Germany’s Deutschlandfunk Radio program recently broadcast an interview with Margarethe von Trotta about her new film “Hannah Arendt.” The film is now set to be released on May 29 in the U.S. by Zeitgeist Films. The Hannah Arendt Center will be hosting an opening night screening at the Film Forum in NYC. More information to follow.
The radio interview is in German. We offer here in translation von Trotta’s response to Susanne Berg’s first question:
Susanne Berg: How important is it today to come to terms with Hannah Arendt?
Margarita von Trotta: I think Hannah Arendt was one of the most important people and thinkers of the last century. And we are not yet through with the last century. Particularly as Germans the century will pursue us for a long time. I say always, that Hitler wanted a 1,000 year Reich. It lasted only 12 years. But we will have to deal with it for 1,000 years. In this regard we cannot now say, yeah, it’s the 21st century, now it is all in the past. And as I saw the documentary over the Eichmann trial—there is a wonderful film called “The Specialist” by an Israeli, I thought then for the first time, this I want this man in a film. And that was still before I knew that I would describe Hannah Arendt. It was because he showed me what Germany was. Not the greats, not Hitler, not Göring, not Goebbels, all these whom we have in our memory as one can say evil. But these mediocre and middling people, they have formed history.
The reference is to Eyal Sivan’s fascinating and controversial documentary about the Eichmann trial. You can watch short excerpt here.
There is probably no question more debated in the course of Middle Eastern uprisings than that of the status of human rights. Anyone familiar with the region knows that the status of human rights in the Middle East is at best obscure. The question of why there was not a “revolution” in Lebanon is a very complex one, tied with the fate of Syria and with the turbulent Lebanese politics since the end of the civil war, and hence cannot be fully answered. In a vague sense it can be said of course that Lebanon is the freest Arab country and that as such it bears a distinctively different character.
While at face value, the statement is true, being “more free than” in the Middle East is simply understating a problem. Just to outline the basic issues, Lebanon’s record on human rights has been a matter of concern for international watchdogs on the following counts:
Security forces arbitrarily detain and torture political opponents and dissidents without charge, different groups (political, criminal, terrorist and often a combination of the three) intimidate civilians throughout the country in which the presence of the state is at best weak, freedom of speech and press is severely limited by the government, Palestinian refugees are systematically discriminated and homosexual intercourse is still considered a crime.
While these issues remain at the level of the state, in society a number of other issues are prominent: Abuse of domestic workers, racism (for example excluding people from color and maids from the beaches) violence against women and homophobia that even included recently a homophobic rant on a newspaper of the prestigious American University in Beirut. The list could go on forever.
The question of gay rights in Lebanon remains somewhat paradoxical. On the one hand, article 534 of the Lebanese Penal Code prohibits explicitly homosexual intercourse since it “contradicts the laws of nature”, and makes it punishable with prison. On the other hand, Beirut – and Lebanon – remains against all odds a safe haven, for centuries, for many people in the Middle East fleeing persecution or looking for a more tolerant lifestyle.
That of course includes gays and lesbians and it is not uncommon to hear of gay parties held from time to time in Beirut’s celebrated clubs. At the same time, enforcement of the law is sporadic and like everything in Lebanon, it might happen and it might not; best is to read the horoscope in the morning and pray for good luck. A few NGO pro-LGBT have been created in the country since the inception of “Hurriyyat Khassa” (Private Liberties) in 2002.
In 2009 Lebanese LGBT-organization Helem launched a ground-breaking report about the legal status of homosexuals in the entire region, in which a Lebanese judge ruled against the use of article 534 to prosecute homosexuals.
It is against the background of this turbulent scenario that Samer Daboul’s film “Out Loud” (2011) came to life, putting together an unusual tale about friendship and love set in postwar Lebanon in which five friends and a girl set on a perilous journey in order to find their place in the world.
Though the plot of the film seems simple, underneath the surface lurks a challenge to the traditional morals and taboos of Lebanese society – homosexuality, the role of women, the troubled past of the war, delinquency, crime, honor – which for Lebanese cinema, on the other hand, marks a turning point.
This wouldn’t be so important in addressing the question of rights and freedoms in Lebanon were it not for a documentary, “Out Loud – The Documentary”, released together with the film that documents in detail the ordeal through which the director, actors and crew had to go through in order to complete this film.
Shot in Zahlé, in mountainous heartland of Lebanon and what the director called “a city and a nation of conservatism and intolerance”, it is widely reported in the documentary that from the very beginning the cast and crew were met with the same angry mobs, insults, and physical injuries that their film in itself so vehemently tried to overcome; a commercial film about family violence, gay lovers, and the boundaries of relationships between men and women. A film not about Lebanon fifteen or twenty years ago, but about Lebanon of here and today.
Daboul writes: “Although I grew up in the city in which “Out Loud” was filmed, even I had no idea how difficult it would be to make a movie in a nation plagued by violence, racism, sexism, corruption and a lack of respect for art and human rights.” The purpose of “Out Loud” of course wasn’t only to make a movie but a school of life, in which the maker, the actors and the audience could all have a peaceful chance to re-examine their own history and future.
Until very recently in lieu of a public space, in Lebanon, any conflict was solved by means of shooting, kidnapping and blackmailing by armed militias spread throughout the country and acting in the name of the nation.
The wounds have been very slow to heal as is no doubt visible from the contemporary political panorama. Recently, a conversation with an addiction counselor in Beirut revealed the alarming statistics of youth mental illness, alcoholism and drug addiction across all social classes in Lebanon, to which I will devote a different article.
Making films in Lebanon is an arduous process that not only does not receive support from the state but is also subject to an enormous censorship bureaucracy that wants to make sure that the content of the films do not run counter to the religious and political sensibilities of the state. In the absence of strong state powers, the regulations are often malleable and rather look after the sensibilities of political blocs and religious leaders rather than state security, if any such exists.
The whole idea of censorship of ideas is intimately intertwined with the reality of freedom and rights and with the severe limitations – both physical and intellectual – placed upon the public space.
In the Middle East, censorship of a gay relationship is an established practice in order to protect public morality; however what we hear on the news daily that goes from theft to murder to kidnap to abuse to rape to racism, does not require much censorship and is usually consumed by the very same public.
If there is one thing here that one can learn from Hannah Arendt about freedom of speech is that as Roger Berkowitz writes in “Hannah Arendt and Human Rights”:
The only truly human rights, for Arendt, are the rights to act and speak in public. The roots for this Arendtian claim are only fully developed five years later with the publication of The Human Condition. Acting and speaking, she argues, are essential attributes of being human. The human right to speak has, since Aristotle defined man as a being with the capacity to speak and think, been seen to be a “general characteristic of the human condition which no tyrant could take away.”
Similarly, the human right to act in public has been at the essence of human being since Aristotle defined man as a political animal who lives, by definition, in a community with others. It is these rights to speak and act –to be effectual and meaningful in a public world – that, when taken away, threaten the humanity of persons.
While these ideas might seem oversimplified and rather vague in a region “thirsty” for politics, they establish a number of crucial distinctions that must be taken into account in any discussion about human rights. Namely:
1) The failure of human rights is a fundamental fact of the modern age
2) There is a distinction between civil rights and human rights, the latter being what people resort to when the former have failed them
3) It is the fact that we appear in public and speak our minds to our fellowmen that ensures that we live our lives in a plurality of opinions and perspectives and the ultimate indicator of a life being lived with dignity.
Even if we have a “right” to a house, to an education and to a citizenship (that is, belonging to a community) if we do not have the right to speak and act in public and express ourselves (as homosexual, woman, dissident and what not) we are not being permitted to become fully human. Regardless of the stability of political institutions, provision of basic needs and security, there is no such a thing as a human world – a human community – in the absence of the possibility of appearing in the world as what we truly are.
“Out Loud” – both the film and the documentary – are a testimony of the degree to which the many elements composing the multi-layered landscape of Lebanese society are at a tremendous risk of worldlessness by being subject to an authority that relies on violence in lieu of power. Power and violence couldn’t be any more opposite.
Hannah Arendt writes in her journals:
Violence is measurable and calculable and, on the other hand, power is imponderable and incalculable. This is what makes power such a terrible force, but it is there precisely that its eminently human character lies. Power always grows in between men, whereas violence can be possessed by one man alone. If power is seized, power itself is destroyed and only violence is left.
It is always the case in dark times that peoples – and also the intellectuals among them – put their entire faith in politics to solve the conflicts that emerge in the absence of plurality and of the right to have rights, but nothing could be more mistaken. Politics cannot save, cannot redeem, cannot change the world. Just like the human community, it is something entirely contingent, fragile and temporary.
That is why no decisions made on the level of government and policies are a replacement for the spontaneity of human action and appearance. It is here that the immense worth of “Out Loud” lies; in enabling a generation that is no longer afraid of hell – for whatever reason – to have a conversation, and it is there where the rehabilitation of the public space is at stake and not in building empty parks to museumficate a troubled past, as has been often the case in Beirut. In an open conversation, people will continue contesting the legacy and appropriating the memory not as a distant past, but as their own.
The case of Lebanon remains precarious: Lebanon’s clergy has recently united in a call for more censorship; and today it was revealed that the security services summon people for interrogation over what they have posted on their Facebook accounts; HRW condemned the performance of homosexuality tests on detainees in Lebanon, even though this sparked a debate and a discussion on the topic ensued at the seminar “Test of Shame” held at Université Saint-Joseph in Beirut and the Lebanese Medical Society held a discussion in which they concluded those tests are of no scientific value.
In a country like Lebanon, plagued by decades of war and violence, as Samer Daboul has said in his film, people are more than often engaged at survival and just at that – surviving from one war to another, from one ruler to another, from one abuse to another, and as such, the responses of society to the challenges of the times are of an entirely secondary order. But what he has done in his films is what we, those who still have a little faith in Lebanon, should have as a principle: “It’s time to live. Not to survive”.
The re-launch of hannaharendt.net is now up and it begins with a new edition dedicated to the 50th Anniversary of the Eichmann trial and Hannah Arendt's account of it. We'll be directing you to some of the essays in the volume over the coming days and weeks. But tonight, in preparation for the discussion between Deborah Lipstadt and Roger Berkowitz, we suggest you take a look at "Journey in Thought – Hannah Arendt"—The text of a BBC documentary from 2003.
Created by Jonathan Rée, the BBC series focuses "on turning points in the intellectual lives of great thinkers, exploring their ideas and positioning them in time and place. His journey to Israel “in the footsteps of the philosopher and political theorist Hannah Arendt” took him to Jerusalem, from where he returned with a unique and lively documentary radio programme, thus adding a valuable contribution to the debate on Arendt and her book Eichmann in Jerusalem."
You can read the transcript here.
You can listen to the original version here.
A new film, “Five Broken Cameras,” has won praise for doing something as difficult as it is simple: bearing witness. Here is how The New York Times describes the film made by Emad Burnat, a Palestinian Villager who started making his film when he was given a video camera at the birth of his son:
The new documentary intersperses scenes of villagers fighting the barrier with Mr. Burnat’s son Gibreel’s first words (“cartridge,” “army”), undercover Israeli agents taking away friends and relatives, and Mr. Burnat’s wife, Soraya, begging him to turn his attention away from politics and be with his family. Over six years, Mr. Burnat went through five cameras, each broken in the course of filming — among other things, by soldiers’ bullets and an angry settler. At the start of the film, Mr. Burnat lines up the cameras on a table. They form the movie’s chapters and create a motif for the unfolding drama — the power of bearing witness. Mr. Burnat never puts his camera down and it drives his opponents mad.
It takes incredible courage and resolve to do something as simple as tell the truth. And yet, the truth is absolutely essential in our world. To do so is both selfish (in regard to one's family) and selfless (insofar as one sacrifices oneself to the public need for truth). As Jaqueline Bao wrote on this blog in September, "In bearing witness, we carry the burden of the unpleasantry of truths just as we give life to the permanence of the world by establishing a common reality."
For Hannah Arendt, the world can survive without justice. But it cannot survive without truth. As she writes:
“What is at stake is survival, the perseverance of existence, and no human world destined to outlast the short life span of mortals within it will ever be able to survive without men willing to do what Herodotus was the first to undertake consciously—namely, to say what is.” (Truth and Politics, 229).
I have not seen Five Broken Cameras. But I hope to. I am sure it tells one side of the complicated story that is euphemistically referred to as the Middle East Crisis. And yet, in Mr. Burnat's resolve to bear witness, we encounter one way that the truth must be told.
Five Broken Cameras won the Audience Award at the International Documentary Film Festival in Amsterdam, and is one of about a dozen films competing at Sundance this week in the World Documentary category. You can watch the trailer for Five Broken Cameras Here.