and more diverse audience. The communicative competences I extoll are only infrequently part of our genetic endowment. They don't come naturally to many people—which is precisely what sets the true humanist apart from the many. She or he is someone you always want to speak with, listen to, and read, someone who always teaches you something, blows your mind, singes your feathers. To render complexity with clarity and style—that is our heroism.
The focus on pedagogy is a mistake and comes from the basic flawed assumption that the problem with the humanities is that the professors aren't good communicators. It may be true that professors communicate poorly, but the real problem is deeper. If generations of secondary school teachers trained in pedagogy have taught us anything it is that pedagogical teaching is not useful. Authority in the classroom comes from knowledge and insight, not from pedagogical techniques or theories.
The pressing issue is less pedagogy than the fact that what most professors know is so specialized as to be irrelevant. What is needed is not better pedagogical training, but a more broad and erudite training, one that focuses less on original research and academic publishing and instead demands reading widely and writing aimed at an educated yet popular audience. What we need, in other words, are academics who read widely with excitement and inspiration and speak to the interested public.
More professors should be blogging and writing in public-interest journals. They should be reviewing literature rather than each other's books and, shockingly, they should be writing fewer academic monographs.
To say that the humanities should engage the world does not mean that the humanities should be politicized. The politicization of the humanities has shorn them of their authority and their claim to being true or beautiful. Humanities scholarship can only serve as an incubator for judgment when it is independent from social and political interests. But political independence is not the same as political sterility. Humanities scholarship can, and must, teach us to see and know our world as it is.
There are few essays that better express the worldly importance of the humanities than Hannah Arendt's The Crisis of Culture. It is worth reading and re-reading it. On this hot summer weekend, do yourself that favor.
You can order Arendt's Between Past and Future here. Or you can read it here.
-RB
The Story of Reconciliation
"It is true that storytelling reveals meaning without committing the error of defining it, that it brings about consent and reconciliation with things as they really are, and that we may even trust it to contain eventually by implication that last word which we expect from the Day of Judgment”.
- Hannah Arendt, “Isak Dinesen: 1885 – 1963” in Men in Dark Times
According to Arendt, it is through action – and all action is but acts of speech – that human beings disclose themselves in their whoness rather than merely on the basis of their whatness. Her indebtedness for storytelling comes from a two-fold source: The Greek world on the one hand - the poets and the historians, and on the other the writings of Isak Dinesen.
Arendt devoted no theoretical effort to pass Dinesen under the lens of theory, other than some occasional mention and a literary profile in the book that Auden called her most German book – because of the form of epic legends in which the stories of the anti-heroes, under the shadow of dark times, are told.
Herself a talented storyteller, her books can be read better against this background of storytelling than on theoretical impetus; this is not because Arendt wasn’t a vehement defender of the life of the mind but because of her insight about the inability of intellectual traditions and history to understand and comprehend the events of her century.
Her reading of Dinesen conforms to the difficulties of understanding Totalitarianism. Spanish philosopher Fina Birulés puts in the following words: “While storytelling does not solve any problem and does not master anything forever, it adds yet another element in the repertory of the world, it is a way for human beings to leave a lasting presence in the world, not as species, but as a plurality of who’s”.
The relationship between storytelling and reconciliation is laid out by Arendt through Dinesen: “The reward of storytelling is to be able to let go: “When the storyteller is loyal to the story, there, in the end, silence will speak. Where the story has been betrayed, silence is but emptiness. But we, the faithful, when we have spoken our last word, will hear the voice of silence”. To let go is an act of reconciliation.
Arendt writes the story of this anxiety and melancholy of her own through Dinesen: “That grief of having lost her life and lover in Africa should have made her a writer and given her a sort of second life was best understood as a joke, and “God loves a joke” became her maxim in the latter part of her life”.
Agnes Heller writes that Arendt knows in advance what it is that she wants to find in her storytelling, in spite of – often – finding something unexpected.
Dinesen becomes a reflection of mirrors for Arendt who in writing about Dinesen’s own storytelling that seems artificial and blurs the distinction between truth and fiction, finds the detachment necessary to comprehend the world, temporarily: “To become an artist also needs time and a certain detachment from the heavy, intoxicating business of sheer living that, perhaps, only the born artist can manage in the midst of living.”
The flight into imaginary worlds at the hand of Dinesen’s pen isn’t simply a performance and re-enactment of the Gothic – as is for example William Beckford’s “Vathek” – but rather a coming to terms with the present by telling a story about its burdens.
It is nothing but an anchoring on the present at a time when the foundation of the present itself – the past – seems irrevocably lost. A similar example of storytelling through mirrors would be, for example, Susan Sontag’s review of Anna Banti’s “Artemisia” for The London Review of Books in 2003.
“Artemisia” is a novel written late in the Second World War about the life of Artemisia Gentilenschi, a 17th century Italian painter: Banti, trained as an art historian, is meticulously careful about her treatment of sources on Gentilenschi’s life and writes in what Sontag calls “a double destiny”; according to her, Anna Banti does not find herself in Artemisia and is careful enough to write in the detachment of the third person, only available to the truly committed storyteller in a game of hide and seek: “We are playing a chasing game, Artemisia and I”.
More than a biography or a historical novel, Artemisia is a deeply emotional but sober and detached portrait of a woman in the early 17th century, tainted by the scandal of a rape that disgraced her family and haunted no more by her total commitment to art, than by the immense loneliness of living as an artist in a male-dominated world – but told with more grace than resentment.
The story about Banti and Artemisia that Sontag is telling is one of permanent displacement and loss; not only because of the female story being told but because the original novel was lost under the ruins of Banti’s house in Borgo San Jacopo when the mines detonated by the Germans wrecked the houses near the river, including hers.
Without knowing as much, Susan Sontag is writing about Banti in the same way that Arendt is writing about Dinesen: Behind a story of loss and womanhood, there is an affirmative and rather reckless anchoring in the present – in Sontag’s case, the world after Totalitarianism: The Cold War, Iraq, Afghanistan, 9/11 and Abu Ghraib. It is against this background that she is writing about a “phoenix of a novel”, which is in itself a testimony to Sontag’s own work.
What both writers learnt from their own writers is a bitter lesson in contemporary history, as eloquently put by Arendt about Dinesen:
Thus, the earlier part of her life had taught her that, while you can tell stories or write poems about life, you cannot make life poetic, live it as though it were a work of art (as Goethe had done) or use it for the realization of an “idea”. Life might contain the “essence” (what else could?); recollection, the repetition in imagination, may decipher the essence and deliver to you the “elixir”; and eventually you may even be privileged to “make” something out of it, “to compound the story”. But life itself is neither essence nor elixir, and if you treat it as such it will only play its tricks on you.
When Lebanese writer Mira Baz left Yemen in 2011, in the course of the revolution and just before the deadly “Friday of Dignity” massacre, after nearly a decade teaching and writing in the mysterious land – similar to Dinesen’s Africa seen through Arendt and Banti’s Florence seen through Sontag, a sort of paradise lost and not without heavy taxes levied by the status of paradise, she was to become displaced and would turn her poetic travelogue of Yemen into a vast vault of memory.
In March 2012 she wrote – exactly a year after the massacre – about the experience of the displacement, invoking the following lines from Dinesen:
“If I know a song of Africa,
Of the giraffe and the African new moon lying on her back,
Of the plows in the field and the sweaty faces of the coffee pickers,
Does Africa know a song of me?”
After which she writes:
The house and the garden had quickly become my home, where in the mornings I fed my regular guests Bulbuls and Serins, and found serenity when, through watching them, I meditated on existence, on cycles, on life, on everything and nothingness. Out there was Yemen. Within the garden walls, and all the walls, was me, inside my head.
Through reading and writing, life cannot be changed, but it can be made understandable and livable, after the same fashion of John Updike when he described the prose of Bruno Schulz: “The harrowing effect of Schulz’ prose is to construct the world anew, as from fragments that exist after some unnamable disaster”. The disaster is always the turbulence of history and the unnamable is the loss, but here storytelling becomes a privilege, a sign of truth, and the burden of a presence – entering the world once again, even if it had been lost once.
Fina Birulés concludes her timely meditation on Arendt and Dinesen: “The political function of the narrator – historian or novelist – is to teach the acceptance of things as they are. From this acceptance, that might be called as well veracity, is born the faculty of judgment, by means of which, in words of Isak Dinesen, in the end we will have the privilege to see and to see again, and that is what is called Day of Judgment.”
-Arie Amaya-Akkermans
Jacques Ranciere and Hannah Arendt on Democratic Politics
Politics today is democratic politics. While history has not ended and democracy is not universal, there is no doubt that the spirit of our age is democratic. From France and the United States in the 18th century, to the European revolutions of 1848, to decolonialization in the 20th century, the fall of the Iron Curtain in 1989, and the Arab Spring of 2011, one cannot mistake the fact: politics in the modern world tends toward democracy.
But what is democracy? In his essay, "Does Democracy Mean Something?", Jacques Rancière offers one particularly compelling answer, one that is illustrative of the fate of global politics. Democracy, Rancière writes, is most fundamentally a paradoxical politics. On the one hand, democracy names democratic government. It is good government, or a legitimate order, a form of governmental order that is legitimate and just because it is founded upon democratic principles of equality and self-government. On the other hand, democracy means freedom, the rejection of rule by others, and the demand for the rule of the people by the people.
The democratic paradox is that democracy understood as freedom and the rule by people always threatens to destabilize and revolutionize democratic government that offers itself as a legitimate order. And democratic government—if it is to remain a government—requires the reduction of the revolutionary democratic excess of democratic individualism and the demand for popular rule.
We can of course see this paradoxical essence of democracy in the Occupy Wall Street movement. As Mayor Mike Bloomberg repeatedly emphasized, our democratic government allows protest and individual expression and we must permit the voices of those with whom we disagree. At the same time, Bloomberg argued that democratic government sets limits on those dissenting voices, authorizes regulations upon them, and, eventually, requires that they respect the authority and order of the existing democratic establishment. From this governmental perspective, the messy aspects of personal democracy and democratic individualism—the call to mobilize the people to pursue their plural and discordant interests—is a threat to good democratic government.
Democracy, in Rancière's words, is a power that at once legitimates and de-legitimates. Democracy promises the transparency and self-government that is necessary to legitimate government today. And yet it also insists upon unruly individualism and dissent that must be limited and contained in order to ensure a democratic state.
Beyond the democratic paradox, Rancière argues that true democratic politics is on the side of the messy, individualist, and disruptive aspect of democracy. His word for this is "dissensus," and Rancière insists that "democracy implies a practice of dissensus, one that it keeps re-opening and that the practice of ruling relentlessly plugs." Democracy, in other words, is the practice of disrupting all statist orders, even democratic state orders. It is an "anarchic principle" and "insofar as it is anarchic it precludes the self-grounding of politics." Politics, democratic politics, modern politics, is unavoidably open and anarchic.
In his analysis of the paradoxical nature of democracy and the priority of dissensus, Rancière reflects much that is in the work of Hannah Arendt. Both Rancière and Arendt oppose politics to philosophy, since philosophy trades in truths that shut down politics, which is about opinions. Rancière, as does Arendt, defines politics as a form of action—politics is an activity of people, in the plural, and not simply of states. And if Rancière sees political action as manifesting "dissensus," Arendt insists that political action be spontaneous and capable of beginning something new into the world. Which is why Arendt argues that "the modern concept of revolution, inextricably bound up with the notion that the course of history suddenly begins anew, that an entirely new story, a story never known before, is about to unfold" is at the very center of modern democratic politics.
The centrality of revolution to Arendt's thought means that "the idea of freedom and the experience of a new beginning should coincide." Because politics is by its nature revolutionary action, Arendt refuses to call it democracy, because democracy is—like all "cracy's"—derived from the Greek kratein, expressing rule and order. Democracy, as majority rule, opposes revolutionary action, and is, therefore, "simply another form of rulership." As does Rancière, Arendt insists that freedom demands that we move beyond democracy as simply a form of government.
Similarities aside, Rancière builds his theory of dissensus in opposition to Hannah Arendt's work. In both "Does Democracy Mean Something?" and "Who Is the Subject of the Rights of Man?" Rancière explicates his idea of politics as dissensus against Arendt's revolutionary politics.
In "Who is the Subject of the Rights of Man?", Rancière locates his split with Arendt around her division of the political from the social. In line with many who read Arendt as erecting rigid boundaries between the social, the political and the private, Rancière worries that "Arendt's rigid opposition between the realm of the political and the realm of private life" sets up an exclusive realm from which the people must be kept out. By excluding the world of private and economic and social concerns from the lofty realm of politics, Arendt, pace Rancière, depoliticizes politics by cleansing it of the people and their voices.
Such readings of Arendt make rigid her rich descriptions of the political, social, and private realms; they offer a pale representation of the fire that burns brightly in Arendt's writing. It is common today to imagine that Arendt makes strict distinctions between political and non-political activities, just as it widespread to think that the divisions between labor, work, and action in The Human Condition are impenetrable. Yes Arendt distinguishes the political from the social. But that does not at all mean that economic and social interests are never political. Of course, as Arendt concedes often, some level of social security is part of the political realm. Her point is simply that such social concerns are at odds with freedom, which is the true aim of political action.
In "Does Democracy Mean Something?", Rancière offers a better and more meaningful distinction between himself and Arendt. Here, he makes clear his view that "democracy cannot consist in a set of institutions." Institutions, he argues, mean nothing in themselves. "The reason for this is that one and the same constitution and set of laws can be implemented in opposite ways depending on the sense of the 'common' in which they are framed." Rancière's point is, on one level, obvious. At times, the constitution and the laws are invoked to stifle debate and dissent. At other times they are called upon to enable and further the call for new political institutions. In themselves, the constitution and the laws are not decisive.
But Rancière goes further. Not only are political institutions not decisive in politics, they occupy the field of politics with a claim to legitimacy and thus delimit and shrink "the political stage." By establishing what is constitutional and legal protest and who can protest and who is even a citizen, the institutions of politics limit politics in "a biased way." They police the boundaries and access to politics "in the name of the purity of the political, the universality of the law or the distinction between political universality and social particularity."
In his suspicion of institutions, Rancière does indeed depart from Arendt in a meaningful way. For Arendt, modern politics, as revolutionary politics, means a free and new founding of freedom. What distinguishes revolutions from rebellions is that while rebellions merely liberate one from rule, revolutions found new institutions that nurture freedom. At the core of Arendt's political thinking is her insistence that freedom cannot exist outside of institutions. As had Montesquieu before her, Arendt saw that "power and freedom belong together."
The genius of the American Revolution in Arendt's telling is that it found what she calls a new experience of power. This American experience of power "was embodied in all institutions of self-government throughout the country." It goes back to the Mayflower Compact drawn up on the ship and signed by the first settlers upon landing, an act that displays their
obvious confidence that they had in their own power, granted and confirmed by no one and as yet unsupported by any means of violence, to combine themselves together into a 'civil Body Politik' which, held together solely by the strength of mutual promise 'in the Presence of God and one another', supposedly was powerful enough to 'enact, constitute, and frame' all necessary laws and instruments of government.
From out of the basic experience of power through mutual action with others, the American colonists developed their institutions of town halls, constitutional conventions, and local government in townships, counties, and states. Since written laws cannot control power, but "only power arrests power," freedom depends upon institutions that can continually give birth to new centers and sources of power. What the new experience of American power meant was that there could not be and could never be in the United States a single highest and irresistible power that could exert its rule over the others. The states would limit the federal government; the federal government would contest state power; legislative power limits executive power; judicial power bridles the legislature; and new forms of power in voluntary organizations, political clubs, and advocacy groups all limit the power of professional politicians. Together, this diffusion of power in the United States meant the "consistent abolition of sovereignty within the body politic of the republic, the insight that in the realm of human affairs sovereignty and tyranny are the same."
Unlike Rancière for whom institutions are biased watchmen patrolling the entry into politics, Arendt sees the institutions of self-government as the common world within which plural citizens congregate, talk, and act. Without such institutions, there would be no public space, no commons, in which politics happens. Politics needs not only revolution and dissensus, but also some prior consensus—an acknowledgement of the facts of the political world we are born into. From there one can, and sometimes must, resist and revolt.
Rancière sees all consensus, all that is common, as exclusionary, violent, and apolitical. But the common world itself is not oppressive and anti-political. It is, what it is, and the first requirement of politics is that one reconciles oneself to the world we share with others. That is not giving in to the system, but is, rather, the very possibility of political and revolutionary action.
Rancière's engagement with Arendt is one of the most important in modern political theory. You can read Jacques Rancière's "Does Democracy Mean Something?" here.
I also encourage you to buy the Dissensus, Rancière's book that includes "Does Democracy Mean Something?" and also "Who is the Subject of the Rights of Man?". Buy it here.
And as a bonus, if you want a different take on the relationship between Arendt and Rancière, you can read Adam Schapp's essay on the topic here.
-RB
On the History of “Genocide”
What precisely do we mean when we use the term “genocide”? Has the word always been associated with the mass killing of individuals on the basis of their group affiliation? Or have there been alternative conceptions of genocide of which we should be aware?
These questions were at the heart of the Hannah Arendt Center’s latest Lunchtime Talk, which occurred amid picturesque snowfall on Wednesday, February 29th. The presenter was Douglas Irvin, a Ph.D. candidate at Rutgers’ Center for the Study of Genocide and Human Rights. Irving's talk revolved around the work of the Polish-Jewish lawyer Raphael Lemkin (1900-1959).
After escaping from Nazi-occupied Poland and lecturing at the University of Stockholm, Lemkin emigrated to the U.S., served as an advisor at the Nuremberg Trials, and played a central role in the passage of the 1948 U.N. Genocide Convention. Indeed, Lemkin was the first public figure to use the term “genocide,” which he derived from the Greek root genus (family, race, or tribe) and the Latin root, cide (killing).
Lemkin and Arendt were contemporaries with overlapping experiences and interests, but they engaged very little with one another in print (aside, perhaps, from a few allusions and anonymous criticisms). Irvin contends that there are good reasons for this lack of dialogue, since the two differed significantly in their views of genocide and humanity more broadly.
On the one hand, Arendt regarded genocide as a historically recent outgrowth of modern totalitarianism. According to Irvin, this understanding was in keeping with her more general conception of the human cosmos, which ultimately emerged through, and was grounded in, individual interactions within the arena of the polis.
Lemkin, by contrast, regarded genocide as a much older phenomenon, one that was premised not on the destruction of individuals on the basis of their group affiliation, but rather on the annihilation of entire cultural traditions and collective identities. Drawing eclectically on the work of seventeenth-century Spanish theologians, romantic thinkers like Johann Gottfried von Herder, and anthropological understandings of cultures as integrated wholes, Lemkin ultimately defined genocide as a coordinated attack on the conditions that make the lives of nations and other collectivities possible.
In this conception, genocide does not necessarily or inevitably entail the mass killing of a group’s members, but rather turns on concerted efforts to obliterate that group’s institutions, language, religious observance, and economic livelihood. In Irvin’s argument, this approach resonated with the broadly communitarian nature of Lemkin’s thought: human existence was in his estimation defined by interactions between culture-bearing groups, and human freedom could ultimately be secured through the benevolent recognition and protection of cultural pluralism.
Significantly, the U.N. Genocide Convention that Lemkin championed did not incorporate many aspects of his thinking. His ideas encountered strong resistance from the U.S., U.K., and other imperial powers, many of which feared that their treatment of indigenous and colonial populations would qualify as genocide under the standards that Lemkin (and his collaborators) proposed. As a result, our current understanding of genocide is in no small part a byproduct of a diplomatic battle to redefine this legal category in a fashion that would encompass the Nazi Holocaust but not implicate other states (including several of the Allied powers that fought against Germany in World War II). This wrangling has also contributed to the minimal attention that has since been paid to Lemkin’s ideas, which were only rediscovered in a significant way in the early 1990s.
Douglas Irvin’s stimulating talk suggested that such inattention is unfortunate. Whatever one thinks of Lemkin’s effort to inscribe a form of cultural relativity into liberal international law, a more thoughtful understanding of his life and thought can only enrich our understanding of genocide’s career as a concept.
Click here to watch the Douglas Irvin lunchtime talk.
-Jeff Jurgens
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