Amor Mundi – 5/19/13
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
Jonathan Lee interviews Twelve Tribes of Hattie author Ayana Mathis, who talks about the way that indecision (in her education) and doubt (of her religion) has affected her development as a person and as a writer. Mathis, who was Marilynne Robinson's student at the Iowa Writer's Workshop, says that, despite her doubt, there's something deeply, uniquely human about honest religious experience: "A belief in God may not be fully within me anymore, but there's still a belief in belief. The high drama and power of the Church has stayed with me. As a child in church, I saw grown men at the altar crying out for God's mercy. And the idea of someone doing that has become a joke in the popular culture, but when you are there and you see it, you experience-for a moment-an incredibly raw, honest, strange insight into what it means to be a human being. Those experiences don't leave you."
Maria Popova points to the American Rock 'n Roll historian Greil Marcus' recent commencement address to the School of Visual Art's class of 2013. In his speech, Marcus rails against the high and low divisions of art and culture, suggesting that there's something controlling in those categories, something that totally degrades the mystery of art.
All last week, The New Yorker's Page Turner blog has been sharing excerpts from a collection of Italo Calvino's letters. On Christmas Eve 1959, Calvino shared his impression of New York with a friend: "But really it is not this I mainly wanted to talk to you about, it's more to say that this country here knows nothing about us Europeans-and Russia here you can feel is part of Europe, and with no great differences either-because they are totally devoid of a sense of history. To put it briefly, I am beginning to understand something about America, but I have not got the time even to think never mind writing. I am leading the life of a business man, because this is the real way to live in this city-I say business, but all I do is see publishers and have endless business lunches with them-I act as ambassador for an imaginary Italian Democratic Republic, because I feel it is my duty and responsibility to do so, being one of the few men of the left who has been given the chance to visit this country for six months."
On its seventy-fifth anniversary, Mike Hume writes about George Orwell's book about the Spanish Civil War, Letters from Catalonia. "Orwell," he writes, "was obviously deeply touched by the decency and heroism of the ordinary Spaniards and foreigners fighting for freedom by his side. Isolated on the frontline with the workers' militia, he recalls: 'One had been in a community where hope was more normal than apathy or cynicism, where the word "comrade" stood for comradeship and not, as in most countries, for humbug. One had breathed the air of equality.'"
The Official U.S. Opening of the biopic, Hannah Arendt in NYC
Learn more here.
From the Hannah Arendt Center Blog
This week on the blog, Lance Strate considers the existence and meaning of the public realm, and Roger Berkowitz looks at the continuing debate about the merit of MOOCs.
The MOOCs Debate Continues
Thinking stops us. To think is to slow down, even stop, turn around, and reflect. There is that famous scene in the Symposium where Socrates simply stands there in the street for hours, thinking. Barbara Sukowa, in the new film Hannah Arendt, literally smokes saying nothing for minutes on end to offer the exemplary sense of what it means to stop and think. One might even subtitle the new film “Smoking and Thinking,” which is a reminder of one loss—amidst many benefits—that health concerns and the end of smoking means for our thinking lives.
Thinking is especially important at a time of excitement and speed, when everybody around you is rushing headlong into the newest 'new thing'. The new thing in the world of teaching is, of course, online education and particularly the MOOC, the massive open online courses that seemingly everyone now wants to offer. There is a steamroller effect in the air, the fear that if we don’t get on board we will be left behind, standing alone in front of our blackboards lecturing to empty seats.
Or worse, that we will become an underpaid army of low-paid assistants to superstar professors. Outside of these professional and personal concerns, there is the worry that the rush to online courses and online education will cheapen education.
Aaron Bady seeks to slow us down and think about MOOC’s in his recent essay in The New Inquiry. Here is how he describes our current moment:
In the MOOC moment, it seems to me, it’s already too late, always already too late. The world not only will change, but it has changed. In this sense, it’s isn’t simply that “MOOCs are the future, or online education is changing how we teach,” in the present tense. Those kinds of platitudes are chokingly omnipresent, but the interesting thing is the fact that the future is already now, that it has already changed how we teach. If you don’t get on the MOOC bandwagon, yesterday, you’ll have already been left behind. The world has already changed. To stop and question that fact is to be already belated, behind the times.
The first thing I want to do, then, is slow us down a bit, and go through the last year with a bit more care than we’re usually able to do, to do a “close reading” of the year of the MOOC, as it were. Not only because I have the time, but because, to be blunt, MOOC’s only make sense if you don’t think about it too much, if you’re in too much of a hurry to go deeply into the subject.
Bady is right to ask that we slow down, and of course, this is happening. Amherst College and Duke University recently voted to pull out of EdX and rethink their online strategies. The philosophy department at San Jose State, a university that is embracing MOOCs, issued a thoughtful open letter questioning the implementation and use of MOOCs. At Bard, where the Hannah Arendt Center is located, there are ongoing and serious discussions and experiments proceeding on how to use MOOCs and online education in pedagogically sound and innovative ways. Many schools that don’t get the press and attention associated with speedily adopting the MOOC model are thinking seriously about using MOOCs well, and more generally, about how to employ technology in ways that will enrich or expand the classroom educational experience. In this way, MOOCs are actually spurring reform and innovation in ways Bady does not consider.
Nevertheless, in asking that we breathe, stop and think, Bady does a great service. He clearly has worries about MOOCs. And the concerns are meaningful.
MOOC’s are literally built to cater to the attention span of a distracted and multi-tasking teenager, who pays attention in cycles of 10-15 minutes. This is not a shot at teenagers, however, but an observation about what the form anticipates (and therefore rewards and reproduces) as a normal teenager’s attention span. In place of the 50 minute lectures that are the norm at my university, for example, MOOCs will break a unit of pedagogy down into YouTube-length clips that can be more easily digested, whenever and wherever. Much longer than that, and it falls apart; the TED talk is essentially the gold standard.
MOOCs as they are today do break the large lecture into smaller bits. They require students to answer questions after a few minutes of the lesson to make sure they are following it. Before one can continue, one must in essence take a quiz to see if you are getting it. Let’s stipulate: this is juvenile. It treats the college student like a grammar school student, one who knows little and cannot be trusted to be attentive on their own and needs big brother watching and making sure he is paying attention and learning at every minute.
In short, MOOCs threaten to change education to be about shorter, less demanding, more corporate lessons. The focus will be on skills and measurable learning. What will be sacrificed is the more difficult-to-measure experience of struggling with difficult ideas and the activity of thinking in public with others. Bady’s point, and he is right, is that a fully online education is hardly an education. It is a credential.
That may be true. But the sad fact is that for many if not most of our college students, college is more of a credential than an intellectual feast. Most students simply get very little out of large lectures.
If they are not sleeping or on Facebook, they are too often focused simply on learning what is necessary to pass the exam. This is a reality that many who criticize MOOCs are not facing up to—that our current educational system is, for large numbers of students, a sham; it is too often a waste of time and money.
Bady focuses on the last of these concerns and believes that the driving force of the arguments for MOOCs is economic. He writes:
But the pro-MOOC argument is always that it’s cheaper and almost never that it’s better; the most utopian MOOC-boosters will rarely claim that MOOCs are of equivalent educational value, and the most they’ll say is that someday it might be.
On this reasoning, MOOCs will soon take over the entirety of higher education, devaluing higher personal instruction. Bady is partly right. MOOCs will devalue a college degree, as ever more people can cheaply acquire one. But they will likely increase the value of a college degree from a physical university where students learn with real professors who care for and nurture them. In short, MOOCs will likely increase the attraction of and resources for those institutions that provide personal educations. There will always be some people who desire a meaningful education—although the number of people who do so is likely smaller than academics would like to admit. What MOOCs allow is for us to provide cheap and more effective credentialing educations for those who don’t actually want to invest the time, effort, and money in such an intellectual endeavor.
And this is where MOOCs have a real potential to provide a service, in separating out two now confused aims of higher education. On the one hand, education is an intellectual pursuit, an opening of the mind to an historical, moral, beautiful, and previously hidden world. On the other, it is a credential for economic and social advancement. Of course these distinctions can be blurred, and too often they are completely, so that education as an intellectual activity is reduced down cynically to a credential. I think MOOCs can change this. By making the choice more starkly, we can let students choose which kind of education they want. And for those who simply want a credential, the MOOC option is probably better and cheaper and more convenient.
Bady doesn’t take this seriously because he worries that MOOCs are being offered as a replacement for education at all levels. The confusion here, however, is a difficult one to speak about because the issue is one of elitism. We need to recognize that some colleges and some students are aspiring to offer an education. Others are providing instead a certification. But since we call all of these different endeavors a “college education” we confuse the question. One great side-effect of the MOOC phenomena is that we may once again be able to recall that not everyone in a society wants or needs a college education. The best answer is then to spend more resources on our abysmal system of high school teaching. But that is another story.
Bady’s essay is one of the best around on the MOOC phenomenon. It is well worth your time and is your weekend read.
-RB
To read more Arendt Center posts about education, teaching and MOOCs click here, here, here, and here.
Amor Mundi 5/12/13
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
The Closing Arguments at Guantanamo
With the conditions at the United States military detention facility in Guantanamo recently coming under scrutiny comes renewed attention to the case of Mohammed Jawad, the first Guantanamo detainee to testify, under oath and to a military commission, that he had been tortured while being held. Last month, a dramatic reading of statements made by Jawad's lawyer, David Frakt, juxtaposed with statements made by the case's lead prosecutor, Darrel Vandervelde, who left the military in order to help free Jawad, was held at the Pen World Voices Festival of International Literature. In their statements, both men use the language of Constitutionality to suggest that, by torturing detainees such as Jawad, "America," as Frakt puts it, "lost a little of its greatness." Vandervelde writes of his choice to testify in favor of Jawad: "I did it because I believe in truth, justice, the rule of law, and our common humanity. I did it for Mohammed Jawad, I did it because it was my duty, and I did it for us all."
A.O. Hirschman, Philosopher of the World
Cass Sunstein summarizes Jeremy Adelman's recent, and massive, biography of the twentieth century scholar Albert Hirschman. Describing him as a thinker whose work has direct relevance to today's questions, Sunstein both praises Adelman's work and Hirschman's, saying of the latter: "He insisted that human history provides stories, intricate and often nonrepeatable,' which 'look more like tricks history has up its sleeve than like social-scientific regularities, not to speak of laws.'" Hirschman sought, Sunstein writes, "to "prove Hamlet wrong." In Shakespeare's account, Hamlet is immobilized and defeated by doubt. Hirschman was a great believer in doubt-he never doubted it-and he certainly doubted his own convictions. At a conference designed to celebrate the thirtieth anniversary of his first book, who else would take the opportunity to show that one of his own central arguments was wrong? Who else would publish an essay in The American Economic Review exploring the "overproduction of opinionated opinion," questioning the value of having strong opinions, and emphasizing the importance of doubting one's opinions and even one's tastes? Hirschman thought that strong opinions, as such, "might be dangerous to the health of our democracy," because they are an obstacle to mutual understanding and constructive problem-solving. Writing in 1989, he was not speaking of the current political culture, but he might as well have been."
Kelefa Sanneh reviews in The New Yorker; The Democracy Project: A History, a Crisis, a Movement by David Graeber and Two Cheers for Anarchism by James C. Scott. Graeber, an anthropologist, became famous as one of the intellectual leaders of Occupy Wall Street. Scott is also an anthropologist and a fellow anarchist. "Graeber did his anthropological field work in the highlands of Madagascar, and Scott did his in Southeast Asia, but their conclusions were similar. Both of them encountered communities that lived more or less autonomously, finding ways to resist or ignore whatever governments claimed jurisdiction over them. And both are eager to expand the history of lived anarchism beyond Paris and Catalonia; it is, they argue, broader and more common than we've been taught." Sanneh understands that "in America anarchism's appeal surely has something to do with the seeming durability of our current arrangement, and the inexorable growth of the government that maintains it. Such is the power of a sprawling and sophisticated state: the bigger it gets, the easier it becomes for us to imagine that we could live without it."
Julia Hobsbawm gives her father, the historian Eric Hobsbawm, a eulogy with familial warmth that is well aware of his global stature. Still, she focuses mostly on his love for her, for ideas and, importantly, for books of all kinds: "I called his mobile to check in and asked if he needed anything. He had a big sweet tooth and I expected him to ask for some fruit jellies, a favourite, or perhaps some dark chocolate. 'I managed to bring a most turgid book in with me, he said apologetically. 'Would you mind getting me something better?' It turned out that the book he had picked up, assuming it was the last he would ever hold, was a German edition of The Brothers Karamazov, and with the crisis over it was now not to his liking. Knowing his weakness for thrillers - one book wall is covered in the Penguin crime paperbacks with the green spines, his old Ed McBains and more recently Elmore Leonards - I brought him in The Girl with the Dragon Tattoo by Stieg Larsson. It got him through the hospital tedium and even prompted a rather racy discussion about how much marital bed-hopping it featured. 'Too much,' he declared."
In Praise of the Self Suspicious Journalist
Alice Gregory praises author and essayist Janet Malcolm, highlighting in particular her suspicion of the truth claim of any narrative: "Malcolm would say that any story-and especially a well-told and well-reported one-is inevitably a distortion. Throughout her career, she has insisted upon this. 'The realities of characters in fiction-and of their cousins in journalism-derives precisely from the bold, almost childlike strokes from which they are drawn,' she writes in Reading Chekhov."
The Official U.S. Opening of the biopic, Hannah Arendt in NYC
May 29, 2013 at Film Forum, 209 W. Houston St., NYC at 7:45 PM
Film followed by discussion with the director; Margarethe von Trotta, the screenwriter; Pam Katz, Barbara Sukowa and Janet McTeer (playing Hannah Arendt and Mary McCarthy.)
Buy tickets and learn more here.
From the Hannah Arendt Center Blog
This week on the Arendt Center Blog, Jeffrey Champlin talks Arnold Geheln on Arendt and considers Arendt's relationship to philosophical anthropology.
The Hudson Valley Premiere of Hannah Arendt
Monday night marked the Hudson Valley Premiere of the highly anticipated new Margarethe von Trotta feature film, Hannah Arendt starring Barbara Sukowa as Hannah Arendt. The film opens officially in New York City on May 29th.
Roger Berkowitz introduced the film to a packed house at Bard College.
After the screening, Roger Berkowitz moderated a discussion with screenwriter Pam Katz and actor Barbara Sukowa. Sukowa, who on Saturday won the LOLA award for Best Actress for her portrayal of Hannah Arendt, spoke about the challenge of making a movie that will be seen so differently by those who know Hannah Arendt's work and those who don't. Katz, who co-wrote the script with von Trotta, talked about how important it was to include archival footage from the Eichmann trial rather than having an actor play Eichmann. We will be posting video of the entire discussion soon.
Reviews of the Film ‘Hannah Arendt’
Margarethe Von Trotta's biopic about Arendt, starring German star Barbara Sukowa, will be released in select European theaters on January 17, 2013. However, it was recently screened at the Toronto International Film Festival.
Here are what some reviewers had to say about the film:
The Hollywood Reporter, Variety, Cinemablographer, Exclaim.ca
In case you haven't seen it yet, here is the official trailer:
“Hannah Arendt”, the film

Director, Margarethe von Trotta speaks about the progress being made on her feature film, "Hannah Arendt".
Hannah Arendt and Barbara Sukowa have now merged into one for me, and that is not projection...Of course, it is just an approximation, and yet it is her – her spirit, her intellect, the way she moves and how she speaks.

Barbara Sukowa as Hannah Arendt
Click here to read more.
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