Hannah Arendt Center for Politics and Humanities
3Nov/141

Amor Mundi 11/2/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

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Politics and Art

hatred TurkMeline Toumani has a great essay about the ways hatred between the Armenians and the Turks renders impossible the necessary objectivity of art. Toumani, an Armenian, can recount her version, but even telling her story she realizes that she tells one side and hates that: "I am doomed to be what is known as an unreliable narrator. I hate the way it feels." Her essay brings the power and force of hating to view in multiple perspectives. She acknowledges the fact of hatred, that "there are two things I know to be true. One: I know that if your grandmother told you she watched as her mother was raped and beheaded, you would feel something was yours to defend. What is that thing? Is it your grandmother you are defending? Is it the facts of what happened to her that you are defending, a page in an encyclopedia? Something as intangible as honor? Is it yourself that you are defending? If the story of the brutality that your grandmother encountered were denied or diminished in any way, you would feel certain basic facts of your selfhood extinguished. Your grandmother, who loved you and soothed you, your grandmother whose existence roots you in the world, fixes you somewhere in geography and history. Your grandmother feeds your imagination in a way that your mother and father do not. Imagination is farsighted; it needs distance to discern and define things. If somebody says no, what your grandmother suffered was not really quite as heinous as you're saying it is, they have said that your existence is not really so important. They have said nothing less than that you don't exist. This is a charge no human being can tolerate." But also, that hating corrupts her writing, her art. "Artistic objectivity: the ability to see a problem or an experience from multiple points of view; to tell a story for the sake of a deeper understanding, not to further an agenda; to inhabit the mind of the villain as fully as that of the victim. The villain, for me, had always been the Turk. It was time to try to understand him."

Testing Testing

Chinese educationDiane Ravitch in the NY Review of Books looks at the myth of the exceptional Chinese schools and how it is fueling a testing craze in the United States. "At this juncture comes the book that Barack Obama, Arne Duncan, members of Congress, and the nation's governors and legislators need to read: Yong Zhao's Who's Afraid of the Big Bad Dragon? Why China Has the Best (and Worst) Education System in the World. Zhao, born and educated in China, now holds a presidential chair and a professorship at the University of Oregon. He tells us that China has the best education system because it can produce the highest test scores. But, he says, it has the worst education system in the world because those test scores are purchased by sacrificing creativity, divergent thinking, originality, and individualism. The imposition of standardized tests by central authorities, he argues, is a victory for authoritarianism. His book is a timely warning that we should not seek to emulate Shanghai, whose scores reflect a Confucian tradition of rote learning that is thousands of years old. Indeed, the highest-scoring nations on the PISA examinations of fifteen-year-olds are all Asian nations or cities: Shanghai, Hong Kong, Chinese Taipei, Singapore, Korea, Macao (China), and Japan."

Better Teachers

teacherFrank Bruni writes about "Lessons of Hope: How to Fix Our Schools," Joel Klein's forthcoming book on education. Bruni hones in on Klein's conclusion that the key to improving education is better teachers. Klein wants to make it easier to remove poor teachers. But he also argues that we need to rethink how we educate our teachers. "He said the curriculum at education schools should be revisited as well. There's a growing chorus for this; it's addressed in the recent best seller 'Building a Better Teacher,' by Elizabeth Green. But while Green hones in on the teaching of teaching, Klein stressed to me that teachers must acquire mastery of the actual subject matter they're dealing with. Too frequently they don't." Here Klein sounds like Hannah Arendt, who argues that teachers must teach young people about the world as it is; the first qualification for teaching, she writes, is "knowing the world and being able to instruct others about it." Which is why the Bard College Masters of Arts in Teaching "requires an equal amount of advanced study in the elected academic discipline and in education courses challenging preservice teachers to apply the results of research and pedagogical analysis to their teaching."

Lawfare and Its Discontents

lawfareShould international law apply to the Global War On Terror? Marty Lederman and Naz Modirzadeh are debating this question on their respective blogs. Lederman has argued that the Obama administration should be praised for trying to bring the War on Terror within international law. Modirzadeh worries that in doing so, the administration is making International Humanitarian Law into a "toolkit for targeting" civilians and combatants. In other words, International Law is being turned into a guidebook for how and when to target civilians in the war on terror. Modirzadeh writes: "The lawyers, professors, and others, such as Lederman, who have been instrumental in shaping the Obama administration's legal framework have a vested interest in defending the administration's interpretations of international law and policy. I understand that. But I would urge us to consider the long-term implications for the legitimacy and coherence of how international law regulates war of both the legal arguments and the way they have been presented. The arguments for a seemingly boundary-less conception of non-international armed conflict against a terrorist organization or network (one that is quickly splintering and disaggregating), while crafted in response to pressing national security threats, have tremendous implications for international law in the future. In the hands of Syria, Russia, China, and other nations, such legal arguments-especially when seen as legitimized by the world's superpower-may unleash a wave of other boundary-less NIACs. Surely it isn't only the Obama administration lawyers who would like to argue that international law allows for the determination that traveling terrorist fighters can be targeted outside of situations of 'hot' battlefields. These arguments also matter, not only for the immediate debate in the U.S. but also for the decades of state action to come. Poking holes in the divide between the jus ad bellum and the jus in bello, blurring law and policy, drawing from IHL targeting rules for situations that do not rise to the level of armed conflict: we should, at a minimum, pause to reflect on the implications of these legal and strategic arguments in the hands of decision-makers other than those in the current administration."

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The Many Eichmanns

eichmannIn an essay in The National Post, Bettina Stangneth, author of the recent book Eichmann Before Jerusalem, writes of the many and conflicting versions of Adolf Eichmann. Stangneth's book deepens our understanding of Eichmann and helps show the complexity of any attempt to understand him according to simple reductions. She writes: "Depending on whose account you read, Eichmann comes across variously as an ordinary man who was turned into a thoughtless murderer by a totalitarian regime; a radical anti-Semite whose aim was the extinction of the Jewish people, or a mentally ill man whose innate sadism was legitimated by the regime. We have a multitude of irreconcilable images of Eichmann, made even more so by the controversy around Hannah Arendt's Eichmann in Jerusalem: A Report on the Banality of Evil. The public view, however, largely remains an empty shell. We are still missing a view of the 'Eichmann phenomenon' before Jerusalem: the way Eichmann was perceived during the different periods of his life."

Buying Ourselves

identitySarah Burnside despairs over the fact that we can buy ourselves new hobbies, and therefore new identities, seeing it as a symptom of a larger cultural fracture: "'Identity politics' is commonly criticized for focusing on the narrowly personal at the expense of the structural, but such criticisms must be viewed with a skeptical eye. It would be ludicrous to argue that a person's race, gender, or sexuality has no impact on his or her lived experiences; you might as well claim that social class doesn't exist. Identities that are based on likes and dislikes, unmoored from the material world, are another matter entirely, however. It's jarring to read a journalist using the language of civic participation to refer to, say, enthusiastic adult fans of My Little Pony as 'the brony community.' The growth of bespoke selves may also be part of something broader: a kind of fracturing and splintering of the ways we conceptualize ourselves. If we're purchasing and inhabiting new identities, it's merely a continuation of our packaging and repackaging of curated versions of ourselves, such as in that minor absurdity of modern life: the Twitter bio."

Learning How to Play

anne sextonKelly Osgood sought out the music of the Pulitzer Prize winning poet Anne Sexton and couldn't quite put it away: "Anne Sexton the performer stands in some contrast to Anne Sexton the poet. Though both Linda Sexton and Bob Clawson claim she had no sense of rhythm and often fell into a kind predetermined modulation better suited for readings than musical performances, her voice on the recordings is lilting and measured, rising and softening in accordance with the band. Listening to a performance of 'Protestant Easter,' a hilarious poem that digs at New England Calvinism from the point of view of a child ('After that they pounded nails into his hands / After that, well, after that / everyone wore hats'), I begin to envision her covered in sweat, down on her knees in front of a congregation, shouting 'Praise Jesus!' as the organ trills away behind her. It becomes clear to me that I cannot separate the less comfortable aspects of Sexton and her work from the parts that are more easily accessible and more widely lauded. It was her unusual daring--can you imagine Plath doing a doo-wop version of 'Ariel?'--that fueled Sexton's work. I couldn't take only the fine formal verse and discard the later, sloppier, more desperate writings. I couldn't discard her failed experiments with prose and cling to only what was deemed Pulitzer-worthy."

Parental Pride

bumgarnerMichael Powell spent the days before and the hours after Madison Bumgarner's heroic World Series performance with the pitcher's father back home in Hudson, North Carolina. His essay makes vivid the small town and homespun world from which Bumgarner hails and to which he still returns every year. Powell also introduces us to Kevin Bumgarner, Madison's father, who reminds us all that pride, while a sin in general, is a thing of beauty when expressed by a father to his son: "Then Kevin pulled out his phone. He had texted Madison after the eighth inning, and he tried to read it to me. He began to choke up and just handed me the phone. 'OMG. You're so much more than awesome,' Kevin had written to his son. 'To see you work on the mound reminds me of watching you in high school. You are willing yourself to perfection and dragging the team along with you. I couldn't be more proud of your baseball accomplishments.' Kevin looked at me. 'I knew he wouldn't read that text before the game was over,' he said, 'but I wanted him to know this was what his daddy thought of him.'"

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From the Arendt Center Blog

human conditionThis week on the Blog, Jeffrey Jurgens discusses Arendt's analysis of the Western tradition of revolution and how revolutionary episodes for her failed to enshrine the people's freedom in lasting institutions in the Quote of the Week. Marcel Proust provides this week's Thoughts on Thinking. In our Video Archives, we look back on a 2011 roundtable discussion on Occupy Wall Street. And we appreciate a particular passage that Arendt felt worthy of being underlined and marked with other annotations in our Library feature.

This coming Friday, November 7th, the Hannah Arendt Center will host the first session of its new Virtual Reading Group. We will be discussing the Prologue and the Introduction to The Human Condition.

The reading group is available to all members and is always welcoming new participants! Please click here to learn more!

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
27Oct/141

Amor Mundi 10/26/14

Arendtamormundi

Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.

Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.

amor_mundi_sign-up
The Making of a Hero

Laura PoitrasIn a revelatory and subtle profile of Laura Poitras and her experience making "Citizenfour," her new documentary about Edward Snowden, George Packer raises questions about how close Poitras comes to Snowden's true story, and how uncritically Snowden's own narrative of his actions have become entrenched in the public consciousness: "The heart of the film is the hotel room in Hong Kong, where Poitras finds emotion in the small moments that give 'Citizenfour' the human truth she's always after. Even when the pace slows to the verge of boredom, the footage is mesmerizing, because we are watching a private encounter of great political significance unfold. For Poitras, the film is all about Snowden's decision. But, in this case, ... Snowden had already made his decision to go public, long before he got in touch with Poitras, so by the time we meet him it's a fait accompli. By e-mail and in Hong Kong, he presents his motives as so high-minded and public-spirited that they never become interesting. In Poitras's terms, he has already created a narrative of himself-it's a "locked path." He has stopped being a complicated character, and Poitras doesn't look for ways to complicate him. ... Snowden describes himself as an ordinary government employee who was going about his business until he could no longer ignore the wrongdoing he observed. This self-portrait doesn't completely square with others' accounts or with the historical record. Snowden was not as deeply embedded in the N.S.A.'s institutional culture as were previous agency whistle-blowers, like Binney, who arrived at their breaking points after sustained bureaucratic struggles. Snowden was more alienated and self-isolated, more radical, than that. His biographical trail reveals a young man who becomes most passionate when promoting the importance of maintaining absolute privacy on the Internet-he wore an Electronic Frontier Foundation hoodie to work-and who seems less eager to acknowledge how difficult the trade-off between liberty and security can be in a democratic society. Before the meeting in Hong Kong, he wrote a letter to Poitras and Greenwald that said, in part, "While I pray that public awareness and debate will lead to reform, bear in mind that the policies of men change in time, and even the Constitution is subverted when the appetites of power demand it. In words from history: Let us speak no more of faith in man, but bind him down from mischief by the chains of cryptography." Snowden went to great trouble over a long period to amass the astonishing quantity of secrets that he passed on to Poitras and Greenwald-including taking a private-contractor position solely with the aim of downloading N.S.A. files. None of this is revealed under Greenwald's questioning."

The Phantom in the Opera

death of klinghofferAlex Ross on why the response to the Metropolitan Opera's staging of composer John Adams and librettist Alice Goodman's The Death of Klinghoffer has been so vitriolic: "Adams and his librettist...do not advertise their intentions in neon. The story of the Achille Lauro hijacking is told in oblique, circuitous monologues, delivered by a variety of self-involved narrators, with interpolated choruses in rich, dense poetic language. The terrorists are allowed ecstatic flights, private musings, self-justifications. But none of this should surprise a public accustomed to dark, ambiguous TV shows like 'Homeland.' The most specious arguments against 'Klinghoffer' elide the terrorists' bigotry with the attitudes of the creators. By the same logic, one could call Steven Spielberg an anti-Semite because the commandant in 'Schindler's List' compares Jewish women to a virus. In the opera, the opposed groups follow divergent trajectories. The terrorists tend to lapse from poetry into brutality, whereas Leon Klinghoffer and his wife, Marilyn, remain robustly earthbound, caught up in the pleasures and pains of daily life, hopeful even as death hovers. Those trajectories are already implicit in the paired opening numbers, the Chorus of Exiled Palestinians and the Chorus of Exiled Jews. The former splinters into polyrhythmic violence, ending on the words 'break his teeth'; the latter keeps shifting from plaintive minor to sumptuous major, ending on the words 'stories of our love.' The scholar Robert Fink, in a 2005 essay, convincingly argues that the opera 'attempts to counterpoise to terror's deadly glamour the life-affirming virtues of the ordinary, of the decent man, of small things.' Moreover, subtle references to the Holocaust suggest that a familiar horror is recurring. 'At least we are not Jews,' an old Swiss woman says. 'I kept my distance,' an Austrian frigidly intones. The mellifluous, ineffectual Captain indulges in fantasies of appeasement, conversing under the stars with a silver-tongued terrorist named Mamoud."

Moral Equivalence

death of klinghoffer(2)Alan Dershowitz argues that The Death of Klinghoffer is an affront, first because it establishes a false moral equivalence between Jewish Zionism and Palestinian terrorism and second between the Holocaust and the Occupation. He also faults the music: "By any standard, The Death of Klinghoffer is anything but the 'masterpiece' its proponents are claiming it is. The music is uneven, with some lovely choruses-more on that coming-one decent aria, and lots of turgid recitatives. The libretto is awful. The drama is confused and rigid, especially the weak device of the captain looking back at the events several years later with the help of several silent passengers. There are silly and distracting arias from a British show girl who seems to have had a crush on one of the terrorists, as well as from a woman who hid in her cabin eating grapes and chocolate. They added neither to the drama nor the music of the opera. Then there were the choruses. The two that open the opera are supposed to demonstrate the comparative suffering of the displaced Palestinians and the displaced Jews. The Palestinian chorus is beautifully composed musically, with some compelling words, sung rhythmically and sympathetically. The Jewish chorus is a mishmash of whining about money, sex, betrayal and assorted 'Hasidism' protesting in front of movie theaters. It never mentions the six million Jews who were murdered in the Holocaust, though the chorus is supposed to be sung by its survivors. The goal of that narrative chorus is to compare the displacement of 700,000 Palestinians-some of which was caused by Arab leaders urging them to leave and return victoriously after the Arabs murdered the Jews of Israel-with the systematic genocide of six million Jews. It was a moral abomination.... At bottom The Death of Klinghoffer-a title deliberately selected to sanitize his brutal murder-is more propaganda than art. It has some artistic moments, but the dominant theme is to create a false moral equivalence between terrorism and its victims, between Israel and Palestinian terrorist groups, and between the Holocaust and the self-inflicted Nakba."

Don't Give Up the Fight

Hong Kong protestsKeane Shum on why he won't give up on change in Hong Kong: "So many voices-our own government, the central government, foreign governments, much of the international media, and even some of the protesters themselves-say there is no chance of any concession by the authorities, that this is a futile battle against an intransigent force and can yield only moral victories. It is all just the dreams of naive students, they say, a fantasy. But so is Hong Kong. On that recent Sunday morning in Victoria Harbour, when I had swum to roughly the midpoint between Hong Kong Island and the mainland, I took a moment to drift on my back and let the city wash over me. The harbor and the skyline, the hills and the bays, the food, the movies, the money, and, of course, these protests-politically engaged teenagers doing homework on the streets, collecting garbage, singing songs-all these are unreal. Our city is a dream, a place where umbrellas float through tear gas, schoolchildren lead civic debates instead of virtual lives, and 999 of every 1,000 trains run on time. On that ship in Nanjing 172 years ago where China signed us away, after the British surrendered us on Christmas Day, 1941, when the tanks plowed into Tiananmen Square on the morning of June 4, 1989, we were never supposed to exist, not like this."

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Now and Then

Daniel MendelsohnDaniel Mendelsohn, suggests that books, even ones we love, should change as we do: " I teach Sophocles' 'Antigone.' My students, who are in their late teens and early 20s, tend to identify with the fiercely idealistic young heroine, who stands up for family and religion - for freedom of conscience, as we often see it today - against the decrees of her uncle, the autocratic new ruler of the state. But over the past quarter-century I have increasingly appreciated the validity of the uncle's claims: the necessity for order, the incoherence of a state that consists of individuals who cannot recognize the views of others. However much Holden Caulfield's helplessness and sensitivity may move us, it's important to remember that what is problematic in 'The Catcher in the Rye' is its hero's aversion to negotiation and compromise - not the negotiations and compromises themselves, which are simply part of adult life. Whatever else it may mean, the Museum of Natural History scene in Salinger's beloved classic can be read as a powerful allegory of how not to read beloved classics. Like Holden, we can and do keep revisiting them; but when we do, we should always be seeing something new, because the eyes with which we read should have changed."

To Grieve or Not to Grieve?

Colm ToibinIn a comprehensive essay on grief in literature, Colm Toibin points to Hamlet as a model: "I remember in school sitting at the back of the class soon after my father had died and listening to a discussion about Hamlet's madness and Hamlet's character and everyone wondering why Hamlet could in one second be in love, and the next out of love, and then angry and ready for revenge and then ready to procrastinate, the next minute melancholy and the next putting an antic disposition on, and why his tone could be so wise and then also so bitter and sharply sarcastic and rude. How could he be so many things, and how could we define his character? I wish I had put up my hand to say that I thought I understood what was at the root of all his antics. His father had died not long before. That was all. He had been unmoored. While those around him were trying to explain that what had happened was normal, a part of nature, and were trying to get on with things, Hamlet had become wayward and, luckily, Shakespeare had seen the dramatic possibilities of this."

A Lost Generation

South Boston busMichael Patrick MacDonald has a vivid essay-part investigative journalism, part personal recollection of his time growing up in South Boston-about the forced busing that integrated South Boston High School in 1974: "Among the rarely discussed facts about my neighborhood was that white South Boston High School had the highest number of students on welfare in any school, citywide. The school mostly served the population of Southie's three large housing projects and the 'Lower End,' three contiguous census tracts that collectively held the highest concentration of white poverty in the United States, with 73 percent single-parent female-headed households and upwards of 40 percent unemployment rate among adult men. In the years before busing, only 16 percent of students at white South Boston High school went on to college, and when they did, they were usually the first in their families to do so. Former Boston NAACP President Ken Guskett has recently said that, during the battle for desegregation, while white students citywide received more funding per student ($450) than black students ($250 at the black schools in Roxbury)-'the South Boston kids got less than Roxbury.' This is the problem with looking at statistics only by race, rather than also looking at economics." MacDonald brings a panoramic lens to the busing history, exploring how it happened that black children were integrated into the only Boston schools worse than their own, how South Boston united against that integration and lost its soul, and how the Boston elite stood apart from the fray. Above all it is a riveting tale of the personal toll of a well-meaning but poorly instituted government policy. 

How to Read a "Politically Charged Sentence"

heideggerJulia Ireland has published a long essay that centers upon one of those rare genuine scholarly discoveries. Reviewing original manuscripts of Martin Heidegger's lecture courses, she discovered that the published versions of the texts mistakenly read Heidegger's notation for "National Socialism" as "The Natural Sciences." Ireland argues that restoring Heidegger's original words actually helps make sense of his controversial claims in another essay written in the same year in which he speaks of the "inner truth of National Socialism." In doing so, Ireland offers an extraordinary example of how to treat controversial philosophical texts. As she explains in a footnote that should be read more widely: "I am deeply opposed to that style of scholarship whose tendentious use of quotations preempts genuine philosophical analysis in a manner I understand to actively mislead. It remains true that substandard scholarship continues to determine the wider debate surrounding Heidegger's politics and that in the United States such scholarship has received the imprimatur of a university press. (Emmanuel Faye's division of his 'Bibliography' into categories such as 'Works by Other National Socialist and Völkisch Authors,' 'Apologetic and Revisionist Studies,' and 'Works Critical of Heidegger,' in Heidegger: The Introduction of Nazism into Philosophy in Light of the Unpublished Seminars of 1933-35, is blatantly ideological; and his representation of student Protokolle as Heidegger's own words is specious; both should have been challenged by reviewers as violating the most basic principles of scholarship.) By contrast, I intend my analysis here as an alternative for what it means to read a single, politically charged sentence when interpretation has been constrained by the necessity of a philological reconstruction and the willingness to affirm the often surprising layers of complication that have accompanied it."

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humanitiesRediscovering the Humanities: Humanities Advocacy in the Digital Age

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Arendt and the Question of Positive Freedom

Tuesday, November 18, 2014

The Hannah Arendt Center, 12:30 pm - 2:00 pm

 

 


From the Arendt Center Blog

This week on the Blog, Andrew T. Dilts reflects on forgiveness, punishment, and vengeance with respect to George Zimmerman's slaying of Trayvon Martin in the Quote of the Week. C. G. Jung provides this week's Thoughts on Thinking. In our Video Archives, we look back at a talk Bard College President Leon Botstein gave on the state of American education at the Hannah Arendt Center's seventh annual fall conference. And we appreciate a small yet powerful personal library of Arendt's works in our Library feature.

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
18Jan/135

Power, Persuasion, and Organization

 

John Duncan has in interesting response to Bill Dixon’s Quote of the Week this week. Dixon wrote about the importance of power (as opposed to violence or domination) in political life. And he worried that power was being lost and, what is more, becoming impossible to hold on to or acquire in the modern world. He writes:

The dilemmas of modern powerlessness are peculiarly wrenching in large part because they are not readily negotiable by political action, by those practices of public creativity and initiative that are uniquely capable of redefining what is possible in the common world.  Rather, these “choices” and others like them seem more like dead-ends, tired old traps that mark the growing powerlessness of politics itself.

Duncan wonders how power can be created and made in our world. He answers:

Express, discuss, decide, persuade, negotiate, compromise: these are the skilled activities that bring power into existence. These are the skills that direct the course of an organization and allow it to change without losing support of its individual members. The skills are used with other people (which is why they’re political). The skills require a space where their use can take place; imply a basic equality of participation; a reason or purpose to be together; and a love and respect for language and the power of well chosen words.

I am particularly taken by Duncan’s discussion of persuasion as a source of power.

Persuading is the art of convincing and winning-over others in a non-manipulative way. It presupposes strong convictions in one’s view of reality — particularly opportunities, threats, organizational strengths and weaknesses. It requires a well articulated vision of what the enterprise might become that is inspiring while solidly grounded. It requires a belief that the right words will bring others around to see things your way. It also implies a willingness to be persuaded oneself, to recognize and accept superior insights and understandings of others.

These thoughts on the possible manufacture of power in modern politics raise important points about modern social justice movements like Occupy Wall Street, the Tea Party, and also the horizontalidad movement in Chile. One question we should ask is why the Chilean movement has proven so powerful whereas OWS (and now it seems also the Tea Party) has fizzled and died.

Exploring the lessons of the Chilean movement is indeed the theme of an interview Zoltan Gluck conducted with Camila Vallejo and Noam Titleman, leaders of the social justice movement in Chile (Zoltan is a former student of mine, just a shout out of congratulations!)

In response to a question about the connection between leaderless and consensus based ideology of OWS and how it relates to the Chilean movement, Noam Titleman answers:

Let me say that I think the Chilean movement does place a special emphasis on its decision-making processes and does truly want to involve everyone in these processes. But one of the reasons that the movement has been able to build such strength has been its ability to concentrate its collective force in an organized fashion. That is, not just leaving decisions to the sort of ritualistic or experiential feeling of being in one place with a lot of people and discussing things, but actually putting them into action. And this obviously requires a high degree of organization. I think there is a danger that by criticizing institutions, we end up criticizing organization and that’s really a big mistake. I think that horizontalidad allows us to make sure that the decisions are made by everyone, but in the execution of those decisions we need to have some sort of organization, otherwise we are doomed to be in a beautiful, noble, and naïve movement but not a not very efficient one.

Organization is, of course, another way power can be created in modern politics. That is, unless protest leaders are so caught up in theories of oppression, domination, and hierarchy that they are unwilling or unable to organize or lead.

Thomas Frank makes this point vividly in a recent essay in The Baffler. Frank is reviewing a series of recent books about Occupy Wall Street. Frank is clear-sighted in detailing not simply the limits of OWS, but of the books that are now pouring forth about the movement. The books are all, he writes, “deeply, hopelessly in love with this protest. Each one takes for granted that the Occupy campaign was world-shaking and awe-inspiring.” Not only is this wrong, it prevents these authors and I would add most liberal supporters of Occupy Wall Street from confronting the stunning failure of Occupy Wall Street. Here is Frank:

The question that the books under consideration here seek to answer is: What is the magic formula that made OWS so successful? But it’s exactly the wrong question. What we need to be asking about Occupy Wall Street is: Why did this effort fail? How did OWS blow all the promise of its early days? Why do even the most popular efforts of the Left come to be mired in a gluey swamp of academic talk and pointless antihierarchical posturing.

What Frank points to is the dominance of academic talk and theorizing. Surprisingly he makes the case that this is true of both OWS and the Tea Party. The books about OWS and the protesters, Frank writes, cared more about the “mechanics” of the protest—the fact that it was non-hierarchal, open, inclusive, and consensual—than any ends, goals, or accomplishments. Whereas the Chilean movement embraced getting things done and working to build institutions, the anti-institutional bias of the theorists within Occupy Wall Street militated against building an organization. Talk was allowed, but no persuasion.

As John Duncan writes in his comments, persuasion cannot be empty or purely mechanical. It requires a “well articulated vision of what the enterprise might become that is inspiring while solidly grounded. It requires a belief that the right words will bring others around to see things your way.” This is deeply true and it requires the openness to leadership and inspiration that the forces guiding Occupy Wall Street would not allow.

What distinguishes revolutions from rebellions is that while rebellions merely liberate one from rule, revolutions found new institutions that nurture freedom. What has happened in Egypt is so far only a rebellion. It has liberated Egypt from the yoke of tyranny. Time will tell whether Egypt will experience a revolution that builds institutions of freedom. At the core of Arendt's political thinking is her insistence that freedom cannot exist outside of institutions. As had Montesquieu before her, Arendt saw that power, freedom, and collective action belong together.

What the new experience of American power meant was that there could not be and could never be in the United States a single highest and irresistible power that could exert its rule over the others. The states would limit the federal government; the federal government would contest state power; legislative power limits executive power; judicial power bridles the legislature; and new forms of power in voluntary organizations, political clubs, and advocacy groups all limit the power of professional politicians. Since written laws cannot control power, but "only power arrests power," freedom depends upon institutions that can continually give birth to new centers and sources of power. Together, this diffusion of power in the United States meant the "consistent abolition of sovereignty within the body politic of the republic, the insight that in the realm of human affairs sovereignty and tyranny are the same."

What Dixon, Duncan, Titleman, and Frank help us see in an Arendtian vein is that power today will only reappear if we work to build and found new organizations and new institutions. Such a building requires vision as well as tactics. Arendt offers us one vision: it is the ideal of federalism, the radical diffusion of multiple sources of power throughout society. That vision is in danger of disappearing today under the fiscal and political forces of centralization. If it is to be resisted, those who would resist it will have to be willing to articulate a vision of a different way. In Frank’s words, it will require a movement.

whose core values arise not from an abstract hostility to the state or from the need for protesters to find their voice but rather from the everyday lives of working people. It would help if the movement wasn’t centered in New York City. And it is utterly essential that it not be called into existence out of a desire to reenact an activist’s fantasy about Paris ’68.

Frank’s essay is bracing reading and should keep you warm with thoughts over this cold weekend. Enjoy. It is your weekend read.

-RB

Roger Berkowitz
Roger Berkowitz is Associate Professor of Political Studies and Human Rights at Bard College, and Academic Director of the Hannah Arendt Center for Politics and the Humanities. He is also the author of "Gift of Science: Leibiniz and the Modern Legal Tradition", as well as co-editor of "Thinking in Dark Times: Hannah Arendt on Ethics and Politics".
3Apr/122

Childism by Elisabeth Young-Bruehl

Elisabeth Young-Bruehl was Hannah Arendt's student and biographer. She also was a brilliant philosopher,  intellectual, and psychoanalyst. Her many books include Freedom and Karl Jasper's Philosophy, Hannah Arendt: For Love of the World,  Anna Freud: A Biography,  and The Anatomy of Prejudices, Subject to Biography: Psychoanalysis, Feminism, and Writing Women's Lives.  She had recently completed her last book, Childism, just before her untimely passing on December 1, 2011.

The Arendt Center asked one of our interns, Anastasia Blank, to read Childism and prepare a series of posts highlighting some of the most interesting and compelling insights and arguments. Over the coming weeks, she will provide a chapter-by-chapter look at Young-Bruehl's book. We hope you are inspired to read along. You can purchase the book here.

Elizabeth Young-Bruehl’s final book, Childism, offers stunning insight into the first few years of life that have long since been forgotten. Young-Bruehl, who was Hannah Arendt's biographer and who died late last year, practiced psychoanalysis for almost thirty years and possessed a strong interest and training in child studies. She was a child advocate and this work is an effort to highlight the persisting injustice that befalls the children of our society, an overarching prejudice that she names "childism." Motivating Young-Bruehl's work is the conviction that “Harming children cannot stay the norm, there is no rationalization for this behavior.” The harm of childism does not necessarily refer to physical abuse, but encompasses various acts against children, acts that demarcate them as different and less important that adults.

This is not a contemporary phenomenon, as prejudice against children reaches far back in historical societies. And yet Young-Bruehl does think contemporary American society has seen a rising prejudice against children.  Childism includes abuse, but it extends even to the well-remarked upon helicopter parenting of well-meaning parents who push their children to fulfill the parent's own desires and needs in developmentally inappropriate ways. Childism is based upon a widespread fallacy, that children are expected to serve the needs of the adults that care for them.

Young-Bruehl identifies the childism stereotype as a foundational fantasy, one that,

"can be defined as a belief system that constructs its target group, 'the child', as an immature being, produced and owned by adults who use it to serve their own needs and fantasies”.

While Childism might be thought to be concerned with child abuse, it is more broad in its scope. “Child Abuse and Neglect (CAN)” arose as a field of study in the early 1970’s, encompassing a body of clinicians, advocates, analysts, and researchers. Their aim was to protect children and to bring attention to the existing prejudice against children in social and political institutions. Young-Bruehl contends that in their narrow focus on protecting children from abuse, CAN proponents overlook the parental motivations and origins of the prejudice towards children. Her argument is that when the instigating factors behind "childism" are uncovered, there arises the potential to protect America’s children as a group, instead of the lucky few who come under the attention of child protective services or have access to therapy.

Childism explores the negative view our society has taken towards children; the children within our society are falling prey to the “projections” of their caretakers.  Young-Bruehl argues that too often parents' inner pain suffered when they themselves were children is now being taken out through violence or neglect on their own children.

She asks that we take a look at our own inner conflicts and try to understand the motivation for the type of action and beliefs one holds toward children.  The common belief in "the natural dependency of children," is, she writes,

one of the key reasons for the prejudice against them not to be recognized as such or its being so easily rationalized. Adults who argue that children do not and should not have rights, for example, base their arguments on children’s natural dependency, making assertions about their lack of agency or capacity for choice, expression of interest, or reason. But such arguments are prejudicial against children’s development; by declaring that children do not have these capacities, the arguments are really contributing to the difficulties children have in developing the capacities.

As an adult, a caretaker, or a caring person, it is our duty to offer guidance, support, and love during a child’s development. Believing that children are incapable and dependent, whether intentional or not, leads to projections of a specific dependencies for the child and accords to adults the role of guide and authoritarian ruler. It is this prejudgment about the adult-child relationship that Young-Bruehl asks that we consciously reevaluate.

I invite you to read through this book with me over the coming weeks and investigate the critical question, “Why do parents sometimes turn against their children?” This is not to say that many parents are innately evil or should not have children. It is instead an inquiry into the motivations behind their prejudiced behavior. The book asks: how can identifying significant prejudicial feelings lead to a change away from childism.

-Anastasia Blank

 

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.
26Mar/120

Human Rights Project Welcomes Rebecca Hamilton

The Human Rights Project at Bard College

Presents Rebecca Hamilton

"Fighting for Darfur: The promise and peril of mass movement advocacy for human rights."

She will speak tonight, March 26, 2012 at 5PM, in RKC 103 at Bard College.

Rebecca Hamilton is a journalist at Reuters. Over the past year she has been a Special Correspondent on Sudan for The Washington Post, a Pulitzer Center grantee, and a fellow at the New America Foundation. She has written up her multi-year investigation into the impact of the U.S.-based citizen advocacy movement on Darfur policy in Fighting for Darfur: Public Action and the Struggle to Stop Genocide.

In recent years she has conducted over 150 interviews with policy-makers on Sudan within the previous and current U.S. administration, interviewed those deployed to Sudan with the African Union, and spoken with both the survivors and the perpetrators of the atrocities in Darfur. In partnership with the National Security Archive she has obtained the declassification of 600 cables related to U.S. policy on Sudan. Her writing has been published in a range of outlets including Foreign Affairs, Foreign Policy, The New Republic, Newsweek, The Atlantic, Christian Science Monitor and The International Herald Tribune.

Born in New Zealand, she moved to Australia at 15. She was awarded a Knox Fellowship to attend Harvard and graduated as a joint degree student from Harvard Law School (Juris Doctor) and Harvard Kennedy School (Master of Public Policy) in 2007. Before beginning to work full-time on Fighting for Darfur she worked as a lawyer at the International Criminal Court. She currently resides in New York and is admitted to the New York bar.

She will be discussing her recent book on Darfur and the activist movement that grew up in response to the violence there, "Fighting for Darfur":

http://www.palgrave.com/products/title.aspx?pid=397886

The Hannah Arendt Center
The Hannah Arendt Center at Bard is a unique institution, offering a marriage of non-partisan politics and the humanities. It serves as an intellectual incubator for engaged thinking and public discussion of the nation's most pressing political and ethical challenges.