“Reading is equivalent to thinking with someone else’s head instead of with one’s own.”
— Arthur Schopenhauer
Communism and Commerce.
From the recent art show at the New York Armory.
“Few people think more than two or three times a year; I have made an international
reputation for myself by thinking once or twice a week.”
— George Bernard Shaw
The detention facility in Guantanamo Bay, Cuba hangs over the United States and now the Obama administration like a cloud of acid rain. In recent months hunger strikes once again have brought the injustice of the camp, the inhumane treatment of its inhabitants, and the indefinite detention of its inmates to the attention of the world. The camp is now an indelible blot on the United States, both on our reputation abroad, as well as upon our self-image as a land of constitutional republicanism. Above all it is a meaningful challenge to our self-respect.
Most of the 779 people that Wikipedia says were brought to Guantanamo were never charged with a crime. Of the fewer than 200 who remain, some no doubt are terrorists and criminals; others, equally as clearly, were unjustly captured, imprisoned, tortured. They are now being held outside rules of law and in violation of our legal and constitutional traditions of freedom. No doubt there are inconvenient questions about what to do with these men. But they are men under our collective care and they are owed more than being kept like animals in pens in purgatory.
President Obama has announced once again his decision to close the camp. We wish him the courage to do what is right. At this moment, it is worth recalling the case of Mohammed Jawad, the first Guantanamo detainee to testify under oath and to a military commission about being tortured by his American captors. Last month there was a dramatic reading of statements made by Jawad's lawyer, David Frakt, juxtaposed with statements made by the case's lead prosecutor, Darrel Vandeveld who left the military in order to help free Jawad. The reading was held at the Pen World Voices Festival of International Literature. In their statements, both men use the language of Constitutionality to suggest that, by torturing detainees such as Jawad, "America," as Frakt puts it, "lost a little of its greatness."
Here is what Vandeveld, a lifelong military man, writes of his choice to testify in favor of Jawad:
In 2007, I volunteered to prosecute detainees at Guantanamo in the U.S. military commissions. I was assigned as the lead prosecutor in several cases, including the case of Mohammed Jawad, a young man from Afghanistan. While I was a prosecutor, David Frakt helped me to find and expose gross human rights abuses of Mohammed and other detainees by the U.S. government. In September 2008, I became convinced that the prosecution of Mohammed was unjust and that the military commissions were grossly flawed. I requested to be relieved and reassigned to other duties. After stepping down from the prosecution, I worked with David Frakt to expose detainee abuse, to secure Mohammed’s release and bring about much-needed reforms to the U.S. military commissions.
Vandeveld served 24 years in the army, winning a bronze star for valor in Iraq. After his service he went to law school and became a military lawyer. His decision to ask to be relieved from his prosecution duties was, he writes, simply doing his duty: “I did it because I believe in truth, justice, the rule of law, and our common humanity. I did it for Mohammed Jawad, I did it because it was my duty, and I did it for us all.”
As the debate about closing Guantanamo heats up, this is a good time to acquaint oneself with the case of Mohammed Jawad. The transcript from the staged discussion between David Frakt and Darrel Vandeveld is a good place to begin. We are all indebted to The Mantle for publishing it. It is your weekend read.
“I have things in my head that are not like what anyone has taught me – shapes
and ideas so near to me – so natural to my way of being and thinking that it hasn’t
occurred to me to put them down.”
“[Augustine] distinguishes between the questions of "Who am I?" and "What am I?" the first being directed by man at himself […] For in the "great mystery," the grande profundum, which man is (iv. 14), there is "something of man [aliquid hominis] which the spirit of man which is in him itself knoweth not. But Thou, Lord, who has made him [fecisti eum] knowest everything of him [eius omnia]" (x. 5).”
-Hannah Arendt, Human Condition
In the Human Condition Arendt raises major concerns about the place of man but she does not intend to respond to the loss of the earth as a unique human condition with a restoration of solid ground. To the question “What am I?” the only answer is: “You are a man—whatever that may be.” In lieu of an answer that would give man a new foundation, Arendt offers a description of man's ever changing territory.
Following Augustine, Arendt claims that only God could have the distance to answer the question of "who" man is with anything resembling a concrete statement of human nature. She respects the unknown “spirit of man,” even beyond the knowledge provided by religion.
When philosophy attempts to answer this question, it ends up creating its own image of a higher power, which remains linked through projection to man. Importantly though, philosophy should still ask the question.
Some context can help to open Arendt's question here for readers in English speaking countries where philosophical anthropology never gained the same traction as in Germany. Her challenge picks up on the heated debates of the 1920s and 30s over how to take the collapse of universal values seriously without falling back to simple subjectivism that culminated in the work of Husserl and Heidegger.
In the space of four pages of Being and Time (46-49), Martin Heidegger specifies his criticism with reference to Dilthey, Bergson, Scheler, and Husserl, as well as views from ancient Greek philosophy and Genesis. Heidegger says he has focused his analytic of Dasein on the question of Being and that it cannot therefore provide the fully ontological basis of Dasein needed for "'philosophical' anthropology'" but states that part of his goal is to "make such an anthropology possible." Later though, in section 10, Heidegger provides a further explanation of his criticism of anthropology: in "the attempt to determine the essence of 'man,' as an entity, the question of Being has been forgotten."
In its turn to experience and consciousness, philosophical anthropology forgets to ask the question of ontological definition of perceptual experience (cogitationes). Heidegger thus suggests that his investigation might provide the basis for an anthropology but does not claim to actually deliver this basis. He opens the question of the definition of man, but does so to orient man (recast as Dasein) toward his relation to Being. In a parallel manner, we can understand Arendt's reading of Augustine as opening the question of the relation between the "who" and “what” man is, but not closing it. Her work here is provocative because it can not be said to be in the service of a simple secularization that removes a higher power for human measure. Nor does she wish to save or restore divine guarantee. Perhaps Augustine allows her to pose similar questions of philosophical anthropology to those raised by Heidegger, but to win some distance from her teacher so that she can open a new space of freedom of action rather than freedom of thought.
After months in which university after university signed on to the bandwagon for Massive Open Online Courses called MOOCs, the battle over the future of education has finally begun. This week Duke University pulled out of EdX, the Harvard/MIT led consortium of Massive Open Online Courses called MOOC’s.
The reason: Its faculty rebelled. According to The New York Times,
While [Duke provost Peter] Lange saw the consortium as expanding the courses available to Duke students, some faculty members worried that the long-term effect might be for the university to offer fewer courses — and hire fewer professors. Others said there had been inadequate consultation with the faculty.
The Times also reports that faculty at Amherst College, my alma mater and former employer, voted against joining EdX. Again, the faculty saw danger. My former colleagues worried that the introduction of online courses would detrimentally impact the quality and spirit of education and the small liberal arts college. They also, as our friends over at ViaMeadia report, worried that MOOCs would “take student tuition dollars away from so-called middle-tier and lower-tier” schools, pushing their colleagues at these institutions out of their jobs.
And that brings us to ground zero of the battle between the faculty and the MOOCs: San Jose State University. San Jose State has jumped out as a leader in the use of blended online and offline courses. Mohammad H. Qayoumi, the university's president, has defended his embrace of online curricula on both educational and financial grounds. He points to one course, "Circuits & Electronics," offered by EdX. In a pilot program, students in that course did better than students in similar real-world courses taught by San Jose State professors. Where nearly 40% of San Jose students taking their traditional course received a C or lower, only 9% of students taking the EdX course did. For Qayoumi and others, such studies offer compelling grounds for integrating MOOCs into the curriculum. The buzzword is “blended courses,” in which the MOOCs are used in conjunction with faculty tutors. In this “flipped classroom,” the old model in which students listen to lectures in lecture halls and then do assignments at home, is replaced by online lectures supplemented by discussions and exercises done in class with professors. As I have written, such a model can be pedagogically powerful, if done right.
But as attractive as MOOCs may be, they carry with them real dangers. And these dangers emerge front and center in the hard-hitting Open Letter that the philosophy department at San Jose State University has published addressed to Michael Sandel. Sandel is the Harvard Professor famous for his popular and excellent course “Justice,” that has been wowing and provoking Harvard undergraduates for decades. Sandel not only teaches his course, he has branded it. He sells videos of the course; he published a book called Justice based on the course, and, most recently, created an online video version of the course for EdX. San Jose State recently became one of the first public universities in the country to sign a contract paying for the use of EdX courses. This is what led to the letter from the philosophers.
The letter begins by laying out the clear issue. The San Jose Philosophy department has professors who can teach courses in justice and ethics of the kind Sandel teaches. From their point of view, “There is no pedagogical problem in our department that JusticeX solves, nor do we have a shortage of faculty capable of teaching our equivalent course.” In short, while some students may prefer a course with a famous Harvard professor, the faculty at San Jose State believe that they are qualified to teach about Justice.
Given their qualifications, the philosophy professors conclude that the real reason for the contract with EdX is not increased educational value, but simply cost. As they write: "We believe that long-term financial considerations motivate the call for massively open online courses (MOOCs) at public universities such as ours.
In short, the faculty sees the writing on the wall. Whatever boilerplate rhetoric about blended courses and educational benefit may be fashionable and necessary, the real issue is simple. Public universities (and many private ones as well) will not keep paying the salaries of professors when those professors are not needed.
While for now professors are kept on to teach courses in a blended classroom, there will soon be need for many fewer professors. As students take Professor Sandel’s class at universities around the country, they will eventually work with teaching assistants—just as students do at Harvard, where Professor Sandel has pitifully little interaction with his hundreds of students in every class. These teaching assistants make little money, significantly less than a tenured or even a non-tenured professor. It is only a matter of time before many university classes are taught virtually by superstar professors assisted by armies of low-paid onsite assistants. State universities will then be able to educate significantly more students at a fraction of the current cost. For many students this will be a great boon—a certified and possibly quality education at a cheap price. For most California voters, this is a good deal. But it is precisely what the faculty at San Jose State fear. As they write:
We believe the purchasing of online and blended courses is not driven by concerns about pedagogy, but by an effort to restructure the U.S. university system in general, and our own California State University system in particular. If the concern were pedagogically motivated, we would expect faculty to be consulted and to monitor quality control. On the other hand, when change is financially driven and involves a compromise of quality it is done quickly, without consulting faculty or curriculum committees, and behind closed doors. This is essentially what happened with SJSU's contract with edX. At a press conference (April 10, 2013 at SJSU) announcing the signing of the contract with edX, California Lieutenant Governor Gavin Newsom acknowledged as much: "The old education financing model, frankly, is no longer sustainable." This is the crux of the problem. It is time to stop masking the real issue of MOOCs and blended courses behind empty rhetoric about a new generation and a new world. The purchasing of MOOCs and blended courses from outside vendors is the first step toward restructuring the CSU.
The San Jose State philosophy professors are undoubtedly correct. We are facing a systematic transformation in higher education in this country and also in secondary education as well. Just as the Internet has revolutionized journalism and just as it is now shaking the foundations of medicine and law, the Internet will not leave education alone. Change seems nigh. Part of this change is being driven by cost. Some of it is also being driven by the failures and perceived failures of our current system. The question for those of us in the world of higher education is whether we can respond intelligently to save the good and change out the bad. It is time that faculties around the country focus on this question and for that we should all be thankful to the philosophy professors at San Jose State.
The Open Letter offers three main points to argue that it is bad pedagogy to replace them with the blended course model of MOOCs and teaching assistants.
First, they argue that good teaching requires professors engaged in research. When professors are engaged in active research programs, they are interested in and motivated by their fields. Students can perceive if a professor is bored with a class and students will always learn more and be driven to study and excel by professors who feel that their work matters. Some may wonder what the use of research is that is read by only a few colleagues around the world, but one answer is that such research is necessary to keep professors fresh and sharp. We all know the sad fate of professors who have disengaged from research.
Second, the philosophy professors accept the argument of many including myself that large lectures are not the best way to teach. They teach by the Socratic method, interacting with students. Such classes, they write, are much better than having students watch Professor Sandel engage Socratically with faculty at Harvard. Of course, the MOOC model would still allow for Socratic and personal engagement, just by much lower paid purveyors of the craft. The unanswered question is whether low-paid assistants can be trained to teach well. The answer may well be yes.
Third, the philosophy faculty worry about the exact same moral justice course being taught across the country. We can already see the disciplinary barricades being drawn. It may be one thing to teach Math to the whole country from one or two MOOCs, but philosophy needs multiple perspectives. But how many? The philosophy professors suggest that their highly diverse and often lower-middle-class students have different experiences and references than do Professor Sandel’s Harvard students. They can, in the classroom, better connect with these students than Professor Sandel via online lectures.
The points the San Jose State philosophy professors raise are important. In many ways, however, their letter misses the point. Our educational system is now structured on a few questionable premises. First, that everyone who attends college wants a liberal arts education. That is simply not true. Many students simply want a credential to get a job. If these students can be taught well and more cheaply, we should help them. There is a question of whether we need to offer everyone the same kind of highly personalized and expensive education. While such arguments will be lambasted as elitist, it is nevertheless true that not everyone wants or needs to read Kant closely. We should seek to protect the ability of those who do—no matter their economic class—and also allow those who don’t a more efficient path through school.
A second questionable premise is that specialization is necessary to be a good teacher. This also is false. Too much specialization removes one from the world of common sense. As I have argued before, we need professors who are educated more generally. It is important to learn about Shakespeare and Aristotle, but you don’t need to be a specialist in Shakespeare or Aristotle to teach them well and thoughtfully to undergraduates. This is not an argument against the Ph.D. It is important to study and learn an intellectual tradition if you are going to teach. But it is an argument against the professionalization of the Ph.D. and of graduate education in general. It is also an argument against the dominance of undergraduate curriculum by professionalized scholars.
Third, and perhaps most importantly, is the premise that everyone needs to go to college. If we put a fraction of the resources we currently spend on remedial education for college students back into public high schools in this country, we could begin the process of transforming high school into a serious and meaningful activity. For one thing, we could begin employing Ph.D.s as high school teachers as are many of the emerging early colleges opening around the country.
I am sympathetic to the philosophy professors at San Jose State. I too teach a course on Justice called “The Foundation of Law: The Quest for Justice.” It is a course quite similar and yet meaningfully different from Michael Sandel’s course on Justice. I believe it is better, no offense meant. And I would be upset if I were told next year that instead of teaching my course I would be in effect a glorified TA for Professor Sandel. I hope it doesn’t come to that, but I know it might.
The only response for those whose jobs are being replaced by computers or the Internet is to go out and figure out how to do it better. That is what happened to journalists who were fired in droves. Many quit voluntarily and began developing new models of journalism, including blogs that have enriched our public discourse and largely rejuvenated public journalism in this country. Blogs, of course, are not perfect, and there is the question of how to make a living writing one. But enterprising bloggers like Andrew Sullivan and Walter Russell Mead are figuring that out. So too are professors like Michael Sandel and Andrew Ng.
We need educators to become experimental these days, to create small schools and intensive curricula within larger institutions that make the most of the personal interaction that is the core of true pedagogy. If that happens, and if teachers offer meaningful education for which students or our taxpayers will pay, then our jobs will be safe. And our students will be better for it. For this reason, we should welcome the technology as a push to make ourselves better teachers.
The Open Letter to Michael Sandel deserves a response. I hope Professor Sandel offers one. Until then, I recommend that this beautiful Spring weekend you read the letter from the San Jose State Philosophy Department. It is your weekend read.
Monday night marked the Hudson Valley Premiere of the highly anticipated new Margarethe von Trotta feature film, Hannah Arendt starring Barbara Sukowa as Hannah Arendt. The film opens officially in New York City on May 29th.
Roger Berkowitz introduced the film to a packed house at Bard College.
After the screening, Roger Berkowitz moderated a discussion with screenwriter Pam Katz and actor Barbara Sukowa. Sukowa, who on Saturday won the LOLA award for Best Actress for her portrayal of Hannah Arendt, spoke about the challenge of making a movie that will be seen so differently by those who know Hannah Arendt's work and those who don't. Katz, who co-wrote the script with von Trotta, talked about how important it was to include archival footage from the Eichmann trial rather than having an actor play Eichmann. We will be posting video of the entire discussion soon.
I must confess, I am no Roger Ebert. I don’t write movie reviews for a living. I love movies, and watch lots of them, and often have strong opinions, like most of us. More than that I cannot claim.
But I have been deeply engaged in the life and thought of Hannah Arendt, having recently finished a book on her. And one I thing I can tell you is that at her core she was Jewish and also very American. The problem of Jewish identity was something she wrestled with her whole life, and in a very advanced way. She looked for data everywhere, even among Nazis, and she pulled ideas from everywhere, seeking to invent something new. By identity, I don’t mean just personal identity. I mean the collective identity upon which personal identities stand, and the politics that surround them. The problem for her was how an ethnic identity could be anchored in political institutions, and fostered, and protected, and yet avoids the close-mindedness and intellectual rigidity that seem inherent in nationalism. Thus too much is constantly made out of her apparent "non-Love" for the Jewish people, something which she wrote to Gershom Scholem after the publication of Eichmann in Jerusalem, which is also a key scene in this movie. Against the backdrop of her own life, however, the idea that only friends mattered sounded just a bit ironic. Arendt was not exactly a "cultivator of her garden." She spent all her time wrapped up in national and international and cultural politics. Jewish politics was a big part of her life.
So as a fan of both movies and Arendt, you can imagine how much I was looking forward to this movie. Unfortunately, I came out deeply disappointed. It’s not simply that this portrait of Arendt is frozen in amber, and celebrates the misunderstandings of 50 years ago, when Eichmann in Jerusalem had just came out. It’s not simply that it ignores the last 15 years of modern scholarship, which re- excavated her Jewishness in order to make sense of the many things in her writings and actions that otherwise don’t. It’s that it turns her story inside out. She becomes a German woman saving the Jews.
I first saw this film in Germany, and I can testify that Germans love the story when told this way. It also seems a story the director loves to tell. After seeing Arendt twice (once in Munich and once in Tel Aviv), I remembered von Trotta’s 2003 movie Rosenstrasse, and was stunned to realize it’s pretty much the same story: German women saving Jewish men. Rosenstrasse, an interesting footnote in Holocaust and legal history ends in a triumphal march with the women bringing their men home, seeming as if they’d risked life and limb. In Hannah Arendt, a similar scene is her big speech at the New School, where the evil administrators (all very Jewish looking) are shamed into submission by her brilliance, while young students (all pretty and Aryan-looking) applaud enthusiastically. Both are archetypal Hollywood “the world is good again” scenes. And both are fundamental distortions of reality, German fantasies being taken for history.
Perhaps that is the key. Perhaps in this age of Tarantino and Spielberg you are free to do what you like. The projection of historical fantasies is now a subgenre. So shouldn’t the Germans be free to enjoy their fantasies about the Jews, about Israel,about German-Jewish relations, about the meaning of German-Jewish reconciliation, you name it? Sure. But, as I’m sure you have noticed, along with passionate fans, these sorts of films always attract large measures of stinging criticism from (a) scholars peeved at gross inaccuracies, and (b) people who hate this fantasy and want a different one. Since for this film I fall into both groups, you should treat my reactions accordingly.
Hollywood conventions may be most visible in the “right with the world” scenes, but they appear throughout the film. The most Hollywood thing about it is that this is a film lionizing thinkers that doesn’t have any thinking in it. We are supposed to know from the camera and the music and the reaction shots that they are having big thoughts and that everyone is awed by them. But if you actually listen to what is supposed to be passing as big thought, Oy. Hannah Arendt and Mary McCarthy: frivolous advice about men. Martin Heidegger, who hovers over the movie like a Black Forest deity, appears via flashbacks, pronouncing things like “We think because we are thinking beings.” Young Hannah Arendt looks up, clearly smitten by such banalities. Under Heidegger’s cloud, Hannah Arendt is not only Germanized, but turned into a sentimental fool. Which is the last description anyone has ever reached for who had ever met her.
As for the Eichmann trial that frames and forms the core of the film, all I can say is don’t get me started. Arendt’s New Yorker articles and the book that came out of them were the source of endless misunderstanding, both at the time and still today. This movie not only adds to it, it builds on it. For von Trotta, “the banality of evil” is a way of normalizing the crimes of the Holocaust: anyone could have done them. Eichmann is no antisemite. Banality is the thus deepest insight, the final dismissal of charges. And it’s the Jews who miss it, and the German-speaking woman who has to tell them, for their own good, to give up on this grudge business and with it also realize their own guilt in the destruction of the Jews.
So far, so normal. Everyday Eichmann in Jerusalem is being misinterpreted like this in classrooms around the world. But there is one thing I can’t forgive, which gives the film its final conclusion, and that is the completely fabricated scene at the end where she is threatened by the Mossad. It is nonsensical for several reasons, but worse is how it is composed. It is a “walking my lonely road” scene that chimes with the very first scene of the movie, when Eichmann is walking along in Argentina just before he is grabbed. There, the Mossad men overpower him completely; he is helpless and held up to scorn. Here, she stands up to them and tells them off; they slink away, grumbling impotent before the truth. The arc is completed. The Israelis, wrong from the beginning, have finally been cowed by The Truth About How Wrong They Were, by the German speaking Athena. And for good measure she throws in a sneering crack about how the Jewish nation must have too much money if it sent four of them.
Tarantino never made up anything more inverted.
**Natan Sznaider is a Professor at the Academic College of Tel Aviv-Yaffo. Among his several books are Jewish Memory and the Cosmopolitan Order: Hannah Arendt and the Jewish Condition and two books on the sociology of the Holocaust.He was born and grew up in Germany, and is a regularly commentator in the German press. He lives in Tel Aviv.
“Every great and deep difficulty bears in itself its own solution.
It forces us to change our thinking in order to find it.”
— Niels Bohr
"It is better for you to suffer than to do wrong because you can remain the friend of the sufferer; who would want to be the friend of and have to live together with a murderer? Not even a murderer. What kind of dialogue could you lead with him? Precisely the dialogue which Shakespeare let Richard III lead with himself after a great number of crimes had been committed:
What do I fear? Myself? There’s none else by.
Richard loves Richard: that is, I am I.
Is there a murderer here? No. Yes, I am:
Then fly. What from myself?"
-Hannah Arendt, ‘Thinking and Moral Considerations’
‘Thinking and Moral Considerations’ is one of the most perfect examples of Arendt’s late writing. A distillation of her career-long thinking on thinking, the essay performs what it so elegantly urges: it is an essay on thinking that thinks.
For Arendt, the moral considerations that follow from thinking and, more grievously, from not thinking are profound. Adolf Eichmann’s “quite authentic inability to think” demonstrated to Arendt the arrival of new kind of evil in the world when she attended his trial in 1961. The airy emptiness of his speech was not the stupidity of a loathsome toad: his jabbering of cliché falling upon cliché sounded totalitarianism’s evil in a chorus of thoughtlessness. Shallowness as exemplified by Eichmann cannot be fixed or given depth by reason; no doctrine will argue the thoughtless into righteousness. Only through the experience of thinking, Arendt insisted, of being in dialogue with oneself, can conscience again be breathed into life. Thinking may be useless in itself; it may be a solitary activity that can often feel a little bit mad. Yet thinking is the precondition for the return of judgment, of knowing and saying: “this is not right.” By 1971, Arendt saw no evidence of a resurgence of thinking in the wake of atrocity.
Writing an essay on thinking that thinks and thus performing the experience of thinking is itself an act of defiance. Performing is the right verb here: Arendt knows she is staging her argument as a public spectacle. Her hero is Socrates: gadfly, midwife, stingray, provoker, deliverer and galvaniser of thinking in others. Socrates democratises perplexity. And when he has finished chatting with others, he carries on talking at home, with his quizzical, critical companion, that ‘obnoxious fellow’ with whom we are forever in dialogue -- the two with whom we make a thinking one. Arendt is fully aware that she is making a character out of Socrates. His inveterate dialogism is a model. Just as Dante’s characters conserve as much historical reality as the poet needs to make them representative, so too, she says, with her Socrates. Against the vacant image of Eichmann inanely mouthing his own eulogy in front of the hangman’s noose which opens the essay, we have Socrates: thoughtlessness versus thoughtfulness.
But what of the third character in Arendt’s essay—Shakespeare’s Richard III? The murderer who nobody wants to befriend? The villain who despite his best efforts cannot stop talking to himself?
Richard plays an odd, yet pivotal, role in Arendt’s performance of thinking. On the one hand, he is Socrates’ evil twin. Richard rejects conscience. ‘Every man that means to live well endeavours … to live without it’, he says. This is easy enough to do, says Arendt, because ‘all he has to do is never go home and examine things.’ Except, in Richard’s case, this proves difficult. He may try to avoid going home, but eventually he runs into himself at midnight; and in solitude, like Socrates, Richard cannot help but have intercourse with himself. Alone he speaks with himself in soliliquoys (from the Latin solus – alone and loqui –to speak; Arendt’s beloved Augustine is believed to have first conceived the compound). And this is what makes this villain—one who many have wanted to claim for the calculating murderousness of the twentieth century—much more like Socrates than Eichmann.
Both Socrates and Richard have the capacity to think. True, Richard thinks himself into villainy—he ‘proves himself a villain’—but this is precisely his pathos in Arendt’s drama. If it is better to suffer than to do harm, it is also better to have suffered at the hands of Richard who at least thought about what he was doing, than suffered as a number in one of Eichmann’s filing cards, the pathetic loner who joins a murderous movement not because he’s frightened of who might await him at home, but because he doesn’t even suspect anyone might be there in the first place. For all the ham-fisted productions that want him to be, Richard is not a Nazi villain in early modern disguise. Better that he could have been, of course, because then we wouldn’t have to contemplate the particular thoughtlessness of contemporary evil.
Richard is no Osama Bin Laden, Colonel Gaddafi or Saddam Hussein either, despite comparable violent last stands (and the corpse lust that attended them). This is well understood by Mark Rylance’s recent performance of Richard in the Globe Theater production that played in London last year and that is rumoured to open on Broadway soon. Rylance’s performance of Richard is like no other. It is also a performance that makes Arendt’s thinking more relevant than ever.
Rylance understands that since the War on Terror, post 9/11, Iraq, Afghanistan, after Guantanamo, rendition and drone wars, it would be a travesty to play Richard’s villainy as safely and exotically other (by contrast, in 1995 it was entirely possible to set the play in a 1930s Nazi context, and have Ian McKellen play the role for its cruel humour with a knowing nod to Brecht). Rylance’s Richard is plausible, pathetic even; he is compelling not in his all-too-evident evil but in his clumsy vulnerability. His creepy teeth sucking, and ever-twisting body mark a silent but persistent cogitation; he is a restless, needy, villain. Like a child, Rylance’s Richard grabs at his conscience— he thinks—and then chucks it away as one more ‘obstacle’, just as he spits in his mother’s face at the very moment he most desires she recognise him. In a neat echo of Arendt’s analysis of how the loneliness of totalitarianism feeds thoughtless evil, the loveless hunchback fights solitude in an effort to avoid the midnight hour; orchestrating collective murder is his defence against being alone with his thoughts. (This was observed by my theater companion who, being ten years old—and a British schoolboy—understands the connection between feeling left out and group violence well). Richard’s tragedy is that circumstances turned him into a serial killer, to this extent he is a conventional villain; his pathos, however, as this production shows, is to be poised between thinking and thoughtlessness, between Socrates and Eichmann.
‘No. Yes, I am/Then fly. What from myself?’ When Rylance speaks this soliloquy he stutters slightly, giggles and looks—as Arendt might have anticipated—a little perplexed. This is not a knowing perplexity; Richard does not master his conscience, nothing is done with the solitary dialogue, but the thinking is there even if Richard himself seems unsettled by its presence. In refusing to play Richard simply as one of the ‘negative heroes in literature’ who, Arendt argues, are often played as such ‘out of envy and resentment’, Rylance brilliantly captures the last moment before evil becomes banal.
To play Richard’s cruelty alongside his vulnerability is not to fail to recognise his villainy, as some have complained; rather, it is to dramatize the experience of thinking in the process of being painfully and violently lost. With pathos, we might think, is the only way to play Richard III today. The Globe’s production is a late, but utterly timely, companion to Arendt’s essay.
Hannah Arendt considered calling her magnum opus Amor Mundi: Love of the World. Instead, she settled upon The Human Condition. What is most difficult, Arendt writes, is to love the world as it is, with all the evil and suffering in it. And yet she came to do just that. Loving the world means neither uncritical acceptance nor contemptuous rejection. Above all it means the unwavering facing up to and comprehension of that which is.
Every Sunday, The Hannah Arendt Center Amor Mundi Weekly Newsletter will offer our favorite essays and blog posts from around the web. These essays will help you comprehend the world. And learn to love it.
Russianist Eric Naiman considers the career of the British historian A.D. Harvey, whom he believes is responsible for propagating the claim that Dostoevsky met Dickens during an 1862 visit to London. Naiman believes that, under various pseudonyms and over the course of several decades, Harvey has written a number of articles that occasionally criticize, but usually praise, his own work. Those of you thinking about grad school beware; Naiman suggests that Harvey-who, despite having written more than a dozen books of various kinds, has no academic affiliation-may have been driven to this by the scholarly life: "Even for holders of tenured university positions, scholarship can make for a lonely life. One spends years on a monograph and then waits a few more years for someone to write about it. How much lonelier the life of an independent scholar, who does not have regular contact, aggravating as that can sometimes be, with colleagues. Attacking one's own book can be seen as an understandable response to an at times intolerable isolation. How comforting to construct a community of scholars who can analyse, supplement and occasionally even ruthlessly criticize each other's work. I've traced the connections between A. D. Harvey, Stephanie Harvey, Graham Headley, Trevor McGovern, John Schellenberger, Leo Bellingham, Michael Lindsay and Ludovico Parra, but they may be part of a much wider circle of friends."
Ria Chhabra decided to check out the hype around the health benefits of organic food. She tracked the health and vitality of two groups of fruit flies, one swarming around conventional bananas and potatoes and the other given pricier organic fare. There has been great skepticism recently about the benefits of organic food. But Chhabra's results-recently published in PLOS ONE, an international, peer-reviewed, open-access, online publication-show increased fertility, lower stress, and longer lives for the flies fed organic produce. What makes this study especially fascinating, is that Chhabra is only 16. Read the story of how her high school science project is making waves throughout the world of science.
Christina Davis ponders the meaning of the space in the title of T.S. Eliot's "The Waste Land." She suggests that his use of "waste" as an adjective gives it a temporal quality, one that suggests an impermanent state: "In this phrase, he was likely echoing St. Augustine's concern about the ossification of certain written words into an orthodoxy: "I should write so that my words echo rather than to set down one true opinion that should exclude all other possibilities.""
Terence Malick offers a cinema inspired by grand conceptual oppositions and profound experience. In Tree of Life, Malick meditates on the tension between grace and will. In his new film, To the Wonder, Malick offers archetypes of the artist, the rationalist, the personal experience, and passion. In The New Yorker, Richard Brody rightly revels in the magic of the film: "What Malick is after-by way of his archetypes and through his images-is religious experience as such, and he defines it in a scene set in the priest's church. There, an elderly, gray-bearded black man who is cleaning the stained glass speaks and tells the priest what he's missing-"You've got to have a little more excitement"-and, a moment later, shows him what he means, exclaiming, "The power hits you!" and speaking, excitedly, in tongues, then putting his hand on the stained glass and saying that he feels the warmth of the light."
Nick Murray interviews landscape architect Diana Balmori about the changing role of her profession. Balmori, for her part, emphasizes that it is not enough to simply return a landscape to nature, nor to conquer it somehow. Instead, she says that she tries to build in a way that strengthens relationships between an environment and its inhabitants.
Music in the Holocaust: Jewish Identity and Cosmopolitanism
Part Three: Kurt Weill and the Modernist Migration: Music of Weill and Other Emigres
Learn more here.
The word designating military drones comes from the word for bee. This is true all over the world, in countless languages. Partly because of this linguistic consistency, it is a common misperception that drones take their name from the buzzing sound when unmanned aircraft fill the air. More accurately, however, drones trace their etymological lineage to the male honey-bee that is called a drone. The male drone-bee is distinguished from the female worker-bees. It does no useful work and has one single function: to impregnate the queen-bee. What unites military drones with their apiary namesakes is not sound, but thoughtless purposefulness.
The beauty of the drone-bee—like the dark beauty of the military drone—is its single-minded purpose. It is a miracle of efficiency, designed to do one thing. The drone-bee is not distracted by the perfume of flowers or the contentment of labor. It is born, lives, and dies with only one task in mind. Similarly, the military drone suffers neither from hunger nor from distraction. It does what it is told. If necessary, it will sacrifice itself for its mission. It is a model of thoughtless efficiency.
A few weeks ago I wrote about Ernst Jünger’s novel The Glass Bees, in which a brilliant inventor produces tiny flying glass bees that offer limitless potential for surveillance and war. Today I turn to Jake Kosek’s recent paper “Ecologies of Empire: On The New Uses of the Honeybee.” Kosek does not cite Jünger’s novel, and yet his article is in many ways its non-fiction sequel. What Kosek sees is that the rise of drones in military strategy is tied deeply to their ability to mimic the activity and demeanor of male honey-bees. It is because bees can fly, swarm, change direction, alter their course, and yet achieve their single purpose absent any intentionality or thinking that bees are so useful in modern warfare.
Bees have long been associated with military endeavors, both metaphorically and literally. Kosek tells that our word bomb comes from the Greek bombos, which means bee. The first bombs were, it seems, beehives dropped or catapulted into the heart of the enemy camp. Bees are today trained to sniff out toxic chemicals; and beeswax was for generations an essential ingredient in munitions.
In the war on terror, bees have taken on a special significance. The “enemy’s lack of coherence—institutionally, ideologically, and territorially— makes the search for the enemy central to the politics of the war on terror.” War in the war on terror is ever less a contest of armies on the battlefield and is increasingly a war of knowledge. This means that surveillance—for centuries an important complement to battlefield tactics—comes to occupy the core of the modern war on terror. In this regard, drones are essential, as drones can hover in the air unseen for days, gathering essential intelligence on persons, groups, or even whole cities. All the more powerful would be miniature drones that fly through the air unseen and at ground level. That is why Kosek writes that “Intelligence gathering [is] not just limited to psychologists, sociologists, lawyers, and military planners, but [has come] to include biologists, anthropologists, epidemiologists, and even entomologists.” What the military use of bees promises is access to information and worlds not previously open to human knowledge. Bees, Kosek writes, are increasingly the model for the modern military.
The advantage of bees is not simply their thoughtlessness, but is found also in their ability to operate as part of a swarm. Current drone technology requires that each drone be controlled by a single pilot. What happens when hundreds of drones must share the airspace around a target? How can drones coordinate their activity? Kosek quotes a private contractor, John Sauter, who says:
“A central aspect of the future of warfare technology is to get networks of machines to operate as self-synchronized war fighting units that can act as complex adaptive systems. . . We want these machines to be fighting units that can operate as reconfigurable swarms that are less mechanical and more organic, less engineered and more grown.”
The point is that drones, be they large or small, must increasingly work in conjunction with each other at a speed and level of nuance that is impossible for human controllers to manage. The result is that we must model the drones of the future on bees.
The scientists working with the Pentagon to create drones that can fly and function like bees are not entomologists, but mathematicians. The DNA of the glass or silicone bees of the future will be complex algorithms inspired by but actually surpassing the ability of swarms “to coordinate and collect small bits of information that can be synchronized to make collective action by drones possible.” Once this is possible, one controller will be able to manage a single drone “and the others adapt, react, and coordinate with that drone.”
Kosek’s article is provocative and fascinating. His ruminations on empire strike me as overdone; his insights about the way our training and use of bees has transformed the bee and the ways that bees are serving as models and inspiration for our own development of new ways to fight wars and solve problems are important. So too is his imagination of the bee as the six-legged soldier of the future. Whether the drones of the future are cyborg bees (as some in Kosek’s article suggest) or mechanical bees as Jünger imagined half a century ago, it is nevertheless the case that thinking about the impact of drones on warfare and human life is enriched by the meditation on the male honeybee. For your weekend read , I offer you Jake Kosek’s “Ecologies of Empire: On The New Uses of the Honeybee.”
When Gershom Scholem once wrote to Arendt that her phrase the “banality of evil” was a cliché, her response was swift: As far as she had known, nobody had ever used it before. The banality of evil was no common formulation worn meaningless by overuse. When she coined the phrase, it was a searing and dangerous provocation to thought, a warning to all those who in the face of horrific crimes carried out by bureaucrats would seek to transform those bureaucrats into monsters. To make people like Eichmann into radically evil monsters is, Arendt argued, to mistake an even greater and more insidious fact about evil: that in the modern context of bureaucratic governance, evil depends upon banal people who allow themselves to participate in evil because they are thoughtless and lack the clarity of mind or the courage of conviction to stand up to the mechanized and bureaucratized doing of evil.
One can disagree with Arendt’s thesis, but it was hardly a cliché. Unfortunately, too often today it is used as the cliché Scholem feared it had already become. A case in point is an opinion piece in Wednesday’s Wall Street Journal by James Taranto.
Taranto is discussing a current case in which Dr. Kermit Gosnell is on trial for murdering seven viable fetuses.
Three associates have pled guilty to third-degree murder and five others have pled guilty to other crimes. Gosnell faces the death penalty. According to the New York Times, whose account Taranto refers to,
Reporters heard testimony from the Philadelphia medical examiner about unsanitary, even filthy conditions at Dr. Gosnell’s clinic, from which the remains of 47 fetuses were removed, some in a water jug, a juice carton and a pet-food container.
In earlier testimony, according to several news reports, an unlicensed doctor said that Dr. Gosnell, 72, showed him how to cut the necks of babies born alive to make sure they died, and a young woman who worked at the clinic as a teenager said she assisted in abortions in which she saw at least five babies moving and breathing.
The details are grisly. The main thrust of Taranto’s article is that the liberal media is ignoring the case because it upsets their narrative that abortions are clean and easy. According to experts cited in the Times article, it seems that conservative media outlets have ignored the case as well, and that the Times actually had given it more coverage than more conservative papers, but I will leave that argument to others.
What interests me more is Taranto’s sudden invocation of Hannah Arendt and her thesis of the banality of evil. The context is the guilty pleas of the eight employees of Gosnell’s clinic. They included an unlicensed doctor and untrained aids who worked under difficult and unsanitary conditions where they were trained how to break the neck of living fetuses. An Associated Press wire story described the fate of these workers and concluded: “But for most, it was the best job they could find.” This is what leads Taranto (through the route of a reader’s comment and a 1999 essay in the New York Observer) to compare the AP’s account of eight medical technicians with Hannah Arendt’s account of Adolf Eichmann.
It is not at all clear whether Taranto has ever set eyes upon Arendt’s book, for he cites only an essay on the book. It is, of course, the height of cliché to speak about books and ideas from second or third hand sources. But that is what Taranto does. He repeats the following claims from the 1999 article, all false: first, that Arendt believed that Eichmann wasn’t anti-Semitic (she reports his claim, but dismisses it as unbelievable, a fact all-too-often forgotten); that she offered the banality of evil as an “overarching theory”; that she “took him at his word” that he was just following orders; that she was a philosopher; and that she was the “world’s worst court reporter”—as if that is what she were.
But what is truly mind-boggling is that after dismissing Arendt’s thesis based on second-hand accounts, Taranto then comes to agree with her. He writes:
And while Rosenbaum [the author of the 1999 article] seems correct in rejecting "the banality of evil" as an overarching theory, surely it has some explanatory or descriptive power. "Faceless little men following evil orders" surely is a fitting characterization of the Pennsylvania bureaucrats who, because of a mix of indifference, incompetence and politics, failed in their oversight of Gosnell's clinic and allowed it to keep operating for decades.
It's also true that banality is a tactic of evil, a method it employs to make orders easier to follow. One of Gosnell's employees might have blown the whistle on him had he expressly commanded them to slash babies to death after they were born, rather than to "snip" them after they "precipitated" to "ensure fetal demise."
All too often we see this approach to Arendt’s book and thesis. She is excoriated for getting Eichmann wrong and for having the temerity to suggest he wasn’t a monster. And then we are told that actually, she was largely right, and that there is something fundamentally true about the idea that evil is done and made possible as much by thoughtlessness as by fanaticism. In other words, she was right in general but not about Eichmann.
Such an argument has become popular in the wake of David Cesarani’s book on Eichmann, which simultaneously says that Arendt under emphasized Eichmann's anti-Semitism and then accepted her argument about the banality of evil. There is a legitimate debate about how Arendt perceived Eichmann. It is wrong to say that she accepted his claims of being a friend of Jews and it is simply inaccurate to think she thought he was not an anti-Semite. That said, there is evidence of his later anti-Semitism expressed in Argentina that Arendt had not seen. Does that evidence impact her thesis? I don't believe so, but if she had had access to it and included it, such remarks would have given a fuller appraisal of Eichmann. In any case, few who repeat Cesarani's argument have read him or for that matter Arendt herself.
To reject and embrace the banality of evil in the same essay is too simple. It is easy to repeat Arendt’s insight but then protect oneself from the unsettling implications the weight of her thought must bear. To do so, sadly, is to treat the banality of evil as a cliché. She and her work deserve better.
In honor of Christopher Hitchens' birthday (4/13), this week's thinking quote comes
from God is Not Great.
"We may differ on many things, but what we respect is free inquiry,
openmindedness, and the pursuit of ideas for their own sake."