We at the Hannah Arendt Center are always happy to celebrate the work of our fellows. This week, we recognize Aliza Becker, one of her Associate Fellows, and her creation of the American Jewish Peace Archive: An Oral History of Israeli-Palestinian Peace Activists (AJPA).
“It may well be the region of the spirit or, rather, the path paved by thinking, this small track of non-time which the activity of thought beats within the time-space of mortal men and into which the trains of thought, of remembrance and anticipation, save whatever they touch from the ruin of historical and biographical time. This small non-time-space in the very heart of time, unlike the world and the culture into which we are born, can only be indicated, but cannot be inherited and handed down from the past; each new generation, indeed every new human being as he inserts himself between an infinite past and an infinite future, must discover and ploddingly pave it anew.”
—Hannah Arendt, Between Past and Future
In the preface to Between Past and Future, Hannah Arendt foregrounds the Nazi/German occupation of France. She does so in order to emphasize how intellectuals who had previously pursued only their own, private careers suddenly became involved in the greater cause of the Resistance. This period, she suggests, was one of an abrupt convergence between “deed and word.” Confronted with the horror of Hitler’s state of emergency, the usual careerist “masks” of “insincerity” were cast off. Then, the introduction of a real state of emergency—that of the Resistance —produced a “public space [within which] freedom could appear.”
After the Liberation and the return to “normal” life, deed and word bifurcated again. As quickly as the new public intellectuals had turned away from academic detachment during the occupation, most returned to it after the war. The overall lack of a common enemy, or at least one as unifying as Nazism had been, meant the dissolution of the new public culture. The end of the war heralded the return of “innumerable cliques” and “paper wars” and the loss of the public culture that that tragedy had inspired.
Arendt articulates a temporal dimension of this shift from private to public and back to private life. There is a time, Arendt writes, that is between past and future. I call this non-time. Here is how Arendt describes this non-time: It is
an in-between period which sometimes inserts itself into historical time, when not only the later historians but the actors and witnesses...become aware of an interval in time which is altogether determined by things that are no longer and by things which are not yet.
The ascendant public awareness of the gap between the “no longer” and the “not yet” is important since it enhances the collective capacity for remembrance and anticipation. Rather than freezing “the” present in a temporal vice-grip between “the” past and “the” future, non-time plasticizes past and future, loosening its hold. Existing in such a non-time enlivens public freedom, enabling the collective ability to resist transcendentally imposed temporal imperatives. In her time, of course, this meant above all else, resisting the trans-European spread of Nazism.
For a brief period during the war and the resistance, she writes, thought had fused with action and historical and biographical time gave way to the free, indeterminate time that Arendt inflects politically as “public freedom.” Her assertion is that non-time, unlike the historical time of past, present and future, is a more radically open yet situated temporality “at the very heart of time”—and at the core of public freedom as well.
Arendt, however, did not limit her analysis to the early-20th century politics of Europe. Indeed, she selected numerous instances of the transformative, freedom-enhancing capacities of non-time, including the American Revolution, the French Revolution, the Hungarian Revolution of 1956, as well as, in the aesthetic domain, the modernist literature of Franz Kafka. In doing so, Arendt suggested the dynamism and applicability of her concept to a wide variety of situations - including, potentially, our own.
In this way, the act of thinking slips humanity out of historical and biographical time and into a non-time that reconstitutes the world. In the midst of resisting harkenings back to “the” past or any harkenings forward to “the” future, non-time, for Arendt, emerges as a plasticity subject to intervention.
The point, for Arendt, was to bring forth “the treasure” of non-time, within new temporal conditions that situate subjects anew, such that these new subjects might in turn, resituate the new temporal conditions. As she writes: “each new generation, indeed every new human being as he inserts himself between an infinite past and an infinite future, must discover and ploddingly pave it [the ‘treasure’] anew”.
How might today’s public, some fifty years after Between Past and Future, begin the fight for the public freedom Arendt sought? How might non-time assist in such a task?
Consider the mass media ascription of a non-transformative teleology to the Occupy movement. One refrain of critics of the Occupy movement was that it was not “really” seeking revolution at all. In its most common form, the critique asserted that occupiers were nothing more than recent college graduates confronted with mounting student loan debt and murky career horizons. What they really sought, therefore, was careers. But from the perspective of non-time, was this judgment necessarily “correct”, or was it instead a bit of both?
The frequency with which the same mass media outlets publish pieces concerned with economic justice today is far less today than at the height of the movement’s influence. In late 2011 and early 2012 however, journalists wrote and editors published as though they too had abruptly become aware of the gap “determined by things that are no longer and by things which are not yet.” From the perspective of non-time, the plasticity of public freedom gave way to the historical and biographical time that renders it inert. It was this that allowed the ascription of a non-transformative teleology to hold sway after the decline of the new public culture.
Of course, overstating the revolutionary nature of the occupy movement would also be foolish. Zeitgeists such as those that brought forth the French Resistance, the American Revolution, the French Revolution and the Hungarian Revolution of 1956 (not to mention, of course, literary modernism), are destined to decline by definition. The occupy movement proved no exception. That said, Arendt did provide some hints regarding how the treasure of non-time might be indicated amidst new, post-zeitgeist conditions, such as our own.
In her view, if humans are to move beyond the predetermined presentism of conditions set by the past, as well as the ascribed teleologism of past conditions in the future, the task is that of producing a critical, engaged public culture not as a periodic impulse, but as a permanent habit.
Doing so requires more than just heeding the often mis-read call to change the world “rather than” interpret it (as an excuse for acting without thinking). Instead, Arendt asserted, we must change the world, and at the same time, change the manner in which we interpret it. In other words, the transcendental hallucinations of time must be transformed by the immanent materiality of non-time. Why? Because, in contrast with those who speak, predictably, of “the” past or “the” future, for Arendt, the present is always an unknown moment of struggle between the past and the future.
- Jason Adams
“German Jewry, like Western European Jewry in general, never understood that the simple person is the true center of politics in all democratically governed countries.
And this is also the reason why German Jews often do not understand the just national aspirations of the Jewish people [folk]. Most do not know at all what a people [folk] really is and what it wants. The most beautiful Hebrew in the world will not teach them that. Let the German Jews learn to respect simple person [poshete mentshn], in general, and the simple Jew [yiddishe folks-mentsh], in particular – and then you will be able to speak to them about Jewish politics in all the languages of the world.”
These are the closing words of an op-ed written by Hannah Arendt in November 1942 for the New York Yiddish daily Morgen Zshurnal. The short piece is a response to an account of recent conflicts between German and Hebrew speakers in the Jewish settlement in Palestine (the Yishuv) written by Aaron Zeitlin, a Yiddish author and regular contributor to the newspaper.
It is, by all evidence, Arendt’s only Yiddish-language publication. (A year earlier, in December 1941, the News Bulletin of the “Emergency Committee for Zionist Affairs” published a Yiddish translation of Arendt’s first Aufbau op-ed, “The Jewish Army – The Beginning of Jewish Politics?” But the Morgen Zshurnal piece seems to be the only one that Arendt published exclusively in Yiddish.) Arendt’s Yiddish voice is both familiar and surprising, and, as I shall sketch very briefly here, her exchange with Zeitlin fascinatingly prefigures significant moments in Arendt’s thinking and her dialogue with others later in life, for example her exchange with Gershom Scholem about Eichmann in Jerusalem.
In the fall of 1942, tensions between immigrants from Nazi Germany and the veteran Zionist community of the Yishuv had reached a violent peak with the bombing of a press in Jerusalem, which had been printing a German-language newspaper. Zeitlin bases his account of the event, and of the political atmosphere that led up to it, on a report by Menachem Ben Eliezer, which appeared in October in the Hebrew newspaper Hadoar, published in New York by the Hebrew Federation of America. The Hebrew reporter and the Yiddish commentator both blame the German Jews, known as “Yekkes,” for failing to assimilate into the society of the Yishuv and, especially, for obstinately refusing to learn Hebrew. In Zeitlin’s words, the German Jews are not patriotic because they lack a love of Israel (“ahavat Israel” or, in Yiddish, “ahaves Yisroel”).
Arendt, described in the byline as “a well-known German-Jewish writer and Zionist activist” who, “in 1935, visited the Land of Israel, where she spent three months and had the opportunity to get to know the Yishuv and the new immigration (Aliyah),” responds to the accusations ambivalently. Outraged by the violent act of the Hebrew purists of the Yishuv, she nevertheless concedes that the failure of German Jews to understand the simple Jews of Eastern Europe and their justified national aspirations is a problem.
The brief op-ed piece thus reveals a fascinating moment in the development of Arendt’s identity and her political affinities. Having recently arrived as a refugee from Europe, Arendt was writing for the German-language Aufbau and would soon start publishing in English-language publications such as Partisan Review and Nation. But her attention was evidently also devoted to publications such as Morgen Zshurnal and their Yiddish-speaking readership. As Thomas Wild has recently argued on this website, Arendt’s career would continue to move productively between German and English, for example when she substantially revised the English The Human Condition to produce the German Vita Activa.
And even after this brief stint, the Yiddish language did not disappear from her writing entirely, as I briefly mention below. She would also find opportunities to reflect publicly on issues of language choice, for example in her 1948 dedication of the German book Sechs Essays to her friend and mentor Karl Jaspers, where she explains the difficulty and the necessity of writing and publishing in her native language. But this Yiddish op-ed – written in a language that she had studied as an adult and that was rapidly moving aside to make space for English, not only in her mind but also in the American-Jewish public sphere – is probably the only statement that Arendt made about Jewish language politics.
Interestingly, at this juncture in her own linguistic affiliations, Arendt insists that the battle over languages is a political red herring. “Unlike Herr Zeitlin,” she writes, “I am of the opinion that the entire education and psychology of the world could not successfully separate people from their mother tongue […]. It is a process of a generation or two, and in America we have the best proof of that.” Instead of focusing on the struggle between the languages, Arendt points her readers in two different directions. The piece opens, in a familiarly sarcastic tone, with an expression of Arendt’s interest in Jewish militancy as a form of political response to the current crisis (an interest that was expressed in her contemporary writing for Aufbau): “I am of the opinion that it would be better for the Yishuv to boycott German merchandise rather than the German language, and that the hotheads would do better to save the bombs for Rommel’s soldiers rather than to use them against the Jews for their German language.” But it ends on a different note, with a vision of a post-Babelian politics that grows out of solidarity with the simple people. If the German Jews only understood what a true Jewish “folks-mentsh” is, the conversation could transcend linguistic divisions and one would be “able to speak to them about Jewish politics in all the languages of the world.”
As Elizabeth Young-Bruehl describes in her biography and as evidenced also in the early correspondence with Heinrich Blücher, Arendt had studied Yiddish with her friend Chanan Klenbort in Paris. But in the absence of further information about the composition process – was the piece written in German and translated into Yiddish? Or did a native speaker aid Arendt, in the way that friends such as Randall Jarrell and Alfred Kazin later helped her with her English? – one can only speculate about the significance of the highly Germanic style of the Yiddish in which the piece is written or of word choices such as “folks-mentsh” and “posheter mentsh.” Reading Arendt in Yiddish can feel like a glimpse through a door to an alternative history. What would have been the circumstances – in Arendt’s own intellectual development, in the history of the Jews – that would have compelled her to keep writing in Yiddish? Would the Yiddish version of The Human Condition have placed the “posheter mentsh” at the center of politics? In other words, the Yiddish op-ed focuses our view on Arendt’s preoccupations and her transformation during her early years in the United States. It also sharpens questions that have already been raised in relation to her writing for Aufbau: Does the writing of this period prepare the ground for her later philosophical and political work? And if it does, how should we describe this ground? Or does the shift of her positions on Zionism rather constitute a break in her thinking?
It is easy to see the continuity between the criticism Arendt expresses here and her sharp critique of German Jewry in her book Eichmann in Jerusalem. But there are other, far more uncanny, linguistic continuities, not only in Arendt’s own writing but also in her dialogues and polemics with others. In his famous response to the Eichmann book, Gershom Scholem echoes Zeitlin – most probably unwittingly – when he laments Arendt’s lack of “Ahabath Israel” (as Scholem rather Germanically transcribes the Hebrew expression). Arendt seems to hear that echo when she inserts in her reply to Scholem’s letter a parenthetical inquiry about the history of the term: “I would, by the way, be very thankful if you could tell me since when this concept plays a role in the Hebrew language and scripture, when it first appears, etc.” Indeed, the echo seems to conjure up in Arendt elements of her original response to Zeitlin, and so she returns to the same simple person she had once hoped that German Jewry could listen to, in Yiddish or in “all the languages of the world.” Thus, when she attempts to defend her (to many readers indefensible) position on Jewish collaboration with the Nazis, she explains to Scholem: “There was no possibility of resistance, but there was a possibility of doing nothing. And in order to do nothing, one need not have been a saint, but rather one needed simply to say: I am a simple Jew (ein poscheter Jude) and I do not want to be more than that.”
The Yiddish was excised from the German version that was published by the Neue Zürcher Zeitung in October 1963 (where it was replaced by “einfacher Jude”) and from the English translation published in Encounter in December 1964 (which refers to “a Simple Jew”). The act of self-censorship is probably as revealing as Arendt’s use of the term itself.
Arendt’s brief foray into Yiddish journalism also has a fascinating postscript on the pages of the Morgen Zshurnal (or rather its continuation Der Tog Morgen Zshurnal). As Richard I. Cohen has described, in 1965 the newspaper carried Aaron Zeitlin’s raging response to Arendt’s Eichmann book, a response in which he described her as the agent of the devil. Zeitlin does not explicitly mention his previous disagreement with Arendt, indeed, he conspicuously avoids mentioning her by name. But, in its emphasis on Arendt’s misnaming of Eichmann when she describes him as a “grey, simple (posheter) average person,” his vitriolic attack can be read as a response to Arendt’s polemic twenty-three years earlier
Based on research and translation conducted in collaboration with Sunny Yudkoff. Many thanks to Barbara Hahn and Thomas Wild, who uncovered the Yiddish piece in the Hannah Arendt archive.
NOTE: This Saturday, February 23, 2013 marks the launch of the Hananh Arendt Center three part series, "Music in the Holocaust: Jewish Identity and Cosmopolitanism". The series is made possible through the generosity of grant from the Bertha Effron Fund of the Community Foundation of the Hudson Valley. Learn more here.
COERCION, COLLUSION & CREATIVITY - Music of the Terezin Ghetto & the Central European Experience
NATIONALISM, CONTINUITY & SYNTHESIS - Music of Warsaw, Lodz, & other Eastern ghettos
KURT WEILL & THE MODERNIST MIGRATION - Music of Weill & Other Émigrés