Hannah Arendt Center for Politics and Humanities
20Oct/140

Amor Mundi 10/19/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

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The American Nightmare

Janet YellenChair of the Federal Reserve Board Janet Yellen made waves this week by giving a speech arguing that the unprecedented rise in income inequality in the U.S. may be incompatible with American values (she should have been a speaker at last week's Arendt Center Conference "The Unmaking of Americans"). The American dream, the idea that all Americans of whatever economic or racial group can succeed through grit and perseverance, may no longer be true, the Federal Reserve Chairwoman admitted. She writes: "The extent of and continuing increase in inequality in the United States greatly concern me. The past several decades have seen the most sustained rise in inequality since the 19th century after more than 40 years of narrowing inequality following the Great Depression. By some estimates, income and wealth inequality are near their highest levels in the past hundred years, much higher than the average during that time span and probably higher than for much of American history before then. It is no secret that the past few decades of widening inequality can be summed up as significant income and wealth gains for those at the very top and stagnant living standards for the majority. I think it is appropriate to ask whether this trend is compatible with values rooted in our nation's history, among them the high value Americans have traditionally placed on equality of opportunity."

An Act of Courage

Harvard UniversityThere is an undeniable and too-often unacknowledged problem with sexual violence on college campuses and in our society at large. Too many women are raped and subjected to unwanted sexual acts or abuse. But instead of having an open discussion about the issue, activists have mobilized an obscure Federal guideline to create an alternative legal system outside to deal with sexual crimes without the protections and transparency of the law. Now a group of Harvard Law School professors is fighting back. They published an op-ed in the Boston Globe in which they "call on the university to withdraw this sexual harassment policy and begin the challenging project of carefully thinking through what substantive and procedural rules would best balance the complex issues involved in addressing sexual conduct and misconduct in our community." As the professors write, in part: "As teachers responsible for educating our students about due process of law, the substantive law governing discrimination and violence, appropriate administrative decision-making, and the rule of law generally, we find the new sexual harassment policy inconsistent with many of the most basic principles we teach. We also find the process by which this policy was decided and imposed on all parts of the university inconsistent with the finest traditions of Harvard University, of faculty governance, and of academic freedom. Among our many concerns are the following: Harvard has adopted procedures for deciding cases of alleged sexual misconduct which lack the most basic elements of fairness and due process, are overwhelmingly stacked against the accused, and are in no way required by Title IX law or regulation. Here our concerns include but are not limited to the following: the absence of any adequate opportunity to discover the facts charged and to confront witnesses and present a defense at an adversary hearing; the lodging of the functions of investigation, prosecution, fact-finding, and appellate review in one office, and the fact that that office is itself a Title IX compliance office rather than an entity that could be considered structurally impartial; and the failure to ensure adequate representation for the accused, particularly for students unable to afford representation." 

Parlez-Vous

Malcolm XTa-Nehisi Coates on what it means to communicate well, in a second language, with a native speaker of that language: "I am approaching the end of my third year studying French. This was the first time I'd had a complicated conversation with a native French speaker who I did not know, and managed to follow along. This means more than is immediately apparent. Before I began studying I did not understand that comprehension comes on several levels. It is one thing to understand someone whom you know and speak with regularly. It's still another to understand a stranger. And another still to understand a group of strangers who are talking about something of which you have no knowledge. So this small conversation was a moment for me-like the novice yogi going from bridge to wheel. And there again I felt one of the revelation, the discovery, the neurons firing, stretching, growing."

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Cruel and Unusual

Mass Incarceration on TrialIn a review of Jonathan Simon's Mass Incarceration on Trial, Jessica Pishko points to his understanding of dignity in the law as the source of his optimism for the future of the prison system: "Simon ultimately argues that American society is entering a new age of dignity-based policies, a 'dignity cascade' in his words, based on the Supreme Court's decision in Plata, where Justice Kennedy wrote for the majority, 'Prisoners retain the essence of human dignity.' He traces Kennedy's logic to other Supreme Court decisions that suggest that the Eighth Amendment should be read to protect 'dignity' as an important individual right, albeit one not mentioned in the Constitution. (This is, of course, no real bar, since many well-established rights are not in the Constitution.) Dignity-based policies are an evolution that allows for a broader understanding of the Eighth Amendment, rather than relying on the civil rights arguments of the past. The 1972 Supreme Court case Furman v. Georgia first raised the idea of human dignity as a value worth protecting, something beyond physical sustenance, when it invalidated the death penalty as it existed in every state for being too broad. Justice Brennan wrote in his concurring opinion that the Cruel and Unusual Punishment Clause forbids punishments not just because they are painful but also because 'they treat members of the human race as nonhumans, as objects to be toyed with and discarded.' Dignity-based rulings would allow for invalidation of mass incarceration as a practice because it treats people as cogs in the machine. This is where Simon focuses his efforts - he wants his readers to believe that the problem with current incarceration practices is that they treat inmates as something subhuman, and that this can be stopped. He suggests that American courts look to European laws, which have long held that humans should be treated with dignity even if they have committed crimes." For more, read Roger Berkowitz's essay on "Dignity Jurisprudence."

Not Accepted

reconcileNick Smith considers the state of the public apology, now that it's been taken up by corporations and state institutions: "Once divorced from blame, apologies emerge as a tactical defence. Attorneys can deploy them as what they describes as an 'attitudinal structuring tactic' in order to 'lubricate settlement discussions'. Southwest Airlines in the US employs a full-time 'apology officer' who sends out roughly 20,000 letters - which all include his direct phone number - to dissatisfied customers per year. At best, apologies are now a standard customer satisfaction tool: 'We're sorry for the inconvenience,' but frankly we're not admitting blame nor will we change. At worst, they become wolves in sheep's clothing, preying on a deep-rooted spiritual desire to reconcile."

 Childhood Writ as Beauty and Terror

Tove JanssonSonya Chung takes up the way that author and Moomin cartoonist Tove Jansson considers children, even in her work for adults: "Jansson respected the fine tuning of a child's sensibilities: children know better than anyone - better than they do as adults - that the world is a dangerous, beautiful, terribly alive place. And a place - as in stories like 'The Storm' and 'The Squirrel,' featuring female characters whose conflicts are waged within their own minds - where one must work things out for oneself, often in pained solitude. I knew all this as a lonely child, and when I finally found literature, those truths were reflected back to me, and I found comfort. Am still finding it. And very much so in Jansson. Thankfully, art may be slow, but never too late."

The Exceptionalism of Corruption

American_progressRoger Berkowitz recently gave the opening lecture at the Hannah Arendt Center Conference "The Unmaking of Americans: Are There Still American Ideas Worth Fighting for?" The conference, held at Bard College, included talks by David Bromwich, Anand Girdirhardas, Kennan Ferguson, Jerome Kohn, Ann Lauterbach, Lawrence Lessig, Charles Murray, George Packer, Robert Post, Joan Richardson, Amity Shlaes, Jim Sleeper and Kendall Thomas. You can view the conference in its entirety here. For this week's Weeekend Read, we provide an edited transcript of Berkowitz's speech: "American Exceptionalism: What Are We Fighting For?"

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Featured Events

One Day University Film School Presents: "Robot and Frank" and a Discussion with Roger Berkowitz

Robot and Frank explores the depths of friendship and even love between a robot and a man. Though the film is a comedy, the underlying questions it raises are both timely and serious. What is friendship? Can a machine love? More importantly, what happens when humans fall in love with machines?

Sunday, October 19, 2014

Manhattan Movement and Arts Center, 2:00 pm - 5:00 pm


Yasemin SariLunchtime Talk with Yasemin Sari

An Arendtian Recognitive Politics: "The Right to Have Rights" as a Performance of Visibility

Tuesday, October 28, 2014

The Hannah Arendt Center, 1:30 pm

 

 


humanitiesRediscovering the Humanities: Humanities Advocacy in the Digital Age

The Fall Experimental Humanities Mellon Lecture

Thursday, November 6, 2014

Jim Ottaway Jr. Film Center, 5:00 pm - 7:00 pm


Alexei GloukhovLunchtime Talk with Alexei Gloukhov

Arendt and the Question of Positive Freedom

Tuesday, November 18, 2014

The Hannah Arendt Center, 12:30 pm - 2:00 pm

 

 


From the Arendt Center Blog

This week on the Blog, Jeffrey Champlin explores Arendt's writings on humanity and the models of self-awareness it commonly uses to understand its earthly existence in the Quote of the Week. We observe Hannah Arendt's 108th Birthday. Horace Walpole provides this week's Thoughts on Thinking. In our Video Archives, we look back on a 2011 discussion between Roger Berkowitz and David Matias on the origins of the 2008 financial crisis. We appreciate Arendt's varied note-taking methods in our Library feature. And Roger Berkowitz reflects on American exceptionalism and what we're fighting for in the Weekend Read.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
4Dec/125

The Irony of Sincerity

A few weeks ago, Christy Wampole, a professor of French at Princeton, took to the New York Times to point to what she sees as a pandemic of irony, the symptom of a malignant hipster culture which has metastasized, spreading out from college campuses and hip neighborhoods and into the population at large. Last week, author R. Jay Magill responded to Wampole, noting that the professor was a very late entry into an analysis of irony that stretches back to the last gasps of the 20th century, and that even that discourse fits into a much longer conversation about sincerity and irony that has been going on at least since Diogenes.

Of course, this wasn’t Magill’s first visit to this particular arena; his own entry, entitled Sincerity: How a Moral Ideal Born Five Hundred Years Ago Inspired Religious Wars, Modern Art, Hipster Chic, and the Curious Notion That We All Have Something to Say (No Matter How Dull), came out in July. Magill very effectively recapitulates the main point from his book in his article for the Atlantic, but, if you were to read this new summary alone, you would both deny yourself of some of the pleasures of Magill’s research and prose, as well as spare yourself from some of his less convincing arguments, arguments which, incidentally, happen to suffice for the thrust of his recent article.

The most interesting chapters of Magill’s book deal with the early history of the rise of sincerity, which he traces back to the Reformation. In Magill’s telling, the word “sincere” enters the record of English in 1533, when an English reformer named John Frith writes, to Sir Thomas More, that John Wycliffe “had lived ‘a very sincere life.’” Before that use, in its origin in Latin and French, the word “sincere” had only been used to describe objects and, now, Frith was using it not only for the first time in English but also to describe a particular individual as unusually true and pure to his self, set in opposition to the various hypocrisies that had taken root within the Catholic Church. Magill sums this up quite elegantly: “to be sincere” he writes “was to be reformed.”

Now, this would have been revolutionary enough, since it suggested that a relationship with God required internal confirmation rather than external acclamation—in the words of St. Paul, a fidelity to the spirit of the law and not just the letter. And yet reformed sincerity was not simply a return to the Gospel. In order to be true to one’s self, there must be a self to accord with, an internal to look towards. Indeed, Magill’s history of the idea of sincerity succeeds when it describes the development of the self, and, in particular, that development as variably determined by the internal or the external.

Image by Shirin Rezaee

It gets more complicated, however, or perhaps more interesting, when Magill turns towards deceptive presentations of the self, that is, when he begins to talk about insincerity. He begins this conversation with Montaigne, who “comes to sense a definite split between his public and private selves and is the first author obsessed with portraying himself as he really is.” The most interesting appearance of this conversation is an excellent chapter on Jean-Jacques Rousseau, who suggested that people should aspire to self-sameness, should do their best to “reconcile” one’s self to one’s self, a demand for authenticity that would come to be fully expressed in Immanuel Kant’s moral law, the command that I must set myself as a law for myself.

Sincerity, the moral ideal first put forth by John Frith, started as the Reformation’s response to the inability of the Catholic Church to enact that particular principle, in other words, its hypocrisy. This follows for each of the movements that Magill writes about, each responding to the hypocrisy of their own moment in a specific way. On this matter he has a very good teacher, Hannah Arendt, an inheritor of Kant, who was himself a reader of Rousseau. Arendt writes, in Crisis of the Republic, what might serve as a good summation of one of Magill’s more convincing arguments: “if we inquire historically into the causes likely to transform engagés into enragés, it is not injustice that ranks first, but hypocrisy.”

Still, while what makes the sincerity of Frith (who was burned at the stake) or Wycliffe (whose body was exhumed a half century after his death so that it, too, could be burned) compelling is the turn inwards, it is Rousseau’s substitution of the turn back for that turn inward that appears to interest Magill, who decries “the Enlightenment understanding of the world” that “would entirely dominate the West, relegating Rousseau to that breed of reactionary artististic and political minds who stood against the progress of technology, commerce, and modernization and pined for utopia.”

The whole point is moot; Rousseau was himself a hypocrite, often either unable or unwilling to enact the principles he set out in his writings. As Magill moves forward, though, it becomes clear the he values the turn back as a manifestation of sincerity, as a sort of expressing oneself honestly. The last few hundred years in the development of sincerity, it seems, are finding new iterations of the past in the self. He writes that the Romantics, a group he seems to favor as more sincere than most, “harbored a desire to escape a desire to escape forward-moving, rational civilization by worshipping nature, emotion, love, the nostalgic past, the bucolic idyll, violence, the grotesque, the mystical, the outcast and, failing these, suicide.” In turn, in his last chapter, Magill writes that hipster culture serves a vital cultural purpose: its “sincere remembrance of things past, however commodified or cheesy or kitschy or campy or embarrassing, remains real and small and beautiful because otherwise these old things are about to be discarded by a culture that bulldozes content once it has its economic utility.”

The hipster, for Magill, is not the cold affectation of an unculture, as Wampole wants to claim, but is instead the inheritor “of the the entire history of the Protestant-Romantic-rebellious ethos that has aimed for five hundred years to jam a stick into the endlessly turning spokes of time, culture and consumption and yell, “Stop! I want to get off!”

There’s the rub. What Magill offers doesn’t necessarily strike me as a move towards sincerity, but it is definitely a nod to nostalgia. Consider how he recapitulates his argument in the article:

One need really only look at what counts as inventive new music, film, or art. Much of it is stripped down, bare, devoid of over-production, or aware of its production—that is, an irony that produces sincerity. Sure, pop music and Jeff Koons alike retain huge pull (read: $$$), but lately there has been a return to artistic and musical genres that existed prior to the irony-debunking of 9/11: early punk, disco, rap, New Wave—with a winking nod to sparse Casio keyboard sounds, drum machines, naïve drawing, fake digital-look drawings, and jangly, Clash-like guitars. Bands like Arcade Fire, Metric, Scissor Sisters, CSS, Chairlift, and the Temper Trap all go in for heavy nostalgia and an acknowledgement of a less self-conscious, more D.I.Y. time in music.

Here, Magill is very selectively parsing the recent history of “indie music,” ignoring a particularly striking embrace of artificial pop music that happened alongside the rise of the “sincere” genres, like new folk, that he favors. There’s no reason to assume that Jeff Koons’s blown up balloon animals or Andy Warhol’s Brillo Boxes are any less sincere than the Scissor Sisters’s camp disco, just as there is no reason to assume that a desire to return to nature is any less sincere than the move into the city. Although Magill makes a good argument for the hipster’s cultural purpose, that purpose is not itself evidence that the hipster is expressing what’s truly inside himself, just as there’s no way for you to be sure that I am sincerely expressing my feelings about Sincerity. Magill, ultimately, makes the same mistake as Wampole, in that he judges with no evidence; the only person you can accurately identify as sincere is yourself.

-Josh Kopin

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.