The Courage of Judgment
"Men=earthbound creatures, living in communities, endowed with common sense, sensus communis, a community sense; not autonomous, needing each other’s company even for thinking (“freedom of the pen”)=first part of the Critique of Judgment: aesthetic judgment."
-Hannah Arendt, Lectures on Kant's Political Philosophy
This fragment from Arendt’s Lectures on Kant’s Political Philosophy is easy to overlook, as upon first glance, it seems to do little more than restate her reliance on Kant’s concepts of the sensus communis and “enlarged thought” to define judgment. These lines are notes she has jotted down, expressing early sketches on the finished product of judgment as the idea that judgment is the mental operation of “placing [oneself] at the standpoint of others” to become an individual of “enlarged thought."
But upon closer examination, a puzzle emerges. In these lines, the sensus communis and the community that is presumed in this sense seems to encroach upon thinking—that faculty that Arendt insists occurs only in isolation. Thinking is the silent dialogue, the “two-in-one” that exists only when I am alone, for in appearing to others, “I am one; otherwise I would be unrecognizable.” In these notes in the Lectures, however, Arendt seems to reject the very terms by which she herself establishes the category of thought, undermining the boundary between the thinking self and the community, which she herself establishes. (“You must be alone in order to think; you need company to enjoy a meal.”)
One obvious solution to the puzzle is to say that the community sense arises from imagining others’ standpoints, rather than from actual others who could constitute “real” company. But given how often Arendt describes the two-in-one of thinking as a “duality” by which I keep myself company, drawing the line between imagined others and actual others seems too crude to capture what Arendt means by company. We do not need others, imagined or otherwise, to have company, as one can—and should be—one’s own company.
Another solution, and the one that has come to define Arendtian judgment, has been simply to ignore the solitude that thinking imposes onto judgment and to instead describe the operation of the latter as an imagined discourse that one might have with others. Here, judgment seems to introduce into the two-in-one of thinking other individuals such that it is not myself, but other people, who keep me company in thought.
But this characterization of judgment should make careful readers of Arendt uncomfortable, for in reducing the “thoughtfulness” of judgment to a dialogue with others in their specific circumstances, we not only veer dangerously close to empathy, but also lose conscience and responsibility as gifts that accompany thinking in its solitude. Without conscience telling us that we must live with ourselves, it becomes too easy to lose in the company and noise of others who we are and what we do. It becomes too easy to perform tasks that exposed in the solitude of thought; we might not be able to live with.
What then could Arendt mean when she says that we might need each other’s company for thinking? I submit that the interpretive problems that I’ve so far identified emerge from associating the “general standpoint” of enlarged thought too much with the visiting of other standpoints at the expense of another prominent metaphorical figure in Arendt’s Lectures—the figure of the Judge. As Arendt acknowledges, the “whole terminology of Kant’s philosophy is shot through with legal metaphors: it is the Tribunal or Reason before which the occurrences of the world appear.” It is as an impartial judge in a tribunal, not as an individual who engages or empathizes with the specific circumstances of others, that one achieves a “general standpoint.” In one’s position as a judge, one gives up not only one’s own “factual existence,” but also factual existence as such. The judge “lays down his verdict” not with the multiplicity of human life in mind, but rather with the impartiality that comes from giving up “the dokei moi, the it-seems-to-me, and the desire to seem to others; we have given up the doxa, which is both opinion and fame.” The judge is not impartial because he has seen all the partial perspectives of the world, but because he is importantly isolated from any of these perspectives.
But despite this language that seems to move us away from what we usually see as Arendt’s politics, Arendt chose to focus on Kantian judgment, shot through with all of its language of reason and the law, to develop a political understanding of judgment. She did so, I submit, because she saw that the courtroom also demands the openness and publicity that is the hallmark of the political. The impartiality of the judge lies in the simple fact that for the judge and the court, “justice must not only be done but must be seen to be done.” And when it comes to judgment properly understood, the audience is the world itself with all of its multiplicity and plurality, which would overwhelm any individual’s attempt even to begin imaginatively to apprehend, much less visit, the universe of perspectives it contains.
One must simply accept this plurality as a sheer given and a fact, acknowledging that such a world will be the tribunal in which one will be judged. To again borrow words that Arendt used in a different context, judgment is fundamentally about the willingness to “share the earth” with whoever happens to occupy it such that “member[s] of the human race can be expected to want to share the earth” with us as well and be willing to judge us. Judgment does not require that we attempt to know the specific circumstances of these others. In fact, it demands that we do not attempt to understand or know it, and instead to accept and reconcile ourselves to the fact that there are others and, more importantly, that it is in front of an unknown, cosmopolitan world that contains them that we will be seen and judged.
Eichmann lacked judgment because he refused to live in such a world, choosing instead to follow a regime whose policy it was to try to remake this world more familiar and friendly to it. And as difficult or impossible as the project of the Third Reich was to bring to fruition, carrying it out certainly did not require the bravery demanded in politics. The cowardice of the Nazis was evident in the trials of Nuremburg and Jerusalem, as well as in their reaction to resistance even during the war, when the “courage” of the soldiers “melt[ed] like butter in the sun” in the face of Danish resistance. The courage of politics, the courage of judgment demands that one be able to stand in front of and be willing to be judged by world full of strangers whose particular perspectives, standpoints, ideas, or circumstances we could not begin to appreciate.
-Jennie Han
Amor Mundi – 5/19/13
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
Jonathan Lee interviews Twelve Tribes of Hattie author Ayana Mathis, who talks about the way that indecision (in her education) and doubt (of her religion) has affected her development as a person and as a writer. Mathis, who was Marilynne Robinson's student at the Iowa Writer's Workshop, says that, despite her doubt, there's something deeply, uniquely human about honest religious experience: "A belief in God may not be fully within me anymore, but there's still a belief in belief. The high drama and power of the Church has stayed with me. As a child in church, I saw grown men at the altar crying out for God's mercy. And the idea of someone doing that has become a joke in the popular culture, but when you are there and you see it, you experience-for a moment-an incredibly raw, honest, strange insight into what it means to be a human being. Those experiences don't leave you."
Maria Popova points to the American Rock 'n Roll historian Greil Marcus' recent commencement address to the School of Visual Art's class of 2013. In his speech, Marcus rails against the high and low divisions of art and culture, suggesting that there's something controlling in those categories, something that totally degrades the mystery of art.
All last week, The New Yorker's Page Turner blog has been sharing excerpts from a collection of Italo Calvino's letters. On Christmas Eve 1959, Calvino shared his impression of New York with a friend: "But really it is not this I mainly wanted to talk to you about, it's more to say that this country here knows nothing about us Europeans-and Russia here you can feel is part of Europe, and with no great differences either-because they are totally devoid of a sense of history. To put it briefly, I am beginning to understand something about America, but I have not got the time even to think never mind writing. I am leading the life of a business man, because this is the real way to live in this city-I say business, but all I do is see publishers and have endless business lunches with them-I act as ambassador for an imaginary Italian Democratic Republic, because I feel it is my duty and responsibility to do so, being one of the few men of the left who has been given the chance to visit this country for six months."
On its seventy-fifth anniversary, Mike Hume writes about George Orwell's book about the Spanish Civil War, Letters from Catalonia. "Orwell," he writes, "was obviously deeply touched by the decency and heroism of the ordinary Spaniards and foreigners fighting for freedom by his side. Isolated on the frontline with the workers' militia, he recalls: 'One had been in a community where hope was more normal than apathy or cynicism, where the word "comrade" stood for comradeship and not, as in most countries, for humbug. One had breathed the air of equality.'"
The Official U.S. Opening of the biopic, Hannah Arendt in NYC
Learn more here.
From the Hannah Arendt Center Blog
This week on the blog, Lance Strate considers the existence and meaning of the public realm, and Roger Berkowitz looks at the continuing debate about the merit of MOOCs.
The MOOCs Debate Continues
Thinking stops us. To think is to slow down, even stop, turn around, and reflect. There is that famous scene in the Symposium where Socrates simply stands there in the street for hours, thinking. Barbara Sukowa, in the new film Hannah Arendt, literally smokes saying nothing for minutes on end to offer the exemplary sense of what it means to stop and think. One might even subtitle the new film “Smoking and Thinking,” which is a reminder of one loss—amidst many benefits—that health concerns and the end of smoking means for our thinking lives.
Thinking is especially important at a time of excitement and speed, when everybody around you is rushing headlong into the newest 'new thing'. The new thing in the world of teaching is, of course, online education and particularly the MOOC, the massive open online courses that seemingly everyone now wants to offer. There is a steamroller effect in the air, the fear that if we don’t get on board we will be left behind, standing alone in front of our blackboards lecturing to empty seats.
Or worse, that we will become an underpaid army of low-paid assistants to superstar professors. Outside of these professional and personal concerns, there is the worry that the rush to online courses and online education will cheapen education.
Aaron Bady seeks to slow us down and think about MOOC’s in his recent essay in The New Inquiry. Here is how he describes our current moment:
In the MOOC moment, it seems to me, it’s already too late, always already too late. The world not only will change, but it has changed. In this sense, it’s isn’t simply that “MOOCs are the future, or online education is changing how we teach,” in the present tense. Those kinds of platitudes are chokingly omnipresent, but the interesting thing is the fact that the future is already now, that it has already changed how we teach. If you don’t get on the MOOC bandwagon, yesterday, you’ll have already been left behind. The world has already changed. To stop and question that fact is to be already belated, behind the times.
The first thing I want to do, then, is slow us down a bit, and go through the last year with a bit more care than we’re usually able to do, to do a “close reading” of the year of the MOOC, as it were. Not only because I have the time, but because, to be blunt, MOOC’s only make sense if you don’t think about it too much, if you’re in too much of a hurry to go deeply into the subject.
Bady is right to ask that we slow down, and of course, this is happening. Amherst College and Duke University recently voted to pull out of EdX and rethink their online strategies. The philosophy department at San Jose State, a university that is embracing MOOCs, issued a thoughtful open letter questioning the implementation and use of MOOCs. At Bard, where the Hannah Arendt Center is located, there are ongoing and serious discussions and experiments proceeding on how to use MOOCs and online education in pedagogically sound and innovative ways. Many schools that don’t get the press and attention associated with speedily adopting the MOOC model are thinking seriously about using MOOCs well, and more generally, about how to employ technology in ways that will enrich or expand the classroom educational experience. In this way, MOOCs are actually spurring reform and innovation in ways Bady does not consider.
Nevertheless, in asking that we breathe, stop and think, Bady does a great service. He clearly has worries about MOOCs. And the concerns are meaningful.
MOOC’s are literally built to cater to the attention span of a distracted and multi-tasking teenager, who pays attention in cycles of 10-15 minutes. This is not a shot at teenagers, however, but an observation about what the form anticipates (and therefore rewards and reproduces) as a normal teenager’s attention span. In place of the 50 minute lectures that are the norm at my university, for example, MOOCs will break a unit of pedagogy down into YouTube-length clips that can be more easily digested, whenever and wherever. Much longer than that, and it falls apart; the TED talk is essentially the gold standard.
MOOCs as they are today do break the large lecture into smaller bits. They require students to answer questions after a few minutes of the lesson to make sure they are following it. Before one can continue, one must in essence take a quiz to see if you are getting it. Let’s stipulate: this is juvenile. It treats the college student like a grammar school student, one who knows little and cannot be trusted to be attentive on their own and needs big brother watching and making sure he is paying attention and learning at every minute.
In short, MOOCs threaten to change education to be about shorter, less demanding, more corporate lessons. The focus will be on skills and measurable learning. What will be sacrificed is the more difficult-to-measure experience of struggling with difficult ideas and the activity of thinking in public with others. Bady’s point, and he is right, is that a fully online education is hardly an education. It is a credential.
That may be true. But the sad fact is that for many if not most of our college students, college is more of a credential than an intellectual feast. Most students simply get very little out of large lectures.
If they are not sleeping or on Facebook, they are too often focused simply on learning what is necessary to pass the exam. This is a reality that many who criticize MOOCs are not facing up to—that our current educational system is, for large numbers of students, a sham; it is too often a waste of time and money.
Bady focuses on the last of these concerns and believes that the driving force of the arguments for MOOCs is economic. He writes:
But the pro-MOOC argument is always that it’s cheaper and almost never that it’s better; the most utopian MOOC-boosters will rarely claim that MOOCs are of equivalent educational value, and the most they’ll say is that someday it might be.
On this reasoning, MOOCs will soon take over the entirety of higher education, devaluing higher personal instruction. Bady is partly right. MOOCs will devalue a college degree, as ever more people can cheaply acquire one. But they will likely increase the value of a college degree from a physical university where students learn with real professors who care for and nurture them. In short, MOOCs will likely increase the attraction of and resources for those institutions that provide personal educations. There will always be some people who desire a meaningful education—although the number of people who do so is likely smaller than academics would like to admit. What MOOCs allow is for us to provide cheap and more effective credentialing educations for those who don’t actually want to invest the time, effort, and money in such an intellectual endeavor.
And this is where MOOCs have a real potential to provide a service, in separating out two now confused aims of higher education. On the one hand, education is an intellectual pursuit, an opening of the mind to an historical, moral, beautiful, and previously hidden world. On the other, it is a credential for economic and social advancement. Of course these distinctions can be blurred, and too often they are completely, so that education as an intellectual activity is reduced down cynically to a credential. I think MOOCs can change this. By making the choice more starkly, we can let students choose which kind of education they want. And for those who simply want a credential, the MOOC option is probably better and cheaper and more convenient.
Bady doesn’t take this seriously because he worries that MOOCs are being offered as a replacement for education at all levels. The confusion here, however, is a difficult one to speak about because the issue is one of elitism. We need to recognize that some colleges and some students are aspiring to offer an education. Others are providing instead a certification. But since we call all of these different endeavors a “college education” we confuse the question. One great side-effect of the MOOC phenomena is that we may once again be able to recall that not everyone in a society wants or needs a college education. The best answer is then to spend more resources on our abysmal system of high school teaching. But that is another story.
Bady’s essay is one of the best around on the MOOC phenomenon. It is well worth your time and is your weekend read.
-RB
To read more Arendt Center posts about education, teaching and MOOCs click here, here, here, and here.
Communism and Commerce
Communism and Commerce.
From the recent art show at the New York Armory.
George Bernard Shaw on Thinking
“Few people think more than two or three times a year; I have made an international
reputation for myself by thinking once or twice a week.”
— George Bernard Shaw
Death and the Public Realm
"There is perhaps no clearer testimony to the loss of the public realm in the modern age than the almost complete loss of authentic concern with immortality, a loss somewhat overshadowed by the simultaneous loss of the metaphysical concern with eternity."
-Hannah Arendt, The Human Condition,
Hannah Arendt was one of the first to remark upon the loss of the public realm, or what Jürgen Habermas called the public sphere. As indicated by the terms realm and sphere, along with related phrases such as public space and public sector, we are referring here to a kind of environment, or as Arendt puts it, "the world itself, in so far as it is common to all of us and distinguished from our privately owned place in it" (p. 52). The private realm, the subject of a previous post of mine (The Deprivations of Privacy) is defined in relation (and opposition) to the public, but both are differentiated from the natural environment according to Arendt. Both are human artifacts, human inventions:
To live together in the world means essentially that a world of things is between those who have it in common, as a table is located between those who sit around it: the world like every in-between, relates and separates men at the same time. (p. 52)
The table is an apt metaphor, as it has the connotation of civilized discourse, and a willingness to sit down for peaceful negotiation. Indeed, it is much more than a metaphor, as the table does create a shared space for individuals, a medium, if you will, around which they can communicate. But the table also keeps individuals separate from one another, establishing a buffer zone that allows for a sense of safety in the company of individuals who might otherwise be threatening. Sitting at a table restricts the possibilities of sudden movement, providing some assurance that the person seated across from you will not suddenly spring at you with sword or knife in hand, especially if both parties keep their hands visible on the table top. No wonder, then, that as the practice of sitting around a table for a meal emerges in the Middle Ages, it becomes the focal point for what Norbert Elias refers to as the civilizing process.
The table is a medium, an in-between, as Arendt puts it, and each medium in its own way serves as a means by which individuals connect and relate to one another, and also are separated and kept apart from one another. In Understanding Media, Marshall McLuhan expressed the same idea in saying that all media, meaning all technologies and human innovations, are extensions of some aspect of individuals, but at the same time are amputations. As I have explained elsewhere, the medium that extends us into the world comes between us and the world, and in doing so becomes our world. Or as I like to put it, with apologies to McLuhan, the medium is the membrane.
The public realm then is a shared human environment, a media environment. As Arendt explains,
everything that appears in public can be seen and heard by everybody and has the widest possible publicity. For us, appearance—something that is being seen and heard by others as well as by ourselves—constitutes reality. (p. 50)
Paul Watzlawick has argued that our reality is constructed through our communication, rather than mere reflected or represented by our messages. And this means that our reality is shaped by our means of communication, our media. It is through publicity that we create the public realm. And for the public realm to exist, there must also be the possibility for some communication to take place privately, in a context where it cannot be seen and heard by everybody, where there are barriers to people's perception and their access to information, what Erving Goffman referred to as the back region.
The public realm is not a media environment we typically associate with tribal societies, where the distinction between public and private is, for the most part, non-existent. Rather, it is strongly tied to the city as a human environment (and a medium of communication in its own right). Lewis Mumford insightfully observed that cities are a type of container technology, indeed the container of containers, and what they contain includes great concentrations of population. As settlements evolved into the first urban centers in the ancient world, they gave rise to the first true crowds and mobs, and also to audiences made up of people who do not necessarily know one another, or have strong social ties to each other.
These new kinds of audiences required a new form of communication: public address. They required new kinds of physical environments: the agora, the forum, the marketplace. And they required new forms of education: the art of rhetoric.
The invention of writing is intimately bound up in all of these developments. Without reasonably well-developed systems of notation, human populations were not able to handle the complexity of large populations. In tribal societies, as population increases, groups split up in order to keep their affairs manageable. Writing, as a container for language, whose primary form is the spoken word, develops side by side with the city as container, and allows for the control and coordination of large populations and diverse activities. And writing, in allowing language to be viewed and reviewed, made it possible to refine the art of public address, to study rhetoric and instruct others in the techniques of oratory, as did the Sophists in ancient Greece. It is no accident that the introduction of the Greek alphabet was followed by the first forms of study, including rhetoric and grammar, and by the first forms of democracy.
Writing also has the peculiar effect of introducing the idea of the individual, of breaking people apart from their tribal, group identity. The ability to take one's thoughts, write them down, and observe them from the outside, made it possible to separate the knower from the known, as Eric Havelock put it, which also separated individuals from their traditions.
Written law, beginning with Hammurabi and Moses, took judicial matters out of the concrete realm of proverbs and parables, and reasoning by analogy, opened the door to the view that everyone is equal, as an individual, before the law. The fact that literacy also facilitated increasingly more abstract modes of thought also was of great importance, but the simple act of reading and writing alone, in isolation, had much to do with the genesis of individualism.
The origin of the public realm is closely tied to the medium of the written word, in highly significant but limited ways. Script gave us the civic public, rooted in rhetoric, but it was the printing revolution in early modern Europe that made the public intro a national, mass phenomenon. As McLuhan noted in his preface to The Gutenberg Galaxy,
Printing from movable types created a quite unexpected new environment—it created the PUBLIC. Manuscript technology did not have the intensity or power of extension necessary to create publics on a national scale. What we have called "nations" in recent centuries did not, and could not, precede the advent of Gutenberg technology any more than they can survive the advent of electric circuitry with its power of totally involving all people in all other people. (p. ii)
A reading public is quite different from a listening public, as readers are separated in time and space from one another, and this form of mediation also had the effect of making individualism a ruling ideology. And yes, Habermas did place a great deal of emphasis on people gathering in public places like coffee shops to discuss and debate the issues of the day, but they did so based on what they read in print media such as newspapers, pamphlets, and the like. Moreover, historian Elizabeth Eisenstein explained in The Printing Press as an Agent of Change, the printers' shops were the first places that people gathered for such intellectual exchanges, long before they gravitated to the coffee shops and taverns. The point is that the content of these discussions were based on typographic media, the mindset of the discussants was shaped by print literacy, and both were situated within the print media environment. Within such an environment, a population of individuals could gain common access to ideas and opinions through print media, which in turn could provide the basis for political action; in this way publics came into being.
Publics were formed by publicity, and publicity was achieved through publication. As much as books, pamphlets, catalogs, calendars, periodicals, and all manner of ephemera were the products of the printing press, so too, as McLuhan observed, was the reading public. Print technology gave us our first form of mass communication, characterized by wide and relatively rapid dissemination of multiple, identical copies of the same text, a democratizing process, as Walter Benjamin observed.
But printing also created a new sense of immortality, of the author's words living on through the ages, and of posterity as the ultimate judge. Elizabeth Eisenstein explains that the very multiplication of texts, however perishable any single copy might be, established what she referred to as the preservative powers of print far beyond anything previously known. This idea of immortality goes hand in hand with the rise of a new kind of historical consciousness, which also emerged out of print culture.
Eternity, by way of contrast, is situated outside of historical time, within what Mircea Eliade calls sacred time. It is a time that looks back towards the moment of creation or a golden age. Through ritual, we can step out of the profane time of everyday life, and in enacting the myth of eternal return enter the sacred time that intersects with all of history—in this sense always a part of it and yet at the same time apart from it.
Traditional cultures look backward to creation or the golden age as a time superior to the present, a time they strive to reclaim. Oral cultures are particularly associated with a cyclical understanding of time. The invention of writing makes possible first chronology, then historical narrative, and this opens the door to the idea of progress. The shift begins with the biblical narrative in ancient Israel, and the secular history writing of ancient Greece and Rome. But a complete reversal in orientation from looking to the past as the ideal towards anticipating the future as a continual process of getting better, perhaps culminating in utopia, is closely associated with the printing revolution and the modern world it gave rise to. This is, in turn, superseded by a present-centered orientation brought on by the electronic media, as I have discussed in On the Binding Biases of Time. The instantaneity and immediacy of electronic communication not only moves our focus from history and futurity to the present moment, but it translates the remembered past and the anticipated future into the present tense, the now of the computer program and digital simulation.
Arendt's insight that the loss of a concern with immortality is intimately bound up with the loss of the public realm implies a common denominator, specifically the electronic media environment that has superseded the typographic media environment. If literacy and print go hand in hand with citizenship, civics, and the public realm, what happens when these media are overshadowed by electronic technologies, from the telegraph and wireless to radio and television now to the internet and mobile technology?
We still use the word public of course, but we have seen a great blurring of the boundaries between public and private, the continuing erosion of privacy but also a loss of the expectation that dress, behavior, and communication ought to be different when we are in a public place, and that there are rules and obligations that go along with being a part of a public. And we have experienced a loss of our longstanding sense of individualism, replaced by an emphasis on personalization; a loss of citizenship based on equality, replaced by group identity based on grievance and all manner of neo-tribalism; a loss of traditional notions of character and personal integrity, replaced by various forms of identity construction via online profiles, avatars, and the like; the loss of separate public and private selves, replaced by affiliations with different lifestyles and media preferences.
As consumers, members of audiences, and participants in the online world, we live for the moment, and we do so with disastrous results, economically, ethically, and ecologically. Arendt suggests that, "under modern conditions, it is indeed so unlikely that anybody should earnestly aspire to an earthly immortality that we probably are justified in thinking it is nothing but vanity" (p. 56). Along the same lines, Daniel Boorstin in The Image argued that the hero, characterized by greatness, has been replaced by the celebrity, characterized by publicity, famous for appearing on the media rather than for any accomplishments of historical significance. Heroes were immortal. Celebrities become famous seemingly overnight, and then just as quickly fade from collective consciousness. Heroes, as Boorstin describes them, were known through print media; celebrities make up the content of our audiovisual and electronic media. These are the role models that people pattern their lives after.
Arendt explains that a public realm " cannot be erected for one generation and planned for the living only; it must transcend the life span of mortal men" (p. 55). And she goes on to explain,
It is the publicity of the public realm which can absorb and make shine through the centuries whatever men may want to save from the natural ruin of time. Through many ages before us—but now not any more—men entered the public realm because they wanted something of their own or something they had in common with others to be more permanent than their earthly lives. (p. 55)
Without this concern with a public realm that extends across history from the past into the future, what becomes of political action based on the common good, rather than private interests?
With the loss of any concern with immortality, have we witnessed not merely the erosion, but the irrevocable death of the public realm?
And perhaps most importantly of all, without the existence of a public, can there still exist, in something more than name only, a republic?
-Lance Strate
Amor Mundi 5/12/13
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
The Closing Arguments at Guantanamo
With the conditions at the United States military detention facility in Guantanamo recently coming under scrutiny comes renewed attention to the case of Mohammed Jawad, the first Guantanamo detainee to testify, under oath and to a military commission, that he had been tortured while being held. Last month, a dramatic reading of statements made by Jawad's lawyer, David Frakt, juxtaposed with statements made by the case's lead prosecutor, Darrel Vandervelde, who left the military in order to help free Jawad, was held at the Pen World Voices Festival of International Literature. In their statements, both men use the language of Constitutionality to suggest that, by torturing detainees such as Jawad, "America," as Frakt puts it, "lost a little of its greatness." Vandervelde writes of his choice to testify in favor of Jawad: "I did it because I believe in truth, justice, the rule of law, and our common humanity. I did it for Mohammed Jawad, I did it because it was my duty, and I did it for us all."
A.O. Hirschman, Philosopher of the World
Cass Sunstein summarizes Jeremy Adelman's recent, and massive, biography of the twentieth century scholar Albert Hirschman. Describing him as a thinker whose work has direct relevance to today's questions, Sunstein both praises Adelman's work and Hirschman's, saying of the latter: "He insisted that human history provides stories, intricate and often nonrepeatable,' which 'look more like tricks history has up its sleeve than like social-scientific regularities, not to speak of laws.'" Hirschman sought, Sunstein writes, "to "prove Hamlet wrong." In Shakespeare's account, Hamlet is immobilized and defeated by doubt. Hirschman was a great believer in doubt-he never doubted it-and he certainly doubted his own convictions. At a conference designed to celebrate the thirtieth anniversary of his first book, who else would take the opportunity to show that one of his own central arguments was wrong? Who else would publish an essay in The American Economic Review exploring the "overproduction of opinionated opinion," questioning the value of having strong opinions, and emphasizing the importance of doubting one's opinions and even one's tastes? Hirschman thought that strong opinions, as such, "might be dangerous to the health of our democracy," because they are an obstacle to mutual understanding and constructive problem-solving. Writing in 1989, he was not speaking of the current political culture, but he might as well have been."
Kelefa Sanneh reviews in The New Yorker; The Democracy Project: A History, a Crisis, a Movement by David Graeber and Two Cheers for Anarchism by James C. Scott. Graeber, an anthropologist, became famous as one of the intellectual leaders of Occupy Wall Street. Scott is also an anthropologist and a fellow anarchist. "Graeber did his anthropological field work in the highlands of Madagascar, and Scott did his in Southeast Asia, but their conclusions were similar. Both of them encountered communities that lived more or less autonomously, finding ways to resist or ignore whatever governments claimed jurisdiction over them. And both are eager to expand the history of lived anarchism beyond Paris and Catalonia; it is, they argue, broader and more common than we've been taught." Sanneh understands that "in America anarchism's appeal surely has something to do with the seeming durability of our current arrangement, and the inexorable growth of the government that maintains it. Such is the power of a sprawling and sophisticated state: the bigger it gets, the easier it becomes for us to imagine that we could live without it."
Julia Hobsbawm gives her father, the historian Eric Hobsbawm, a eulogy with familial warmth that is well aware of his global stature. Still, she focuses mostly on his love for her, for ideas and, importantly, for books of all kinds: "I called his mobile to check in and asked if he needed anything. He had a big sweet tooth and I expected him to ask for some fruit jellies, a favourite, or perhaps some dark chocolate. 'I managed to bring a most turgid book in with me, he said apologetically. 'Would you mind getting me something better?' It turned out that the book he had picked up, assuming it was the last he would ever hold, was a German edition of The Brothers Karamazov, and with the crisis over it was now not to his liking. Knowing his weakness for thrillers - one book wall is covered in the Penguin crime paperbacks with the green spines, his old Ed McBains and more recently Elmore Leonards - I brought him in The Girl with the Dragon Tattoo by Stieg Larsson. It got him through the hospital tedium and even prompted a rather racy discussion about how much marital bed-hopping it featured. 'Too much,' he declared."
In Praise of the Self Suspicious Journalist
Alice Gregory praises author and essayist Janet Malcolm, highlighting in particular her suspicion of the truth claim of any narrative: "Malcolm would say that any story-and especially a well-told and well-reported one-is inevitably a distortion. Throughout her career, she has insisted upon this. 'The realities of characters in fiction-and of their cousins in journalism-derives precisely from the bold, almost childlike strokes from which they are drawn,' she writes in Reading Chekhov."
The Official U.S. Opening of the biopic, Hannah Arendt in NYC
May 29, 2013 at Film Forum, 209 W. Houston St., NYC at 7:45 PM
Film followed by discussion with the director; Margarethe von Trotta, the screenwriter; Pam Katz, Barbara Sukowa and Janet McTeer (playing Hannah Arendt and Mary McCarthy.)
Buy tickets and learn more here.
From the Hannah Arendt Center Blog
This week on the Arendt Center Blog, Jeffrey Champlin talks Arnold Geheln on Arendt and considers Arendt's relationship to philosophical anthropology.
The Courage to Do What is Right
The detention facility in Guantanamo Bay, Cuba hangs over the United States and now the Obama administration like a cloud of acid rain. In recent months hunger strikes once again have brought the injustice of the camp, the inhumane treatment of its inhabitants, and the indefinite detention of its inmates to the attention of the world. The camp is now an indelible blot on the United States, both on our reputation abroad, as well as upon our self-image as a land of constitutional republicanism. Above all it is a meaningful challenge to our self-respect.
Most of the 779 people that Wikipedia says were brought to Guantanamo were never charged with a crime. Of the fewer than 200 who remain, some no doubt are terrorists and criminals; others, equally as clearly, were unjustly captured, imprisoned, tortured. They are now being held outside rules of law and in violation of our legal and constitutional traditions of freedom. No doubt there are inconvenient questions about what to do with these men. But they are men under our collective care and they are owed more than being kept like animals in pens in purgatory.
President Obama has announced once again his decision to close the camp. We wish him the courage to do what is right. At this moment, it is worth recalling the case of Mohammed Jawad, the first Guantanamo detainee to testify under oath and to a military commission about being tortured by his American captors. Last month there was a dramatic reading of statements made by Jawad's lawyer, David Frakt, juxtaposed with statements made by the case's lead prosecutor, Darrel Vandeveld who left the military in order to help free Jawad. The reading was held at the Pen World Voices Festival of International Literature. In their statements, both men use the language of Constitutionality to suggest that, by torturing detainees such as Jawad, "America," as Frakt puts it, "lost a little of its greatness."
Here is what Vandeveld, a lifelong military man, writes of his choice to testify in favor of Jawad:
In 2007, I volunteered to prosecute detainees at Guantanamo in the U.S. military commissions. I was assigned as the lead prosecutor in several cases, including the case of Mohammed Jawad, a young man from Afghanistan. While I was a prosecutor, David Frakt helped me to find and expose gross human rights abuses of Mohammed and other detainees by the U.S. government. In September 2008, I became convinced that the prosecution of Mohammed was unjust and that the military commissions were grossly flawed. I requested to be relieved and reassigned to other duties. After stepping down from the prosecution, I worked with David Frakt to expose detainee abuse, to secure Mohammed’s release and bring about much-needed reforms to the U.S. military commissions.
Vandeveld served 24 years in the army, winning a bronze star for valor in Iraq. After his service he went to law school and became a military lawyer. His decision to ask to be relieved from his prosecution duties was, he writes, simply doing his duty: “I did it because I believe in truth, justice, the rule of law, and our common humanity. I did it for Mohammed Jawad, I did it because it was my duty, and I did it for us all.”
Mohammah Jawad
As the debate about closing Guantanamo heats up, this is a good time to acquaint oneself with the case of Mohammed Jawad. The transcript from the staged discussion between David Frakt and Darrel Vandeveld is a good place to begin. We are all indebted to The Mantle for publishing it. It is your weekend read.
-RB
Arnold Gehlen on Arendt’s The Human Condition
Arnold Gehlen,"Vom tätigen Leben (Hannah Arendt)", Merkur Vol. 159 (1961) 482-6.
The conservative anthropologist Arnold Gehlen fell out of favor in post WWII Germany largely due to his support of the Nazis: he joined the party in 1933 but continued to teach after the war following a “denazification” process. However, with the recent rediscovery of thinking influenced by philosophical anthropology in Germany, his work is again becoming important. Gehlen can be seen as one pole of a broader debate about the relationship between the abstract qualities of humans and their environment. Gehlen’s signature idea describes man as a "deficient being" (Mängelwesen) who develops culture, including technology in the broader and narrower senses, as a kind of armor for survival. Man’s physical weakness ultimately forces him to create his own environment, but this is more a sign of the constant threat he is under rather than an opportunity for great progressive changes.
Peter Sloterdijk, a major figure in the re-emergence of philosophical anthropology has pressed the issue with his recent description of culture as “human zoo” that houses mankind. For Sloterdijk, man is a beastly creature, one who has over centuries struggled to tame himself with cultural ideals and the brute force of laws. As mass society has dissolved the cultural bonds of humanism, Sloterdijk writes, man is increasingly forced into the cages of a human zoo.
Gehlen was likely drawn to Arendt’s work by the broad scope of her history of civilization. He was interested in where humanity came from and where it is going. Some of these aspects might seem speculative, and indeed Arendt’s celebration of the Greeks and criticism of modern life continue to be fiercely criticized while her more technical innovations in terms of action and judgment garner broader acclaim (even if they still lead to debates over specifics). From a certain point of view, Gehlen’s Arendt is an thinker of a grand narrative and his review makes us ask about the value of such stories even when we are skeptical of their ultimate validity.
Gehlen’s forgotten but broadly positive review of The Human Condition offers a balanced evaluation of the book and a snapshot of it long before scholars built up the Arendt we know today of “action,” “natality,” and “judgment.” In terms of method, Gehlen praises Arendt's "ideological abstinence." Her sobriety in relation to established political frames of reference tended to get her in trouble during her lifetime, especially from her Left- leaning friends for her critique of Marx (despite her explicit remarks on her appreciation of his work). While Gehlen’s phrasing may have something of the coy conservative in it, I think is it a fitting way to describe her point of view. The independence of her work can be seen as a commitment to analysis that resists getting carried away by the overblown and often underdefined notions of the day.
Positively, Gehlen refers to Arendt’s "magnificent and dire analysis of contemporary scientific-technological culture and its massive biological repercussions." If philosophical anthropology inquires into the connection between the human environment and life, Arendt offers an update by specifying the technological dimension of culture. Saying she connects it to biology per se is a provocation on Gehlen’s part though it is one worth considering. Much work remains to be done on Arendt’s use of philosophers of science and her critical contribution to this field. Her engagement goes well beyond the better known references to Heisenberg and Whitehead in the Human Condition, as her references to such thinkers as Adolf Portmann in the Denktagebuch shows.
Towards the end of his review, Gehlen criticizes Arendt for placing too much emphasis on the power of philosophy to influence history (at the expense of social forces). Here I do not think he makes a fair criticism and suspect that his reading was unduly influenced by Arendt’s association with Heidegger. It’s interesting though that Gehlen’s conservatism also puts emphasis on the social, though without the progressive hopes of the Enlightenment tradition from Hegel to Marx and Habermas.
In a footnote to Chapter 5 of The Human Condition, Arendt appeals to Gehlen's major work Man: His Nature and Place in the World as the source of the scientific work that grounds her argument. There she directly engages essentialist anthropology and rejects it, but does not give way to mere metaphor. Instead, I argue that she develops natality as a concept that works from within rather above: it cannot do without real birth but isn’t limited or determined by this empirical reference.
-Jeff Champlin
See: Jeffrey Champlin, “Born Again: Arendt's "Natality" as Figure and Concept,” The Germanic Review 88(02), May 2012.
Amor Mundi 5/5/13
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
Muting the Words for the Book's Sake
On the occasion of the publication of All That Is, James Salter's latest novel, the author is interviewed by Jonathan Lee. Lee notes that Salter seems to have toned down his sentences for the new book which, it turns out, was a deliberate stylistic choice. Salter elaborates: "I suppose the truth is I became a little self-conscious about people telling me how much they loved my sentences. They'd come up and say, "You know what, I've memorized lines from Light Years." At book signings you'd see them with the corners of pages turned down, particular pages they'd loved and sentences they'd underlined. It's flattering, but it seemed to me that this love of sentences was in some sense getting in the way of the book itself."
The Inevitable, Unstoppable, and Coming Utopia
David Rieff writes in Foreign Policy about the unbelievable optimism of techno-utopianism. Rieff is biting and also thoughtful as he marshals enormous resources to show how uniform and repetitive the claims are about our coming perfection. "To me, though, what is most striking about the claims made by techno-utopians (though most, including Kurzweil and Zuckerman, reject the label) is the way assertions about the inevitability of unstoppable, exponential technological progress are combined with claims that human beings can, for the first time in history, take their fate into their own hands -- or even defy mortality itself. As Morozov remarks tartly, "Silicon Valley is guilty of many sins, but lack of ambition is not one of them.""
Nicholas Carr worries about the effect our growing use of machines has on how we think about thinking: "I think we begin to believe that thinking is always just a matter of a kind of rapid problem-solving and exchanging information in a very utilitarian conception of how we should use our mind. And what gets devalued is those kind of more contemplative, more solitary modes of thought that in the past anyway, were considered central to the experience of life, to the life of the mind certainly, and even to our social lives."
Over at Lawfare, Benjamin Wittes writes about his experience debating Jeremy Waldron about drones at the Oxford Union. Wittes summarizes the sides: "Our side interpreted the resolution as a debate over the propriety of using drones in warfare-that is, as asking whether the use of drones is ethical end effective relative to alternative weapons systems given that one has decided to employ military force. This is actually an easy question, in my opinion, since drones clearly enable more discriminating and deliberative targeting than do alternative weapon systems. Our opponents, by contrast, saw the resolution as implicating the wider question of whether the United States should be resorting to force at all in countries like Pakistan and Yemen. In other words, they saw the question not merely as one of choice of weapon but as about whether the particular weapon enables military actions the United States would not otherwise take and of which one should disapprove either on ethical grounds, as counterproductive strategically, or both."
Claire Barliant examines the book bloc, a D.I.Y defensive shield utilized during and after the Occupy Wall Street protests. Barliant finds resonances between the blocs and the declining states of both the book in general and of higher education; several of them, which had been on exhibit at Interference Archive in Gowanus, were supposed to appear at the May Day protest of Cooper Union's decision to start charging its students fees in 2014.
The Official US Opening of the biopic, Hannah Arendt in NYC
Buy tickets and learn more here.
From the Hannah Arendt Center Blog
The Arendt Center hosted the Hudson Valley premiere of Margarethe von Trotta's new movieHannah Arendt, which Natan Sznaider reviewed. Lyndsey Stonebridge explored the role of Shakespeare's Richard III in Arendt's thinking on thinking. And Roger Berkowitz looks at the brewing feud between the faculty and the MOOCs.
MOOCs: The Debate Continues
After months in which university after university signed on to the bandwagon for Massive Open Online Courses called MOOCs, the battle over the future of education has finally begun. This week Duke University pulled out of EdX, the Harvard/MIT led consortium of Massive Open Online Courses called MOOC’s.
The reason: Its faculty rebelled. According to The New York Times,
While [Duke provost Peter] Lange saw the consortium as expanding the courses available to Duke students, some faculty members worried that the long-term effect might be for the university to offer fewer courses — and hire fewer professors. Others said there had been inadequate consultation with the faculty.
The Times also reports that faculty at Amherst College, my alma mater and former employer, voted against joining EdX. Again, the faculty saw danger. My former colleagues worried that the introduction of online courses would detrimentally impact the quality and spirit of education and the small liberal arts college. They also, as our friends over at ViaMeadia report, worried that MOOCs would “take student tuition dollars away from so-called middle-tier and lower-tier” schools, pushing their colleagues at these institutions out of their jobs.
And that brings us to ground zero of the battle between the faculty and the MOOCs: San Jose State University. San Jose State has jumped out as a leader in the use of blended online and offline courses. Mohammad H. Qayoumi, the university's president, has defended his embrace of online curricula on both educational and financial grounds. He points to one course, "Circuits & Electronics," offered by EdX. In a pilot program, students in that course did better than students in similar real-world courses taught by San Jose State professors. Where nearly 40% of San Jose students taking their traditional course received a C or lower, only 9% of students taking the EdX course did. For Qayoumi and others, such studies offer compelling grounds for integrating MOOCs into the curriculum. The buzzword is “blended courses,” in which the MOOCs are used in conjunction with faculty tutors. In this “flipped classroom,” the old model in which students listen to lectures in lecture halls and then do assignments at home, is replaced by online lectures supplemented by discussions and exercises done in class with professors. As I have written, such a model can be pedagogically powerful, if done right.
But as attractive as MOOCs may be, they carry with them real dangers. And these dangers emerge front and center in the hard-hitting Open Letter that the philosophy department at San Jose State University has published addressed to Michael Sandel. Sandel is the Harvard Professor famous for his popular and excellent course “Justice,” that has been wowing and provoking Harvard undergraduates for decades. Sandel not only teaches his course, he has branded it. He sells videos of the course; he published a book called Justice based on the course, and, most recently, created an online video version of the course for EdX. San Jose State recently became one of the first public universities in the country to sign a contract paying for the use of EdX courses. This is what led to the letter from the philosophers.
The letter begins by laying out the clear issue. The San Jose Philosophy department has professors who can teach courses in justice and ethics of the kind Sandel teaches. From their point of view, “There is no pedagogical problem in our department that JusticeX solves, nor do we have a shortage of faculty capable of teaching our equivalent course.” In short, while some students may prefer a course with a famous Harvard professor, the faculty at San Jose State believe that they are qualified to teach about Justice.
Given their qualifications, the philosophy professors conclude that the real reason for the contract with EdX is not increased educational value, but simply cost. As they write: "We believe that long-term financial considerations motivate the call for massively open online courses (MOOCs) at public universities such as ours.
In short, the faculty sees the writing on the wall. Whatever boilerplate rhetoric about blended courses and educational benefit may be fashionable and necessary, the real issue is simple. Public universities (and many private ones as well) will not keep paying the salaries of professors when those professors are not needed.
While for now professors are kept on to teach courses in a blended classroom, there will soon be need for many fewer professors. As students take Professor Sandel’s class at universities around the country, they will eventually work with teaching assistants—just as students do at Harvard, where Professor Sandel has pitifully little interaction with his hundreds of students in every class. These teaching assistants make little money, significantly less than a tenured or even a non-tenured professor. It is only a matter of time before many university classes are taught virtually by superstar professors assisted by armies of low-paid onsite assistants. State universities will then be able to educate significantly more students at a fraction of the current cost. For many students this will be a great boon—a certified and possibly quality education at a cheap price. For most California voters, this is a good deal. But it is precisely what the faculty at San Jose State fear. As they write:
We believe the purchasing of online and blended courses is not driven by concerns about pedagogy, but by an effort to restructure the U.S. university system in general, and our own California State University system in particular. If the concern were pedagogically motivated, we would expect faculty to be consulted and to monitor quality control. On the other hand, when change is financially driven and involves a compromise of quality it is done quickly, without consulting faculty or curriculum committees, and behind closed doors. This is essentially what happened with SJSU's contract with edX. At a press conference (April 10, 2013 at SJSU) announcing the signing of the contract with edX, California Lieutenant Governor Gavin Newsom acknowledged as much: "The old education financing model, frankly, is no longer sustainable." This is the crux of the problem. It is time to stop masking the real issue of MOOCs and blended courses behind empty rhetoric about a new generation and a new world. The purchasing of MOOCs and blended courses from outside vendors is the first step toward restructuring the CSU.
The San Jose State philosophy professors are undoubtedly correct. We are facing a systematic transformation in higher education in this country and also in secondary education as well. Just as the Internet has revolutionized journalism and just as it is now shaking the foundations of medicine and law, the Internet will not leave education alone. Change seems nigh. Part of this change is being driven by cost. Some of it is also being driven by the failures and perceived failures of our current system. The question for those of us in the world of higher education is whether we can respond intelligently to save the good and change out the bad. It is time that faculties around the country focus on this question and for that we should all be thankful to the philosophy professors at San Jose State.
The Open Letter offers three main points to argue that it is bad pedagogy to replace them with the blended course model of MOOCs and teaching assistants.
First, they argue that good teaching requires professors engaged in research. When professors are engaged in active research programs, they are interested in and motivated by their fields. Students can perceive if a professor is bored with a class and students will always learn more and be driven to study and excel by professors who feel that their work matters. Some may wonder what the use of research is that is read by only a few colleagues around the world, but one answer is that such research is necessary to keep professors fresh and sharp. We all know the sad fate of professors who have disengaged from research.
Second, the philosophy professors accept the argument of many including myself that large lectures are not the best way to teach. They teach by the Socratic method, interacting with students. Such classes, they write, are much better than having students watch Professor Sandel engage Socratically with faculty at Harvard. Of course, the MOOC model would still allow for Socratic and personal engagement, just by much lower paid purveyors of the craft. The unanswered question is whether low-paid assistants can be trained to teach well. The answer may well be yes.
Third, the philosophy faculty worry about the exact same moral justice course being taught across the country. We can already see the disciplinary barricades being drawn. It may be one thing to teach Math to the whole country from one or two MOOCs, but philosophy needs multiple perspectives. But how many? The philosophy professors suggest that their highly diverse and often lower-middle-class students have different experiences and references than do Professor Sandel’s Harvard students. They can, in the classroom, better connect with these students than Professor Sandel via online lectures.
The points the San Jose State philosophy professors raise are important. In many ways, however, their letter misses the point. Our educational system is now structured on a few questionable premises. First, that everyone who attends college wants a liberal arts education. That is simply not true. Many students simply want a credential to get a job. If these students can be taught well and more cheaply, we should help them. There is a question of whether we need to offer everyone the same kind of highly personalized and expensive education. While such arguments will be lambasted as elitist, it is nevertheless true that not everyone wants or needs to read Kant closely. We should seek to protect the ability of those who do—no matter their economic class—and also allow those who don’t a more efficient path through school.
A second questionable premise is that specialization is necessary to be a good teacher. This also is false. Too much specialization removes one from the world of common sense. As I have argued before, we need professors who are educated more generally. It is important to learn about Shakespeare and Aristotle, but you don’t need to be a specialist in Shakespeare or Aristotle to teach them well and thoughtfully to undergraduates. This is not an argument against the Ph.D. It is important to study and learn an intellectual tradition if you are going to teach. But it is an argument against the professionalization of the Ph.D. and of graduate education in general. It is also an argument against the dominance of undergraduate curriculum by professionalized scholars.
Third, and perhaps most importantly, is the premise that everyone needs to go to college. If we put a fraction of the resources we currently spend on remedial education for college students back into public high schools in this country, we could begin the process of transforming high school into a serious and meaningful activity. For one thing, we could begin employing Ph.D.s as high school teachers as are many of the emerging early colleges opening around the country.
I am sympathetic to the philosophy professors at San Jose State. I too teach a course on Justice called “The Foundation of Law: The Quest for Justice.” It is a course quite similar and yet meaningfully different from Michael Sandel’s course on Justice. I believe it is better, no offense meant. And I would be upset if I were told next year that instead of teaching my course I would be in effect a glorified TA for Professor Sandel. I hope it doesn’t come to that, but I know it might.
The only response for those whose jobs are being replaced by computers or the Internet is to go out and figure out how to do it better. That is what happened to journalists who were fired in droves. Many quit voluntarily and began developing new models of journalism, including blogs that have enriched our public discourse and largely rejuvenated public journalism in this country. Blogs, of course, are not perfect, and there is the question of how to make a living writing one. But enterprising bloggers like Andrew Sullivan and Walter Russell Mead are figuring that out. So too are professors like Michael Sandel and Andrew Ng.
We need educators to become experimental these days, to create small schools and intensive curricula within larger institutions that make the most of the personal interaction that is the core of true pedagogy. If that happens, and if teachers offer meaningful education for which students or our taxpayers will pay, then our jobs will be safe. And our students will be better for it. For this reason, we should welcome the technology as a push to make ourselves better teachers.
The Open Letter to Michael Sandel deserves a response. I hope Professor Sandel offers one. Until then, I recommend that this beautiful Spring weekend you read the letter from the San Jose State Philosophy Department. It is your weekend read.
-RB
The Hudson Valley Premiere of Hannah Arendt
Monday night marked the Hudson Valley Premiere of the highly anticipated new Margarethe von Trotta feature film, Hannah Arendt starring Barbara Sukowa as Hannah Arendt. The film opens officially in New York City on May 29th.
Roger Berkowitz introduced the film to a packed house at Bard College.
After the screening, Roger Berkowitz moderated a discussion with screenwriter Pam Katz and actor Barbara Sukowa. Sukowa, who on Saturday won the LOLA award for Best Actress for her portrayal of Hannah Arendt, spoke about the challenge of making a movie that will be seen so differently by those who know Hannah Arendt's work and those who don't. Katz, who co-wrote the script with von Trotta, talked about how important it was to include archival footage from the Eichmann trial rather than having an actor play Eichmann. We will be posting video of the entire discussion soon.
Thomas Wild, Pam Katz, Barbara Sukowa and Roger Berkowitz
The Re-Germanization of “Hannah Arendt”
I must confess, I am no Roger Ebert. I don’t write movie reviews for a living. I love movies, and watch lots of them, and often have strong opinions, like most of us. More than that I cannot claim.
But I have been deeply engaged in the life and thought of Hannah Arendt, having recently finished a book on her. And one I thing I can tell you is that at her core she was Jewish and also very American. The problem of Jewish identity was something she wrestled with her whole life, and in a very advanced way. She looked for data everywhere, even among Nazis, and she pulled ideas from everywhere, seeking to invent something new. By identity, I don’t mean just personal identity. I mean the collective identity upon which personal identities stand, and the politics that surround them. The problem for her was how an ethnic identity could be anchored in political institutions, and fostered, and protected, and yet avoids the close-mindedness and intellectual rigidity that seem inherent in nationalism. Thus too much is constantly made out of her apparent "non-Love" for the Jewish people, something which she wrote to Gershom Scholem after the publication of Eichmann in Jerusalem, which is also a key scene in this movie. Against the backdrop of her own life, however, the idea that only friends mattered sounded just a bit ironic. Arendt was not exactly a "cultivator of her garden." She spent all her time wrapped up in national and international and cultural politics. Jewish politics was a big part of her life.
So as a fan of both movies and Arendt, you can imagine how much I was looking forward to this movie. Unfortunately, I came out deeply disappointed. It’s not simply that this portrait of Arendt is frozen in amber, and celebrates the misunderstandings of 50 years ago, when Eichmann in Jerusalem had just came out. It’s not simply that it ignores the last 15 years of modern scholarship, which re- excavated her Jewishness in order to make sense of the many things in her writings and actions that otherwise don’t. It’s that it turns her story inside out. She becomes a German woman saving the Jews.
I first saw this film in Germany, and I can testify that Germans love the story when told this way. It also seems a story the director loves to tell. After seeing Arendt twice (once in Munich and once in Tel Aviv), I remembered von Trotta’s 2003 movie Rosenstrasse, and was stunned to realize it’s pretty much the same story: German women saving Jewish men. Rosenstrasse, an interesting footnote in Holocaust and legal history ends in a triumphal march with the women bringing their men home, seeming as if they’d risked life and limb. In Hannah Arendt, a similar scene is her big speech at the New School, where the evil administrators (all very Jewish looking) are shamed into submission by her brilliance, while young students (all pretty and Aryan-looking) applaud enthusiastically. Both are archetypal Hollywood “the world is good again” scenes. And both are fundamental distortions of reality, German fantasies being taken for history.
Perhaps that is the key. Perhaps in this age of Tarantino and Spielberg you are free to do what you like. The projection of historical fantasies is now a subgenre. So shouldn’t the Germans be free to enjoy their fantasies about the Jews, about Israel,about German-Jewish relations, about the meaning of German-Jewish reconciliation, you name it? Sure. But, as I’m sure you have noticed, along with passionate fans, these sorts of films always attract large measures of stinging criticism from (a) scholars peeved at gross inaccuracies, and (b) people who hate this fantasy and want a different one. Since for this film I fall into both groups, you should treat my reactions accordingly.
Hollywood conventions may be most visible in the “right with the world” scenes, but they appear throughout the film. The most Hollywood thing about it is that this is a film lionizing thinkers that doesn’t have any thinking in it. We are supposed to know from the camera and the music and the reaction shots that they are having big thoughts and that everyone is awed by them. But if you actually listen to what is supposed to be passing as big thought, Oy. Hannah Arendt and Mary McCarthy: frivolous advice about men. Martin Heidegger, who hovers over the movie like a Black Forest deity, appears via flashbacks, pronouncing things like “We think because we are thinking beings.” Young Hannah Arendt looks up, clearly smitten by such banalities. Under Heidegger’s cloud, Hannah Arendt is not only Germanized, but turned into a sentimental fool. Which is the last description anyone has ever reached for who had ever met her.
As for the Eichmann trial that frames and forms the core of the film, all I can say is don’t get me started. Arendt’s New Yorker articles and the book that came out of them were the source of endless misunderstanding, both at the time and still today. This movie not only adds to it, it builds on it. For von Trotta, “the banality of evil” is a way of normalizing the crimes of the Holocaust: anyone could have done them. Eichmann is no antisemite. Banality is the thus deepest insight, the final dismissal of charges. And it’s the Jews who miss it, and the German-speaking woman who has to tell them, for their own good, to give up on this grudge business and with it also realize their own guilt in the destruction of the Jews.
So far, so normal. Everyday Eichmann in Jerusalem is being misinterpreted like this in classrooms around the world. But there is one thing I can’t forgive, which gives the film its final conclusion, and that is the completely fabricated scene at the end where she is threatened by the Mossad. It is nonsensical for several reasons, but worse is how it is composed. It is a “walking my lonely road” scene that chimes with the very first scene of the movie, when Eichmann is walking along in Argentina just before he is grabbed. There, the Mossad men overpower him completely; he is helpless and held up to scorn. Here, she stands up to them and tells them off; they slink away, grumbling impotent before the truth. The arc is completed. The Israelis, wrong from the beginning, have finally been cowed by The Truth About How Wrong They Were, by the German speaking Athena. And for good measure she throws in a sneering crack about how the Jewish nation must have too much money if it sent four of them.
Tarantino never made up anything more inverted.
**Natan Sznaider is a Professor at the Academic College of Tel Aviv-Yaffo. Among his several books are Jewish Memory and the Cosmopolitan Order: Hannah Arendt and the Jewish Condition and two books on the sociology of the Holocaust.He was born and grew up in Germany, and is a regularly commentator in the German press. He lives in Tel Aviv.
Niels Bohr on Thinking
“Every great and deep difficulty bears in itself its own solution.
It forces us to change our thinking in order to find it.”
— Niels Bohr
Amor Mundi 4/28/13
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
Hannah Arendt: The Reviews are Coming In
David Owen has this to say about Hannah Arendt, the new movie by Margarethe von Trotta: "Arendt sits reading and is haunted by voices from the trial, she spends a lot of time lying down on a divan smoking endless cigarettes, she types in a controlled frenzy. Here it seems to me that the film is linking these features in a way that is insightful and important, namely, that Arendt had to steel herself to write her report at all, that she had to set aside her own feelings and relationships to others in order to be able to try to serve truth, that intellectual conscience (redlichkeit) makes demands that are hard to bear." Read more here.Natan Sznaider is less impressed. "...you can imagine how much I was looking forward to this movie. Unfortunately, I came out deeply disappointed. It's not simply that this portrait of Arendt is frozen in amber, and celebrates the misunderstandings of 50 years ago, when Eichmann in Jerusalem had just came out. It's not simply that it ignores the last 15 years of modern scholarship, which re-excavated her Jewishness in order to make sense of the many things in her writings and actions that otherwise don't. It's that it turns her story inside out." Read more here.
Come see for yourself. The Hannah Arendt Center will be screening Hannah Arendt on Monday, April 29 at 7pm. Get more information here.
Conor Friedersdorf asks hard questions in The Atlantic about New York City's Stop and Frisk program and its program of surveillance on Muslims. Friedersdorf lays out a long list of the harms caused by these programs, including: young Muslims feeling it is unsafe to pray in their mosques; the breach of the relationship of trust between Imam and congregations; the sense of persecution and suspicion associated with dressing as a Muslim; the de-politicization of the Muslim community; overall mutual suspicion of Muslims and police, and much more. These costs, he writes, must be balanced against the goal of keeping New Yorkers of all religions and races safe. Friedersdorf is clear that the costs are too high; and he is flabbergasted that most American liberals disagree with him:
"What does it say about American liberalism today that two of the most significant municipal programs abrogating the civil liberties of racial and ethnic minorities thrive in a deep blue city that also happens to be the media capitol of the country ... and the guy presiding over it remains popular?" Whether or not Friedersdorf is right, he does a good job of reminding us of the true cost of our safety.
Starting from the story of poet and essayist Muriel Rukeyser's long unpublished novel Savage Coast, to be issued for the first time next month, Anna Clark considers CUNY's Lost & Found project, which "resurrects" works of twentieth century fiction, poetry, and scholarship. Although Lost & Found isn't focused on women writers like Rukeyser, Clark believes that it and projects like it can be valuable to writing female authors back into the record: "The lack of this painstaking and intentional work risks skewing the narrative of our history and culture, ceding our past to appear more homogenous than it was. It is fair to point to literature's age-old gender gap that left most female writers on the sidelines-Virginia Woolf famously posited Shakespeare's Sister as the female counterpart of the Bard who, owing to her social role, would not have written a word."
Sal Khan speaks with The Guardian about his transformative educational website Khan Academy. Khan began developing his now famous educational videos to teach his younger cousins fundamental concepts in math. He eventually quit his finance job to oversee the building of his non-profit empire, with the mission of "changing education for the better by providing a free world-class education for anyone anywhere." Khan's dream is to invert the usual classroom structure where teachers lecture in class and students work independently at home. When teachers can rely on his videos, students can learn the basics of their lessons at home and come into class to work collaboratively and get help from the teacher while they solve problems.
Teju Cole recently attended a staging of The Royal Shakespeare Company's Julius Caesar at B.A.M. Cole takes time to consider both the play itself and the African setting of this particular production, which features an "all-black cast": "The assassination of Caesar himself feels like a story from one of the newly independent African countries of the nineteen-sixties. [Director Gregory] Doran highlights the political aspect of the play, and this is to the good, for it is still necessary to insist on Africa as a site of political and ideological contest, and not a static place mired in an unchanging anthropological past. Caesar... is in the company of such manipulative despots as Idi Amin Dada, Mobutu Sese Seko, and Ibrahim Badamasi Babangida."
The Hudson Valley Premiere of the biopic, Hannah Arendt
April 29, 2013 at Olin Hall, Bard College at 7:00 PMLearn more here.
From the Hannah Arendt Center Blog
This week on the blog Wout Cornelissen considers Arendt's understanding of poetry. Roger Berkowitz thinks through Philip Roth's recent tribute to his favorite good teacher. And Berkowitz also considers the suspension and disciplining of the Albany high school teacher who asked students to think like a Nazi.
Performing thinking: Arendt’s Richard III
"It is better for you to suffer than to do wrong because you can remain the friend of the sufferer; who would want to be the friend of and have to live together with a murderer? Not even a murderer. What kind of dialogue could you lead with him? Precisely the dialogue which Shakespeare let Richard III lead with himself after a great number of crimes had been committed:
What do I fear? Myself? There’s none else by.
Richard loves Richard: that is, I am I.
Is there a murderer here? No. Yes, I am:
Then fly. What from myself?"
-Hannah Arendt, ‘Thinking and Moral Considerations’
‘Thinking and Moral Considerations’ is one of the most perfect examples of Arendt’s late writing. A distillation of her career-long thinking on thinking, the essay performs what it so elegantly urges: it is an essay on thinking that thinks.
For Arendt, the moral considerations that follow from thinking and, more grievously, from not thinking are profound. Adolf Eichmann’s “quite authentic inability to think” demonstrated to Arendt the arrival of new kind of evil in the world when she attended his trial in 1961. The airy emptiness of his speech was not the stupidity of a loathsome toad: his jabbering of cliché falling upon cliché sounded totalitarianism’s evil in a chorus of thoughtlessness. Shallowness as exemplified by Eichmann cannot be fixed or given depth by reason; no doctrine will argue the thoughtless into righteousness. Only through the experience of thinking, Arendt insisted, of being in dialogue with oneself, can conscience again be breathed into life. Thinking may be useless in itself; it may be a solitary activity that can often feel a little bit mad. Yet thinking is the precondition for the return of judgment, of knowing and saying: “this is not right.” By 1971, Arendt saw no evidence of a resurgence of thinking in the wake of atrocity.
Writing an essay on thinking that thinks and thus performing the experience of thinking is itself an act of defiance. Performing is the right verb here: Arendt knows she is staging her argument as a public spectacle. Her hero is Socrates: gadfly, midwife, stingray, provoker, deliverer and galvaniser of thinking in others. Socrates democratises perplexity. And when he has finished chatting with others, he carries on talking at home, with his quizzical, critical companion, that ‘obnoxious fellow’ with whom we are forever in dialogue -- the two with whom we make a thinking one. Arendt is fully aware that she is making a character out of Socrates. His inveterate dialogism is a model. Just as Dante’s characters conserve as much historical reality as the poet needs to make them representative, so too, she says, with her Socrates. Against the vacant image of Eichmann inanely mouthing his own eulogy in front of the hangman’s noose which opens the essay, we have Socrates: thoughtlessness versus thoughtfulness.
But what of the third character in Arendt’s essay—Shakespeare’s Richard III? The murderer who nobody wants to befriend? The villain who despite his best efforts cannot stop talking to himself?
Richard plays an odd, yet pivotal, role in Arendt’s performance of thinking. On the one hand, he is Socrates’ evil twin. Richard rejects conscience. ‘Every man that means to live well endeavours … to live without it’, he says. This is easy enough to do, says Arendt, because ‘all he has to do is never go home and examine things.’ Except, in Richard’s case, this proves difficult. He may try to avoid going home, but eventually he runs into himself at midnight; and in solitude, like Socrates, Richard cannot help but have intercourse with himself. Alone he speaks with himself in soliliquoys (from the Latin solus – alone and loqui –to speak; Arendt’s beloved Augustine is believed to have first conceived the compound). And this is what makes this villain—one who many have wanted to claim for the calculating murderousness of the twentieth century—much more like Socrates than Eichmann.
Both Socrates and Richard have the capacity to think. True, Richard thinks himself into villainy—he ‘proves himself a villain’—but this is precisely his pathos in Arendt’s drama. If it is better to suffer than to do harm, it is also better to have suffered at the hands of Richard who at least thought about what he was doing, than suffered as a number in one of Eichmann’s filing cards, the pathetic loner who joins a murderous movement not because he’s frightened of who might await him at home, but because he doesn’t even suspect anyone might be there in the first place. For all the ham-fisted productions that want him to be, Richard is not a Nazi villain in early modern disguise. Better that he could have been, of course, because then we wouldn’t have to contemplate the particular thoughtlessness of contemporary evil.
Richard is no Osama Bin Laden, Colonel Gaddafi or Saddam Hussein either, despite comparable violent last stands (and the corpse lust that attended them). This is well understood by Mark Rylance’s recent performance of Richard in the Globe Theater production that played in London last year and that is rumoured to open on Broadway soon. Rylance’s performance of Richard is like no other. It is also a performance that makes Arendt’s thinking more relevant than ever.
Mark Rylance in the title role of Richard III at Shakespeare’s Globe,
London, 2012, directed by Tim Caroll. Photographer: Simon Annand.
Rylance understands that since the War on Terror, post 9/11, Iraq, Afghanistan, after Guantanamo, rendition and drone wars, it would be a travesty to play Richard’s villainy as safely and exotically other (by contrast, in 1995 it was entirely possible to set the play in a 1930s Nazi context, and have Ian McKellen play the role for its cruel humour with a knowing nod to Brecht). Rylance’s Richard is plausible, pathetic even; he is compelling not in his all-too-evident evil but in his clumsy vulnerability. His creepy teeth sucking, and ever-twisting body mark a silent but persistent cogitation; he is a restless, needy, villain. Like a child, Rylance’s Richard grabs at his conscience— he thinks—and then chucks it away as one more ‘obstacle’, just as he spits in his mother’s face at the very moment he most desires she recognise him. In a neat echo of Arendt’s analysis of how the loneliness of totalitarianism feeds thoughtless evil, the loveless hunchback fights solitude in an effort to avoid the midnight hour; orchestrating collective murder is his defence against being alone with his thoughts. (This was observed by my theater companion who, being ten years old—and a British schoolboy—understands the connection between feeling left out and group violence well). Richard’s tragedy is that circumstances turned him into a serial killer, to this extent he is a conventional villain; his pathos, however, as this production shows, is to be poised between thinking and thoughtlessness, between Socrates and Eichmann.
‘No. Yes, I am/Then fly. What from myself?’ When Rylance speaks this soliloquy he stutters slightly, giggles and looks—as Arendt might have anticipated—a little perplexed. This is not a knowing perplexity; Richard does not master his conscience, nothing is done with the solitary dialogue, but the thinking is there even if Richard himself seems unsettled by its presence. In refusing to play Richard simply as one of the ‘negative heroes in literature’ who, Arendt argues, are often played as such ‘out of envy and resentment’, Rylance brilliantly captures the last moment before evil becomes banal.
To play Richard’s cruelty alongside his vulnerability is not to fail to recognise his villainy, as some have complained; rather, it is to dramatize the experience of thinking in the process of being painfully and violently lost. With pathos, we might think, is the only way to play Richard III today. The Globe’s production is a late, but utterly timely, companion to Arendt’s essay.
-Lyndsey Stonebridge
Imagine You Are a Nazi
Werner Feig was a gifted teacher at my high school from whom I learned European History and Constitutional Law. Along with his colleague—the astounding and inspirational Eric Rothschild—Mr. Feig made sure that me and my fellow students loved history, not simply that we knew it. He also made us uncomfortable.
Feig lived history—fleeing Germany as a boy and growing up in the Hongkew Jewish ghetto of Shanghai, China. He later made his way to the U.S. where he earned Masters degrees in both education and political science, before settling down to teach high school social studies. He was a passionate teacher, and is rightly memorialized by his former student Aaron Sorkin, who has one "West Wing" character cite Feig as his inspiration for going into public service.
But Feig had an unusual way about teaching us to think and question authority. In my Constitutional Law class, he used to call me “Little Hitler.” Sometimes, along with other Jewish students, I was called versions of Berko-kyke. A Chinese colleague of mine was referred to as "no tick-ee no washee.” When another Asian student went to the chalkboard, we could hear our esteemed teacher mutter: "I need some Coolie labor now." A Jewish friend was “Shlomo.” And my sister, two years behind me, was “Little Hitler’s sister.” There were worse names as well.
Hearing these epithets at the time was bracing. But it was also provocative—in the best sense. Mr. Feig got us thinking. He was teaching us Constitutional Law and Free Speech, and forcing us above all to think about the power of words as well as the right, his right, to use them. It was a powerful lesson, one that has never left me. I can safely say that Mr. Feig’s classroom was one of the most intellectually infectious I have ever experienced. He is, for me, one of that select group of teachers on whom I model my own teaching. Teaching, he showed me, should be free to provoke in the name of thinking. Indeed, it must.
I’ve been thinking about Werner Feig a lot this past week, ever since I came across a NY Times article about a high school teacher in Albany who has been suspended for asking his students to write an essay arguing that Jews are evil. The assignment was thought to be so awful a breach of teaching judgment that the school district refuses to release the name of the teacher. Here is the Times' account:
The students were instructed to imagine that their teacher was a Nazi and to construct an argument that Jews were “the source of our problems” using historical propaganda and, of course, a traditional high school essay structure.
“Your essay must be five paragraphs long, with an introduction, three body paragraphs containing your strongest arguments, and a conclusion,” the assignment read. “You do not have a choice in your position: you must argue that Jews are evil, and use solid rationale from government propaganda to convince me of your loyalty to the Third Reich!”
The reaction to the assignment has been—with very few exceptions—highly negative. Marguerite Vanden Wyngaard, the superintendent of schools in Albany, fully repudiated the teacher: “Obviously, we have a severe lack of judgment and a horrible level of insensitivity. That’s not the assignment that any school district, and certainly not mine, is going to tolerate.” Jewish organizations swung into action, joining the superintendent at a press conference. The Anti-Defamation League will run sensitivity training workshops.
New York City Councilman David Greenfield went further and insisted the teacher be fired. In a statement, Greenfield writes: "The teacher responsible for coming up with and assigning students with this task must be held accountable for attempting to indoctrinate children with anti-Semitic beliefs. Quite obviously, this teacher lacks the judgment and common sense necessary to have a position of such great responsibility and is clearly not fit to return to the classroom."
The press too has jumped on this story, making it a national news item, covered on all the networks and in papers around the country. Writing on Jezebel, David Barry made a feint in the direction of understanding the value of such an assignment, but then about-faced and concluded:
However, nothing ever good comes from pretending that you’re a Nazi, and there is literally an infinite number of FAR BETTER persuasive writing prompts, such as, “Convince me that you, a human high school student, are actually a glass of apple cider,” or “Convince me that you’re an acorn that is running for the mayor of Oakton on an anti-squirrel platform. Make me believe that you despise squirrels.” The Nazi prompt isn’t just bigoted writing assignment — it’s also a cheap trick, a way to stir up the volatile psyches of high school students in an effort to engage them in a task that they hate, namely, writing essays.
Reading about this assignment and the heated reaction it elicited, my first reaction was to think back to Mr. Feig. Would his style of teaching simply be impossible today? Do we really live in a world in which a teacher is unable to ask students to put themselves in the shoes of evil people? Are we so far down the road of thou-shalt-not-offend that we simply cannot tolerate the exercise and effort to think from the perspective of those with whom we disagree or even those whose opinions we view as intolerable?
The outrage in Albany also brought to my mind the recent debate over gun control. For many on the left, the Newtown tragedy was an unanswerable wakeup call for gun control. I get that. As I wrote shortly after Newtown, the fact that one person without any assistance could do so much damage with automatic weapons is good reason to regulate automatic weapons. We will never stop killing. And we will never stop killing with guns. But when one crazy person can kill dozens or potentially hundreds with high-powered guns, we should work to keep such guns out of the hands of unstable people.
At the same time, I understand and respect the strong attachment that many people have to guns. Some love to hunt. Others see guns as a symbol of their freedom. In a world where people feel powerless and vulnerable, owning a weapon offers a feeling of power (real or fictional). I respect that need. It is part of the beauty of America that we imbue in people the desire to feel powerful. That is the genius of democracy: that every individual matters. At a time when most people feel alienated from our broken democracy, guns can become a crutch. I may wish people found other symbols of their power, but I do get why owning a gun is meaningful. There are times when I want one myself.
What the gun control fiasco in Congress illustrates is how neither side made any effort to really understand the other. Actually, it is worse than that. Partisans of gun control are vitriolic in their baiting of those who will argue against gun control. Gun advocates are at times even worse, as the crosshairs scandal around the shooting of Congresswoman Gabrielle Giffords made clear. The ill will and disgust that proponents of both positions have for the other was palpable in every editorial and every argument. In short, for advocates and opponents of gun control, the other side was so stupid and wrong and evil as to be simply incomprehensible.
Which brings me back to the unnamed teacher in Albany who has been disciplined and shamed and abandoned for asking high school students to put themselves in the place of an official during the Nazi government. Such an official might well be asked to write such a memo. The students in the school had been studying Nazi propaganda in school. They were about to read Elie Wiesel’s memoir Night. Doesn’t it make sense in this context to push students to understand how it might be that Nazi’s did what they did?
For Hannah Arendt, political thinking demands the practice of enlarged thinking, of thinking from the position of those who are absent. She writes: “Political thought is representative. I form an opinion by considering a given issue from different viewpoints, by making present to my mind the standpoint of those who are absent; that is, I represent them.” She does not mean that in political thinking we think what others think, but that the first requirement of political life—a life alongside others with whom one often disagrees—is to seek to think from their point of view. To have a chance of convincing someone they are wrong, you must first understand that person’s argument in its strongest and most compelling sense. Only then, also, can you respond to those with whom you disagree as human beings.
When I teach The Origins of Totalitarianism, I emphasize Arendt’s insistence that we must not simply condemn antisemitism (we must do that too) but ask as well what are the logical and rational reasons why modern antisemitism could lead to the holocaust? It is not an accident, nor is it irrational, she argues, but has something to do with the way that Jewish separateness and distinction exists in a problematic way in the modern world that demands equal treatment. Such questions are uncomfortable and she does not ask them to excuse antisemitism, but to understand its modern power. Students regularly come to see the benefit of such queries, made even more difficult when I extend the discussion to ask after the rationales for the continued relevance of racism, sexism, and homophobia. Luckily for me, my students understand the value of this exercise and don’t condemn me as a racist or antisemite.
It is easy to say that Nazis are not human beings and that the effort to understand them is, itself, immoral. That is the argument the Albany superintendent made. It is the same argument that leads many to say that racists are inhuman and that all bigots are sub-human. But to comprehend is not the same as to agree. Rather, as Arendt writes in the preface to The Origins of Totalitarianism, comprehension is the prerequisite for resistance.
Of the many responses I found to the suspension of the Albany school teacher, only one defended him. Writing on the CNN Belief Blog, Stephen Prothero of Boston University told of his experience teaching Nazi theology who taught that Jews were evil and were responsible for killing Christ, amongst other antisemitic slanders. He writes:
First, I wanted my students to realize that smart Christians with doctoral degrees supported the Holocaust. Second, I wanted them to grapple with the implications of this fact on their own religious commitments. Do Christians today have any responsibility to know this history and to try to make sure it doesn’t happen again? If so, how can they exercise that responsibility without coming to understand the contours of Nazi thought?
Prothero reminds me of the importance of teachers like Werner Feig. He offers a thoughtful and compelling argument for why we need to challenge our young people with precisely the kinds of assignments that have been rejected in Albany. The scandal in Albany may prove that such teaching is simply no longer be possible today. If that is true, it is for the worse. To help see why, I commend to you Stephen Prothero’s defense of teaching Nazi theology. It is your weekend read.
-RB
Thinking Metaphors
This Quote of the Week post was first published on August 27, 2012.
“What connects thinking and poetry [Dichten] is metaphor. In philosophy one calls concept what in poetry [Dichtkunst] is called metaphor. Thinking creates its “concepts” out of the visible, in order to designate the invisible.”
-Hannah Arendt, Denktagebuch, vol. 2, p. 728 (August 1969) (translation my own)
Arendt’s Denktagebuch is less a “book” than a collection of “thought fragments”. These fragments, such as the one quoted above, are perhaps best considered not as advocating some position, but as specific angles or starting points from which we are invited to think something through.
All too often, her published works are understood in an “advocatory” fashion. Accordingly, The Human Condition, is sometimes read as a “plea” in favor of the vita activa over and against the vita contemplativa. In fact, however, Arendt explicitly denies that she wishes to reverse the traditional hierarchy between the two ways of life. Rather, she is questioning the conceptual framework within which both ways of life have traditionally been understood.
Hence, I take it to be her aim not only to liberate acting [Handeln] from its being reduced to nothing more than an instrument in the process of making [Herstellen], but, analogously, to liberate the activity of thinking from its being reduced to nothing more than an instrument in the process of cognition culminating in contemplation, in “seeing” the truth which, in turn, serves as blueprint for the process of making. She notes that both the process of making, which uses mute violence, and the end of contemplation, which is reached in a state of speechless wonder, entail a loss of language.[1] As a consequence, the element of speech has disappeared not only from our conception of action (including politics), but also from our conception of thinking (including philosophy).
If not from the model of the passive contemplation, how does Arendt wish to understand the activity of thinking? In my view, there are at least three thinking “motifs” which can be traced throughout her oeuvre. The first, and certainly the best known, is that of “dialectical thinking”, that is, the soundless dialogue between me and myself (“two-in-one”). It is used in The Origins of Totalitarianism, and it keeps recurring in many of her later works, including The Life of the Mind. The second, somewhat less prominent motif is that of “representative thinking”, which denotes the capacity of placing oneself in the perspectives of (more than two) fellow human beings, and which prepares the formation of opinions and judgments. The notion itself occurs for the first time in ‘The Crisis in Culture’ (1960), but it is clearly related to, if not identical with, the “communicative” thinking introduced in her essays on Karl Jaspers a few years earlier.
The third motif, “poetic thinking”, is perhaps the most interesting one. Although she uses the term itself exclusively in her essay on Walter Benjamin (1968), a description of the underlying phenomenon recurs in The Life of the Mind, more specifically in its two chapters on metaphor. Arendt describes the function of metaphor as “turning the mind back to the sensory world in order to illuminate the mind’s non-sensory experiences for which there are no words in any language.” (The Life of the Mind, vol.1, p. 106)
As soon as we realize, as do the poets, that all language is metaphorical, we will, as thinkers, be able to assess the crucial role of our language in bridging the gap between the visible phenomena of the outer world and the invisible concepts of our inner mind. To give an example, by tracing a concept – such as “politics” – to its originally underlying experience – the Greek polis – we will be able to assess whether the way in which we employ it, is “adequate”, that is, whether we actually employ it in any meaningful way, whether it really “makes sense”.
In concluding her chapters on metaphor, Arendt raises the challenging question whether there exists a metaphor that could serve to illuminate the invisible activity of “thinking” itself. The most she is willing to offer, however, is the metaphor of “the sensation of being alive”, of which she herself readily admits that it “remains singularly empty” (idem, p. 124).
Why does she not mention the metaphor of poetry here? In the Denktagebuch fragment quoted above, written while she was preparing The Life of the Mind, Arendt clearly points to a certain correspondence between the role of metaphor in poetry and the role of concept in thinking. Perhaps we may go so far as to suggest that she uses poetry – or rather, since she uses the substantivized German verb “Dichten”, the activity of “making poetry” – as a metaphor for thinking.
However, the word “poetry” itself is derived from the Greek word “poièsis”, which should be rendered as “making” [Herstellen]. Hence, she might have thought that by using poetry as a metaphor for thought, she would have reiterated the traditional problem of the activity of thinking having been overlaid with the contemplative element in the experience of making. Indeed, in The Human Condition, in the section titled ‘The Permanence of the World and the Work of Art’, she seems to imply that writing poetry involves “the same workmanship which, through the primordial instrument of human hands, builds the other durable things of the human artifice.” (The Human Condition, p. 169)
Yet, in the very same section another, more promising, understanding of “poetry” is beginning to emerge. Arendt calls music and poetry “the least “materialistic” of the arts because their “material” consists of sounds and words” – note her use of quotation marks here – and she adds that the workmanship they demand is “kept to a minimum”.
Moreover, after having suggested that the durability of a poem is not so much caused by the fact that it is written down, but by “condensation”, she speaks of poetry as “language spoken in utmost density and concentration” (idem, p. 169). The German word for condensation is “Verdichtung” and for density “Dichte”. While being absent in the English expression of “making poetry”, both words clearly resonate in the German verb “dichten”.
Arendt does not draw any explicit connection between the activity of condensation and the use of metaphor. Still, she might have had it in mind. One page earlier (idem, p. 168), she referred to a poem by Rilke in order to illustrate the “veritable metamorphosis” a work of art is capable of bringing about, being more than a mere reification, more than a matter of “making” in the ordinary sense. Consider especially the second strophe, which simultaneously articulates and demonstrates the power of metaphor in “calling” the invisible:
Here is magic. In the realm of a spell
the common word seems lifted up above...
and yet is really like the call of the male
who calls for the invisible female dove.[2]
- Wout Cornelissen
Amor Mundi 4/21/13
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
That Time Dickens Didn't Meet Dostoevsky
Russianist Eric Naiman considers the career of the British historian A.D. Harvey, whom he believes is responsible for propagating the claim that Dostoevsky met Dickens during an 1862 visit to London. Naiman believes that, under various pseudonyms and over the course of several decades, Harvey has written a number of articles that occasionally criticize, but usually praise, his own work. Those of you thinking about grad school beware; Naiman suggests that Harvey-who, despite having written more than a dozen books of various kinds, has no academic affiliation-may have been driven to this by the scholarly life: "Even for holders of tenured university positions, scholarship can make for a lonely life. One spends years on a monograph and then waits a few more years for someone to write about it. How much lonelier the life of an independent scholar, who does not have regular contact, aggravating as that can sometimes be, with colleagues. Attacking one's own book can be seen as an understandable response to an at times intolerable isolation. How comforting to construct a community of scholars who can analyse, supplement and occasionally even ruthlessly criticize each other's work. I've traced the connections between A. D. Harvey, Stephanie Harvey, Graham Headley, Trevor McGovern, John Schellenberger, Leo Bellingham, Michael Lindsay and Ludovico Parra, but they may be part of a much wider circle of friends."
Ria Chhabra decided to check out the hype around the health benefits of organic food. She tracked the health and vitality of two groups of fruit flies, one swarming around conventional bananas and potatoes and the other given pricier organic fare. There has been great skepticism recently about the benefits of organic food. But Chhabra's results-recently published in PLOS ONE, an international, peer-reviewed, open-access, online publication-show increased fertility, lower stress, and longer lives for the flies fed organic produce. What makes this study especially fascinating, is that Chhabra is only 16. Read the story of how her high school science project is making waves throughout the world of science.
Christina Davis ponders the meaning of the space in the title of T.S. Eliot's "The Waste Land." She suggests that his use of "waste" as an adjective gives it a temporal quality, one that suggests an impermanent state: "In this phrase, he was likely echoing St. Augustine's concern about the ossification of certain written words into an orthodoxy: "I should write so that my words echo rather than to set down one true opinion that should exclude all other possibilities.""
Terence Malick offers a cinema inspired by grand conceptual oppositions and profound experience. In Tree of Life, Malick meditates on the tension between grace and will. In his new film, To the Wonder, Malick offers archetypes of the artist, the rationalist, the personal experience, and passion. In The New Yorker, Richard Brody rightly revels in the magic of the film: "What Malick is after-by way of his archetypes and through his images-is religious experience as such, and he defines it in a scene set in the priest's church. There, an elderly, gray-bearded black man who is cleaning the stained glass speaks and tells the priest what he's missing-"You've got to have a little more excitement"-and, a moment later, shows him what he means, exclaiming, "The power hits you!" and speaking, excitedly, in tongues, then putting his hand on the stained glass and saying that he feels the warmth of the light."
Nick Murray interviews landscape architect Diana Balmori about the changing role of her profession. Balmori, for her part, emphasizes that it is not enough to simply return a landscape to nature, nor to conquer it somehow. Instead, she says that she tries to build in a way that strengthens relationships between an environment and its inhabitants.
Music in the Holocaust: Jewish Identity and Cosmopolitanism
Part Three: Kurt Weill and the Modernist Migration: Music of Weill and Other Emigres
April 27, 2013 at Olin Hall, Bard College at 7:00 PMLearn more here.
From the Hannah Arendt Center Blog
This week on the blog, Roger Berkowitz considers drone warfare through an Arendtian lens and looks at the misuse and abuse of Arendt's phrase "the banality of evil."
The Progeny of Teachers II: Philip Roth
“Like all great teachers, he personified the drama of transformation through talk.”
—Philip Roth
It may be the twinkle in the eye when a light flashes in the student’s mind, or the subtle rise of the head as insight hits, or a purposeful nod as veils of darkness flutter amidst a gust of comprehension. These moments are transformative for students. They also give meaning and hope to those who teach. However we make sense of the art and experience of teaching others, the student teacher connection is a noble and quintessentially human experience.
Philip Roth offers this paean to teachers in general and to his high school homeroom teacher Doctor Bob Lowenstein in particular: “The tang of the real permeated his talk. Like all great teachers, he personified the drama of transformation through talk.” Roth experienced the transformative impulse even though he never actually studied a particular subject with Doc Lowenstein. The future novelist learned neither French nor Proust from his mentor. Rather, in the persona of Lowenstein, Roth saw someone who opened a world. Lowenstein was “unassumingly in possession of a Ph.D., and what was recognizable even to a 12-year-old was that this was a formidable man who did not gladly suffer fools.” The true teachers are those with the force of authority—those whose courage and generosity transport us from out of our private concerns into the shared world of ideas and the common good. It is no accident that Hannah Arendt insists that educators study not teaching, but their subject matter—for the key to teaching is unassuming possession of authority, which results from mastery rather than skill.
I wrote awhile back about Leon Wieseltier’s swoon over teachers, part of his jeremiad against homeschooling and unschooling. We need such remembrances of the power of pedagogy ever more these days, especially as educators around the land are prostrating themselves before the coming age of online education. I have defended the use of online resources to achieve certain goals and as a useful tool in education. But let us not commit a sin against teachers and students alike by confusing the usefulness of online tools with the oxymoronic idea of online education.
Roth’s eulogy was published in the Sunday New York Times. One of the advantages of perusing the Sunday paper in its endangered pulpish format is that Roth’s encomium straddles the top of two page above the jump from an essay by A.J. Jacobs on the advantages and disadvantages of online education. “I learned many fascinating things while taking a series of free online college courses,” Jacobs writes.
But the first thing I learned? When it comes to Massive Open Online Courses, like those offered by Coursera, Udacity and EdX, you can forget about the Socratic method. The professor is, in most cases, out of students’ reach, only slightly more accessible than the pope or Thomas Pynchon.
Many defenders of physical on-site college education will take solace from Jacob’s essay. That would be a mistake, at least in part. And this is not only because MOOCs will get better.
The importance of Jacob’s critique of online teaching is that it applies equally to the vast majority of reality-based college courses in the United States, courses in which 100s and even 1,000s of students sit faceless in large lecture halls taking notes before a professor with whom they will never speak. The reason that MOOCs are causing such excitement is not that they offer the potential for a great or even a good education. Rather, MOOCs promise to provide the same poor educational experience currently offered at large universities around the country for a fraction of the cost in time and money.
Massive Open Online Courses will improve. There will be more and less expensive varieties. Some courses will offer well-staffed online forums with barely-paid facilitators—the sad future for the vast majority of those now pursuing Ph.Ds. These courses will replace the large lectures that now dominate the curriculum at universities around the country—this is already happening. The best universities will adapt, accepting MOOC credit and using this an opportunity to allow students to graduate more quickly and to pursue more advanced and more personalized work in smaller classes with professors more adept at teaching inspiration than in conveying knowledge. Most will gradually cease to be universities and morph into glorified brands offering accredited degrees that certify graduates as employable.
In short, for those of us who care deeply about teaching, MOOCs should be welcomed. By highlighting the gulf between the transmission of knowledge and education, MOOCs may, and should, return the luster to the calling of teaching. We are poised for a renaissance in teaching, one that will reemphasize the gulf between certification and transformation.
-RB
Thoughtless Purposefulness
The word designating military drones comes from the word for bee. This is true all over the world, in countless languages. Partly because of this linguistic consistency, it is a common misperception that drones take their name from the buzzing sound when unmanned aircraft fill the air. More accurately, however, drones trace their etymological lineage to the male honey-bee that is called a drone. The male drone-bee is distinguished from the female worker-bees. It does no useful work and has one single function: to impregnate the queen-bee. What unites military drones with their apiary namesakes is not sound, but thoughtless purposefulness.
The beauty of the drone-bee—like the dark beauty of the military drone—is its single-minded purpose. It is a miracle of efficiency, designed to do one thing. The drone-bee is not distracted by the perfume of flowers or the contentment of labor. It is born, lives, and dies with only one task in mind. Similarly, the military drone suffers neither from hunger nor from distraction. It does what it is told. If necessary, it will sacrifice itself for its mission. It is a model of thoughtless efficiency.
A few weeks ago I wrote about Ernst Jünger’s novel The Glass Bees, in which a brilliant inventor produces tiny flying glass bees that offer limitless potential for surveillance and war. Today I turn to Jake Kosek’s recent paper “Ecologies of Empire: On The New Uses of the Honeybee.” Kosek does not cite Jünger’s novel, and yet his article is in many ways its non-fiction sequel. What Kosek sees is that the rise of drones in military strategy is tied deeply to their ability to mimic the activity and demeanor of male honey-bees. It is because bees can fly, swarm, change direction, alter their course, and yet achieve their single purpose absent any intentionality or thinking that bees are so useful in modern warfare.
Bees have long been associated with military endeavors, both metaphorically and literally. Kosek tells that our word bomb comes from the Greek bombos, which means bee. The first bombs were, it seems, beehives dropped or catapulted into the heart of the enemy camp. Bees are today trained to sniff out toxic chemicals; and beeswax was for generations an essential ingredient in munitions.
In the war on terror, bees have taken on a special significance. The “enemy’s lack of coherence—institutionally, ideologically, and territorially— makes the search for the enemy central to the politics of the war on terror.” War in the war on terror is ever less a contest of armies on the battlefield and is increasingly a war of knowledge. This means that surveillance—for centuries an important complement to battlefield tactics—comes to occupy the core of the modern war on terror. In this regard, drones are essential, as drones can hover in the air unseen for days, gathering essential intelligence on persons, groups, or even whole cities. All the more powerful would be miniature drones that fly through the air unseen and at ground level. That is why Kosek writes that “Intelligence gathering [is] not just limited to psychologists, sociologists, lawyers, and military planners, but [has come] to include biologists, anthropologists, epidemiologists, and even entomologists.” What the military use of bees promises is access to information and worlds not previously open to human knowledge. Bees, Kosek writes, are increasingly the model for the modern military.
The advantage of bees is not simply their thoughtlessness, but is found also in their ability to operate as part of a swarm. Current drone technology requires that each drone be controlled by a single pilot. What happens when hundreds of drones must share the airspace around a target? How can drones coordinate their activity? Kosek quotes a private contractor, John Sauter, who says:
“A central aspect of the future of warfare technology is to get networks of machines to operate as self-synchronized war fighting units that can act as complex adaptive systems. . . We want these machines to be fighting units that can operate as reconfigurable swarms that are less mechanical and more organic, less engineered and more grown.”
The point is that drones, be they large or small, must increasingly work in conjunction with each other at a speed and level of nuance that is impossible for human controllers to manage. The result is that we must model the drones of the future on bees.
The scientists working with the Pentagon to create drones that can fly and function like bees are not entomologists, but mathematicians. The DNA of the glass or silicone bees of the future will be complex algorithms inspired by but actually surpassing the ability of swarms “to coordinate and collect small bits of information that can be synchronized to make collective action by drones possible.” Once this is possible, one controller will be able to manage a single drone “and the others adapt, react, and coordinate with that drone.”
Kosek’s article is provocative and fascinating. His ruminations on empire strike me as overdone; his insights about the way our training and use of bees has transformed the bee and the ways that bees are serving as models and inspiration for our own development of new ways to fight wars and solve problems are important. So too is his imagination of the bee as the six-legged soldier of the future. Whether the drones of the future are cyborg bees (as some in Kosek’s article suggest) or mechanical bees as Jünger imagined half a century ago, it is nevertheless the case that thinking about the impact of drones on warfare and human life is enriched by the meditation on the male honeybee. For your weekend read , I offer you Jake Kosek’s “Ecologies of Empire: On The New Uses of the Honeybee.”
-RB
Banality, Banality, Banality
When Gershom Scholem once wrote to Arendt that her phrase the “banality of evil” was a cliché, her response was swift: As far as she had known, nobody had ever used it before. The banality of evil was no common formulation worn meaningless by overuse. When she coined the phrase, it was a searing and dangerous provocation to thought, a warning to all those who in the face of horrific crimes carried out by bureaucrats would seek to transform those bureaucrats into monsters. To make people like Eichmann into radically evil monsters is, Arendt argued, to mistake an even greater and more insidious fact about evil: that in the modern context of bureaucratic governance, evil depends upon banal people who allow themselves to participate in evil because they are thoughtless and lack the clarity of mind or the courage of conviction to stand up to the mechanized and bureaucratized doing of evil.
One can disagree with Arendt’s thesis, but it was hardly a cliché. Unfortunately, too often today it is used as the cliché Scholem feared it had already become. A case in point is an opinion piece in Wednesday’s Wall Street Journal by James Taranto.
Taranto is discussing a current case in which Dr. Kermit Gosnell is on trial for murdering seven viable fetuses.
Three associates have pled guilty to third-degree murder and five others have pled guilty to other crimes. Gosnell faces the death penalty. According to the New York Times, whose account Taranto refers to,
Reporters heard testimony from the Philadelphia medical examiner about unsanitary, even filthy conditions at Dr. Gosnell’s clinic, from which the remains of 47 fetuses were removed, some in a water jug, a juice carton and a pet-food container.
In earlier testimony, according to several news reports, an unlicensed doctor said that Dr. Gosnell, 72, showed him how to cut the necks of babies born alive to make sure they died, and a young woman who worked at the clinic as a teenager said she assisted in abortions in which she saw at least five babies moving and breathing.
The details are grisly. The main thrust of Taranto’s article is that the liberal media is ignoring the case because it upsets their narrative that abortions are clean and easy. According to experts cited in the Times article, it seems that conservative media outlets have ignored the case as well, and that the Times actually had given it more coverage than more conservative papers, but I will leave that argument to others.
What interests me more is Taranto’s sudden invocation of Hannah Arendt and her thesis of the banality of evil. The context is the guilty pleas of the eight employees of Gosnell’s clinic. They included an unlicensed doctor and untrained aids who worked under difficult and unsanitary conditions where they were trained how to break the neck of living fetuses. An Associated Press wire story described the fate of these workers and concluded: “But for most, it was the best job they could find.” This is what leads Taranto (through the route of a reader’s comment and a 1999 essay in the New York Observer) to compare the AP’s account of eight medical technicians with Hannah Arendt’s account of Adolf Eichmann.
It is not at all clear whether Taranto has ever set eyes upon Arendt’s book, for he cites only an essay on the book. It is, of course, the height of cliché to speak about books and ideas from second or third hand sources. But that is what Taranto does. He repeats the following claims from the 1999 article, all false: first, that Arendt believed that Eichmann wasn’t anti-Semitic (she reports his claim, but dismisses it as unbelievable, a fact all-too-often forgotten); that she offered the banality of evil as an “overarching theory”; that she “took him at his word” that he was just following orders; that she was a philosopher; and that she was the “world’s worst court reporter”—as if that is what she were.
But what is truly mind-boggling is that after dismissing Arendt’s thesis based on second-hand accounts, Taranto then comes to agree with her. He writes:
And while Rosenbaum [the author of the 1999 article] seems correct in rejecting "the banality of evil" as an overarching theory, surely it has some explanatory or descriptive power. "Faceless little men following evil orders" surely is a fitting characterization of the Pennsylvania bureaucrats who, because of a mix of indifference, incompetence and politics, failed in their oversight of Gosnell's clinic and allowed it to keep operating for decades.
It's also true that banality is a tactic of evil, a method it employs to make orders easier to follow. One of Gosnell's employees might have blown the whistle on him had he expressly commanded them to slash babies to death after they were born, rather than to "snip" them after they "precipitated" to "ensure fetal demise."
All too often we see this approach to Arendt’s book and thesis. She is excoriated for getting Eichmann wrong and for having the temerity to suggest he wasn’t a monster. And then we are told that actually, she was largely right, and that there is something fundamentally true about the idea that evil is done and made possible as much by thoughtlessness as by fanaticism. In other words, she was right in general but not about Eichmann.
Such an argument has become popular in the wake of David Cesarani’s book on Eichmann, which simultaneously says that Arendt under emphasized Eichmann's anti-Semitism and then accepted her argument about the banality of evil. There is a legitimate debate about how Arendt perceived Eichmann. It is wrong to say that she accepted his claims of being a friend of Jews and it is simply inaccurate to think she thought he was not an anti-Semite. That said, there is evidence of his later anti-Semitism expressed in Argentina that Arendt had not seen. Does that evidence impact her thesis? I don't believe so, but if she had had access to it and included it, such remarks would have given a fuller appraisal of Eichmann. In any case, few who repeat Cesarani's argument have read him or for that matter Arendt herself.
To reject and embrace the banality of evil in the same essay is too simple. It is easy to repeat Arendt’s insight but then protect oneself from the unsettling implications the weight of her thought must bear. To do so, sadly, is to treat the banality of evil as a cliché. She and her work deserve better.
-RB
The Impact of Modern Warfare on Power and Politics
No government exclusively based on the means of violence has ever existed. Even the totalitarian ruler, whose chief instrument of rule is torture, needs a power basis—the secret police and its net of informers. Only the development of robot soldiers, which, as previously mentioned, would eliminate the human factor completely and, conceivably, permit one man with a push button to destroy whomever he pleased, could change this fundamental ascendancy of power over violence.
—Hannah Arendt, “On Violence.”
Hannah Arendt wrote these lines in the midst of the United States’ defeat in Vietnam. Her argument was that as long as robot soldiers were a thing of the future, brute violence and force like that unleashed by the United States would always succumb to collective power, of the kind exhibited by the Vietcong. Hers was, at least in part, a hopeful voice, praising the impotence of violence in the face of power.
To read Arendt’s lines today, amidst the rise of drone warfare, alters the valence of her remarks. Drones are increasingly prototypes and even embodiments of the “robot soldiers” that Arendt worried would dehumanize war and elevate violence over power. If we draw out the consequences from Arendt’s logic, then drone soldiers might displace the traditional limits that politics places on violence; drones, in other words, make possible unprecedented levels of unlimited violence.
The rise of drones matters, Arendt suggests, in ways that are not currently being seen. Her worry has little to do with assassination, the concern of most opponents of drones today. Nor is she specifically concerned with surveillance. Instead, against those, like General Stanley McChrystal, who argue that drones are simply new tools in an old activity of war, Arendt’s warning is that drones and robot soldiers may change the very dynamic of war and politics.
To see how drones change the calculus of violence in politics, we need to understand Arendt’s thesis about the traditional political superiority of power over violence. The priority of power over violence is based on the idea that power is “inherent in the very existence of political communities.” Power, Arendt writes, “corresponds to the human ability not just to act, but to act in concert.” It “springs up whenever people get together and act in concert.” All government, and this is central to Arendt’s thesis, needs power in order to act.
This need for popular support is true even for totalitarian governments, which also depend on the power of people—at least a select group of them like the secret police and their informers—continuing to act together. It is thus a myth that totalitarian rule can exist without the support of the people. Whether in Nazi Germany or contemporary Syria, totalitarian or tyrannical governments still are predicated on power that comes from support of key segments of the population.
Even if all government is predicated on some power, governments also employ violence—but that violence is held in check by political limits. As a government loses its popular support, it finds itself tempted to “substitute violence for power.” The problem is that when governments give in to the temptation to use violence to shore up slackening of popular power, their use of violence diminishes further their power and results in impotence. The more violence a government needs to rely upon, the less power it has at its disposal. There is thus a political limit on how much violence any government can employ before it brings about the loss of its own power.
As much as she respects the claims for power over violence, Arendt is clear-eyed about the damage violence can wield. In a direct confrontation between power and violence, violence will win—at least in the short term. Arendt writes that if Gandhi’s “enormously powerful and successful strategy of nonviolent resistance” had met a different enemy—a Stalin or Bashar al-Assad instead of a Churchill or Mubarek—“the outcome would not have been decolonization, but massacre and submission.” Sheer violence can bring victory. But the price for such a triumph is high, not only for the losers, but also for the victors.
We see this exemplified in Middle East over the last few years. In those countries like Bahrain and Syria where governments did not shy from unlimited violence to repress popular revolts, the governments have maintained themselves and the Arab Spring has turned into a long and frigid winter. Assad has been able to maintain power; but his power is irreparably diminished. In the end, there is a limit to the viability and effectiveness of relying on mere violence at the expense of power. This is even more true in a constitutional democracy, where support of the people is a political necessity.
As confident as Arendt is that violence is limited in politics by the need for power, she worries that the coming age of “robot soldiers” might bring about the end of the political advantage power has over violence. Robot soldiers can be controlled absent of consent or political support. With the push of a button or a simple command, a tyrant or totalitarian ruler can exert nearly unlimited violence and destruction, even without the support a massive secret police or a network of informers. Drones threaten the time-immemorial dependence of even the most lonely tyrant on others who will support him and do his bidding.
Of course drones must be built, programmed, and maintained. No tyrant is fully autonomous. Yet building, programming, and maintaining machinery are fundamentally different jobs than arresting and killing dissenters. It is far easier for programmers and electricians to justify doing their jobs in a powerless yet violent state than for soldiers and secret agents to justify theirs.
In a drone-led war, men will rarely need to go into action as soldiers. That is of course one reputed advantage of drones, that they make war less dangerous and more technically predictable. But it also means that as modern warfare becomes safer and more humane, it also excludes without human soldiers and risks stripping war of its human and active character. This helps to explain an enigmatic passage of Arendt’s in The Human Condition, where she offers modern war as an example of when action “loses its specific character” as human action and “becomes one form of achievement among others.” The degradation of human action in modern war, she writes,
happens whenever human togetherness is lost, that is, when people are only for or against other people, as for instance in modern warfare, where men go into action and use means of violence in order to achieve certain objectives for their own side against the enemy. In these instances, which of course have always existed, speech becomes indeed ‘mere talk,’ simply one more means toward the end….
Arendt is here thinking of the anonymity of the modern soldier epitomized by the monuments to the unknown soldiers—the mute mass of humanity who fight and die without the “still existing need for glorification” that makes war a human instead of a merely mechanical activity.
Her modern warfare in its inhumanity and technological capacity abandons the togetherness that has traditionally made war a prime example of human political togetherness.
In the technological advances of modern warfare that made war so awful and so mechanical, Arendt actually found a glimmer of hope: that war’s rabid violence was compensated by neither political advantage nor personal glory. In On Revolution, she dared hope that the fact that technology had reached the stage “where the means of destruction were such as to exclude their rational use” might lead to a “disappearance of war from the scene of politics….” It was possible, she thought, that the threat of total war and total destruction that accompanies war in the modern era might actually lead to the disappearance of war.
Clearly such a hope has not come to pass. One reason for the continuation of war, however, is that the horrors of war are made ever more palatable and silent—at least to the victors—by the use of technology that exerts violence without the need for political power and participation. The drone wars of the early 21st century are in this respect notable for the unprecedented silence that accompanies violence. Since U.S. soldiers are rarely injured or killed and since the strikes are classified and the damage remote, we have indeed entered an era where we can fight wars absent the speech, glory, and “human togetherness” that has traditionally marked both the comradeship of soldiers and the patriotic sacrifice of a nation at war. It is in this extraordinary capacity of mute violence to substitute for power in which we can glimpse both the promise and the peril of drones.
-Roger Berkowitz
Amor Mundi 4/14/13
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
Kehinde Wiley: King of the Art World
Hannah Arendt Center Senior Fellow Wyatt Mason explores the wild and wonderful world of super-artist Kehinde Wiley. "Wiley, as some of you may know, is an American artist, an unusually successful one. In the decade of his career to date, he's become one of the most sought-after painters in America. Holland Cotter, of The New York Times, called Wiley "a history painter, one of the best we have.... He creates history as much as he tells it." Even if you don't know him by name, you've likely glimpsed his grand portraits of hip-hop artists-LL, Ice-T, Biggie. Maybe you've even seen his massive portrait of the King of Pop: the one of MJ in full armor, astride a prancing warhorse. If all this suggests that Wiley, a 36-year-old gay African-American man, is court painter to the black celebretariat, that misconception has been useful to promoting his brand, up to a point."
Mason is skeptical, but if you don't know the Wiley brand, the route through Wiley's world of surfaces is about as fine a reflection as you'll find of the challenges facing the artist in a consumer society.
Zainab Al-Khawaja is sitting in a Bahrani prison reading Martin Luther King Jr. Al-Khawaja is a political prisoner. She is in a cell with 14 others, some murderers. To maintain her dignity and to announce her difference from common criminals, she has refused to wear an orange prison jumpsuit. As a punishment, she is denied family visits, including by her baby. She is now on hunger strike. "Prison administrators ask me why I am on hunger strike. I reply, "Because I want to see my baby." They respond, nonchalantly, "Obey and you will see her." But if I obey, my little Jude will not in fact be seeing her mother, but rather a broken version of her. I wrote to the prison administration that I refuse to wear the convicts' uniform because "no moral man can patiently adjust to injustice." (Thoreau)." Al-Khawaja's thoughts on dignity and non-violence are more than worthy testaments to her mentor.
Sara Horowitz takes on the "micro-gig," a new kind of freelancing that allows people to employ others for small tasks, like delivering or assembling IKEA furniture. Horowitz, however, worries about what "micro-gigging" might mean for workers: "It's as if we're eliminating the "extraneous" parts of a worker's day--like lunch or bathroom breaks--and paying only for the minutes someone is actually in front of the computer or engaged in a task." Welcome to our piece-work future.
Chloe Pantazi considers the work of the photographer Chim, also known as David Seymour, on the occasion of a showing of his work at the International Center of Photography. Pantazi focuses in particular on Chim's photos of children, saying that as he "offers up the every day lives of such adults working within the industry of war (as soldiers, munitions workers) we trust that Chim's postwar photographs of children yield something close to their every day, as vulnerable innocents who-like the newborn seen suckling at its mother's breast in a photograph taken of the crowd at a land reform meeting at the brink of the Civil War, in Spain, 1936-were virtually reared on the conflicts of their time."
Lucy McKeon explores Russian poet Kiril Medvedev, who has renounced the copyright to all of his works. McKeon recounts Medvedev's rebellion against the bourgeois idea of artist as private citizen-a type idealized by Joseph Brodsky in his 1987 Nobel Prize address. Medvedev is searching for a post-individualized and post-socialist culture-what he calls new humanism. "Logically, Medvedev's answer to individualized disconnectedness calls for a synthesis of twentieth-century leftist political and intellectual thought, a situation where several senses of the word 'humanism' begin to collide." Where something from poetry meets something from philosophy; where postmodernism, logocentrism, psychology, culture and counterculture, "and probably something else, too, that we haven't though of yet," writes Medevedev, join to form "a new shared understanding of humanity." Only in this utopian future society could the artist as private citizen responsibly exist and create."
Music in the Holocaust: Jewish Identity and Cosmopolitanism
Part II: Music of Warsaw, Ludz and other Eastern Ghettoes
April 20, 2013 at Olin Hall, Bard College at 7:00 PMLearn more here.
From the Hannah Arendt Center blog
Roger Berkowitz lauds the idea of early college. Jeffrey Jurgens considers Jeremy Walton's recent article "Confessional Pluralism and the Civil Society Effect." Cristiana Grigore responds to the recent New York Times article, "The Kings of Roma" by describing her own Roma upbringing in Romania. Kathleen B. Jones takes on New Materialism from an Arendtian point of view.
Is Hannah Arendt a Jewish Thinker?
Is Hannah Arendt A Jewish Thinker? On one level, the answer is obvious. Arendt was indeed Jewish, raised in Germany during the first three decades of the 20th century. True, Arendt was non-religious and in much of her writing was deeply critical of Jews and Jewish leaders. Yet she was arrested twice as a Jew, once in Germany and once in France, escaping both times. If one is attacked as a Jew, she said, one must respond as a Jew. That she did. She led Jewish Youth to Palestine and wrote essays during the war calling for a Jewish army. She attended the first meeting of the Jewish World Congress. She worked for years for the committee for Jewish Cultural Reconstruction. Her first two books—Rahel Varnhagen: The Life of Jewess, and The Origins of Totalitarianism—are deeply infused by her understanding of the Jewish question. So too is her best known book, Eichmann in Jerusalem. It would be folly to deny that her thinking is influenced by her experience of being a Jew.
But to ask if she was a Jewish thinker is something else. It is to ask whether her political thinking is inspired by or in some way quintessentially Jewish. The question is posed this way often by students hoping to find something in Arendt with which they can identify. Others ask it in the hope of redeeming Arendt from the perceived sins of her book on Adolf Eichmann. And the question of the Jewish influence on Arendt is also a scholarly question.
For some Arendtian scholars, her thinking is a distillation of the work of her first teacher and youthful lover, Martin Heidegger. Others trace the source of her political ideas to her dear friend and mentor Karl Jaspers. She is often said to be an Aristotelian; one super-intelligent recent Ph.D. argued to me last week that the decisive influence on her work was Niccolo Machiavelli. A recent article argues that Arendt’s Denktagebuch proves that her most influential interlocutor was Plato. And then there is of course a Jewish reading of Arendt, one first explored in depth (and in its complexity) by Richard Bernstein in his book Hannah Arendt and the Jewish Question.
In all such arguments seeking Arendt’s true source, there is painfully little tolerance for letting Arendt be Arendt, for recognizing her to be the original thinker she is. Contextualizing is the scholarly obsession. At some point, however, we must stop and admit that Arendt represents something new—which means only that any effort to claim one privileged influence upon her work will be incomplete.
The impact of her Jewish experiences on Arendt’s thought is most visible in the distinction she makes between the social and the political realms, which runs through her entire body of thought. As Leon Botstein has written, “Arendt’s basic theoretical claim, the separation of the social form the political, originated in her understanding of the Jewish problem as decisively political rather than social in character.” Arendt sought in her early Jewish writings to make a space for Jews to preserve their social aloofness (their being separate and living according to their own laws) while at the same time engaging in political action.
At the same time, Arendt’s distinction between society and politics is infused by her reading of Carl Schmitt as well as by her rejection of the Western philosophical canon that elevates contemplation over action. In The Human Condition, where Arendt first fully develops her distinction between the social and political, Jewish concerns are absent. And yet, the roots of that distinction are explored in Antisemitism, Book One of The Origins of Totalitarianism. It would be “irresponsible,” as Jerry Kohn has written, to doubt the importance to her thinking of what Arendt experienced as a Jew. Still, it would be saying too much to call her a Jewish thinker. Arendt is, quite simply, an original. She is impossible to compartmentalize or box in. She is neither liberal nor conservative, neither Jewish nor universal. Of course she is a Jewish thinker—and so much more.
I raise these reflections in response to Jewish Memory and the Cosmopolitan Order, an important new book by Natan Sznaider. Sznaider visited the Arendt Center last week and in two public presentations made his case for two theses: First, that Arendt’s mature political thinking has its roots in her Jewish experience from the 1930s through the 1940s; and second, that she has helped articulate a uniquely Jewish perspective on human rights conveyed and concretized through catastrophe and memory around the holocaust.
The foundation for Sznaider’s argument is an exceptional archival reconstruction of Arendt’s until-now little-known work for the committee for Jewish Cultural Reconstruction (JCR). Arendt was the research director for JCR in the 1940s, when she was hired by Salo Baron, a specialist in Jewish history at Columbia University. Baron hired Arendt and gave her what was her first paid position in the United States. As research director of JCR Arendt was thrust into post-war Jewish politics. Based on fruitful work in the Salo Baron archives at Stanford, Sznaider develops an account of the close intellectual, personal, and political relationship between Arendt and Baron, based on a shared belief in what he calls a “hidden Jewish tradition.” Against the mainstream Jewish tradition of victimhood and withdrawal, Arendt and Baron shared a belief in a vibrant and glorious tradition of Jewish political activity.
In her work for the JCR, Arendt compiled inventories of Jewish cultural artifacts. Relying on a network of Jewish refugees around the world, she published lists with titles like: “Tentative List of Jewish Cultural Treasures in Axis-Occupied Countries.” Sznaider makes the case that these lists “are among her important publications on Jewish matters” and should be considered part of the Arendt canon. Working from these lists, Arendt then traveled to Europe and negotiated with German, Israeli, and U.S. military authorities to determine the fate of Jewish cultural treasures that had been stockpiled by the Nazis or saved by European communities.
Arendt’s work at the JCR was importantly an opportunity to engage in Jewish politics as a representative of world Jewry. She was one of the few unelected Jewish leaders tasked with deciding how the salvaged cultural heritage would be distributed to Jewish communities around the world. A large part of her work was convincing the U.S. military to depart from settled international law, which required that these treasures be returned to the communities from which they came. As there were no Jews left in these ravaged European Jewish communities, Arendt and Baron, along with Gershom Scholem in Israel, argued that the Jewish cultural heritage should be distributed to new Jewish communities in Israel, America, and around the world.
According to Sznaider, Arendt saw herself as an emissary of the Jewish people. “Arendt believed that the JCR would be the representative of the Jewish people as a collective and not of Jews as citizens of their respective countries.” Through her work for JCR, Arendt came to believe in the possibility of a Jewish politics outside of traditional nation states. It is in this context, he argues, that Arendt distanced herself from Zionist circles. She was, he writes, convinced that “the only viable answer for modern Jews is politics—not necessarily Zionist politics, but collective politics of some kind.” In lieu of the security of a national state, Arendt hoped for a “federal principle of political organization, not only for Jews but for all European peoples.” It is in this sense that Sznaider argues that Arendt’s political thinking as it emerges in her later writing is deeply indebted to her experience of Jewish political action.
Sznaider has many aims in his book and one is to enlist Arendt as the progenitor of what he calls “rooted cosmopolitanism,” a modern politics that is both rooted in particular identity and also open to the modern demand for equality. Another is to argue that there is a particular Jewish perspective on human rights that is rooted in the Jewish experience of catastrophe. Human rights, he argues leaning on Arendt, does not have a philosophical ground. But Jewish history and the memory of the holocaust offer a non-metaphysical ground for human rights in fear itself.
You can watch Sznaider’s lecture here. I recommend you do so. Then buy a copy of Jewish Memory and the Cosmopolitan Order. It is your weekend read.
-RB
Reinventing the High School Model
For too long now high school has been a waste of time for too many people. I always remind my students that Georg Friedrich Hegel developed his lectures on the Philosophy of Right as a course for a German Gymnasium, the equivalent of high school in the United States. Most American high schools have long abandoned the idea of offering challenging courses that demand students think and engage with the world and the history of ideas. Our brightest students are too often bored, confirmed in their intelligence, but rarely pushed. This is especially true of our public high schools in our poorest neighborhoods.
One of the most heartening trends in response to this tragedy is the idea of early college. Bard College has been a leader in the early college movement, now embraced by the Bill and Melinda Gates Foundation, and others.
Victor J. Blue for The New York Times
The New York Times has an excellent article on Bard’s newest Early College in Newark:
Across the country in communities like Newark, the early college high school model is being lauded as a way to provide low-income students with a road map to and through college. According to the most recent figures from the National Center for Education Statistics, 68 percent of all high school graduates make it to a two- or four-year institution, but only 52 percent of low-income students do the same. Of poor students in four-year institutions, only 47 percent graduate within six years, compared with 58 percent of the general population.
Not surprisingly, the challenges are greatest for students whose parents did not attend any college: their graduation rate hovers around 40 percent. Early college high schools seek to rectify that, by merging high school and some college. Students can earn both a high school diploma and an associate degree, and some are set on the path to a four-year degree.
Educators and big-ticket donors have praised the schools for saving students money and time — most schools compress the academic experience into four years. Since 2002, the Bill and Melinda Gates Foundation has provided more than $40 million toward initiatives. The Ford Foundation and the Carnegie Corporation of New York have also chipped in. President Obama is a proponent, giving a shout-out in his State of the Union address to P-Tech, a public-private partnership that pairs the New York City public school system and the City University of New York with I.B.M., which promises graduates a shot at a well-paying job.
There are now more than 400 early college high schools across the country — North Carolina has 76 of them — educating an estimated 100,000 students.
Bard, a liberal arts college in Annandale-on-Hudson, N.Y., is at the vanguard of the movement, with a president, Leon Botstein, who has long chastised the American high school system for its inefficiencies. More than 30 years ago, Bard took over Simon’s Rock, a private college for 11th graders and up in Great Barrington, Mass. In 2001, it opened an early college high school in Lower Manhattan, enormously popular with hyper-motivated New Yorkers, and in 2008 it started one in Queens that has become a magnet for the high-achieving offspring of Chinese, Polish and Bengali immigrants. Until now, Bard’s model has largely focused on elite students.
In Newark, Bard moved into a school building across from a tire shop and a bail bond business. Hanging outside is a cheerful red banner with the Bard name etched in white, as if to signal that new life is being breathed into the neighborhood.
Read more. See also past posts about the importance of the early college model here, and here.
-RB
Islamic and Liberal Intersections
Over the course of the past two decades, the political idiom of liberalism has substantially expanded its global reach and dominance. In the vast majority of the world’s existing states, principles of individual rights and collective recognition have been or are being enshrined in constitutions and other legal codes, and actors in the public sphere and the realm of civil society are adopting liberal discourse in order to press their claims for equality and freedom. The recent Arab Spring is only one of the most recent instantiations of this larger trend.
Yet even as we acknowledge liberalism’s dominance, we should not overlook those settings where it still (and ironically) carries a counter-hegemonic charge. One such locale is the Republic of Turkey, ostensibly one of the most stable and democratic states in the wider Middle East. Here a variety of Islamic organizations have relied on liberal imaginings in their efforts to challenge the state’s anti-clerical model of secularism.
This Islamic recourse to liberalism is the central concern of Jeremy Walton’s intriguing article in the most recent American Ethnologist, “Confessional Pluralism and the Civil Society Effect.” Walton pays particular attention to the work of four Islamic NGOs in Istanbul and Ankara, all of which have adopted the language of confessional pluralism in their efforts to obtain recognition from the state and secure their inclusion in Turkish public life.[i] These organizations define “religion” as a nonpolitical, voluntary mode of social and ethical life that legitimately, indeed necessarily, takes different forms. They also insist that these varied modes of life deserve acknowledgement and protection on the basis of “the ostensibly universal values of liberty and equality.”
When viewed from the perspective of Turkey’s party politics, these NGOs make strange bedfellows. Three of the organizations analyzed by Walton represent Alevism, a syncretic minority tradition that can be broadly defined by its emphasis on Twelver Shi’a history and belief, its incorporation of Central Asian mystical and shamanistic practices, and its distinctive ritual performances. Alevis have typically supported the Republican People’s Party (CHP, the party established by Mustafa Kemal Atatürk) because its staunch secularism has appeared to offer a bulwark against Sunni majoritarianism and discrimination. The fourth organization, meanwhile, is a Sunni association inspired by the contemporary Turkish theologian Fethullah Gülen and his project of universal religious dialogue. It also epitomizes the recent emergence of the Sunni Muslim bourgeoisie, the constituency that has played a pivotal role in the ascendance of the Justice and Development Party (AKP) under Prime Minister Recep Tayyip Erdoğan. Thanks to its overwhelming success in local and national elections over the past decade, the AKP has effectively supplanted the CHP as Turkey’s preeminent political party.
Yet as Walton rightly notes, these NGOs’ seemingly obvious political differences belie their common turn to the liberal rhetoric of pluralism and collective recognition. All of them desire public acknowledgement of their own (and others’) communities and identities, and all thereby challenge the presumption of ethnolinguistic and religious homogeneity that has prevailed in Turkish governmental discourse since the founding of the Republic in 1923. In addition, all of these organizations question the state’s long-standing effort not only to define and regulate the legitimate practice of religion (especially Sunni Islam), but also to limit religious expression to the private sphere. These rather paradoxical governmental imperatives, which remained largely unchallenged in Turkey until the 1990s, can be traced to the laicist model of secularism that the Republic adopted from the French Jacobin tradition.
In subtle or dramatic ways, all of these NGOs seek to divert Turkish secularism from its previous path. One of the Alevi organizations, for example, seeks a mode of pluralism that would grant to Alevis the same privileges—state funding for houses of worship, inclusion in the mandatory religion classes taught in public schools—that the state has historically allocated to Sunni Islam. Another Alevi association, by contrast, favors an “American-style” secularism that would limit or even prohibit state intervention in religious affairs. The Sunni organization, meanwhile, seeks to promote tolerance and public dialogue across confessional boundaries in a manner that departs markedly from the state’s efforts to privatize religious expression. Significantly, the idiom of liberalism is flexible enough to accommodate these varied and not always compatible projects.
At the same time, the liberal language of confessional pluralism creates tensions and dilemmas for the very organizations that seek to mobilize it. Above all, claims for collective recognition presume coherent and “authentic” (i.e., long-standing, non- or pre-political) religious identities as the necessary ground for communal acknowledgement and equal protection. As Walton convincingly relates, it is precisely such coherence and authenticity that prove elusive for many Islamic NGOs. Alevi associations in particular are defined by intense arguments over the very definition of Alevi identity. Does Alevism constitute a distinct and more or less uniform tradition of its own? What precisely is its relationship with Islam? Does Alevism even constitute a “religion” as the concept is commonly understood, or is it rather a body of folklore, a philosophical and political orientation, or an ethnicity? Alevi associations disagree sharply on the answers to these questions, even as they share a common discursive logic.
Walton is somewhat less persuasive, however, when he turns to Islamic NGOs’ relationship to the state and state governance. In his reading, these associations engage in a form of “nongovernmental politics” that does not aspire to occupy the position of a governing agency. In fact, they contribute to what Walton, drawing on the work of Timothy Mitchell, calls “the civil society effect”: the romantic notion that civil society constitutes “a self-evident domain of freedom and authenticity” wholly autonomous from the state. I follow Walton’s reasoning when he notes that the NGOs he analyzes have displayed an increasing skepticism toward Turkey’s dominant model of secularism and its major political parties, including the CHP and the AKP. I believe he oversteps, however, when he suggests that many if not all of these associations dismiss political society and the state. To my mind, the very language of liberalism adopted by these NGOs indicates that they care a great deal about the state and its policies. Very much in the spirit of Arendt’s celebrated pronouncements in The Origins of Totalitarianism, they grasp that rights and recognition, if they are to have real substance, must be backed and warranted by the state’s governmental power.
This wrong turn notwithstanding, Walton’s argument makes for stimulating reading. Perhaps above all, it offers a sharp challenge to the still common presumption that Islam and modern politics are hermetically separate, fundamentally irreconcilable domains. Instead, as Walton subtly demonstrates, they “authorize, animate, challenge, and contextualize each other in contextually specific ways.”
-Jeffrey Jurgens
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[i] For the sake of easy reading, I do not dwell on the NGOs by name, but the Alevi associations include the Cem Foundation, the Hacı Bektaş Veli Anatolian Cultural Foundation, and the Ehl-i Beyt Foundation. The Sunni association aligned with Gülen is the Journalists and Writers Foundation.
Alice Walker on Thinking
The most common way people give up their power is by thinking they don’t have any.”
— Alice Walker
Amor Mundi 4/7/13
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
"My Republican Friends Ask if I've Gone Crazy."
A favorite exemplar of American intellectual is the reformed proselytizer, which in part explains the celebrity of David Frum. A lifelong Republican and official in the George W. Bush administration, Frum was part of the neo-conservative movement. For the last few years, however, Frum has positioned himself as a centrist, the thinking man's Republican. In 2011 he published a manifesto of sorts, breaking with the extremes of his party: "I've been a Republican all my adult life. I have worked on the editorial page of The Wall Street Journal, at Forbes magazine, at the Manhattan and American Enterprise Institutes, as a speechwriter in the George W. Bush administration. I believe in free markets, low taxes, reasonable regulation, and limited government. I voted for John McCain in 2008, and I have strongly criticized the major policy decisions of the Obama administration. But as I contemplate my party and my movement in 2011, I see things I simply cannot support." The full essay is well worth reading today. So is Frum's blog, one of the best. Take a look, and then come hear Roger Berkowitz and Walter Russell Mead talk with Frum in NYC on Tuesday, April 9th, as part of the Hannah Arendt Center's series, "Blogging and the New Public Intellectual." More information here.
In honor of National Poetry Month, The Big Think asked Robert Pinsky, the 39th Poet Laureate of the United States, about The Favorite Poem Project, which he founded in 1997. In the course of the interview, Pinsky speaks about teaching poetry: The best thing I know of about teaching art is in William Butler Yeats' great poem, "Sailing to Byzantium." He says-in the first draft he said, "There is no singing school, but studying monuments of its own magnificence." He doesn't say there's no singing school but going to an MFA program or to Julliard or to Conservatory. He says the way, indeed the only way, you learn singing or any other art is to study, not just sample or be exposed to, but to study. Not just things that are pretty good or not bad or that are in fashion this year, but monuments of the arts magnificence. And that's how you learn something.
In William Carlos Williams' poem, the Saxifrage is the flower of insight and invention, the flower that "splits the rocks." For Tim Cook (not that Tim Cook for you Apple fans), the Saxifrage School is the two-year old effort to re-imagine college education. The school has no buildings and few permanent staff. "Saxifrage is woven into the bustle of three East Pittsburgh neighborhoods. A graphic-design course is taught in a coffee shop. A course on organic agriculture uses the boiler room in an abandoned city pool house for its seed-starting workshop. Other offerings are computer programming and carpentry & design. The courses are taught by working professionals and craftsmen, and the plan is to hire adjuncts and Ph.D students from traditional colleges to teach humanities classes as they are added." The advantage is low cost and high flexibility. And it is part of a growing trend of alternatives to traditional college education.
Marian Wang points to one of the reasons that college is so much more expensive than it appears to be: fees. Fees amount to a "second tuition" that often means that students end up paying far more than the sticker price for an education. Driven by decreased state support, colleges and universities are using these extra charges as a way to close the funding gap. Wang uses Massachusetts as a particularly egregious example: "At state schools in Massachusetts, where the state board of higher education has held tuition flat for more than a decade, "mandatory fees" wind up far outstripping the price of tuition. At the University of Massachusetts Amherst, the flagship of the UMass system, mandatory fees are more than six times the cost of in-state tuition."
Late last month, The New Statesman asked several thinkers about what purpose religion might serve for an atheist. Among the most popular answers is Karen Armstrong's: "Throughout history, however, many people have been content with a personalized deity, yet not because they "believed" in it but because they learned to behave - ritually and ethically - in a way that made it a reality. Religion is a form of practical knowledge, like driving or dancing. You cannot learn to drive by reading the car manual or the Highway Code; you have to get into the vehicle and learn to manipulate the brakes."
Blogging and the New Public IntellectualAn Ongoing Series of discussions moderated by Roger Berkowitz and Walter Russell Mead.
April 9, 2013 at Bard Graduate Center
David Frum, blogger for The Daily Beast & The Huffington Post.
David Frum is back. And he's jockeying to be the front and center of the post-Romney American conservative movement". - Eddy Moretti
Learn more here.
From the Hannah Arendt Center Blog
This week on the blog, Jennie Han considers how Arendt's idea of critical thinking was influenced by Kant's idea of a "world citizen." Jeff Champlin discusses Seyla Benhabib's essay, "Hannah Arendt and the Redemptive Power of Narrative." And Roger Berkowitz thinks about the line between human and animal consciousness.
“The Kings of Roma”
The New York Times recently ran an article about a Roma/Gypsy community from my country, Romania. I am Roma, and currently a visiting scholar at the Hannah Arendt Center studying Hannah Arendt’s understanding of Jewish identity and its relevance for making sense of the Roma experience. In this context, the NY Times story is surprising. It is not the typical story of Roma/Gypsies who are subject to expulsion, human rights violations, migration and poverty. On the contrary, it covers wealthy Roma who live in houses that look like palaces. No wonder the NYT entitled the article “The Kings of Roma.” I once visited such a house in this community, and I looked at it then the way I look at the photos in the article now: with awe and fascination. And that $ sign at the end of the stairways? Boy, it takes a lot of courage (and desire to show off wealth) to place it right in the heart of one’s mansion. If the law of attraction really works, they will continue to “attract” more and more $$$.
Karla Gaschet & Ivan Kashinsky for The New York Times.
I didn’t grow up in such a mansion, but neither did I lack housing, as many Roma still do. Rather, I lived in an average sized Romanian house. My family strived to be part of society and valued education. When I was as teenager, my parents didn’t debate whom I should marry, but rather how to afford private tutoring so I could better prepare for college admission. We Roma (as is the case with many other ethnic groups), although we share the same ethnicity, don’t necessarily share a sense of identity, values or traditions., as we ourselves learned from the very different lifestyles among Roma, even within the same region.
The NY Times article presents a different story about Roma than the usual “poverty - discrimination - petty criminality - expulsion” cycle; I like that. I welcome the possibility for a new, more nuanced narrative on Roma issues in the international media. I also cannot help but see the artistic value of the photos that accompany the piece —they remind me of Kusturica’s masterpiece “Time of the Gypsies,” or the poetic image of the Russian movie, “The Queen of the Gypsies.” But perhaps most important of all, I like it because it presents Roma who, in their peculiar and entrepreneurial way, managed to “rise above.”
Hannah Arendt addresses the "rising above" phenomenon in her book Rahel Varnhagen, referring to Jewish individuals: "They [the Jews] understood only one thing: that the past clung inexorably to them as a collective 'group; that they could only shake it off as individuals. The tricks employed by individuals became subtler, individual ways out more numerous, as the personal problem grew more intense; the Jews become psychologically more sophisticated and socially more ingenious."
Whether Jewish, Roma or members of other marginalized groups, such people are forced by the difficulty of their situation to “become psychologically more sophisticated and socially more ingenious.” One Roma man said in the NYT story that after Communism fell “one has to be dumb not to make money?” Some Roma have striven to rise above by accumulating wealth (as the subjects of this article); others by achieving social status and/or accessing a high-class education (such as yours truly). But, while having different approaches, they all enact the same phenomenon: today more and more Roma strive to develop and struggle to overcome their poor and stigmatized condition.
-Cristiana Grigore
The New Materialism: From ‘Why’ and ‘What’ to ‘How.’
“The shift from the ‘why’ and ‘what’ to the ‘how’ implies that the actual objects of knowledge can no longer be things or eternal motions but must be processes, and that the object of science is no longer nature or the universe but the history, the story of the coming into being, of nature or life or the universe....Nature, because it could be known only in processes which human ingenuity, the ingeniousness of homo faber, could repeat and remake in the experiment, became a process, and all particular natural things derived their significance and meaning solely from their function in the over-all process. In the place of the concept of Being we now find the concept of Process. And whereas it is in the nature of Being to appear and thus disclose itself, it is in the nature of Process to remain invisible, to be something whose existence can only be inferred from the presence of certain phenomena.”
-Hannah Arendt, The Human Condition
Bookending Arendt’s consideration of the human condition “from the vantage point of our newest experiences and our most recent fears” is her invocation of several “events, ” which she took to be emblematic of the modern world launched by the atomic explosions of the 1940s and the threshold of the modern age that preceded it by several centuries. The event she invokes in the opening pages is the launch of Sputnik in 1957; its companion events are named in the last chapter of the book--the discovery of America, the Reformation, and the invention of the telescope and the development of a new science.
Not once mentioned in The Human Condition, but, as Mary Dietz argued so persuasively in her Turning Operations, palpably present as a “felt absence,” is the event of the Shoah, the “hellish experiment” of the SS concentration camps, which is memorialized today, Yom HaShoah. Reading Arendt’s commentaries on the discovery of the Archimedean point and its application in modern science with the palpably present but textually absent event of the Holocaust in mind sheds new light on the significance of her cautionary tale about the worrying implications of the new techno-science of algorithms and quantum physics and its understanding of nature produced through the experiment.
What happens, she seems to be asking, when the meaning of all “particular things” derives solely from “their function in the over-all process”? If nature in all of its aspects is understood as the inter- (or intra-) related aspects of the overall life process of the universe, does then human existence, as part of nature, become merely one part of that larger process, differing perhaps in degree, but not kind, from any other part?
Recently, “new materialist” philosophers have lauded this so-called “posthumanist” conceptualization of existence, arguing that the anthropocentrism anchoring earlier modern philosophies—Arendt implicitly placed among them?—arbitrarily separates humans from the rest of nature and positions them as masters in charge of the world (universe). By contrast, a diverse range of thinkers such as Jane Bennett, Rosi Braidotti, William Connolly, Diana Coole, and Cary Wolfe have drawn on a variety of philosophical and scientific traditions to re-appropriate and “post-modernize” some form of vitalism. The result is a reformulation of an ontology of process—what Connolly calls “a world of becoming”—as the most accurate way to understand matter’s dynamic and eternal self-unfolding. And, consequentially, it also entails transforming agency from a human capacity of “the will” with its related intentions to a theory of agency of “multiple degrees and sites...flowing from simple natural processes, to human beings and collective social assemblages” with each level and site containing “traces and remnants from the levels from which it evolved,” which “affect [agency’s] operation.” (Connolly, A World Becoming, p. 22, emphasis added). The advantage of a “philosophy/faith of radical immanence or immanent realism,” Connolly argues, is its ability to engage the “human predicament”: “how to negotiate life, without hubris or existential resentment, in a world that is neither providential nor susceptible to consummate mastery. We must explore how to invest existential affirmation in such a world, even as we strive to fend off its worst dangers.”
An implicit ethic of aiming to take better care of the world, “to fold a spirit of presumptive generosity for the diversity of life into your conduct” by not becoming too enamored with human agency resides in this philosophy/faith. In the entanglements she explores between human and non-human materiality—a “heterogeneous monism of vibrant bodies” —one can discern similar ethical concerns in Jane Bennett’s Vibrant Matter. “It seems necessary and impossible to rewrite the default grammar of agency, a grammar that assigns activity to people and passivity to things.” Conceptualizing nature as “an active becoming, a creative not-quite-human force capable of producing the new” Bennett affirms a “vital materiality [that] congeals into bodies, bodies that seek to persevere or prolong their run,” (p. 118, emphasis in the original) where “bodies” connotes all forms of matter. And she contends that this vital materialism can “enhance the prospects for a more sustainability-oriented public.” Yet, without some normative criteria for discerning the ways this new materialism can work toward “sustainability,” it is by no means obvious how either a declaration of faith in the “radical character of the (fractious) kinship between the human and the non-human” or having greater “attentiveness to the indispensable foreignness that we are” would lead to a change in political direction toward more gratitude and away from more destructive patterns of production and consumption. The recognition of our vulnerability could just as easily lead to renewed efforts to truncate or even eradicate the “foreignness” within.
Nonetheless, although these and other accounts call for a reconceptualization of concepts of agency and of causality, none pushes as far toward a productivist/performative account of matter and meaning as does Karen Barad’s theory of “agential realism.” Drawing out the implications of Niels Bohr’s quantum mechanics, Barad develops a theory of how “subjects” and “objects” are produced as apparently separable entities by “specific material configurings of the world” which enact “boundaries, properties, and meanings.” And, in her conceptualization, “meaning is not a human-based notion; rather meaning is an ongoing performance of the world in its differential intelligibility...Intelligibility is not an inherent characteristic of humans but a feature of the world in its differential becoming. The world articulates itself differently...[H]uman concepts or experimental practices are not foundational to the nature of phenomena. ” The world is immanently real and matter immanently materializes.
At first glance, this posthumanist understanding of reality seems consistent with Arendt’s own critique of Cartesian dualism and Newtonian physics and her understanding of the implicitly conditioned nature of human existence. “Men are conditioned beings because everything they come into contact with turns immediately into a condition of their existence. The world in which the vita activa spends itself consists of things produced by human activities; but the things that owe their existence exclusively to men nevertheless constantly condition their human makers.” Nonetheless, there is a profound difference between them. For Barad, “world” is not Arendt’s humanly built habitat, the domain of homo faber (which does not necessarily entail mastery of nature, but always involves a certain amount of violence done to nature, even to the point of “degrading nature and the world into mere means, robbing both of their independent dignity.” (H.C., p. 156, emphasis added.) “World” is matter, the physical, ever-changing reality of an inherently active, “larger material configuration of the world and it ongoing open-ended articulation.” Or is it?
Since this world is made demonstrably real or determinate only through the design of the right experiment to measure the effects of, or marks on, bodies, or “measuring agencies” (such as a photographic plate) made or produced by “measured objects” (such as electrons), the physical nature of this reality becomes an effect of the experiment itself. Despite the fact that Barad insists that “phenomena do not require cognizing minds for their existence” and that technoscientific practices merely manifest “an expression of the objective existence of particular material phenomena” (p. 361), the importance of the well-crafted scientific experiment to establishing the fact of matter looms large.
Why worry about the experiment as the basis for determining the nature of nature, including so-called “human nature? For Arendt, the answer was clear: “The world of the experiment seems always capable of becoming a man-made reality, and this, while it may increase man’s power of making and acting, even of creating a world, far beyond what any previous age dared imagine...unfortunately puts man back once more—and now even more forcefully—into the prison of his own mind, into the limitations of patterns he himself has created...[A] universe construed according to the behavior of nature in the experiment and in accordance with the very principles which man can translate technically into a working reality lacks all possible representation...With the disappearance of the sensually given world, the transcendent world disappears as well, and with it the possibility of transcending the material world in concept and thought.”
The transcendence of representationalism does not trouble Barad, who sees “representation” as a process of reflection or mirroring hopelessly entangled with an outmoded “geometrical optics of externality.” But for Arendt, appearance matters, and not in the sense that a subject discloses some inner core of being through her speaking and doing, but in the sense that what is given to the senses of perception—and not just to the sense of vision—is the basis for constructing a world in common. The loss of this “sensually given world” found its monstrous enactment in the world of the extermination camps, which Arendt saw as “special laboratories to carry through its experiment in total domination.”
If there is a residual humanism in Arendt’s theorizing it is not the simplistic anthropocentrism, which takes “man as the measure of all things,” a position she implicitly rejects, especially in her critique of instrumentalism. Rather, she insists that “the modes of human cognition [science among them] applicable to things with ‘natural’ qualities, including ourselves to the limited extent that we are specimens of the most highly developed species of organic life, fail us when we raise the question: And who are we?” (H.C., p. 11, emphasis in the original) And then there is the question of responsibility.
We may be unable to control the effects of the actions we set in motion, or, in Barad’s words, “the various ontological entanglements that materiality entails.”
But no undifferentiated assignation of agency to matter, or material sedimentations of the past “ingrained in the body’s becoming” can release us humans from the differential burden of consciousness and memory that is attached to something we call the practice of judgment. And no appeal to an “ethical call...written into the very matter of all being and becoming” will settle the question of judgment, of what is to be done. There may be no place to detach ourselves from responsibility, but how to act in the face of it is by no means given by the fact of entanglement itself. What if “everything is possible.”?
-Kathleen B. Jones
Making the Grade
I was at dinner with a colleague this week—midterm week. Predictably, talk turned to the scourge of all professors: grading essays. There are few tasks in the life of a college professor less fulfilling than grading student essays. Every once in a while a really good essay jolts me to consciousness. I am elated by such encounters. To be honest, however, reading essays is for the most part stultifying. This is not the fault of the students, many of whom are brilliant and exuberant writers. I find it trying to wade through 25 essays discussing the same book, offering varying opinions and theories, while keeping my attention and interest. How many different ways can one ask for a thesis, talk about the importance of transition sentences, and correct grammar? For some time it is fun, in a way. One learns new things and is captivated by comparing how bright young minds see things. But after years, grading the essay becomes just part of the worst part of a great job.
Flickr, MacVicar
So how might my colleagues and I react to news that EdX—the influential Harvard-MIT led consortium offering online courses—has developed software that will grade college student essays? I imagine it is sort of like how people felt when the dishwasher was invented. You mean we can cook and feast and don’t have to scrub pots and wash dishes? It promises to allow us to focus on teaching well without having to do that part of our job that we truly dread.
The appeal of computer grading is obvious and broad. Not only will many professors and teachers be freed from unwanted tedium, but also it may help our students. One advantage of computer grading is that it is nearly instantaneous. Students can hand in their work and get a grade and feedback seconds later. Too often essays are handed back days or even weeks after they are submitted. By then the students have lost interest in their paper and forgotten the inspiration that breathed life into their writing. To receive immediate feedback will allow students to see what they did wrong and how they could improve while the generative impulse underlying the paper is still fresh. Computer grading might encourage students to turn in numerous drafts of a paper; it may very well help teach students to write better, something that professorial comments delivered after a week rarely accomplish.
Another putative advantage of computer grading is its objectivity and consistency. Every professor knows that it matters when we read essays and in what order. Some essays find us awake and attentive. Others meet my eyes as they struggle to remain open. As much as I try to ignore the names on the top of the page, I can’t deny that my reading and grading is personalized to the students. I teach at a small liberal arts college where I know the students. If I read a particularly difficult sentence by a student I have come to trust, I often make a second effort. My personal attention has advantages but it is of course discriminatory. The computer will not do that, which may be seen by some as more fair. What is more, the computer doesn’t get tired or need caffeine.
Perhaps the most important advantage for administrators considering these programs is the cost savings. If computers relieve professors from the burden of grading, that means professors can teach more. It may also mean that fewer TA’s are necessary in large lecture courses, thus saving money for strapped universities. There may even be a further side benefit to these programs. If universities need fewer TA’s to grade papers, they may admit fewer graduate students to their programs, thus going some way towards alleviating the extraordinary and irresponsible over-production of young professors that is swelling the ranks of unemployable Ph.D.s.
There are, of course, real worries about computer grading of essays. My concern is not that the computers will make mistakes (so do I); or that we lack studies that show that computers can grade as well as human professors—for I doubt professors are on the whole excellent graders. The real issue is elsewhere.
According to the group “Professionals Against Machine Scoring of Student Essays in High-Stakes Assessment,” the problem with computer grading of essays is simple: Machines cannot read. Here is what the group says in a statement:
Let’s face the realities of automatic essay scoring. Computers cannot ‘read.’ They cannot measure the essentials of effective written communication: accuracy, reasoning, adequacy of evidence, good sense, ethical stance, convincing argument, meaningful organization, clarity, and veracity, among others.
What needs to be taken seriously is not that computers can’t grade as well as humans. In many ways they grade better. More consistently. More honestly. With less grade inflation. And more quickly. But computer grading will be different than human grading. It will be less nuanced and aspire to clearly defined criteria. Are sentences grammatical? Is there a clear statement of the thesis? Are there examples given? Is there a transition between sentences? All of these are important parts of good writing and the computer can be trained to look for these characteristics in an essay. What this means, however, is that computers will demand the kind of clear, precise, and logical writing that computers can understand and that many professors and administrators demand from students. What this also means, however, is that writing will become more mechanical.
There is much to be learned here from an analogy with the rise of computer chess. The great grandmaster Gary Kasparov—who famously lost to Deep Blue— has perceptively argued that machines have changed the ways Chess is played and redefined what a good chess move and a well-played chess game looks like. As I have written before:
The heavy use of computer analysis has pushed the game itself in new directions. The machine doesn’t care about style or patterns or hundreds of years of established theory. It counts up the values of the chess pieces, analyzes a few billion moves, and counts them up again. (A computer translates each piece and each positional factor into a value in order to reduce the game to numbers it can crunch.) It is entirely free of prejudice and doctrine and this has contributed to the development of players who are almost as free of dogma as the machines with which they train. Increasingly, a move isn’t good or bad because it looks that way or because it hasn’t been done that way before. It’s simply good if it works and bad if it doesn’t. Although we still require a strong measure of intuition and logic to play well, humans today are starting to play more like computers. One way to put this is that as we rely on computers and begin to value what computers value and think like computers think, our world becomes more rational, more efficient, and more powerful, but also less beautiful, less unique, and less exotic.
Much the same might be expected from the increasing use of computers to grade (and eventually to write) essays. Students will learn to write in ways expected from computers, just as they today try to learn to write in ways desired by their professors. The difference is that different professors demand and respond to varying styles. Computers will consistently and logically drive writing towards a more mechanical and logical style. Writing, like Chess playing, will likely become more rational, more efficient, and more effective, but also less beautiful, less unique, and less eccentric. In other words, writing will become less human.
It turns out that many secondary school districts already use computers to grade essays. But according to John Markoff in The New York Times, the EdX software promises to bring the technology into college classrooms as well as online courses.
It is quite possible that in the near future, my colleagues and I will no longer have to complain about grading essays. But that is unlikely at Bard. More likely is that such software will be used in large university lecture courses. In such courses with hundreds of students, professors already shorten questions or replace essays with multiple-choice tests. Or they use armies of underpaid graduate students to grade these essays. It is quite likely that software will actually augment the educational value of writing assignments at college in these large lecture halls.
In seminars, however, and in classes at small liberal arts colleges like Bard where I teach, such software will not likely free my colleagues and me from reading essays. The essays I assign are not simple responses to questions in which there are clear criteria for grading. I look for elegance, brevity, insight, and the human spark (please no comments on my writing). Whether or not I am good at evaluating writing or at teaching writing, that is my aspiration. I seek to encourage writing that is thoughtful rather than writing that is simply accurate. When I have time to make meaningful comments on papers, they concern structure, elegance, and depth. It is not only a way to grade an essay, but also a way to connect with my students and help them to see what it means to write and think well.
And yet, I can easily imagine making use of such a computer-grading program. I rarely have time to grade essays as well or as quickly as I would like. I would love to have my students submit drafts of their essays to the EdX computer program.
If they could repeatedly submit their essays and receive such feedback and use the computer to catch not only grammatical errors but also poor sentences, redundancies, repetitions, and whatever other mistakes the computer can be trained to recognize, that would allow them to respond and rework their essays many times before I see them. Used well, I hope, such grading programs might really augment my capacities as a professor and their experiences as students.
I have real fears that grading technology will rarely be used well. Rather, it will too-often replace human grading altogether and in large lectures, high schools and standardized tests will impose a new and inhuman standard on the way we write and thus the way we think. We should greet such new technologies enthusiastically and skeptically. But first, we should try to understand them. Towards that end, it is well worth reading John Markoff’s excellent account of the new EdX computer grading software in The New York Times. It is your weekend read.
-RB
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