Hannah Arendt Center for Politics and Humanities
9Jun/140

Arendt on Thinking with Kant and Kafka

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“The inner I: That I of reflection is the self, a reflection of the appearing human, so mortal, finite, growing old, capable of change, etc. On the other hand, the I of apperception, the thinking I, which does not change and is timeless. (Kafka Parable)”

—Hannah Arendt, Denktagebuch, February 1966

In an age overcome with the reach of globalization and the virtual expanse of the Internet, Arendt’s notes in her Denktagebuch on a seemingly obscure technical question on activity of thought in Kant gain new relevance by differentiating modes of thinking with depth and over time. Her reference to Kafka and the form of the entry pushes her profound temporal ideas in the direction of narrative fiction.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
10Feb/141

Why Think?

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This post was originally published July 16, 2012

"What makes us think? Hegel's answer: Reconciliation. Reconciliation with what? With things as they are. But this we do constantly anyhow by establishing ourselves in the world. Why repeat it in thought?"

          - Hannah Arendt's Denktagebuch, 782

No relation is more central to Hannah Arendt's writing than that between acting and thinking. Thinking, Arendt knows, is distinct from action that takes place in the world. Thinking is a seeing into the unseeable and the unsayable. It is a relation with oneself in the two-in-one of a dialogue one has with oneself. In thinking, the thinker withdraws from the world. "In thinking," she writes in 1970, there is a partial "pulling of oneself back out of the world of appearances."  Thinking, in other words, can be apolitical and unworldly. Thinking is even, she writes, analogous to death in its rejection of the world.

Against the un-worldliness of thinking, Arendt embraces the political humanism of action. InThe Human Condition, Arendt names action as "the only activity that goes on directly between men" and "corresponds to the human condition of plurality, to the fact that men, not Man, live on the earth and inhabit the world." To act, she writes, is to live and "to be among men." Action is tied to human life just as thinking is, for Arendt, a metaphor for death.

The connection between action and human life, as well as the association of thinking with death, might suggest that Arendt prefers action to thought. And yet such a view would be at least misleading if not mistaken. Thinking, Arendt insists in The Human Condition, is the "highest and perhaps purest activity of which men are capable." Above all, she strives to bring thinking and action together; to think what we are doing. Arendt's entire life's work is a response to the thoughtlessness of our time that is the fundamental enabling condition of totalitarianism. There is, for Arendt, no more meaningful or powerful response to the dangers of totalitarianism than the pure activity of thinking.

What then is thinking? And why is it important? These are questions Arendt struggles with at all times, but nowhere more explicitly than in her Denktagebuch. In the passage quoted above, Arendt writes that Hegel answers the question: "Why Think?" with the idea of reconciliation.

For Hegel, reconciliation is experienced as a response to his fundamental experience of the world ripped asunder. In other words, the world appears to man as that which is foreign. Man stands against the objects and things of the world, which are separate from him. And man's dream and drive is to reunite himself with the world. In Hegel's words from his Encyclopedia:

"The highest and final aim of philosophic science is to bring about ... a reconciliation of the self-conscious reason with the reason which is in the world – in other words, with actuality.”

The aim of thinking, Hegel repeats,

"Is to divest the objective world that stands opposed to us of its strangeness, and to find ourselves at home in it: which means no more than to trace the objective world back to the notion – to our inmost self.”

What this means, Hegel writes in his Lectures on the History of Philosophy, is that “the ultimate aim and business of philosophy is to reconcile thought or the Notion with reality.”

Arendt returns repeatedly to Hegel's idea of reconciliation. Perhaps no other thread of inquiry receives more attention in Arendt's Denktagebuch, which begins in 1950 with a seven page meditation on the political importance of reconciliation. In Between Past and Future, Arendt writes:

“The task of the mind is to understand what happened, and this understanding, according to Hegel, is man’s way of reconciling himself with reality; its actual end is to be at peace with the world.”

In Truth and Politics, Arendt again raises the problem of a thoughtful reconciliation to reality alongside a reference to Hegel:

"Who says what is always tells a story. To the extent that the teller of factual truth is also a storyteller, he brings about that ‘reconciliation with reality’ which Hegel, the philosopher of history par excellence, understood as the ultimate goal of all philosophical thought."

In Hannah Arendt: The Recovery of the Public World, Melvyn A. Hill reports a further remark by Arendt, in which she says,

"I can very well live without doing anything. But I cannot live without trying at least to understand whatever happens. And this is somehow the same sense in which you know it from Hegel, namely where I think the central role is reconciliation--reconciliation of man as a thinking and reasonable being. This is what actually happens in the world."

In all these and in many other instances, Arendt affirms the centrality of reconciliation to her project. Thinking, as a kind of reconciliation with the world, is the activity in which human beings work to understand and comprehend the world around them. This understanding-reconciliation is necessary because without it we would not live in a world that we could understand or make our way in. Objects for which we have no understanding and no language to describe them are non-existent. There is a basic truth to Hegel's idealism; that the real world only is for humans insofar as we humans think about that world and reconcile ourselves to it.

At the same time, Arendt distinguishes her sense of reconciliation from that of Hegel. We humans are constantly and of necessity reconciling ourselves with reality. In living and acting, we establish ourselves in the world. We accept and conform to institutions, traditions, habits, and customs. We build a human world and then live in it, even if we at times resist that world or rebel against it. Both resistance and rebellion presume a prior reconciliation with and understanding of the world. This is what it means to be human and to act. In our everyday actions and life we enact our reconciliation to the world.

If reconciliation is almost unconscious and natural, why then, Arendt asks, do we have to repeat this reconciliation in thought? This is a question Arendt repeats often and in different ways. Her answer has much to do with her conviction that sometime in the early parts of the 20th century, philosophy and thinking ceased to be able "to perform the task assigned to it by Hegel and the philosophy of history, that is, to understand and grasp conceptually historical reality and the events that made the modern world what it is." For Arendt, somehow the "human mind had ceased, for some mysterious reasons, to function properly." In other words, what happens in the 20th century is that a gap emerges between reality and thinking.

This gap between thinking and reality itself, Arendt writes, is not new. It may be, she supposes, "coeval with the existence of man on earth." But for centuries and millennia, the gap was "bridged over by tradition." Human beings created gods, customs, and cultures that gave their lives meaning. The world made sense and human reason seemed to fit well to the realities that surrounded it.

The homelessness of the modern world, our undeterred will to truth, combined with our scientific insistence upon universal knowledge, means that we moderns can never be at home in a finite and mortal human world. It is in such a world that the drive for certainty risks perfecting itself into totalitarian ideology and the need for coherence threatens to elevate comforting lies over unsettling truths.

In our modern world where our thinking efforts to understand the real world forever fall short, reconciliation assumes a different and distinctly non-Hegelian sense. Reconciliation demands that we forego the will to absolute knowledge or scientific mastery of the world.  We must, instead, reconcile ourselves to the reality of the gap between thinking and acting.

Thinking today requires “settling down in the gap between past and future;” in other words, thinking demands that we continually recommit ourselves to the loss of a knowable and hospitable world and, instead, commit ourselves to the struggle of thinking and acting in a world without banisters.  Only if we think and reconcile ourselves to the reality of our irreconcilable world can we hope to resist the ever-present possibility of totalitarianism.

-Roger Berkowitz

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
23Dec/130

Born into a World of Plurality

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This Quote of the Week was originally posted on August 20, 2012

We are born into this world of plurality where father and mother stand ready for us, ready to receive us and welcome us and guide us and prove that we are not strangers.”

-Hannah Arendt, Denktagebuch
Notebook 19, Section 39, February, 1954

When Rousseau opens Of The Social Contract with the striking phrase "Man is born free andeverywhere he is in chains” he sets up a stark opposition between nature and culture that powers his reconsideration of social bonds. Hannah Arendt also speaks of birth to open the problem of freedom but rather than relegating it to a merely natural state she employs it within a wide variety of narratives, figures of speech, and explanations of novel concepts. Most famously, she employs the term “natality” in The Human Condition to work out a thinking of freedom that offers true interruption and surprise in the face of growing historical and technological automation in the second half of the 20th century. Although Arendt's Thought Diary does not reveal the kind of precise development of natality that would satisfy the demands of scholars of Begriffsgeschichte (the history of concepts), a number of entries refer to birth in a manner that illuminates her later work by establishing sites of concern and questioning.

In the passage above, we see Arendt honing in on the connection between man and world to establish a relation that at first appears surprisingly untroubled to readers of her later work. She describes the mother and father as being there for the child in four ways. In being “ready,” they have prepared for him in advance. They will “receive” him, bringing him to the place that they made. In “welcoming” we might think of additional signs of acceptance that indicate a broader, social incorporation. Further, the parents do not just take in the child at that moment, but offer to “guide” him, accompanying him for a time in the world. The parents do all of this to show that the child belongs, but in Arendt’s repetitions I see an awareness of the difficult amount of work needed in this regard. Moreover, in the “we” of the last line the reader might see not just another reference to the child but to the parents as well. The repeated welcome affirms the place of the parents and child.

The passage above helps us consider society’s response to the newcomer in contrast to Arendt’s idea of “second birth” in which an individual moves beyond the welcome of the world. Now one takes one’s stance in relation to the world by reflecting on the distinction between actual birth and an idea of freedom that emerges from thinking about birth. In chapter 5 of theHuman Condition, Arendt writes: "With word and deed we insert ourselves into the human world, and this insertion is like a second birth, in which we confirm and take upon ourselves the naked fact of our physical appearance." By speaking of insertion, she indicates making room, a gesture of opening a place. In the second birth, one realizes that the plurality of the world does not simply pre-exist but that our own arrival refigures it.

The two kinds of birth that Arendt describes lead us to reflect on the pressures of globalization and the continuing debt crisis in a new light. With the immense weight of previous decisions assigned to them even before they are able to assume a role in society, young people might never reach the stage of feeling that they are “not strangers.” From this starting point, without having a sense of the welcome of the first birth, they may not be able to make the leap through the “like” to the second birth of making a change in the world.

-Jeffrey Champlin

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
2Dec/131

Hannah Arendt, Quote Unquote

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“To interpret, to quote – yet only to have witnesses, also friends.”

-Hannah Arendt, Denktagebuch, vol. 2, p. 756 (November 1969), my translation.

When we quote someone, we often seem to do so in order to appeal to some kind of authority. We use a statement of Arendt, for instance, in order to shed light on a contemporary event or phenomenon that calls for our attention. We consider her as a “theorist” who supposedly has “relevant” things to say that may help us “solve” a contemporary problem of understanding. We ask ourselves: “What would Hannah Arendt say?”

For several reasons, however, this practice is problematic. Firstly, as Arendt herself repeatedly insisted, thinking, understood as the never-ending attempt to make sense of events, experiences, and phenomena that occur, is an activity that we can only perform for and by ourselves. Secondly, by “applying” an authoritative “theory” to concrete events, we run the risk of explaining them away, rather than to “save the phenomena” in their concrete particularity. Finally, we run the risk of doing injustice to the “authority” in question. Arendt’s work is much too multi-vocal and perspectival for it to be reduced to a bag of “relevant” propositions that we can use at will. Much of what she says is more complicated and puzzling than it may seem, and requires a serious and sustained effort of interpretation. “Results” are by no means guaranteed. In this sense, the self-evident practice of quoting her every week entails the risk that she becomes all-too-familiar to us, that she is turned into someone whose “convictions” we no longer question, but complacently apply.

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The use of Arendt as an authority becomes especially problematic when she is read in what could be called a “pessimistic” or “nostalgic” way, as if the most important thing that we can learn from her consists in a “diagnosis” of “our time”, which entails the claim that politics has been “lost”, that culture and education are in “crisis”, etc. By reading her this way, we run the risk of reinforcing an “objectifying” picture of our contemporary situation, as if the terms “loss” and “crisis” refer to objective facts that are “out there”, rather than to conceptual interventions that may (and perhaps should) invite our own counter-interventions. What is more, we run the risk of placing ourselves on the side of the few who really “got it”, against the many who still do not get it and will perhaps never get it, lest they start reading – and quoting – Arendt.

This is not to say that there is no basis at all in her work for reading her like this, but it is at odds with what may be considered as a more promising and liberating reading – a reading which invites us to begin something new, both in thinking and by acting, however difficult this may seem to be. Invoking Arendt as an authority, by contrast, may precisely serve as a substitute for thinking, rather than as its starting point.

By taking as our starting point a quote about quoting, we hope to make the practice of quoting Arendt into something uncommon, something unfamiliar. The quote in question, cited above, is a singular entry from Arendt’s Denktagebuch, the “thinking diary” that she kept from the early fifties until a few years before her death, and which she never intended for publication. The sentence is from November 1969, when she was working on what would become the first volume of The Life of the Mind, called Thinking, in which she addresses the question, what are we “doing” when we do nothing but think.

The meaning of the sentence – perhaps “meditation” is a better term – is by no means easy to grasp. It appears as a moment of self-reflection, a moment in which she stops, steps back, and thinks about the very thing she has been doing in her notebook: to interpret, to quote. It almost reads as a warning: make sure you consider these interpretations and quotations only as witnesses [Zeugen], also friends [Freunde], rather than as – we are tempted to add – authoritative statements, or – to borrow a phrase from Virginia Woolf's A Room of One's Own – nuggets of pure truth to keep between the pages of your notebook and keep on the mantelpiece forever.

What does it mean to consider the practice of “interpreting, quoting” as a means to have “witnesses, also friends”? In the entry that immediately follows, Arendt uses the word “friend” twice: “Thought speaks with itself (as with a friend)…” and “In thought, the self is a friend…” Only two entries earlier, she had written that critical thinking consists in a giving-of-account [Rechenschaft geben] in a dialogue with oneself. She cites Kant as the genuine representative of this form of thinking, who had distinguished the quaestio facti – how one comes in possession of a specific concept, or what the origin of a specific term is – from the quaestio juris – with what right one possesses and makes use of a specific concept.

The process of a giving-of-account in this latter sense requires that you are friends with yourself. If there is too much distance, you do no longer talk with yourself, and the inner dialogue comes to an end. Yet the activity of talking something through also comes to an end when there is not enough distance, when you do no longer disagree with yourself at all. As Arendt writes earlier in her notebook: “Only because I can speak with others, can I also speak with myself, i.e., think. Ergo: Aristotle is not right: A friend is not “another self”, rather, the self is another friend.”

Perhaps it is here that we should bring the notion of a “witness” into play. The figure of a witness may be described as someone who testifies to an event that is beyond our own immediate experience, something we were not there to see with our own eyes, perhaps something unheard of. In the entry on critical thinking mentioned above, Arendt notes that our conscience finds its origin in our activity of thinking in the sense of a giving-of-account of something, in a dialogue with ourselves. In another Denktagebuch-entry, written in December 1969, so one month later, she uses the notion of a witness precisely in the context of explaining the workings of our conscience. When our conscience speaks, it serves as our inner witness by reminding us of something we did, and in calling us to account for it. Obviously, the point here is not that we were not present at the actual event, but that we do not want to hear about it anymore.

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In the context of our quotation, we may say that a witness confronts us with a certain perspective on our conception of a certain event or experience, perhaps a strange or unsuspected one. Thereby, he or she invites us to give account of our own convictions and interpretations. However, the addition “also friends” is required: only if we approach a witness as a friend – a friendly interlocutor – will the thinking dialogue actually come to pass, will we start thinking something through.

By quoting, we may now suggest, we invoke a testimony by someone who calls us into thinking. By interpreting a quotation, we may add, we gain the opportunity to think something through by and for ourselves, rather than to use it as a means of adding authority to our already existing convictions and interpretations or to use the “answers” it contains in order to “solve” our problems for us. Or, in the words of Walter Benjamin, as quoted by Arendt in her essay on him: “Quotations … are like robbers by the roadside who make an armed attack and relieves an idler of his convictions.”

-Wout Cornelissen

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
25Nov/130

Some Thoughts on the Importance of Personality

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Action is “the miracle that saves the world from its normal, ‘natural’ ruin.”

-Hannah Arendt, The Human Condition

“I mentioned the quality of being a person as distinguished from being mere human..., and I said that to speak about a moral personality is almost redundancy...In the process of thought in which I actualize the specifically human difference of speech I explicitly constitute myself a person, and I shall remain one to the extent that I am capable of such constitution ever again and anew.”

-Hannah Arendt, "Some Questions of Moral Philosophy"

 

We are used to finding in Arendt’s work a clear distinction between action and speech on the one hand and thinking and judging on the other. But here in the second quote, Arendt declares that only this thinking through and - qualified - speech can transform a mere human being into a personality.

Now, when, as Arendt writes in the first quote, the miracle of action saves the world from its normal‚ 'natural’ ruin, defining nature as non-civilization, as barbarity, then this means that such an action is insolubly connected to the question of the personality of those who act. Who are those who acted in Occupy Now! or joined Los Indignados in Spain: were they individuals in the literal sense of independent human beings as the smallest units, which change sometimes rapidly into parts of masses, or were they persons, personalities? This question is much more important than the question of political goals or theoretical programs. Because it depends on those, who act, whether the world can be saved from its neo-liberal ruin and if yes, how.

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The distinction between individuals and personalities always has an elitist appearance. But it is evident that we find personalities independent of their social status among workers, academics and politicians. A personality is not formed by its social origin or intellectual Bildung, but by a practical everyday education of citizens. This education is not based on the separation of reason and emotion, but on that what Arendt referred to as the “understanding heart” of the biblical King Solomon, which comprises equally heart and mind. The European 18th century, facing a secular society increasingly oriented towards an open freedom, searched for the possibility of a self-bound orientation in judgment. It discussed taste as a power of cognition. Melchior Grimm for example, a more or less forgotten German illustrator, essayist and diplomat, wrote: “The condition of a pronounced and perfect taste is to have a sharp intellect, a sensitive soul and a righteous heart.” Here taste does not only mean the aesthetic but also the moral judgment. In Grimm’s trilogy all three elements are indispensible in their mutual conditionality: reason can become inhuman without soul and heart; the sensitive soul apolitical due to an unchecked compassion; the righteous heart confused without reason.

Back then there was a prevailing understanding that moral and artistic quality rest in equal measure on independent thinking and on independent judgment. This is still visible in our everyday use of language whenever we speak of a “beautiful” or “ugly” gesture or figure of speech or of the “inner beauty” which a person possessing integrity shows by that integrity. These examples are, according to Kant, expressions of the harmony of the different powers of cognition both in regards to their inner proportions and in respect to the free coexistence of these powers and their mutual influence on one another. It is a harmony which occurs between form and content as well as between “an enlarged mentality” and reason, it differs from purely rational judgment.

Therefore, it is not the reason, which we are proud of because it distinguishes us from animals, but rather what Arendt calls an enlarged mentality which is of decisive political importance. In her Denktagebuch (Thinking Diary) she wrote: “Because of the fact that not self-bound reason but only an enlarged mentality makes it possible ‘to think in the place of another’, it is not reason, but the enlarged mentality which forms the link between human beings. Against the sense of self fueled by reason, by the I-think, one finds a sense for the world, fueled by the others as common-sense (passive) and the enlarged mentality (active.)”

From this interpersonal perspective follows the aspect that freedom is to be understood as “freedom for,” as inter-subjective, common freedom, which is inseparably bound to the responsibility for everything that happens in the political community. This responsibility does not deal with moral or juridical guilt for one’s own actions but instead with the responsibility of someone who is “a responder,” who understands that the actions of all decide whether or not we live in a decent society.

Though with Kant the era of investigations into the conditions for an independent judgment ended and the Kantian “capacity to judge” was replaced during the 19th and 20th centuries by logic, ideologies and theoretical systems, there were still some ambassadors of the 18th century left – Arendt of course, and her contemporaries like George Orwell and Albert Camus. Orwell’s works are marked by a hypothesis; namely, that the decency inherent in the everyday life of normal people can resist the general loss of orientation in an age of ideology. “It looks like a platitude,” he wrote, but his message was nothing more than: “If men would behave decently the world would be decent.” He tried to interpret what he called the “common decency” as a compass not only of single persons but also of the social and political life of citizens. According to Orwell this common decency rests on general, practical everyday moral norms and habits. Common decency differs from explicit and rigid moral prescriptions of “the good human being” by its openness and flexibility. For Orwell it was not human dignity in an abstract way that had to be protected but the behaviour to which a society commits itself that was in need of defending. The decent life affords social regulations that consist of respect for others, the absence of domination or humiliation, and social, economic or cultural equality. The highest income should not be ten times higher than the lowest. All laws should respect or support a decent life and include all citizens in the “pouvoir constituant des vie ordinaries.” Orwell was against the socialism of his time as an oligarchic collectivism, which attracted only the socially marginalized and intellectuals. “In our country,” he wrote, “the liberals fear freedom and the intellectuals are ready for any sort of ignominy against thinking.” That means: “The direct conscious attack on intellectual decency comes from the intellectuals themselves.”

This aspect of decency refers to what for Arendt is the basis of all political action and independent judgment; the effort to recover in a political community the right middle ground and human scale that marks the place where civilization ends.

Like Arendt and Orwell, Albert Camus stressed the importance of moderation while he observed excess among Marxist intellectuals after WW II, described in his most provocative book The Rebel. Revolutionary errors, he declared, disregarded natural limits and in so doing betrayed human inviolability. The experience of modern revolutions shows that “revolutions when they have no limits other than historical effectiveness, means endless slavery.” For Camus it is the task of revolt to redefine the place of the right middle and human scale in a permanent critical confrontation with present conditions.

Herein lays the actuality of these three authors, Arendt, Orwell and Camus: writing about totalitarianism, they described the conditions of a decent society, which was menaced then by revolutionary dogmatism and ideological mass-movements, and which is menaced today - not by revolts, or mass protests - but quite the contrary, by the destruction of politics and the common good by neo-liberalism.

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Therefore, it is not by chance that Arendt in her portraits of writers, politicians and thinkers, which she wrote on various occasions and published in her book Men in dark Times, always came to speak about their personal qualities. For example, Lessing’s critical mentality which could “never give rise to a definite worldview which, once adopted, is immune to further experiences in the world because it has hitched itself firmly to one possible perspective”; Rosa Luxemburg’s cultural background of an assimilated Jewish life in Poland characterized by excellent literary taste, independent moral concepts and the absence of social prejudices, and Waldemar Gurian’s independent judgment and non-conformism – he was her friend and the dean of the University of Notre Dame - who “was delighted when he could break down the(se) barriers of so-called civilized society, because he saw in them barriers between human souls.

-Wolfgang Heuer

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
18Nov/130

One Against All

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This Quote of the Week was originally published on September 3, 2012.

It can be dangerous to tell the truth: “There will always be One against All, one person against all others. [This is so] not because One is terribly wise and All are terribly foolish, but because the process of thinking and researching, which finally yields truth, can only be accomplished by an individual person. In its singularity or duality, one human being seeks and finds – not the truth (Lessing) –, but some truth.”

-Hannah Arendt, Denktagebuch, Book XXIV, No. 21

Hannah Arendt wrote these lines when she was confronted with the severe and often unfair, even slanderous, public criticism launched against her and her book Eichmann in Jerusalemafter its publication in 1963. The quote points to her understanding of the thinking I (as opposed to the acting We) on which she bases her moral and, partly, her political philosophy.

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It is the thinking I, defined with Kant as selbstdenkend (self-thinking [“singularity”]) and an-der-Stelle-jedes-andern-denkend (i.e., in Arendt’s terms, thinking representatively or practicing the two-in-one [“duality”]). Her words also hint at an essay she published in 1967 titled “Truth and Politics,” wherein she takes up the idea that it is dangerous to tell the truth, factual truth in particular, and considers the teller of factual truth to be powerless. Logically, the All are the powerful, because they may determine what at a specific place and time is considered to be factual truth; their lies, in the guise of truth, constitute reality. Thus, it is extremely hard to fight them.

In answer to questions posed in 1963 by the journalist Samuel Grafton regarding her report on Eichmann and published only recently, Arendt states: “Once I wrote, I was bound to tell the truth as I see it.” The statement reveals that she was quite well aware of the fact that her story, i.e., the result of her own thinking and researching, was only one among others. She also realized the lack of understanding and, in many cases, of thinking and researching, on the part of her critics.

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Thus, she lost any hope of being able to publicly debate her position in a “real controversy,” as she wrote to Rabbi Hertzberg (April 8, 1966). By the same token, she determined that she would not entertain her critics, as Socrates did the Athenians: “Don’t be offended at my telling you the truth.” Reminded of this quote from Plato’s Apology (31e) in a supportive letter from her friend Helen Wolff, she acknowledged the reference, but acted differently. After having made up her mind, she wrote to Mary McCarthy: “I am convinced that I should not answer individual critics. I probably shall finally make, not an answer, but a kind of evaluation of this whole strange business.” In other words, she did not defend herself in following the motto “One against All,” which she had perceived and noted in her Denktagebuch. Rather, as announced to McCarthy, she provided an “evaluation” in the 1964 preface to the German edition of Eichmann in Jerusalem and later when revising that preface for the postscript of the second English edition.

Arendt also refused to act in accordance with the old saying: Fiat iustitia, et pereat mundus(let there be justice, though the world perish). She writes – in the note of the Denktagebuchfrom which today’s quote is taken – that such acting would reveal the courage of the teller of truth “or, perhaps, his stubbornness, but neither the truth of what he had to say nor even his own truthfulness.” Thus, she rejected an attitude known in German cultural tradition under the name of Michael Kohlhaas.  A horse trader living in the 16th century, Kohlhaas became known for endlessly and in vain fighting injustice done to him (two of his horses were stolen on the order of a nobleman) and finally taking the law into his own hands by setting fire to houses in Wittenberg.

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Even so, Arendt has been praised as a woman of “intellectual courage” with regard to her book on Eichmann (see Richard Bernstein’s contribution to Thinking in Dark Times).

Intellectual courage based on thinking and researching was rare in Arendt’s time and has become even rarer since then. But should Arendt therefore only matter nostalgicly? Certainly not. Her emphasis on the benefits of thinking as a solitary business still remains current. Consider, for example, the following reference to Sherry Turkle, a sociologist at MIT and author of the recent book Alone Together. In an interview with Peter Haffner (published on July 27, 2012, in SZ Magazin), she argues that individuals who become absorbed in digital communication lose crucial components of their faculty of thinking. Turkle says (my translation): Students who spend all their time and energy on communication via SMS, Facebook, etc. “can hardly concentrate on a particular subject. They have difficulty thinking a complex idea through to its end.” No doubt, this sounds familiar to all of us who know about Hannah Arendt’s effort to promote thinking (and judging) in order to make our world more human.

To return to today’s quote: It can be dangerous to tell the truth, but thinking is dangerous too. Once in a while, not only the teller of truth but the thinking 'I' as well may find himself or herself in the position of One against All.

-Ursula Ludz

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
4Nov/130

The Relation Between Thinking and Acting

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This Quote of the Week was originally published on May 21, 2012.

"Acting and Thinking: Thinking is rather complete concentration or absolute waking, that through which and in which all other "faculties" concentrate themselves."

—Arendt, Denktagebuch, vol. 1, 12

In The Human Condition, Hannah Arendt treats action as one of the three "most elementary articulations of the human condition"—those activities that are "within the range of every human being."  But Arendt leaves out other—less elementary—articulations of human being. Most notably, she specifically says that the book will not address thinking, "the highest and perhaps purest activity of which men are capable."  If acting is the highest of the elementary ways of being human, thinking is a specific kind of action that is, by its rarity, reserved for the few.  Written by one of those few, The Human Condition is, above all, an attempt to "think what we are doing."

The Human Condition traces the relation between thinking and acting that cuts through all of Arendt's writing. Her account of Adolf Eichmann emphasizes his thoughtlessness.  She comes to believe that it is thoughtlessness that makes possible evil actions and that thinking is the only possible way to stop or at least dis-empower the human tendency to do evil.

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Similarly, thinking what we do is the path toward a reinvigoration of politics.

But what, exactly, is the relation between thinking and acting?  Near the beginning Hannah Arendt's Denktagebuch, in July 1950, Arendt sets down the first of what will become numerous entries under the title: "Acting and Thinking."  While many themes run through theDenktagebuch (literally, a book-of-thoughts), no other theme is so prevalent as "Acting and Thinking." In this early line of thought, we see Arendt's attempt to establish the relation between the two activities that would come to dominate her own thinking for the next 25 years.

The full entry, which references Martin Heidegger and William Faulkner, is worth citing in its entirety:

Acting and Thinking: Heidegger can only mean that it rests upon the sameness of being and thinking, and surely then, when thinking is understood as the being of man in the sense of the being of being. Thinking would then be the being that in man is freed to be action. Thinking is here neither speculation nor contemplation nor "cogitation." It is rather the complete concentration or the absolute waking, that through which and in which all other "faculties" concentrate themselves.

"Why did I wake since waking I never shall sleep again."

The quoted line at the bottom is a slight misquotation of William Faulkner's famous line fromAbsalom, Abaslom (Arendt transposes "never" and "shall").  Thinking, Arendt writes, is an "absolute waking."  It can be a rude awakening, insofar as it tears one from the dream world of easy living and requires concentrated attention to difficulty. In such wakefulness, there is the ecstasy of absolutely wakeful concentration.

The word Arendt uses to describe the fullness of wakeful thinking is the German vollbringen, to complete, or to bring to fullness. This is, not coincidentally, the same word Martin Heidegger uses to describe both thinking and acting in his 1946 Letter on Humanism.  Heidegger begins his Letter on Humanismwith a discussion of the relation of action and thinking. The first sentence introduces the relationship: "We are still far from thinking the essence of action decisively enough."

If usually we think of action as simply something that causes or brings about effects, Heidegger writes that this is not decisive enough. Instead, "The essence of action is the bringing of something to completion, or the bringing of something to fulfillment."  To act is to unfold something in the fullness of its essence, to bring it to be what it most is. It is for this reason that human action is thinking, since  “Thinking brings to fullness the relation of being to the essence of man."

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Arendt follows Heidegger in seeing thinking as the same as acting. What Arendt's account of thinking as fulfilling and completing wakefulness adds to Heidegger's conjunction of action and thinking is her insistence on human freedom. In the relation of action and thinking Arendt rejects all determinism and all understandings of action and thinking based in speculation, contemplation, or cognition, all of which subordinate human action to rules or reasons. Arendt's acting and thinking human being is not a shepherd of being, but a beginner.

Thinking, Arendt writes, is freed to act and to bring new things into the world. That is what Arendt means by a thinking that is absolutely awake. Thinking what we are doing must, therefore, be itself an active beginning, a surprising and spontaneous action that inserts itself into the world in act and deed. If such thinking is surprising and new, it will draw others to it who will tell stories about it. Only then, if and when thinking inspires others to act in its wake, does thinking act.

-RB

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
29Jul/131

Hannah Arendt’s Denktagebuch

Arendtquote

Futility of action = need
for permanence—
Poetry or body politic
Natalität

-Hannah Arendt, Denktagebuch,  October 1953 (volume 1, p. 61)

Arendt's Thought Diary (Denktagebuch) contains fascinating reflective engagements that span the history of western thought from Plato to Heidegger. The form of the entries is as striking as their content: Arendt employs not only the conceptual mode of inquiry that one expects from a philosopher, but also brief narrative accounts (stories) and poetry that highlight the literary dimension of her thought.

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The quote above comes from a section that is unique even within this context of the varied forms of the Denktagebuch. The full entry has two columns of text side by side comprised of key terms, punctuation, and additional operator markings such as arrows and equal signs. In their spatial division, order of terms, and employment of symbols, these two columns offer a compelling challenge to readers of Arendt who seek to discover specific insights of the Thought Diary that may go beyond those of the her published work.

Each column is headed by a German term easily understandable to English speakers: "Pluralität" and "Singularität." The positive movement that builds earlier in the right hand column through "Pluralität," "equality," and "thought" breaks down on “futility.” We can go at least two directions with this interruption. It might just be a blip in her run of thought, a speed bump, so to speak. I will pursue the more promising thought that Arendt considers an objection, acknowledging the fact that the boldly announced “action” remains threatened by disappointment. This voice contends that practical failure leads to a metaphysical need for stability.

“[N]eed for permanence” aligns with “body politic.” Traditionally, political philosophy uses the body to describe a principle of stable organization. This was already true for Aristotle, who insists on the analogy between mind / body and ruler / subject. As Ernst Kantorowicz famously demonstrated, Medieval political theology argues for the continuity of the ruler with the idea of the two bodies of the king: a physical body that passes away in the death of the king, and one spiritual body that doesn't change. Most importantly for modern thought, Hobbes describes individuals in the state of nature who cede their individual power to the ruler, resulting in a single body that the famous front piece of The Leviathan pictures as a giant composite of smaller people.

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Linguistically, “body politic” has unique currency in Anglo-American thought. “Staatskörper” does not have the same reign in German discourse, where the mechanistic “Staatsapparat” (“state apparatus”) predominates. Rousseau employs “corps politique” in On the Social Contract but it never takes a central place in French debate. Arendt takes on a specific concept in a specific language and tradition, but one that she opens to an unexpected future. From the medieval period to the 20th century, these theories of the body politic share a common emphasis on unity and an organic principle of stability that points to a metaphysical “need for permanence.”

With this background, one might not be surprised that other figures of birth in the Thought Diary relate not to change, sudden or otherwise, but to consistency and integration. However, the way Arendt describes this maintenance of the social world provides the uncircumventable basis for the ultimately radical energy that she grants action. In the “or” of Arendt’s “Poetry or body politic,” she compels us to consider an alternative to a fixed organic structure. Indeed, the very form of the entry tends towards poetry, and in its spacing and rhythm challenges standard modes of conceptual analysis.

Reading a few key entries around the same time in the Thought Diary shows that the world (i.e. the common realm of living together) needs to be sustained; it doesn’t just exist by itself. In this regard, the phrase “Poetry or body politic” indicates that the political body does not just last by itself but needs to be continually renewed. This renewal has both a conservative aspect and a potential for radical change in action. Each new body does not just fit the higher state-body, but continually maintains the social structure.

The column ends with “natality” (“Natalität”), Arendt's only use of the term in the Thought Diary in the years leading up to her major explication of the idea in the Human Condition. The entry, taken precisely in its note layout and read together with nearby entries that employ figures of birth, shows Arendt criticizing a political metaphysics of the body through an alternative corporeality. Precisely because the state lacks a higher principle of stability, the common world can change its entire political structure because it brings with it the possibility of starting something wholly new.

-Jeffrey Champlin

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
7May/130

Arnold Gehlen on Arendt’s The Human Condition

Arendtiana

Arnold Gehlen,"Vom tätigen Leben (Hannah Arendt)", Merkur Vol. 159 (1961) 482-6.

The conservative anthropologist Arnold Gehlen fell out of favor in post WWII Germany largely due to his support of the Nazis: he joined the party in 1933 but continued to teach after the war following a “denazification” process. However, with the recent rediscovery of thinking influenced by philosophical anthropology in Germany, his work is again becoming important. Gehlen can be seen as one pole of a broader debate about the relationship between the abstract qualities of humans and their environment. Gehlen’s signature idea describes man as a "deficient being" (Mängelwesen) who develops culture, including technology in the broader and narrower senses, as a kind of armor for survival. Man’s physical weakness ultimately forces him to create his own environment, but this is more a sign of the constant threat he is under rather than an opportunity for great progressive changes.

Peter Sloterdijk, a major figure in the re-emergence of philosophical anthropology has pressed the issue with his recent description of culture as “human zoo” that houses mankind. For Sloterdijk, man is a beastly creature, one who has over centuries struggled to tame himself with cultural ideals and the brute force of laws. As mass society has dissolved the cultural bonds of humanism, Sloterdijk writes, man is increasingly forced into the cages of a human zoo.

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Gehlen was likely drawn to Arendt’s work by the broad scope of her history of civilization. He was interested in where humanity came from and where it is going. Some of these aspects might seem speculative, and indeed Arendt’s celebration of the Greeks and criticism of modern life continue to be fiercely criticized while her more technical innovations in terms of action and judgment garner broader acclaim (even if they still lead to debates over specifics). From a certain point of view, Gehlen’s Arendt is an thinker of a grand narrative and his review makes us ask about the value of such stories even when we are skeptical of their ultimate validity.

Gehlen’s forgotten but broadly positive review of The Human Condition offers a balanced evaluation of the book and a snapshot of it long before scholars built up the Arendt we know today of “action,” “natality,” and “judgment.” In terms of method, Gehlen praises Arendt's "ideological abstinence." Her sobriety in relation to established political frames of reference tended to get her in trouble during her lifetime, especially from her Left- leaning friends for her critique of Marx (despite her explicit remarks on her appreciation of his work). While Gehlen’s phrasing may have something of the coy conservative in it, I think is it a fitting way to describe her point of view. The independence of her work can be seen as a commitment to analysis that resists getting carried away by the overblown and often underdefined notions of the day.

Positively, Gehlen refers to Arendt’s "magnificent and dire analysis of contemporary scientific-technological culture and its massive biological repercussions." If philosophical anthropology inquires into the connection between the human environment and life, Arendt offers an update by specifying the technological dimension of culture. Saying she connects it to biology per se is a provocation on Gehlen’s part though it is one worth considering. Much work remains to be done on Arendt’s use of philosophers of science and her critical contribution to this field. Her engagement goes well beyond the better known references to Heisenberg and Whitehead in the Human Condition, as her references to such thinkers as Adolf Portmann in the Denktagebuch shows.

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Towards the end of his review, Gehlen criticizes Arendt for placing too much emphasis on the power of philosophy to influence history (at the expense of social forces). Here I do not think he makes a fair criticism and suspect that his reading was unduly influenced by Arendt’s association with Heidegger. It’s interesting though that Gehlen’s conservatism also puts emphasis on the social, though without the progressive hopes of the Enlightenment tradition from Hegel to Marx and Habermas.

In a footnote to Chapter 5 of The Human Condition, Arendt appeals to Gehlen's major work Man: His Nature and Place in the World as the source of the scientific work that grounds her argument. There she directly engages essentialist anthropology and rejects it, but does not give way to mere metaphor. Instead, I argue that she develops natality as a concept that works from within rather above: it cannot do without real birth but isn’t limited or determined by this empirical reference.

-Jeff Champlin

See: Jeffrey Champlin, “Born Again: Arendt's "Natality" as Figure and Concept,” The Germanic Review 88(02), May 2012.

 

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
22Apr/130

Thinking Metaphors

Arendtquote

This Quote of the Week post was first published on August 27, 2012.

“What connects thinking and poetry [Dichten] is metaphor. In philosophy one calls concept what in poetry [Dichtkunst] is called metaphor. Thinking creates its “concepts” out of the visible, in order to designate the invisible.”

-Hannah Arendt, Denktagebuch, vol. 2, p. 728 (August 1969) (translation my own)

Arendt’s Denktagebuch is less a “book” than a collection of “thought fragments”. These fragments, such as the one quoted above, are perhaps best considered not as advocating some position, but as specific angles or starting points from which we are invited to think something through.

All too often, her published works are understood in an “advocatory” fashion. Accordingly, The Human Condition, is sometimes read as a “plea” in favor of the vita activa over and against the vita contemplativa. In fact, however, Arendt explicitly denies that she wishes to reverse the traditional hierarchy between the two ways of life. Rather, she is questioning the conceptual framework within which both ways of life have traditionally been understood.

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Hence, I take it to be her aim not only to liberate acting [Handeln] from its being reduced to nothing more than an instrument in the process of making [Herstellen], but, analogously, to liberate the activity of thinking from its being reduced to nothing more than an instrument in the process of cognition culminating in contemplation, in “seeing” the truth which, in turn, serves as blueprint for the process of making. She notes that both the process of making, which uses mute violence, and the end of contemplation, which is reached in a state of speechless wonder, entail a loss of language.[1] As a consequence, the element of speech has disappeared not only from our conception of action (including politics), but also from our conception of thinking (including philosophy).

If not from the model of the passive contemplation, how does Arendt wish to understand the activity of thinking? In my view, there are at least three thinking “motifs” which can be traced throughout her oeuvre. The first, and certainly the best known, is that of “dialectical thinking”, that is, the soundless dialogue between me and myself (“two-in-one”). It is used in The Origins of Totalitarianism, and it keeps recurring in many of her later works, including The Life of the Mind. The second, somewhat less prominent motif is that of “representative thinking”, which denotes the capacity of placing oneself in the perspectives of (more than two) fellow human beings, and which prepares the formation of opinions and judgments. The notion itself occurs for the first time in ‘The Crisis in Culture’ (1960), but it is clearly related to, if not identical with, the “communicative” thinking introduced in her essays on Karl Jaspers a few years earlier.

The third motif, “poetic thinking”, is perhaps the most interesting one. Although she uses the term itself exclusively in her essay on Walter Benjamin (1968), a description of the underlying phenomenon recurs in The Life of the Mind, more specifically in its two chapters on metaphor. Arendt describes the function of metaphor as “turning the mind back to the sensory world in order to illuminate the mind’s non-sensory experiences for which there are no words in any language.” (The Life of the Mind, vol.1, p. 106)

birds

As soon as we realize, as do the poets, that all language is metaphorical, we will, as thinkers, be able to assess the crucial role of our language in bridging the gap between the visible phenomena of the outer world and the invisible concepts of our inner mind. To give an example, by tracing a concept – such as “politics” – to its originally underlying experience – the Greek polis – we will be able to assess whether the way in which we employ it, is “adequate”, that is, whether we actually employ it in any meaningful way, whether it really “makes sense”.

In concluding her chapters on metaphor, Arendt raises the challenging question whether there exists a metaphor that could serve to illuminate the invisible activity of “thinking” itself. The most she is willing to offer, however, is the metaphor of “the sensation of being alive”, of which she herself readily admits that it “remains singularly empty” (idem, p. 124).

Why does she not mention the metaphor of poetry here? In the Denktagebuch fragment quoted above, written while she was preparing The Life of the Mind, Arendt clearly points to a certain correspondence between the role of metaphor in poetry and the role of concept in thinking. Perhaps we may go so far as to suggest that she uses poetry – or rather, since she uses the substantivized German verb “Dichten”, the activity of “making poetry” – as a metaphor for thinking.

However, the word “poetry” itself is derived from the Greek word “poièsis”, which should be rendered as “making” [Herstellen]. Hence, she might have thought that by using poetry as a metaphor for thought, she would have reiterated the traditional problem of the activity of thinking having been overlaid with the contemplative element in the experience of making. Indeed, in The Human Condition, in the section titled ‘The Permanence of the World and the Work of Art’, she seems to imply that writing poetry involves “the same workmanship which, through the primordial instrument of human hands, builds the other durable things of the human artifice.” (The Human Condition, p. 169)

Yet, in the very same section another, more promising, understanding of “poetry” is beginning to emerge. Arendt calls music and poetry “the least “materialistic” of the arts because their “material” consists of sounds and words” – note her use of quotation marks here – and she adds that the workmanship they demand is “kept to a minimum”.

words

Moreover, after having suggested that the durability of a poem is not so much caused by the fact that it is written down, but by “condensation”, she speaks of poetry as “language spoken in utmost density and concentration” (idem, p. 169). The German word for condensation is “Verdichtung” and for density “Dichte”. While being absent in the English expression of “making poetry”, both words clearly resonate in the German verb “dichten”.

Arendt does not draw any explicit connection between the activity of condensation and the use of metaphor. Still, she might have had it in mind. One page earlier (idem, p. 168), she referred to a poem by Rilke in order to illustrate the “veritable metamorphosis” a work of art is capable of bringing about, being more than a mere reification, more than a matter of “making” in the ordinary sense. Consider especially the second strophe, which simultaneously articulates and demonstrates the power of metaphor in “calling” the invisible:

Here is magic. In the realm of a spell
the common word seems lifted up above...
and yet is really like the call of the male
who calls for the invisible female dove.[2]

- Wout Cornelissen

[1] See, amongst others, Denktagebuch, pp. 345-346.

[2] Translation by John J.L. Mood. Arendt quotes the German original only.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
12Apr/132

Is Hannah Arendt a Jewish Thinker?

ArendtWeekendReading
Is Hannah Arendt A Jewish Thinker? On one level, the answer is obvious. Arendt was indeed Jewish, raised in Germany during the first three decades of the 20th century. True, Arendt was non-religious and in much of her writing was deeply critical of Jews and Jewish leaders. Yet she was arrested twice as a Jew, once in Germany and once in France, escaping both times. If one is attacked as a Jew, she said, one must respond as a Jew. That she did. She led Jewish Youth to Palestine and wrote essays during the war calling for a Jewish army. She attended the first meeting of the Jewish World Congress. She worked for years for the committee for Jewish Cultural Reconstruction. Her first two books—Rahel Varnhagen: The Life of Jewess, and The Origins of Totalitarianism—are deeply infused by her understanding of the Jewish question. So too is her best known book, Eichmann in Jerusalem. It would be folly to deny that her thinking is influenced by her experience of being a Jew.

But to ask if she was a Jewish thinker is something else. It is to ask whether her political thinking is inspired by or in some way quintessentially Jewish. The question is posed this way often by students hoping to find something in Arendt with which they can identify. Others ask it in the hope of redeeming Arendt from the perceived sins of her book on Adolf Eichmann. And the question of the Jewish influence on Arendt is also a scholarly question.

For some Arendtian scholars, her thinking is a distillation of the work of her first teacher and youthful lover, Martin Heidegger. Others trace the source of her political ideas to her dear friend and mentor Karl Jaspers. She is often said to be an Aristotelian; one super-intelligent recent Ph.D. argued to me last week that the decisive influence on her work was Niccolo Machiavelli. A recent article argues that Arendt’s Denktagebuch proves that her most influential interlocutor was Plato. And then there is of course a Jewish reading of Arendt, one first explored in depth (and in its complexity) by Richard Bernstein in his book Hannah Arendt and the Jewish Question.

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In all such arguments seeking Arendt’s true source, there is painfully little tolerance for letting Arendt be Arendt, for recognizing her to be the original thinker she is. Contextualizing is the scholarly obsession. At some point, however, we must stop and admit that Arendt represents something new—which means only that any effort to claim one privileged influence upon her work will be incomplete.

The impact of her Jewish experiences on Arendt’s thought is most visible in the distinction she makes between the social and the political realms, which runs through her entire body of thought. As Leon Botstein has written, “Arendt’s basic theoretical claim, the separation of the social form the political, originated in her understanding of the Jewish problem as decisively political rather than social in character.” Arendt sought in her early Jewish writings to make a space for Jews to preserve their social aloofness (their being separate and living according to their own laws) while at the same time engaging in political action.

At the same time, Arendt’s distinction between society and politics is infused by her reading of Carl Schmitt as well as by her rejection of the Western philosophical canon that elevates contemplation over action. In The Human Condition, where Arendt first fully develops her distinction between the social and political, Jewish concerns are absent. And yet, the roots of that distinction are explored in Antisemitism, Book One of The Origins of Totalitarianism. It would be “irresponsible,” as Jerry Kohn has written, to doubt the importance to her thinking of what Arendt experienced as a Jew. Still, it would be saying too much to call her a Jewish thinker. Arendt is, quite simply, an original. She is impossible to compartmentalize or box in. She is neither liberal nor conservative, neither Jewish nor universal. Of course she is a Jewish thinker—and so much more.

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I raise these reflections in response to Jewish Memory and the Cosmopolitan Order, an important new book by Natan Sznaider. Sznaider visited the Arendt Center last week and in two public presentations made his case for two theses: First, that Arendt’s mature political thinking has its roots in her Jewish experience from the 1930s through the 1940s; and second, that she has helped articulate a uniquely Jewish perspective on human rights conveyed and concretized through catastrophe and memory around the holocaust.

The foundation for Sznaider’s argument is an exceptional archival reconstruction of Arendt’s until-now little-known work for the committee for Jewish Cultural Reconstruction (JCR). Arendt was the research director for JCR in the 1940s, when she was hired by Salo Baron, a specialist in Jewish history at Columbia University. Baron hired Arendt and gave her what was her first paid position in the United States. As research director of JCR Arendt was thrust into post-war Jewish politics. Based on fruitful work in the Salo Baron archives at Stanford, Sznaider develops an account of the close intellectual, personal, and political relationship between Arendt and Baron, based on a shared belief in what he calls a “hidden Jewish tradition.” Against the mainstream Jewish tradition of victimhood and withdrawal, Arendt and Baron shared a belief in a vibrant and glorious tradition of Jewish political activity.

In her work for the JCR, Arendt compiled inventories of Jewish cultural artifacts. Relying on a network of Jewish refugees around the world, she published lists with titles like: “Tentative List of Jewish Cultural Treasures in Axis-Occupied Countries.” Sznaider makes the case that these lists “are among her important publications on Jewish matters” and should be considered part of the Arendt canon. Working from these lists, Arendt then traveled to Europe and negotiated with German, Israeli, and U.S. military authorities to determine the fate of Jewish cultural treasures that had been stockpiled by the Nazis or saved by European communities.

Arendt’s work at the JCR was importantly an opportunity to engage in Jewish politics as a representative of world Jewry. She was one of the few unelected Jewish leaders tasked with deciding how the salvaged cultural heritage would be distributed to Jewish communities around the world. A large part of her work was convincing the U.S. military to depart from settled international law, which required that these treasures be returned to the communities from which they came. As there were no Jews left in these ravaged European Jewish communities, Arendt and Baron, along with Gershom Scholem in Israel, argued that the Jewish cultural heritage should be distributed to new Jewish communities in Israel, America, and around the world.

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According to Sznaider, Arendt saw herself as an emissary of the Jewish people. “Arendt believed that the JCR would be the representative of the Jewish people as a collective and not of Jews as citizens of their respective countries.” Through her work for JCR, Arendt came to believe in the possibility of a Jewish politics outside of traditional nation states. It is in this context, he argues, that Arendt distanced herself from Zionist circles. She was, he writes, convinced that “the only viable answer for modern Jews is politics—not necessarily Zionist politics, but collective politics of some kind.” In lieu of the security of a national state, Arendt hoped for a “federal principle of political organization, not only for Jews but for all European peoples.” It is in this sense that Sznaider argues that Arendt’s political thinking as it emerges in her later writing is deeply indebted to her experience of Jewish political action.

Sznaider has many aims in his book and one is to enlist Arendt as the progenitor of what he calls “rooted cosmopolitanism,” a modern politics that is both rooted in particular identity and also open to the modern demand for equality. Another is to argue that there is a particular Jewish perspective on human rights that is rooted in the Jewish experience of catastrophe. Human rights, he argues leaning on Arendt, does not have a philosophical ground. But Jewish history and the memory of the holocaust offer a non-metaphysical ground for human rights in fear itself.

You can watch Sznaider’s  lecture  here. I recommend you do so. Then buy a copy of Jewish Memory and the Cosmopolitan Order. It is your weekend read.

-RB

Roger Berkowitz
Roger Berkowitz is Associate Professor of Political Studies and Human Rights at Bard College, and Academic Director of the Hannah Arendt Center for Politics and the Humanities. He is also the author of "Gift of Science: Leibiniz and the Modern Legal Tradition", as well as co-editor of "Thinking in Dark Times: Hannah Arendt on Ethics and Politics".
27Feb/130

Sigrid Weigel on Poetry and Philosophy in Arendt’s Thought Diary

Sigrid Weigel, "Poetics as a Presupposition of Philosophy: Hannah Arendt's. Denktagebuch," Telos, 2009, 146: 97-110.

Sigrid Weigel describes the Thought Diary as an explicit decision on Arendt's part to turn from the personal and literary reflections of her earlier diaries to explicit reflection on questions of political philosophy following the publication of Origins of Totalitarianism in 1951. However, in contrast to the earlier split in Arendt's writing between the private diary and public work of the academic dissertation on Augustine, in the Thought Diary "poetics no longer designates the other of philosophy […] but, rather, it now describes the path of or to thought" (102). "Poetics," translating "Dichtung" in Weigel’s original German, refers not merely to rules of producing literary works but to the broader study of the original representational potency of art. Weigel’s "or" opens in two directions, leading us to ask if poetics is the path to the goal of thought (a path that will be familiar to readers of Hegel’s Aesthetics) or an inseparable way of thinking itself.

Weigel’s broader argumentation tends toward the second reading. Commenting on an entry on Hans Blumenberg, she draws out a striking note from Arendt: "In philosophy, one calls concept what in poetics is called metaphor" (105). Weigel continues: "The same words can be understood as concepts or metaphors, yet their designation as metaphor reflects the moment of transmission that is always inscribed in them─at least when it is a question of the designation of the invisible" (105). What appears in the metaphor is the relation to the unseen. Something emerges from darkness and gains minimal perceptibility. Here the "or" in the phrase "concepts or metaphors" can be productively thought of as a conjunction ("and") rather than an alternative. In ways that are only now becoming clear, Arendt reads and writes in a double motion, bringing out fundamental moments of appearance and clarifying structures through conceptual precision.

 -Jeff Champlin

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
4Feb/131

Guided Into the World

"Heidegger is wrong: man is not “thrown” “in the world;” if we are thrown, then – no differently from animals – onto the earth. Man is precisely guided, not thrown, precisely for that reason his continuity arises and the way he belongs appears. Poor us, if we are thrown into the world!"

"Heidegger hat unrecht: “in die Welt” ist der Mensch nicht “geworfen;” wenn wir geworfen sind, so – nicht anders als die Tiere – auf die Erde. In die Welt gerade wird der Mensch geleitet, nicht geworfen, da gerade stellt sich seine Kontinuität her und offenbart seine Zugehörigkeit. Wehe uns, wenn wir in die Welt geworfen werden!"

-Hannah Arendt, Denktagebuch, Notebook 21, Section 68, August, 1955

Hannah Arendt follows her teacher Martin Heidegger in casting the classical philosophical question of the relation of the one and the many as the relationship between the individual and the world. Like the early Heidegger, she emphasizes the future, but she more frequently combines conceptual and narrative explication. For Arendt, freedom is at stake, the freedom of plural humanity that can call on, but cannot be reduced to, guiding ideas of tradition or authority. Yet while she consistently defends freedom through action that cannot be tied to the logic of the past or an assumed goal in the future, her thinking has both a moment of freedom and concern with connection to the past.

In Being and Time, Heidegger’s idea of “thrownness” (Geworfenheit) offers a conceptual hinge between a limitation and expansion of freedom. On the one hand, the thrown “Dasein” cannot choose to come into the world, much less into a particular world. On the other hand, once situated in a field of relations, possibilities open that allow Dasein to fashion a sense of the future and self-knowledge.

Arendt can be seen to ask how exactly we are to recognize the original condition of being thrown in such a way that new possibilities open up. Her objection to Heidegger in the passage above takes a subtle linguistic path that shows how her method of reading inflects her philosophical ideas. Rather than holding exclusively to the conceptual development of  “thrownness,” she offers a terminological challenge. She says that man is only thrown into the natural “earth,” not the humanly-made “world.” In inserting this distinction between the earth and the world, she reads “geworfen” not abstractly as “thrown,” but concretely, implying that she has in mind a second use of the German verb "werfen:" to refer to animals giving birth.

Arendt wants to leave the merely animal behind. The German verb “leiten” that I have translated here as “guided” could also mean to direct, to conduct, to lead, to govern. Thinking ahead to Arendt’s writing on education, I hear a connection to “begleiten,” which means to accompany. The guiding that one receives gives a sense of continuing and belonging to a greater world. Heidegger insists that Dasein does not choose to be thrown into a specific world, we are born without our choice or input. For Arendt, this is our earthliness and she emphasizes the difference between the human world and the given earth. With respect to the world, she highlights the connection to others from the start. Since others exist before the entrance of the newcomer, we also assume responsibility for their entry to the world. One must be educated into the world, which is not simply the earth, but the humanly constructed edifice that includes history and memory and the polis.

Dana Villa and Peg Birmingham suggest that Arendt replaces Heidegger’s “geworfen” with “geboren” (“thrown” with “born”). The passage from the Thought Diary above shows the complexity of this substitution and that it only works by changing the context to the world rather than earth. However,  while the quote shows that Arendt relegates Heidegger’s thrownness to the realm of the earth and body, her own idea of “natality”  brings the body back to her thinking of freedom. Being born is very important for Arendt, but not in Heidegger’s sense. If "werfen" can refer to animals giving birth, Arendt works out a specific way in which humans are born, one that emphasizes a liberating break from the earth. Humans, as Arendt will say in The Human Condition, are born with the ability to start something completely new.

I think Arendt would say that we are always guided in a certain way. This leads us to ask if today we are making a choice as a society to abdicate explicit reflection and responsibility regarding the terms of guidance, either by “outsourcing” these decisions to experts or assuming that individuals can still make rational choices in the face of corporations and institutions that carefully take advantage of cognitive limitations.  In other words: In what ways are people guided into the world that we do not think about, and how could reflection help us here?

On the other hand, the note ends with an existential lament that reminds us of the Romantic poet Friedrich Holderlin’s “weh mir” (“poor me”). After noting how she thinks Heidegger is wrong to see us thrown into the world, Arendt returns us to his despair; but the despair she imagines arises insofar as we are thrown into the world—which would mean that we lose the world as a humanly built home.

-Jeffrey Champlin

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
21Jan/130

Violence, and Thinking With Others

“All thought arises out of experience, but no thought yields any meaning or even coherence without undergoing the operations of imagining and thinking.”

- Hannah Arendt, Thinking

In the wake of an extraordinarily brutal punctuation to an extraordinarily brutal year of gun violence in the United States and across the continent, the eye of American politics has finally turned back toward something it perhaps ought never have left, the problem in this country of the private ownership of the means to commit extraordinary brutality.

Perhaps unsurprisingly, public discourse around the problem has descended nearly instantaneously from fractiousness into what could now only generously be termed playground name-calling (to spend millions of dollars to publicly call one’s opponent an “elitist hypocrite” should feel extraordinary, even if it doesn’t).  There are many tempting culprits to blame for this fall.  The actors, of course, include some powerful players whose opposing ideologies so deeply inflect their understanding of the situation that it is entirely uncertain whether they are in fact seeing the same world, let alone the same problem within it.  There is the stage on which the actors play, a largely national media structure whose voracious demands can be fed most easily, if not most effectively, by those who seek the currency of political power in hyperbole and absoluteness of conviction.  Finally, there is the problem of constructing the problem itself: is it clear that private ownership of the means of extraordinary violence is so distinct a problem from that of its public ownership and (borderless) use?  Can the line of acceptability between means of extraordinary brutality really be settled by types of implements, let alone the number of bullets in a magazine?  What are the connections and disconnections between the events – Oak Creek, Chicago, Newtown,… – that have summoned the problem back onto our collective stage, and why had the problem disappeared in the first place when the violence so demonstrably had not?  There is something in all of these instincts, but before we rush to decry our national theater (more Mamet than melodrama), it’s worth remembering that the problem is an extraordinary one, and that many of the pathologies of our various reactions to it spring from the same seed as our best resources: the nature of thinking itself.

The rhetoric used in describing the problem of gun violence – formulated so readily and so intractably – coupled with the unavoidable connection of the problem with intense emotion make it tempting to suspect one’s political opponents in this arena of ceasing to think altogether.  I will admit to sometimes being convinced that there was no thought at all behind some of the words being splayed across television screens and RSS feeds (not, it should be said, entirely without reason).  Arendt, in Thinking, describes thinking and feeling as inherently mutually antagonistic, and whether or not that is true it certainly seems that the tenor and pitch of the vitriol make thinking, let alone conversing, difficult.  But that may point to a reality still more sobering than the perennially (and maybe banally) true observation that a great deal of what passes for public discourse did not require serious thought in its formulation: that when we deal with certain kinds of events, and try to engage in the process of translating them and reconstructing them into the form of a problem, we are running up against dimensions of the human experience so extraordinary that they shove us flatly against the limits of what we are able to do in thought.  Perhaps the struggle now is less against a chronic inability to think, and more with recognizing the ways in which the limits of how we can feel and see and know – and then think – have created limits not just to how we can understand the problem, but to how we can understand each others’ responses to it.

One permanent refrain in this debate is the culpability of violent media in generating cultures in which, it is said, such extraordinary brutality becomes possible (ignoring, it might be objected, that humankind has shown a rather vibrant aptitude for brutality for quite some time).  The newest variation on this theme, which in structure has changed little since its revival by Tipper Gore and Susan Baker in the 1980s, is that violent video games, by wedding the sensation of the rapid pleasures of accomplishment unique to video games with a sense of agency in apparent violence have created a generation desensitized not just to images of extraordinary violence, but to the prospect of committing it oneself.  A friend of mine who has good reason to be sensitive was so infuriated at the NRA’s release of a mobile app promoting “responsible gun use” one month to the day after the Newtown shootings that he couldn’t eat for several days.

If it is possible to set aside questions of titanically poor taste and worse (and its not clear that we should), there is something about this way of thinking about the problem of violent imaginaries that reflects what I am suggesting is an issue of pathologies arising from mental necessities.

There is little use denying that being intensively immersed in gaming environments (any gaming environments, and not just violent electronic ones) for extended periods of time can seriously, if usually temporarily, alter a person’s phenomenal experience of their own agency and the realness of the world around them (I confess this as a recovering Sid Meier enthusiast myself).  But the concept of de-sensitization is a difficult one in particular because, as Arendt points out, de-sensitization is precisely what thought does, and must do to carry out its work.  Nowhere is this more clear than in those cases in which we are confronted with events that seriously strain the possibility of thinking about them at all.

Thinking about tragedies involves a twin process that need not, and should not, lessen the experience of their terribleness…but it always can.  That twin process, as Arendt describes it, is one of de-sensation and re-sensation.  When we try to think about what has occur, we have to call it up, we reproduce it “by repeating in [our] imagination, we de-sense whatever had been given to our senses.”  In remembering, we convert the data of our senses, including our common sense, into objects of thought.  We do that in order to make them fit for the preoccupation of thought, our “quest for meaning;” in other words, re-sensation, the process of translation into narrative and metaphor by which facts become truths.

It’s not difficult to see how extraordinary brutality challenges this double operation to the point of impossibility.  On the one hand, this model of de-sensation by the reproductive imagination presumes a kind of voluntarism to the recollection, when often, and most especially in the cases like those of immediate victims where the stakes are highest, recollection comes unbidden, and far from de-sensing involves the cruel and incessant reiteration of sense that is renewed in all of its thought-destroying power.  On the other hand, extraordinary brutality by its very nature resists re-sensation in proportion to its extraordinariness: to read the trial of Anders Breivik, for example, is to watch a play of the utter failure of not only the killer’s own efforts at narrative, but those of every single speaking person involved.  It is not a surprise that these trials test the law’s own limited strictures of re-sensation to the breaking point, which often comes as nothing more than quiet acquittal (as with Mathieu Ngudjolo Chui, in whose case international law was forced to confess the inadequacy of its categories).

What’s more difficult to see is how that terrible challenge presented by extraordinary brutality to our very capacity to think is simultaneously a challenge to our politics, one perhaps graver still for our hope, as Arendt puts it in her Denktagebuch, to share a world with those with whom we must live.  Extraordinary brutality makes a shamble of our narrating powers, and the failures of others to make sense of it which incite our scorn – as when, I will admit, even as someone who grew up in a gun culture, I literally cannot make sense of the suggestion that high-capacity magazines would be better combated by their increased prevalence in the school environment itself – are no less replicated by our own attempts, whether or not we can see and admit it.  Imagination’s other function, its most political function for Arendt, is to put ourselves in the place of others in order to more fully see the political world that confronts us.  If this is true, then it is not our capacity to put ourselves in the place of a killer that most threatens our political capacity to respond, whatever the prevalence of this problem in popular discourse.  This may often be an impossibility, but the stakes are much lower than that of the impossibility of putting ourselves in the places of others who are also trying – and like us mostly failing – to respond.  In trying and failing to renarrate tragedy in order to construct political problems and solutions, we come up against the limits of our imaginations, limits are themselves defined by the bounds of our prior experiences and our thought itself.  When it comes to the world of the gun (and here, I can only urge a look at the truly remarkable The Language of the Gun), we are running up against the reality that contemporary American polity covers experiences of the world divergent to such an extreme – how much, in terms of sensory experience in their personal history do David Keene and Alan Padilla share, really? – that answers truly are being constructed from worlds which, in the senses that matter to policymaking, don’t overlap.  And in an environment where that is true, the first, most critical order must be the one that is neglected most: not to analyze why our competing solutions are right or wrong, but to understand why the solutions we are proposing arise from the experiences of the world we have had, including our experiences of the tragedies we cannot re-sense.

Responses cannot be crafted out of worlds that are not shared, and tending to the former requires a kind of tending to the latter that we see vanishingly rarely, thought the torch still carried by a few radio producers and documentary filmmakers.  Absent that kind of dedicated world-making – and perhaps that process requires a time and restraint that too is threatened by extraordinary brutality – we will simply be left with what we have, an issue politics without common sense because the only sense that is common, the event, is insensible.  When they respond in ways we cannot abide, understanding our political others is an almost impossibly difficult task.  It is also one that a polity cannot possibly do without.

-Ian Storey

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
20Nov/122

Arendt & Antigone

In a short entry in her Denktagebuch from 1956, Arendt offers a gnomic reflection on Antigone:

Ad Orff, Antigone: Als sei alles darauf angelegt, uns zum Ertönen zu bringen. Wir aber verschliessen uns, verstummen und klagen nicht. Antigone- die klagende, tönende menschliche Stimme, in der alles offenbar wird.

Ad Orff, Antigone: As if all was set out to bring us to sound. But we lock up, fall silent, and do not lament. Antigone – the lamenting, sounding human voice, in which all becomes revealed. (Notebook XXII, February 1956, Denktagebuch)

The entry first caught my attention because while Arendt often refers to literature (favorite authors include Kafka and Rilke), she rarely refers to specific musical pieces in her published work. Here she reacts to the opera Antigonae by Carl Orff.

Orff had composed for the Nazis, who received his Carmina Burana with incredible adulation, and underwent denazification after the war. Antigonae of 1949 is a minimalist work, first in the everyday sense that it sets Hölderlin's translation of the drama to song with little instrumental accompaniment. In this regard it highlights the translation's inherent musicality on the level of form (rhythms and rhymes in the text) and content (we see how at a number of moments the drama turns on references to singing, crying, tone, and lament). Orff's opera can also be described as minimalist in the more precise sense that when the orchestra does emerge, it often plays looping interludes that remind one of the repetitive avant-garde phrasings that Steve Reich would popularize in the 1960s.

Arendt often turns to art as a free space in which to voice philosophical and political questions in the modern age. Readers compelled by her approach might be inspired by the entry on Orff to look for other passages addressing music that would compliment her better known aesthetic analyses.

At a local level, the entry also raises a question: how would Arendt read Sophocles's Antigone? Patchen Markell offers one suggestion when he links Sophocles and Arendt in a “countertradition of thought about recognition” in his book Bound by Recognition. Markell casts a skeptical eye on the equation of identity and justice and offers an alternative mapping which is open to asymmetry and values finitude. In doing so he suggests a possible approach to this entry that notices the uncanny relation of the “we” and Antigone through the instrument of the voice.

The first line of the entry starts with the “we”– presumably the spectators of the opera and perhaps humanity more broadly – and centers on the German term “Ertönen,” which could be translated as “to ring out,” “to sound,” “resound,” or “chime.” It indicates expression, and even a move to freedom. In the next sentence though, this potential for liberation evaporates and “we” fall silent. It ultimately fails at the possibility, even apparent necessity of “klagen,” a term which contains the powerful double meaning of 1) “moan,” “lament,” “wail,” and 2) “litigate,” “file a suit,” “go to law.” Unlike us, Antigone's voice does ring out, she does lament, and in her lament she takes on the law.

Arendt describes Antigone's voice as the “human voice,” but her description leads us to think in the direction of the questioning of the essence of the human in first stasimon (often referred to as the “ode to man”). Roger Berkowitz connects the deinon (wondrous / terrible) in this ode to Arendt's concern over the “danger that we might so fully create and make our artificial world that we endanger that quality of human life which is subject to fate, nature, and chance” in his article in The Fortnightly Review.

In terms of the question of recognition, Arendt's note on Orff draws our attention to those sections of the drama where Antigone pushes against the inhuman, such as when the guard describes her shriek at the sight of her brother's unburried body as “a distressing painful cry, just like a bird/ who’s seen an empty nest, its fledglings gone.” Later, she sings a long lament to her tomb and dead family, as if those who remain alive are nothing to her. The minimalist loops of Orff's music might indicate something of the energy that insists on living when one has nothing to live for or is even condemned to death. These sections are strikingly different from the over-the-top triumphalism of Carmina Burana, which hounds popular culture in movies and commercials to this day. They suggest persistence rather than victory, or perhaps even a paradoxical continuation in an explicit condition of defeat.

Antigone is the voice, Arendt tells us. We seem to recognize it as our own, even if the total meaning of the “all” that would be the content of our realization remains out of reach.

Give a listen to a recording of Orff's Antigonae, over the Thanksgiving holiday.

-Jeff Champlin

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.