Hannah Arendt Center for Politics and Humanities
20Oct/140

Amor Mundi 10/19/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

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The American Nightmare

Janet YellenChair of the Federal Reserve Board Janet Yellen made waves this week by giving a speech arguing that the unprecedented rise in income inequality in the U.S. may be incompatible with American values (she should have been a speaker at last week's Arendt Center Conference "The Unmaking of Americans"). The American dream, the idea that all Americans of whatever economic or racial group can succeed through grit and perseverance, may no longer be true, the Federal Reserve Chairwoman admitted. She writes: "The extent of and continuing increase in inequality in the United States greatly concern me. The past several decades have seen the most sustained rise in inequality since the 19th century after more than 40 years of narrowing inequality following the Great Depression. By some estimates, income and wealth inequality are near their highest levels in the past hundred years, much higher than the average during that time span and probably higher than for much of American history before then. It is no secret that the past few decades of widening inequality can be summed up as significant income and wealth gains for those at the very top and stagnant living standards for the majority. I think it is appropriate to ask whether this trend is compatible with values rooted in our nation's history, among them the high value Americans have traditionally placed on equality of opportunity."

An Act of Courage

Harvard UniversityThere is an undeniable and too-often unacknowledged problem with sexual violence on college campuses and in our society at large. Too many women are raped and subjected to unwanted sexual acts or abuse. But instead of having an open discussion about the issue, activists have mobilized an obscure Federal guideline to create an alternative legal system outside to deal with sexual crimes without the protections and transparency of the law. Now a group of Harvard Law School professors is fighting back. They published an op-ed in the Boston Globe in which they "call on the university to withdraw this sexual harassment policy and begin the challenging project of carefully thinking through what substantive and procedural rules would best balance the complex issues involved in addressing sexual conduct and misconduct in our community." As the professors write, in part: "As teachers responsible for educating our students about due process of law, the substantive law governing discrimination and violence, appropriate administrative decision-making, and the rule of law generally, we find the new sexual harassment policy inconsistent with many of the most basic principles we teach. We also find the process by which this policy was decided and imposed on all parts of the university inconsistent with the finest traditions of Harvard University, of faculty governance, and of academic freedom. Among our many concerns are the following: Harvard has adopted procedures for deciding cases of alleged sexual misconduct which lack the most basic elements of fairness and due process, are overwhelmingly stacked against the accused, and are in no way required by Title IX law or regulation. Here our concerns include but are not limited to the following: the absence of any adequate opportunity to discover the facts charged and to confront witnesses and present a defense at an adversary hearing; the lodging of the functions of investigation, prosecution, fact-finding, and appellate review in one office, and the fact that that office is itself a Title IX compliance office rather than an entity that could be considered structurally impartial; and the failure to ensure adequate representation for the accused, particularly for students unable to afford representation." 

Parlez-Vous

Malcolm XTa-Nehisi Coates on what it means to communicate well, in a second language, with a native speaker of that language: "I am approaching the end of my third year studying French. This was the first time I'd had a complicated conversation with a native French speaker who I did not know, and managed to follow along. This means more than is immediately apparent. Before I began studying I did not understand that comprehension comes on several levels. It is one thing to understand someone whom you know and speak with regularly. It's still another to understand a stranger. And another still to understand a group of strangers who are talking about something of which you have no knowledge. So this small conversation was a moment for me-like the novice yogi going from bridge to wheel. And there again I felt one of the revelation, the discovery, the neurons firing, stretching, growing."

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Cruel and Unusual

Mass Incarceration on TrialIn a review of Jonathan Simon's Mass Incarceration on Trial, Jessica Pishko points to his understanding of dignity in the law as the source of his optimism for the future of the prison system: "Simon ultimately argues that American society is entering a new age of dignity-based policies, a 'dignity cascade' in his words, based on the Supreme Court's decision in Plata, where Justice Kennedy wrote for the majority, 'Prisoners retain the essence of human dignity.' He traces Kennedy's logic to other Supreme Court decisions that suggest that the Eighth Amendment should be read to protect 'dignity' as an important individual right, albeit one not mentioned in the Constitution. (This is, of course, no real bar, since many well-established rights are not in the Constitution.) Dignity-based policies are an evolution that allows for a broader understanding of the Eighth Amendment, rather than relying on the civil rights arguments of the past. The 1972 Supreme Court case Furman v. Georgia first raised the idea of human dignity as a value worth protecting, something beyond physical sustenance, when it invalidated the death penalty as it existed in every state for being too broad. Justice Brennan wrote in his concurring opinion that the Cruel and Unusual Punishment Clause forbids punishments not just because they are painful but also because 'they treat members of the human race as nonhumans, as objects to be toyed with and discarded.' Dignity-based rulings would allow for invalidation of mass incarceration as a practice because it treats people as cogs in the machine. This is where Simon focuses his efforts - he wants his readers to believe that the problem with current incarceration practices is that they treat inmates as something subhuman, and that this can be stopped. He suggests that American courts look to European laws, which have long held that humans should be treated with dignity even if they have committed crimes." For more, read Roger Berkowitz's essay on "Dignity Jurisprudence."

Not Accepted

reconcileNick Smith considers the state of the public apology, now that it's been taken up by corporations and state institutions: "Once divorced from blame, apologies emerge as a tactical defence. Attorneys can deploy them as what they describes as an 'attitudinal structuring tactic' in order to 'lubricate settlement discussions'. Southwest Airlines in the US employs a full-time 'apology officer' who sends out roughly 20,000 letters - which all include his direct phone number - to dissatisfied customers per year. At best, apologies are now a standard customer satisfaction tool: 'We're sorry for the inconvenience,' but frankly we're not admitting blame nor will we change. At worst, they become wolves in sheep's clothing, preying on a deep-rooted spiritual desire to reconcile."

 Childhood Writ as Beauty and Terror

Tove JanssonSonya Chung takes up the way that author and Moomin cartoonist Tove Jansson considers children, even in her work for adults: "Jansson respected the fine tuning of a child's sensibilities: children know better than anyone - better than they do as adults - that the world is a dangerous, beautiful, terribly alive place. And a place - as in stories like 'The Storm' and 'The Squirrel,' featuring female characters whose conflicts are waged within their own minds - where one must work things out for oneself, often in pained solitude. I knew all this as a lonely child, and when I finally found literature, those truths were reflected back to me, and I found comfort. Am still finding it. And very much so in Jansson. Thankfully, art may be slow, but never too late."

The Exceptionalism of Corruption

American_progressRoger Berkowitz recently gave the opening lecture at the Hannah Arendt Center Conference "The Unmaking of Americans: Are There Still American Ideas Worth Fighting for?" The conference, held at Bard College, included talks by David Bromwich, Anand Girdirhardas, Kennan Ferguson, Jerome Kohn, Ann Lauterbach, Lawrence Lessig, Charles Murray, George Packer, Robert Post, Joan Richardson, Amity Shlaes, Jim Sleeper and Kendall Thomas. You can view the conference in its entirety here. For this week's Weeekend Read, we provide an edited transcript of Berkowitz's speech: "American Exceptionalism: What Are We Fighting For?"

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Featured Events

One Day University Film School Presents: "Robot and Frank" and a Discussion with Roger Berkowitz

Robot and Frank explores the depths of friendship and even love between a robot and a man. Though the film is a comedy, the underlying questions it raises are both timely and serious. What is friendship? Can a machine love? More importantly, what happens when humans fall in love with machines?

Sunday, October 19, 2014

Manhattan Movement and Arts Center, 2:00 pm - 5:00 pm


Yasemin SariLunchtime Talk with Yasemin Sari

An Arendtian Recognitive Politics: "The Right to Have Rights" as a Performance of Visibility

Tuesday, October 28, 2014

The Hannah Arendt Center, 1:30 pm

 

 


humanitiesRediscovering the Humanities: Humanities Advocacy in the Digital Age

The Fall Experimental Humanities Mellon Lecture

Thursday, November 6, 2014

Jim Ottaway Jr. Film Center, 5:00 pm - 7:00 pm


Alexei GloukhovLunchtime Talk with Alexei Gloukhov

Arendt and the Question of Positive Freedom

Tuesday, November 18, 2014

The Hannah Arendt Center, 12:30 pm - 2:00 pm

 

 


From the Arendt Center Blog

This week on the Blog, Jeffrey Champlin explores Arendt's writings on humanity and the models of self-awareness it commonly uses to understand its earthly existence in the Quote of the Week. We observe Hannah Arendt's 108th Birthday. Horace Walpole provides this week's Thoughts on Thinking. In our Video Archives, we look back on a 2011 discussion between Roger Berkowitz and David Matias on the origins of the 2008 financial crisis. We appreciate Arendt's varied note-taking methods in our Library feature. And Roger Berkowitz reflects on American exceptionalism and what we're fighting for in the Weekend Read.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
6Oct/140

Amor Mundi 10/5/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

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We Have Nothing To...

marilynne_robinsonIn a brilliant profile of Marilynne Robinson, whose new book Lila will be out this month, Wyatt Mason (a Senior Fellow at the Arendt Center) notes that Robinson thinks that fear dominates our contemporary condition; fear, she says, is the root of a cultural cynicism: "I hate to say it, but I think a default posture of human beings is fear." Robinson comes to speak about fear in answer to Mason's question: "What do you think people should be talking about more?" Her answer: "'One of the things that bothers me,' she began, with feeling, 'is that there are prohibitions of an unarticulated kind that are culturally felt that prevent people from actually saying what they think.' From there, she raised her well-documented relationship to faith; said that students at Iowa from faith-based backgrounds seek her out; sketched the inhibition these students nonetheless feel in describing the sacred ('If you're Jewish or Catholic, you can make all the jokes about your mother or the nun, but in terms of saying on one's deathbed, "What will it mean to me that this is how I would have described myself, how does the cosmos feel as it nestles in my particular breast?" they are completely inarticulate about that'); addressed that inhibition and suggested its root ('It's as if when you describe something good, you are being deceived or are being deceptive'); offered Flannery O'Connor as an example of a religious writer who fails to describe goodness ('Her prose is beautiful, her imagination appalls me'); evoked the nature of O'Connor's failure ('There's a lot of writing about religion with a cold eye, but virtually none with a loving heart'); complained about the widespread ignorance of religion in American life; told the story of Oseola McCarty, a laundress who bequeathed most of her life savings to the University of Southern Mississippi ('[An] interviewer was talking about how McCarty took down this Bible and First Corinthians fell out of it, it had been so read. And you think, Here is this woman that, by many standards, might have been considered marginally literate, that by another standard would have been considered to be a major expert on the meaning of First Corinthians!'); suggested that McCarty's understanding of First Corinthians - in which Paul lays out the kind of communitarian behaviors upon which Christian decency might depend - reveals what it means to read a text well ('It makes you think that comprehension has an ethical content'); jumped to some reading she has been doing that has an explicit ethical content - essays by John Wycliffe, who played a crucial role in the first English translations of the Bible ('Wycliffe says that if you do not object strenuously to a superior's bad behavior, you are as bad, as guilty as he is of what happens'); and rehearsed the radical activist tradition of translating the Bible, how rendering it into English was a courageous act, a risky resistance of royal authority. ... And it was here that Robinson brought up fear: How it has come to keep us at bay from our best selves, the selves that could and should 'do something.' In her case, that 'something' has been writing. For Robinson, writing is not a craft; it is 'testimony,' a bearing witness: an act that demands much of its maker, not least of which is the courage to reveal what one loves."

Same Spot, Different Day

hereSteven Heller considers cartoonist Richard McGuire's newly updated project Here, a comic set in one room over the course of many centuries: "Here is, furthermore, a meditation on 'impermanence,' which is what makes it emotionally compelling yet unsettling-as though every moment in time is preserved in some random playback mode. Structurally, everything and everyone has what McGuire calls a 'walk-on part' as the mysterious scenes go flowing by. 'If you stop to think about this, the "now" becomes heightened,' he says. 'We are so rarely "in the moment," we spend most of our time thinking of the past or worrying about the future. The "now" is the only thing that really exists. The book starts with the question, "Why did I come in here again?" Which is what I was asking myself when I started this project. It took me a long time to figure out how exactly to make this book. The book ends with a moment of recognition of the "now." The person finds the book they are looking for. Which is also my answer, I came back to this idea to make it into a book.'"

Why Acadamese?

academic_writingSteven Pinker suggests that, although there are lots of reasons why academics write so poorly, most it is because they are not encouraged to write well: "Fog comes easily to writers; it's the clarity that requires practice. The naïve realism and breezy conversation in classic style are deceptive, an artifice constructed through effort and skill. Exorcising the curse of knowledge is no easier. It requires more than just honing one's empathy for the generic reader. Since our powers of telepathy are limited, it also requires showing a draft to a sample of real readers and seeing if they can follow it, together with showing it to yourself after enough time has passed that it's no longer familiar and putting it through another draft (or two or three or four). And there is the toolbox of writerly tricks that have to be acquired one by one: a repertoire of handy idioms and tropes, the deft use of coherence connectors such as nonetheless and moreover, an ability to fix convoluted syntax and confusing garden paths, and much else. You don't have to swallow the rational-actor model of human behavior to see that professionals may not bother with this costly self-improvement if their profession doesn't reward it. And by and large, academe does not. Few graduate programs teach writing. Few academic journals stipulate clarity among their criteria for acceptance, and few reviewers and editors enforce it. While no academic would confess to shoddy methodology or slapdash reading, many are blasé about their incompetence at writing. Enough already. Our indifference to how we share the fruits of our intellectual labors is a betrayal of our calling to enhance the spread of knowledge. In writing badly, we are wasting each other's time, sowing confusion and error, and turning our profession into a laughingstock."

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Weaponising Religion

samsonWriting about former nun Karen Armstrong's new book Fields of Blood: Religion of History and Violence, Ferdinand Mound troubles the commonly understood relationship between the two: "Armstrong argues persuasively that it is under the cumulative pressure of invasion by outsiders and internal oppression that secular grievance morphs into jihad. To use an apt but unlovely term, invented I think by Dr. Henry Kissinger, religion is 'weaponised' - how Dr. Strangelove would adore the word. After years of Israeli blockade and creeping land grabs, Yasser Arafat's entirely secular Palestine Liberation Organisation has segued into the Islamic Resistance Movement, or Hamas. Israel herself, founded as a secular haven in the teeth of the rabbis, has become a holy land after half a century of Arab encirclement. Now young men all over the Middle East, many of them originally secular and ignorant of Islam, as were the majority of the 9/11 bombers, are being hyped up by selective quotation of holy writ to commit crimes as unspeakable as, well, Samson's. Religion makes its comeback into politics in this hideous perverted form for much the same reason as it emerged in the first place - as an anguished reaction against a heartless world. Westerners lament that Islam never had a Reformation. Muslims may retort that if we had not trampled all over them, they wouldn't have needed one."

Arendt's Kantianism

eichmannSeyla Benhabib has an excellent account of the poverty of those American critics who take to the media to denounce Hannah Arendt every time a new opportunity emerges. In doing so, she provides an excellent account of Arendt's use of Kant in her understanding of Adolf Eichmann: "Commenting on Eichmann's claim that he was 'neither a murderer nor a mass murderer,' Stangneth writes that his 'inner morality is not an idea of justice, a universal moral category, or even a kind of introspection.... Eichmann was not demanding a common human law, which could also apply to him, because he, too, was human. He was actually demanding recognition for a National Socialist dogma, according to which each people (Volk) has a right to defend itself by any means necessary, the German people most of all.' Stangneth explains that for Eichmann 'Conscience was simply the "morality of the Fatherland that dwells within" a person, which Eichmann also termed "the voice of the blood."' This recalls the famous exchange during Eichmann's trial in Jerusalem between Judge Yitzhak Raveh and the defendant about Kant's moral philosophy, which Arendt cites in 'Eichmann in Jerusalem.' She quotes Eichmann saying, 'I meant by my remark about Kant that the principle of my will must always be such that it can become the principle of general laws.' But Arendt notes that Eichmann's meaning perverts Kant's Categorical Imperative: Whereas 'In Kant's philosophy the source, that source was practical reason, in Eichmann's household use of him, it was the will of the Führer.' So when Arendt uses the phrase 'the inability to think' to characterize Eichmann's reduction of conscience to a 'voice of blood' and of the categorical imperative to the command of the Führer, she is taking as given the Kantian terminology, in which 'to think' means to think for oneself and to think consistently, but also from the standpoint of everyone else. The Categorical Imperative in one of its formulations says, 'Act in such a way that the principle of your actions can be a universal law for all.' Eichmann neither thought for himself nor from a universal standpoint in any Kantian sense, and Arendt returned to the relationship between thinking and moral action in several of her essays after 'Eichmann in Jerusalem.'"

 The Secular Diamond

baseball_diamondIn an interview at the end of the regular season, baseball fan George Will takes on the idea that baseball is somehow religious: "Part of the beauty of baseball, and sport generally, is that it doesn't mean a damn thing. It's valued for itself. Now, it can be the pursuit of excellence. It is competition tamed and made civil by rules. It is aggression channeled in a wholesome direction. These are all virtues. They tiptoe up to the point and stop well short of giving baseball meaning. It's a game. It's a very pretty, demanding, and dangerous game. I do think that baseball satisfies a longing in people, particularly urban people. There is a vestigial tribal impulse in all of us. For instance, when you get on the L and the cars begin to fill up with people wearing their Cub blue and you're all going to the same place for the same reason, for about three hours a little community exists. It disperses after three hours, but it will come back tomorrow. Daniel Patrick Moynihan talked about what he called the 'liberal expectancy.' He said that with the coming of modernity the two drivers of history, religion and ethnicity, would lose their saliency. Sport caters to this and entertains this desire for group identification. But there's nothing transcendent about baseball."

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Featured Events

milgramHuman Rights Course, Studies in Obedience, hosts Dr. David Mantell

As a Fellow at Max-Planck Institute of Psychiatry, in Munich, Mr. Mantell replicated the Milgram experiment.

Monday, October 6, 2014

The Hannah Arendt Center, 3:00 pm


congressBard College Public Debate

Resolved: "Individualism is an American value worth fighting for."

Tuesday, October 7th, 2014

Campus Center Multipurpose Room, 7:00 pm - 9:00 pm


conference_14THIS WEEK - 2014 FALL CONFERENCE

October 9-10

The Hannah Arendt Center's annual fall conference, The Unmaking of Americans: Are There Still American Values Worth Fighting For?, will be held this week on Thursday and Friday, October 9-10!

Registration closes Monday, 10/6! You can register here before it's too late!

Want to know more about the schedule of the conference? Please click for details here!

Learn more about the conference here.

Just in case you are unable to make it to our conference, you can watch a live webcast of all the lectures and panel discussions here.


dorst_ehlerReading: Tankred Dorst and Ursula Ehler

Two of Germany's most distinguished contemporary playwrights read from Discovery of America and other works.

Thursday, October 16, 2014

Olin Room 102, 7:30 pm


One Day University Film School Presents: "Robot and Frank" and a Discussion with Roger Berkowitz

Robot and Frank explores the depths of friendship and even love between a robot and a man. Though the film is a comedy, the underlying questions it raises are both timely and serious. What is friendship? Can a machine love? More importantly, what happens when humans fall in love with machines?

Sunday, October 19, 2014

Manhattan Movement and Arts Center, 2:00 pm - 5:00 pm


From the Arendt Center Blog

This week on the Blog, Kazue Koishikawa discusses Arendt's conception of the self and how our thoughts, our bodies, our speech, and our love shape our existence as communal beings in the Quote of the Week. Portuguese poet and philosopher Fernando Pessoa provides this week's Thoughts on Thinking. We look back to a 2012 lecture delivered by Michael McCarthy analyzing Arendt's critique of "the world alienation of modernity" in our Video Archives. In our Library feature, we appreciate Arendt's collection of Lichtenberg's works. And Roger Berkowitz reflects on the decline of and how we might reinvigorate America's exceptionalism in the Weekend Read.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
1Sep/140

Amor Mundi 8/31/14

Amor Mundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-up
Dignity and Reason

arthur_koestlerThe Guardian is asking writers and critics to choose the book that changed them. Rafael Behr answers Darkness at Noon, by Arthur Koestler. It is a good choice. Behr writes: "When I went to university I was only tangentially interested in politics. Then, during the summer holiday at the end of the first year, driving across France, I borrowed Arthur Koestler's Darkness at Noon from a friend. He was studying philosophy and had been ordered to read it. I was studying languages and was avoiding some untranslated set text. I had never been gripped by anything so theoretical before. The story is sparse. Rubashov, an ageing first-generation revolutionary, is imprisoned and interrogated by an ambitious thug from the steelier, younger generation. Execution is certain. Pacing his cell, Rubashov recalls his past work for the party abroad, manipulating and ultimately destroying idealistic but dispensable foreign communist agents. He composes a tract on 'the relative maturity of the masses' which submerges his personal dilemma - to die in silence or serve the party one last time by submitting to a show trial - in a sweeping quasi-Marxist rumination on history and destiny. The drama is not contained in the action. What excited 19-year-old me was the guided tour of a totalitarian mind." Rightly, Behr sets Darkness at Noon next to Hannah Arendt's Eichmann in Jerusalem, as "companion volumes in my imagination." Both Koestler and Arendt are spurs against the seductions of totalitarian rationalism. For more on Darkness at Noon, take a look at Roger Berkowitz's essay Approaching Infinity: Dignity in Arthur Koestler's Darkness at Noon.

Lost in Translation From the Classroom to the Dining Room

ask_big_questionsDavid Bornstein asks, "How can we repair our public discourse?" And in a recent essay he answers that we need to re-learn how to listen and have meaningful conversations, which is the goal of the initiative "Ask Big Questions." Bornstein writes: "Imagine that you're among a group of college students who want to discuss the big issues of the day. What can be done to bring peace to the Middle East? How can we reduce sexual assaults on campuses? What should be done about immigration? These questions have the potential to produce rich explorations. But they're equally likely to devolve into shouting matches that increase anger and mistrust. Is there a way to frame conversations so that people actually listen to one another?... Ask Big Questions helps students discover how to establish a foundation of trust and confidentiality in a group, invite contributions from everyone, and guide others into deeper learning by interpreting the meaning of poems, texts or images, reflecting on their lives and the implications for action. The interpretive part of the discussion is essential, says Feigelson: 'If you don't have some sort of a text or interpretive object, the conversation can easily veer off into bad group therapy.'" The initiative teaches students how to think and speak about hard questions by seeking to understand opposing views and imagining that the truth might have various shades. This is, of course, one premise of a liberal arts education, which makes one wonder why the lessons from the classroom are not being translated to the dining room.

As the Old Saying Goes...

historyAdam Gopnick takes on the old adage about those who don't learn from history, suggesting that repetition is even more likely when the history being read is a self serving one: "Studying history doesn't argue for nothing-ism, but it makes a very good case for minimalism: for doing the least violent thing possible that might help prevent more violence from happening... The real sin that the absence of a historical sense encourages is presentism, in the sense of exaggerating our present problems out of all proportion to those that have previously existed. It lies in believing that things are much worse than they have ever been-and, thus, than they really are-or are uniquely threatening rather than familiarly difficult. Every episode becomes an epidemic, every image is turned into a permanent injury, and each crisis is a historical crisis in need of urgent aggressive handling-even if all experience shows that aggressive handling of such situations has in the past, quite often made things worse...Those of us who obsess, for instance, particularly in this centennial year, on the tragedy of August, 1914-on how an optimistic and largely prosperous civilization could commit suicide-don't believe that the trouble then was that nobody read history. The trouble was that they were reading the wrong history, a make-believe history of grand designs and chess-master-like wisdom. History, well read, is simply humility well told, in many manners. And a few sessions of humility can often prevent a series of humiliations."

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A Reason to Fight

ferris_wheelMolly Crabapple tries to think of an ethical response to the horror and violence of the last few months. One response, to affirm her complicity as a white woman for the police violence in Ferguson, evidences a basic fallacy of collective guilt. Crabapple is not guilty of killing Michael Brown. And if someone is guilty, her musings about her own guilt minimizes his guilt. But Crabapple's second response is infinitely more moving: to affirm the beauty of the world: "Power seeks to enclose beauty-to make it scarce, controlled. There is scant beauty in militarized zones or prisons. But beauty keeps breaking out anyway, like the roses on that Ferguson street. The world is connected now. Where it breaks, we all break. But it is our world, to love as it burns around us. Jack Gilbert is right. 'We must risk delight' in the summer of monsters. Beauty is survival, not distraction. Beauty is a way of fighting. Beauty is a reason to fight." Crabapple's musings on beauty in dark times call to mind Berthold Brecht's poem"To Posterity":

Truly, I live in dark times!
An artless word is foolish. A smooth forehead
Points to insensitivity. He who laughs
Has not yet received
The terrible news.
What times are these, in which
A conversation about trees is almost a crime
For in doing so we maintain our silence about so much wrongdoing!
And he who walks quietly across the street,
Passes out of the reach of his friends
Who are in danger?

In Praise of Universalism

classicsJoseph Luzzi suggests a reason why some books remain important long after their original place and time, attempting to rehabilitate the idea of the universality of literature in the process: "This contrast, between a celebrated and largely unread classic and an enduringly popular classic, shows that a key to a work's ongoing celebrity is that dangerous term: universality. We hold the word with suspicion because it tends to elevate one group at the expense of another; what's supposedly applicable to all is often only applicable to a certain group that presumes to speak for everybody else. And yet certain elements and experiences do play a major role in most of our lives: falling in love, chasing a dream, and, yes, transitioning as Pinocchio does from childhood to adolescence. The classic that keeps on being read is the book whose situations and themes remain relevant over time-that miracle of interpretive openness that makes us feel as though certain stories, poems, and plays are written with us in mind."

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Featured Events

teachoutA Discussion with Zephyr Teachout

Zephyr Teachout, author of Corruption in America: From Benjamin Franklin's Snuff Box to Citizens United and a Democratic Primary Candidate in the upcoming Gubernatorial Election, will be visiting Bard College to address students, staff and community members.

Friday, September 5th, 2014

Reem-Kayden Center Laszlo Z. Bito '60 Auditorium, 3:00-4:00 pm

For more information about this event, please click here.

 

 

 


Kenan MalikLunchtime Talk with Kenan Malik

Details soon to follow.

Wednesday, September 17h, 2014

The Hannah Arendt Center, 12:30 pm

 

 

 


congressBard College Public Debate

Resolved: "The fate of the world depends upon the success or failure of America's model of democratic self-government."

Tuesday, October 7th, 2014

Campus Center Multipurpose Room, 7:00 pm - 9:00 pm


conference_14SAVE THE DATE - 2014 FALL CONFERENCE

October 9-10

The Hannah Arendt Center's annual fall conference, The Unmaking of Americans: Are There Still American Values Worth Fighting For?, will be held this year on October 9-10!

Registration is now OPEN! You can register here!

Want to know more about the schedule of the conference? Please click for details here!

Learn more about the conference here.

 

 


From the Arendt Center Blog

This week on the Blog, Roger Berkowitz emphasizes the need to restore spaces where freedom can be enjoyed in the Quote of the Week. American poet and writer Sylvia Plath provides this week's Thoughts on Thinking. We look back on a lecture by Philippe Nonet on the history of metaphysical freedom in our Video Archives. And Roger Berkowitz remarks on the needlessly specialized nature of modern humanities scholarship in the Weekend Read.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
14Aug/140

Video Archives – Public Discussion with Roger Berkowitz and Bill Jones (2010)

dance_thought

Wednesday, December 1st, 2010: A Public Conversation - “The Life of the Mind and Floating the Tongue”

Participants:

-     Bill T. Jones -- Co-founder of the Bill T. Jones/Arnie Zane Dance Company.
-     Roger Berkowitz -- Associate Professor of Political Studies and Human Rights at Bard College; Academic Director, Hannah Arendt Center for Politics and the Humanities

In a conversation following a performance of his movement art piece “Floating the Tongue” (performed by Bard faculty member and Member of the Bill T. Jones/Anie Zane Dance Company Leah Cox), Bill T. Jones sat down with Roger Berkowitz to discuss the Arendtian notion of thinking that he explores in his dance.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
13Jan/140

Amor Mundi 1/12/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

False Analogies: Stalin and Cromwell

cromwellPeter Singer writes of the suddenly divergent attitudes toward the two greatest mass murderers of the 20th Century, Hitler and Stalin: “Hitler and Stalin were ruthless dictators who committed murder on a vast scale. But, while it is impossible to imagine a Hitler statue in Berlin, or anywhere else in Germany, statues of Stalin have been restored in towns across Georgia (his birthplace), and another is to be erected in Moscow as part of a commemoration of all Soviet leaders.” When Putin was asked recently about his plan to erect statues of Stalin, he justified it by comparing Stalin to Oliver Cromwell: “Asked about Moscow’s plans for a statue of Stalin, he pointed to Oliver Cromwell, the leader of the Parliamentarian side in the seventeenth-century English Civil War, and asked: “What’s the real difference between Cromwell and Stalin?” He then answered his own question: “None whatsoever,” and went on to describe Cromwell as a “cunning fellow” who “played a very ambiguous role in Britain’s history.” (A statue of Cromwell stands outside the House of Commons in London.)” For a lesson in false analogies, read more here.

After All the People We Killed

ecuSome stories are so morally complicated and politically convoluted that they tug us this way and that as we read about them. That is how I felt reading Bethany Horne’s account of the genocidal, environmental, political, criminal, and corporate tragedy that is unfolding in Ecuador. Horne’s title, “After All the People We Killed, We Felt Dizzy” is a quotation from a member of the Huaorani tribe describing their massacre of an entire family group from the Taromenane people. A 6-year-old girl who survived the massacre has since been kidnapped twice and has now been elevated into a symbol in a political war between environmentalists and human rights activists on one side and the Ecuadoran government on the other. “Conta [the kidnapped girl] can't know that the jungle she was snatched from by those armed men in helicopters is a rallying cry for 15 million people in Ecuador. She can't know that the land rights and human rights of her people are the cause of a massive movement to force the president of Ecuador to do something he does not want to do. And last of all, Conta can't possibly comprehend the full impact of what Correa wants so badly from the Taromenane: the crude oil underneath their homes, a commodity that powers a world she does not understand that threatens to swallow her.”

Talking to Each Other

John Cuneo

John Cuneo

In a short profile of author and MIT professor Sherry Turkle, Megan Garber elucidates the difference that Turkle makes between the way we talk at each other, with our machines, and the way we talk to each other, in person-to-person conversations: “Conversations, as they tend to play out in person, are messy—full of pauses and interruptions and topic changes and assorted awkwardness. But the messiness is what allows for true exchange. It gives participants the time—and, just as important, the permission—to think and react and glean insights. ‘You can’t always tell, in a conversation, when the interesting bit is going to come,’ Turkle says. 'It’s like dancing: slow, slow, quick-quick, slow. You know? It seems boring, but all of a sudden there’s something, and whoa.’”

Incomplete Tellings are all that Remain

manMark Slouka remembers his recently passed father and elaborates on one of the particular things he lost: "With him gone, there’s no one to reminisce with, no one to corroborate my memories (or correct them), no one to identify the little girl smiling up from the curling photograph at the bottom of the shoebox. In 1942, in Brno, my father’s family hid a man in the rabbit hutch for a week, until he could be moved. That’s all I know of the story, and now it’s all I’ll ever know. With no one to check me, error will spread like weeds. Which is how the past is transmuted into fiction, and then the fool’s gold of history."

Banking and the English Language

benThomas Streithorst, before attempt to untangle the language of finance, explains why he thinks the task is necessary: "Sometimes I think bankers earn all that money because they make what they do seem both tedious and unintelligible. Banking may be the only business where boredom is something to strive for, so its jargon both obfuscates and sends you to sleep. But six years of pain forces us to realize that economics is too important to be left to the bankers. If the rest of us keep bailing them out, we might as well know what they do. Fortunately, finance isn’t as complicated as its practitioners pretend. It does, however, have its own language, and if you don’t understand it, it sounds like gobbledygook."

From the Hannah Arendt Center Blog

This week on the Blog, Steven Tatum considers what it means to teach Arendtian thinking. In the Weekend Read, Roger Berkowitz reflects on President Vladimir Putin's recent attempt to justify statues memorializing Josef Stalin by comparing him to Oliver Cromwell.

 

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
16Nov/122

What is a House?

Hannah Arendt spoke of having acquired, through her life, a "love of the world." When writing about education she argues that "education is the point at which we decide whether we love the world enough to assume responsibility for it." And in politics, she insists, we must care for and love the world more than oneself. What then is the world?

The world is related to human making and to the things and artifacts that human beings make. What defines the things of a world is that those things gather individuals together.

In the public realm, a politician is that person who speaks and acts in such a way that those around him come to see those institutions and values that they share and treasure. The common world is the world that emerges when a plurality of people bind themselves to stories, traditions, institutions, rituals, and practices that they share and that they love. Like a table that unites those who sit around it in a common conversation or feast, the common world brings different people together. It stands between them, both joining and separating them.

In the private realm, a world is founded in property, and property has an essential role in the public realm too. For property is what one owns, what is proper to one, and thus defines one over against others in the common world. Property provides the boundaries between people and also serves as the boundary between the commonality of the public realm and the uniqueness of the private realm. It is no accident that original Greek word for law, nemein, also means to distribute and to possess, as well as to dwell. Property, in English, also names the laws of propriety, what is right and given to each.

In both the public and the private realms the world consists of things that endure. Worldly things must not only be common. They must also last. Since we must love the world more than our own lives—since we must be willing to pursue the world as an ideal and sacrifice ourselves to the glory and good of the world we share with others—the world must offer us the promise of permanence and thus immortality.

How are to understand the worldly conditions of permanence and immortality? We might ask: What is a house?

This is one of the many questions at issue in Jonathan Franzen's essay "House For Sale," about his return to his mother's house in Webster Grove, Missouri to sell the house after her death. Here is how Franzen describes his mother's house.

This was the house where, five days a month for ten month, while my brothers and I were going about our coastal lives, she had come home alone from chemotherapy and crawled into bed. The house from which, a year after that, in early June, she had called me in New York and said she was returning to the hospital for more exploratory surgery, and then had broken down in tears and apologized for being such a disappointment to everyone and giving us more bad news. The house where, a week after her surgeon had shaken his head bitterly and sewn her abdomen back up, she'd grilled her most trusted daughter-in-law on the idea of the afterlife, and my sister-in-law had confessed that, in point of sheer logistics, the idea seemed to her pretty far-fetched, and my mother, agreeing with her, had then, as it were, put a check beside the item "Decide about the afterlife" and continued down her to-do list in her usual pragmatic way, addressing other tasks that her decision had rendered more urgent than ever, such as "Invite best friends over one by one and say goodbye to them forever." This was the house from which, on a Saturday morning in July, my brother Bob had driven her to her hairdresser, who was Vietnamese and affordable and who greeted her with the words "Oh, Mrs. Fran, Mrs. Fan, you look terrible," and to which she'd returned, an hour later, to complete her makeover, because she was spending long-hoarded frequent-flyer miles on two first-class tickets, and first-class travel was an occasion for looking her best, which also translated into feeling her best; she came down from her bedroom dressed for first class, said goodbye to her sister, who had traveled from New York to ensure that the house would not be empty when my mother walked away from it—that someone would be left behind—and then went to the airport with my brother and flew to the Pacific Northwest for the rest of her life. Her house, being a house, was enough slower in its dying to be a zone of comfort to my mother, who needed something larger than herself to hold on to but didn't believe in supernatural beings. Her home was the heavy (but not infinitely heavy) and sturdy (but not everlasting) God that she'd loved and served and been sustained by, and my aunt had done a very smart thing by coming when she did.

Franzen offers us a house in many valences.

It was where his mother lived. Where she was sick. Where she thought about dying and God. Where she recovered from surgery and made herself up. Above all, it was his mother's house. Later he writes that the house was "my mother's novel, the concrete story she told about herself." In this house she "pondered the arrangement of paintings on a wall like a writer pondering commas." It was a house in which she showed herself. It was thus an invitation. And "she wanted you to want to stay."

The problem is that Franzen does not want to stay in his mother's house. He grew up in the house, but he resents it. The house his mother made, was filled with "sturdy and well made" furniture that "my brothers and I couldn't make ourselves want." He has fled the house and returns only to remove those photos that for his mother made the house hers, to act like a conqueror, he admits, and repossess the house from his mother. But only to then sell it.

If Mrs. Fanzen's house is her novel and if it was a house in which she both concealed and showed herself, her son's house in NYC is something else entirely. Here is how Franzen describes his own dwelling place:

I now owned a nice apartment on East Eighty-first Street. Walking in the door, after two months in California, I had the sensation of walking into somebody else's apartment. The guy who lived here was apparently a prosperous middle-aged Manhattanite with the sort of life I'd spent my thirties envying from afar, vaguely disdaining, and finally being defeated in my attempts to imagine my way into. How odd that I now had the keys to this guy's apartment.

House for sale is, amongst other themes like the loss of religion, the loss of family, and the loss of the American middle class, about the loss of the American house. It is also therefore, in an Arendtian vein, a story about the loss of our world, the property that both hides and nurtures our souls and separates and distinguishes us from our fellow citizens. Denuded of our habitus and property, we are defenseless against the conformity of society. Without desks and bookshelves passed down over generations that fit us, over and against our choices, into a private world, we are consumers who build a temporary bulwark whether styled by Ikea or the local antique store. Such a house is not meant to last and to be passed down across the generations. It will be used and, eventually, sold or walked away from. With nothing that defines us in a lasting and immortal vein, our lives have no depth or meaning beyond our accomplishments. There is no weight or law that claims us and obligates. We are free, but free, unsure why we are here or what it all means.

I recently encountered Jonathan Franzen's essay within an extraordinary theatrical experience. The play "House For Sale" is based on his essay by the same name.

It has been adapted for the stage by Daniel Fish. I have now been to see it twice. The play is hilarious, brutal, and shattering. It makes Franzen's essay come alive in ways miraculous and uplifting. The final scene itself is worth dropping every plan you have, flying to NYC, and rushing to the Duke Theatre on 42nd St. to catch it. I can't recommend this highly enough. But hurry, it is playing for only a few more performances. You can buy tickets here.

Or, if you simply can't get to NYC, buy The Discomfort Zone, Franzen's book of essays in which "House For Sale" originally appeared. It is your weekend read.

-RB

Roger Berkowitz
Roger Berkowitz is Associate Professor of Political Studies and Human Rights at Bard College, and Academic Director of the Hannah Arendt Center for Politics and the Humanities. He is also the author of "Gift of Science: Leibiniz and the Modern Legal Tradition", as well as co-editor of "Thinking in Dark Times: Hannah Arendt on Ethics and Politics".