By Kazue Koishikawa
“The famous sovereignty of political bodies has always been an illusion, which, moreover, can be maintained only by the instruments of violence, that is, with essentially nonpolitical means. Under human conditions, which are determined by the fact that not man but men live on the earth, freedom and sovereignty are so little identical that they cannot even exist simultaneously. Where men wish to be sovereign, as individuals or as organized groups, they must submit to the oppression of the will, be this the individual will with which I force myself, or the ‘general will’ of an organized group. If men wish to be free, it is precisely sovereignty they must renounce.”
-- Hannah Arendt, Between Past and Future
Arendt posits that freedom and sovereignty cannot coexist politically. As she reasons in Between Past and Future, freedom in its essence is highly or even purely political matter. She thinks that freedom is about bringing something new through human action into the world, a new beginning inexplicable by the law of causality governing Nature. Action and what a series of actions can bring about are characterized as it could be otherwise. This can be understood if we can think about the unfulfilled and/or fulfilled socio-political changes in history. As such, the very condition of action is the presence of others who are equal. When action brings something new into the world, a tangible change, it is always because of acting in concert with others. A tyrant can’t act but only conducts violence in order to fulfill his will since he is lonely without fellow persons.
Recently, we received this photograph from Rita Novo, one of our Twitter followers, of her lovely personal Arendtian library.
Commenting on the photograph, Rita had this to say:
With no particular order in mind, here is a photo of my Arendt collection. Towards the left side of the image, you can see the reference works of Simona Forti and Margaret Canovan, “Correspondance” with Karl Jaspers, and Jaspers' “Die Schuldfrage” in a Spanish edition. Arendt's “Eichmann in Jerusalem” is next, flanked by biographies such as the remarkable work of Elizabeth Young Bruehl. “The Life of Spirit” and “The Human Condition” follow after, as well as some Spanish collections of Arendt’s articles on responsibility and politics. I also have “Men in Dark Times” and the first Spanish edition of her “Rahel Varnhagen”, one of my favorites. Towards the right edge of the photo, we have “Essays in Understanding,” “The Jewish Writings,” and “Between Past and Future” in Spanish. All order aside, each of these works supports her main interest, namely the ethical imperative of understanding with regards to our love of the world.
About Rita Novo
Rita is a professor at the Philosophy Department at National University in Mar del Plata, Argentina. She serves as the Chair of Philosophy of History, a program in which Hannah Arendt's works function as one of the main subjects.
Want to share pictures of your own Arendt library? Please send them to David Bisson, our Media Coordinator, at firstname.lastname@example.org, and we might feature them on our blog!
Tuesday, February 1, 2011: Lunchtime Talk
Participants: Laura Ephraim, a 2010-2011 Post-doctoral fellow at the HAC and a 2011-2012 Associate Fellow at the HAC. She is now an Assistant Professor of Political Science at Williams College.
In February of 2011, Laura Ephraim gave a brief Lunchtime Talk in which she presented an Arendtian critique of Ray Kurzweil’s writings on ‘the Singularity.’ Kurzweil himself spoke at Bard that winter, elaborating on his theory of the Singularity, which states in short that human technological progress has advanced, historically, on an increasing curve of complexity such that in the near future, it can be expected that the intelligence of machines will surpass the biological intelligence of the human brain. At that point, ‘Version 1.0’ of humanity—purely biological in form—will be supplanted by a humanity augmented by and in symbiosis with technology.
“The common element connecting art and politics is that they are both phenomena of the public world. What mediates the conflict between the artist and the man of action is the cultura animi, that is, a mind so trained and cultivated that it can be trusted to tend and take care of the world of appearances whose criterion is beauty.”
“The Crisis in Culture,” in Between Past and Future (1993 ) 218-219
The survival of culture is not assured. In her exploration of culture and crisis, Hannah Arendt distinguishes between objects that are produced for use and those that are produced as art in order to endure. Consumptive life is a part of leisure, a “necessity” of life, whereas art, as Arendt often discusses, partakes in the humanistic task of cultivating a world that doesn’t collapse all distinctions – among people, among realms of experiences, among spaces of collective encounter, and among the ways in which we see violence whether in the hands of fellow human beings or state authorities. This note about violence is not a theme in Arendt’s “The Crisis in Culture.” But it very well could be, and as I’ll assert here, it should be. This is part of our “crisis of culture,” after all, a dilemma for which art may offer some chance of cultivating a humanistic sensibility that is much needed in light of persistent violence within liberal democratic republics today.
"[T]hese are exercises in political thought as it arises out of the actuality of political incidents (though such incidents are mentioned only occasionally), and my assumption is that thought itself arises out of incidents of living experience and must remain bound to them as the only guidepost by which to take its bearings."
-- Hannah Arendt, “Preface,” in Between Past and Future
One of the enduring sources of inspiration in Hannah Arendt's political thought is her exceptional capability of tying together reflections on concrete worldly events with in-depth philosophical, historical, and cultural insights. Her thinking never prioritizes abstract theorizations and never uses the incidents of the political world only as “examples.” Instead, for her the activity of thinking is about making sense of the events of the time. Whenever Arendt – against her habit – assumes a self-reflective position with regards to her own way of doing political theory, her emphasis is on the experiential nature of thought. In The Origins of Totalitarianism, she insists on facing the “impact of reality and the shock of experience” in all their force without succumbing to either reckless pessimism or optimism. The call to “think what we are doing,” as she puts it in The Human Condition, is indeed the primus motor underlying all her works.
**This post was originally published August 10th, 2012**
In this post, academics and university faculty will be criticized. Railing against college professors has become a common pastime, one practiced almost exclusively by those who have been taught and mentored by those whom are now being criticized. It is thus only fair to say upfront that the college education in the United States is, in spite of its myriad flaws, still of incredible value and meaning to tens if not hundreds of thousands of students every year.
That said, too much of what our faculties teach is neither interesting nor wanted by our students.
“The inner I: That I of reflection is the self, a reflection of the appearing human, so mortal, finite, growing old, capable of change, etc. On the other hand, the I of apperception, the thinking I, which does not change and is timeless. (Kafka Parable)”
—Hannah Arendt, Denktagebuch, February 1966
In an age overcome with the reach of globalization and the virtual expanse of the Internet, Arendt’s notes in her Denktagebuch on a seemingly obscure technical question on activity of thought in Kant gain new relevance by differentiating modes of thinking with depth and over time. Her reference to Kafka and the form of the entry pushes her profound temporal ideas in the direction of narrative fiction.
“It may well be the region of the spirit or, rather, the path paved by thinking, this small track of non-time which the activity of thought beats within the time-space of mortal men and into which the trains of thought, of remembrance and anticipation, save whatever they touch from the ruin of historical and biographical time. This small non-time-space in the very heart of time, unlike the world and the culture into which we are born, can only be indicated, but cannot be inherited and handed down from the past; each new generation, indeed every new human being as he inserts himself between an infinite past and an infinite future, must discover and ploddingly pave it anew.”
—Hannah Arendt, Between Past and Future
In the preface to Between Past and Future, Hannah Arendt foregrounds the Nazi/German occupation of France. She does so in order to emphasize how intellectuals who had previously pursued only their own, private careers suddenly became involved in the greater cause of the Resistance. This period, she suggests, was one of an abrupt convergence between “deed and word.” Confronted with the horror of Hitler’s state of emergency, the usual careerist “masks” of “insincerity” were cast off. Then, the introduction of a real state of emergency—that of the Resistance —produced a “public space [within which] freedom could appear.”
After the Liberation and the return to “normal” life, deed and word bifurcated again. As quickly as the new public intellectuals had turned away from academic detachment during the occupation, most returned to it after the war. The overall lack of a common enemy, or at least one as unifying as Nazism had been, meant the dissolution of the new public culture. The end of the war heralded the return of “innumerable cliques” and “paper wars” and the loss of the public culture that that tragedy had inspired.
Arendt articulates a temporal dimension of this shift from private to public and back to private life. There is a time, Arendt writes, that is between past and future. I call this non-time. Here is how Arendt describes this non-time: It is
an in-between period which sometimes inserts itself into historical time, when not only the later historians but the actors and witnesses...become aware of an interval in time which is altogether determined by things that are no longer and by things which are not yet.
The ascendant public awareness of the gap between the “no longer” and the “not yet” is important since it enhances the collective capacity for remembrance and anticipation. Rather than freezing “the” present in a temporal vice-grip between “the” past and “the” future, non-time plasticizes past and future, loosening its hold. Existing in such a non-time enlivens public freedom, enabling the collective ability to resist transcendentally imposed temporal imperatives. In her time, of course, this meant above all else, resisting the trans-European spread of Nazism.
For a brief period during the war and the resistance, she writes, thought had fused with action and historical and biographical time gave way to the free, indeterminate time that Arendt inflects politically as “public freedom.” Her assertion is that non-time, unlike the historical time of past, present and future, is a more radically open yet situated temporality “at the very heart of time”—and at the core of public freedom as well.
Arendt, however, did not limit her analysis to the early-20th century politics of Europe. Indeed, she selected numerous instances of the transformative, freedom-enhancing capacities of non-time, including the American Revolution, the French Revolution, the Hungarian Revolution of 1956, as well as, in the aesthetic domain, the modernist literature of Franz Kafka. In doing so, Arendt suggested the dynamism and applicability of her concept to a wide variety of situations - including, potentially, our own.
In this way, the act of thinking slips humanity out of historical and biographical time and into a non-time that reconstitutes the world. In the midst of resisting harkenings back to “the” past or any harkenings forward to “the” future, non-time, for Arendt, emerges as a plasticity subject to intervention.
The point, for Arendt, was to bring forth “the treasure” of non-time, within new temporal conditions that situate subjects anew, such that these new subjects might in turn, resituate the new temporal conditions. As she writes: “each new generation, indeed every new human being as he inserts himself between an infinite past and an infinite future, must discover and ploddingly pave it [the ‘treasure’] anew”.
How might today’s public, some fifty years after Between Past and Future, begin the fight for the public freedom Arendt sought? How might non-time assist in such a task?
Consider the mass media ascription of a non-transformative teleology to the Occupy movement. One refrain of critics of the Occupy movement was that it was not “really” seeking revolution at all. In its most common form, the critique asserted that occupiers were nothing more than recent college graduates confronted with mounting student loan debt and murky career horizons. What they really sought, therefore, was careers. But from the perspective of non-time, was this judgment necessarily “correct”, or was it instead a bit of both?
The frequency with which the same mass media outlets publish pieces concerned with economic justice today is far less today than at the height of the movement’s influence. In late 2011 and early 2012 however, journalists wrote and editors published as though they too had abruptly become aware of the gap “determined by things that are no longer and by things which are not yet.” From the perspective of non-time, the plasticity of public freedom gave way to the historical and biographical time that renders it inert. It was this that allowed the ascription of a non-transformative teleology to hold sway after the decline of the new public culture.
Of course, overstating the revolutionary nature of the occupy movement would also be foolish. Zeitgeists such as those that brought forth the French Resistance, the American Revolution, the French Revolution and the Hungarian Revolution of 1956 (not to mention, of course, literary modernism), are destined to decline by definition. The occupy movement proved no exception. That said, Arendt did provide some hints regarding how the treasure of non-time might be indicated amidst new, post-zeitgeist conditions, such as our own.
In her view, if humans are to move beyond the predetermined presentism of conditions set by the past, as well as the ascribed teleologism of past conditions in the future, the task is that of producing a critical, engaged public culture not as a periodic impulse, but as a permanent habit.
Doing so requires more than just heeding the often mis-read call to change the world “rather than” interpret it (as an excuse for acting without thinking). Instead, Arendt asserted, we must change the world, and at the same time, change the manner in which we interpret it. In other words, the transcendental hallucinations of time must be transformed by the immanent materiality of non-time. Why? Because, in contrast with those who speak, predictably, of “the” past or “the” future, for Arendt, the present is always an unknown moment of struggle between the past and the future.
- Jason Adams
At Duke University and the University of North Carolina, two highly popular professors have transformed their course Think Again: How to Reason and Argue into a Massive Online Open Course (MOOC) that is taken by 170,000 people from all over the world at one time. This is old news. There is nothing to worry about when hundreds of thousands of people around the world watch flashy lectures by top professors on how to think and argue. Better such diversions than playing Temple Run. There are advantages and benefits from MOOCs and other forms of computer learning. And we should not run scared from MOOCs.
But the alacrity with which universities are adopting MOOCs as a way of cutting costs and marketing themselves as international brands harbors a danger too. The danger is not that more people will watch MOOCs or that MOOCs might be used to convey basic knowledge inside or outside of universities. No, the real danger in MOOCs is that watching a professor on your Ipad becomes confused with education.
You know elite universities are in trouble when their professors say things like Edward Rock. Rock, Distinguished Professor at the University of Pennsylvania Law School and coordinator of Penn’s online education program, has this to say about the impending revolution in online education:
We’re in the business of creating and disseminating knowledge. And in 2012, the internet is an incredibly important place to be present if you’re in the knowledge dissemination business.
If elite colleges are in the knowledge dissemination business, then they will over time be increasingly devalued and made less relevant. There is no reason that computers or televisions can’t convey knowledge as well or even better than humans. Insofar as professors and colleges imagine themselves to be in the “business of creating and disseminating knowledge,” they will be replaced by computers. And it will be their own fault.
The rising popularity of MOOCs must be understood not as a product of new technology, but as a response to the failure of our universities. As Scott Newstock has argued, the basic principle behind MOOCs is hardly new. Newstock quotes one prominent expert who argues that the average distance learner "knows more of the subject, and knows it better, than the student who has covered the same ground in the classroom." Indeed, "the day is coming when the work done [via distance learning] will be greater in amount than that done in the class-rooms of our colleges." What you might not expect is that this prediction was made in 1885. "The commentator quoted above was Yale classicist (and future University of Chicago President) William Rainey Harper, evaluating correspondence courses." What Newstock’s provocation shows is that efforts to replace education with knowledge dissemination have been around for centuries. But they have failed, at least until now.
MOOCs are so popular today because of the sadly poor quality of much—but certainly not all—college and university education. Around the country there are cavernous lecture halls filled with many hundreds of students. A lone professor stands up front, often with a PowerPoint presentation in a darkened room. Students have their computers open. Some are taking notes, but many are checking Facebook or surfing the Internet. Some are asleep. And others did not bother to show up, since the professor has posted his or her lecture notes online so that students can just read them instead of making the effort to make it to class. Such lectures may be half-decent ways to disseminate knowledge. Some lectures are better than others. But not much learning goes on in such lectures that can’t be simply replicated more efficiently and maybe even better on a computer. It is in this context that advocates of MOOCs are correct. When one compares a large lecture course with a well-designed online course, it may very well be that the online course is a superior educational venture. That it is cheaper too makes the advance of MOOCs seemingly inevitable.
As I have written here before, the best argument for MOOCs is that they may finally put the large and impersonal college lecture course out of its misery. There is no reason to be nostalgic for the lecture course. It was never a very good idea. Aside from a few exceptional lecturers—in my world I can think of the reputations of Hegel, his student Eduard Gans, Martin Heidegger, and, of course, Hannah Arendt—college lectures are largely an economical way to allow masses of students to acquire basic introductory knowledge in a field. If the masses are now more massive and the lectures more accessible, I’ll accept that as progress.
What this means is that there is an opportunity, at this moment, to embrace MOOCs as a disruptive force that will allow us to re-dedicate our universities and colleges to the practice of education as opposed to the business of knowledge dissemination. What colleges and universities need to offer is not simply knowledge, but education.
“Education,” as Martin Luther King wrote, “must also train one for quick, resolute and effective thinking.” Quick and resolute thinking requires that one “think incisively” and “think for one's self.” This “is very difficult.” The difficulty comes from the seduction of conformity and the power of prejudice. “We are prone to let our mental life become invaded by legions of half truths, prejudices, and propaganda.” We are all educated into prejudgments. They are human and it is inhuman to live free from prejudicial opinions and thoughts. On the one hand, education is the way we are led into and brought into a world as it exists, with its prejudices and values. And yet, education must also produce self-thinking persons, people who, once they are educated and enter the world as adults, are capable of judging the world into which they been born. (I have written more about King’s thoughts on education here).
In her essay “The Crisis in Education,” Hannah Arendt writes that education must have a double aspect. First, education leads a new young person into an already existing world. The world is that which is there before the child was born and will continue to exist after the child dies. It is the common world of things, stories, and experiences in which all of us spend our lives. All children, as newcomers who are born into a world that is at first strange to them, must be led into the already existing world. They must be taught to speak a common language, respect common values, see the same facts, and hear the same stories. This common world is what Arendt calls the “truth… we cannot change; metaphorically, it is the ground on which we stand and the sky that stretches above us.” In its first aspect, then, education must protect the world from “the onslaught of the new that bursts upon it with each new generation.” This is the conservationist function of education: to conserve the common world against the rebelliousness of the new. And this is why Arendt writes, “Education is the point at which we decide whether we love the world enough to assume responsibility for it.”
At the same time, however, there is a second aspect of education that seeks to afford the child “special protection and care so that nothing destructive may happen to him from the world.” The teacher must nurture the independence and newness of each child, what “we generally call the free development of characteristic qualities and talents… the uniqueness that distinguishes every human being from every other.” The teacher must not simply love the world, but as part of the world in which we live, the teacher must also love the fact—and it is a fact—that the world will change and be transformed by new ideas and new people. Education must love this transformative nature of children, and we must “love our children enough” so that we do not “strike from their hands their chance of undertaking something new, something unforeseen by us, but to prepare them in advance for the task of renewing a common world.” Alongside its conservationist role, education also must be revolutionary in the sense that it prepares students to strike out and create something altogether new.
Now is the time to use the disruption around MOOCs to rethink and re-invigorate our commitment to education and not simply to the dissemination of knowledge. This will not be easy.
A case in point is the same Duke University Course mentioned above, “Think Again: How to Reason and Argue.” In a recent article by Michael Fitzgerald, the Professors— Walter Sinnott-Armstrong from Duke and Ram Neta of the University of North Carolina at Chapel Hill— describe how teaching their MOOC led them to radically re-conceive how they teach in physical university classrooms. Here is Fitzgerald:
“The big shift: far fewer in-class lectures. Students will watch the lectures on Coursera beginning Monday. "Class will become a time for activities and also teamwork," said Sinnott-Armstrong. He's devised exercises to help on-campus students engage with the concepts in the class, including a college bowl-like competition, a murder mystery night and a scavenger hunt, all to help students develop a deeper understanding of the material presented in the lectures. "You can have these fun activities in the classroom when you're not wasting the classroom time with the lectures," he said.”
What we see here is that the mass appeal of MOOCs and their use as a way of replacing lectures is not being seized as an opportunity to make education more serious, but as an excuse to make college more fun. That professors at two of this country’s elite universities see it as progress that classes are replaced by murder mystery games and scavenger hunts is evidence of a profound confusion between education and infotainment. I have no doubt that much can be learned through fun and games. Children learn through games and it makes all the sense in the world that Finland allows children in schools to play until they are seven or eight years old. Even in primary or at times in secondary school, simulations and games may be useful. But there is a limit. Education, at least higher education, is not simply fun and games in the pursuit of knowledge.
As Arendt understood, education requires that students be nurtured and allowed to grow into adults who think for themselves in a serious and engaged way about the world. This is one reason Arendt is so critical of reformist pedagogy that seeks to stimulate children—especially older children in secondary schools and even college—to learn through play. When we teach children a foreign language through games instead of through grammar or when we make them learn history by playing computer games instead of by reading and studying, we “keep the older child as far as possible at the infant level. The very thing that should prepare the child for the world of adults, the gradually acquired habit of work and of not-playing, is done away with in favor of the autonomy of the world of childhood.” The same can be said of university courses that adopt the juvenile means of primary and secondary education.
The reasons for such a move to games in the classroom are many. Games are easy, students love them, and thus they fill massive classes, leading to superstar professors who can command supersized salaries. What is more, games work. You can learn a language through games. But games rarely teach seriousness and independence of thought.
The rise of MOOCs and the rise of fun in the college classroom are part of the trend to reduce education to a juvenile pursuit. One hardly needs an advanced degree to oversee a scavenger hunt or prepare students to take a test. And scavenger hunts, as useful as they may be in making learning fun, will hardly inculcate the independence of mind and strength of character that will produce self-thinking citizens capable of renewing the common world.
The question of how to address the crisis in education today—the fact that an ever more knowledgeable population with greatest access to information than at any time in the history of the world is perhaps the most politically illiterate citizenry in centuries—is the theme of the upcoming Hannah Arendt Center Conference, “Failing Fast: The Educated Citizen in Crisis.” In preparation for the conference, you can do nothing better than to re-read Hannah Arendt’s essay, "The Crisis in Education." You can also buy Between Past and Future the book of essays in which it appears. However you read it, "The Crisis in Education" is your weekend read.
Ernst Cassirer is an oft-neglected thinker in contemporary continental philosophy. He is typically eclipsed by Martin Heidegger, whom he faced in the now famous disputation at Davos, Switzerland in the spring of 1929, which had such a dramatic effect on continental philosophy that the young Emmanuel Levinas, who attended the debate, felt as if he were "present at the creation and end of the world". In spite of Cassirer's attempt to make his three-volume Philosophie der symbolischen Formen (1923-1929) more accessible to an English speaking audience through a concise redaction in An Essay on Man (1944), he remains a marginal figure in contemporary philosophy.
However, Ned Curthoys, a researcher at the Australian National University's School of Cultural Inquiry, has recently recovered a latent conversation between Cassirer and Hannah Arendt that casts new light on the impact and significance of his work.
Arendt's vigorous annotations in her copy of Cassirer's An Essay on Man indicate that she was a diligent and consistent reader of Cassirer. Her personal library housed in the Arendt Collection at Bard College contains over a dozen titles by Cassirer. Most Cassirer’s works in Arendt's personal library contain heavy annotations and marginalia, which suggest a critical and substantive engagement with Cassirer's work. Although Arendt's references to Cassirer in her major works are sparse—once in her essay "The Concept of History: Ancient and Modern" in Between Past and Future, and four times in The Human Condition—it is clear that Cassirer had an influence on Arendt's postwar writings. The question is: What was the extent of this influence?
Curthoys has recently taken up this question and offers a persuasive argument that Arendt's philosophy of history and her philosophical anthropology were shaped significantly by her reading of Cassirer. Curthoys' early essays on Arendt explored the political significance of narrative in her work and her use of "thought-figures," like Charlie Chaplin, Franz Kafka, Karl Jaspers, Walter Benjamin, and Isak Dinesen, all of whom attempted to subvert the authoritative discourses of their times by means of counter-narratives. Curthoys discerns the marks of a German émigré consciousness in Arendt's postwar writings that suggests an intellectual dialogue with other German émigrés like Karl Jaspers, Walter Benjamin, and Ernst Cassirer. He foregrounds Arendt's status as a conscious pariah and engages in a postcolonial reading of her work that highlights her development of a counter-narrative to the Eurocentric metanarratives of her age.
More recently, Curthoys has begun excavating a latent conversation between Arendt and Cassirer. In his essay, "The Pathos and Promise of Counter-History: Hannah Arendt and Ernst Cassirer's German-Jewish Historical Consciousness" (in Power, Judgment, and Political Evil,), Curthoys explores Arendt's philosophy of history, and argues that she found a "counter-history" in Walter Benjamin and Ernst Cassirer that allowed her to challenge the Eurocentric discourse on history that had rendered her an outsider, a pariah. It is precisely this location outside the dominant identities and political narratives of Europe, Curthoys avers, that served as Arendt's Ansatzpunkt, or starting point, and allowed her to engage in a recursive investigation of history.
What is most significant in this essay is Curthoys' claim that Arendt's engagement with Cassirer's "philosophy of symbolic forms" was instrumental in the development of her philosophy of history, and his suggestion that it led to her reconsider Cassirer's defense of neo-Kantianism in the Davos debate, a reconsideration that Curthoys sees as the impetus for Arendt's return to Kant in her final years. This engagement was not a wholesale adoption of Cassirer's approach to history, Curthoys argues, but a critical and creative renewal of his thought.
Curthoys has extended this exploration of the connection between Arendt and Cassirer in a subsequent article titled, "Ernst Cassirer, Hannah Arendt, and the Twentieth-Century Revival of Philosophical Anthropology." Curthoys argues that Arendt's focus on philosophical anthropology in The Human Condition, Men in Dark Times, The Life of the Mind, and her final lectures on Kant is the result of her ongoing critical engagement with Cassirer's work. At the heart of this article is Curthoys’ assertion that Cassirer's theory of symbolic forms is refracted in Arendt's notion of a common world. Cassirer had argued in his Philosophie der symbolischen Formen that human beings are symbolic animals that express themselves in systems of signs, which mediate reality in networks of meaning. These systems of signs take form in language, myth, religion, art, science, and history. Readers of Patchen Markell's "Arendt's Work: On the Architecture of The Human Condition" will recall his claim that "work" plays a mediating role, which resonates with Cassirer's notion of symbolic forms.
Curthoys' investigation and recovery of the intellectual conversation between Arendt and Cassirer is compelling, but more needs to be done to make this influence explicit. Curthoys' new book The Legacy of Liberal Judaism: Ernst Cassirer's and Hannah Arendt's Hidden Conversation (Forthcoming in September 2013, Berghahn Books) promises to offer more evidence for Arendt's creative development of Cassirer's thought. Curthoys' research opens up a new line of inquiry into the wider connections between Arendt and the German-Jewish intellectual tradition and offers further confirmation of her fidelity to Jewish thought in general.
-John Douglas Macready (University of Dallas)
Franz Kafka is hung in Israel for being a Nazi. Hannah Arendt laughs in the face of Auschwitz. Walter Benjamin cries for the lost revolution. With such visions, the Berlin-based-artist Volker März has carved out a space for himself as an artist of the thoughtful and the absurd. I met him last month at MEINBLAU, a gallery on Christinenstraße, his most recent exhibit in Berlin.
I was quickly ushered into an alternate reality. As you walk in, you must become acquainted with the März' artificial world.
This it the tale of Franz Kafka, who, in 1924, aged 41, does not die of tuberculosis but rows with his ape, Mr. Rotpeter, to Palestine, where he still lives to this day in Tel Aviv, aged 126. From here he provides a commentary on world events of the last 85 years, including the history of Israel in brief comments that I have gleaned from his letters and emails.
The exhibit that follows is titled "Israel Hangs Kafka." In März’s world, Kafka was tried and executed in Israel in 2009. He was accused of being a Nazi. In heaven Kafka finds "only a crowd of Kafkas, who tell him that every individual ends up in his own personal heaven in which he has to put up with hundreds of copies of himself." In 2010 there is a new government elected in Israel. Ashamed that the country had framed Kafka, the new government petitions God to have Kafka exonerated and return him to Israel. But as Kafka is falling back to earth, he goes astray and lands on the back of a Donkey in Ramallah in the West Bank. The Donkey carries Kafka to Pina Bausch who, like Kafka, is recently returned from heaven.
And this is just the textual frame for März's playful, gripping, and unexpected figures. The artworks themselves are thousands of miniature clay figures, hanging from the ceilings, attached to walls, and climbing throughout the exhibition hall.
They comprise a suggestive and inventive visual world. Kafka is naked, often erect, sometimes carrying an elephant or with his ape. He rides a donkey. He dances with Pina Bausch. He shoots a gun, he is blown up or drowned. Sometimes he addresses the Knesset. Behind each figure or scene is a story, but the exhibition does not provide the full narrative. For that, one should buy März's two bi-lingual volumes, Kafka In Israel, and In Search of Pina Bausch (Kafka: Auf der Suche nach Pina Bausch).
Volker März is tall, affable, and funny. "Kafka Hangs Israel" is the last of his "trilogy" of work on German-speaking Jewish intellectuals of the 20th century. His first show in the series, "Auratransfer," was inspired by Walter Benjamin. "The Laughter of Hannah Arendt/The Concentration Camp as Space of Thinking" is the show that brought März to my attention, along with his piercing motto that gets right to the heart of brutal reality of Arendt's thesis of the banality of evil: "Auschwitz is human." März pierces Arendt's insight that the evil of the holocaust—as evil—was enabled not by monsters but by human beings who were merely human, or, in other words, who did not think. The banality of evil is an expression of the awful potentiality of human action when mankind abandons the truly human capacity to think.
There is a sense in which the provocative motto “Auschwitz is human” gets Arendt wrong in a small way. For Arendt, the fact that Eichmann is banal is not to say that he is human. It is rather to point to the loss of his humanity. This is the reason that Arendt disavowed a connection between her work and the Stanley Milgram experiments, in which people applied increasing doses of electricity to test subjects when told to do so by the scientists running the experiment. For Arendt, the fact that most people do act with banality shows not that humans are evil, but that in the modern age human beings are in danger of losing their humanity. The motto “Auschwitz is human” gets at the heart of Arendt’s insight that Eichmann—and all real evil in the modern era of the bureaucratic machinery of evil—was rather thoughtless than monstrous. But she never acquiesces to the motto that thoughtlessness is human. On the contrary, the highest activity of humanity is to think.
The transformative power of thinking lies behind Arendt’s own interest in Franz Kafka. For Arendt, Kafka's parables and texts were examples of thinking. Arendt is taken above all by Kafka’s account of the space between past and future, an image she took as the title of her 1954 book Between Past and Future. The parable concerns a person shoved forward from the past, pressed backwards by the future, someone who can jump outside the forces of history and find a space for thinking freely outside of history and free from social scientific predictions of the future. The space of thinking is found, she writes, in "the experience of thinking."
März’s exhibition in Berlin contained only a fraction of the Kafka figures he has created and tell only a fragment of the elaborate story that knits them together. That story is told in his two books on Kafka that can hardly be called the exhibition's catalogues. They are rather books in themselves, bilingual in German and English, and fantastic to read.
The first book is Kafka in Israel. It tells the story I have outlined above, up until Kafka's execution. In it we are introduced to Kafka and also Rotpeter, Kafka's ape. On the occasion of Kafka's 100th birthday the writer is invited to address the Israeli Knesset where he says: "Among all human beings, the Monkey is the one and only outsider." The ape, human but inhuman, is excluded. Which is why "we're pretty much agreed now that an ape is in urgent need of a continent of its own, one inaccessible to humans."
The second book, Kafka in Search of Pina Bausch, takes place after Kafka has been executed by Israel and returns to the West Bank where he meets the German choreographer Pina Bausch, herself recently returned from the beyond. More political than the first volume, the search for Pina Bausch is a raucous and often biting look at the hypocrisies and tensions in the political and culture divisions between Israel and Palestine.
Together, these two volumes make a fascinating journey in both pictures and text. They are accessible and brief, but compelling. You could do worse than to order yourself a copy. And while you are at it, don’t forget to order also März’s volume on Hannah Arendt, The Laughter of Hannah Arendt. These books by Märx are your weekend read.