Hannah Arendt Center for Politics and Humanities
28Oct/130

Revolutions

Arendtquote

“When the Revolution [sic] devoured its own children like Saturn and was like a gigantic Lava [sic] stream on whose surface the actors were born [sic] along for a while, only to be sucked away by the undertow of an undercurrent mightier than they themselves.”

-Hannah Arendt, "Revolutions - Spurious and Genuine" (unpublished)

This quote, whose telling typos will be addressed below, is from an unpublished typescript by Hannah Arendt, written for a lecture in Chicago in May 1964, titled “Revolutions – Spurious and Genuine”. The first lines read: “Not my title. I would hesitate to distinguish.” While Arendt rejects the suggested binary definition, her talk offers different sets of distinctions:

First, modern revolutions like the French or the American Revolution imply a change that is radical enough to be experienced as an entirely new beginning. A new beginning that no one can escape, because it affects “the whole fabric of government and/or society.” This call for radical change doesn’t just protest bad government. Citizens who are in the streets for a revolution don’t limit themselves to complaining, “We are badly ruled,” but they claim, “We wish to rule ourselves.” The revolutions in Eastern Europe in 1989-1990, and most recently the revolutionary events in Egypt and other countries of the Middle East are probably the most prominent events of this kind in contemporary history. At the time of Arendt’s talk, the Cuban Revolution was the most recent example: she thought it was primarily a coup d’état, yet “most certainly” a revolution.

revolution

Second, Arendt distinguishes between social and political upheavals – a distinction we know from her book “On Revolution,” published one year before the lecture in Chicago. Revolutions like those in France in 1789, or Russia in 1905, came to be primarily about the abolition of social misery and inequality, while the American Revolution, for instance, was about building political liberty, according to Arendt. This section of the paper is one of the rare occasions in Arendt’s work where she also addresses America’s “hidden social question,” i.e. the “institution of slavery” and its aftermath. Arendt is puzzled that America’s extremely mobile society and economy resisted change, keeping African-Americans stuck at the bottom of society while many – often poor – immigrants were easily absorbed. Does the civil rights movement call for a revolution in response to this turmoil? No, Arendt says, for it doesn’t claim to change the whole fabric of the society; rather, it is fighting for access to this society. There is a revolutionary aspect to the movement’s political fight “against those laws and ordinances of states which are openly discriminatory,” Arendt remarks, but changing the “whole fabric” isn’t on this agenda either, for the civil rights movement had the Federal government on its side.

In the final section of her talk, Arendt returns to the initially rejected distinction between spurious and genuine – because she does think it is productive when we ask, “Who are the revolutionists?”

On the one hand, there is the concept of a founder, originating in the American Revolution: “a kind of architect” who builds a house that provides stability because those who inhabit it are fleeting, they come and go. “Freedom needs a space to be manifest,” Arendt notes, continuing: the “more stable a body politic is, the more freedom will be possible within it.” Whether the process of life housed by this founder is ruled by the law of progress or not, is secondary.

Yet the concept of progress is still central to how we usually conceive of politics. The conservatives tend to be against it, the liberals tend to be for it up to a certain degree. The revolutionists, however, believe in it, and they believe that true progress requires violence. They’ve been holding this belief with and since Marx, Arendt recalls, with whom she competes for the metaphor of “birth.” Whereas for Marx the pangs of birth must accompany every meaningful political development, for Arendt birth manifests the human capacity for a totally new beginning.

The metaphors of infinite progress as an infinite process “were all born … during the French Revolution,” Arendt notes. They were born, when not only the Jacobins around Robespierre, who represents the cruelties of the rule of “terreur,” but also the slightly more moderate Girondists around Danton had lost control:

“When the Revolution [sic] devoured its own children like Saturn and was like a gigantic Lava [sic] stream on whose surface the actors were born[e] [sic] along for a while, only to be sucked away by the undertow of an undercurrent mightier than they themselves.”

The typos in this passage are maybe the most telling signs of Arendt’s deep struggle with this concept of progress. By having the actors being “born” instead of “borne” on the stream of revolution, she not only conflates the two Marxian ideas of unstoppable progress that necessarily comes with the pangs of birth, but also inscribes her critique into Marx’s concept by allowing the possible reading of actors being born – in Arendt’s sense of an individual new beginning within plurality – upon this process. Marx’s idea of the swimmer “controlling” the stream of history in Arendt’s eyes is an illusion, as she noted in her Thinking Diary. In the face of the atrocities of the 20th century the question would rather be “how to avoid swimming in the stream at all.”

The undercurrents of Arendt’s typos reveal that her debate with Marx, despite the fact that the lecture is written in English, is simultaneously pursued in German – their shared native language. Arendt capitalizes “Revolution” like a German noun; she did the same earlier in the paragraph with “Progress,” and she does it again with the gigantic stream of “Lava.” (I’ve outlined the significance of the “plurality of languages” in Arendt’s political writing and thinking in a different “Quote of the Week” you can read here.)

Here, I’d like to show in conclusion how Arendt through the German resonances in her talk subtly invites a poet into her conversation on revolution. “The revolution devours its own children” has become a common expression, but the way in which Arendt quotes it “like Saturn” translates exactly the wording from Georg Büchner’s pivotal play Danton’s Death. Arendt’s private German copy of the play is marked up in interesting ways. Among the sentences she underlined is for example Danton’s “We didn’t make the revolution, the revolution made us,” which reflects upon the intricacies of agency and intellectual leadership in political turmoil. A sentence many intellectuals — even some of Arendt’s friends — were painfully oblivious to during the “National Revolution” of 1933, which troubled her for decades.

arejdt

We revolutionaries are “no more cruel than nature, or the age we live in,” says St. Just, Robespierre’s hitman, whose name literally means Saint Justice, in a passage from Danton’s Death that Arendt also marked: “Nature follows her own laws, calmly, irresistibly; man is destroyed wherever he comes into conflict with them.”

Büchner’s dialogs are largely based on historical sources from the French Revolution. They flesh out Arendt’s fine allusions e.g. to the fatal might of tropes like “the stream.” “Is it so surprising,” St. Just asks in the same passage Arendt marked, “that at each new turn the raging torrent of the revolution disgorges its quantum of corpses?” Echoing Marx’ metaphor of the irresistible stream of history and progress, Arendt is mindful of the date where these thoughts found their form.

Speaking of being mindful of dates – only a few days ago, on October 18th, Georg Büchner’s 200th anniversary was celebrated.

(The full document of Arendt’s lecture in Chicago will soon be published on www.hannaharendt.net)

-Thomas Wild

5Aug/130

Amor Mundi – 8/4/13

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor MundiLove of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

What They Know

NSAJames Bamford has an excellent survey of the continuing revelations about the NSA's surveillance activities, bringing us up to date on what the government does and does not know about us. He steers clear of exaggerated accusations, writing: "Of course the US is not a totalitarian society, and no equivalent of Big Brother runs it, as the widespread reporting of Snowden's information shows." But Bamford also details the direction of the current policies, finding their danger in the rise of a security state mentality: "Still, the US intelligence agencies also seem to have adopted Orwell's idea of doublethink-"to be conscious of complete truthfulness," he wrote, "while telling carefully constructed lies." For example, James Clapper, the director of national intelligence, was asked at a Senate hearing in March whether "the NSA collect[s] any type of data at all on millions or hundreds of millions of Americans." Clapper's answer: "No, sir.... Not wittingly.""

XKeyscore: NSA Tool Collects 'Nearly Everything'

keyscoreSpeaking of what the government knows, Glenn Greenwald, writing again in the Guardian, has unveiled the most important part of the NSA surveillance state since his original article over one month ago. XKeyscore is "A top secret National Security Agency program that allows analysts to search with no prior authorization through vast databases containing emails, online chats and the browsing histories of millions of individuals, according to documents provided by whistleblower Edward Snowden."

Trayvon Martin: What the Law Can't Do

trayvonIn the New York Review of Books, Steven H. Wright explains the George Zimmerman acquittal to his mother, who, "like many mothers of black sons, couldn't understand how state prosecutors had failed to secure a conviction for the death of seventeen-year-old Trayvon Martin." In doing so, Wright offers one of the most thoughtful accounts of the legal process against Zimmerman - and potential further federal cases. He also explains why it is so difficult to prove at law that a crime was committed because of race: "In either case, the government would have to prove, beyond a reasonable doubt, that race played a role in the death of Martin. In response, Zimmerman has at least two practical defenses. In the first defense, Zimmerman's legal team might strive to introduce evidence demonstrating that he is not prejudiced against African-Americans. As is now well known, some African-Americans have already come to Zimmerman's defense. A black neighbor has said that Zimmerman was the first and only person to welcome her to the neighborhood. Black children have also claimed Zimmerman mentored them. And according to his family Zimmerman has many black friends. The defense undoubtedly would try to ensure that the jurors learned these stories. Imagine if these black friends showed their support by sitting behind Zimmerman at trial. This image alone might persuade some jurors that race was not a motivating factor in Martin's death."

Private Universities and Public Developments

detroitJustin Pope wonders if a large private research institution might have helped Detroit to avoid its recent bankruptcy: "Where is Detroit's Johns Hopkins? Or, to limit the comparison to neighboring Rust Belt states, where is its Carnegie-Mellon, or Case Western Reserve? Why is there no, say, Henry Ford University in Detroit? And if there had been one, would it have made a difference?"

On the Power of Cinema

scorcese"First of all," Martin Scorcese says, discussing and defending the power of the cinema, "there's light. Light is at the beginning of cinema, of course. It's fundamental - because cinema is created with light, and it's still best seen projected in dark rooms, where it's the only source of light. But light is also at the beginning of everything. Most creation myths start with darkness, and then the real beginning comes with light - which means the creation of forms. Which leads to distinguishing one thing from another, and ourselves from the rest of the world. Recognizing patterns, similarities, differences, naming things - interpreting the world. Metaphors - seeing one thing "in light of" something else. Becoming "enlightened." Light is at the core of who we are and how we understand ourselves."

Whither the Jury?

juryAlbert Dzur makes his case, not to the jury, but rather in favor of it: "Lay participation in criminal justice is needed because it brings otherwise attenuated people into contact with human suffering, draws attention to the ways laws and policies and institutional structures prolong that suffering, and makes possible - though does not guarantee - greater awareness among participants of their own responsibility for laws and policies and structures that treat people humanely. Participatory institutions are our best chance at breaking through what philosopher Margaret Urban Walker aptly calls 'morally significant nonperception.' Evasion of concern for others, the dismissal of some as less than fully human, is the first barrier to be surmounted on the way to justice." For more on the importance of the jury to the American tradition of doing justice, see Roger Berkowitz's essay Why We Must Judge.

Featured Events

smallfailingOctober 3-4, 2013

The sixth annual fall conference, "Failing Fast" The Crisis of the Educated Citizen"

Olin Hall, Bard College

Learn more here.

 

 

From the Hannah Arendt Center Blog

This week on the blog, Jeffrey Champlin digs into Arendt's Denktagebuch. For the weekend read, Roger Berkowitz looks at the decline in jury trials and the potential impact that might have. "What acts of judgment exemplified by juries offer are an ideal of justice beyond the law." Lastly, Wednesday brought to a close our 10 day/100 member campaign. We are thrilled to report that we exceeded our goal, and we thank you for all of your support and generosity.

 

15Apr/131

Amor Mundi 4/14/13

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor MundiLove of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

Kehinde Wiley: King of the Art World

kehindeHannah Arendt Center Senior Fellow Wyatt Mason explores the wild and wonderful world of super-artist Kehinde Wiley. "Wiley, as some of you may know, is an American artist, an unusually successful one. In the decade of his career to date, he's become one of the most sought-after painters in America. Holland Cotter, of The New York Times, called Wiley "a history painter, one of the best we have.... He creates history as much as he tells it." Even if you don't know him by name, you've likely glimpsed his grand portraits of hip-hop artists-LL, Ice-T, Biggie. Maybe you've even seen his massive portrait of the King of Pop: the one of MJ in full armor, astride a prancing warhorse. If all this suggests that Wiley, a 36-year-old gay African-American man, is court painter to the black celebretariat, that misconception has been useful to promoting his brand, up to a point."

Mason is skeptical, but if you don't know the Wiley brand, the route through Wiley's world of surfaces is about as fine a reflection as you'll find of the challenges facing the artist in a consumer society.

Letter from a Bahrani Prison

bahraniZainab Al-Khawaja is sitting in a Bahrani prison reading Martin Luther King Jr. Al-Khawaja is a political prisoner. She is in a cell with 14 others, some murderers. To maintain her dignity and to announce her difference from common criminals, she has refused to wear an orange prison jumpsuit. As a punishment, she is denied family visits, including by her baby. She is now on hunger strike. "Prison administrators ask me why I am on hunger strike. I reply, "Because I want to see my baby." They respond, nonchalantly, "Obey and you will see her." But if I obey, my little Jude will not in fact be seeing her mother, but rather a broken version of her. I wrote to the prison administration that I refuse to wear the convicts' uniform because "no moral man can patiently adjust to injustice." (Thoreau)." Al-Khawaja's thoughts on dignity and non-violence are more than worthy testaments to her mentor.

 

The Micro-Gig

microSara Horowitz takes on the "micro-gig," a new kind of freelancing that allows people to employ others for small tasks, like delivering or assembling IKEA furniture. Horowitz, however, worries about what "micro-gigging" might mean for workers: "It's as if we're eliminating the "extraneous" parts of a worker's day--like lunch or bathroom breaks--and paying only for the minutes someone is actually in front of the computer or engaged in a task." Welcome to our piece-work future.

Chim's Children

chimChloe Pantazi considers the work of the photographer Chim, also known as David Seymour, on the occasion of a showing of his work at the International Center of Photography. Pantazi focuses in particular on Chim's photos of children, saying that as he "offers up the every day lives of such adults working within the industry of war (as soldiers, munitions workers) we trust that Chim's postwar photographs of children yield something close to their every day, as vulnerable innocents who-like the newborn seen suckling at its mother's breast in a photograph taken of the crowd at a land reform meeting at the brink of the Civil War, in Spain, 1936-were virtually reared on the conflicts of their time."

Medvedev Political Art

medLucy McKeon explores Russian poet Kiril Medvedev, who has renounced the copyright to all of his works. McKeon recounts Medvedev's rebellion against the bourgeois idea of artist as private citizen-a type idealized by Joseph Brodsky in his 1987 Nobel Prize address. Medvedev is searching for a post-individualized and post-socialist culture-what he calls new humanism. "Logically, Medvedev's answer to individualized disconnectedness calls for a synthesis of twentieth-century leftist political and intellectual thought, a situation where several senses of the word 'humanism' begin to collide." Where something from poetry meets something from philosophy; where postmodernism, logocentrism, psychology, culture and counterculture, "and probably something else, too, that we haven't though of yet," writes Medevedev, join to form "a new shared understanding of humanity." Only in this utopian future society could the artist as private citizen responsibly exist and create."

Featured Upcoming Event

Music in the Holocaust: Jewish Identity and Cosmopolitanism

Part II: Music of Warsaw, Ludz and other Eastern Ghettoes

musicApril 20, 2013 at Olin Hall, Bard College at 7:00 PM

 Learn more here.

 

From the Hannah Arendt Center blog

Roger Berkowitz lauds the idea of early college. Jeffrey Jurgens considers Jeremy Walton's recent article "Confessional Pluralism and the Civil Society Effect." Cristiana Grigore responds to the recent New York Times article, "The Kings of Roma" by describing her own Roma upbringing in Romania. Kathleen B. Jones takes on New Materialism from an Arendtian point of view.

19Feb/130

The Great Divide

In this week's Chronicle of Higher Education, Richard D. Kahlenberg lifts (or rips) the band-aid off a wound that has been festering for decades. For much of the 20th century, class animated campus Marxists. Since the 1970s, race and gender have largely supplanted class as the source of youthful protest. But the pendulum is swinging back. Studies find that "being an underrepresented minority increased one's chances of admissions at selective colleges by almost 28 percentage points, but that being low-income provided no boost whatsoever." Will racial and gender politics give way to a renewed interest in class? Will there be a divide on the left between class and identity politics? In either case, the debate is beginning.

Here is Kahlenberg:

Long hidden from view, economic status is emerging from the shadows, as once-taboo discussions are taking shape. The growing economic divide in America, and on American campuses, has given rise to new student organizations, and new dialogues, focused on raising awareness of class issues—and proposing solutions. With the U.S. Supreme Court likely to curtail the consideration of race in college admissions this year, the role of economic disadvantage as a basis for preferences could further raise the salience of class.

This interest represents a return to an earlier era. Throughout the first half of the 20th century, class concerns animated Marxists on campus and New Deal politicians in the public sphere. Both groups papered over important dimensions of race and gender to focus on the nation's economic divide. Programs like Federal Housing Administration-guaranteed loans and the GI Bill provided crucial opportunities for upward mobility to some working-class families and students.

Colleges, meanwhile, began using the SAT to identify talented working-class candidates for admission. But FHA loans, the GI Bill, and the SAT still left many African-Americans, Latinos, and women out in the cold.

In the 1960s and 70s, that narrow class focus was rightly challenged by civil-rights activists, feminists, and advocates of gay rights, who shined new light on racism, sexism and homophobia. Black studies, women's studies, and later gay studies took root on college campuses, along with affirmative-action programs in student admissions and faculty employment to correct for the lack of attention paid to marginalized groups by politicians and academics alike.

Somewhere along the way, however, the pendulum swung to the point that issues of class were submerged. Admissions officers, for example, paid close attention to racial and ethnic diversity, but little to economic diversity. William Bowen, a former president of Princeton University, and his colleagues reported in 2005 that being an underrepresented minority increased one's chances of admissions at selective colleges by almost 28 percentage points, but that being low-income provided no boost whatsoever. Campuses became more racially and ethnically diverse—and all-male colleges began admitting women—but students from the most advantaged socioeconomic quartile of the population came to outnumber students from the least advantaged quartile at selective colleges by 25 to 1, according to a 2004 study by the Century Foundation.

 Read the whole article here.

Kahlenberg’s inquiry into the return of class to debates on campus cannot be seen outside the context of rising inequality in the U.S. Just this week Anne Lowrey reports in the New York Times that incomes are rising briskly for the top 1% but are actually stagnant or falling for everyone else:

Incomes rose more than 11 percent for the top 1 percent of earners during the economic recovery, but not at all for everybody else, according to new data.

It may be true that prices are declining and the middle class, despite its wage stagnation, is still living well. But we cannot ignore the increasing divide between the rich and the middle class. Not to mention the poor.

This was the topic of an op-ed essay in Monday’s New York Times by Nobel Laureate, Joseph Stiglitz, who writes, “The gap between aspiration and reality could hardly be wider.” Stiglitz, like Kahlenberg, sets the question of class inequality against increasing racial equality:

While racial segregation decreased, economic segregation increased. After 1980, the poor grew poorer, the middle stagnated, and the top did better and better. Disparities widened between those living in poor localities and those living in rich suburbs — or rich enough to send their kids to private schools. A result was a widening gap in educational performance — the achievement gap between rich and poor kids born in 2001 was 30 to 40 percent larger than it was for those born 25 years earlier, the Stanford sociologist Sean F. Reardon found.

Many on the left will respond that race and class are linked: minorities, who are poor, they say, suffer worst of all. That may be true. But race, gender, and identity have dominated the conversation about equality and oppression in this country for 50 years. That is changing. This will be hard for some to accept, and yet it makes sense. Poverty, more than race or gender, is increasingly the true mark of disadvantage in 21st century America.

-RB

 

8Feb/130

MLK and the Purpose of Education

You know elite universities are in trouble when their professors say things like Edward Rock. Rock, Distinguished Professor at the University of Pennsylvania Law School and coordinator of Penn’s online education program, has this to say about the impending revolution in online education:

We’re in the business of creating and disseminating knowledge. And in 2012, the internet is an incredibly important place to be present if you’re in the knowledge dissemination business.

If elite colleges are in the knowledge dissemination business, then they will overtime be increasingly devalued and made less relevant. What colleges and universities need to offer is not simply knowledge, but education.

In 1947, at the age of 18, Martin Luther King Jr. wrote a short essay in the The Maroon Tiger, the Morehouse College campus newspaper. The article was titled, “The Purpose of Education.” In short, it argued that we must not confuse education with knowledge.

King began with the personal. Too often, he wrote, “most college men have a misconception of the purpose of education. Most of the "brethren" think that education should equip them with the proper instruments of exploitation so that they can forever trample over the masses. Still others think that education should furnish them with noble ends rather than means to an end.” In other words, too many think that college is designed to teach either means or ends, offering the secrets that unlock the mysteries of our futures.

King takes aim at both these purposes. Beyond the need for education to make us more efficient, education also has a cultural function. In this sense, King writes, Education must inculcate the habit of thinking for oneself, what Hannah Arendt called Selbstdenken, or self-thinking.

“Education,” King writes, “must also train one for quick, resolute and effective thinking.” Quick and resolute thinking requires that one “think incisively” and  “think for one's self.” This “is very difficult.” The difficulty comes from the seduction of conformity and the power of prejudice. “We are prone to let our mental life become invaded by legions of half truths, prejudices, and propaganda.” We are all educated into prejudgments. They are human and it is inhuman to live free from prejudicial opinions and thoughts. On the one hand, education is the way we are led into and brought into a world as it exists, with its prejudices and values. And yet, education must also produce self-thinking persons, people who, once they are educated and enter the world as adults, are capable of judging the world into which they been born.

For King, one of the “chief aims of education” is to “save man from the morass of of propaganda.” “Education must enable one to sift and weigh evidence, to discern the true from the false, the real from the unreal, and the facts from the fiction.”

To think for oneself is not the same as critical thinking. Against the common assumption that college should teach “critical reasoning,” King argues that critical thinking alone is insufficient and even dangerous: “Education which stops with efficiency may prove the greatest menace to society. The most dangerous criminal may be the man gifted with reason, but with no morals.” The example King offers is that of Eugene Talmadge, who had been governor of Georgia. Talmadge “possessed one of the better minds of Georgia, or even America.” He was Phi Beta Kappa. He excelled at critical thinking. And yet, Talmadge believed that King and all black people were inferior beings. For King, we cannot call such men well educated.

The lesson the young Martin Luther King Jr. draws is that intelligence and critical reasoning are not enough to make us educated. What is needed, also, is an educational development of character:

We must remember that intelligence is not enough. Intelligence plus character—that is the goal of true education. The complete education gives one not only power of concentration, but worthy objectives upon which to concentrate. The broad education will, therefore, transmit to one not only the accumulated knowledge of the race but also the accumulated experience of social living.

Present debates about higher education focus on two concerns. The first is cost. The second is assessment. While the cost is high for many people, it is also the case the most students and their families understand that what colleges offer is priceless. But that is only true insofar as colleges understand their purpose, which is not simply to disseminate knowledge or teach critical thinking, but is, rather, to nurture character. How are we to assess such education? The demand for assessment, as well meaning as it is, drives education to focus on measurable skills and thus moves us away from the purposes of education as King rightly understands them.

The emerging debate about civic education is many things. Too often it is a tired argument over the “core” or the “canon.” And increasingly it is derailed by arguments about service learning or internships.  What really is at issue, however, is a long-overdue response to the misguided dominance of the research-university model of education.

Colleges in the United States were, up through the middle of the 20th century, not research-driven institutions. They were above all religiously affiliated institutions and they offered general education in the classics and the liberal arts. Professors taught the classics outside of their specific disciplines. And students wrestled with timeless questions. This has largely changed today where professors are taught to specialize and think within their disciplinary prejudices. Even distribution requirements fail to make a difference insofar as students forced to take a course outside their discipline learn simply another disciplinary approach. They learn useful knowledge and critical thinking. But what is missing is the kind of general education in the “accumulated experience of social living” that King championed.

I am not suggesting that all specialization is bad or that we should return to religious-affiliated schools. Not in the least. But many of us know that we are failing in our responsibilities to think about what is important and to teach students a curriculum designed to nurture self-thinking and citizenship. We avoid this conversation because it is hard, because people disagree today on whether we should read Plato or Confucius or study Einstein or immunology. Everyone has their discipline to defend and few faculty are willing or able to think about an education that is designed for students and citizens.

Let’s stop bad mouthing all colleges. Much good happens there. Yet let’s also recall King’s parting words in his essay:

If we are not careful, our colleges will produce a group of close-minded, unscientific, illogical propagandists, consumed with immoral acts. Be careful, "brethren!" Be careful, teachers!

King’s The Purpose of Education is your weekend read.

-RB

22Jan/133

The House We All Live in

This past weekend I took the time to watch Eugene Jarecki’s new documentary film The House I Live In, which calls passionately and insistently for the U.S. to end its decades-long War on Drugs. Jarecki’s previous documentary work includes The Trials of Henry Kissinger (2002) and Why We Fight (2006), and he is known for activist filmmaking that combines sharp social commentary with fluid storytelling. There is much to admire in Jarecki’s take on the effort to stamp out illicit drugs, and given the massive racial and class disparities that have emerged in prosecution and sentencing, he is right to cast the War as a litmus test of our national commitment to equitable democratic citizenship. But there is also something about the manner in which he makes his case, and the very sweep of his vision, that gives me momentary pause.

Let me touch on the film’s strong suits first. Above all else, Jarecki sheds powerful light on the intimate impacts of the drug trade and the law enforcement crackdown against it. He does so in no small part by giving a prominent role to Nannie Jeter, the African-American woman that Jarecki’s family employed as a housekeeper in his youth. (Nannie is Jeter’s given name, not a reference to her role in the family’s life.) Jarecki regards Jeter as a second mother, and he often played with her children as a boy. We learn, however, that their paths in the world diverged sharply from his own, and several of them eventually became entangled in drug use, drug-related HIV/AIDS, and incarceration. Jarecki unflinchingly relates how his family’s privilege had adverse if unintended consequences for Jeter’s, and while some viewers might fault him for inserting himself into the film, his approach ultimately lends moral heft to his pointed political argument. Jarecki maintains that we are all implicated in the circumstances that led to the War on Drugs, and he refuses to remove himself from the film’s critical scrutiny.

In addition, The House I Live In includes revealing commentary from the many varied participants in the American drug crackdown: dealers and cops, defendants and judges, prisoners and wardens, activists and lawmakers, parents and children. The film features articulate reflections from people who have dealt drugs in the past and are now in correctional custody. Significantly, not one of these individuals denies responsibility for their actions—“I messed up” is a common refrain—but all seek to situate their decisions and actions within larger structures of constraint and disadvantage. At the same time, Jarecki includes remarkably candid insights from law enforcement personnel. Although a few of them make disturbing admissions about the perverse incentives that encourage profiling and drug-bust profiteering, the film does not demonize police officers and corrections officials. It instead allows them to express both the pride and the ambivalence they feel toward their work.

Lastly, Jarecki musters a wide array of legal and other experts, including prominent academics like Michelle Alexander and Charles Ogletree, to lend his film critical perspective and authority. To be sure, almost all of these commentators are sympathetic to Jarecki’s viewpoint, but it is nevertheless refreshing to hear intellectuals speak as intellectuals in any kind of feature-length American film. What is more, these figures do not merely touch on what are, at least for me, the most familiar and even well-worn points about recent drug-related criminal justice: the introduction of mandatory minimum sentencing guidelines in the 1970s and 1980s, the precipitous increase in rates of incarceration, and the dramatic expansion that ensued in both the state-run and private prison industries. For these commentators also relate the War on Drugs to the years of Jim Crow in the South; the Great Migration of African Americans to the Northeast and Midwest; the redlining and other practices that contributed to the formation of racially segregated ghettos; and the far-reaching impacts of deindustrialization. This attention to the longue durée of U.S. history is one of the film’s strongest attributes.

At the same time, Jarecki’s commitment to accessible and engaging narrative sometimes gets him into trouble. Although he and his collaborators are quick to criticize the reductive sound-bites that have defined mainstream public discourse from Nixon to George W. Bush, the film is occasionally too content to rely on its own slick editing and glib turns of phrase. There are also moments when sobriety yields too much ground to showmanship. Of all his interlocutors, Jarecki grants the most prominent role not to any person directly impacted by the War on Drugs, but to David Simon, the former journalist who went on to create the HBO hit “The Wire.” To his credit, Simon is a generally subdued and thoughtful commentator, but should the maker of a television series, however relevant and critically acclaimed, really receive this kind of precedence?

Jarecki’s priorities as a filmmaker also entail some unfortunate substantive trade-offs. At one key point in the film, he relies on interview footage with several experts to contend that the criminalization of opium, cocaine, and marijuana in the early twentieth century was not ultimately driven by benign public health and safety concerns; it was rather motivated by racially charged anxieties over the arrival of immigrant groups and the challenges they posed to white workers on local and regional labor markets. I am willing to grant that racist and nativist resentments may have played some role in the crackdowns against the users and distributors of these substances.

I can only imagine, however, that this claim—at least in its bald formulation in the film—is much more contentious in scholarly and other circles than Jarecki is prepared to admit here.In any case, such a line of argument cannot explain the more recent public response to methamphetamine, a drug that is more closely associated with (poor) whites than any minority or immigrant group.

Perhaps the most troubling aspect of the film, however, concerns the dubious parallels that Jarecki proposes between the War on Drugs and other cases of group exclusion and violence. Drawing once more on footage from multiple interviewees, he suggests that American law enforcement since the late 1960s has followed a sequence of collective identification, ostracism, confiscation, concentration, and annihilation that can also be observed (most notably) in the Nazi genocide of European Jewry. The film is quick to add that the “chain of destruction” evident in the contemporary U.S. is not equivalent to the one that unfolded in Central and Eastern Europe during World War II. But that does not prevent David Simon from casting the War on Drugs as “a Holocaust in slow motion” against America’s poor and minority populations. Such hyperbolic language strikes me not just as deeply misguided, but entirely unnecessary. Viewers do not need such problematic analogies in order to grasp the film’s claims and stakes.

Despite these warts and missteps, The House I Live In is well worth watching. The film makes a daring claim on viewers’ conscience, and it calls on all of us to undertake the challenging work of thinking through our convictions as citizens in fundamental ways. We need more, not less, of this kind of provocation.

-Jeff Jurgens

11Dec/120

Talking through the Israeli-Palestinian Conflict in Prison

As a regular faculty member for the Bard Prison Initiative, I can attest that one of the most appealing aspects of working with incarcerated students is their wide-ranging curiosity and perceptiveness. The men I know are eager to discuss topics that both deepen and expand the content of their classes, and they are quick to draw connections between their classes and current events. Their ability to make these links has a lot to do with the avid, even voracious attention many of them pay to the news on N.P.R., the major television networks, and almost any publication they can get their hands on. Such interest is a matter of both intellectual and existential significance: as a few of my students have related to me, the news offers one way to relieve their sense of isolation and to maintain a modicum of contact with “life in the street.” But their ability to draw connections also depends on an expansive moral and political imagination, one that consistently relates distant happenings to the details of their own lives.

A few weeks ago the students in “Migration and Diaspora in Global Perspective,” the class I am now teaching at Eastern New York Correctional Facility, wanted to know my thoughts on Palestine’s recent elevation to nonmember observer status at the U.N. The onslaught of questions began almost from the moment I entered the classroom. How would the vote change relations between Israel, Hamas, and the Palestinian Authority? Would the Palestinians be able to challenge Israel’s military incursions and settlement policies in ways that were not available to them before? Why did the U.S. oppose Palestine’s observer status when so many other states in the General Assembly favored it? How should we interpret Germany’s decision to abstain? And just how significant was this vote anyway? Was it a merely symbolic gesture, or would it have a real and decisive impact on the future?

I was not entirely surprised by the students’ interest, and I suspect that our class was responsible for at least a bit of it. Not long before, we had spent the day watching and discussing Cherien Dabis’s debut feature film Amreeka (2009), which traces the journey of a Palestinian mother and son from their home in Bethlehem to an Illinois suburb. The film’s U.S. distributor, National Geographic Entertainment, has marketed it as a classic immigration story, and the packaging for the DVD plays on well-worn themes of new arrivals’ disorientation, homesickness, and gradual adjustment. But the film also draws on Dabis’s own childhood memories in Omaha, Nebraska to cast an all-too-knowing eye on American life during the 2003 invasion of Iraq, and two key scenes deftly portray the power dynamics that unfold daily at Israeli checkpoints in the West Bank and Gaza. Beneath the anodyne surface, then, Amreeka packs a subversive punch, and my students appreciated its shrewd take on both the Israeli occupation and the U.S. War on Terror.

But my class is hardly the only reason why they are concerned about the Israeli-Palestinian conflict. A few of the students feel a degree of personal connection to ongoing events in the region because they were born and raised as Jews or because they converted later in life to Judaism or Islam. Others adopt a more distanced perspective but nevertheless regard the conflict as a pivotal geopolitical impasse about which they should, as informed students and citizens, have some knowledge.

And still others interpret the conflict as an almost paradigmatic instance of injustice, one that crystallizes the colonial legacies, entrenched political interests, and enduring economic disparities that define our contemporary world.

Moreover, the Israeli-Palestinian conflict resonates strongly with many of the students’ own experiences of stigmatization and hyper-visibility on ethnic and racial grounds. In one way or another, virtually all of the African American and Latino students in my class—and they represent the overwhelming majority—can relate to the profiling, ID checks, body and vehicle searches, and policing of space that are an integral part of the Israeli occupation. Many of them can also sympathize with Palestinians’ more general condition of disenfranchisement, their desire for “a place in the world which makes opinions significant and actions effective” (to invoke an evocative phrase from Hannah Arendt). In many instances, they cultivate such sympathy by drawing metaphorical links with their own histories and memories of exclusion.

On the basis of such connections, many of the students in my classes (and the Bard Prison Initiative more broadly) take a keen interest in struggles for cultural and political change in other parts of the world. They respond strongly to readings and films that deal not simply with the Israeli-Palestinian conflict, but also with apartheid in South Africa and the Troubles in Northern Ireland. At the same time, they display considerable curiosity—and not a little generosity—toward other groups that adopt and re-work political traditions and cultural practices they typically claim as “their own.” For example, African American students are often struck by the ways that Northern Irish Catholics adopted elements of the civil rights movement in the late 1960s and early 1970s, and they display a good deal of appreciation for the manner that Palestinian youth take up the aesthetics of hip-hop for their own purposes today. They do not typically claim exclusive ownership over these cultural and political formations, and they do not condemn moments of cross-cultural appropriation as illegitimate poaching or theft (although, I must admit, it can take a moment to digest white Irish Catholics singing “We Shall Overcome”).

I welcomed the questions the students posed that day, and I worked hard to answer them as best I could. But I was also aware of the distinct challenge they posed to me as a teacher and fellow observer of the world. How could I convey my own understanding of the recent U.N. vote while also acknowledging the lingering uncertainties and disagreements that it inevitably reflected? How could I draw attention to the complexities of the current conflict and not merely confirm, in an uncritical way, the sympathy that most of the students already felt for the Palestinian cause? And how could I suggest that we should be thoughtful about the connections we draw between other people’s experiences and our own?

I, for one, am acutely aware that I cannot facilely equate my own societal positioning and life history with those of my students. Are there limits on the imaginative links we might forge with people in other times and places?

Our discussion that day barely scratched the surface of these larger issues. But I left it with a new appreciation for both the difficulty and the importance of this kind of candid conversation. As challenging as it might be, such exchange is significant precisely because it bridges the political and the personal, the distant and the close-at-hand.

-Jeff Jurgens

10Jul/120

American Criminal Justice, Made in Texas (Part 2)

In my last blog (June 20, 2012), I highlighted a few scholars’ recent efforts to situate current patterns of African American imprisonment within this country’s longer history of racial conflict and subjugation. More specifically, I focused on some of the central claims in Robert Perkinson’s book Texas Tough (2010), which offers a sharp account of the historical connections between racial hierarchy and mass imprisonment in the Lone Star State and the larger American South. In its broadest outlines, Perkinson’s book contends that incarceration in Texas has, from its very outset, been closely bound up with chattel slavery and its legacies.

This entanglement is perhaps most evident in the state’s long-standing commitment to forced inmate labor, much of which took place—as late as the 1970s—on state-run prison farms that bore a striking resemblance to antebellum plantations. It is also discernible in the late nineteenth- and early twentieth-century practice of “convict leasing,” which allowed private entrepreneurs to purchase the right to use inmate labor power from the state prison system.

Despite regulations that required the humane treatment of prisoners, convict leasing generated widespread neglect and abuse, and in the early twentieth century it drew the ire not only of many African Americans, but also of white labor leaders, radical farm organizers, and progressive middle-class reformers. This last group launched a concerted campaign to move the state prison system away from punitive revenue-bearing production and toward newer, ostensibly more benevolent forms of rehabilitation. In the second decade of the twentieth century, modernizers in the prison administration implemented a variety of reform measures, including better food and medical care, religious services and reading classes, ten-hour workdays, and even nominal compensation for prison workers (ten cents per diem). In Perkinson’s account, however, these efforts were undermined by vocal opposition from prison personnel and, perhaps counter-intuitively, a surge in inmate dissent and rebellion. This uptick in prisoner discontent in particular prompted administrators and lawmakers to reassert penal authority, and the prison system basically reverted to its former pattern of plantation agriculture and severe discipline.

To be sure, progressive reform campaigns reemerged in Texas in the late 1920s, the 1940s, and the 1950s. They commonly looked for inspiration to similar initiatives in New York (which represented the cutting edge of inmate participation in prison management) and California (which led the way in inmate counseling and the professionalization of prison staff). But they also responded to homegrown scandals, including a spate of self-mutilations among Texas prisoners in the 1940s. In a desperate effort to avoid and/or protest harsh work conditions, unsanitary housing, and guard mistreatment, hundreds of inmates chopped off digits or limbs, injected gasoline into their arms and legs, or severed their Achilles tendons. As Perkinson notes, similar tactics were common in the era of slavery and convict leasing, and prisoners’ recourse to such deliberate violence against the self ultimately drew a more sustained response from the state government than previous reform efforts.

Texas Prison Board, 1930's

Nevertheless, when a new system of prison management coalesced in the 1950s, it continued to emphasize “work and force” (Perkinson, p. 228) as the central pillars of incarceration, even as it embraced certain forms of rehabilitative programming like church services, formal schooling, vocational training, and after-work programs. This emerging style became known as the “control model,” and it garnered significant praise for Texas in the national press and in professional organizations like the American Correctional Association. As eventually became clear, however, the “control” that this model promoted ultimately rested on a culture of routine repression among prison guards as well as systemic reliance on convict enforcers, or “building tenders.” Since the late nineteenth century, building tenders in Texas prisons had dispensed disciplinary violence against fellow inmates with impunity, and they had enjoyed a variety of unsanctioned privileges, including the prerogative to engage in consensual and non-consensual sex with other prisoners.

In the face of such endemic brutality, a small number of convict activists began to draw on the 1871 Civil Rights Act to sue the state of Texas for violations of their constitutional rights. One of the most prominent activists, David Ruíz, filed a petition in June 1972 that offered a harrowing chronicle of his treatment at the hands of prison staff and building tenders, and a small team of lawyers and judges transformed it into a class action lawsuit, Ruiz v. Estelle, on behalf of the state’s entire inmate population. The presiding district judge ruled in 1980 that the Texas penal system had subjected prisoners to cruel and unusual punishment and deprived them of due process of law on a massive scale, and he ordered the state government to undertake sweeping changes. The Ruiz decision effectively ended Texas’s regime of plantation-style prison farming, and it represented the most comprehensive reform order that a federal court had issued to a state penal system up to that point. Drawing on the momentum created by the lawsuit, prison modernizers in the early 1980s lobbied for the redistribution of the state’s inmate population into smaller, less isolated facilities with understated security and extensive links to outside communities.

These reform efforts were (yet again) outweighed, however, by rising crimes rates, the ascendance of the New Right, and a concomitant turn toward “law-and-order” politics on both the state and national level. Texas’s prisoner population increased dramatically as both Republican and Democratic lawmakers passed stiffer sentencing guidelines and curtailed inmates’ eligibility for parole. These trends spurred a massive prison construction boom, but with the collapse of the control model following the Ruiz decision, the new facilities were increasingly structured less like plantations and more like warehouses that emphasized “confinement, separation, and complete architectural control” (Perkinson, p. 315). As violence against both prisoners and guards increased once more, Texas prisons resorted to extended “administrative segregation” (i.e., solitary confinement) and “super segregation” cell blocks in their efforts to contain not just disruptive inmates, but relatively compliant ones as well.

This recent punitive turn in criminal justice has not been restricted to Texas: rates of incarceration and prison construction have increased sharply in most states over the past three decades, as has the proportion of African American and Latino inmates. Meanwhile, the federal government—particularly under former Texas governor George W. Bush—has displayed a striking commitment to expanded law enforcement, extended sentencing, and more frequent recourse to capital punishment. In Perkinson’s analysis, then, the historical arc of American imprisonment has not bent toward the rehabilitative goals championed most forcefully in northern states like New York. Rather, “the northern prison became more southern rather than the other way around…. If northern prisons once gestured toward freedom and southern penal farms toward bondage, the whole Union is in alignment now, pointing back toward the eternal bifurcations of slavery” (Perkinson, pp. 362-363).

This provocative argument raises serious questions about America’s commitment to the granting of ostensibly inalienable rights to all its citizens, and it suggests that race continues to shape how we approach the protection and violation of human dignity. To be sure, there are moments when Perkinson’s claims overstep the limits of his evidence. I am not convinced that the recent proliferation of prisons in Texas and other parts of the South and wider U.S. can be read as a reaction to the end of Jim Crow and the successes of the civil rights movement. I also doubt that the second Bush administration’s conduct in Guantanamo, Afghanistan, and Iraq can be traced to the practices of southern slavery and imprisonment as neatly as he suggests. Nevertheless, the heart of Perkinson’s argument skillfully outlines disturbing historical linkages between slavery and incarceration without equating these two forms of domination. In the process, he implies that we may need to rethink the relationship that prisoners, especially prisoners of color, have maintained with American citizenship in both the past and present.

On some occasions, incarcerated people have not merely constituted a recognized exception to juridical norms, which nevertheless enjoys “some kind of human equality,” as Hannah Arendt described criminals in The Origins of Totalitarianism (p. 286). Rather, they have formed a social category whose claim to “retain [their] rights over [their] bodies” (p. 444) has been substantially limited by their exposure to forced labor, sexual degradation, and violence that often has not been subject to public scrutiny and political accountability. This point does not imply that prisoners’ experiences can therefore be conflated with those of slaves, stateless persons, or concentration camp inmates, to name only a few of the dominated groups that concerned Arendt in the Origins. But it does suggest that prisoners’ enjoyment of constitutional and human rights cannot be taken for granted, as she seems to presume. It is still an exaggeration, I think, to say that prison inmates live “outside the pale of the law” (p. 277) in Arendt’s understanding of that phrase. But I would also insist that, in all too many instances, they have resided closer to its margins than we may care to admit.

-Jeff Jurgens