Thinking Metaphors
This Quote of the Week post was first published on August 27, 2012.
“What connects thinking and poetry [Dichten] is metaphor. In philosophy one calls concept what in poetry [Dichtkunst] is called metaphor. Thinking creates its “concepts” out of the visible, in order to designate the invisible.”
-Hannah Arendt, Denktagebuch, vol. 2, p. 728 (August 1969) (translation my own)
Arendt’s Denktagebuch is less a “book” than a collection of “thought fragments”. These fragments, such as the one quoted above, are perhaps best considered not as advocating some position, but as specific angles or starting points from which we are invited to think something through.
All too often, her published works are understood in an “advocatory” fashion. Accordingly, The Human Condition, is sometimes read as a “plea” in favor of the vita activa over and against the vita contemplativa. In fact, however, Arendt explicitly denies that she wishes to reverse the traditional hierarchy between the two ways of life. Rather, she is questioning the conceptual framework within which both ways of life have traditionally been understood.
Hence, I take it to be her aim not only to liberate acting [Handeln] from its being reduced to nothing more than an instrument in the process of making [Herstellen], but, analogously, to liberate the activity of thinking from its being reduced to nothing more than an instrument in the process of cognition culminating in contemplation, in “seeing” the truth which, in turn, serves as blueprint for the process of making. She notes that both the process of making, which uses mute violence, and the end of contemplation, which is reached in a state of speechless wonder, entail a loss of language.[1] As a consequence, the element of speech has disappeared not only from our conception of action (including politics), but also from our conception of thinking (including philosophy).
If not from the model of the passive contemplation, how does Arendt wish to understand the activity of thinking? In my view, there are at least three thinking “motifs” which can be traced throughout her oeuvre. The first, and certainly the best known, is that of “dialectical thinking”, that is, the soundless dialogue between me and myself (“two-in-one”). It is used in The Origins of Totalitarianism, and it keeps recurring in many of her later works, including The Life of the Mind. The second, somewhat less prominent motif is that of “representative thinking”, which denotes the capacity of placing oneself in the perspectives of (more than two) fellow human beings, and which prepares the formation of opinions and judgments. The notion itself occurs for the first time in ‘The Crisis in Culture’ (1960), but it is clearly related to, if not identical with, the “communicative” thinking introduced in her essays on Karl Jaspers a few years earlier.
The third motif, “poetic thinking”, is perhaps the most interesting one. Although she uses the term itself exclusively in her essay on Walter Benjamin (1968), a description of the underlying phenomenon recurs in The Life of the Mind, more specifically in its two chapters on metaphor. Arendt describes the function of metaphor as “turning the mind back to the sensory world in order to illuminate the mind’s non-sensory experiences for which there are no words in any language.” (The Life of the Mind, vol.1, p. 106)
As soon as we realize, as do the poets, that all language is metaphorical, we will, as thinkers, be able to assess the crucial role of our language in bridging the gap between the visible phenomena of the outer world and the invisible concepts of our inner mind. To give an example, by tracing a concept – such as “politics” – to its originally underlying experience – the Greek polis – we will be able to assess whether the way in which we employ it, is “adequate”, that is, whether we actually employ it in any meaningful way, whether it really “makes sense”.
In concluding her chapters on metaphor, Arendt raises the challenging question whether there exists a metaphor that could serve to illuminate the invisible activity of “thinking” itself. The most she is willing to offer, however, is the metaphor of “the sensation of being alive”, of which she herself readily admits that it “remains singularly empty” (idem, p. 124).
Why does she not mention the metaphor of poetry here? In the Denktagebuch fragment quoted above, written while she was preparing The Life of the Mind, Arendt clearly points to a certain correspondence between the role of metaphor in poetry and the role of concept in thinking. Perhaps we may go so far as to suggest that she uses poetry – or rather, since she uses the substantivized German verb “Dichten”, the activity of “making poetry” – as a metaphor for thinking.
However, the word “poetry” itself is derived from the Greek word “poièsis”, which should be rendered as “making” [Herstellen]. Hence, she might have thought that by using poetry as a metaphor for thought, she would have reiterated the traditional problem of the activity of thinking having been overlaid with the contemplative element in the experience of making. Indeed, in The Human Condition, in the section titled ‘The Permanence of the World and the Work of Art’, she seems to imply that writing poetry involves “the same workmanship which, through the primordial instrument of human hands, builds the other durable things of the human artifice.” (The Human Condition, p. 169)
Yet, in the very same section another, more promising, understanding of “poetry” is beginning to emerge. Arendt calls music and poetry “the least “materialistic” of the arts because their “material” consists of sounds and words” – note her use of quotation marks here – and she adds that the workmanship they demand is “kept to a minimum”.
Moreover, after having suggested that the durability of a poem is not so much caused by the fact that it is written down, but by “condensation”, she speaks of poetry as “language spoken in utmost density and concentration” (idem, p. 169). The German word for condensation is “Verdichtung” and for density “Dichte”. While being absent in the English expression of “making poetry”, both words clearly resonate in the German verb “dichten”.
Arendt does not draw any explicit connection between the activity of condensation and the use of metaphor. Still, she might have had it in mind. One page earlier (idem, p. 168), she referred to a poem by Rilke in order to illustrate the “veritable metamorphosis” a work of art is capable of bringing about, being more than a mere reification, more than a matter of “making” in the ordinary sense. Consider especially the second strophe, which simultaneously articulates and demonstrates the power of metaphor in “calling” the invisible:
Here is magic. In the realm of a spell
the common word seems lifted up above...
and yet is really like the call of the male
who calls for the invisible female dove.[2]
- Wout Cornelissen
Do Revolutionaries Always Establish a Dictatorship?
“If it is true that all thought begins with remembrance, it is also true that no remembrance remains secure unless it is condensed and distilled into a framework of conceptual notions within which it can further exercise itself.”
-Hannah Arendt, On Revolution
With these words Arendt complains, in her magnificent book about the French and the American Revolution, On Revolution, that the essential elements of the foundation of freedom in the former north-American colonies were not kept alive theoretically and therefore forgotten by the time of an apolitical workers and consumers society. What was forgotten were such things as the pursuit of public happiness, the formation of power by federalism, the origins of the senate (in the Roman senate) as the seat of political authority, etc... Instead, politics and its institutions came to be perceived as the arena of money and power, of intrigues and blockades. By contrast, the French Revolution animated many thinkers and imitators to develop a conceptual framework: the revolution of the poor against exploitation and oppression, the fight for freedom, equality and fraternity, the predecessor and example of all revolutions thereafter, etc. For Arendt, in spite of her critique of the revolution’s aftermath in North America, these are misleading concepts that deny the immanent reason for the French revolution’s failure: the political inexperience of the revolutionaries, the transformation of virtue into terror, the swarming of the poor into public institutions, and the incapacity to proceed from liberation to a lasting constitution of freedom.
Flickr via stargardener
Revolutions à la française seem to end up in a reign of terror. Is the dictatorship of Castro in Cuba a coincidence? Is Hugo Chavez’ elimination of the second chamber of parliament and the restriction of freedom of opinion in Venezuela also a coincidence? Or perhaps the projection of personal fancy? No, says the Argentinian political scientist Claudia Hilb. These are because of the concept of the radical creation of social equality, which is only possible at the cost of political freedom. Hilb shows, citing Arendt, that “it is perfectly true, and a sad fact indeed, that most so-called revolutions, far from achieving the constitutio libertatis, have not even been able to produce constitutional guarantees of civil rights and liberties, the blessings of ‘limited government’, and there is no question that in our dealings with other nations and their governments we shall have to keep in mind that the distance between tyranny and constitutional, limited government is as great as, perhaps greater than, the distance between limited government and freedom.” (On Revolution)
Claudia Hilb in her “Silencio, Cuba. La izquierda democrática frente al régimen de la Revolución Cubana“ (Buenos Aires 2010) develops a critical framework of conceptual notions which sympathizers of radical social change do not dare to develop, given the discrepancy between their hopes for freedom and equality and the often gloomy subsequent reality. Confronted with criticism on Cuba, they try to defend the regime in Cuba with a “yes, but”. Yes, democracy and civic rights are missing, but there are social achievements like high literacy, general access to health care, and the absence of extreme poverty. Yes, Cuba is poor, but there are no slums like in Buenos Aires. These answers conceal the fact that compared with other Latin American states; Cuba fell from a leading position to a place at the back since the revolution in 1959. Moreover, the defenders attribute Cuba’s economic failures to the boycott by the United States, denying the structural disaster of the Cuban economy on even its own terms. Finally, these defenders color and excuse all this as a “tropical socialism” with its music and the “romantic” ruins that are Havana.
Flickr via flippinyank
The thesis of Hilb: radical equalization of social conditions was made possible by establishing total domination. For her, the real equivalent is not freedom and equality but dictatorship and equality. Therefore, the missing civic rights as well as the prohibition of leaving the country are less incidental concomitants than a sign of the absolute concentration of power. Dictatorship and equality are inherent components of this form of government itself. Therefore, the dictatorship not only violates certain human rights but also does not recognize human rights as such. They are incompatible with the establishment of, and control through, radical equality, rendering democracy and plurality null.
Hilb describes how Castro from the beginning worked on centralization of power, eliminating revolutionary comrades in the party and armed forces as well as in trade unions and student organizations, elevating only his loyal comrades on unity lists in elections. Trade union and student movements were subordinated to his party.
Likewise the cultural sector was brought into line, not so quickly but just as thoroughly. The shameful self-accusation of the poet Heberto Padilla in 1970 became well known. Radical social change required an increasing concentration of power to eliminate all troubling discussions and deviations.
Social organizations like the trade unions and the Committees for the Defense of the Revolution (CDR) were transformed step by step from organizations of mobilization into organizations of control. The trade unions, as “transmissions belts” for revolutionary force, were no longer organizations defending the working class but had the task to imposing voluntary work and intensifying production. The CDRs became instruments to prevent sabotage and control the private life of everyone. With the economic decline in 1970 temporary “re-education camps” were established. During three years 25,000 “antisocial elements” were detained, among them many homosexuals, religious activists, and prostitutes. The film “Before Nights Falls” (2000) based on the novel of the Cuban poet Reinaldo Arenas describes this time.
Claudia Hilb reminds us of the governmental theory of the French political thinker Montesquieu, in an analysis reminiscent of Arendt’s in On Revolution.
Hilb describes Montesquieu’s analysis of fear as the key principle on which action is based under a tyranny. Fear does not automatically lead to obedience; both fear and obedience must be created, in the Cuban case, according to Hilb, by the arbitrary rule of the party. The Cuban constitution gives the party the power over the state and subordinates law under the political power. He who does not behave in conformity with the party consequently becomes a law breaker. Secondly, fear is created by revolutionary virtue, enforcing conformism in forms of behavior through the party as an unlimited instrument of power. And thirdly, fear is caused by shame. The political regime tacitly tolerates the many violations of law and thefts of public property to guarantee a life above subsistence level. This tolerated life of illegality and lying makes the population constantly vulnerable to blackmail through the shame of possible exposure.
Hilb invites Cuba’s defenders to open their eyes to reality in order to work on a framework of notions that would include how to constitute freedom so that freedom and social justice can be balanced to mutual advantage.
- Wolfgang Heuer
Habermas on Arendt’s Conception of Power
Jürgen Habermas sees Arendt as usefully placing emphasis on the origin of power as opposed to its means of employment. In contrast to Max Weber, who understands power in terms of particular individuals seeking to realize a fixed goal, she separates power from the telos (end), developing what Habermas calls a theory of power as "communicative action". This formulation gestures towards his own conceptual language (see Theory of Communicative Action, 1981) and in Arendt he names plurality as the condition for communication, quickly moving from distinctness to connection:
"The spatial dimension of the life-world is determined by the "fact of human plurality": every interaction unifies multiple perspectives of perception and action of those present […]"
Perceptively-and provocatively-Habermas compliments this description of the spatial dimension of the world with a temporal one:
"The temporal dimension of the life-world is determined by the "fact of human natality": the birth of every individual means the possibility of a new beginning; to act means to be able to seize the initiative and to do the unanticipated."
In this description, we see that a kind of conceptual past allows something new to happen in the future. Further, the reference to the past is singular ("the birth of every individual") but allows action between people. So in natality, as Habermas describes it, we go from the past to the future and the individual to the group. The very emphasis on the origin of power, however, raises the question of how it is to endure over time. The phrase "temporal dimension of the life-world" points to this problem: how to use power in the future when, as Arendt writes in the Human Condition: "power cannot be stored up and kept in reserve for emergencies." This citation helpfully emphasizes that power shouldn't be seen as capital that can be deployed at the time that a ruler or executive wishes. Arendt suggests instead that it cannot be virtualized, that it always exists in a one to one relation with opinion as it shifts.
Habermas ultimately accuses Arendt of a sleight of hand in taking refuge in the idea of the contract to solve the problem of her radical conception of action. In ending his article with an emphasis on the "contract theory of natural law" however, he overlooks the difference between a promise and a contract in Arendt. The promise offers individual stability of one's identity over time in the same way that the contract offers consistency to group action and both in a sense win consistency through the virtual. In both cases the reality of identity comes into being only over time. However, there is a different kind of "storage" in the model of the promise than the one we imagine with capital. Arendt suggests the contract as a way to make a short term structure that retains flexibility that the idea of stockpiled power does not.
-Jeffrey Champlin
Guided Into the World
"Heidegger is wrong: man is not “thrown” “in the world;” if we are thrown, then – no differently from animals – onto the earth. Man is precisely guided, not thrown, precisely for that reason his continuity arises and the way he belongs appears. Poor us, if we are thrown into the world!"
"Heidegger hat unrecht: “in die Welt” ist der Mensch nicht “geworfen;” wenn wir geworfen sind, so – nicht anders als die Tiere – auf die Erde. In die Welt gerade wird der Mensch geleitet, nicht geworfen, da gerade stellt sich seine Kontinuität her und offenbart seine Zugehörigkeit. Wehe uns, wenn wir in die Welt geworfen werden!"
-Hannah Arendt, Denktagebuch, Notebook 21, Section 68, August, 1955
Hannah Arendt follows her teacher Martin Heidegger in casting the classical philosophical question of the relation of the one and the many as the relationship between the individual and the world. Like the early Heidegger, she emphasizes the future, but she more frequently combines conceptual and narrative explication. For Arendt, freedom is at stake, the freedom of plural humanity that can call on, but cannot be reduced to, guiding ideas of tradition or authority. Yet while she consistently defends freedom through action that cannot be tied to the logic of the past or an assumed goal in the future, her thinking has both a moment of freedom and concern with connection to the past.
In Being and Time, Heidegger’s idea of “thrownness” (Geworfenheit) offers a conceptual hinge between a limitation and expansion of freedom. On the one hand, the thrown “Dasein” cannot choose to come into the world, much less into a particular world. On the other hand, once situated in a field of relations, possibilities open that allow Dasein to fashion a sense of the future and self-knowledge.
Arendt can be seen to ask how exactly we are to recognize the original condition of being thrown in such a way that new possibilities open up. Her objection to Heidegger in the passage above takes a subtle linguistic path that shows how her method of reading inflects her philosophical ideas. Rather than holding exclusively to the conceptual development of “thrownness,” she offers a terminological challenge. She says that man is only thrown into the natural “earth,” not the humanly-made “world.” In inserting this distinction between the earth and the world, she reads “geworfen” not abstractly as “thrown,” but concretely, implying that she has in mind a second use of the German verb "werfen:" to refer to animals giving birth.
Arendt wants to leave the merely animal behind. The German verb “leiten” that I have translated here as “guided” could also mean to direct, to conduct, to lead, to govern. Thinking ahead to Arendt’s writing on education, I hear a connection to “begleiten,” which means to accompany. The guiding that one receives gives a sense of continuing and belonging to a greater world. Heidegger insists that Dasein does not choose to be thrown into a specific world, we are born without our choice or input. For Arendt, this is our earthliness and she emphasizes the difference between the human world and the given earth. With respect to the world, she highlights the connection to others from the start. Since others exist before the entrance of the newcomer, we also assume responsibility for their entry to the world. One must be educated into the world, which is not simply the earth, but the humanly constructed edifice that includes history and memory and the polis.
Dana Villa and Peg Birmingham suggest that Arendt replaces Heidegger’s “geworfen” with “geboren” (“thrown” with “born”). The passage from the Thought Diary above shows the complexity of this substitution and that it only works by changing the context to the world rather than earth. However, while the quote shows that Arendt relegates Heidegger’s thrownness to the realm of the earth and body, her own idea of “natality” brings the body back to her thinking of freedom. Being born is very important for Arendt, but not in Heidegger’s sense. If "werfen" can refer to animals giving birth, Arendt works out a specific way in which humans are born, one that emphasizes a liberating break from the earth. Humans, as Arendt will say in The Human Condition, are born with the ability to start something completely new.
I think Arendt would say that we are always guided in a certain way. This leads us to ask if today we are making a choice as a society to abdicate explicit reflection and responsibility regarding the terms of guidance, either by “outsourcing” these decisions to experts or assuming that individuals can still make rational choices in the face of corporations and institutions that carefully take advantage of cognitive limitations. In other words: In what ways are people guided into the world that we do not think about, and how could reflection help us here?
On the other hand, the note ends with an existential lament that reminds us of the Romantic poet Friedrich Holderlin’s “weh mir” (“poor me”). After noting how she thinks Heidegger is wrong to see us thrown into the world, Arendt returns us to his despair; but the despair she imagines arises insofar as we are thrown into the world—which would mean that we lose the world as a humanly built home.
-Jeffrey Champlin
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