Hannah Arendt Center for Politics and Humanities
2Jul/130

Arendt on Kant’s Critique of Judgment

Arendtiana

Sensus communis as a foundation for men as political beings: Arendt’s reading of Kant’s Critique of Judgment
Annelies Degryse Katholieke Universiteit Leuven, Belgium
Philosophy Social Criticism 2011 37(3): 345

Arendt's late reading of Kant proposes a connection between aesthetics and politics that, among other innovations, offers a new way to think about judgment through a connection between the individual and group reflection. Annelies Degryse of Leuven University breaks down this conception of judgment into two constituent parts and connects it to Kant's "community sense."

Picking up on the argument by Ronald Beiner that Arendt "detranscendentalizes" Kant, Degryse describes how this move to a plurality of spectators can be understood as an "empricalizing" Kant. She helpfully highlights two moments of judgment in Arendt. First, a person perceives through imagination, a specific faculty that moves from a physical to a mental instance. Second, in reflection, one achieves a distance from the original representation that further distances oneself from it. Indeed, here Arendt speaks of the "proper distance, the remoteness or uninvolvedness or disinterestedness, that is requisite for approbation and disapprobation, for evaluating something at its proper worth" (Arendt, Lectures on Kant's Political Philosophy, 1992: 67). Judgment proper occurs in this second step, where one takes a stand on one's first impression in terms of a value assertion.

The first moment of judgment occurs within the mind of the individual. It does not even necessarily need to take the form of words but could occur entirely at the private level. In the second moment though, one needs recourse to language as an instrument of communication. Arendt says that Kant's reference to sensus communis should thus best be translated as "community sense" rather than "common sense." Degryse emphasizes the "common" here as the key to moving to judgment through language. It allows us to go beyond our own limited mode of thinking. In other words, language knows more than any individual person, and in framing a judgment one takes this greater knowledge into account. This is one way to understand what Arendt means by thinking with "an enlarged mentality." Degryse links the use of language in judgments to Arendt's "detranscendentalization" of Kant: "Arendt stresses, with Kant, that we can lose our faculty of enlarged thinking without communication and interaction with one another. (353)" Judgment for Kant is only a faculty of the mind but for Arendt it depends on actual interaction with others.

kant

Degryse sees Arendt's Lectures on Kant's Political Philosophy as explicitly developing the role of spectators that was already implicit in the Human Condition. After all, speech and action need to be received by someone. Drawing on another aspect of Kant's terminology to make this connection, Arendt emphasizes that taste, not genius, constitutes the public realm. The genius can start something new, but in order to communicate it, this novelty must be described in terms that others can perceive. Interestingly, for Arendt, even the genius must himself have at least some access to taste to get his point across. Shifting to the political realm, Degryse notes that Arendt provides the example of the French Revolution: she sees its true impact in the many public responses to the event rather than the acts of the event itself. (One thinks here of the publications of Burke in the England, Paine in the U.S., and Schiller and Hegel in Germany, among many others.)

As a contrast, Degryse says that the philosopher risks losing touch and supporting tyranny because, as per Plato's famous parable of the cave, he does not want to return to the realm of shadows and captivity with others after having ascended alone to the realm of truth. Spectators, always plural, can never lose touch in this way.

In Germany, the Romantics and Idealists worshiped the genius. Even today, taste is often considered a relic of subjectivism. Even though Arendt returns to Kant's aesthetics in a manner reminiscent of the great Idealists Fichte, Schelling, and Hegel, one key contribution of Degryse's article is that it shows how Arendt moves in the direction of plurality rather than the self-positing subject.

-Jeff Champlin

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
30Oct/122

The Burqa and the Political Realm

“The presence of others who see what we see and hear what we hear assures us of the reality of the world and ourselves.”

-Hannah Arendt,  The Human Condition

Over the past decade, European public opinion has roiled with controversy over the full face covering – the niqab or burqa - of Muslim women. According to a Pew Global Attitudes Survey, conducted between April 7th and May 8th 2010, the majority of citizens in France, Germany, Britain, and Spain approve of banning veils that cover the whole face. Subsequently, France and Belgium have implemented national laws that ban the full veil in public places.

Municipal bans are sprinkled across Europe as a whole. Is there an Arendtian angle on the discomfiture that one finds in Europe over the niqab and the burqa (hereafter N/B), a properly political angle that avoids pathologizing the response as simply Islamophobic or xenophobic?

Arendt claimed that the word public evokes two “interrelated phenomena”. First:

everything that appears in public can be seen and heard by everybody and has the widest possible publicity. For us, appearance – something that is being seen and heard by others as well as by ourselves – constitutes reality. Compared with the reality which comes from being seen and heard, even the greatest forces of intimate life – the passions of the heart, the thoughts of the mind, the delights of the senses – lead an uncertain, shadowy kind of existence unless and until they are transformed, deprivatized and deindividualized, as it were, into a shape to fit them for public appearance…The presence of others who see what we see and hear what we hear assures us of the reality of the world and ourselves…

The second referent of public is “the world itself, in so far as it is common to all of us and distinguished from our privately owned place in it.”

Arendt captures an idea prominent in Western traditions: the notion, both intuitive and articulated, that being visible to one another is an integral part of politics. This expectation is registered in theories of judgment (consider the role played by the “spectator” in Adam Smith and Kant’s theories of judgment) and in some of our most potent democratic metaphors: enlightenment, openness, transparency, illumination, recognition, social legibility, accountability, “publicity” and, not least, public. Liberals trumpet the virtue of the Open Society and liberalized Marxists idealize the translucent speech-situation. Socialists and radicals extol debunking, the heir of Rousseau’s crusade to remove the “deceitful veil of politeness” which conceals “fear, coldness, reserve, hate, and fraud”. Negating these images are opacity, the Dark Ages, the dark arts, dark times, heart of darkness, artifice, living in the closet, a shadowy realm, cave-like illusion,  Stygian gloom, moral blindness, the id, concealment, inscrutability, subterfuge, murkiness, obscurantism, and backroom deals - notions which variously imply various states of ignorance, menace and deceit. True, prominent French intellectuals of the last century sought to demote vision’s status in the pantheon of sensibility, while conservatives still remain attached to the “decent drapery of life” (Burke). Yet these perspectives have done little to impede the centrality of seeing within the Western, Apollonian political aesthetic.

This formulation suggests what is discordant about the N/B’s existence in the Western political space. While for its bearer the N/B may be understood as a badge of tradition and piety, from the standpoint of a constitutional pluralist citizenry it is a mode of concealment incompatible with public recognition in which visibility of face is central. The N/B denudes facial and, to a degree, vocal recognition. It standardizes human features and hence contributes to the very stereotyping that N/B wearers themselves deplore.  Faces and voices are all different, evidence of human plurality. The N/B literally effaces these variations, with the partial exception of the eyes that may sometimes be seen. The N/B also symbolically ruptures the bond of citizenship reciprocity because while its wearer can see her real or potential interlocutor, can take advantage of the visibility of others, non-wearers are denied such access.

Consider two objections to this line of reasoning.

Users of the Internet are often obscured from view and no one assumes that their being invisible is uncitizenly.  Indeed, under some definitions of politics, the internet might be considered the quintessentially modern medium of political life: informing the public of political events, orchestrating voting, requesting or inciting people to participate in demonstrations, directing attention to abuses of rule, mobilizing citizens for collective action.  Search engines like Google ever more assume traditional government functions. Its engineers claim that the company’s predictions of flu epidemics and employment trends are already more accurate than those of the Centers for Disease Control and the Bureau of Labor Statistics. Even so, in Western societies the Internet is an ancillary to public display not a substitute for it, a tool to expand communication, rather than an obstacle to constrict it. Computer webcams are employed between interactants and in web chat rooms; interviews of foreign job applicants conducted via Skype grow daily in popularity. And it is no coincidence that the world’s most prominent social networking site is called Facebook. Moreover, where Internet use takes place without face recognition (as with email or instant messaging) it typically does so reciprocally: both users are in the same position and hence issues of visibility imbalance and citizen asymmetry do not arise.

A second objection to the claim that N/B attire in public places is uncitizenly turns the tables on the author: it draws on the Graeco-Roman tradition itself, the origins of Western notions of citizenship. In that tradition, being a public person was considered a kind of theatricality in which an agent adopts a persona, a mask. But the comparison between the N/B and the persona is superficial and not only because one mask is made of cloth while another is a metaphor. In antiquity, the function of persona was not to conceal public visibility but precisely to do the opposite: to shine the light of the ­polis on the political actor, to dramatize the fact that the individual had entered the public stage and that, as such, had left the private world of intimacy so as to consort freely with his peers and deliberate on political affairs. The political persona was, then, an addition to, or rather a rupture with, private life, not a replication or extension of it, a vehicle of distinction, not a mantle contrived to expunge from public view the unique personality of the woman beneath its folds. Politics, in Western traditions, entails a split within the being that engages in it, the construction of a second self: as an equal of others who are familial strangers bound together by the common tie of citizenship; a self able to cooperate with these strangers, to “see” things from multiple points of view and be seen seeing.

The N/B, however, is not a fictive mask designed to open up its wearer to the public recognition of peers acting in concert or in conflict; it is a carapace projected into the public space, a material mask that signals exclusivity, an emblem of segmental occlusion, of what Durkheim, discussing the primacy of resemblance in tribal societies, called the politico-familial.

Nor is the N/B artificial or dualistic. On the contrary, it signifies Sharia’s total claim on the individual in all her activities, the type of claim that the public-private distinction expressly repudiates. It transpires that the classical concept of the mask and the N/B have nothing substantively in common.

These brief reflections, prompted by my reading of Arendt, are not a rationale for banning the full veil but they do allow us to think of the European response to it in a political way. Readers who are interested in the more extensive argument that Dan Gordon (UMass Amherst) and I have developed on this topic, contrasting American and European legal regimes, may wish to read our “On the Edge of Solidarity: The Burqa and Public Life,” and “From the headscarf to the burqa: the role of social theorists in shaping laws against the veil,” Economy and Society 2012 (forthcoming).

-Peter Baehr, Lingnan University Hong Kong

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.